Podcasts about festival director

In our Franschhoek Literary Festival special edition Book Choice Show, we chat to Jennifer Ball, the festival Programme Director, and Festival Director, Candice Kerchhov, as well as two of the many authors you can catch at the festival, Gail Schimmel and Justin Fox. Join us find out what to see, what to do, where to eat, and how to book.

Meet Sarah Bruner, Producing Artistic Director of the Idaho Shakespeare Festival, and Hannah Read Newbill, Festival Director of Marketing. We had a lively and inspiring conversation about the upcoming season and the immense effort it takes to bring five exceptional professional productions to life, running from May through September at the festival's stunning outdoor amphitheater. This 770-seat, state-of-the-art venue is thoughtfully designed to enhance the natural power of the human voice, while seamlessly blending into the breathtaking landscape that surrounds it—a habitat rich with diverse plant and animal life. The Festival thrives through a meaningful partnership with the Idaho Foundation for Parks and Lands and the Idaho Department of Parks and Recreation. Its mission reaches beyond entertainment, embracing education and community engagement through the magic of live theater. A proud member of the Shakespeare Theatre Association (STA), the Idaho Shakespeare Festival invites you to be part of a truly unforgettable season beneath the enchanting Idaho skies. Learn more at idahoshakespeare.org — and don't miss your chance to experience this remarkable celebration of art and nature.

For the latest Scots Whay Hae! Podcast Ali spoke to Ann Campbell who is the Festival Director of the Dunoon Film Festival which moves to Spring this year, and runs between 24th - 27th April. Ann talks about the history of the festival and the importance of the local community. She also explains her own role before breaking down this year's programme and what people can expect, emphasising that it is about so much more than just the films.The two talk then talk about some of the highlights, including the attendance of Neil Brand (a silent film accompanist and presenter will present and perform live at three events), two special preview screenings of films that will have their UK release in May, Oscar winner I'm Still Here, big screen classics such as Oh, Brother Where Art Thou? and David Lynch's The Straight Story, a 70th anniversary singalong of Oklahoma!, and so much more.Ann also explains the relationships with schools, local talent, and other partners who play a vital role in bringing the festival together. It's a warm and informative conversation which we hope will inspire you to take a trip doon the watter to attend what is one of the most varied and welcoming festivals around.For full details, including all the ways to listen, head over to scotswhayhae.com

On the March edition of the Cinetopia Radio show and podcast, Cinetopia's Amanda Rogers is joined by show regulars Simon Bowie, Garry Arnot and Robert Ewing, who cover this year's Glasgow Film Festival - including reviews of Nocturnal, Peacock, Homegrown, and Stealing Pulp Fiction. We also review new release films currently out in cinemas including Mickey 17, On Falling, and The Last Showgirl.Amanda also talks with Allison Strauss, Founder and Festival Director of HippFest, Scotland's first and only festival of silent film with live music, which s happening right now from 19th-23rd of March -https://www.hippodromecinema.co.uk/hippfest/Don't forget to check out our Kim's Video Film Tour across the UK popping up in 20+ venues across the UK- https://cinetopia.co.uk/kimsvideoand also subscribe to our Substack, Cinetopia's regular round-up of film-related happenings, opportunities, and insights - helping the film community stay connected! -https://cinetopia.substack.com/

On this episode of The Film Situation, host Zef Cota sits down with Julian Biba—a filmmaker, producer, novelist, and director of the NY True Venture Film Festival—to discuss his unconventional journey into filmmaking. From his early days as a bodyguard to finding himself at the Cannes Film Festival with his first short film, Julian shares how his real-life experiences have shaped his storytelling across film, literature, and festival programming. Plus, Julian and Zef break down two of his favorite movie scenes: THE BOURNE IDENTITY (2002) & Tony Scott's MAN ON FIRE (2004). @julianbiba Hosted by Zef Cota

The world's only LGBTQ+ matchmaking festival returns to Clare this weekend for its 12th iteration with some of the biggest names in drag in attendance. The Outing festival, will take place at the Inn at Dromoland and will see cameo's from Charra Tea, Paul Ryder and Victoria Secret in drag and comedy shows, while Irish heritage will be celebrated at the many 'Gaylís' taking place. Organisers of the festival have also put foward a bid for the Midwest to host Europride in 2028, which would see up 75,000 people from around the world descend on the region to celebrate LGBTQ culture. Festival Director, Eddie McGuinness, says a successful Europride bid could be worth millions to the economy.

This is a live recording of an event that took place at Open Book Festival in September 2024. In this event, Lesedi Molefi, Margie Orford and Hedley Twidle speak to Festival Director, Mervyn Sloman, about crafting their work.This event was made possible by the support of the Department of Sports, Arts and Culture, the City of Cape Town and the Heinrich Böll Foundation.

The new season of BITS Radio begins with Robert speaking with Festival Director Kelly Michael Stewart about how BITS 2024 went

One of the highlights on Wellington's events calendar returns this week. NZ Fringe is the largest arts festival in the country, encompassing more than 170 events with artists from across New Zealand and the globe. The festival has called Wellington home since it began in 1990 - and this year marks the 35th annual event. To talk about what audiences can expect, festival director Vanessa Stacey joined Nick Mills. LISTEN ABOVESee omnystudio.com/listener for privacy information.

In this Film Ireland podcast, Mick Jordan talks to Grainne Humphries, Executive Festival Director at Dublin International Film Festival. The 2025 Dublin International Film Festival runs 20th February - 2nd March. Explre the full programme and book tickets at https://www.diff.ie/programme https://filmireland.net/

Irish Music Week 2025 applications are open. Angela Dorgan, Festival Director, joins Oliver on the line.

Kaz and Tubes hear from Australian Wooden Boat Festival General Manager and Festival Director, Paul Stephanus, ahead of the big event this weekend.See omnystudio.com/listener for privacy information.

Wellington's Homegrown festival is set to move further afield - with organisers claiming it's outgrown the capital. The music festival's been operating at the region's waterfront for 18 years, but it's been revealed this year's upcoming two-day event will be the last held in Wellington before it moves in 2026. Festival director Andrew Tuck says they've been looking to expand Homegrown out further - and there's nowhere else in Wellington that can accommodate demand. "We looked everywhere to see if we could accommodate inside Wellington, we've been looking at that for the last couple of years. And unfortunately, there's nowhere where we could actually move the people in a comfortable fashion that'll actually tick all the boxes." LISTEN ABOVESee omnystudio.com/listener for privacy information.

A graduate from Aberystwyth University, BEN THOMPSON left Wales and London to settle in New York. Soon after arriving he joined the Tribeca Film Festival where he is currently the VP of Shorts Programming. From the start of his career as a filmmaker Ben has always had a keen interest in short form storytelling and discovered while at Tribeca a passion for programming and presenting short films to new and engaged audiences. He is fascinated by the influence film has on our world and culture and travels to search out new stories from around the globe. He has watched over 12,000 short films for Tribeca alone. In this episode, we talk about: • Internships that prepared him for working at Tribeca Festival • Pros/Cons for submitting early to film festivals • The process for programming short film blocks for the festival and advice for short film filmmakers who want to submit to festivals like Tribeca (timing, theme, etc) • Whether filmmakers can monetize short films and the value from having your short in a festival • Festivals are seasonal work and the different festivals he used to work in one year and moving to a full time position • What goes into a Festival Coordinator position and working as a liaison between the festival and the filmmakers • Whether it's important to have celebrities or famous people in short films • What's important in a cover letter - description and how you are positioning your film • What he recommends is the most important investment in creating your short film. • Benefits he's seen of screening at Tribeca and other opportunities available for short film filmmakers at the festival • Internal scoring process at Tribeca • Advice for those who want to be a programmer at a festival Guest: LinkedIn Tribeca Profile 2025 Tribeca Festival Submissions overview Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠⁠⁠⁠How I Got my Press Badge for Tribeca Festival - 4th Anniversary Solo Episode⁠ ⁠TRIBECA SERIES: RESOURCES, PROGRAMS and AWARDS with Director of Artist Programs Bryce Norbitz Becoming... Festival Director and Senior VP of Programming at Tribeca Festival Cara Cusumano --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

In this conversation at the Review of Democracy, Enikő Gyureskó- the Festival Director of VerzióInternational Human Rights Documentary Film Festival – discusses the program of the Verzió Film Festival, which will take place between 6-13 November; the rationale of choosing specific foci in this year's program; the importance of documentaries in raising awareness about contemporary human rights issues; the collaborations between Verzió with other European festivals to promote human rights; the relevance of educational initiatives and university partnerships to foster critical engagement in Hungary. Enikő Gyureskó has been a key figure at the Verzió Film Festival since 2016. Starting as Festival Coordinator, she became Managing Director in 2021 and was appointed Festival Director in 2024. Enikő is responsible for the festival's development strategy, team management, fundraising, partnerships, and grants. Since 2022, she has also been a board member of MADOKE, the Hungarian Documentary Association. Enikő holds a BA in Liberal Arts, with a major in Art History and a minor in Philosophy, from Pázmány Péter Catholic University (2013), and an MA in Design and Art Management from Budapest Metropolitan University (2017). Verzió created a much-needed platform in Hungary for international documentary films focused on human rights. Over 20 years, the festival has attracted more than 250,000 attendees. In 2020, it launched its online streaming platform, Verziotheque, offering films nationwide between festival editions. Verzió is a crucial gathering point for the documentary film community, hosting screenings, discussions, and events in Budapest and across Hungary. The festival partners with cinemas and cultural spaces in cities like Pécs, Szeged, and Debrecen. This year, the festival will run between 6th and 13th of November.   Adrian Matus: Verzió has become a key platform for raising awareness on pressing human rights issues through documentary filmmaking. Could you introduce us to the agenda of the Verzió Film Festival? How do you view its significance within the global landscape of human rights film festivals? What does it share with other such festivals and what might make it rather special?   Enikő Gyureskó: Verzió has been one of the steadiest festivals running in Hungary. This will be the 21st edition, and it takes place every year in November, not just in Budapest but currently in six other towns and online as well. It has a large regular audience that comes back to our editions yearly. At the same time, we also try to reach out to new audiences with each edition. Currently, about 20000 people participate yearly if we consider both offline venues and online audiences. Regarding its international embedment, we are part of the Human Rights Film Network, which consists of over 40 human rights festivals globally. This network raises awareness of human rights and filmmakers in danger, or festival partners who operate in dangerous circumstances, such as Belarus or Central Asia, where democratic institutions do not exist, or people who work with human rights and social issues are under constant surveillance or harassment. Within this network, we try to provide support and raise international awareness whenever one of our members gets into trouble. It also serves as an exchange of experiences and a learning platform for all of us to improve our festivals. We are also trying to build strong relationships with several European festivals that are regionally closer to us. For example, the One World festival in Czechia has been one of our oldest partners. They were founded just a few years before Verzió and even inspired us when our festival was created. There are many similarities in how we think and do our programs. They (One World) also have many discussions, panel talks, and roundtables. Besides the screenings, just like Verzió, they try to cooperate with civil organizations and involve them in public debates. Watch Docs from Poland is an excellent example in this regard, being operated by Helsinki Foundation. We regularly apply together to European funds. One of the major sponsors of film festivals is the Creative Europe program by the European Union. In the past couple of years, this program initiated a funding scheme that provides grants to festival networks. Thus, now we are in the Doc Around Europe network for the second year, which includes partners from Spain, Germany, Italy, and North Macedonia. We are focusing together on mentoring emerging talents and better circulating their works on a European level. These are  similarities that we share. One of our programs. funded through grant schemes such as  Creative Europe Media and European Documentary Film Festival Network. is called Verzió DocLab. It focuses on developing documentaries which have a social aspect or human rights focus and takes place at the CEU's Budapest campus. As well, the Young Critics Workshop, funded through this grant scheme, will take place for the third time at CEU during Verzió. This workshop wants to improve the skills of emerging writers and critics interested in the documentary genre. These international programs are free; we provide everything from travel to accommodation.   AM: Which are the main foci and highlights of this year's festival? What documentaries stand out as particularly powerful to you from this year's program?   EG: Our curatorial team is really excited about this year's program! All the films stand out and we encourage everybody to try to watch as many films as their time allows. We try to screen every film twice during the festival's eight days. Of course, we have some highlights that have already won outstanding awards internationally. If I have to name one, I will mention I'm Not Everything I Want To Be - a Czech film about a photographer discovered recently in the international art scene. Her photographs were unknown before; she was photographing everyday life and the people around her. She lived in a socialist country and worked in a factory because she had to and not because she wanted to. In this context, she took pictures of workers. At the same time, she identified herself as queer and went to illegal queer bars where she took photographs. Of course, these bars were illegal then, and she tried to hide these pictures. She also travelled to Berlin and witnessed the wall falling in 1989. She lived through exciting times and was present at important historic events. This film consists solely of her photographs and has no single moving image. There are only photographs- about 3,000 of them - yet the team managed to edit it so that it does not become boring or monotonic. Even though the pictures are black and white, it is still such a powerful, visual, and empowering storytelling. I can only praise the editors who had to work hard to make it happen. We will have a Q& A session with the director, Klára Tasovská, who is coming to Verzió on the 9th of November so that you can catch her at Toldi Cinema. This film also inspired our visuals this year. Every year, Verzió changes its visuals- our posters, our website, and our social media communications use still images from one particular movie. This year will be I'm Not Everything I Want to Be- our visuals play with a plastic foil, a plastic wrap that comes off and underneath these pictures emerge. In a way, it also references what happened in Hungary. I think last year, a new law came into action where people under 18 were not allowed anymore to open, in bookstores, books which talked about the lives of LGBT people or that depicted anything related to homosexuality. We disagree with this situation and are referencing this issue in our visuals this year.   AM: More generally, how do you select the movies? What kind of balance do you aim at between artistic merit and the urgency of the issues addressed?   EG: I think a good film always keeps its value through time. Perhaps from the technical standpoint, the approaches are evolving. The picture quality and the cameras used are often of much better quality. At the same time, some films are made with cell phones, not only with the best equipment. Not every filmmaker has access to such equipment. However, it is not about that any more. The films have become more and more personal, focusing a lot on individual stories and embedding them in broader societal movements. This is the best way to make an emotional effect and draw the viewer closer to a story. In this way, the individuals are protagonists in these films and share intimate parts of their lives. These directors gain close access to many of the characters. Filmmakers also film about their own lives, and they are the protagonists in their films. The heaviness of these topics has always been a focal point since the festival's first year. The particularity of the program remains the same, and every year, we try to bring films that deal with urgent topics. War in Ukraine has been in our focus for several years now. This year, we have amazing, excellent films that stand out, not just because of their heavy topic but their genuinely outstanding qualities. For example, Intercepted or Songs of a Slow Burning Earth  are films that I recommend. The director of Flowers of Ukraine will also come to present the movie. This film was not initially about the war but about gentrification. As she proceeded to film, the war broke out, and it was always in the background. In other words, you cannot make a film without excluding the bigger reality. These films also show personal stories of how war affects people's everyday lives. In Intercepted, for example, we can listen to the phone calls of Russian soldiers, which were - as the title suggests - intercepted by the secret services in Ukraine. It is chilly to listen while you watch pictures of destroyed cities and the actual effects of their actions. The Armenian focus this year was not initially planned, but we decided to have it because we found these powerful films coming out of Armenia. 1489 is the title of one of the films that also won the Best Film award at the International Documentary Festival in Amsterdam last November. One particularity of this movie is that the director was filming with her phone. As mentioned, there are still films that were initially not intended to be a movie but just started to document an event. Later on, they decided to make it a movie. In this context, this director chose to film her own family. The story focuses on her brother, who disappeared in the Nagorno-Karabakh war. Together with her father, they are trying to find him. This is a profound and personal story. The director, Shoghakat Vardanyan, is also coming to the festival. The British focus might come as a surprise. The reason for this focus is Brexit, which has caused less attention to British documentaries at European festivals in the last few years. We also wanted to cooperate with the British Council in Budapest and the British Embassy because we felt that there is less money now in the soft power of Britain to promote their culture in this part of the world. British cultural products are not as present as they used to be. We wanted to show a selection of recent British documentaries and found four feature lengths. We also have a VR section called Vektor VR. The exhibition is at Adaptér, a lovely communal space run by the local municipality, where you can sit down and watch VR documentaries. This year, the representation of the body is the focus, particularly how we experience our body in virtual reality and how it helps us understand how others might feel in their body. AM: You have a broad variety of movies, and my curiosity is: how do you select the movies? What kind of balance do you aim at between artistic merit and the urgency of the issues addressed? EG: We are trying to find the films that excel in this balance. Both these points are essential aspects of the selection. We work as a team; we watch all the films together

Special LIVE Monday podcast from Without Your Head with Buried Alive Film Festival Director Shannon Ford Chamlee! From Buried Alive: "Come out and see some of the best new independent horror films in the world! We are dedicated to putting on the premiere horror film festival in Atlanta Georgia. In addition to new films, we also screen a few classics, and have a filmmaking competition." https://buriedalivefilmfest.com/ Buried Alive Film Festival is in Atlanta, Georgia running Thursday November 7th - Sunday November 10th. Go out there to support indie horror and your local film festival! --- Support this podcast: https://podcasters.spotify.com/pod/show/withoutyourhead/support

Regular readers of The Curb will know that I have a particular soft spot for the work of Sally Aitken. Through her expansive filmography that tells stories that span the globe, from David Stratton, to Valerie Taylor, to The Wiggles, and now to Every Little Thing, a film about Terry, a wildlife carer in California who runs a rehab facility for hummingbirds, Sally has managed to provide a generous, kind, and considerate perspective of the world and how we interact with it.Every Little Thing is a sonic and visual delight of a film that wonders the senses with cinematography that fully immerses us in the world of the hummingbird, all the while presenting the dedication and care that Terry Masear gives to these tiny, fragile creatures who flit about the world, acting as harmonious pollinators who enrich the ever-increasingly human dominated nature that they live within.I've seen plenty of films about animals being cared for, or about the communities that spring up in a fight for animal activism, and yet, I've never really seen a film like Every Little Thing. In the following interview, you'll hear me talk to Sally about why I feel this is a purely unique film, one that manages to present the role of an animal carer in a deeply compassionate and understandable way. I'm in awe of the majesty on display here, and while I've always loved Sally's work, I feel that Every Little Thing is yet another grand step forward in her role as a humanistic filmmaker.Every Little Thing screens at the Adelaide Film Festival on Thursday 24 October, and again on 2 November. Sally will be in attendance on 24 October and will attend a panel on documentary filmmaking on Friday the 25th of October. Visit AdelaideFilmFestival.org for more details. Hosted on Acast. See acast.com/privacy for more information.

Kate Blackmore's feature length film debut, Make It Look Real, navigates the intricacies of utilising an intimacy coordinator on the set of a film. Kate follows intimacy coordinator Claire Warden as she embarks on the collaborative process of presenting sex on screen for Kieran Darcy-Smith's film Tightrope, which features three Australian actors who each are asked to simulate sex on screen in different ways.Throughout Make It Look Real, we see frank and open conversations between Claire, actors Sarah Roberts, Albert Mwangi, and Tom Davis, about the purpose of the sex scenes employed in Tightrope and how they play into the characters narratives. Then, we see conversations with Claire and Kieran and hear how they negotiate the progression of the narrative, leading Kieran to reflect on the third act threesome he had planned. In between these discussions, Claire and Kate take audiences on a journey through film history where we hear from actresses who have pushed themselves to unnecessary and unsafe places to work through a scene that features nudity or simulated sex scenes.What results is a documentary that takes a holistic approach to intimacy coordination and proposes a safer, more inclusive future where the rights and safety of the actors is considered on a foundational level.In the following interview, Kate talks through the process of intimacy coordination, how the concept of utilising a constructed film like Tightrope came about, and what Kate has experienced as a creative who has explored ideas like representation on screen and how that intertwines with body autonomy and respect. Kate also talks about how she hopes a film like Make It Look Real will be received by audiences.Make It Look Real is an Adelaide Film Festival Investment Fund production and will premiere at the festival on Saturday 26 October where Kate, Sarah, Albert, and producer Bethany Bruce will be in attendance. It will then screen again on Sunday 3 November. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

In this week's Local Marketing School episode, Emily Steele interviews Alisha Espey, the Program & Events Director at the Downtown Davenport Partnership. We dove into one of the area's biggest festivals, Alternating Currents, and all the details that go into drawing big crowds and executing on powerful partnerships across the city. Alisha discusses how she and her team create awareness and leverage local expertise as well as the power of placemaking and community-driven events. We discuss measuring success beyond traditional metrics and the value of creating a sense of shared ownership in community projects. We close out with a look at some fun upcoming experiences coming to the Quad Cities region!  TUNE IN FOR TOPICS LIKE: 2:43 Alisha's journey from entertainment to wineries to the Downtown Davenport Partnership  10:07 The art of placemaking 12:46 Serving as the Festival Director for Alternating Currents, a music, film, comedy and art festival in Davenport 15:25 Attracting locals and visitors alike to attend events 16:50 Festival scaling strategies 19:41 Increasing foot traffic for area small businesses during events 23:38 Measuring success of events and activations 27:26 Building a cornerstone event in your city 31:01 What's coming up next for Downtown Davenport  Listen to this week's Local Marketing School conversation! Other episodes you'll enjoy if you enjoyed Alisha's episode: #9: Integrating Into the Community and Keeping Social Media Fun | Hannah Kirkpatrick, Fareway #14: Attracting Locals and Visitors with Engaging DMO Strategies | Rachel Greiner, Experience Grand Rapids Don't hesitate to reach out! We'd love to hear from you on Instagram and find out which episodes you're enjoying the most. Your feedback is so important to us! Please take a moment to rate the show and leave a review - it supports our ongoing Local Marketing School journey and helps us develop more content that addresses what you're hoping to learn more about! Find Alisha: LinkedIn Find Downtown Davenport Partnership: Website | Instagram | Facebook Find Alternating Currents: Website | Instagram | Facebook Connect with Host Emily: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠Follow Local Marketing School on Social: Instagram | TikTok  Follow Hummingbirds on Social: ⁠Instagram | LinkedIn | Facebook Ready to work with local influencers? Download our free guide!  Curious what type of influencer you should be working with? Take our quiz!  This podcast is produced by Hummingbirds. Learn more about Hummingbirds at hummingbirds.com.

Regular readers of The Curb will know that I have a particular soft spot for the work of Sally Aitken. Through her expansive filmography that tells stories that span the globe, from David Stratton, to Valerie Taylor, to The Wiggles, and now to Every Little Thing, a film about Terry, a wildlife carer in California who runs a rehab facility for hummingbirds, Sally has managed to provide a generous, kind, and considerate perspective of the world and how we interact with it.Every Little Thing is a sonic and visual delight of a film that wonders the senses with cinematography that fully immerses us in the world of the hummingbird, all the while presenting the dedication and care that Terry Masear gives to these tiny, fragile creatures who flit about the world, acting as harmonious pollinators who enrich the ever-increasingly human dominated nature that they live within.I've seen plenty of films about animals being cared for, or about the communities that spring up in a fight for animal activism, and yet, I've never really seen a film like Every Little Thing. In the following interview, you'll hear me talk to Sally about why I feel this is a purely unique film, one that manages to present the role of an animal carer in a deeply compassionate and understandable way. I'm in awe of the majesty on display here, and while I've always loved Sally's work, I feel that Every Little Thing is yet another grand step forward in her role as a humanistic filmmaker.Every Little Thing screens at the Adelaide Film Festival on Thursday 24 October, and again on 2 November. Sally will be in attendance on 24 October and will attend a panel on documentary filmmaking on Friday the 25th of October. Visit AdelaideFilmFestival.org for more details. Hosted on Acast. See acast.com/privacy for more information.

Kate Blackmore's feature length film debut, Make It Look Real, navigates the intricacies of utilising an intimacy coordinator on the set of a film. Kate follows intimacy coordinator Claire Warden as she embarks on the collaborative process of presenting sex on screen for Kieran Darcy-Smith's film Tightrope, which features three Australian actors who each are asked to simulate sex on screen in different ways.Throughout Make It Look Real, we see frank and open conversations between Claire, actors Sarah Roberts, Albert Mwangi, and Tom Davis, about the purpose of the sex scenes employed in Tightrope and how they play into the characters narratives. Then, we see conversations with Claire and Kieran and hear how they negotiate the progression of the narrative, leading Kieran to reflect on the third act threesome he had planned. In between these discussions, Claire and Kate take audiences on a journey through film history where we hear from actresses who have pushed themselves to unnecessary and unsafe places to work through a scene that features nudity or simulated sex scenes.What results is a documentary that takes a holistic approach to intimacy coordination and proposes a safer, more inclusive future where the rights and safety of the actors is considered on a foundational level.In the following interview, Kate talks through the process of intimacy coordination, how the concept of utilising a constructed film like Tightrope came about, and what Kate has experienced as a creative who has explored ideas like representation on screen and how that intertwines with body autonomy and respect. Kate also talks about how she hopes a film like Make It Look Real will be received by audiences.Make It Look Real is an Adelaide Film Festival Investment Fund production and will premiere at the festival on Saturday 26 October where Kate, Sarah, Albert, and producer Bethany Bruce will be in attendance. It will then screen again on Sunday 3 November. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

Director Silje Evensmo Jacobsen's documentary A New Kind of Wilderness won the 2024 Sundance Grand Jury Prize for World Cinema – Documentary and will be screening at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October.This serene and moving film follows a young family in the midst of transition. Parents Maria and Nik are raising their four children on a remote farm in Norway, teaching them a self-sustainable way of life and learning how to live alongside the land they call home. With Maria's photography helping provide a steady income for the family, all seems to be moving along comfortably, that is, until Maria passes away leaving Nik to raise their children. With no means of financially supporting the family, Nik is faced with the difficult decision of shifting his family to a new home and possibly moving away from Norway back to his home country of England where he has stronger familial support.While this sounds like a heavy experience, Silje reflects on Maria's life perspective, her photos, and her journal writings which can be found on her blog, and in that process she manages to transform A New Kind of Wilderness into a beautiful, enriching, life affirming film that will leave you with a renewed perspective on family, nature, and the lives that we live.In the following interview, Silje talks about how she shot A New Kind of Wilderness and the relationships that she had with the family on and off camera, while also reflecting on the relationship that the film will have with audiences around the globe.A New Kind of Wilderness screens at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

Director Silje Evensmo Jacobsen's documentary A New Kind of Wilderness won the 2024 Sundance Grand Jury Prize for World Cinema – Documentary and will be screening at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October.This serene and moving film follows a young family in the midst of transition. Parents Maria and Nik are raising their four children on a remote farm in Norway, teaching them a self-sustainable way of life and learning how to live alongside the land they call home. With Maria's photography helping provide a steady income for the family, all seems to be moving along comfortably, that is, until Maria passes away leaving Nik to raise their children. With no means of financially supporting the family, Nik is faced with the difficult decision of shifting his family to a new home and possibly moving away from Norway back to his home country of England where he has stronger familial support.While this sounds like a heavy experience, Silje reflects on Maria's life perspective, her photos, and her journal writings which can be found on her blog, and in that process she manages to transform A New Kind of Wilderness into a beautiful, enriching, life affirming film that will leave you with a renewed perspective on family, nature, and the lives that we live.In the following interview, Silje talks about how she shot A New Kind of Wilderness and the relationships that she had with the family on and off camera, while also reflecting on the relationship that the film will have with audiences around the globe.A New Kind of Wilderness screens at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

Documentarian Ian Darling's filmography includes a myriad of films that explore the fabric of Australian society. With Paul Kelly - Stories of Me, Darling immersed viewers into the poetry of one of Australia's greatest lyricists. In The Final Quarter, the excoriating and cruel racism inflicted upon footy legend Adam Goodes is explored through the media's coverage of the event. Then, working as a producer on a film like The Department, Darling shines a light on the people who keep the child protection system moving in NSW.Each of these stories paints a picture of the kind of Australia that we live in - a complicated and multifaceted community that stretches from Western Australia to the shores of Bondi Beach in NSW. It's near those Bondi shores that Darling takes audiences with his latest film, The Pool, a mood driven documentary that presents a year in the life of the iconic Bondi Icebergs Club, a varied group of individuals who call the stunning seaside pool home.The Pool sways through different styles of documentary filmmaking. At once, it's a nature documentary, with Ben Cunningham's camera capturing every shade of blue and purple that the sea, its sunrises and shadows of sunsets offer, at other times it leans towards a talking heads style documentary as swimmers, lifeguards, and trainers each tell personal stories about what the pool means to them. Darling matches the tone of the pool with an array of iconic songs that are masterfully paired with Paul Charlier's score.What emerges from the salty waters of Bondi is a tonal poem that embraces the feeling and mood of being immersed in a body of water and being at one with yourself and the world, free from thoughts and worries. It is, quite simply, a unique experience that feels wholly appropriate for a documentary about a swimming pool.Midway through watching The Pool, I couldn't help but be reminded of Apichatpong Weerasethakul's view that to fall asleep during one of his films is an honour. While I didn't fall asleep during The Pool, the experience that Darling has created is so relaxing that I couldn't help but want to drift off with the sounds of his film playing in my mind, wondering where the stories I hear would take me.This is a question I wish I asked Ian when I interviewed him ahead of the films screenings at the Adelaide Film Festival, and the national release for The Pool on 7 November. Instead, our discussion swayed into the realm of talking about what swimming means to him, how he worked in the different colour palette for the film, and what his perspective of the truly Australian nature of this story is. The Pool is a film that, if you give yourself over to it, will certainly transport you to a different place, and is a visual treat on the big screen.The Pool screens at Adelaide Film Festival on Sunday 27 October, where Ian Darling will be in attendance and on Sunday 3 November. Tickets are available via the Adelaide Film Festival website here. For those unable to attend, The Pool will release nationally on 7 November. Hosted on Acast. See acast.com/privacy for more information.

Documentarian Ian Darling's filmography includes a myriad of films that explore the fabric of Australian society. With Paul Kelly - Stories of Me, Darling immersed viewers into the poetry of one of Australia's greatest lyricists. In The Final Quarter, the excoriating and cruel racism inflicted upon footy legend Adam Goodes is explored through the media's coverage of the event. Then, working as a producer on a film like The Department, Darling shines a light on the people who keep the child protection system moving in NSW.Each of these stories paints a picture of the kind of Australia that we live in - a complicated and multifaceted community that stretches from Western Australia to the shores of Bondi Beach in NSW. It's near those Bondi shores that Darling takes audiences with his latest film, The Pool, a mood driven documentary that presents a year in the life of the iconic Bondi Icebergs Club, a varied group of individuals who call the stunning seaside pool home.The Pool sways through different styles of documentary filmmaking. At once, it's a nature documentary, with Ben Cunningham's camera capturing every shade of blue and purple that the sea, its sunrises and shadows of sunsets offer, at other times it leans towards a talking heads style documentary as swimmers, lifeguards, and trainers each tell personal stories about what the pool means to them. Darling matches the tone of the pool with an array of iconic songs that are masterfully paired with Paul Charlier's score.What emerges from the salty waters of Bondi is a tonal poem that embraces the feeling and mood of being immersed in a body of water and being at one with yourself and the world, free from thoughts and worries. It is, quite simply, a unique experience that feels wholly appropriate for a documentary about a swimming pool.Midway through watching The Pool, I couldn't help but be reminded of Apichatpong Weerasethakul's view that to fall asleep during one of his films is an honour. While I didn't fall asleep during The Pool, the experience that Darling has created is so relaxing that I couldn't help but want to drift off with the sounds of his film playing in my mind, wondering where the stories I hear would take me.This is a question I wish I asked Ian when I interviewed him ahead of the films screenings at the Adelaide Film Festival, and the national release for The Pool on 7 November. Instead, our discussion swayed into the realm of talking about what swimming means to him, how he worked in the different colour palette for the film, and what his perspective of the truly Australian nature of this story is. The Pool is a film that, if you give yourself over to it, will certainly transport you to a different place, and is a visual treat on the big screen.The Pool screens at Adelaide Film Festival on Sunday 27 October, where Ian Darling will be in attendance and on Sunday 3 November. Tickets are available via the Adelaide Film Festival website here. For those unable to attend, The Pool will release nationally on 7 November. Hosted on Acast. See acast.com/privacy for more information.

Bonus episode!!!!   The St Ali Italian Film Festival is currently happening all around Australia. Tonight is the opening night of the Festival in Perth so to celebrate we are bringing our listeners an extra episode. We were so excited to have Elysia Zeccola, Festival Director from Palace Cinemas as our guest. We loved getting the inside information about the Festival from Elysia and we heard how Palace Cinemas is a family business with four siblings working together! Elysia told us about how the Festival started and how the films are selected. We also heard about some of the films which feature in the 2024 lineup. There is definitely something special about watching an Italian film, the language, the music, the scenery and buildings, it all brings us feelings of nostalgia and helps us to feel connected with our Italian heritage. So do yourself a favour, get to at least one film and support the Festival. The ST. ALi Italian Film Festival is now showing in cinemas!  

Show Me Shorts Film Festival is Aotearoa New Zealand's leading international short film festival.  With its mission to connect New Zealand audiences with short films, the festival brings together 126 screenings of 85 short films at 40 cinema venues across Aotearoa this year. Sofia spoke with the Festival Director, Gina Dellabarca, about the programme for this year. 

Cara Cusumano has been with Tribeca since 2008, during which time the festival has become a globally respected showcase for film and TV premieres, live music, talks, interdisciplinary events, and talent discovery. During her tenure as Festival Director, Tribeca has been called “an annual powerhouse” (Time Out), “reliably and inarguably excellent” (Village Voice), and “one of the most prestigious festivals of the new millennium” (Playlist). She has served on nominating committees for the Cinema Eye Honors, the International Documentary Association Awards, the Gotham Awards, and the Irish Film and Television Academy Awards, and festival juries including CPH:DOX, Los Cabos Film Festival, DOC NYC, Nordisk Panorama, Bogota Audiovisual Market (BAM), and the Nantucket Film Festival. She holds a degree in Film from Columbia University's Barnard College, and an MA in Cinema Studies from New York University's Tisch School of the Arts. In this episode, we talk about: • Internships and her first job as short film programmer at Brooklyn Film Festival • The different programming teams involved in Tribeca and how she oversees them all • Choosing films to be featured at Tribeca • Typical day-to-day routine • Networking at film festival and how do you get a seasonal job there • Famous filmmakers/cast vs unknown first time filmmakers and films coming with distribution and film coming in without distribution • Want a job at Tribeca or any festival? Cara's recommendation for a starting position in the screening committee • Advice for filmmakers who are hoping to get their film into a festival including in the pre-production and post-production stages of their films • How to identify what films are “right” for Tribeca Festival • Collaborations and partnerships with brands like Chanel, Mazda, Indeed, AT&T, and Canva Guest: Linkedin Instagram Tribeca Website Host: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like this episode, check out ⁠How I Got my Press Badge for Tribeca Festival - 4th Anniversary Solo Episode TRIBECA SERIES: RESOURCES, PROGRAMS and AWARDS with Director of Artist Programs Bryce Norbitz --- Support this podcast: https://podcasters.spotify.com/pod/show/michelle-miller4/support

The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest work of the provocative filmmaker Bruce LaBruce, The Visitor.There will also be a book launch from myself on Friday evening at Better Read Than Dead, where I'll be joined by Jack Sargeant and Platon Theodoris to kick off my new book, Lonely Spirits and the King.Tickets for all of these films, and more, are available via SUFF.com.au.Ahead of the festivals launch, I caught up with Festival Director Nathan Senn to chat about what makes an underground film festival an underground film festival, how important it is to showcase films from different genre backgrounds, and what it means to amplify Australian filmmakers like Saara Lamberg, whose film The Lies We Tell Ourselves screens at the festival on Sunday 15 September.We dig into a bunch of recommendations, stories about the films screening at the fest, and a bunch more in this in depth discussion.If you're in Sydney for the fest, come along and say hello. It's going to be one heck of a festival. Hosted on Acast. See acast.com/privacy for more information.

The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest work of the provocative filmmaker Bruce LaBruce, The Visitor.There will also be a book launch from myself on Friday evening at Better Read Than Dead, where I'll be joined by Jack Sargeant and Platon Theodoris to kick off my new book, Lonely Spirits and the King.Tickets for all of these films, and more, are available via SUFF.com.au.Ahead of the festivals launch, I caught up with Festival Director Nathan Senn to chat about what makes an underground film festival an underground film festival, how important it is to showcase films from different genre backgrounds, and what it means to amplify Australian filmmakers like Saara Lamberg, whose film The Lies We Tell Ourselves screens at the festival on Sunday 15 September.We dig into a bunch of recommendations, stories about the films screening at the fest, and a bunch more in this in depth discussion.If you're in Sydney for the fest, come along and say hello. It's going to be one heck of a festival. Hosted on Acast. See acast.com/privacy for more information.

In our "Singapore Home Brew" segment… “Saturday Mornings” host Glenn van Zutphen and co-host, author Neil Humphreys are joined by David Chew, Festival Director, Singapore Night Festival and Lynn Chong, Head of Brand Marketing, Mobile eXperience, Samsung Singapore as they give details on the 15th Singapore Night Festival.See omnystudio.com/listener for privacy information.

The 10th Middlebury New Filmmakers Festival kicks off on Wednesday. Lloyd Komesar, the festival's outgoing executive director, sat down with Jenn Jarecki to reflect on a decade of work, and what comes next.

Here's what to expect on the podcast:Diane's experiences growing up shaped her artistic pursuits and passions.In what ways can the arts be a vehicle for helping others and discovering personal purpose?Helping others through the arts impacts both the giver and the receiver.Celebrating the academy's 10th anniversary and Diane's future vision.And much more! About Diane:Diane Strand is an award-winning marketer, speaker, author, and coach. She is also the co-founder of JDS Productions and JDS Actors Studio launching over 100 mainstream actors and producers.Diane is also the co-founder of the non-profit organization JDS Creative Academy. JDS Academy works with mainstream, foster, and at-risk youth, as well as special needs adults, to provide career pathway opportunities in visual, performing, and digital arts.They were awarded the 2021 Non-Profit of the Year award by the Temecula Valley Chamber of Commerce. The Academy serves over 750 people annually and fulfills many California academic requirements for traditional and non-traditional school systems to help students graduate.Diane is deeply involved in the Temecula community and economic development, sitting on 3 community boards. She is co-chair for the Women In Business Event for TVCC, Executive Producer of Spirit of Innovation, and the Festival Director of DigiFest Temecula. Connect with Diane Strand!Website: https://jds-productions.com/JDS Creative Academy is a nonprofit 501c3:https://jdscreativeacademy.org/JDS Studio Live: https://jdsstudio.live/Spirit of Innovation: https://spiritofinnovation.org/Facebook Page - JDS, Inc.: https://www.facebook.com/JDSProductionsFacebook Page - JDS Actors Studio: https://www.facebook.com/JDSActorsStudioFacebook Page - JDS Creative Academy: https://www.facebook.com/JDSCreativeAcademyCheck out our YouTube Channel: https://www.youtube.com/user/JDSVideoProductions Connect with Candice Snyder!Website: https://hairhealthvitality.com/passion-purpose-and-possibilities/Facebook: https://www.facebook.com/candice.snyderInstagram: https://www.instagram.com/candicesny17/LinkedIn: https://www.linkedin.com/in/candicesnyder/ICAN Institute: https://vl729.isrefer.com/go/mindandbody/PassionPurpose22/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/

Benjamin is an Entrepreneur, Licensed Realtor and Creator Marketing Strategist whose experience spans more than 25 years in Digital Media. He has in-depth strategic business experience in integrating original content market strategies into e-commerce ideas and their ecosystems. He helps connect people through an original approach to content marketing for B2B/C development and new technology initiatives. Benjamin works with boutique and small businesses as a mentor, advisor, and start-up CMO. Benjamin is the founder of one of the first online independent digital media networks, Media Bureau, inc, and is credited with producing the first, live online, political debates in PA history among other digital news media firsts. Ben has continued to lead Media Bureau's creative team as Festival Director of the annual Philadelphia Independent Film Festival, now celebrating its 18th year. Benjamin is highly experienced in Digital Media Entrepreneurship, drawing on diverse media and tech skills and innate talents at forging alliances and building relationships. Key Moments [06:18] Received MFA in ad design from Academy. [07:44] Computers were expensive, now more affordable. Incredible technology. [11:05] Everything is interconnected and part of life. [15:27] Adapting to change and innovation in media. [18:39] Connect with PIFF Films on social media. Find Benjamin Online https://www.linkedin.com/in/benjaminfbarnett/ https://mediabureau.com/ https://pifffilms.tv/ If you're enjoying Entrepreneur's Enigma, please give us a review on the podcast directory of your choice. We're on all of them and these reviews really help others find the show. GoodPods: https://gmwd.us/goodpods iTunes: https://gmwd.us/itunes Podchaser: https://gmwd.us/podchaser Also, if you're getting value from the show and want to buy me a coffee, go to the show notes to get the link to get me a coffee to keep me awake, while I work on bringing you more great episodes to your ears. →  https://gmwd.us/buy-me-a-coffee Follow Seth Online: Seth | Digital Marketer (@s3th.me) • Instagram: Instagram.com/s3th.me Seth Goldstein | LinkedIn: LinkedIn.com/in/sethmgoldstein Seth On Mastodon: https://s3th.me/@pch Seth's Marketing Junto Newsletter: https://MarketingJunto.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Kathy Wright is the Director of Reverb Music Festival in Eau Claire, WI. Kathy has worked in the music festival industry with Country Jam and others for decades and has endless stories to share. The owners of Country Jam bought a beautiful new property a few years ago and had the idea to create a whole new music festival to share the space in the summer and so Reverb Music Festival was born with 2023 being it's first year. It's 2024 and Reverb is back and better than ever. While the festival was only a one day event last year, this year it has been expanded to two days and includes a whole new genre. Friday August 16th will features the best in throwback hip hop including Pelly, Ka Lia Universe, Bubba Sparxxx, Mike Jones, Trick Daddy, Yung Joc, Twista, Ginuwine, and T.I.. Saturday August 17th will feature another great year of emo/pop punk bands including Amber Pacific, Emery, Secondhand Serenade, Anberlin, Hawthorne Heights, Story of the Year, and Yellowcard. In this episode we discuss what goes on behind the scenes to make music festivals possible, stories for Reverb 2023, why 2024 will be even better, what music festivals bring to a community, why live music is so important, and much more.

Welcome to the ⁠Events Demystified Podcast⁠, hosted by ⁠Anca Platon Trifan, CMP, DES, WMEP⁠! Tune into today's episode as we feature a British-born Ghanaian animator, Comfort Arthur, who shares her compelling journey. Discover the impact of animation on storytelling and female representation, and learn how Comfort navigated her career from working at a supermarket to directing award-winning films. Discussing her work on 'Black Barbie' and her role in promoting mental health through immersive animation, Comfort provides valuable insights for aspiring animators and filmmakers. Enjoy tips on thriving in the animation industry, overcoming challenges, and the importance of representation.

Watch this episode as a full video interview on our YouTube channelBob McDevitt is festival director for Scotland's premier crime writing festival, Bloody Scotland, and programmer for Glasgow's Aye Write literature festival. He has also worked in both sales and commissioning roles at Headline.We had a fun chat with Bob, hearing about how he found himself organising two of Scotland's biggest literary festivals and just what goes into their organisation. We also hear why literary festivals are so important for authors and culture in general, and discuss the thorny and topical subject of festival funding as well. Plus, we get a preview of this year's Bloody Scotland programme!Links:Follow Bob on Twitter/XHave a look at Bloody Scotland's 2024 lineup and grab your tickets now!Page One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on Twitter/XFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on Threads Hosted on Acast. See acast.com/privacy for more information.

In the 2nd half, Don dives into why Dragonflies are sometimes called "snake doctors" before hearing reports from the likes of Mike Gallo to cover these Redfish regulations and how they are being recieved, Eric Muhoberac recaps the winning numbers from Dusk 'Til Dawn, and we've got a Bad Boys story that brings an eating establishment to the show for the first time, Ryan Lambert ponders on if what is stopping us from moving to higher Pintail limit, and Robby Matherne, Festival Director of Cajun Heritage Festival to talk about all the events that they've got lined up this weekend!

Robby Matherne, Festival Director for the Cajun Heritage Festival, joins Don to talk about the carving competition, rewards, and prizes, as well as the Duck calling contest, Sunday's Duck Decoy auction, and how you can get you some fantastic Cajun food!

Adam Boyd is a multifaceted individual whose passions and talents have taken him from filmmaking to the world of craft brewing. Adam is the President and Festival Director of the 50-Hour Slam, an annual film competition and festival open to all Spokane and Coeur d'Alene area filmmakers.  50-Hour Slam designed the festival to encourage new and emerging independent artists and challenge the more established filmmakers of the region. Competitors have exactly 50 hours to complete a 3 to 6-minute movie, pushing their talents to create a unique and entertaining piece. Adam is also the Owner and Head Brewer of Garland Brew Werks, a venture you will learn all about during today's episode. His journey from filmmaker to brewer is a fascinating story of creativity, passion, and dedication. I'm really excited for you all to listen to this fascinating story. Thank you to Spokast!'s first intern, Dom Arce, for putting this together. Visit 50-Hour Slam's Website to learn more. 50hourslam.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/spokast/message

Today on the show we have filmmaker and author Jon Fitzgerald. Jon has twenty-five years of experience in the independent film, internet, and film festival communities, a rare leader with a unique combination of skills.  As a filmmaker, he has produced a number of award-winning documentaries; and as a consultant, he has guided many independent film projects through the maze of festivals and hybrid distribution models.As a co-founder of the Slamdance Film Festival (1995), he led the event the next two seasons before being named the Festival Director for the prestigious AFI Film Festival in 1997. After running AFI Fest for three years (1997-1999), he created a consulting business, guiding the launch of numerous film festivals (Bahamas, Lone Star, Orlando), directing several others (Santa Barbara, Topanga, and Abu Dhabi), and consulting to dozens more.Jon authored his first book, entitled Filmmaking for Change: Make Films That Transform the World, which was ground-breaking in the space.Again, based on the premise that powerful stories can create change, Jon founded Cause Cinema, connecting social impact films to related causes. The Company acts as a filter to the best of social impact cinema, integrating numerous film programs, social action campaigns, and unique exhibition models, giving audiences the tools to take action.Enjoy my conversation with Jon Fitzgerald.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Show Notes: Chris's Socials: Chattanooga Film Festival: https://www.chattfilmfest.org/  Who's There? Socials: Join the Patreon: https://www.patreon.com/user?u=103143437  Twitter: https://www.twitter.com/whostherepc  Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com  Website: https://www.whostherepodcast.com  Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup  In this episode we discuss how he got into horror way too young, why he started Chat Film Fest, and what it was like being one of the first film festivals to go virtual during the pandemic. He also told me which films he's most looking forward to this year and the films that he tends to shy away from. --- Support this podcast: https://podcasters.spotify.com/pod/show/whostherepod/support

In this episode of "The Truth in This Art," host Rob Lee interviews KJ Mohr, the festival and programming director for the Maryland Film Festival. Mohr shares her background in film, her path to her current role, and the importance of diverse storytelling. She discusses the festival's response to the pandemic and its 25th anniversary. The conversation also covers emerging trends in film, the inclusion of new cinematic technologies, and the support for young filmmakers, especially women. Mohr's personal preferences for festival snacks and screenings are revealed in a rapid-fire question segment. The episode concludes with an invitation to the upcoming festival, emphasizing its inclusive approach.

Children's Film Festival Seattle is a cine-magical extravaganza for tots, teens, and everyone in between! Since 2005, CFFS has grown to become the largest film festival on the West Coast dedicated to children and their families, with an annual lineup piled high with shorts, features, and hands-on activities for all ages. https://nwfilmforum.org/cffs/ Get to know Film Festival Director Kendra Ann Sherrill https://www.kendrannsherrill.com/ https://www.instagram.com/kendra.ann.sherrill/ You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Welcome back to The Adventure Paradox! Get ready for an exciting journey into the world of wild horses with Lisa Dierson, founder of the Equus Film Festival. This week, we're diving into the Mustang Summit and learning all about wild horses in the creative field, and on the land.But that's not all! Lisa, a true pioneer in equine-assisted therapy, will share her story and how she got involved in founding the Equus Film Festival. We'll also hear about her role as an executive director and the amazing documentaries she's produced, shedding light on the incredible American Mustangs and their impact on our lives.As we explore Lisa's personal journey, be prepared for heartwarming tales of her beloved Lusitano gelding and the joys of breeding these remarkable creatures. From the magic of foal births to the deep bonds formed with rehabilitated Mustangs, every moment is a testament to Lisa's unwavering dedication and love for horses.But wait, there's more! We'll also delve into the power of storytelling and how it can touch our hearts and minds, leaving a lasting impression on our souls. You will not want to miss the story about the mother and foal who experienced loss around birth time, and, thanks to humans (including Lisa), were able to find the love they needed.So, join us for an unforgettable adventure with Lisa Dierson, where passion meets purpose and every moment is filled with the spirit of the wild. Only on The Adventure Paradox Podcast!Episode Chapters:01:00 Mustang Summit and Wild Horse Management 03:20 Equine-Assisted Therapy and Film Festival Origins 05:20 Executive Director Role and Documentary Production 05:58 American Mustang Origins and Discovery Ride 07:20 Lisa's Lusitano Gelding and Breeding 08:10 Foals and Building Trust with Mustangs 12:10 Mustang Rehabilitation and "The Mustang Speaks" 14:20 Power of Storytelling and Emotional Connection 18:25 Future Events and Advocacy Reflections Upcoming Dates and Locations of The Mustang Summit & Equus Film Fest 2024o June – Gateway Mustang Summit - Potomac, Illinois – June 7 – 9, 2024o July – BreyerFest – Lexington, Kentucky – July 12 – 14, 2024o July – The Leanor - Aztec, New Mexico – July 26 & 27, 2024o July – August – Adams County Fair – Brighton, Colorado – July 31 – August 4, 2024o August 25 – Mustang Symposium – Soulful Prairies – Woodstock, Illinoiso September – How Horses Help Symposium – Great Lakes – Oregon, Ohio – September 5-8, 2024o September – Mustang Classic – KHP – Lexington, Kentucky – September 13-15, 2024o September – EQUUS Aiken – Aiken Equine Rescue - Aiken, South Carolina – September 19-22, 2024o October – Liberty Festival – Kentucky Horse Park – October 11-12, 2024o October – Ibericon – World Equestrian Center – Ocala, Florida – October 17-20, 2024o October – EQUUS BC – Anvil Center – New West Minister, BB Canada – October 26, 2024o November – Shaker Village – Healdsburg, Kentucky – November 2, 2024o November – EQUUS Film & Arts Fest | The Mustang Summit Main Event – Albuquerque, New Mexico – November 14 – 17, 2024For Additional Information, and to contact Lisa Dierson directly, try these links:www.equusfilmfestival.netlisa@equusfilmfestival.net1-630-272-3077Just says "buy the book on Amazon!"Support the showConnect with me in the following ways:catcaldwellmyers@gmail.comwww.catcaldwellmyers.com@catcaldwellmyers@adventureparadoxThe Adventure Paradox Podcast Page (Fb)

Episode 15 - CWVFF Bonus episode with Festival Director, Phillip Telfer Interview with Phillip Telfer, Founder and Director of the Christian Worldview Film Festival. The final part of a series of short bonus episodes from the 2024 festival.Christian Worldview Film Festival https://cwvff.com/CWVFF on Facebook https://www.facebook.com/cwvffCWVFF on Instagram https://www.instagram.com/cwvff/Actor's Reel Script workshop with Jaclyn Whitt https://www.faffassociation.com/actors-reelThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every Monday, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. Please help by becoming a supporting member or leaving One-Time Donation.Get Email Notifications Enter the Faith & Family Screenwriting Awards festival Copyright 2024 Ivan Ann Productions

In this week's episode of The Boxoffice Podcast, co-hosts Daniel Loria and Rebecca Pahle give a snippet of the recently concluded Academy Awards. In the feature segment, Daniel interviews Sundance Director Eugene Hernandez on the success of this year's festival and how the organization has remained a bridge between artists and the audience.  Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 Episode Resources:2024 Sundance Film FestivalWhat to Listen For00:00 Intro01:24 The Oscars05:18 Oscars' Best Picture nominees13:11 How's Park City?14:34 First Sundance Festival17:54 What does Sundance mean to the film industry?23:04 17,000 film submissions this year27:55 From festival discovery, acquisition, and distribution to audience33:31 Nurtured and supported by Sundance institute37:10 Independent editorial voice42:48 What worked and didn't work post pandemic?45:56 Recovery of art house  and nonprofit cinemas update

Band Talk with Charlie Menghini and Friends returns thanks to a blizzard that cancelled day one of the Raging Red Band Festival, in Fargo, North Dakota.   In an effort to provide some information to the directors who didn't get a chance to participate, along with the general listening audience, you will hear this, the first of a six-part podcast featuring the administrators of the festival as well as the clinicians who were at the event.  Today's podcast features Bill Law, Assistant Director of Fine Arts and North Dakota State University and John Warren, Festival Director.  Future podcasts will feature Dr. Warren Olfert, Director of Bands at North Dakota State University, Andrea DeRenzis Strauss who directs the Tara Winds in Georgia, Steve Peterson, retired Director of Bands at the University of Illinois, Rick Fleming, Director of Bands at SUNY - Buffalo State University, Buffalo, NY and John Climer, retired Director of Bands from the University of Wisconsin - Milwaukee.