Podcast appearances and mentions of david moufang

Als working girls wurden im Amerika der 1920er sowohl Prostituierte bezeichnet, als auch unabhängige berufstätige Frauen, die mit bislang unbekannter Souveränität über ihre Sexualität verfügten. Die Underground House Music New Yorks, Chicagos Booty Bass oder Detroits Ghetto-Tech nutzt die Vokabel "work" bis heute im Kontext sexueller Metaphern, die hier aber nicht dem üblichen Sexismus dienen, sondern im Dreieck der Diffamierungen race, class and gender kritisches Potential entfalten. David Moufang und Thomas Meinecke haben sich durch das Repertoire dieser aufregenden Musik ge-arbeitet und daraus einen hypnotischen Mix produziert. // Mit Eric D. Clark, Thomas Meinecke, Move D / Komposition und Realisation: Move D / Thomas Meinecke / BR 2009 // www.hörspielpool.de

Move D & Dolan Bergin have a special bond. In between busy schedules the pair have become close friends. There is little left to be said about David Moufang which has not already been spoken, his continued importance to club music makes him one of the definitive figures within the genre. Across decades he has released some of the most influential records in dance, his commitment to current trends and the ongoing discovery of new music is admirable. This is what to this day makes his DJ sets so profound and exciting. Dolan Bergin is the man behind Electric Minds, the much loved club night and label which has travelled the world. Based out of London the label is about to celebrate it's tenth anniversary, however we have now been informed that this will be the closing act for Electric Minds. Across the label's existence they have released music by the likes of Endian, Jay Shepeard, Fold and Move D himself. It's closure will be missed. This edition of the Ransom Note mix is taken from a party earlier this year at Robert Johnson in Germany. It sees label boss Dolan Bergin go back to back with Move D across six hours. Strap in. First 2 hours = Dolan second 2 hours = Move D last two hours = Move D & Dolan

Move D & Dolan Bergin have a special bond. In between busy schedules the pair have become close friends. There is little left to be said about David Moufang which has not already been spoken, his continued importance to club music makes him one of the definitive figures within the genre. Across decades he has released some of the most influential records in dance, his commitment to current trends and the ongoing discovery of new music is admirable. This is what to this day makes his DJ sets so profound and exciting. Dolan Bergin is the man behind Electric Minds, the much loved club night and label which has travelled the world. Based out of London the label is about to celebrate it's tenth anniversary, however we have now been informed that this will be the closing act for Electric Minds. Across the label's existence they have released music by the likes of Endian, Jay Shepeard, Fold and Move D himself. It's closure will be missed. This edition of the Ransom Note mix is taken from a party earlier this year at Robert Johnson in Germany. It sees label boss Dolan Bergin go back to back with Move D across six hours. Strap in. First 2 hours = Dolan second 2 hours = Move D last two hours = Move D & Dolan

For episode number 40 we have a rising talent on the German underground scene: M.ono. The German Dj first caught our attention after his stellar releases on Rose Records. The unique filtered house, with elements of disco and 80's gets you grooving like no other! It's not just us who are big fans of M.ono's work - David Moufang aka Move D has been playing 'Holding back California' for some time now and has even included it in his latest fabric mix. His nest podcast encapsulates that iconoclastic M.ono sound, smooth, groovy house, which is a perfect accompaniment to the early spring sunshine!

The world as David Moufang sees it. For more, visit Resident Advisor: http://www.residentadvisor.net/podcast-episode.aspx?exchange=187

The world as David Moufang sees it.

The world as David Moufang sees it.

INTERVIEW > www.inverted-audio.com/magic-mountain-high Magic Mountain High is a collaboration between David Moufang aka Move D, Gal Aner and Jordan Czamanski aka Juju & Jordash. As Magic Mountain High they've released one record on Workshop Records entitled 'Workshop xx', which was recorded a year ago at Move D's studio. All three tracks are based on live jams and improvisations in the studio, similar to how Magic Mountain High perform on stage, but made shorter so as to fit on vinyl. Ahead of Magic Mountain High's London performance on Saturday 9th March for Phonica and ReviveHER alongside Vakula and Maurice Fulton we caught up with Gal and Jordan for a short interview, where we discuss Freerotation, their live setup and how they manage to work together despite geographical differences. This Inverted Audio mix is a recording of the trio playing live at Panoramabar in September 2012, with guest vocals by Eric D Clark and when we say live, we mean 100% live, no cheats, no edits just the plain truth.

Text: Thomas Meinecke / Komposition: David Moufang / Bilder und Projektionen: Michaela Melián / BR/intermedium 2 2002 / Länge: 29'31 // Gibt es überhaupt eine Art von Sprache, die nicht in ständigen Ein- bzw. Ausschlussverfahren Identität konstruiert? Als textliches und visuelles Ausgangsmaterial für die Künstler dienen die Protokolle eines Schriftstellertreffens aus dem Jahr 1964 im Literarischen Colloquium Westberlin (Prosaschreiben), bei dem sich sechzehn jüngere Autoren mit arrivierteren, älteren Autoren darüber austauschten, welche erzählenden Formen ihnen als aktuell bzw. noch praktikabel erschienen.

Bereits in den 1920er Jahren konnte man in den USA eine etymologische Vermischung der Sphären Arbeit und Liebe wahrnehmen, als nämlich sogenannte working girls nicht nur den ersten breiten, unübersehbaren Schwung mit bislang unbekannter Souveränität über ihre Sexualität verfügender Frauen markierten, sondern im gemeinen Umgangston konnte working girl stets auch eine Prostituierte bedeuten. Im subkulturellen Jive bildete sich die Silbe work zunehmend zu einer Vokabel für selbstbestimmte, nicht selten sexuell dissidente Aktivitäten aus. Die Underground House Music New Yorks, Chicagos Booty Bass oder Detroits Ghetto-Tech nutzt die Vokabel bis heute im Kontext kaum verhohlener sexueller Metaphern, die hier aber nicht dem üblichen Sexismus dienen, sondern kritisches Potential entfalten. David Moufang und Thomas Meinecke haben sich durch das Repertoire dieser aufregenden Musik gearbeitet und daraus einen hypnotischen Mix produziert. // Mit Eric D. Clark, Thomas Meinecke, Move D / Komposition und Realisation: Move D / Thomas Meinecke / BR 2009 /