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Eschewing the collection of traditional titles that describe single elements of her body of work, The Honourable Elizabeth A. Baker refers to herself as a “New Renaissance Artist” that embraces a constant stream of change and rebirth in practice, which expands into a variety of media, chiefly an exploration of how sonic and spatial worlds can be manipulated to personify a variety of philosophies and principles both tangible as well as intangible. Austin Williams talks to her about her latest album Remain Calm.
Context can be an important aspect of experiencing music, but The Honorable Elizabeth A. Baker believes in offering audiences an opportunity to experience sound free from external description. She joins Garrett to talk about her unique approach to artistry, her recent collaboration with the Association for the Advancement of Creative Musicians/American Composers Forum, and more. Scott questions new approaches to "The Messiah", Garrett highlights notable "classical" moments of 2021, and the guys spend the final movement drawing. comparisons between "The Matrix: Resurrections" and the future of diversity, equity and inclusion in the arts. Playlist: Tyler, the Creator - "You're A Mean One, Mr. Grinch" Margaret Bonds - "Oh, Sing of the King Who Was Tall and Brown" Julius Eastman - "Femenine" Mamadou Diabaté - "Tunga" perf. Aimee Mann - "Hold On" Asheru - Main Title from "The Boondocks" The Honorable Elizabeth A. Baker - "Remain Calm." perf. Brass Against - "Wake Up" More: The Honorable Elizabeth A. Baker: https://elizabethabaker.com AACM: https://www.aacmchicago.org Downbeat (R.I.P. Desmond Tutu): https://www.youtube.com/watch?v=uo2LGGqtjqM The Grinch Arrested: https://www.themarysue.com/cops-arrest-the-grinch-copaganda/ Handel's ‘Messiah' Today: https://theconversation.com/handels-messiah-today-how-classical-music-is-contending-with-its-colonial-past-and-present-173218 Best Classical Music of 2021: https://www.washingtonpost.com/entertainment/music/best-classical-music-2021/2021/12/07/fbc982f6-4bbe-11ec-b0b0-766bbbe79347_story.html
How do you honor the multitudes you contain? The Honorable Elizabeth A. Baker makes space for all that she is by eschewing conventional categorizations and creating art that follows her own curiosities, not the latest trends. In this episode of HearTOGETHER, new renaissance artist The Honorable Elizabeth A. Baker joins host Tori Marchiony for a candid conversation about self-definition, collaborating with nature, what it takes to truly improvise, and more. Music in this episode:Three Compositions for Piano and Electronics, I. Out of Season, {a series of strange narratives}Field Studies 20HPX, Field Studies Blips, Beeps, Breeze, Tweet, Field StudiesCommand Voices, Quadrivium Remain Calm, REMAIN CALM. This is just a test.Thanks to Noel Dior & Tim German, Editorial Council Teng Chen, Audio Engineer
Episode 7 features Anthony R. Green, a composer, performer, social justice artist, and Associate Artistic Director for Castle of our Skins. We talk with Green about his musical journey, classism, and commodification in music today, and his current work. Transcripts to all podcast episodes are created by Hollyn Slykhuis and are posted on our website! To learn more about Anthony and all recommended groups, composers, and resources, check out the links below! Anthony R. Green - https://www.anthonyrgreen.com/ Castle of our Skins - https://www.castleskins.org/ Anthony's article - “What the Optics of New Music Say to Black Composers” https://nmbx.newmusicusa.org/what-the-optics-of-new-music-say-to-black-composers/ Ghetto Classics: https://www.artofmusic.co.ke/ghetto-classics/ The Coalition for African Americans in the Performing Arts (CAAPA) - https://4caapa.org/ African American Composers Initiative (AACI) - https://aacinitiative.org/ Castle of our Skins BIBA blog - https://www.castleskins.org/biba-blog Africlassical.com blog - https://africlassical.blogspot.com/ crazinisT artisT - https://www.crazinistartist.com/ perfocraZe International Artist Residency- [pIAR] - https://www.crazinistartist.com/piar-artist-in-residency/ Composers to check out! Brittany J Green - http://www.brittanyjgreen.com/ Elizabeth A. Baker - https://elizabethabaker.com/ Jessica Mays - https://jessmaysmusic.com/ Yaz Lancaster - https://www.yaz-lancaster.com/ Davon R. Gray - http://www.greyghostsound.com/devon-gray Dameun Strange - http://www.dameunstrange.com/ Marcus Norris - https://www.marcusnorris.com/ Kennedy Dixon Taylor - https://kennedytaylordixon.com/ Sakari Dixon Vanderveer - https://sakaridixon.com/ Valerie Capers https://valcapmusic.com/ His socials: IG/Twitter/FB : @piargno84 ; SoundCloud/Vimeo/YouTube : @piargno ; website: www.anthonyrgreen.com ; www.castleskins.org Huge thanks to Trevor Weston and Whitney George for letting us include their music in our intro and outro! Our recording of Weston's “Fanfare for Changes” opens the podcast, and Ashley's recording of George's “Incantations” closes each episode. Visit their websites to learn more about them and their works below! Trevor Weston - http://www.trevorweston.com/ Whitney George - https://www.whitneygeorge.com/
Daniel Newman-Lessler is a composer, conductor, pianist, singer, educator, and dabbler in watercolor and pastels. His compositions have been performed by players and ensembles across the country, and impressively he has also found repeated success as a conductor and performer. We met at the California Institute of the Arts, where he is currently a Lilian Disney Scholar in the MFA Performer-Composer program. In this conversation, we talk about his collaborations with other luminaries in the world of concert music such as Elizabeth A. Baker and Clara Kim, the intersections between activism, composition, and concert planning, about xenharmonicism and microtonality, Patch Adams, Black Lives Matter, and of course about several of Daniel's excellent compositions.Pieces Featured:#yaaasfilter93066Rondo for ClaraPray Not!https://www.danielnewmanlessler.com/ https://www.youtube.com/user/roninyukiko https://www.instagram.com/dnewmanlessler/https://soundcloud.com/danielnewmanlessler
For more about Elizabeth check out: https://elizabethabaker.com/ I am excited to bring you this interview with New Renaissance Artist Elizabeth A. Baker. Elizabeth's work “embraces a constant stream of change and rebirth in practice, which expands into a variety of media, chiefly an exploration of how sonic and spatial worlds can be manipulated to personify a variety of philosophies and principles both tangible as well as intangible. In our conversation we cover some early experiences she had with music. I was delighted to hear how the Florida punk and math-rock scene shaped her outlook. We talk about her career and, in the course of this hour long interview, only scratch the surface of where her work as a New Renaissance Artist has taken her. We finish the conversation talking about her experience working with the Price Hill Creative Community Festival.
Elizabeth A. Baker - New Renaissance Artisthttps://elizabethabaker.com/The Resonant Lifehttps://elizabethabaker.com/the-resonant-life/https://ebakermusic.square.site/product/the-resonant-life-attack-decay-sustain-release-resonate-/6?cs=trueQuadriviumhttps://elizabethabaker.bandcamp.com/album/quadriviumAin’t I A Woman Toohttps://nmbx.newmusicusa.org/aint-i-a-woman-too/BarkBox is aware their dog toy looks like a Fleshlighthttps://mashable.com/article/barkbox-pig-toy-fleshlight-sex-toy/White Fragility: Why It's So Hard for White People to Talk About Racismhttps://www.amazon.com/White-Fragility-People-About-Racism/dp/0807047414/ref=sr_1_1?gclid=CjwKCAiAzanuBRAZEiwA5yf4ugj8qShcMfwPowkI9bX119iio3TCkFdjCm_CFuxj2KRNlzQiYmedrxoCrPgQAvD_BwE&hvadid=241949715031&hvdev=c&hvlocphy=9015317&hvnetw=g&hvpos=1t1&hvqmt=e&hvrand=15108397984327808785&hvtargid=kwd-242688300007&hydadcr=22534_10344589&keywords=white+fragility&qid=1573609809&sr=8-1BIC Cristal For Her Ball Penhttps://www.amazon.com/BIC-Cristal-1-0mm-Black-MSLP16-Blk/product-reviews/B004F9QBE6End Music:"What is done in silence" by Elizabeth A. Bakerfrom QuadriviumMix Engineer:Greg LeCompte of Dark Matter Recording Master Engineer:Melissa Harris Chambers ⓒ Ⓟ 2018 Aerocade Music and Elizabeth A. Baker Aerocade Music AM008 all rights reserved
Elizabeth A. Baker is a composer, a touring toy piano player, a classical guitarist, an experimental performance artist, a recording engineer, a cellist, a collaborator with dancers and visual artists, a computer programmer, a rarely-heard singer, an educator, sound designer. . . so many things that people forget she’s a concert pianist. Renaissance Artist is the most accurate job description Elizabeth could think of. No one can describe her work better than herself. “Celebrated for her ‘terrifying dynamic range,’ cleanliness of sound, as well as unique sensitivity and ability to sculpt her performance for the acoustics of a space, Elizabeth A. Baker is a dramatic performer with an honest, near psychic connection to music, which resounds with audiences of all ages and musical backgrounds. “An active performer highly sought after for her unique concert presentation methods, which break the fourth wall and draw the audience further into the music by asking them to listen beyond the surface through interactive dialogue. . . ” Elizabeth shares her passion for adventurous music, and why she followed up a degree in cello with a degree in music production. She explains why she's trained in Voice but you’ve probably never heard her sing. . . and the little-known story of her all-girl band. Find out more about Elizabeth Baker at https://elizabethabaker.com/ Listen to her music at https://elizabethabaker.com/recordings/ Check out Elizabeth’s online blog, when she served as a Creative Pinellas Professional Artist Fellow - https://creativepinellas.org/elizabeth-a-baker/
Elizabeth A. Baker on falling in love from the point of view of a neurotransmitter, making music from bicycle parts, and the legacy of Nina Simone.
In this episode we focus on Elizabeth A. baker, who considers herself a new Renaissance woman. She specializes in classical contemporary music, visual art, dance, poetry, and anything and everything else that brings her art to life including toy pianos and some exotic ways to play prepared piano pieces. **We get into talking some adult subjects in this one, so definitely preview before letting little ones listen in.
I am delighted to have as my guest musician, composer, writer, and new renaissance artist, Elizabeth A. Baker. I learned about Elizabeth and her work only a few months ago through a short 5 question interview published on the excellent site “i care if you listen”. The interview on “i care if you listen” focused primarily on one of Elizabeth’s many projects, and one we discuss during our conversation—and that is the Florida International Toy Piano Festival, which Elizabeth is both co-founder and Festival Director. The second annual Toy Piano Festival ended back in early January, and to be honest, the idea of a creative music festival focused on showcasing music produced on a toy piano totally captured my imagination and sent me off to explore Elizabeth’s music, and ultimately, corresponding with her about her music and doing an interview. No surprise, I could have talked for hours with Elizabeth: how she approaches her music and the details of her creative process are no end interesting and fascinating to me, but given her busy schedule and her involvement in a number of creative projects, we had about an hour to cover a lot of ground. I do not want to give too much away here at the outset, but I will say that our conversation touches on a number topics including the role and importance movement, dance, silence, and community are to the work Elizabeth creates and performs. She is truly inspirational. For more information about Elizabeth A. Baker checkout her website. For more information about Alloy checkout the show’s site. This episode is sponsored by Whistlestop Bookshop. All music featured in episode 4 is by Elizabeth A. Baker: The following compositions appear in this episode: On the Other Side from {this is not a piano album} Mortimer James Takes Flight from {this is not a piano album} |intersection| Shatter Points & Glass Chards from {this is not a piano album} Live Performance (Part 4) from A Sonic Memory Quilt On the wind, I felt your presence an ocean away from {this is not a piano album} Impressions of Ancient Earth - IV. Abstract Courtship Dances from {a series of strange narratives} Checkout Elizabeth’s book, "Toyager: A Toy Piano Method Also, checkout: The New Music Conflagration, Inc. Links Send feedback about this podcast. Subscribe to this podcast via iTunes
Episode 32 of ADJ•ective New Music's podcast, Lexical Tones. Rob McClure interviews "new renaissance artist" Elizabeth A. Baker. https://elizabethabaker.com/ Visit www.adjectivenewmusic.com for more information about ADJ•ective New Music, the ADJ•ective Composers' Collective, and Lexical Tones.