Podcasts about composers

We analyze the Sinners surge vs the One Battle After Another sweeps and how the DGA, BSC and SCL might change the races. Then we discuss Super Sunday including our many thoughts on the Bad Bunny Halftime Show, commercials and the many new movie trailers including Project Hail Mary, The Mandalorian & Grogu, Scream 7, Minions & Monsters, The Adventures of Cliff Booth, etc. Awards News: No more Post-Nomination Academy Screenings per Scott Feinberg - 3:35 PTA wins DGA, which leads to another huge Sinners vs OBAA convo - 6:14 Other DGA Winners - 22:16 British Society of Cinematographers Winners - 27:16 Society of Composers and Lyricists Winners - 30:33 Super Bowl Coverage & Trailers: Reviewing the Commercials & The Bad Bunny Halftime Show Review - 35:21 Project Hail Mary - 46:45 Disclosure Day from Steven Spielberg - 49:02 Supergirl - 53:47 Hoppers from Pixar - 55:50 The Mandalorian and Grogu - 58:57 The Super Mario Brothers Galaxy Movie - 1:00:08 Minions & Monsters - 1:01:01 Scream 7 - 1:03:36 The Adventures of Cliff Booth: Once Upon A Time In Hollywood 2 - 1:11:00 OUTRO: Our socials, our upcoming plans and our words of wisdom all include teasers for the awards season weeks to come. https://linktr.ee/mikemikeandoscar

In this episode, I sit down with percussionist Colin Currie for a wide-ranging conversation about curiosity, originality, live performance, and the lifelong pursuit of musical meaning. Colin is one of the most influential percussionists of our time, known for his deep commitment to contemporary music, his close collaboration with composers, and his transformative interpretations of Steve Reich's work. This conversation explores how curiosity, patience, and listening have shaped his career and his approach to music-making.We begin by talking about technology, access to recordings, and the changing landscape of music education. Colin reflects on growing up in a time when discovering music required effort, intention, and physical presence in libraries and record shops. He shares concerns about students learning pieces by copying online performances rather than developing their own ideas, and he speaks passionately about the importance of solitude, curiosity, and learning music on one's own terms.Colin traces his musical beginnings back to early childhood, from piano lessons at age five to his first drum lesson at six, describing the joy, excitement, and physical energy that initially drew him to percussion. He talks about how that sense of wonder has never left him and why live performance remains a magical, irreplaceable experience. We explore why percussion continues to evolve so rapidly, how technique has advanced across the field, and why musical intent always matters more than virtuosity alone.A significant portion of the conversation focuses on Colin's connection to contemporary music and the composers who shaped his artistic identity. He describes hearing The Rite of Spring as a teenager, discovering post-war modernist composers through library scores, and developing an instinctive attraction to music that felt strange, challenging, and unfamiliar. Colin shares how his love for new music was never about understanding it intellectually, but about responding to it emotionally and instinctively.We also dive deeply into Colin's relationship with Steve Reich, including their first meeting, their long-standing collaboration, and the formation of the Colin Currie Group. Colin reflects on recording Music for 18 Musicians at Abbey Road Studios, explaining how the goal was to capture the intensity and emotional risk of live performance rather than create a polished studio artifact. He talks about groove, sonority, emotional depth, and why Reich's music demands both precision and expressive freedom.Colin discusses his growing role as a conductor and how stepping onto the podium has changed the way he listens, leads, and collaborates with ensembles. He shares stories from recent performances, lessons learned from orchestral musicians, and how listening remains the central skill, whether playing or conducting. We also talk about his record label, Colin Currie Records, crowdfunding new projects, and the upcoming release of a Steve Reich album featuring Sextet, Double Sextet, Six Marimbas, and Dance Patterns.As we look ahead, Colin reflects on 2026 as a landmark year, including Steve Reich's 90th birthday, dozens of performances of Reich's music worldwide, and the premiere of Colin's 40th percussion concerto. This is a thoughtful, inspiring conversation about curiosity, commitment, and the lifelong responsibility of serving music.Music from the Episode:Mallet Quartet (Steve Reich - Colin Currie Group)Music for 18 Musicians - Section VI (Steve Reich - Colin Currie Group)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

It's John Williams' birthday! Wayne and David are celebrating by sharing their Top 5 Favorite John Williams scores. Will all of your favorites make the list?Check out our NEW YouTube Channel and subscribe now! Leave us a comment on our YouTube channel telling us your top 5 favorite John Williams scores. One lucky winner will receive the John Williams film score of there choice, as well as some A Film By... swag!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.Special shout-out to our friends at All '80s Movies Podcast, MaiRo & Co Dog Treat Bakery, and the Accidental Legends Podcast!

Stacie Hueter delivers the latest entertainment news on:- Mariah Carey's performance at the 2026 Winter Olympics'- The 7th annual Society of Composers and Lyricists award ceremony- Carin León's announcement of his 2026 North American Tour

To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram's lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram's innovative orchestral work from 1948 that integrated electronic sound and live manipulation.Chapters00:00 - IntroductionSarah Angliss & Ian Stonehouse02:15 - Composer, Inventor and the Radiophonic Workshop06:42 - Inspired by the sound-houses of Francis Bacon11:34 - Working In Frequency, Not Pitch13:01 - Tower Folly and the Oramics Machine16:09 - Working With Post-War Equipment22:12 - Insights and Inspiration from the Archives26:56 - Top Musical Selections From the ArchiveShiva Feshareki & James Bulley32:57 - A Proms Performance Of Still Point37:55 - The Daphne Oram Archive and Goldsmiths41:12 - Creating A Historically Accurate Performance45:22 - Following The Written Instructions53:27 - Creating An Updated ScoreSee also:https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizerhttps://www.soundonsound.com/people/story-bbc-radiophonic-workshopDaphne Oram BiogDaphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today.Website: www.daphneoram.orgSarah Angliss BiogSarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai's Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She's recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments.Website: www.sarahangliss.comInstagram: @sarah_anglissIan Stonehouse BiogIan Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026).Bandcamp: ianstonehouse.bandcamp.comInstagram: @soonheisatuneShiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has performed internationally in concert halls, galleries, and raves, including the BBC Proms, Southbank Centre, Barbican, Konzerthaus Berlin, Mutek Montreal, and Amsterdam Dance Event, collaborating with ensembles such as the BBC Singers, London Contemporary Orchestra, Ensemble Modern, and Vienna Radio Symphony Orchestra.Website: studiofeshareki.comInstagram: @shivafesharekiX - @shivafesharekiJames Bulley BiogJames Bulley is an artist and musician working with sound across installation, performance, immersive audio, film, theatre, and public art. His work has been presented internationally in galleries, concert halls, and public spaces. Projects include the world-premiere performance of Daphne Oram's Still Point at the BBC Proms, alongside collaborations with artists, filmmakers, and institutions including Marshmallow Laser Feast, the National Trust, Opera North, and the BBC.Website: jamesbulley.comInstagram: @jjbulleyCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.Website: carocsound.comX: @carocsoundInstagram: @carocsoundFacebook: www.facebook.com/carocsoundCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Good day ladies and gentlemen, this is IRC news, and I am Joy Stephen, an authorized Canadian Immigration practitioner bringing out this Canada Work Permit application data specific to LMIA work permits or employer driven work permits or LMIA exempt work permits for multiple years based on your country of Citizenship. I am coming to you from the Polinsys studios in Cambridge, OntarioNew Brunswick issued work permits between 2015 and 2024 for Conductors, composers and arrangers under the former 4 digit NOC code 5132, currently referred to as NOC 51121.A senior Immigration counsel may use this data to strategize an SAPR program for clients. More details about SAPR can be found at https://ircnews.ca/sapr. Details including DATA table can be seen at https://polinsys.co/dIf you have an interest in gaining assistance with Work Permits based on your country of Citizenship, or should you require guidance post-selection, we extend a warm invitation to connect with us via https://myar.me/c. We strongly recommend attending our complimentary Zoom resource meetings conducted every Thursday. We kindly request you to carefully review the available resources. Subsequently, should any queries arise, our team of Canadian Authorized Representatives is readily available to address your concerns during the weekly AR's Q&A session held on Fridays. You can find the details for both these meetings at https://myar.me/zoom. Our dedicated team is committed to providing you with professional assistance in navigating the immigration process. Additionally, IRCNews offers valuable insights on selecting a qualified representative to advocate on your behalf with the Canadian Federal or Provincial governments, accessible at https://ircnews.ca/consultant.Support the show

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

In this episode, Jeff Hargrove and I talk about the early mistakes new composers often make when stepping into production music – from chasing plugins and genres to overlooking the fundamentals that actually move the needle. Watch this episode on YouTube! https://youtu.be/RSM5S5sPFpQSupport for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues! Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

In this episode of Splitting Heirs, host Warren K. Racusin invites Lowenstein partner Matt Savare and Bart Feller, Principal flute of the New Jersey Symphony, New York City Opera Orchestra, and Santa Fe Opera Orchestra, to break down copyright law for music and other original works and to talk about the importance of estate planning for creatives. The conversation covers the terms of a copyright, including author rights, for hire and not for hire stipulations, and termination timelines. The episode also analyzes examples of similar songs, determining whether or not the musician may be infringing copyright on the original work. Speakers: Warren K. Racusin, Partner and Chair, Trusts & Estates Bart Feller, Principal flute of the New Jersey Symphony, New York City Opera Orchestra, and Santa Fe Opera Orchestra Matt Savare, Partner, Chair, Commercial Contracts, Emerging Companies & Venture Capital, IP & Tech Transactions, Patent Counseling & Prosecution

Gayle Levant is a remarkable musician. She has been a superstar harpist in records, television and film for more than 60 years. She's played at the Academy Awards show for the past 31 years. Listen to this list of just a few of the artists she's performed with: Liberace, Judy Garland, Nat King Cole, Julie Andrews, Frank Sinatra, The Beach Boys, Lady Gaga and Paul McCartney. She's Barbra Streisand's harpist. And most impressive, she once played the harp on a floating boat at a Las Vegas restaurant. And she heads up the American Society of Music Arrangers and Composers, the first woman to do so.My featured song is “Because She Said So” from the album Play by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GAYLE:www.inceptionorchestra.org—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On this episode of THE HOT MIC, John Rocha and Jeff Sneider discuss the massive news that Kathleen Kennedy is stepping down as the head of Lucasfilm and what this means for Star Wars going forward! They also discusse the Golden Globes winners and if they shook up the Oscars race, their review for 28 Years Later: The Bone Temple, Abdy and DeLuca's comments about WB's run including their Joker 2 delusions, Scott Cooper making a Roswell UFO film, no Naked Gun reboot sequel, trailers for Euphoria S3, The Bluff and the Bride, Paramount sues WB, Safdie reveals he had a vampire ending for Marty Supreme, film criticism groupthink is a thing?, Hans Zimmer scoring Harry Potter series, Behemoth has 7 composers (!!!), new Tomb Raider photo and more!#marvel #avengers #disney #GOLDENGLOBES #Oscars #28yearslater #avengersdoomsday #WB #netflix #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown1:15 Kathleen Kennedy Officially Steps Down From Lucasfilm, What's Next for Star Wars?35:45 Did the Golden Globes Winners Shake Up the Oscars Race?46:56 Are Critics Guilty of Groupthink on Movies, 28 Years Later: The Bone Temple Review59:48 Grace Randolph 'Primate' Controversy1:02:40 The Rip with Ben Affleck and Matt Damon Review1:04:51 Trailers Talk: The Bride, Euphoria S3, Doomsday, The Bluff Trailers1:09:00 'Marty Supreme' Was Supposed to Have a Vampire Ending1:10:14 James Gray Directing 'The Sun Also Rises" with Vanessa Kirby1:13:30 Hans Zimmer for Potter Series, 7 Composers for 'Behemoth'1:16:30 Scott Cooper Making a Roswell UFO Film1:19:37 Reactions to First Look of Sophie Turner as Lara Croft1:20:07 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

In this in-depth conversation, successful concert composer and educator @saadhaddadmusic shares how composers actually build sustainable careers — not through shortcuts, but through long-term focus and thinking he calls the "Time Horizon."Saad also breaks down his two foundational pillars for compositional success:- Finding your true compositional voice- Building a strong, intentional network of contactsTogether, these three elements form a realistic roadmap for composers navigating today's classical and concert music world.We discuss:- Saad's personal journey to a successful concert composing- Whether making a living as a concert composer is still possible (or needed)- How long-term thinking and consistent work for years changes career outcomes- Why your musical voice matters- How network and relationships quietly shape real opportunitiesThis interview is essential viewing for composers, educators, students, and anyone pursuing a serious career in composition.Guest: Saad Haddad - YouTube Channel: @saadhaddadmusicTopics: Classical composition, concert music, composer careers, music education#composer #classicalcomposer #concertcomposer #musiccareer #composition #makingalivinginmusicWORK WITH SAAD:

Composers we lost in 2025Playlist: Rodion Shchedrin, Bavarian Radio Symphony Orchestra - Beethoven's Heiligenstadter TestamentPer Norgard, Gert Mortensen - I ChingElgar Howarth, Vivid Brass Tokyo - Cornet ConcertoIlkka Kuusisto, Tapiola Youth Strings - DivertimentoSofia Gubaidulina, Royal Stockholm Philharmonic Orchestra - Offertorium: Concerto for Violin & OrchestraDaniel Lentz - Lascaux

Today, we're joined by Jonathan Handel, an entertainment and technology attorney, journalist, and multi-genre writer. Jonathan is also the author of a unique new book titled Who Do You Want to Be? A quick, 15-minute read with 110 illustrations created by AI. As kids decide who they want to be when they grow up, is AI narrowing the choices or creating new opportunities?Jonathan Handel practices transactional entertainment and technology law at Feig/Finkel in Los Angeles and independently, and is also a journalist, media commentator, and writer of poetry, scripts, stories, and nonfiction.Handel has written for Puck and was a contributing editor at The Hollywood Reporter from 2010 to 2020, where he wrote over 1,400 articles. He's appeared in the media as an expert over 1,600 times.A graduate of Harvard College (applied math and computer science) and Harvard Law School, Handel is also a former computer scientist and was involved in local politics for a decade. His writing has also been published in the Los Angeles Times, Variety, and elsewhere. Handel is a member of the Television Academy and an associate member of the Dramatists Guild and the Society of Composers & Lyricists. For several years, he taught a film appreciation and screening class to approximately 400 students for UCLA Extension.More information about Jonathan can be found at jhandel.com and jhandel.newswww.kimlenglingauthor.com#JonathanHandel #EntertainmentLaw #TechnologyLaw #HollywoodReporter #MediaCommentary#EntertainmentIndustry #FilmIndustryInsights#WritersGuild #ScreenwritingCommunity#HarvardAlumni #TechAndMedia #JournalistLife#EntertainmentNews #TVandFilm#CreativeWritingCommunity #LetFearBouncePodcast

⁠Support the Show Here⁠Quincy Hilliard hosts a conversation with the legendary young band writer Andrew Balent to learn more about the history of the composers who started writing for young band.To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.comOur mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:Podcast website : Thegrowingbanddirector.comOn Youtube The Growing Band Director Facebook-The Growing Band Director Podcast GroupInstagram @thegrowingbanddirectorTik Tok @thegrowingbanddirectorIf you like what you hear please:Leave a Five Star Review and Share us with another band director!

Of all living composers, perhaps none are more closely associated with the sound of Christmas than John Rutter and Bob Chilcott. Earlier this year, both marked milestone birthdays - Rutter turned 80 and Chilcott 70. A few days before Christmas, we caught up with them to talk about carols, choirs, and the enduring magic of the season.Jimmy Lai is one of Hong Kong's most prominent critics of the Beijing government: a media tycoon, democracy campaigner, and a Roman Catholic. The 78-year-old British citizen has been in prison since December 2020 and is now, after last week's guilty verdicts, facing the possibility of spending the rest of his life in prison. In her first interview with UK media, his daughter Claire Lai, tells the BBC's Danny Vincent she fears her father may become a martyr. 'Before The Millennium'- a Christmas production by Karim Khan. It's set in a Woolworths store in 1999, the year Ramadan and the Christmas season coincided. It explores the friendship between two migrant women during the festive season. Muslim writers and performers like Karim are telling stories of faith, friendship and everyday life as British Muslims, and fringe theatre has become an increasingly important platform for them.Presenter: Emily Buchanan Producers: Bara'atu Ibrahim & Catherine Murray Studio Managers: Mike Smith & Patrick Shaw Editor: Tim Pemberton

This song is rooted in memories of a difficult childhood, where instability and fear lived just beneath the surface, and appearing “normal” became a form of protection. The Perfect Host explores the quiet skills learned in those environments, vigilance, silence, control, and the long shadow they can cast. Music was created using Suno

This song was inspired by a true story Carrie Cariello shared on Instagram about her son Jack, his first job, and the meaning of work, purpose, and joy. “A life lived differently is not less lived.” — Carrie Cariello Shared with gratitude and deep respect. Music created using Suno

A Christmas song about finding an old memory hidden inside a photo album.

Jim Keller started in the music industry as part of Tommy Tutone, writing the hit '867-5309/Jenny', then the bands career sank and he left performing, landing as an assistant and then manager for Phillip Glass, Nico Muhly, Ravi Shankar, and others, before 'retiring' and returning to making music by hosting jam sessions with members of The Black Crowes, Levon Helm's band, The Beach Boys, The Wallflowers, The Lumineers, and more. We talk to Jim about the realities of 'crashing and burning', the business and creative divide, the power of honesty, knowing your role, showing up, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Jim KellerTommy TuToneAdam MinkoffTony LeoneNonesuch RecordsEp 46 - Mary Chapin CarpenterEp 16 - Rodney CrowellPhilip GlassByron IsaacsChris MastersonNico MuhlyRachel PortmanAudley FreedLilly WinwoodClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Julie and Steve Bernstein are animation stars as composers, orchestrators, arrangers, songwriters and singers. Each has won multiple Emmy Awards. They've worked on hit TV series like Animaniacs, Pinky and the Brain, and Freakazoid. Their Animated feature films include A Flintstones Christmas Carol, and Tom and Jerry: Blast Off to Mars. In other respects, Julie has written string quartet arrangements for Tierney Sutton, Sophie Carpenter and others. And Steve has written scores for horror films and documentaries, and he was the conductor for the James Bond film Skyfall and for The Perfect Storm starring George Clooney.My featured song is “The Pardners”, from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH THE BERNSTEINS:www.stevebernstein.biz—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Many classical music works by Polish composers before the Second World War have been lost. The Polish Institute in Tel Aviv is bringing to Israel a duo who have found some of these works and brought them back to the stage. Reporter Arieh O'Sullivan spoke with the duo, Karolina Mikołajczyk & Iwo Jedynecki. (photo: George Walker/AP)See omnystudio.com/listener for privacy information.

Welcome to the ultimate SPN music nerd-out! This Denim-wrapped Nightmares and In Defense of Fandom crossover dives deep into the sonic world of Supernatural with the dynamic duo behind the show's iconic score: composers Christopher Lennertz and Jay Gruska.Chris and Jay split scoring duties for all 15 years (yes, really—they alternated episodes like the world's most functional musical marriage), and they spill all the secrets: from creating the beloved "Americana" family theme to writing horror music that could pivot to comedy faster than Dean Winchester can inhale a slice of pie.Discover how these fraternity brothers-turned-collaborators blended classic rock vibes with creepy cellos, why Jay nearly got canceled by fans for using the family theme with the wrong character (oops), and what it was like scoring everything from black-and-white monster homages to full-blown musicals. Plus: behind-the-scenes stories about schmuckbait, temp scores, and why sometimes you just have to let the tuba impulses go.Whether you're here for the technical talk or just want to know how they made 327 episodes feel like coming home, this episode is a love letter to the unsung heroes who made sure we felt every Winchester moment—even when we didn't consciously notice the music at all.Special thanks to Rob Benedict and Louden Swain for allowing us to feature a couple of their tracks, which, thematically, are also songs from Supernatural episodes. Find music and more at https://www.loudenswain.com/.Catchup on Supernatural Music Extravaganza episodes below:Meet your co-hosts | https://www.buzzsprout.com/2076426/episodes/18168976More than Background Music - Creating the Convention Experience | https://podcasts.apple.com/ca/podcast/spn20-music-extravaganza-more-than-background-music/id1674695211?i=1000737194995Send us your review!Support the showTHANK YOU FOR LISTENING!Please rate and review Denim-Wrapped Nightmares wherever you get your podcasts! Find social channels and more on our Linktree.

During my 33 years as the CEO of TAXI, the Holy Grail I've been relentlessly searching for has been that “thing” that makes some composers, producers, songwriters, and artists successful, while others never achieve their goals. What is the “secret sauce?” Why some and not others? I recently ran into long-time TAXI member, Chuck Schlacter, in the hotel lobby during our annual conference—the TAXI Road Rally. We started to discuss the mindset and habits of people who are successful in the music licensing world versus those who aren't. What he had to say made perfect sense, so I've invited him to join me on TAXI TV.

In this episode of Life to the Full, Eileen explores the beautiful link between faith and music, inspired by an Aleteia article on musician saints. She highlights well-known figures like St. Cecilia, St. Hildegard of Bingen, and Bl. Solanus Casey, sharing their musical gifts, their stories, the power of music to uplift; hear some Irish […] L'articolo E229 | Life to the Full – Eileen O'Driscoll – Famous Musicians and Composers proviene da Radio Maria.

In the latest episode of Sync Music Matters, I sit down with composer Nathan Klein to dive deep into his gripping score for the Sky series Atomic – a project defined by chaos, grit, and raw emotional power. From experimenting with industrial synths to navigating the psychological pressures of pitching, this conversation is a fascinating insight for anyone interested in film scoring and TV music composition. Scoring Atomic: Crafting Chaos Through Sound Nathan shares the creative journey behind developing the sonic identity of Atomic. The series demanded a score that felt chaotic and like it was part of a naughties buddy movie. To capture this, he leaned into Gritty industrial synths and Aggressive, textural string performances The Trap of Second-Guessing: Why Composers Must Trust Their Voice One of the most valuable themes in this episode is the danger of second-guessing what directors want during the pitching process. Nathan talks candidly about trying to predict expectations instead of following his instincts He highlights that directors often respond most strongly to ideas that feel authentic and bold. Creativity Under Pressure: Overcoming Mental Blocks We also dig into how pressure can stifle creativity—something every composer, producer, and artist knows too well. Nathan shares how deadlines, self-doubt, and the fast pace of TV work can shrink your creative space if you let them. From Atomic to Ludwig: Scoring Across Genres The conversation expands beyond Atomic into Nathan's work on BBC series Ludwig and Film Club, directed by, written by, and starring Amy Lou Wood. These projects required a totally different musical touch offering an intimate contrast to the intensity of Atomic. Why This Episode Matters for Composers & Music Creators Whether you’re an emerging composer, a seasoned scorer, or someone fascinated by the craft behind film and TV music, this episode offers: Practical insights into the composing and pitching process Honest discussion about the psychological side of creative work A behind-the-scenes look at two major projects from one of the industry's rising composers Nathan Klein Website Nathan Klein Instagram

On today's episode we talk to James, a video game music composer, to talk all about his musical journey and how it lead him to composing music for games and anime in Japan. We go over what it's like working as a western composer in Japan, joining a big company vs being independent, what makes a good song, and all the things a composer thinks about when creating music for video games.Follow James & listen to his music:https://www.jameslandino.comhttps://www.instagram.com/jameslandinohttps://www.youtube.com/jameslandinohttps://www.twitch.tv/jameslandinohttps://X.com/jameslandinohttps://www.facebook.com/jameslandinomusic/https://music.apple.com/jp/artist/james-landino/677816776https://soundcloud.com/jameslandinohttps://open.spotify.com/artist/6xMMOflXnoIA3grU3seMjh?si=18L0en3qTUW_CkSl4FTbMwFollow Us:https://unpacking.jp/https://www.youtube.com/@unpackingjapanhttps://www.youtube.com/@unpackingjapanshortshttps://www.instagram.com/unpacking_japanhttps://www.tiktok.com/@unpackingjapanhttps://www.x.com/unpacking_japanhttps://www.facebook.com/unpackingjapanSubscribe for more in-depth discussions about life in Japan! Interested in working at a global e-commerce company in Osaka? Our parent company ZenGroup is hiring! To learn more, check out https://careers.zen.group/en/

Next Thursday November 20, four local composer and musicians perform at the Vanguard Music Series, at Zion Community Commons in St Paul. The composers are guitarist Maja Radovanlija, vocalist Alyssa Anderson, trumpeter Isaac Mayhew and pianist Paul Cantrell. Phil Nusbaum had the opportunity to speak with Isaac and Paul. When they met, Phil said to Isaac that playing trumpet solo left Isaac no place to hide.

We are thrilled to welcome the insanely talented musical composer Nami Melumad to the show. Nami's work includes some things you may have heard of….including Thor Love & Thunder, Dream Productions (part of the Inside Out Franchise), Star Trek Prodigy, One Fast Move, and so much more. We certainly recognize her creative genius in the amazing music she has given us in Star Trek Strange New Worlds. This year she was invited to join the Academy of Motion Picture Arts and Sciences as part of their 2025 class. In 2023 she was nominated for and won The Society of Composers and Lyricists (SCL)'s David Raskin Award for Emerging Talent for her score on Star Trek: Strange New Worlds! We are huge fans of hers and we hope you enjoy our sit down with her as we learn more about her career, the music composition process and much more!

In episode number one of SEASON 6 (!), we are joined by two remarkable figures in the world of music and cherished in the brass community: Chris Gekker and Eric Ewazen. Chris is a celebrated trumpet professor at the University of Maryland and has performed as a soloist at prestigious venues like Carnegie Hall. His rich career includes collaborations with many composers, showcasing his dedication to both performance and new works. Eric, a prolific composer and educator, has a long history of writing for brass instruments, with works performed worldwide. He has taught at Juilliard and has garnered numerous awards for his compositions.In this first part of our conversation, Chris and Eric share their memorable experiences from their time at the Eastman School of Music, where they first crossed paths. They discuss their early influences, the importance of collaboration, and the creative processes that shape their work. As Chris reflects about Eric's writing, "When he writes a piece, he creates a dialogue, and it's a very creative process."[Subscriber Content] In the second part, we dive deeper into their collaboration on various pieces, including the intricacies of composing and performing. They'll share insights about their teachers, including a few key lessons learned from significant figures in their musical journeys. Eric's experience with writer's block and their approach to revising works are enlightening. Chris notes concerning writing specifically for trumpet, "We're not babies. We can handle difficult music, but you need to give us a break," emphasizing the unique physical challenges trumpet players face. Stay tuned for their engaging discussions about the future of their collaborations and how their friendship continues to flourish through music.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Today, we take a trip to the midterm elections polls at the Princeton Public Schools Administration Offices and listen to the Princeton Sound Kitchen's Tuesday night performance of new music by graduate student composers.

In Composers, we explore how songs are created by people from long ago and today. We meet Bach, Mozart, and Beethoven, and learn how their lives shaped their sounds. We also hear from Sesame Street, and legendary Broadway composer Bill Sherman about writing catchy tunes with meaning. Listeners discover that anyone can start with a small idea and build a powerful piece of music.

Misha Piatigorsky is a Russian born pianist. His music is a fusion of jazz, rock and pop. He performs solo piano and trio concerts, and his latest project is The Daddy Rabbit, an immersive “theater-in-the-round” speakeasy show. He won the Thelonious Monk Composers Competition. He can also be heard on the soundtracks of several films including “How I Fell in Love with a Gangster”, “Chaos Theory” and “Danika”. And he runs a full service production house for indie artists.My featured song is “Moon Shot”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MISHA:www.daddyrabbitnyc.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

*Trigger Warning: This episode has references to self harm and sexual assault. Alan Katz, formerly a writer/showrunner for the TV show, Tales from the Crypt, joins Nicole Barlow and Ryan Pak to talk about his new career in podcasting. Alan owns Costard and Touchstone Productions, which is home to podcasts such as The How Not to Make a Movie Podcast, The Donor: A DNA Horror Story, The Hall Closet, John Kiriakou's Dead Drop: What Makes a Spy Tick, and more! Nicole and Ryan also talk to Alan about the amazing composers that worked on Tales from the Crypt. Legendary composers such as Michael Kaman, Alan Silvestri, Ry Cooder and more leant their talents to the hit horror franchise. Alan shares a great story about collaborating with Kaman. Nicole also asks about a fun needle drop in the film Bordello of Blood, and Alan explains why there will never be a Tales reboot. For more information about Alan Katz: Website Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca is excited to welcome back to the podcast Canadian author Lucy E.M. Black regarding her new historical novel, A Quilting of Scars, with its unforgettable main character, Larkin Beattie.  https://nonpublishing.com/a-quilting-of-scars "Filled with the pleasure of recognizable yet distinctively original characters and a deftly drawn sense of time and place, A Quilting of Scars brings to life a story of forbidden love, abuse and murder. Pulsing with repressed sexuality and guilt, Larkin Beattie reveals the many secrets he has kept hidden throughout his lonely life. The character-driven narrative is a meditation on aging and remorse, offering a rich account of the strictures and rhythms of farming in the not-so-distant past, highlighting the confines of a community where strict moral codes are imposed upon its members and fear of exposure terrifies queer youth. As Larkin reflects upon key events, his recollections include his anger at the hypocrisy of the church, and the deep grief and loneliness that have marked his path. There is a timelessness to this story which transcends the period and resonates with heart-breaking relevance." https://lucyemblack.com/books/a-quilting-of-scars-book/ A Quilting of Scars Discussion Questions As many of you know, Rebecca highly recommends four of Lucy's books: The Brickworks, Eleanor Courtown, Stella's Carpet, and A Quilting of Scars. Lucy's Reading Recommendations: In the Bear's House by Bruce Hunter Kate and the Composers by Joanne Culley  

Archie is still promoting his song entitled, “Leave Us Face It, We're In Love.” Now he has made a symphonic arrangement and tries to get Duffy's guest, composer, commentator, music critic, and author, Deems Taylor, to get him into ASCAP, the American Society of Composers, Authors and Publishers, of which Deems is the president.Originally aired on January 25, 1944. This is episode 114 of Duffy's Tavern.Please email questions and comments to host@classiccomedyotr.com.Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.This show is supported by Spreaker Prime.

On this episode of Center Stage with Mark Gordon, filmmaker Christine La Monte discusses her new documentary Ai Weiwei's Turandot, which follows artist and activist Ai Weiwei as he makes his operatic directorial debut at the Rome Opera House. Known for his fearless art and political engagement, Ai Weiwei reimagines Puccini's classic opera Turandot as a reflection of today's world, where freedom, identity, and resistance collide. La Monte shares insights about working with Ai Weiwei, navigating the impact of the pandemic and the war in Ukraine, and creating a film that explores how art can challenge, provoke, and inspire. 🎧 Center Stage with Mark Gordon is produced in Los Angeles and features conversations with the filmmakers, artists, and storytellers shaping culture today.

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Rest in Power Ace!!Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2025 All Rights Reserved© 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Filmmaker Yvonne Russo joins Center Stage with Mark Gordon to discuss Viva Verdi!, a powerful documentary that celebrates composer Giuseppe Verdi's home for aging musicians and the enduring power of music, mentorship, and creativity. 🎬 Viva Verdi! is currently screening across the U.S., including Laemmle Theatres, Lincoln Center, and Sarasota Opera House. 🎧 Hosted by Mark Gordon 🎙️ Produced by Center Stage with Mark Gordon 🌐 Visit stageandscreen.com

The Underground Lounge links up with two of hip-hop's most respected producers and rappers, The Alchemist and Hit-Boy, for an unfiltered conversation that blends creativity, competition, and legacy.In this episode, the duo opens up about their first time connecting and how mutual respect turned into collaboration, leading to the creation of their new joint album and short film. They share how the project came together, the inspiration behind the sound, and how their two worlds, Alchemist's gritty, sample-driven soul and Hit-Boy's polished, anthemic energy, merged to create something fresh for the culture.The Alchemist talks about balancing multiple creative lanes, including his food how with Action Bronson where he explores culinary experiences around the world through the same lens he applies to music, curiosity, taste, and storytelling. He opens up about how staying creative outside of music feeds his artistry and keeps him evolving.Hit-Boy reflects on his early beginnings, sharing stories about growing up around music and how his uncle's success in a hip-hop group sparked his desire to make beats. He walks through his journey from bedroom producer to Grammy-winning powerhouse, breaking down how staying consistent and fearless allowed him to produce for legends and still innovate with each record.Throughout the conversation, both producers talk about the friendly competition that pushes them to keep raising the bar, the respect they have for each other's grind, and what it means to create music that stands the test of time. They speak on mentorship, influence, and how they view the next generation of producers coming up behind them.Candid, funny, and filled with insight, this episode captures two musical giants at the top of their craft, discussing artistry, discipline, and the mindset it takes to stay relevant while remaining authentic. It's not just a conversation about beats and bars, it's a masterclass in evolution, collaboration, and creativity from two of hip-hop's best.

Continuing from episode 144, Renaissance Music Pt.1 (Early-Mid), we will now get into the late Renaissance period! In this episode, we will cover the composition techniques and musical stylings of composers, such as Thomas Weekles and Giovanni Palestrina, and how their music influenced this period. We will also cover motets, madrigals, instrumental music and global perspectives.

It's the second part of our Steve Special, as composers Ben Salisbury and Geoff Barrow join me to discuss their score from the film. We've already heard from writer Max Porter and leading man Cillian Murphy, and that's available to listen to now. Big thanks to the team at the legendary Invada Records for providing us with the score before it was released.

The music industry can be hard to navigate, and harder to stomach. Sometimes, the industry seems to magnify all of your biggest insecurities, and the Imposter Syndrome is real.BUT electro-pop artist Robbie Wabi Sabi says that we artists have to stick together, and that you have to be your own biggest fan. You also have to connect meaningfully with your audience.In this episode, Emmeline sits down with Robbie Wabi Sabi, a synthesizer-obsessed drum machine lover who's been writing and producing his own music since the 1980s. While Robbie's career in music has experienced multiple iterations and transformations, he feels like THIS era is his best one yet--in part because of the enthusiasm he has for his own music and for the music community in which he exists and creates. He shares his tips for building self-confidence, keeping oneself relevant, and maintaining joy while creating. He also talks about his latest single, "Beautiful and Nerdy," and tells Emmeline why every Robbie Wabi Sabi show is actually one big party.To learn more about Robbie Wabi Sabi, or to follow his musical journey, find him on Instagram, check him out on YouTube, or stream his music on Spotify. For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

All aboard this crazy train for an interview that really goes off the rails! Our next guests are the creators and composers of the new Once There Was a Podcast theme song, which debuted this season: Helena and Weston Fantz!  Join us as we discuss family bands, trains, composing music, trains, telling stories through sound, and trains! If you want to hear more of their work, check out their family band, Not Jupiter, on Spotify!    End of season information: This is the penultimate episode of season 2! While we still have a few more regular episodes left in the tank, this one will be called the finale with an “epilogue” next week! Between now and then, we will also release a bonus episode that features all of the other music we sorted through to find our final theme song.  After that, Once There Was a Podcast will release episodes irregularly until the start of season 3.   Storytime: Weston and the Carpet Domain (A Cautionary Tale)   Special Thanks to: Helena and Weston for the interview, the hard work, and all the laughs. Alex (my sound guru) Helena and Weston Fantz (of the band Not Jupiter) for the music My Wife and Daughter  You   Not Jupiter Spotify Not Jupiter Instagram   Instagram:  Oncetherewasapod Facebook: Once There Was a Podcast Podcast Email: oncetherewasapod@gmail.com Linktree: https://linktr.ee/oncetherewasapod  Storytime Submission Link (requires a sign-in for security reasons): https://forms.gle/Qd4XCkrBxtBnJeRp9   Additional Audio and Music: Music by Helena and Weston Fantz (Not Jupiter) High School Crowd 1/Courtesy of Epidemic Sound

Eight composers, five instruments, and a world of metal. IDEAS explores a project by the University of British Columbia called The Heavy Metal Suite that conveys the challenges and opportunities of the mining industry, through music. Each composer draws inspiration from their country's mineral resources in their original pieces. *This episode originally aired on May 28, 2024.

Andrew Lockington Interview - This week on Sync Music Matters I'm joined by Canadian composer Andrew Lockington whose music you may have heard recently on shows like Mayor of Kingstown, Lioness and Landman. All shows which were created and directed by Taylor Sheridan  We delve into the score for Landman, Andrew's creative process and how a lot of the music was written before any footage has been shot. We also discuss the art of embracing imperfection and how the emotion behind the music is maybe more important than the music itself. Andrew also reveals why he thinks that only 50% of composing is actually about the music.   Andrew Lockington is best-known for his epic scores to the Warner Bros. blockbusters San Andreas, Rampage and Journey 2: The Mysterious Island, which together have surpassed over $1 billion in box office revenues. Recent and current credits include Netflix's epic sci-fi feature Atlas starring Jennifer Lopez and several projects with Taylor Sheridan including Mayor of Kingstown, Lioness and Landman. Andrew is always looking to push the boundaries of film scoring which has led him to recording in exotic locations like jungles of Papua New Guinea, ancient temples in Northern Japan, a volcano in Polynesia and an abandoned subway station beneath central London. Andrew Lockington on Instagram  Andrew Lockington Website  

SynopsisOn today's date in 1996, Michael Tilson Thomas conducted the San Francisco Symphony in the first performance of Lost and Found, a five-minute toccata for orchestra. Its composer was Steve Mackey, an American whose music Tilson Thomas championed and recorded.Mackey wrote: “On more than one occasion Michael has used the word ‘wacky' to describe my music. Composers usually blanch at such attributions — nobody wants to be captured in a single word — but I can live with ‘wacky'. It is not a common adjective, does not end with ‘ism,' and clearly the rhyme with my last name personalizes it. My music tends to explore fringe modes of consciousness rather than brand name emotion or logical thought.”He also avoids conventional titles. His Concerto for Electric Guitar is titled Tuck and Roll, and among his other works can be found Banana/Dump Truck and Eating Greens.Mackey said, “I think a lot about momentum, inertia, and even gravity, allowing the music to get stuck and tip over, lurch headlong, tumble with limbs akimbo as well as to move fluidly gives it a ‘road runner' cartoon kind of physicality, a fantasy, but not completely unhinged from the physical world.”Music Played in Today's ProgramSteven Mackey (b. 1956): Lost and Found; New World Symphony; Michael Tilson Thomas, conductor; BMG 63826

Jan Swafford is a distinguished American author and composer, known for his insightful biographies of great composers like Charles Ives, Ludwig van Beethoven, and Wolfgang Amadeus Mozart. With degrees from Harvard and Yale, he's made significant contributions to classical music literature. His works, including the Vintage Guide to Classical Music and "Language of the Spirit," reveal the rich narratives behind the music we love. His unique insights and deep understanding of these composers illuminate their artistic journeys in a way that resonates with both music lovers and scholars alike.In our conversation, we explore the fascinating lives of Haydn and Mozart, delving into their prolific output and the support systems that fueled their creativity. Jan highlights how Haydn composed to commission, leading to his astonishing catalog of works, while debunking myths about Mozart's talent and lifestyle. “He worked himself to death because his body couldn't handle it anymore,” Jan reflects on Mozart's relentless pursuit of excellence.[Subscriber Content] In the subscriber section, Jan shares his thoughts on Tchaikovsky and Brahms, revealing personal preferences and insights about their contrasting styles. He also reflects on the evolution of music through the lens of history, discussing how composers like Schoenberg and Stravinsky marked a shift in musical innovation. Jan emphasizes the importance of authenticity in composition, stating, "It has to come from your core; otherwise, it's no good." Prepare for a warm exploration of music's profound connections to the human experience, as Jan shares his unique perspective on these influential figures.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Composers and multi-instrumentalists Rachika Nayar & Nina Keith are combining their powers as Disinblud. They recently dropped a self-titled debut album that holds a multitude of beatific sounds, including “Give-upping (Feat. Julianna Barwick).” It's a song for tapping into the Buddhist truth of holding onto past experiences as a source of suffering. Download it now; reach new levels in your meditation practice. And for the immersive experience, KCRW Presents: Disinblud at 2220 Arts on Friday, Oct. 24. 

Paul Williams is an Oscar, Grammy, and Golden Globe award-winning composer, songwriter, and musician. He is known for writing and co-writing popular songs such as “Evergreen”, “We’ve Only Just Begun”, and “Rainbow Connection”. Williams wrote the score and lyrics for renowned films such as the 1976 adaptation of “A Star is Born”, “The Muppet Movie”, “The Muppet Christmas Carol”, “Bugsy Malone”, and “The Phantom of the Paradise”. His songs have been recorded by legendary artists such as Frank Sinatra, Elvis Presley, and The Carpenters. As an actor, Williams has appeared in numerous high profile films and TV shows such as the 1973 “Battle for the Planet of the Apes”, “Smokey and the Bandit”, “Phantom of the Paradise”, and “Baby Driver”. His illustrious career spans generations and includes titans of both the music industry and Hollywood. Currently, Williams is the president and chairman of the ASCAP, the American Society of Composers, Authors, and Publishers.See omnystudio.com/listener for privacy information.