Podcasts about composers

Send us Fan MailWhat happens when the thing you love most becomes the thing you can never completely walk away from?This week on Here's What We Know, conductor and pianist Robert Emery returns for a conversation about creativity, music, and the curious ways our minds work. From practice rooms to Abbey Road Studios, Robert shares what life is really like for a professional musician, why creative people often struggle to switch off, and what he's learned from spending a lifetime immersed in music.Gary and Robert also trade stories about family, parenting, travel, questionable hotel experiences, and the challenges that come with building a career around passion. They explore the lives of Mozart, Franz Liszt, and Berlioz, uncovering the very human struggles, quirks, and triumphs behind some of history's most celebrated composers.Robert also shares the story behind Orchestral Meditations, his latest project featuring meditation music recorded at Abbey Road Studios with a full symphony orchestra and choir.In This Episode:• Why musicians never really leave work behind• The truth about practicing and mastering a craft• What Mozart and Michael Jackson may have had in common• How creativity affects everyday life• Stories from Abbey Road Studios• The fascinating history of Franz Liszt and musical celebrity• Why travel helps reset the mind This episode is sponsored by: Reed Animal Hospital Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all.Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company.Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/Orchestral Meditation: http://orchestralmeditation.comYouTube: https://www.youtube.com/robertemeryofficial/Facebook: https://www.facebook.com/robertemeryofficial/Instagram: https://www.instagram.com/robertemeryofficial/Tags: Robert Emery, Creativity, Classical Music, Professional Musician, Music Career, Mozart, Franz Liszt, Music History, Conducting, Pianist, Abbey Road Studios, Orchestral Meditations, Creative Process, Creative Life, Music Industry, Composers, Arts & Culture, Creativity and Purpose, Work-Life Balance, Performing Arts, Creative Careers, Music Education, Connect with Gary:Gary's WebsiteFollow Gary on InstagramGary's TiktokGary's FacebookWatch the episodes on YouTubeAdvertise on the PodcastThank you for listening. Let us know what you think about this episode. Leave us a review!

Composers Inside Electronics is a group of composer/performers dedicated to the composition and live collaborative performance of electronic and electro-acoustic music. The group was formed in 1973 with David Tudor and is known for its pioneering use of original live electronics, including custom-built software instruments, resonant sculptural instruments, rotating and focused loudspeaker systems, and ultrasonic instruments. On June 26 and 27, 2026, Composers Inside Electronic (John Driscoll, Phil Edelstein, Michael Johnsen, John Bischoff, Paul DeMarinis, and James Fei) will perform music by David Tudor for his centenary with Other Minds and Mills Performing Arts at Littlefield Concert Hall at Mills College at Northeastern University in Oakland, California. They joined us on the podcast to talk about working with Tudor in the 1970s, the importance of feedback in Tudor's music, and the challenges of performing his work today on recreations of the original instruments.Music: Untitled by David Tudor, performed by Michael Johnsen; Forest Speech by David Tudor, performed by Composers Inside Electronics; Pulsers by David Tudor, performed by Michael Johnsen; Microphone by David Tudor, performed by Composers Inside Electronics; Speaking in Tongues by John Driscoll, performed by Composers Inside Electronicscomposers-inside-electronics.netFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Send us Fan MailWhy is Beethoven's Ninth Symphony considered one of the most important works in classical music?In this episode of The Classical Music Minute, we explore the revolutionary ideas behind Beethoven's final completed symphony. Premiered in 1824, the work broke new ground by introducing a choir and vocal soloists into the final movement—something virtually unheard of in a symphony at the time.The famous Ode to Joy theme, based on Friedrich Schiller's poem, celebrates unity, friendship, and the common bonds that connect humanity. Combined with the symphony's unprecedented scale and emotional depth, it helped redefine what orchestral music could achieve.The work's influence can still be heard today, and its message continues to resonate across cultures and generations.In just sixty seconds, discover why Beethoven's Ninth Symphony changed music history forever.Fun FactThe Ode to Joy melody from Beethoven's Ninth Symphony was adopted as the anthem of the Council of Europe in 1972 and later became the official anthem of the European Union, making it one of the most widely recognized pieces of classical music in the world.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredBeethoven Ninth Symphony, why is Beethoven's Ninth important, Ode to Joy, Beethoven symphonies, choral symphony, Ludwig van Beethoven, classical music history, famous symphonies, Beethoven deafness, Ode to Joy meaning, music history explained, European anthemJoin me on Substack

Episode: 1584 Hugo Distler: Beleaguered pioneer of twentieth century music.  Today, the brief moment of a musical genius.

Send us Fan MailWhat is the difference between opera and operetta?In this episode of The Classical Music Minute, we explore two closely related forms of musical theatre. Opera is usually larger in scale and often more serious in tone, with music driving the drama from beginning to end. Many operas deal with intense themes such as love, tragedy, power, fate, and betrayal.Operetta, whose name means “little opera,” is generally lighter and more comic. It often includes spoken dialogue, catchy melodies, romantic plots, mistaken identities, and a playful theatrical style.Popularized by composers such as Johann Strauss II and Franz Lehár, operetta became especially fashionable in nineteenth-century Vienna and later influenced the development of musical theatre.In just sixty seconds, discover how opera and operetta are connected, and why one tends to bring the drama while the other brings the sparkle.Fun FactOperetta helped shape the modern musical. Its combination of spoken dialogue, memorable songs, romance, and comedy influenced later stage works on Broadway and in London's West End.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics Coveredopera vs operetta, difference between opera and operetta, what is operetta, opera explained, operetta explained, classical music terms, musical theatre history, Johann Strauss II, Franz Lehár, Die Fledermaus, The Merry Widow, classical music for beginnersJoin me on Substack

現代音楽のオリンピック？作曲家の作品はどう世界へ広がるのか。

https://musicintervaltheory.academy/spells/ Grab it! - It's free, and one of the best resources for composers available.

Send us Fan MailWhy did Beethoven lose his hearing?In this episode of The Classical Music Minute, we explore one of the most famous mysteries in music history. Ludwig van Beethoven began experiencing hearing problems in his late twenties, including ringing in the ears and difficulty hearing high sounds and distant voices.By 1802, he knew the condition was serious and progressive. During a stay in Heiligenstadt, he wrote the deeply personal Heiligenstadt Testament, describing the distress caused by his hearing loss.Although many possible causes have been suggested, including illness, infection, autoimmune disease, and lead exposure, the exact reason for Beethoven's deafness remains uncertain.What makes his story extraordinary is that he continued to compose some of his most powerful music even as his hearing declined.In just sixty seconds, discover how Beethoven's deafness became part of one of the most remarkable creative stories in classical music.Fun FactBeethoven's Ninth Symphony premiered in 1824, when he was profoundly deaf. According to one famous account, he could not hear the audience applauding and had to be turned around to see their reaction.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredBeethoven deafness, why did Beethoven go deaf, Beethoven hearing loss, Ludwig van Beethoven, Heiligenstadt Testament, Beethoven Ninth Symphony, Beethoven biography, classical music history, composers with hearing loss, Beethoven factsJoin me on Substack

Gregory Anderson, commissioner of the New York City Department of Sanitation, talks about his new role, and his department's work in enforcing the composting laws that are on the books. Photo: NYC Compost Project, collection bin, Queens, New York. (Lindsey Nicholson/UCG/Universal Images Group via Getty Images) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Composers & Composition In My Life

Send us Fan MailWhy has Pachelbel's Canon in D become one of the most popular wedding pieces of all time?In this episode of The Classical Music Minute, we explore how a Baroque composition written centuries ago became closely associated with modern wedding ceremonies.Known for its flowing melodies and repeating harmonic progression, Canon in D creates a calm and elegant atmosphere that naturally suits processions and ceremonial moments. Its adaptable instrumentation has also helped make it a favourite for string quartets, organists, pianists, and wedding ensembles of all kinds.Although the piece was not originally composed for weddings, its popularity grew rapidly during the twentieth century through recordings, films, and widely broadcast ceremonies.In just sixty seconds, discover why this gentle Baroque masterpiece continues to accompany couples down the aisle around the world.Fun FactThe famous chord progression in Canon in D has become so recognizable that variations of it have appeared in countless pop songs over the years, leading some musicians to jokingly call it “the four-chord ancestor” of modern music.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredCanon in D, Pachelbel Canon in D, wedding classical music, why Canon in D weddings, Johann Pachelbel, famous wedding music, Baroque music, classical wedding songs, Canon in D history, wedding procession musicJoin me on Substack

Today I'm checking out the brand new UVI Orchestral Suite 2 — a completely redesigned orchestral plugin featuring strings, brass, woodwinds, percussion, choirs and the new Composer chord engine for fast cinematic-style orchestral writing. In this video we explore the new interface, sound quality, articulations, workflow and whether Orchestral Suite 2 could become one of the best affordable orchestral plugins for producers, composers and media creators.

Send us Fan MailWhy has The Four Seasons remained one of the world's most recognizable pieces of classical music?In this episode of The Classical Music Minute, we explore the enduring popularity of Antonio Vivaldi's famous set of violin concertos. Written in the early eighteenth century, The Four Seasons uses music to depict scenes from nature, including birdsong, storms, flowing water, hunting scenes, and winter winds.This approach, known as program music, helped make the work vivid and accessible to audiences. Combined with energetic rhythms, memorable melodies, and dazzling violin writing, the music continues to captivate listeners centuries after it was composed.Today, The Four Seasons remains a staple of concert halls and one of the most frequently used classical works in film and television.In just sixty seconds, discover why Vivaldi's musical portrait of the seasons still resonates today.Fun FactEach concerto in The Four Seasons was originally published alongside a sonnet—possibly written by Vivaldi himself—describing the scenes and imagery the music was intended to portray.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredVivaldi Four Seasons, why is Four Seasons popular, Antonio Vivaldi, Four Seasons explained, program music, Baroque violin music, famous violin concertos, classical music for beginners, Four Seasons history, Vivaldi masterpieceJoin me on Substack

The Devil of Hell's Kitchen is back, and Daredevil: Born Again Season 2 is here! Join us EVERY TUESDAY LIVE at 10pm ET for our Daredevil: Born Again After Show, releasing immediately after each episode. Come hang out as we share our reactions and review, and theorize about the rest of the series.This week, we break down Daredevil: Born Again Season 2 Episode 8, the season finale, with series Composers The Newton Brothers!(00:00:00) Intro(00:02:00) Whatcha Watchin?(00:05:00) Daredevil: Born Again Season 2 Finale Reactions(00:10:00) Daredevil: Born Again Breakdown w/ The Newton Bros(00:38:00) Daredevil: Born Again Season 2 Finale Deep Dive(00:43:00) Matt Murdock vs. Wilson Fisk in Court(01:00:00) Daredevil: Born Again Season 3 TheoriesCheck out our interview with Charlie Cox and Vincent D'Onofrio for Daredevil: Born Again Season 2: https://youtu.be/5eICufKEUVICheck out our interview with showrunner Dario Scardapane and executive producer Sana Amanat for Daredevil: Born Again Season 2: https://youtu.be/fS8LNrrPGLcCheck out https://www.agentsoffandom.com for the latest TV and Movie reviews!

Today on the Invest In Her podcast, host Catherine Gray talks with Briana Cash, a Grammy®-nominated musician and award-winning singer-songwriter whose work spans television, film, and advertising, with placements across major platforms like Amazon Prime, Paramount+, and Hulu. An accomplished live performer, Briana has shared the stage with notable artists across genres and is an active member of leading industry organizations including The Recording Academy and the Society of Composers and Lyricists. Beyond her music career, she is also a passionate advocate for creators' rights, having successfully defended her own name and trademark in a multi-year legal battle. She now educates others on intellectual property, branding, and the evolving impact of AI on creative ownership.  In this episode, Briana shares her journey navigating the music industry while maintaining ownership of her identity and work. The conversation dives into the realities of sync licensing, building an independent career, and why protecting intellectual property is more critical than ever—especially in an era shaped by rapidly advancing technology. Briana also discusses the lessons learned from her legal battle, how it reshaped her mission, and the importance of educating creators to safeguard their brands. This episode offers valuable insight for entrepreneurs, artists, and anyone building a personal brand in today's digital landscape. https://www.showherthemoneymovie.com www.sheangelinvestors.com    Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels   #InvestInHer #FinancialWellness #WomenInFinance #FinancialEmpowerment #MoneyMindset #InclusiveFinance #FintechForGood #BehavioralEconomics #WealthBuilding #FinancialHealth #EmpowerWomen #MoneyMatters #SheAngelInvestors #InvestInYourself #FinancialFreedom  

Send us Fan MailWhy Is Bach Called the Father of Classical Music?Why is Johann Sebastian Bach often referred to as the “Father of Classical Music”?In this episode of The Classical Music Minute, we explore the lasting influence of one of history's greatest composers. Although Bach lived during the Baroque period, his work laid the foundation for much of the music that followed.Renowned for his mastery of counterpoint, Bach demonstrated how multiple independent musical lines could work together in harmony. His compositions, including The Well-Tempered Clavier and The Art of Fugue, are still studied today for their structural brilliance and expressive depth.Later composers such as Mozart, Beethoven, and Brahms learned from Bach's techniques, helping to carry his influence into the Classical and Romantic eras.In just sixty seconds, discover why Bach's music continues to shape the sound of classical music centuries later.Fun FactBach's music was largely forgotten after his death in 1750 until it was revived decades later—most notably when Felix Mendelssohn conducted a famous performance of the St. Matthew Passion in 1829, sparking renewed interest in his work.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

In this episode, Jocelyn talks with Alex Shapiro about writing from your gut and your heart, the compositional process behind her pieces Spark and Tight Squeeze, and how to prevent the gerbils in your mind from taking over your creative process.    Companion playlists: Youtube, Spotify   Follow us: @composelikeagirl on Instagram and Facebook Learn more: Compose Like a Girl   Transcript PDF   Relevant Links:   Tight Squeeze commissioned through Composers and Schools in Concert consortium  Spark written in honor of Dale Mara Bershad Lights Out Paper Cut Bioplasm  Proximity to Europe Theory, Pages 18-19 San Juan Islands American Composers Forum  Libby Larsen Mary Ellen Childs  Alex's Photography and Her Studio Ursula Mamlok Arnold Schoenberg Anton Webern   Serialism, Twelve-Tone Columbia College Chicago Music Department  Cocktails With Creatives: Episode 1 Cocktails With Creatives: Episode 2 

In this episode, Dave is joined by 52 Cues mentor Mary Shaw to talk about building a “second brain” for composers, getting ideas and tasks out of your head, and creating systems that help future-you stay focused, organized, and more productive.Watch this episode on YouTube: https://youtu.be/z9xOGoM7CnQBuilding a Second Brain by Tiago Forte: https://amzn.to/42GFZEgSupport for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams,  cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

Send us Fan MailWhat Does “Opus” Mean in Classical Music?What does “opus” mean when you see it in a classical music title?In this episode of The Classical Music Minute, we explore the meaning behind this common musical term. Derived from the Latin word for “work,” opus numbers are used to catalogue and organize a composer's compositions.Typically assigned in order of publication rather than composition, opus numbers help distinguish one piece from another—especially when composers wrote many works in the same genre.For example, Beethoven's Moonlight Sonata is listed as Op. 27, No. 2, indicating its place within a published set of works.While not all composers used opus numbers consistently, the term remains a helpful way to navigate the vast world of classical music.In just sixty seconds, discover how one simple word helps organize centuries of musical creativity.Fun FactSome composers, including Frédéric Chopin, were very selective about which works received opus numbers—often assigning them only to pieces they felt were worthy of publication, leaving many compositions unpublished or without a number.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

Composers and musicians Justin Rubenstein and J.R. Kaufman of The Blasting Company sit down for a brand new Film.Music.Media conversation! A Film.Music.Media Production | Produced & Presented by Kaya Savas

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius This week we spoke to Paul K Joyce who has contributed orchestrations to the new Yes album, Aurora. This is the third Yes album he has been involved with after helping the band create the wonderful aural landscapes of The Quest and Mirror to the Sky. He tells us about how the decisions came about, how many of the songs on Aurora feature orchestra and how the Czech National Symphony Orchestra went about recording the tracks, with him in the recording booth. As always, it was a fascinating conversation with someone who is both intimately connected with the newest Yes music and is also a huge Yes fan himself. There is also time for Mark to give us some great feedback on the Record Store Day release of Tales From Topographic Tours. How many songs on the forthcoming album have orchestral augmentation? Who made the decisions on what to put where? What was it like working with the Czech National Symphony Orchestra? https://youtu.be/ETEGJTM6plw?si=5W21K63dk8qY2qTU Paul at home recording demos of his new songs The Czech National Symphony Orchestra recording Paul's orchestrations for Aurora Paul featured at the 2026 Composers' Summit https://youtu.be/RVkVcrxFCUE?si=v2Wg6ACVRvKS7Bas Paul's website - https://www.pkjmusic.com Record Store Day 2026 Barry Plummer 2026 Calendar is still available! ORDER HERE Apply £11.00 off with the promo code wh4y4pk3 Enrich your Prog year with iconic images of Yes in the 1970s, taken by the legendary rock photographer, Barry Plummer. Enjoy 12 beautiful colour and black and white photographs of Yes in the studio and live, capturing the essence of the world's greatest progressive rock band. With this limited-edition calendar on your wall throughout 2026, you'll agree that Barry Plummer is, indeed, the Master of Images! (A flat shipping fee will be added at checkout depending on your location.) ORDER HERE Yes - The Tormato Story & Tales from Topographic Oceans - Yes Album Listening Guide Available now! YesMusicBooks.com YMP Patrons: Producers: Joseph Cottrell Wayne Hall Ken Fuller Jeffrey Crecelius Patrons: Aaron SteelmanLindAl Dell'AngeloLobate ScarpBarry GorskyMark BaggsBill WhittakerMark James LangBob MartilottaMark SlaterBrian HarrisMartin KjellbergBrian SullivanMichael HanderhanChris BandiniMichael O'ConnorCraig EstenesMiguel FalcãoDave OwenPaul HailesDavidPaul TomeiDavid HeydenRachel HadawayDavid PannellRobert NasirDavid WatkinsonRobert VandiverDeclan LogueRonnie NeeleyDemScott ColomboDoug CurranSimon BarrowFergus CubbageStephen LambeFred BarringerSteve DillGary BettsSteve LuziettiGeoff BailieSteve PerryGeoffrey MasonSteve RodeGuy DeRomeSteve ScottHenrik AntonssonSteven RoehrHogne Bø PettersenTerence SadlerTodd DudleyThomas DeVriesJohn CowanJohn ThomsonJohn HoldenJohn ViolaJamie McQuinnTim StannardDouglas CaldwellSteve Moss Become a Patron!

It's trivia time....and there's a terrific Aussie Who Am I for the kids in today's episode. Facebook PatreonSee omnystudio.com/listener for privacy information.

Ep. 181: This is the second episode in a two-part series about the evolution of CMOs – recorded as collective management organisations undergo their most significant transformation in decades. In this episode, Sacem's Director of International, Caroline Champarnaud chats with Julien Dumon, its Director of Digital. They explain how the global infrastructure only works if it ultimately serves creators –whose needs are evolving just as fast as the systems built to support them.They go on to explain how Sacem is redefining its services, tools and philosophy to support modern creators – from digital-native artists to global collaborators – while maintaining fairness, transparency and trust.⁠SACEM: Society of Authors, Composers and Publishers of Music⁠=========Series recap:In the first episode in the series, ⁠⁠David El Sayegh, Deputy CEO of Sacem⁠⁠, discussed how the organisation is defining the future of copyright.In the second episode, ⁠we were joined by Julien Lefebvre⁠, the Head of Innovation and Sacem Lab, to talk about its startup partnerships, and the strategic decision to open up certain proprietary technologies to all creators.In the third episode, we spoke to Caroline and Julien about how CMOs are evolving into interconnected, global infrastructure players: the challenges of global metadata, why international partnerships with organisations like ASCAP and GEMA are more vital than ever, and how Sacem is scaling its systems to match the explosive growth of music streaming in emerging markets.=======This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠⁠⁠⁠⁠musically.com/music-ally-co-labs⁠⁠⁠⁠. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

Plzeň to celebrate liberation by US troops, 81 years later; Composers Summit draws film music authors to Prague; Mexican musician based in Prague Omar Rojas.

Plzeň to celebrate liberation by US troops, 81 years later; Composers Summit draws film music authors to Prague; Mexican musician based in Prague Omar Rojas.

"Community equals shared values plus shared activities plus consistency." Megan discusses how she built Diva Squad and why you'll want to start your own intentional community today! In this episode, Megan walks you through the platform, the cadence, and the participation structure that actually keeps people engaged. You'll also hear about #Musochat (another digital community that was really important to Megan), why this matters for your long-term visibility and opportunity, and the specific five-minute micro action: pick one person in your field and send them a message about starting a community group together. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/29-days-to-diva/ My gratitude goes out to [Hannah Boissonneault who edits our Masterclass episodes and to] Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues.

Send us Fan MailWhy did Mozart compose so many operas during his short lifetime?In this episode of The Classical Music Minute, we explore why opera played such an important role in Mozart's career. In the late eighteenth century, opera was one of Europe's most popular forms of entertainment, and cities across the continent regularly commissioned new works for their theatres.Mozart was uniquely suited to the genre. Opera allowed him to combine expressive melodies, colourful orchestration, and theatrical storytelling into a single artistic experience.Collaborating with librettists such as Lorenzo Da Ponte, Mozart produced operatic masterpieces including The Marriage of Figaro, Don Giovanni, and The Magic Flute—works that remain central to the operatic repertoire today.In just sixty seconds, discover why opera became one of Mozart's most important creative outlets.Fun FactMozart's opera The Marriage of Figaro was considered controversial when it premiered in 1786 because its story involved servants outsmarting their aristocratic masters—a theme that challenged the social hierarchy of the time.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

Why is Beethoven's Symphony No. 5 one of the most recognizable pieces of music ever written?In this episode of The Classical Music Minute, we explore the famous four-note opening that begins the symphony—often described as da-da-da-DAAA. This simple rhythmic motif becomes the driving force behind the entire first movement, demonstrating Beethoven's extraordinary ability to develop a small musical idea into a powerful orchestral statement.Premiered in 1808, the symphony also captures a dramatic emotional journey. It begins in the dark and tense key of C minor but eventually arrives in a bright and triumphant C major finale.The work's unforgettable opening and powerful sense of momentum have made Beethoven's Fifth Symphony one of the most famous pieces in classical music history.In just sixty seconds, discover why four simple notes helped create one of music's greatest masterpieces.Fun FactDuring World War II, the famous four-note rhythm of Beethoven's Fifth Symphony was associated with the letter “V” for Victory because the rhythm matched the Morse code for the letter V (•••—). Allied radio broadcasts often used the motif as a musical symbol of victory.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

Ep. 180: Music consumption today is borderless, but the systems that manage it have historically been national. Now, collective management organisations are undergoing their most significant transformation in decades. On one hand, they are becoming global infrastructure players, scaling systems, data and partnerships to match worldwide music consumption. On the other, they are redefining their relationship with creators whose ways of making, monetising and collaborating are changing just as rapidly.We're joined by Caroline Champarnaud, Sacem's Director of International, and Julien Dumon, Director of Digital. They talk about how CMOs are evolving into interconnected, global infrastructure players. We explore the challenges of global metadata, why international partnerships with organisations like ASCAP and GEMA are more vital than ever, and how Sacem is scaling its systems to match the explosive growth of music streaming in emerging markets.SACEM: Society of Authors, Composers and Publishers of MusicThis is the third in a special series of Music Ally Focus made in collaboration with Sacem, exploring the evolution of collective management in the modern music industry – looking at technology, policy, copyright and more. In the next episode, we'll discuss the evolution of CMOs further, and how the global infrastructure only works if it ultimately serves creators, whose needs are evolving just as fast as the systems built to support them.=========In the first episode in the series, ⁠David El Sayegh, Deputy CEO of Sacem⁠, discussed how the organisation is defining the future of copyright.In the second episode, we were joined by Julien Lefebvre, the Head of Innovation and Sacem Lab, to talk about its startup partnerships, and the strategic decision to open up certain proprietary technologies to all creators.=======This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠⁠⁠⁠musically.com/music-ally-co-labs⁠⁠⁠. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

Why Do Orchestras Tune to the Oboe?Why do orchestras tune to the oboe before a concert begins?In this episode of The Classical Music Minute, we explore the tradition behind the single tuning note that signals the start of nearly every orchestral performance.Before the music begins, the principal oboist plays an A—typically A = 440 hertz—and the rest of the orchestra tunes to match it. The reason is practical: the oboe produces a stable and penetrating pitch that is difficult to adjust quickly. String instruments, brass, and other woodwinds can more easily alter their tuning, so it makes sense for the orchestra to tune to the oboe rather than the other way around.This brief ritual ensures that dozens of musicians begin the performance perfectly aligned in pitch.In just sixty seconds, discover why one small instrument quietly sets the tuning for the entire orchestra.Fun FactIn many orchestras, the oboe gives the tuning note because its bright, focused sound can be clearly heard even when the entire orchestra begins tuning at once.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics Coveredorchestra tuning, oboe, orchestral tradition, tuning A 440, symphony orchestra, orchestral instruments, double reed instruments, concert traditions, classical music performance, orchestral rehearsalJoin me on Substack

Why is Pachelbel's Canon in D played at weddings?In this episode of The Classical Music Minute, we explore how a small Baroque chamber work by Johann Pachelbel unexpectedly became one of the most popular wedding processional pieces in the world.Written around 1680, Canon in D was originally composed for three violins and basso continuo, with no connection to weddings at all. Its famous repeating bass line supports a series of increasingly elaborate violin melodies, creating a sense of balance, anticipation, and gentle emotional build. Over the past century—particularly through string quartet arrangements—the piece became closely associated with wedding ceremonies. Today, it's one of the most requested classical pieces for walking down the aisle.In just sixty seconds, discover how a modest Baroque composition became the soundtrack to countless modern love stories.Fun FactThe famous chord progression from Canon in D appears in dozens of pop songs. Comedians have even joked that a surprising amount of modern music secretly borrows Pachelbel's chords.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can now also read the written version of these episodes on Substack, where new posts are delivered straight to your inbox.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. Through The Classical Music Minute, he shares curious and engaging stories from the world of classical music in short, accessible episodes.Topics CoveredPachelbel, Canon in D, Baroque music, wedding music, classical wedding traditions, chord progression, string quartet, Johann Pachelbel, famous classical pieces, classical music historyJoin me on Substack

To read the complete transcript and watch the podcast video, visit the ⁠⁠⁠⁠⁠⁠⁠episode blog⁠⁠⁠⁠⁠⁠.⁠In this episode of the Successful Musicians Podcast, Jason Tonioli sits down with film and television composer Spencer Creaghan, whose work spans horror, sci-fi, orchestral metal, children's programming, and epic symphonic projects.From scoring series like Slasher and Astrid & Lilly Save the World to creating a full symphonic work inspired by Brandon Sanderson's Mistborn, Spencer shares how heavy metal, film scores, and a love of storytelling shaped his career.This conversation dives deep into collaboration, ego, finishing creative work, and what it really takes to build a sustainable career in film and television composition.What You'll Learn- Why removing pride improves creative collaboration- How heavy metal influenced Spencer's orchestral film scoring style- Why relationships matter more than transactional networking- How to approach directors with creativity and flexibility- Why artists should not fear AI replacing composers- The importance of creating deadlines to finish passion projects- How to manage perfectionism and avoid overthinking- Why loving film is essential to a career in scoring- How to develop your voice without forcing uniqueness- Practical strategies for staying productive under deadlinesTopics Covered in This Episode- Discovering film scoring through symphonic metal- Studying music at York University and building filmmaker relationships- Scoring projects from day one of college- Long-term collaboration with directors- Working on horror, sci-fi, and children's television- Blending orchestral, Celtic, and metal influences- Writing music as an unseen character in a film- The creative process from concept meetings to final score- Collaborating with live musicians around the world- Spencer's upcoming Mistborn symphony projectWho This Episode Is For- Aspiring film and television composers- Musicians wanting to break into media scoring- Creative professionals struggling to finish projects- Artists navigating collaboration and creative ego- Composers balancing artistic voice with client needs- Musicians curious about orchestral metal fusion- Students considering music school for film scoring- Producers and directors wanting better composer relationships- Creators worried about AI in the music industry- Anyone building a long-term creative careerConnect with Spencer CreaghanWebsiteLinkedInInstagramIMDbSpotifyApple MusicConnect with Jason TonioliWebsite FacebookYouTube InstagramSpotifyPandoraAmazon MusicApple Music

Ep. 178: Collective management is no longer just about collecting royalties; it's about innovating infrastructure and offering direct services. So we're joined by Julien Lefebvre, the Head of Innovation and Sacem Lab, to talk about the Lab project, its startup partnerships, and the strategic decision to open up certain proprietary technologies (including blockchain applications) to all creators, redefining the role of a CMO as a global tech enabler.He discusses: balancing Sacem's priorities with the current volatile music ecosystem; the Musicstart service, where anyone –Sacem members or not – can use their tool to secure permanent "proof of creation" of their music; how the organisation is collaborating with fellow CMOs like GEMA and ASCAP; and how the music-tech startup landscape is moving away from "hype" tech.Read more here:  SACEM, Society of Authors, Composers and Publishers of Music (https://presse.sacem.fr/?lang=en)This is the second in a special series of Music Ally Focus made in collaboration with Sacem, exploring the evolution of collective management in the modern music industry – looking at technology, policy, copyright and more. =========In the first episode in the series, David El Sayegh, Deputy CEO of Sacem, discussed how the organisation is defining the future of copyright.Over the next two episodes, we will continue to dive into how collective management is having to move with the times: exploring how one of the world's leading CMOs is navigating a landscape redefined by artificial intelligence, global scaling, and the changing needs of modern creators.=======This is a Music Ally Co-Labs podcast: ⁠⁠⁠⁠⁠⁠musically.com/music-ally-co-labs⁠⁠. Co-Labs content is created by publishing partners in liaison with the Music Ally Editorial Team. We work closely with partners to ensure that it adheres to Music Ally's high expectations of quality, thoughtfulness, and usefulness.

Hi everyone. I'm Kanika Chadda Gupta. I'm a television journalist, podcast host of “That's Total Mom Sense,” wife and mom of three. I am having a fangirl moment right now because I am with the beautiful, talented singer, songwriter, actress, and author who has grown up alongside us. She's been singing her whole life and began her musical career as a founding member of Destiny's Child and here we are with children of our own. I'm about to “say her name, say her name.” Kelly Rowland is an American singer, performer, songwriter, actress, and television personality. She rose to fame in the late 1990s as a member of Destiny's Child, one of the world's best-selling girl groups of all time. She soon released her debut solo studio album, Simply Deep in 2002, debuting at #1 on the UK Albums Chart and sold over 3 million copies worldwide. Rowland eventually became a judge on the eighth season of The X Factor (UK version), as well as the 3rd season of The X Factor (USA) in 2013. She has continued her television career by hosting Chasing Destiny, and starred as a coach on The Voice (Australia).  Throughout her career, Rowland has sold 40M+ records as a solo artist, and an additional 60M+ records with Destiny's Child. She's won 4 Grammy Awards, 1 Billboard Music Award, and 2 Soul Train Music Awards — she's also received a star on the Hollywood Walk of Fame as part of Destiny's Child, and as a solo artist, she has been honored by the American Society of Composers, Authors and Publishers and Essence for her contributions to music. In 2014, Fuse ranked Rowland in their "100 Most Award-Winning Artists" list. Kelly and her husband Tim Weatherspoon have two sons, Titan and Noah. In 2022, she released her children's book, Always with You, Always with Me. Meet My Guest: INSTAGRAM: ⁠@kellyrowland⁠ TWITTER: ⁠@kellyrowland⁠ FACEBOOK: ⁠/kylierowland529⁠ YOUTUBE: ⁠/kellyrowland⁠ Press MARCH OF DIMES: ⁠March of Dimes Raises $1.4M at 6th Annual Celebration of Babies®: A Hollywood Luncheon⁠ 21NINETY: ⁠Exclusive: Kelly Rowland on Marriage, Money Moves And Advice For New Moms: 'Be Patient With Yourself'⁠ Mom Haul AMAZON: ⁠Always with You, Always with Me Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Macleod explores five classical composers from the land of the long white cloud, New Zealand: Douglas Lilburn, Jenny McLeod, Dame Gillian Whitehead, John Psathas, and Gareth Farr.Music featured:Douglas Lilburn: Symphony No 1 Aotearoa Elegy Sings Harry Symphony No 3 Three Inscapes, No 1 17 Pieces for Guitar Symphony No 2Jenny McLeod: Rock Concerto Hear the Great Ocean (from Childhood, No 4) 24 Tone Clock Dolly Bird (Music for Four) Nā Kui ki a Tama: Te Pūroto Kōpua Three celebrationsDame Gillian Whitehead: Hineaukatauri Tōrua Alice Pūhake ki te Rangi Lullaby for Matthew KarohirohiJohn Psathas: RealBadNow – V Craving the World Voices at the End (Mitote) Three Psalms (No 3, Sergei Bk. Ch. 1) Songs for Simon (No 1, His Second Time) Helix (No 3, Tarantismo) The All-Seeing Sky Gareth Farr: Pukul The Horizon from Owhiro Bay Tentang Cara Gamelan Waipoua Headrush Te Papa Kembang Suling Nga Tai Hurihuri From the Depths Sound the Great Sea Gongs (The Invocation of the Sea)Presented by Donald Macleod. Produced by Luke Whitlock for BBC Audio Wales & West.For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for New Zealand Composers: https://www.bbc.co.uk/programmes/m002s3nmAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

On this episode of Center Stage with Mark Gordon, filmmaker and journalist Roc Morin talks about Meduza, a powerful project that explores war, identity, and the strange overlap between performance and reality. Mark Gordon and Roc Morin discuss the origins of the film, the emotional and creative challenges behind it, and what drew Morin to this story in the first place. The result is a compelling conversation about documentary filmmaking, human resilience, and the role of storytelling in times of crisis.

In this episode, Dave and Jeff break down practical strategies for finding new production music libraries, building relationships, and pitching in a way that gets you taken seriously in the sync industry.Watch this episode on YouTube: https://youtu.be/kMeLqJJlOYISupport for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

We analyze the Sinners surge vs the One Battle After Another sweeps and how the DGA, BSC and SCL might change the races. Then we discuss Super Sunday including our many thoughts on the Bad Bunny Halftime Show, commercials and the many new movie trailers including Project Hail Mary, The Mandalorian & Grogu, Scream 7, Minions & Monsters, The Adventures of Cliff Booth, etc. Awards News: No more Post-Nomination Academy Screenings per Scott Feinberg - 3:35 PTA wins DGA, which leads to another huge Sinners vs OBAA convo - 6:14 Other DGA Winners - 22:16 British Society of Cinematographers Winners - 27:16 Society of Composers and Lyricists Winners - 30:33 Super Bowl Coverage & Trailers: Reviewing the Commercials & The Bad Bunny Halftime Show Review - 35:21 Project Hail Mary - 46:45 Disclosure Day from Steven Spielberg - 49:02 Supergirl - 53:47 Hoppers from Pixar - 55:50 The Mandalorian and Grogu - 58:57 The Super Mario Brothers Galaxy Movie - 1:00:08 Minions & Monsters - 1:01:01 Scream 7 - 1:03:36 The Adventures of Cliff Booth: Once Upon A Time In Hollywood 2 - 1:11:00 OUTRO: Our socials, our upcoming plans and our words of wisdom all include teasers for the awards season weeks to come. https://linktr.ee/mikemikeandoscar

In this episode, I sit down with percussionist Colin Currie for a wide-ranging conversation about curiosity, originality, live performance, and the lifelong pursuit of musical meaning. Colin is one of the most influential percussionists of our time, known for his deep commitment to contemporary music, his close collaboration with composers, and his transformative interpretations of Steve Reich's work. This conversation explores how curiosity, patience, and listening have shaped his career and his approach to music-making.We begin by talking about technology, access to recordings, and the changing landscape of music education. Colin reflects on growing up in a time when discovering music required effort, intention, and physical presence in libraries and record shops. He shares concerns about students learning pieces by copying online performances rather than developing their own ideas, and he speaks passionately about the importance of solitude, curiosity, and learning music on one's own terms.Colin traces his musical beginnings back to early childhood, from piano lessons at age five to his first drum lesson at six, describing the joy, excitement, and physical energy that initially drew him to percussion. He talks about how that sense of wonder has never left him and why live performance remains a magical, irreplaceable experience. We explore why percussion continues to evolve so rapidly, how technique has advanced across the field, and why musical intent always matters more than virtuosity alone.A significant portion of the conversation focuses on Colin's connection to contemporary music and the composers who shaped his artistic identity. He describes hearing The Rite of Spring as a teenager, discovering post-war modernist composers through library scores, and developing an instinctive attraction to music that felt strange, challenging, and unfamiliar. Colin shares how his love for new music was never about understanding it intellectually, but about responding to it emotionally and instinctively.We also dive deeply into Colin's relationship with Steve Reich, including their first meeting, their long-standing collaboration, and the formation of the Colin Currie Group. Colin reflects on recording Music for 18 Musicians at Abbey Road Studios, explaining how the goal was to capture the intensity and emotional risk of live performance rather than create a polished studio artifact. He talks about groove, sonority, emotional depth, and why Reich's music demands both precision and expressive freedom.Colin discusses his growing role as a conductor and how stepping onto the podium has changed the way he listens, leads, and collaborates with ensembles. He shares stories from recent performances, lessons learned from orchestral musicians, and how listening remains the central skill, whether playing or conducting. We also talk about his record label, Colin Currie Records, crowdfunding new projects, and the upcoming release of a Steve Reich album featuring Sextet, Double Sextet, Six Marimbas, and Dance Patterns.As we look ahead, Colin reflects on 2026 as a landmark year, including Steve Reich's 90th birthday, dozens of performances of Reich's music worldwide, and the premiere of Colin's 40th percussion concerto. This is a thoughtful, inspiring conversation about curiosity, commitment, and the lifelong responsibility of serving music.Music from the Episode:Mallet Quartet (Steve Reich - Colin Currie Group)Music for 18 Musicians - Section VI (Steve Reich - Colin Currie Group)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

It's John Williams' birthday! Wayne and David are celebrating by sharing their Top 5 Favorite John Williams scores. Will all of your favorites make the list?Check out our NEW YouTube Channel and subscribe now! Leave us a comment on our YouTube channel telling us your top 5 favorite John Williams scores. One lucky winner will receive the John Williams film score of there choice, as well as some A Film By... swag!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.Special shout-out to our friends at All '80s Movies Podcast, MaiRo & Co Dog Treat Bakery, and the Accidental Legends Podcast!

To commemorate the centenary of electronic music pioneer Daphne Oram on 31 December 2025, Caro C explores Oram's lasting influence in a conversation with Sarah Angliss and Ian Stonehouse. The episode continues with Shiva Feshareki and James Bulley discussing their Proms performance of Still Point, Oram's innovative orchestral work from 1948 that integrated electronic sound and live manipulation.Chapters00:00 - IntroductionSarah Angliss & Ian Stonehouse02:15 - Composer, Inventor and the Radiophonic Workshop06:42 - Inspired by the sound-houses of Francis Bacon11:34 - Working In Frequency, Not Pitch13:01 - Tower Folly and the Oramics Machine16:09 - Working With Post-War Equipment22:12 - Insights and Inspiration from the Archives26:56 - Top Musical Selections From the ArchiveShiva Feshareki & James Bulley32:57 - A Proms Performance Of Still Point37:55 - The Daphne Oram Archive and Goldsmiths41:12 - Creating A Historically Accurate Performance45:22 - Following The Written Instructions53:27 - Creating An Updated ScoreSee also:https://www.soundonsound.com/people/graham-wrench-story-daphne-orams-optical-synthesizerhttps://www.soundonsound.com/people/story-bbc-radiophonic-workshopDaphne Oram BiogDaphne Oram (1925–2003) was a pioneering British composer and inventor, and one of the founders of the BBC Radiophonic Workshop. A trailblazer in electronic music, she developed the Oramics system, a groundbreaking method of composing sound by drawing directly onto film, allowing pitch, timbre and dynamics to be controlled visually rather than through traditional notation. Her work fundamentally reshaped ideas about how music could be created, laying the foundations for electronic composition, sound synthesis and experimental music practices that continue to influence composers, producers and sound designers today.Website: www.daphneoram.orgSarah Angliss BiogSarah Angliss is an Ivor Novello Award-winning composer, performer, and instrument designer working across film, theatre, and live performance in Europe and North America. Her work includes the electroacoustic score for Romola Garai's Amulet and the opera Giant, which combines baroque instruments with electronics and DIY music machines. Drawing on European folk, cybernetics, and electroacoustic engineering, her music explores inventive sound design. Sarah has received the Visionary Award from the Ivors Academy (2021) and a Paul Hamlyn Award for Composers (2018). She's recently joined the Augmented Instruments Lab at Imperial College, London, for researching lost alternative design strategies dormant in forgotten electronic musical instruments.Website: www.sarahangliss.comInstagram: @sarah_anglissIan Stonehouse BiogIan Stonehouse is an archivist, researcher and performer working in the Electronic Music Studios and Special Collections at Goldsmiths, University of London, with the archives of composers Daphne Oram, Lily Greenham and Hugh Davies. He has lectured in Sonic Art for over 30 years and was Head of the Electronic Music Studios at Goldsmiths from 2004-2019. Most recently he's been a research consultant and instrument maker for projects including Lily Greenham: An Art of Living at Badischer Kunstverein in Karlsruhe, Germany (2024), the Science Museum's Time Loops concert series with composer Gavin Bryars and the group Icebreaker (2024-25), Ensemble Contrechamps' Daphne Oram: An Individual Note concert at the Auditorium Ansermet in Geneva (2025), Nonclassical's Vari/ations: An Ode to Oram event at the Barbican in London (2025) and as part of an ensemble celebrating the legacy of experimental group Gentle Fire at Cafe Oto in London (2026).Bandcamp: ianstonehouse.bandcamp.comInstagram: @soonheisatuneShiva Feshareki Biog A doctoral composition graduate from the Royal College of Music, Shiva Feshareki is an Ivor Novello award-winning British-Iranian composer and turntablist, working at the intersection of contemporary-classical and electronic music. She has performed internationally in concert halls, galleries, and raves, including the BBC Proms, Southbank Centre, Barbican, Konzerthaus Berlin, Mutek Montreal, and Amsterdam Dance Event, collaborating with ensembles such as the BBC Singers, London Contemporary Orchestra, Ensemble Modern, and Vienna Radio Symphony Orchestra.Website: studiofeshareki.comInstagram: @shivafesharekiX - @shivafesharekiJames Bulley BiogJames Bulley is an artist and musician working with sound across installation, performance, immersive audio, film, theatre, and public art. His work has been presented internationally in galleries, concert halls, and public spaces. Projects include the world-premiere performance of Daphne Oram's Still Point at the BBC Proms, alongside collaborations with artists, filmmakers, and institutions including Marshmallow Laser Feast, the National Trust, Opera North, and the BBC.Website: jamesbulley.comInstagram: @jjbulleyCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.Website: carocsound.comX: @carocsoundInstagram: @carocsoundFacebook: www.facebook.com/carocsoundCatch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

In this episode, Jeff Hargrove and I talk about the early mistakes new composers often make when stepping into production music – from chasing plugins and genres to overlooking the fundamentals that actually move the needle. Watch this episode on YouTube! https://youtu.be/RSM5S5sPFpQSupport for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues! Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

In this episode of Splitting Heirs, host Warren K. Racusin invites Lowenstein partner Matt Savare and Bart Feller, Principal flute of the New Jersey Symphony, New York City Opera Orchestra, and Santa Fe Opera Orchestra, to break down copyright law for music and other original works and to talk about the importance of estate planning for creatives. The conversation covers the terms of a copyright, including author rights, for hire and not for hire stipulations, and termination timelines. The episode also analyzes examples of similar songs, determining whether or not the musician may be infringing copyright on the original work. Speakers: Warren K. Racusin, Partner and Chair, Trusts & Estates Bart Feller, Principal flute of the New Jersey Symphony, New York City Opera Orchestra, and Santa Fe Opera Orchestra Matt Savare, Partner, Chair, Commercial Contracts, Emerging Companies & Venture Capital, IP & Tech Transactions, Patent Counseling & Prosecution

Gayle Levant is a remarkable musician. She has been a superstar harpist in records, television and film for more than 60 years. She's played at the Academy Awards show for the past 31 years. Listen to this list of just a few of the artists she's performed with: Liberace, Judy Garland, Nat King Cole, Julie Andrews, Frank Sinatra, The Beach Boys, Lady Gaga and Paul McCartney. She's Barbra Streisand's harpist. And most impressive, she once played the harp on a floating boat at a Las Vegas restaurant. And she heads up the American Society of Music Arrangers and Composers, the first woman to do so.My featured song is “Because She Said So” from the album Play by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GAYLE:www.inceptionorchestra.org—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this in-depth conversation, successful concert composer and educator @saadhaddadmusic shares how composers actually build sustainable careers — not through shortcuts, but through long-term focus and thinking he calls the "Time Horizon."Saad also breaks down his two foundational pillars for compositional success:- Finding your true compositional voice- Building a strong, intentional network of contactsTogether, these three elements form a realistic roadmap for composers navigating today's classical and concert music world.We discuss:- Saad's personal journey to a successful concert composing- Whether making a living as a concert composer is still possible (or needed)- How long-term thinking and consistent work for years changes career outcomes- Why your musical voice matters- How network and relationships quietly shape real opportunitiesThis interview is essential viewing for composers, educators, students, and anyone pursuing a serious career in composition.Guest: Saad Haddad - YouTube Channel: @saadhaddadmusicTopics: Classical composition, concert music, composer careers, music education#composer #classicalcomposer #concertcomposer #musiccareer #composition #makingalivinginmusicWORK WITH SAAD:

⁠Support the Show Here⁠Quincy Hilliard hosts a conversation with the legendary young band writer Andrew Balent to learn more about the history of the composers who started writing for young band.To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.comOur mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:Podcast website : Thegrowingbanddirector.comOn Youtube The Growing Band Director Facebook-The Growing Band Director Podcast GroupInstagram @thegrowingbanddirectorTik Tok @thegrowingbanddirectorIf you like what you hear please:Leave a Five Star Review and Share us with another band director!

Jim Keller started in the music industry as part of Tommy Tutone, writing the hit '867-5309/Jenny', then the bands career sank and he left performing, landing as an assistant and then manager for Phillip Glass, Nico Muhly, Ravi Shankar, and others, before 'retiring' and returning to making music by hosting jam sessions with members of The Black Crowes, Levon Helm's band, The Beach Boys, The Wallflowers, The Lumineers, and more. We talk to Jim about the realities of 'crashing and burning', the business and creative divide, the power of honesty, knowing your role, showing up, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Jim KellerTommy TuToneAdam MinkoffTony LeoneNonesuch RecordsEp 46 - Mary Chapin CarpenterEp 16 - Rodney CrowellPhilip GlassByron IsaacsChris MastersonNico MuhlyRachel PortmanAudley FreedLilly WinwoodClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Julie and Steve Bernstein are animation stars as composers, orchestrators, arrangers, songwriters and singers. Each has won multiple Emmy Awards. They've worked on hit TV series like Animaniacs, Pinky and the Brain, and Freakazoid. Their Animated feature films include A Flintstones Christmas Carol, and Tom and Jerry: Blast Off to Mars. In other respects, Julie has written string quartet arrangements for Tierney Sutton, Sophie Carpenter and others. And Steve has written scores for horror films and documentaries, and he was the conductor for the James Bond film Skyfall and for The Perfect Storm starring George Clooney.My featured song is “The Pardners”, from the album East Side Sessions by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH THE BERNSTEINS:www.stevebernstein.biz—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Many classical music works by Polish composers before the Second World War have been lost. The Polish Institute in Tel Aviv is bringing to Israel a duo who have found some of these works and brought them back to the stage. Reporter Arieh O'Sullivan spoke with the duo, Karolina Mikołajczyk & Iwo Jedynecki. (photo: George Walker/AP)See omnystudio.com/listener for privacy information.