Podcasts about brighter summer day

We inaugurate the brilliant Taiwanese master Edward Yang with a conversation about his transcendent 1994 social satire A Confucian Confusion. Following up his staggering masterwork A Brighter Summer Day, Yang turned his attention to Taipei in the 1990s at the height of its rapid evolution into a port city of global capital and the effects this shift had on the value systems and relational dynamics of the city's people. Evoking the slapstick and breackneck pacing of more popular modes of cinema - including the American romantic comedy - the film follows a large ensemble of Taipei's young professionals caught up in the frenzy of capitalism's mechanisms of social order, all in pursuit of an irresolute alternative that can liberate them from their self-made misery and help them achieve something approaching an honest, authentic way of life. We begin with a conversation about Yang as artist, his preoccupations, his distinct convergence of heart and wit. Then, we break down A Confucian Confusion's ensemble, how the characters reflect Yang's feelings about Taipei's consumer-friendly, corporatized status, and how honest desire is sublimated into the cold calculus of business language - a phenomenon that presages and predicts modern tech culture and its bastardized language of wellness and attunement. Finally, we discuss the film's unique and delicate balance of trenchant political satire and touching character drama; how Yang achieves a profound and honest reflection of the minor victories and acts of liberation we can achieve within a totalizing capitalist milieu. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

We've finally done it: all seven Edward Yang films discussed on Deep Cut. The only podcast to give Edward Yang the time and space he deserves as one of the all time greatest directors (and Wilson's favorite director)!We end our coverage on Yang with what is considered to be his magnum opus, 1991's A Brighter Summer Day, an intimate epic of teenage angst, romance, and rebellion that also captures Taiwan in a specific era of political and social turbulence with incredible detail. Together, we discuss ABSD's unique visual palette compared to Yang's other non-period work, and go in depth into its thematic concerns regarding Taiwan on a scale both personal and national. Wilson highlights the virtuosic blocking in large crowd scenes, Eli makes a case for proper education as the salve for social ills, and Ben asks, can a film be “too perfect”?Are you lonesome? Join our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:BFI: Edward Yang interview by Tony RaynsCriterion: Interview with screenwriter Hung HungCriterion: Chang Chen on ABSDTimestamps:(00:00) Intro(17:57) Synopsis and background(25:16) Directorial style(32:09) Subjectivity and Chang Chen's performance(39:14) Misogyny and control(47:07) Ming's characterization(52:48) Historical context(55:35) Tribalism and nihilism(59:53) “Novelistic”(01:04:57) Si'r as spectator(01:07:39) What is the movie about?(01:13:26) Education(01:18:54) Individual vs societal responsibility(01:23:09) Gang violence(01:30:41) Blocking(01:34:56) The film studio(01:42:39) The Little Park Boys(01:48:07) Favorite moments(01:52:14) “Perfect” films(01:55:11) Scale(01:58:10) Yang series wrap-up

During the junket for Spaceman, Paul Dano revealed his Favourite Four Films for Letterboxd. Matt and Daryl are joined by returning legend, Iana Murray to discuss two of those picks. The first was Paul Thomas Anderson's Punch-Drunk Love (2002). The second is Edward yang's A Brighter Summer Day (1991). Here's a link to Iana's work. You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our intro themes and interludes over on Bandcamp. The intro theme was performed by Daryl Bär and produced by Mike Hall. Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com 

Velkommen til Filmfeber - podcasten som dekker alt av ulike sjangere og epoker i filmhistorien. Et utvalg fra den taiwanske nybølgen har rullet over lerretet på Cinemateket i Oslo denne senhøsten, og vi har selvsagt fått med oss en del av godbitene. I denne episoden prater vi om to utvalgte filmer fra Edward Yangs filmografi - A Brighter Summer Day (1991) og Yi Yi (2000). God lytting!

I denne episoden snakker vi om film fra Taiwan i anledning Cinemateket i Oslo sin visningsserie Taiwanske bølger, og setter Tsai Ming-liangs spillefilmdebut Rebels of the Neon God (1992) i sentrum for samtalen. Hou Hsiao-hsien er ved siden av Edward Yang den viktigste filmskaperen i Taiwans nye bølge, som sprang ut av en gruppe unge regissører og manusforfattere i Taipei tidlig på 1980-tallet. (Her kan dere høre vår episode om Yangs Taipei Story.) På 1990-tallet, i den "neste" bevegelsen i bølgen, skrev den ti år yngre Tsai Ming-liang seg inn i toppsjiktet. Ikke bare fikk han en brakdebut med Rebels of the Neon God (1992), men han vant Gulløven i Venezia allerede for andrefilmen, Vive L'Amour (1994), og fulgte opp med flere markante filmer innover på 2000-tallet, bl.a. Goodbye, Dragon Inn (les vår sak) og The Wayward Cloud. Vi diskuterer hvordan Yang, Hou og Tsai representerer både fellestrekk og ulike innganger til noen av den nye taiwanske filmens særegenheter, og ved siden av Montages-redaktørene Karsten Meinich og Lars Ole Kristiansen gjør manusforfatter og skuespiller Tarjei Sandvik Moe sin Filmfrelst-debut i panelet – og forteller bl.a. om helt ferske møter med klassikere som A Brighter Summer Day og Yi Yi, som han har sett for første gang i anledning Cinematekets pågående retrospektiv. God lytting!

Send us a textIn today's episode, I interview Birdy Wei-Ting Hung, the director of the experimental short film "A Brighter Sunny Day for the Lady Avengers." The film looks at the experience of a young girl in 1980s Taiwan and was selected as a winner for the 2024 Student Academy Awards.Listen to hear how the film was inspired by two other films, how important formative film experiences are, and the importance of the sound to create the world of the film.Books mentioned in this episode include:Abject Pleasures in the Cinematic: The Beautiful, Sexual Arousal, and Laughter by Aaron KernerMinor Feelings: An Asian American Reckoning by Cathy Park HongFilms mentioned in this episode include:"A Brighter Summer Day for the Lady Avengers” directed by Birdy Wei-Ting HungThe Lady Avenger directed by Yang Chia-YunA Brighter Summer Day directed by Edward YangKill Bill Vol. 1 directed by Quentin TarantinoKill Bill Vol. 2 directed by Quentin TarantinoAmer directed by Hélène Cattet & Bruno ForzaniFemale Prisoner 701: Scorpion directed by Shunya ItōSuspiria (1977) directed by Dario ArgentoSuspiria (2018) directed by Luca GuadagninoLady Snowblood directed by Toshiya FujitaAll the Colors of the Dark directed by Sergio MartinoThe film showed at Fantastic Fest in Austin, TX last month and can be seen this month at the Kaohsiung Film Festival in Taiwan from October 12-27.Read Birdy's essay about the two films that inspired her work at MaiFeminism.com.

On this episode of What a Picture, Bryan and Hannah try to fix their podcasting equipment using parts from their radio but end up breaking both... eventually, they discuss A Brighter Summer Day, the 1991 movie directed by Edward Yang that ranks #78 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

The 1991 film A Brighter Summer Day, directed by Edward Yang, is considered by many one of the best movies ever made. The film is set in Taiwan, shortly after the Chinese Civil War, when the country was under martial law, with a political and cultural pressure felt at every level of society. At the center of this intricately plotted four-hour drama is the family of fourteen-year-old Xiao Si'r, whose strong sense of honor and justice is pulled in various directions as he gets caught up in a youth gang and romantically entangled with the girlfriend of a disappeared gang leader. But more than that, this incredibly textured four-hour drama gives the sense of a whole uneasy social fabric. As this is the first Chinese-language film the Criteria hosts have covered, they are joined by film festival programmer Frank Yan, who provides crucial historical and cultural context about Taiwanese history and cinema. SIGN UP for Catholic Culture's newsletter: https://www.catholicculture.org/newsletters DONATE to make this show possible! http://catholicculture.org/donate/audio Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

A Brighter Summer Day (1991) directed by Edward Yang. The intricacies of young love, masculinity, and identity are illuminated through the eyes of a 14-year-old Taiwanese boy as he moves through a pivotal era in his life. This is The Recommendation Game, a bi-weekly podcast where two film lovers take turns to recommend a film the other has not seen, they watch and then skype to discuss it. Spoilers are a given. We are Ricardo Deakin and Orla McNelis, two filmy types who love waffling. Catch us on Dublin Digital Radio every second Monday: listen.dublindigitalradio.com/home Follow us on Twitter: twitter.com/therecgame Like us on Facebook: www.facebook.com/therecommendationgame/

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We've reached the halfway point of 2024, which means it's time to sit down with the joint CEOs of Hit Factory LLC and discuss some of the best films of the year, recent finds, and new additions the CarleeCore™ Canon.Sit back as Carlee (the preeminent online authority on horny movies) shares her read on Luca Guadagnino''s 'Challengers', Aaron talks through a few international features topping his best of the year list, and we both explain why 'The People's Joker' director Vera Drew is the new Tony Scott.....Our theme song is "Mirror" by Chris Fish.

Welcome to The Rad Wrap: a series on series, where Kylie and Elliott explore films with a common thread. In this episode, they are joined by their friend and fellow educator Thomas Wishloff. They reflect on Thomas's Metro Cinema series Slowed Down Sundays and the four films in this year's curation. Along the way, they ask what it means to have faith in things, discuss a movie worth writing a master's thesis on, wish for cinema debrief spaces, and think about what lens to watch a film through. The films in Slowed Down Sundays 2024 are: Solaris (1972), A Brighter Summer Day (1991), I Do Not Care If We Go Down In History As Barbarians (2018), and Once Upon A Time In Anatolia (2018). Find Thomas and other great writer's thoughts on film at In The Seats. Follow along onInstagram: @baddad.raddadLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Au menu cette semaine: The Gentlemen, A Brighter Summer Day, Reacher, The Fall of the House of Usher, House of Usher, The Pit and the Pendulum, Minority Report, The Adventures of Tintin, Tropic Thunder et bien plus.

This week, the escalator was broken, so we took the long way down. The very long way, into to the depths. 'A Brighter Summer Day', by FilmBabble favorite Edward Yang, is a four-hour long epic, not to be compared to nor viewed lightly. Special guest Henry Merker holds our hand as we try to shed some light on all this darkness.Intro/outro music: 'Trouble of the World' performed by Mahalia JacksonA BRIGHTER SUMMER DAY (1991), Taiwan, written by Hung Hung, Lai Ming-tang, Edward Yang, Alex Yang, and Yan Hong-ya, directed by Edward Yang, cinematography by Chang Hui-kung and Li Long-yu, featuring Chang Chen, Lisa Yang, and Chang Kuo-chu.

Ant Tells us about a Q&A he went to with legendary Cinematographer Roger Deakins, Then we talk about new trailers (Furiosa), Nicolas Cage retiring, and an upcoming Donald Trump movie Movies reviewed this Episode: Maestro, May December, Godzilla Minus 1, Saltburn, Fallen Leaves, Dream Scenario, A Brighter Summer Day, It's a Wonderful Knife, Orca  Assign us a movie to watch! Join our ⁠⁠⁠Patreon: ⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠patreon.com/TheHollywoodPersona⁠⁠⁠⁠⁠⁠ Follow us: @TheHollywoodPersona on ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠ @mitchydaily on ⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Letterboxd ⁠⁠⁠⁠⁠⁠ Ant on Letterboxd: ⁠⁠⁠⁠⁠⁠https://letterboxd.com/antsmovies/⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠More of Mitch's stuff on Linktree⁠⁠⁠⁠⁠⁠ https://linktr.ee/Mitchburns Email us questions or comments at: thehollywoodpersona@gmail.com ⁠⁠⁠⁠⁠⁠Join the CinemAddicts Facebook Group⁠⁠⁠⁠⁠⁠ and the ⁠⁠⁠⁠⁠⁠Film Vault Fan group Facebook Page⁠⁠

Big Movie news, with the Shake-up over at the Scream Franchise with the firing of the lead cast member, as well as other news such as a "Fallout" TV show, Willem Dafoe Joins Beetlejuice 2, and much more. We also have too many reviews, Ant has an Early review of American Fiction, Then we discuss Napoleon, Rustin, May December, Saltburn, Dream Scenario, some brief reviews of Elemental, Radical, Night of the Hunted, Anna and the Apocalypse, and No Hard Feelings And then we dive into the Matt Voltz assigned movie 'A Brighter Summer Day'. Thanks Matt! We finish up with a bunch of movies you can see at home now, soon, and What is in theatres this weekend! Timestamps: (0:00) - Intro (2:00) - Movie News (29:00) - Box Office News (36:00) - American Fiction Review (42:25) - Napoleon Review (1:02:50) - May December Review (1:12:00) - Rustin Review (1:16:30) - Saltburn Review (1:23:06) - Dream Scenario Review (1:29:47) - Elemental, Night of the Hunted, No Hard Feelings, Anna & the Apocalypse reviews (1:38:00) - Radical Review (1:41:00) - A Brighter Summer Day Review

Owen and Ralph discuss Edward Yang - the golden boy of the Taiwanese New Wave. Yang rose to fame with elliptical films like Taipei Story and The Terrorisers - which depicted intimate relationships, strained by modernity and Taiwain's unique east/west ambivalence. His dense period piece A Brighter Summer Day established a fascination with family dynamics, which he pushed further with his canonised swansong Yi Yi. 

Another birthday episode? That's right! Season 7 is jam-packed with 5 birthdays episodes, and ending them all is Lukas' birthday choice. We have lost Seth and Devon this week, which means the paper towel pals are ready to dissect this movie and go balls deep in some information. In this episode, we discuss an arthouse, Taiwanese, Chinese dialect, 4 hour long film, just in spite of the shit movie we have done so far this season. What common American films does this movie have strong themes and similarities to? When was the last time you did a good ol' lady slap? And a 4 hour film is correlated to how big of a penis? Tune in this week to find out all these and more, but only on "The Good, The Bad, & The Movies"! P.S. Check out these links below to stay connected with TGTBTM: Discord: https://discord.gg/rKuMYcKv Youtube: https://youtu.be/tCgEUpMPmbw --- Send in a voice message: https://podcasters.spotify.com/pod/show/tgtbtm/message

In this episode we discuss two movies from Edward Yang. A Brighter Summer Day and Yi Yi. Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Send in a voice message: https://podcasters.spotify.com/pod/show/silverscreenvideo/message Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support

Innan vi tar ett litet sommaruppehåll så bjuder vi på ett sommaravsnitt och vad passar väl bättre än att snacka lite om Ingmar Bergman, inte minst med tanke på att årets Bergman-vecka är i full gång på Fårö. Han har ju ett gäng sommar-filmer i sin filmografi men vi har riktat in oss på Sommaren med Monika, filmen som tog hans karriär till nästa nivå och samtidigt hjälpte till att göra den "svenska synden" till ett vedertaget begrepp.  Övriga filmer går i samma somriga tema; Hille har besökt franska rivieran och kollat på den amerikanska filmatiseringen av den franska boken Bonjour Tristesse från 1958, Felix åkte till Brooklyn och såg den ständigt relevanta Spike Lee-filmen Do the Right Thing från 1989 och Krille tog en tripp till Taiwan och överraskades av ungdomsvåldet i 1991 års A Brighter Summer Day. Krille listar även sina fem bästa fiktiva semestermål.

In the forty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmakers Mario Ruiz and Jordan Berry to discuss the dense and detailed immersion into the memory of a nostalgic yet indifferent Taiwan of the past as it weaves in commentary on masculinity, identity, and fractured politics into a tragic coming-of-age downward spiral that defines Edward Yang's beautiful yet daunting A Brighter Summer Day (1991).

 This week, a pair of very different, but also surprisingly similar, coming-of-age stories: the electrifying new “Across the Spider-Verse” and Edward Yang's ‘91 masterpiece “A Brighter Summer Day.” Plus Adam on the new doc “Lynch/Oz.”   -Review: “Spider-Man: Across the Spider-Verse (02:28) -Review (AK): “Lynch/Oz” (29:29) -Next Week/Notes (38:14) -Polls (45:19) -Marathon Review: “A Brighter Summer Day” (55:26) (Times may not be precise with ads) Resources/Links: Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm https://letterboxd.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

2023 was the year that Overlapping Dialogue went out of control. No one knew where it might land. It soared above the ozone layer like a lethal bird of prey. The whole world was alarmed. Only Kyle & Levi couldn't care less... In our second episode celebrating the cinema of the 1990s, we hitch a ride in the way-back machine and head straight ahead into the year of 1991 with a double feature that would collectively captivate you for nearly 9 hours: A Brighter Summer Day & Until the End of the World! But before we travel through the weighty contexts surrounding both films, we dig into a Blue Plate Special that belatedly celebrates the 2008 HBO miniseries John Adams and finds a distressing degree of comfort in the two most recent entries in the Evil Dead franchise (2013's Evil Dead and the newly released Evil Dead Rise). We make quick work of the deadites and eventually arrive to this episode's marquee pairing: listen as we marvel at the revelatory slice of life cinema of Edward Yang, the reflective yet rollicking magnum opus of Wim Wenders, and ponder the ways in which both works reflect upon and conclude a 20th century reaching its uncertain conclusion. Stay till the at once sweet yet bitter end for a very special gift, Mr. Wenders himself! In his his second appearance on the pod (albeit his first as a communicatory android), the German New Wave auteur reflects on a whole host of topics, ranging from Sam Neill Pop Funko vinyls, his failed attempt to remake Fantasia in live action in the late 90s, and the unforeseen ways Gary Busey impacted his life forever. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

Si'r and the other rebel youths of 1959 Taipei aren't misguided – they just aren't guided. In A BRIGHTER SUMMER DAY, Taiwanese director Edward Yang investigates the broadly social and intensely personal conditions that might've led to a teenage murder that occurred during his youth. Si'r and his friends (and his enemies) exist in the vacuum of identity between nations and generations, between warring street gangs, between seasons – searching always for themselves, or something they can call it. - Get tickets to EDWARD YANG, GIANT OF TAIWANESE CINEMA (March 2023 at the Trylon): https://www.trylon.org/films/category/edward-yang-giant-of-taiwanese-cinema/ Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro ambience from A BRIGHTER SUMMER DAY. Timestamps 0:00 - Episode 217: A BRIGHTER SUMMER DAY (1991) 2:58 - The episode actually starts 3:45 - The Patented Aaron Grossman Summary (under exclusive license from AG Enterprises, Ltd.) 6:19 - Investigating what leads youth like Si'r to violence 23:21 - Honey, hauntology & Western idealism 34:04 - Nighttime as a place where anything can happen 42:30 - Misheard lyrics, our memories, our selves 49:21 - Lighting, staging & the pain of the teenage experience 58:06 - Stewing in people's problems 1:10:37 - The Junk Drawer 1:13:21 - Good Grief, Give Me a GIF! 1:18:42 - Cody's Noteys: Our Four Hours (four hours-themed trivia)

Welcome back to the GGtMC!!! This week Will and Uncool Cat Chris cover A Brighter Summer Day (1991) directed by Edward Yang!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Welcome back TWGFT fans and a happy new to you! We are getting it off in fine form with two movies the boys purchased for each other during the holiday season! These two films are very different and are the start to a new and extremely unique year of the show. You'll hear it in the body but we have a new format for how we will be selecting films every other week! 0:00:00 to 0:02:07 Preamble & Music: ...Happy New Year! 0:02:08 to 0:08:28 Opening and The Best Thing You Saw This Week 0:08:29 to 0:11:10 The First Film and "What's that sir did I used to be a magician? Sir I'm still working on it!" 0:11:11 to 0:40:00 The Conversation and Ratings 0:40:01 to 0:43:08 The Second Film and "A Brighter Summer Day!" 0:43:09 to 1:08:05 The Conversation and Ratings 1:08:06 to 1:15:23 What is happening on the next TWGTF and Outro Spoiler Alert: The second movie is 4 hours long. Start with a meal and your weed! Halfway through have a coffee then finish it up strong!

The Secret Movie Club Team (Connor Lloyd Crews, Edwin Gomez, Daniel Ott, and Craig Hammill) delves into Edward Yang's 1991 masterpiece, A Brighter Summer Day, a sprawling four-hour Taiwanese crime film about teen gangs in 1950s Taipei. The Team also investigates other international movies with some noir in them! Craig loves Almodóvar's Live Flesh. Daniel goes back to classic Korean film, The Housemaid. Connor brings up High & Low and half-remembers some other Kurosawa noirs. And – shocker – Edwin talks about Jackie Chan!

Thanks for your patience Yin & Young listeners! We're back after a break to bring you this episode with filmmaker Mayu Nakamura! In this short episode, we were lucky to have a chance to chat with Mayu about her experiences growing up in Japan, studying/working abroad, and what stories she wants to tell as a filmmaker. Website: https://mayunakamura.com/ Twitter: https://twitter.com/missyn510 Instagram: https://www.instagram.com/mayun510/ HIGHLIGHTS: * Worked in documentaries after graduating with an MFA from New York University. * Released a recent omnibus feature film called, “She is me, I am her.” 「ワタシの中の彼女」 * James and Mayu met through a mutual filmmaker friend and connected in Japan. * Grew up in Japan, but went to study abroad at young age in London and eventually the U.S. * Plans on splitting her time between Japan and the States. * Believes the Japanese film industry is slowly trying to move towards being more inclusive and promoting diversity. * Some of the topics she explores in her films are sexism and ageism. * Movies that she revisits regularly are “Days of Being Wild” 「阿飛正傳」, ”Typhoon Club” 「台風クラブ」, “A Brighter Summer Day” 「牯嶺街少年殺人事件」。 ———— Follow us on FB & IG: @yinyoungpodcast. Like/comment to helps others find our work! Yin & Young is produced by James Y. Shih and Daniel Yin. Support us on Patreon: patreon.com/yinyoungpodcast Questions, comments, sponsors—email: yinyoungpodcast[at]gmail.com

Dans le Secret des Dieux présente le troisième et ultime volet d'une série de dossiers consacrés au Metal en Extrême-Orient, dirigée par le désormais familier Aurélien Rossanino lăoshī. Après le Japon puis la Chine, on s'envole pour Taïwan, la perle cachée de l'Orient, qui révèle - bien au-delà de sa notoriété géopolitique - certains de ses mystères... Bienvenue dans la seconde des deux parties de ce passionnant dossier. Lien de la playlist musicale Spotify de cet épisode : Playlist Pour soutenir le podcast : Tipee Tous les liens pour écouter DANS LE SECRET DES DIEUX : Linktree Autres liens d'artistes Taïwanais sur Youtube : Ji Hongren, « Rock électrique » : https://www.youtube.com/watch?v=BlgsX_xXh_A Shicun version metal : https://www.youtube.com/watch?v=zvgu1JzHXB0 Shicun version générique de drama : https://www.youtube.com/watch?v=ABtJr4GBMtQ Une scène rock'n'roll du film A Brighter Summer Day: https://www.youtube.com/watch?v=3q6F83U_6jM

Dans le Secret des Dieux présente le troisième et ultime volet d'une série de dossiers consacrés au Metal en Extrême-Orient, dirigée par le désormais familier Aurélien Rossanino lăoshī. Après le Japon puis la Chine, on s'envole pour Taïwan, la perle cachée de l'Orient, qui révèle - bien au-delà de sa notoriété géopolitique - certains de ses mystères... Bienvenue dans la 1ère partie de ce passionnant dossier. Lien de la playlist musicale Spotify de cet épisode : Playlist Pour soutenir le podcast : Tipee Tous les liens pour écouter DANS LE SECRET DES DIEUX : Linktree Autres liens d'artistes Taïwanais sur Youtube : Ji Hongren, « Rock électrique » : https://www.youtube.com/watch?v=BlgsX_xXh_A Shicun version metal : https://www.youtube.com/watch?v=zvgu1JzHXB0 Shicun version générique de drama : https://www.youtube.com/watch?v=ABtJr4GBMtQ Une scène rock'n'roll du film A Brighter Summer Day: https://www.youtube.com/watch?v=3q6F83U_6jM

Collin and Kerry pay tribute to the late, great Paul Sorvino as they dissect the ABC Family Classic, inexplicably titled "Santa Baby 2: Christmas Maybe," without having seen the MIA original. Is this Jenny McCarthy's finest work? Why is her character named Mary Class instead of Mary Claus? Why hasn't "Back To the Beach" achieved greater cult status? All these questions, plus the Book segment and a look at what's new in physical media on the Blu-ray Gift Exchange. "We Just Say Book" featured titles: "Who Framed Roger Rabbit?" (1988) "A Brighter Summer Day (1991) "Meshes of the Afternoon" (1943) Blu-ray Gift Exchange featured titles: "Hotel Du Nord" (Criterion) "Dog Soldiers" (Shout Factory) "Back To the Beach" (Paramount)

With the 2022 Sight and Sound List going to be released sometime soon (a poll on the greatest films of all-time conducted every 10 years), we thought it would be fun for us three to come up with our own personal lists. Outside of picking the films themselves, the discussion was also fun in each of us revealing our own personal criteria and the variety of factors we considered when picking our lists. We hope you enjoy! Blake's List: 10:18 Dany's List: 31:22 Luke's List: 47:28 The 2012 Sight and Sound List: https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time Music: - Intro from Ozu's Early Summer - Outro from A Brighter Summer Day (https://www.youtube.com/watch?v=3q6F83U_6jM&ab_channel=VictorLobato) Hosts: Luke Seay (https://letterboxd.com/seayluke/), Blake Tourville (https://letterboxd.com/blaketourville/), and Dany Joshuva (https://letterboxd.com/djoshuva/)

The nerds conclude their Edward Yang Month as they discuss his 1991 coming of age epic, A Brighter Summer Day! Support us on Patreon for tiers as low as a dollar: https://www.patreon.com/thenerdcorps Visit our website for reviews: https://www.thenerdcorps.com Follow us on Twitch: https://twitch.tv/thenerdcorps Subscribe to us on YouTube: https://www.youtube.com/c/TheNerdCorps Follow us on Twitter: https://www.twitter.com/thenerdcorps_ Follow us on Instagram: https://www.instagram.com/thenerdcorps Follow us on Letterboxd: https://letterboxd.com/thenerdcorps/ Follow our designer Alex Almeida: https://www.twitter.com/Zans_Zone Theme music by https://moamanofaction.bandcamp.com/album/fall-sampler https://www.twitter.com/circuitbird --- Support this podcast: https://anchor.fm/thenerdcorps/support

This week, Glen picked a movie that he did not know was 4 HOURS LONG!!! Regardless, they watched it and now they will discuss it in this episode. Find out their thoughts on "A Brighter Summer Day". http://www.KeystoneFilmReview.com Instagram: @Keystone_Film_Review Twitter: @Keystone_Film Facebook: Keystone Film Review Letterboxd: @MikeKFR & @GlenKFR TikTok: KeystoneFilmReview https://www.youtube.com/c/KeystoneFilmReview Find out more at https://keystone-film-review.pinecast.co

Jackie and Greg strap in for their longest film yet: Edward Yang's four-hour epic, A BRIGHTER SUMMER DAY from 1991. Topics of discussion include Yang's impeccable mise-en-scène, the scope of the production, how the film was designed to be shown without an intermission, and why it's ultimately hobbled by its mammoth runtime.#84 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

0:00 - Intro & Summary2:00 - Movie Discussion49:16 - Cast & Crew/Awards53:43 - True Crime/Pop Culture55:38 - TV58:27- Music1:05:29 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Movie of the Year: 1991Thelma and Louise Will Thelma and Louise shoot and drive its way to our 1991 Movie of the Year? Ridley Scott's Thelma and Louise has a tough act to follow in last week's A Brighter Summer Day. And, stylistically, the two movies couldn't be more different, but in many ways Thelma and Louise tackles much of the same subject matter: male dominance of women, male violence against women, and an air of systemic disinterest—if not out right antagonism—to the plight of women in general. All while wrapping up in just over 2 hours, but I digregs. In this film we see the title characters set out on a road trip that immediately turns into a nightmare, thanks to—you guessed it—dudes. Dudes, bros, jerks, derps, scrubs, and f-boys fly at these two women like bugs through the night air. But, unlike those bugs which harmlessly splatter uponst their windshield, these dudes ruin everything and then come back to make sure they finished ruining everything and THEN force our main characters—played perfectly by Susan Sarandon and Geena Davis—off a literal freaking cliff. Go to heck, dudes, go straight to heck! Nineteen and ninety-one. It was a magical time full of promise and wonder and we have to go back. However, we cannot. We can only move forward. Because we are podcasters, and bravely moving into the future is all we know how to do. All of that, and somehow more, on an all-new Movie of the Year! Make sure to also: https://challonge.com/moty1991 (Check out the 1991 bracket) https://yourpopfilter.com/ (Visit our website) https://yourpopfilter.com/amazon (Use our Amazon page!) http://patreon.com/yourpopfilter (Join our Patreon team! (to get the show early and hear bonus segments!)) http://facebook.com/yourpopfilter (Like us!) http://twitter.com/yourpopfilter (Follow us!) Write to Us! — contact@yourpopfilter.com

Writer/Director Scott Cassidy takes my direction to "do the director looking up and thinking" thing What are the 4Q's? Name your favorite films of all time (limit 3) Name a film you think is underrated Name a film you think is overrated Name a lesser-known film that you think people should seek out Scott Cassidy hopped onto Zoom to talk about the Film Invasion Los Angeles 2020 Official Selection  "Passenger Man" and while I had him online he answered the 4Qs above.  And on't forget!  You can watch Scott's wonderful film "Passenger Man" right now in Season 4 Episode 9 of the Discover Indie Film TV Series on Amazon Prime Video! You can learn more about Scott and his work at the Scott Cassidy Film website.  And in the meantime listen to this filmmaker, who almost became a film studies PhD, list his favorite films and more! Comments are blocked on this website. To discuss Discover Indie Film podcasts or TV episodes, visit the Facebook Page. You can listen to the podcast using the media player below or on iTunes, Google Play, SoundCloud, or Stitcher. Here are Scott's 4Qs answers: Favorites: Vertigo, A Brighter Summer Day (1991, Hong Kong), All That Jazz, Rififi (Du rififi chez les hommes) Underrated: Leviathan (Russia, 2014) The Hate is Overrated: Breaking Bad (TV series) Seek Out: Black Caesar (1973) Podcast

This week we watched Edward Yang's 1991 masterpiece, A Brighter Summer Day. Discussion followed, including the pros and cons of crazy-long movies and what its like when bad things happen when you're a kid. A great time for all involved. Thanks for listening! And if you want to support the pod even more, we have a Patreon page now, give it a look at Patreon.com/speakingenglish Thanks !

Recorded - 7/25/21On this episode of the Almost Sideways Movie Podcast, we review the latest from M Night Shyamalan before discussing the greatest beach movies of all time.  Then we count down the greatest performances by co-stars of Matt Damon.  ALSO INCLUDED, a special announcement about our next episode!!!  Here are the highlights:What We've Been WatchingTodd's Search for a New Category: Mickey Rourke Edition - Harley Davidson and the Marlboro Man (10:20)Terry's Oscar Anniversary Review: Transformers: Dark of the Moon (17:10)Zach's Criterion Review: A Brighter Summer Day (22:40)Featured Review: Old (28:10)SPOILERS Discussion (40:00)Spotlight: Mt. Rushmore Beach Movies (46:30)Power Ranking: Matt Damon Co-Stars (56:00)TriviaReviews: Todd on Hounds of Love and Terry on Minding the Gap (1:39:00)Trivia: "Good" Movies, Japanese Movies, Zach's Former Favorites (1:51:00)Quote of the Day (2:03:50)Subscribe on Apple Podcasts, Stitcher, Spotify, YouTube, or Pandora!If you can't subscribe, listen here.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Adam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mStitcherhttps://www.stitcher.com/podcast/almost-sideways-movie-podcastYouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriberPandorahttps://pandora.app.link/hfYGimTce8

Episode Notes Welcome to Ghost Divers, a true crime podcast or something I guess. We start by looking back a little at our long journey with Neon Genesis Evangelion and talk a little about how our personal experiences informed our readings of the show and, especially, the movie. We then answer questions about reading Eva through Anno's life, our least favorite Eva spinoffs, dismemberment and abjection, Toji's hair color in the show vs. the manga, what astrology signs image meme Eva characters would create, kissing the homies goodnight (redux), Asuka as a Twitch streamer, how Gendo should just fuck off actually, and experiencing media too young. For our non-anime things, Niamh brings When the Pawn… by Fiona Apple and we talk a little about it, but honestly also talk a lot about critical approaches to media in general. We then move on to Connor's pick of A Brighter Summer Day and talk a little about how the film constructs space in relation to history and politics. You can write into future Question Buckets at ghostdiverspod@gmail.com and don't forget to follow us on Twitter! The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Garfield Read Aloud: @GarfReadAloud Export Audio Network: exportaud.io Ghost Divers: exportaud.io/ghostdivers Ornate Stairwells: exportaud.io/ornate stairwells Content Warnings for this Discussion Abusive relationships Pain / blood kink Dismemberment Mention of rape / sexual abuse Bipolar disorder Violence & death Find out more at https://ghost-divers.pinecast.co

Apologies for the late upload, dirtbags. Here's this (last) month's Bonus Credit! Hang out times with the panel, Jaffe, and special appearances by friend of the show Patrick Miller to cover the important things like pajamas, inappropriate Roblox games, and Bonklin: Origins. Note: this episode has discussion of NSFW topics, but exclusively in comedic contexts. A SMALL DESCRIPTION OF EPISODES PULLED FROM: (Ep. 167) Brandon discusses obscure yet pioneering fighting games with Special Guest Patrick Miller. Tim shares Apocalypse's full title. Jaffe returns to the show a little too early. Frank hates that he knows Apocalypse's actual name. Mimsy bought Tim the pajamas of a homeowner for Christmas. (Ep. 167) Recording and production setup is discussed. We've been tinkering with it lately. Buzzer mechanics are revealed. Special Guest Patrick Miller inquires about singing Happy Birthday over video call. Jaffe shares one of his favorite memories of the show. (Ep. 167) Tim sneezes and discusses his Tokimeki Memorial review with Special Guest Patrick Miller, and dunks on some chump in his mentions. Brandon arrives. (Ep. 169) Tim and Jaffe explore the intersection of pornography and Roblox. Brandon inquires about the police siren noise I do my best to edit out but, as Tim explains, is unavoidable. All cops are bastards. The origins of Bonklin Rodney Bon'gobopolis are detailed. (Ep. 170) Tim, Jaffe and Brandon discuss The Phantom Menace, The Lord of the Rings, and A Brighter Summer Day available now on the Criterion Channel. The panel also discusses how engaging a film can be to be considered for background viewing, Assassins Creed, young adult novels, and decidedly non-young adult novels.

On the 14th episode of Shite & Sound, Finn and Uther watch 'A Brighter Summer Day' (1991), Edward Yang's historical epic about crime kids in 60s Taiwan. The second film this week is 'From Dusk till Dawn' (1996), the coolest thing a 14-year old in the mid-90s could possibly dream of. Children with weapons. Quentin Tarantino's acting. Is Edward Yang the best filmmaker ever? Uther asks the audience to cyberbully his partner and Finn can't stop talking about how much he loves George Clooney. See acast.com/privacy for privacy and opt-out information.

On today's show, Marc reviews Treasure Stack, a block dropping puzzler with a hook (pun intended), and follows that up with more Apex Legends and a little feature from said game that Fortnite saw and thought, "Hey, this is a great idea, why don't we take it and put it in our game too," which is exactly what they did. Anyway, something-something frustrating and liberating, cheers and enjoy the anime-zing(ly pingy) show. The Talking Points: Treasure Stack, Apex Legends, Fortnite, Hitman 2, The Twilight Samurai (2002), A Brighter Summer Day (1991), The Assassination of Jesse James by the Coward Robert Ford (2007)

After last week's film that takes place in Indonesia, The Immortals travel all the way to...Taiwan! They review the Edward Wang recovered masterpiece, A Brighter Summer Day, which is a unique perspective on being a teenager in a very shifting time. They also review an album by actual Fun Lovin' Criminals, eat last week's food of beech honeydew (with something special!), some song and one of the most discussed shows on TV: RUPAUL'S DRAG RACE. May the best woman win!   Intro: 0:00- 2:04 A Brighter Summer Day: 2:04- 26:51 Come Find Yourself: 26:51- 33:33 Fregola Pasta: 33:33- 37:27 Insomnia- 37:27- 44:12 RuPaul's Drag Race- 44:23- 73:58 Outro- 73:58- 77:37   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.    Twitter iTunes YouTube   Join us next time as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)    Artwork by Ray Martindale Opening tune by Adam Lord Edited by Sara Rust

Mark and Aaron are joined by Scott Nye to hash out the intricate themes, history, and nuance of Edward Yang's A Brighter Summer Day. Given the length and depth of the film, we explored it in detail, distilling the cultural and societal clashes that took place in a pivotal period of Chinese and Taiwanese history. We also compare it to what is considered Yang's other masterpiece, Yi Yi, and we touch on the New Taiwanese Cinema movement. About the film: Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States. Set in the early sixties in Taiwan, A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil. Buy The Films On Amazon: Episode Links & Notes Special Guest: Scott Nye from CriterionCast and Battleship Pretension. You can follow him on Twitter. 0:00 – Hello and Welcome Scott 2:25 – Scott's Criterion Connection 5:10 – Film School in a Cast 8:00 – A Brighter Summer Day 25:00 – Spoiler Warning 1:14:45 – Ratings. No spoilers. Facebook Photo Album David Bordwell – A Brighter Summer Day: Yang and His Gangs Aaron West on Yi Yi YesAsia Taiwan New Cinema box Episode Credits Mark Hurne: Twitter | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email Next time on the podcast: In a Lonely Place, Bogie Films

Mark and Aaron are joined by Scott Nye to hash out the intricate themes, history, and nuance of Edward Yang's A Brighter Summer Day.

Mark and Aaron welcome old friend, Doug McCambridge to talk about Robert Altman's “Don't call it a” comeback film. We touch on the opening tracking shot, what Altman is saying about Hollywood, and yes, we even go into the ending — or both of them. On top of that, we give some tidbits on how to be economical with the Barnes & Noble Criterion Sale. About the film: A Hollywood studio executive with a shaky moral compass (Tim Robbins) finds himself caught up in a criminal situation that would be right at home in one of his movie projects, in this biting industry satire from Robert Altman. Mixing elements of film noir with sly insider comedy, The Player, based on a novel by Michael Tolkin, functions as both a nifty stylish murder story and a commentary on its own making, and it is stocked with a heroic supporting cast (Peter Gallagher, Whoopi Goldberg, Greta Scacchi, Dean Stockwell, Fred Ward) and a lineup of star cameos that make for an astonishing Hollywood who's who. This complexly woven grand entertainment (which kicks off with one of American cinema's most audacious and acclaimed opening shots) was the film that marked Altman's triumphant commercial comeback in the early 1990s. Buy The Films On Amazon: Episode Links & Notes Special Guest: Doug McCambridge from Good Times, Great Movies. You can find them on Facebook, Twitter. 0:00 – Intro and Welcome Doug 4:00 – Doug's Announcement 7:30 – Thank Ben Model 9:20 – Criterion Completion 12:35 – Barnes and Noble Sale 22:00 – The Player Plain Case – iTunes Plain Case – Facebook CCU36: Plain Archive Criterion Completion Podcast Blu-Ray.com Barnes & Noble Thread The Blind Podsmen Podcast WrongReel 154: Game of Thrones Season 6 Recap Episode Credits Mark Hurne: Twitter | Letterboxd Aaron West: Twitter | Blog | Letterboxd Criterion Close-Up: Facebook | Twitter | Email Next time on the podcast: A Brighter Summer Day

With Mike on vacation his week Sean is joined by Seattle Screen Scene writer Melissa Tamminga to discuss Edward Yang's long sought after 1990 epic A Brighter Summer Day, which has just recently been released by the Criterion Collection, and Soi Cheang's action film SPL 2: A Time for Consequences, starring Tony Jaa and Wu Jing, which will be released here in the US as Kill Zone 2 in a couple of weeks. They also pick their essential Violent Youth films, take a look ahead to what's coming soon to Seattle (and Bellingham) Screens and talk about Prince's classic 1984 film Purple Rain.