POPULARITY
On today's episode, I continue our discussion of comparative thought with Envy. This is a tricky and slippery emotional expression that can become detrimental to us if we are not careful. Envy reflects our relationship to the people around us. The messages we can receive from Envy often revolve around our sense of self and accomplishment. Join me on this episode to unpack this misunderstood emotion and explore how we can work alongside Envy with love and respect. Find more about Atlas Readings at www.atlasreadings.com and @atlasreadings on social media.
On today's episode, I am challenging your ideas around comparative thought. Specifically, I want to talk about the emotional expression of Greed. This emotion gets a very bad rap, but it's one that has played an important role in our survival. When Greed treated with respect and love, it will share some wonderful lessons with us. Join me on this episode to learn more about Greed, how it is vilified, and what information we can learn from Greed. Find more about Atlas Readings at www.atlasreadings.com and @atlasreadings on social media.
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy's War and Peace and a model for revolutionary organization in Chernyshevsky's What Is To Be Done?. Only Among Women also traces how women's community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women's community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In Only Among Women: Philosophies of Community in the Russian and Soviet Imagination, 1860–1940 (Northwestern University Press, 2019), Anne Eakin Moss examines idealized relationships between women in Russian literature and culture from the age of the classic Russian novel to socialist realism and Stalinist film. Her book reveals how the idea of a community of women—a social sphere ostensibly free from the taint of money, sex, or self-interest—originates in the classic Russian novel, fuels mystical notions of unity in turn-of-the-century modernism, and finally assumes a place of privilege in Stalinist culture, especially cinema. Rethinking the significance and surprising continuities of gender in Russian and Soviet culture, Eakin Moss relates this tradition to Western philosophies of community developed by thinkers from Jean-Jacques Rousseau to Jean-Luc Nancy. She shows that in the 1860s friendship among women came to figure as an organic national collectivity in works such as Tolstoy’s War and Peace and a model for revolutionary organization in Chernyshevsky’s What Is To Be Done?. Only Among Women also traces how women’s community came to be connected with new religious and philosophical notions of a unity transcending the individual at the fin-de-siècle. Finally, in Stalinist propaganda of the 1930s, the notion of women’s community inherited from the Russian novel reemerged in the image of harmonious female workers serving as a patriarchal model for loyal Communist citizenship. Anne Eakin Moss is an assistant professor in the Department of Comparative Thought and Literature at Johns Hopkins University. Colleen McQuillen is an associate professor in the Department of Slavic Languages and Literatures at the University of Southern California.Follow her on Twitter @russianprof Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Brook A. Ziporyn (Professor of Chinese Religion, Philosophy, and Comparative Thought at the University of Chicago Divinity School) is a scholar of ancient and medieval Chinese religion and philosophy, and an expositor and translator of some of the most complex philosophical texts and concepts of the Chinese religious traditions. Ziporyn delivered a talk on April 28 at the Center in Beijing entitled “Religion Without God: China’s Precious Spiritual Heritage.” After the English-language lecture and Q&A session, Ziporyn continued the discussion with attendees in Chinese.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Brook A. Ziporyn (Professor of Chinese Religion, Philosophy, and Comparative Thought at the University of Chicago Divinity School) is a scholar of ancient and medieval Chinese religion and philosophy, and an expositor and translator of some of the most complex philosophical texts and concepts of the Chinese religious traditions. Ziporyn delivered a talk on April 28 at the Center in Beijing entitled “Religion Without God: China’s Precious Spiritual Heritage.” After the English-language lecture and Q&A session, Ziporyn continued the discussion with attendees in Chinese.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Dean's Forum on the new edition (University of Chicago Press, 2014) of The Journey To The West by Anthony C. Yu, Carl Darling Buck Distinguished Service Professor Emeritus, with responses from Wendy Doniger, Mircea Eliade Distinguished Service Professor of History of Religions, and Brook A. Ziporyn, Professor of Chinese Religion, Philosophy, and Comparative Thought. Yu's translation of The Journey To the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey To the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China's most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Wednesday Lunch is a Divinity School tradition started many decades ago. At noon on Wednesdays when the quarter is in session a delicious vegetarian meal is made in the Swift Hall kitchen by our student chefs and lunch crew. Once the three-course meal has reached dessert each week there is a talk by a faculty member or student from throughout the University, a community member from the greater Chicago area, or a guest from a wider distance.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Dean's Forum on the new edition (University of Chicago Press, 2014) of The Journey To The West by Anthony C. Yu, Carl Darling Buck Distinguished Service Professor Emeritus, with responses from Wendy Doniger, Mircea Eliade Distinguished Service Professor of History of Religions, and Brook A. Ziporyn, Professor of Chinese Religion, Philosophy, and Comparative Thought. Yu's translation of The Journey To the West, initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey To the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China's most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Wednesday Lunch is a Divinity School tradition started many decades ago. At noon on Wednesdays when the quarter is in session a delicious vegetarian meal is made in the Swift Hall kitchen by our student chefs and lunch crew. Once the three-course meal has reached dessert each week there is a talk by a faculty member or student from throughout the University, a community member from the greater Chicago area, or a guest from a wider distance.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Professor Brook Ziporyn, Professor of Chinese Religion, Philosophy, and Comparative Thought, on the peculiarities and challenges of teaching Philosophy of Religions. Cosponsored by the Philosophy of Religions Club. The Craft of Teaching (CoT) is the Divinity School's program of pedagogical development for its graduate students, dedicated to preparing a new generation of accomplished educators in the field of religious studies. We bring together Divinity School faculty, current students, and an extensive alumni network of decorated teachers to share our craft and to advance critical reflection on religious studies pedagogy.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Professor Brook Ziporyn, Professor of Chinese Religion, Philosophy, and Comparative Thought, on the peculiarities and challenges of teaching Philosophy of Religions. Cosponsored by the Philosophy of Religions Club. The Craft of Teaching (CoT) is the Divinity School's program of pedagogical development for its graduate students, dedicated to preparing a new generation of accomplished educators in the field of religious studies. We bring together Divinity School faculty, current students, and an extensive alumni network of decorated teachers to share our craft and to advance critical reflection on religious studies pedagogy.
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. A Dean's Forum on “Making Sense of Tantric Buddhism: History, Semiology, and Transgression in the Indian Traditions” by Christian K. Wedemeyer, Associate Professor of the History of Religions. Jeffrey Stackert, Assistant Professor of Hebrew Bible, and Brook A. Ziporyn, Professor of Chinese Religion, Philosophy, and Comparative Thought, responding. Recorded in Swift Hall’s Common Room on January 22, 2014.