Podcasts about bouki

FILM CONSIGLIATI PER L'ASCOLTO DELL'EPISODIO ▼• Borom Sarret – Ousmane Sembène, 1963• La noire de... – Ousmane Sembène, 1966• Mandabi – Ousmane Sembène, 1968• Contras City – Djibril Diop Mambéty, 1969• Touki Bouki – Djibril Diop Mambéty, 1973• Hyènes – Djibril Diop Mambéty, 1992• Atlantiques – Mati Diop, 2009• Mille Soleils – Mati Diop, 2013• Atlantics – Mati Diop, 2019"La storia del cinema africano, che vede Mambéty spiccare con la statura di un vero eroe, è intrecciata a quella di un gruppo di coraggiosi e intrepidi registi che hanno forgiato la storia di una collettività e la sua identità culturale e spirituale. […] Secondo Mambéty, un regista doveva essere per la società come un griot, cioè colui che custodisce e tramanda la memoria delle genealogie, dei miti e della tradizione orale […] Mambéty credeva che gli africani dovessero "reinventare" il cinema, ed è esattamente ciò che lui ha fatto."Con queste parole, Martin Scorsese introduce un fondamentale libro di critica sull'opera di Djibril Diop Mambéty (1945-1998), considerato insieme a Ousmane Sembène uno dei padri del cinema senegalese e africano. Il volume, che porta lo stesso titolo di questo episodio, è curato da Cinzia Quadrati e Simona Cella, amica carissima di questo podcast che ci guida attraverso aneddoti inediti sulla vita e l'opera di Mambéty, rivelando l'innovazione e lo spirito rivoluzionario e contemporaneo che caratterizzano il cinema del visionario regista senegalese.Con Federico Allocca e Simone CortiRiprese Gianlorenzo Bernabò Di NegroMusica DEMONA alias Andrea Evangelista e Delio GallmannAnimazione sigla Ida CortiLogo design Chiara QuagliarellaPost-produzione audio Matteo FusiCon il sostegno di Associazione La Terza Via, GYBE Studio e SidereusUn grazie a Raffaele Allocca, Elisabetta Marrocco, Riccardo Romano, Andrea Sestu

On this episode of What a Picture, Bryan and Hannah steal the wrong crate full of money to fund their discussion of Touki Bouki, the 1973 movie directed by Djibril Diop Mambéty that ranks #66 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

For her first live-action short film WE ARE NOT ALONE, writer, director, and animation artist Adebukola "Buki" Bodunrin, joined me for this episode of Caroln Talks..., during which we spoke about learning to find connection in the cosmos and the people around us, and her use of laser etching on the physical film to give it a unique visual fingerprint.#WeAreNotAloneShortFilm #SXSW #SXSW24 #FilmCritic #Interview #CarolynTalksVisit her official website here to learn more about Bouki's work: https://www.adebukolabodunrin.com/we-are-not-aloneFind me on Twitter, Instagram and TikTok at: @CarrieCnh12To contribute to my work donations can be given at paypal.com/paypalme/carolynhinds0525My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWHVisit Authory.com/CarolynHinds to find links to all of my published writing, YouTube and other podcasts So Here's What Happened!, and Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

 As they consider the fall movie slate, Adam and Josh look past some of the bigger releases for questions about the season's potential hidden gems. -Fall Movie Preview (05:08) -Next Week / Notes / Polls (47:39) -African Cinema Marathon: “Touki Bouki” (01:01:51) (Times may not be precise with ads) Notes/Links: Beyond the Canon: Touki Bouki + Breathless Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://letterboxd.com/filmspotting @filmspotting on Threads https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm @larsenonfilm on Threads https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Leweke, Ankewww.deutschlandfunkkultur.de, VollbildDirekter Link zur Audiodatei

In this episode, we discuss TOUKI BOUKI (1973; dir. Djibril Diop Mambéty).

Two dear friends and Film Festival colleagues attempt to bridge the gaps of their long-distance relationship AND their own film educations through a bi-weekly screening and discussion project of the gap films that have eluded their cinematic discovery.On this week's call, Scott and Jack discuss the startling and audacious 1973 debut from Senegalese director Djibril Diop Mambéty, TOUKI BOUKI. 

Happy New Year! Haiti celebrates it's independence on January 1st. The story we share in this episode is a Bouki story, These stories have been told for as long as people can remember. They teach us how to live and how to behave. Bouki is a character that is very foolish or easily confused. Story retold in this episode: Uncle Bouki gets whee-ai https://www.teachingforchange.org/wp-content/uploads/2012/07/Haiti_Literature.pdf Follow us on our socials: Facebook: Talkin' Tales Instagram: @talkin_tales YouTube: Talkin' Tales www.talkintales.com #storytelling #caribbean #culture #Haiti #Haitianindependence #Folktales #independenceday #community #anancy #caribbeanstrong #animalstories #caribbeanlife #bouki #celebration #africandiaspora #Celebrate #diaspora #caribbeandiaspora #fables #folktales #blackartist #trickstertale #storytellingmatters #talkintales #stories #storiesforkids #family #qualitytime #MQT #storiesforadults #storiesforfamilies #stories #storyteller #tales #fun#caribbeanfolktales

Kniestedt, Fannywww.deutschlandfunkkultur.de, KompressorDirekter Link zur Audiodatei

A motorbike adorned with a zebu skull is one of the central images of Djibril Diop Mambéty's classic 1973 film, whose title translates as The Journey of the Hyena. Listed as one of the 100 greatest films of all time in the Sight and Sound magazine poll, it mixes West African oral traditions with influences from the French New Wave and Soviet cinema. Mory and Anta are two young people growing up in a newly independent Senegal who fantasise about leaving Dakar for a new life in France, but how can they realise those dreams and do they really want to leave? Matthew Sweet is joined by New Generation Thinker Sarah Jilani, Estrella Sendra Fernandez and Ashley Clark. Touki Bouki is being screened at the BFI London on July 27th as part of the Black Fantastic season of films drawing on science fiction, myth and Afrofuturism. The curator of that season Ekow Eshun joined Shahidha Bari in a recent Free Thinking episode which you can find on BBC Sounds and as the Arts and Ideas podcast. Sarah Jilani is a lecturer in English at City, University of London and has written on neocolonialism in Francophone West African cinema. Estrella Sendra Fernandez lectures in film and screen studies at SOAS, University of London. She directed the award-winning documentary film Témoignages de l'autre côté about migration in Senegal. Ashley Clark is curatorial director at the Criterion Collection. He is the author of the book Facing Blackness: Media and Minstrelsy in Spike Lee's “Bamboozled” Producer: Torquil MacLeod In the Free Thinking archives you can find a series of programmes exploring silent film, star actors including Jean-Paul Belmondo, Marlene Dietrich, Dirk Bogarde, and classics of cinema around the world including Kurosawa's Rashomon, Satyajit Ray's films, the films of Jacques Tati and Charlie Chaplin.

Jackie and Greg discuss Djibril Diop Mambéty's film from 1973. Topics include neocolonialism, leaving home, radical filmmaking, and their thoughts on animal slaughter onscreen. Join them as they get lost in the images of the most celebrated Senegalese film ever made.#93 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxSpecial Thanks: Kathryn Ferentchak

A motorbike adorned with a zebu skull is one of the central images of Djibril Diop Mambéty's classic 1973 film, whose title translates as The Journey of the Hyena. Listed as one of the 100 greatest films of all time in the Sight and Sound magazine poll, it mixes West African oral traditions with influences from the French New Wave and Soviet cinema. Mory and Anta are two young people growing up in a newly independent Senegal who fantasise about leaving Dakar for a new life in France, but how can they realise those dreams and do they really want to leave? Matthew Sweet is joined by New Generation Thinker Sarah Jilani, Estrella Sendra Fernandez and Ashley Clark. Sarah Jilani is a lecturer in English at City, University of London and has written on neocolonialism in Francophone West African cinema. Estrella Sendra Fernandez lectures in film and screen studies at SOAS, University of London. She directed the award-winning documentary film Témoignages de l'autre côté about migration in Senegal. Ashley Clark is curatorial director at the Criterion Collection. He is the author of the book Facing Blackness: Media and Minstrelsy in Spike Lee's “Bamboozled” Producer: Torquil MacLeod Image: Mareme Niang (Right), and Magaye Niang in a still from the film Touki Bouki Le Voyage de la Hyène, 1973 Senegal. Director : Djibril Diop Mambéty. Image credit: Alamy In the Free Thinking archives you can find a series of programmes exploring silent film, star actors including Jean-Paul Belmondo, Marlene Dietrich, Dirk Bogarde, and classics of cinema around the world including Kurosawa's Rashomon, Satyajit Ray's Pather Panchali, the films of Jacques Tati and Charlie Chaplin.

The podcast is a fluid being that can be as cruel as the sands that go between our fingers as we try to answer the question, does a pandemic kill the blockbuster, or just redefine…Read More

Do you like dancing? This lively story from Haiti in the Caribbean told by musician and storyteller Tuup, contains a special dance, a song and a trickster. See if you can learn the song and make up your own dance. See acast.com/privacy for privacy and opt-out information.

Tonton Bouki ( x2 ) Kote w ye ( x2 ) Fè bwa sèk sonnen ( x2 ) Tim tim tim ( x2 ) --- Mèsi anpil Ti Zo ak Ti Lona ^_^ #chantetimoun #comptine #traduction

African Cinema Month kicks off with a look at Djibril Diop Mambéty's Touki Bouki (1973). Also known as The Journey of the Hyena, it's the story of two young people, Mory and Anta, who dream of leaving their Dakar and going to Paris. Ben Buckingham and Spencer Seams join Mike to discuss Mambety's Touki Bouki and Hyenas (1992). Learn more about your ad choices. Visit megaphone.fm/adchoices

African Cinema Month kicks off with a look at Djibril Diop Mambéty's Touki Bouki (1973). Also known as The Journey of the Hyena, it's the story of two young people, Mory and Anta, who dream of leaving their Dakar and going to Paris. Ben Buckingham and Spencer Seams join Mike to discuss Mambety's Touki Bouki and Hyenas (1992).

Filmada con un mínimo presupuesto y en condiciones que dejan al cine neorrealista en calidad de hijo del capital, le extraordinaria Touki Bouki es uno de los hijos más insospechados de la crisis cinematográfica post '68: aunque es directo producto del triunfo progresista que provocó el fin de las colonias europeas en África, hace evidente su desilusión por las consecuencias inmediatas del proceso de independencia. Es ahí que uno consigue entender la conducta de Mory y Anta, una pareja de antisociales que le debe mucho a los protagonistas de Sin Aliento y Pierrot el loco, y que —en principio, al menos— están dispuestos a cualquier cosa con tal de hacerse de dinero y fugarse a un París. El suyo, más que impulso migrante es directamente una fuga. De esas calles, de esos barrios, de ese Dakar que para el director Djibril Diop Mambéty, lo representa todo. De eso y más se habla en este podcast.

Another batch of reviews! It's quite a mixed bag this week, with some new, some old, some cheese, and some true gems. Enjoy!  Email us at boothwindow@gmail.com, and/or follow us on social media @theobveeus, and @caitlinstow

418. We talk to Nathan Rabalais about his new book, Folklore Figures of French and Creole Louisiana. Nathan J. Rabalais examines the impact of Louisiana’s remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. In particular, he examines the ways in which collective traumas experienced by Louisiana’s major ethnic groups — slavery, the grand dérangement, linguistic discrimination — resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero’s ability to overcome both literal and symbolic entrapment through cleverness. This week in Louisiana history. May 22, 1873. U.S. President finally officially recognizes Gov. Wm. Kellogg's administration. This week in New Orleans history. On May 22, 1964, Former New Orleans Mayor "Chep" Morrison's chartered a twin-engine Piper Aztec plane which crashed onto a Mexican mountainside. Morrison was 52 years old. On board, where his seven year-old son, Randy, the boy's eight week-old German Shepherd puppy, and five others. This week in Louisiana. Louisiana's Botanical Gardens 12 Louisiana gardens around the state offer native and exotic species in a variety of settings. Louisiana’s subtropical climate and proximity to the Gulf of Mexico gives the state extended periods of warm weather and mild winters, creating an ideal environment for gardens. Where better to experience Louisiana’s natural beauty than numerous botanical parks statewide? Visitors can see indigenous blooms such as magnolias (Louisiana’s state flower), irises, orchids, violets, Southern azaleas and wildflower species in a seemingly endless variety of colors.Afton Villa Gardens in St. Francisville has more than 250 live oak trees spread across the estate including 20 acres of formal gardens packed with a variety of flowers including a large variety of azaleas.The American Rose Center in Shreveport, the official home of the American Rose Society, has 118 acres of beautiful rose gardens with America’s national floral emblem.Biedenharn Museum and Gardens, a must-visit in Monroe is one of the most interesting Coca Cola museums and finest gardens in north Louisiana. Stroll through the gardens and stop by for a $.05 Coke in the museum.Jungle Gardens on Avery Island is a 170-acre botanical park and bird sanctuary that includes a 900 year-old Buddha statue.Longue Vue House and Gardens in New Orleans offers garden areas featuring native and adaptable plant and tree varieties.The Louisiana State Arboretum State Preservation Area near Ville Platte has 300 acres of trees, plants and occasional wildlife that are indigenous to the state. Visitors can also hike one of five short trails.  The New Orleans Botanical Garden at City Park features more than 2,000 plant varieties from around the world. The garden is also home to 20 statues at the Helis Foundation Enrique Alferez Sculpture Garden.  R.W. Norton Art Gallery in Shreveport has a 15,000-plant garden, including 100 native and hybrid varieties of azaleas.Rip Van Winkle Gardens in New Iberia, on Avery Island, is 15 acres of semi-tropical gardens meandering through the 350-year-old oak trees.  Two antebellum plantations with extensive on-site gardens include Rosedown Plantation State Historic Site in St. Francisville and Houmas House Plantation in Darrow. Rosedown has a 28-acre maze-style garden that requires a map to successfully navigate. Houmas House has 38 acres of both native and exotic blooms, with numerous sitting areas for a more relaxed approach to enjoying the sights and aromas.Windrush Gardens at the Rural Life Museum in Baton Rouge offers sculptures, as well as a variety of native trees and plants.Postcards from Louisiana. Rockbox Band plays at Fatcatz.Listen on iTunes.Listen on Google Play.Listen on Google Podcasts.Listen on Spotify.Listen on Stitcher.Listen on TuneIn.The Louisiana Anthology Home Page.Like us on Facebook. 

Chef Gregory Gourdet joins us to discuss his highly anticipated first cookbook, Everyone’s Table: Global Recipes for Modern Health, which focuses on healthy recipes inspired by his Haitian-American upbringing in NYC and his French culinary training. Event: Gregory Gourdet has a virtual event with Books Are Magic in conversation with Gail Simmons tonight at 7. SLOW-COOKED SALMON WITH TI MALICE SAUCE  Serves 6 Slow-cooked salmon was my initiation to the perfection-through-simplicity ethos at the famed Jean-Georges, where I had my first job in a professional kitchen. Today, I still cook salmon this way, and you won’t believe how easy it is to turn the ubiquitous, frequently overcooked fish into a tender treat. Something this rich needs acidity to shine, so I look to sos ti malice, named for a mischievous character from Haitian folklore. The story goes: Ti-Malice was tired of his friend Bouki coming over for lunch, overstaying his wel- come, and eating all his food, so the trickster made a sauce so fiery that it would surely make Bouki run screaming from his house. And Bouki did indeed run into the street—shouting about how much he loved Ti-Malice’s sauce. One part of the story is definitely true. The Haitian condiment, a pickle that doubles as a sauce, is that good. Mine has plenty of fruity heat from Scotch bonnet or habanero chiles, the zip of citrus and vinegar, and a little crunch from red pearl onions. Peeling and separating the onions into tiny petals takes time, but the result is gorgeous. But sure, shallots cut into 1/4-inch half-moons work great, too.   For the Ti Malice Sauce 3 cups red pearl onions 11/2 tablespoons kosher salt 3 limes 1 large Scotch bonnet or habanero chile, very finely chopped 6 tablespoons white vinegar 6 tablespoons extra-virgin olive oil 1 tablespoon fresh thyme leaves For the Salmon One 2-pound salmon fillet 2 teaspoons kosher salt 3 tablespoon extra-virgin olive oil   MAKE THE TI MALICE SAUCE Soak the pearl onions in a small bowl of warm water for 20 minutes to help loosen their skins. Take a few pearl onions at a time out of the water, then trim the tips and bottom nubs and use a small paring knife to peel off the skins. When you’ve peeled them all, halve them lengthwise. In a medium mixing bowl, combine the onions and salt, toss well, and let them sit for 15 minutes to soften. Once they’ve softened, pull the pearl onion layers apart. Use a Microplane to grate the zest of the 3 limes into the bowl, then halve enough limes (1 or 2 juicy ones should do it) to squeeze in 3 tablespoons of juice. Reserve the remaining limes for another purpose. Stir in the chile and vinegar. Let everything sit for about 15 minutes more. Transfer the mixture to a small pot, add the oil and thyme, and set it over medium heat. Let it heat up (you’re not looking for a sizzle), stirring occasionally, until the onions are translucent and lose their harsh raw flavor but still have a slight crunch, 7 to 8 minutes. The sauce keeps in an airtight container in the fridge for up to 2 weeks. Before serving, very gently reheat it (in a small pan or in a bowl set near a hot oven) until it’s a little warmer than room temperature.   COOK THE SALMON AND SERVE Preheat the oven to 300°F. Evenly season the salmon all over with the salt. Pour 1 tablespoon of the oil in a shallow baking dish and rub to coat the surface. Put the salmon in the dish (skin-side down, if your salmon has skin) and drizzle on the remaining 2 tablespoons of oil so it completely covers the top and sides of the salmon. Bake just until the salmon goes from bright pink to light orange and you see the tiniest white beads on the surface of the fish at the thickest part (the center will register 120°F on a thermometer), 20 to 25 minutes. Transfer to a platter, spoon the sauce over the salmon, and serve.      

This week we discuss two films which were screened at the Cannes Film Festival in 1973. The first is Touki Bouki (1973), a Senegalese drama directed by Djibril Diop Mambéty. The film was restored in 2008 thanks to Martin Scorsese and the World Cinema Foundation. The second is Scarecrow (1973), starring Al Pacino and Gene Hackman. The film, although a box office bomb, shared the Grand Prix at Cannes.   Timestamps What We've Been Watching (00:01:00) Andy – Save Me, The Comedy Store, Baby Driver Donnchadh – Happy Valley, I Care A Lot, Night of The Living Dead, The Red Shoes, Iron Man 2 Touki Bouki (00:14:45) Scarecrow (00:35:00)    Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links https://www.justwatch.com

We have a wide reaching conversation with Michael Fails about pop v. folk, trans YouTube drama, and Djibril Diop Mambéty's iconoclastic TOUKI BOUKI.

Mike and Nick celebrate Black art in their humble way by reviewing two films from Senegal: 1966 - Ousmane Sembène's Black Girl & 1973 - Djibril Diop Mambéty's Touki Bouki.

On the fourth episode of Shite & Sound, Finn and Uther watch ‘Touki Bouki' (1974), where disaffected Senegalese teenagers escape from post-colonial poverty, and Hick (2011) where a disaffected American teen tries to escape from Eddie Redmayne's Southern accent. Proper cattle naming procedure. A mysterious yet charismatic caveman. Critiques of a child's cocaine hallucination acting. Uther reveals his Mario™ fetish while Finn wishes for more horrifying violence in movies. See acast.com/privacy for privacy and opt-out information.

L’émission quotidienne de société se transforme pour répondre aux attentes des auditeurs, face aux conséquences de la pandémie de coronavirus. Nous sommes plus de 4 milliards de personnes obligées de rester à la maison et quelque 1,47 milliard d’enfants désormais déscolarisés (dont environ 600 millions d'élèves sur le continent africain). Émission réalisée en direct chaque jour, avec une équipe en confinement et en studio : Cécile Lavolot, Sigrid Azeroual, Romain Dubrac, Nicolas Benita, Ludovic Dunod. Première partie : la classe de Sarah Wauquiez, co-auteur de L'école à ciel ouvert (Éditions de la Salamandre)Questionner le monde : origine des noms de famille, des noms de lieux. Deuxième partie : le conte du jour «La peau de Bouki». Un conte d’Afrique, de Jean-Jacques FDIDA (aux éditions Didier Jeunesse)Une histoire racontée par Éloïse Auria, comédienne. Troisième partie :  La chronique de Didier Acouetey, directeur général du cabinet de recrutement AfricSearch. Vos réactions et vos questions sur WhatsApp: 00 33 1 84 22 71 71 Retrouvez plein d'autres ressources pour continuer à apprendre sur le site de RFI Savoirs. L'émission est labellisée « Nation apprenante », une opération initiée par le ministère de l’Éducation nationale et de la Jeunesse avec les médias de l'audiovisuel et de la presse écrite pour proposer émissions et podcasts en lien avec les programmes scolaires.

Robert Kongo reçoit Omar Bouki Camara, président de l’association Arts et Culture de la ville des Mureaux. Sujets évoqués : * Qui est Omar Bouki Camara, président de l’association Arts et Culture de la ville des Mureaux, quel est son parcours ? * France : favoriser le vivre ensemble grâce à l’art et à la culture. * Quid de la politique culturelle en Afrique ?

Conrado and Rachel are back to talk about the 1973 African film 'Touki Bouki' and have a conversation about abstract art in cinema. Please follow us on itunes and leave you ratings and reviews https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 Follow us on anchor https://anchor.fm/criterionproject Please follow our twitter at https://twitter.com/criterionpod Our intro is written by Michael Lloret. Please use him for all your music needs https://www.michael-lloret.com/ Listen to Rachel's Reviews on Itunes https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Follow Conrado's blog cocohitsny.wordpress.com/ Follow Conrado on twitter @CocoHitsNewYork Follow Rache's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id1296728288 --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

Episode #45 has arrived, and we got some really interesting picks for this episode. Not your usual “run-of-the-mill” Blockbuster picks, that’s for sure. In fact, we present four films from four different countries! Tim reps Turkey and Senegal, while Kyle throws down with China and Romania. Get your passport, because Reel Dads is going full-on international!Tim’s Pick's: - “Dry Summer” (1963) // Directed By Metin Erksan // Available to WATCH NOW with Criterion Channel Subscription. - “Touki Bouki” (1973) // Directed By Djibril Diop Mambety // Available to WATCH NOW with Criterion Channel Subscription.Kyle’s Picks:- "Suzhou River” (2000) // Directed By Ye Lou // Available to WATCH NOW on YouTube.- “4 Months, 3 Weeks, and 2 Days” (2007) // Directed By Cristian Mungiu // Available to RENT NOW for $3.99 on Amazon Prime.KEEP ON KEEPING IT REEL WITH #REELDADS

Episode #45 has arrived, and we got some really interesting picks for this episode. Not your usual “run-of-the-mill” Blockbuster picks, that’s for sure. In fact, we present four films from four different countries! Tim reps Turkey and Senegal, while Kyle throws down with China and Romania. Get your passport, because Reel Dads is going full-on international!Tim’s Pick's: - “Dry Summer” (1963) // Directed By Metin Erksan // Available to WATCH NOW with Criterion Channel Subscription. - “Touki Bouki” (1973) // Directed By Djibril Diop Mambety // Available to WATCH NOW with Criterion Channel Subscription.Kyle’s Picks:- "Suzhou River” (2000) // Directed By Ye Lou // Available to WATCH NOW on YouTube.- “4 Months, 3 Weeks, and 2 Days” (2007) // Directed By Cristian Mungiu // Available to RENT NOW for $3.99 on Amazon Prime.KEEP ON KEEPING IT REEL WITH #REELDADS

The 2nd part of Anne Guillot's conversation with Joseph Dunn, of Laura Creole Plantation and Historic Site. The imprint of West African influences on Louisiana's culture is discussed, including the Bantu dialect and Louisiana Creole Folktales as resistance stories. Bouki and Lapin, originally Wolof language stories from Senegal, traversed the Atlantic and maintained their African characters and point of view. In all other US locations, the set of animal tales transformed into the Bre'r Rabbit collection. Originally aired on April 15th 2019

1. Ibrahima Seck is a member of the History department of University Cheikh Anta Diop of Dakar (UCAD), Senegal. His research is mostly devoted to the historical and cultural links between West Africa and Louisiana with a special interest for religious beliefs, music, foodways, and miscellaneous aspects of culture. Dr. Seck is now holding the position of Director of research of the Whitney Plantation Slavery Museum located in St. John the Baptist Parish in Louisiana. He is the author of a book on this historic site entitled “Bouki fait Gombo: A History of the Slave Community of Habitation Haydel (Whitney Plantation) Louisiana, 1750-1860. [New Orleans: UNO Press, 2014]. http://whitneyplantation.com/ 2. Gason Ayisyin is a New Orleans-based photographer who immigrated to the United States as a young child from Haiti, and Karel Sloane-Boekbinder Ashe Programs assistant For Theatre Visual Art And Education at Ashé Cultural Arts Center join us to talk about the new exhibit at the Powerhouse "Loa" 3. Graham Lustig, Artistic Director, Oakland Ballet, Luna Mexicana, Nov. 2-3 at the Paramount Theatre, Oakland oaklandballet.org 4. Tom Bruett, director and Nick Hadikwa Mwaluko, dramaturg, joins us to talk about Cardboard Piano by Hansol Jung: Playing Oct 26 - Dec 2 at New Conservatory Theatre Center, 25 Van Ness Avenue, Lower Lobby, San Francisco, CA 94102. nctcsf.org  

Classic - Touki Bouki by The Film Stage Show

https://www.bittermedicineblogs.com – On today’s show we have a discussion with filmmaker Gunnar Dessources, concerning the process of making a film, telling Black-centric stories, and what it was like filming his directorial film debut “The Raging Elephant”. The Raging Elephant Synopsis: Jean Negus Peralte and Nehunda Winnie Kandake are a typical African-American, loving couple, who live in and love NYC. They enjoy every facet of NYC without, however, really paying attentions to the ugly side of Brooklyn. That all changes one day at a house party they attend; when neighbors called 911 due to loud hip-hop music. Two rogue police officers enter the home and immediately became confrontational with the partygoers. The officers aggressively manhandle a young lady, and Nehunda tries to defuse the situation, only to be brutally accosted herself. When her lover, Jean, tries to intervene, he was assaulted and arrested. Ultimately, the corrupt judicial system allows Jean’s abusers to go free and now they want revenge. For the gross injustice, Jean wants revenge too. By any means necessary, Jean Negus will get his vengeance!! About the Director: “The Raging Elephant” is the directorial debut of Gunnar Dessources. Gunnar hails from Port-au Prince, Haiti. He came to the U.S. in 1991, where he was raised in Brooklyn, New York. He attended Midwood High school and later double-majored in Psychology and Film Studies at Brooklyn College, earning a degree in 2003. Ten years later, in 2013, Gunnar returned to college, earning a Film Production degree. Currently, Gunnar is enrolled in an M.F.A program at Saint Francis College. Mr. Dessources aims to produce culturally relevant literature and films. As a Caribbean native, hailing from the island of Haiti, and now living in the diaspora within the U.S., Gunnar noticed that his culture is noticeably absent in the educational curriculum and cinematic sector. As a firm believer an Sankofa, a West African Adinkra symbol represented by a bird with its head turned backwards taking an egg off its own back; meant to symbolize retrieving what was taken from us or what you has been lost and to bring it back and preserve it, Gunnar wants to resurrect the love stories of Ogoun and Yemaya; the war between Set and Ausar of Kemet; the cunning ways Of Koikou; Anansi the spider; the adventures of the mischievous Ti Malice and Bouki in the Haitian folklore; and the riddles and the proverbs of old. Gunnar wants to bring forth and amalgamate these things into our present daily lives, in order to secure and protect the future. Listen to learn more. DONATE 2 THE SHOW: https://goo.gl/pTFiAC Follow Us on: Twitter: https://www.twitter.com/bittermedz Facebook: https://www.facebook.com/BitterMedicineShow/ Instagram: https://www.instagram.com/bittermedicine Tumblr: https://www.tumblr.com/blog/bittermedz Website: https://goo.gl/DywnPr Follow KWAZ RADIO: Facebook: https://www.facebook.com/KWAZRADIO/ Instagram: https://www.instagram.com/kwazradio Twitter: http://www.twitter.com/kwazradio YouTube: https://goo.gl/a6eXJZ Website: https://www.kwazradio.com

We talk about the finish line for 1 Angry Black Man.  Post production and general.  How do you learn the art and craft of filmmaking?

Tom has a new catchphrase. It means something in Wolof, but we don't care about that part. It's more the fact that it rhymes. See omnystudio.com/listener for privacy information. See omnystudio.com/listener for privacy information.

This week, we sit down with Sophia Fecu, an entrepreneur. She tells us about her book "Mon Héritage" her religion (manbo) and her upcoming event "Mon Héritage"". She also shares the story of bouki and his run in with tet San kò; the bodiless head. Afterwards, she takes on our riddles challenge. Follow us on twitter and IG @KrikKrakPodcast & @Tinarsjn. Keep in touch with today’s guest on Facebook: Sophiphie FanmBeni; and on Twitter: @Sophiphie30 Semèn sa, nou chita pale ak Sophia Fecu, yon antreprenè, Li pale nou de liv li a (Mon Héritage), de relijyon li (li se on manbo) al program li ap prepare ki rele "Mon Héritage" . Li rakonte nou istwa "Bouki ak Tèt san kò" apre sa li atake seyans devinèt yo. Swiv nou sou twitter ak IG: @KrikKrakPodcast & @Tinarsjn Swiv envite nou an sou Facebook: Sophiphie FanmBeni ; ak sou twitter: @Sophiphie30

Mark Cosgrove discusses Il Cinema Ritrovato 2008