Podcasts about composers

The BYU-Idaho Symphony Orchestra celebrates the arrival of spring with an evening of uplifting music, featuring iconic works by Finnish composer Jean Sibelius and Czech composer Antonín Dvořák, performed live at the Barrus Concert Hall

Ron Ramin was born and raised in New York City. He earned his undergraduate degree at Princeton University, where he majored in music and studied privately with composer Milton Babbitt. Upon graduation, he moved to Los Angeles where he composed music for 20 Primetime television series and 30 movies/telefilms. Ron is the recipient of a CableACE Award, a Primetime EMMY nomination, and TV/Film Awards from BMI and ASCAP. In recent years he has shifted his focus to composing for the concert hall. This includes "Golden State of Mind," a symphonic suite depicting the beauty & drama of the California landscape and its cultural diversity. “Greetings!" was given its world premiere performance in 2016 by the Marin Symphony, conducted by Music Director Alasdair Neale. His latest work, SEVENTEEN, is a narrative work for orchestra and six on-stage Gen Z narrators. Days after the 2018 mass school shooting in Parkland, Florida, librettist Portia Kamons and Ron began to work on an artistic response to the relentless plague of gun violence in American schools and communities. Their attention soon focused on the rising generation of young people channeling their grief and anger into deliberate and effective action. They were bringing extraordinary commitment, determination, and energy to multiple challenges of their time. Ron & Portia were also determined to bring classical music audiences together with young people for an orchestral performance and thoughtful discussion. From the beginning they committed to employ verbatim text from the young Americans themselves. SEVENTEEN is their story, told in their own words. The Orlando Philharmonic commissioned it and gave the premiere performance Nov 8, 2024. Eric Jacobsen, their innovative music director, conducted the performance and Jamie Bernstein directed the six young on-stage narrators. The orchestra, to its credit, made this a free community event that included a thoughtful discussion and Q&A following the performance. A former Board member of the Society of Composers and Lyricists, Ron currently resides in Northern California and New York City.   Portia Kamons is a producer and librettist working with newly commissioned pieces in theatre, live events, music and feature film. With composer Ron Ramin, she is the co-creator and librettist for SEVENTEEN, a narrative work for Orchestra that received its world premiere by the Orlando Philharmonic on 8 November 2024. She was the Executive Producer for Virtua Creative on the US WW1 Centennial Commemoration narrated by Kevin Costner, as well as Exec Producer for "Visions of Peace" a special project for the WW1 Centennial with President Jimmy Carter. Portia was the lead producer of Tennyson Bardwell's feature film DORIAN BLUES which won 14 awards at festivals worldwide. She was a founding member and the first General Manager of Primary Stages Theatre in New York City, and a Producer for the NextWave Festival at the Brooklyn Academy of Music. For many years she worked for as a producer with En Garde Arts in New York City, and the London International Festival of Theatre in the UK where she lives. She is a regular consultant to Danish web-based documentary platform, OTHER STORY.     website: www.seventeeninamerica.com Instagram: @seventeen_in_america  Facebook: https://www.facebook.com/profile.php?id=61561439852395 email: hello@seventeeninamerica.com Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!  Thanks for joining me on Crushing Classical!  Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website.   I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

De eindexamenperiode van de conservatoria is aangebroken en dat betekent: aan de lopende band fantastische concerten, die veelal gratis te bezoeken zijn! Het Amsterdams Conservatorium organiseert voor de compositie-examens zelfs een jaarlijks festival: Composers Festival. Afstuderend componist Catharina Clement vertelt erover en we horen natuurlijk muziek van studenten! En als kers op de taart vieren we vanavond de geboortedag van Milton Babbitt met muziek van hemzelf en van zijn docent Roger Sessions. Gedraaid deze uitzending: - Milton Babbitt - Now Evening after Evening - Milton Babbit - Reflections for pin and synthesized tape - Anna-Mari Kahara - Kuka Nukkuu Tuutusassi - Kirsi-Marja Harju - Dream in a Dream - Catharina Clement - Tranen van Goud (opname van de concertzender) - Nuasyqa - Ferry Waves - Riger Sessions - Piano Sonata no. 1

Paul Williams is an Oscar, Grammy, and Golden Globe award-winning composer, songwriter, and musician. He is known for writing and co-writing popular songs such as “Evergreen”, “We’ve Only Just Begun”, and “Rainbow Connection”. Williams wrote the score and lyrics for renowned films such as the 1976 adaptation of “A Star is Born”, “The Muppet Movie”, “The Muppet Christmas Carol”, “Bugsy Malone”, and “The Phantom of the Paradise”. His songs have been recorded by legendary artists such as Frank Sinatra, Elvis Presley, and The Carpenters. As an actor, Williams has appeared in numerous high profile films and TV shows such as the 1973 “Battle for the Planet of the Apes”, “Smokey and the Bandit”, “Phantom of the Paradise”, and “Baby Driver”. His illustrious career spans generations and includes titans of both the music industry and Hollywood. Currently, Williams is the president and chairman of the ASCAP, the American Society of Composers, Authors, and Publishers.See omnystudio.com/listener for privacy information.

The Cooper's Cave Composers Consortium's next concert is set for 3pm on Mother's Day, May 11 at The Strand in Hudson Falls.

Toni Powell is a music composer who just released her classical music composition, The Mourning After. She and Natalie will discuss misogyny's effect on the art of music as well as the classical music genre. Discussion points will include the way people talk about creative pursuits, capitalism's effect on art, how colonization and white supremacy affected art and culture, and what it is like for Toni to navigate the music business and the idea of genre as a woman of color.Support the ShowMake sure you have subscribed to us on Patreon! Every tier has a 7-day free trial and it is the only place to find our free blog posts, Tolerator Check-In episodes, and The Misogyny Meltdown. Follow us at @menivetoleratedpod on Instagram! All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you never miss any update we have on Team Tolerator!Find ToniSpotifyYouTubeInstagram- @iamladyleidelTiktok- @iamladyleidel

A natural storyteller and lifelong traveler, Mark Allen's career as a performer, composer, producer and engineer makes him universally at ease, whether in the pubs of the UK or onstage at the Grand Ole Opry. His ability to connect with strangers over the shared love of song has made him one of the longest-running performers at the Gaylord Opryland Resort entertaining international audiences —and hundreds of thousands of people— since 2006.While his passion as a producer/musician includes the founding of Atlanta's Benchmark Productions (1992), Mark's chapter in Nashville began in 1998, when recruited to run the studio of the American Society of Composers, Authors and Publishers (ASCAP). Over his career, he has scored films and released several critically acclaimed albums, including “American in the 21st Century,” and held residency as a premier writer/artist at CAL IV/Spirit Entertainment. His background in music, community outreach, production and engineering gives him fluency in music of every genre and, coupled with his love of travel, paved the way for his most recent creation: the new series Have Guitar Will Travel World, presented by Nashville PBS and available on public television nationwide beginning May 2025.https://www.haveguitarwilltravel.world/https://www.facebook.com/haveguitarwilltravelworld/https://www.aptonline.org/catalog/HAVE-GUITAR-WILL-TRAVEL-WORLD"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

"Thunderbolts*" marks a potentially major turning point within the MCU as it brings a group of anti-heroes together to face a new threat and forces them to confront the darkest corners of their pasts. The marketing has been called out for its A24 style, with particular early positive reactions directed towards the cast and director Jake Schreier's more grounded approach to the filmmaking. Schreier and the film's Oscar-nominated composers, Ryan Lott, Rafiq Bhatia, and Ian Chang (otherwise known as "Son Lux"), were all kind enough to spend some time speaking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is opening in theaters on May 2nd from Marvel Studios and Walt Disney Studios Motion Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Operatic soprano Chen Reiss has just released a new album alongside Daniel Grossman and the Jewish Chamber Orchestra Munich entitled "Jewish Vienna". The Austrian capital has always been a key spot for classical music and the goal of this record was to focus on the artists and composers who were part of this rich scene until the annexation of Austria by Nazi Germany. We also look at how the internet and social media may have killed off the video star, as well as the new album from Welsh rockers Stereophonics.

This story was written by Megan Westberg for the May-June 2025 issue of Strings magazine and is read by the author.It is an impassioned voice. A raised female voice. “Human life, for us, is sacred,” she says. Music swells beneath her. Bittersweet. Soaring. Rushing in and then retreating. She goes on. “For as we say, if any life is to be sacrificed, it shall be ours.” Orchestral crescendos punctuate her phrases, diminishing on a dime as her voice turns to soprano gravel from shouting. “They'll have to choose between giving us freedom—or giving us death.”  Support the show

Ehren Ebbage shares his remarkable journey through the music industry. From his early days touring with bands and getting discovered by an A&R rep in Idaho to becoming a sought-after producer working with breakout artists like Lizzie McAlpine, Ebbage offers a masterclass in career longevity and creative evolution. Ehren's story begins like many musicians - falling in love with Aerosmith and Guns N' Roses as a teenager - but takes unexpected turns through record deals, touring life, and eventually finding his true calling in production and composition.   Want my free 11 gems PDF??  https://www.roymatz.com/gemspdf  

Time for another mental workout! We learn about Japanese myth, we look at the evolution of human health and we test you on one of the great composers of all time. How far will you go this time? Can you better your score from last time. Can you defeat all 20 questions? Don't forget to subscribe to this podcast and share it with friends, family and work colleagues. Will they beat you? Post your results via our Facebook group - https://www.facebook.com/groups/934076788498589/ Our email twentyquestionsquiz@gmail.com We love to hear from you!

This is our conversation with Daredevil: Born Again composers Andy Grush and Taylor Stewart, known professionally as The Newton Brothers. In this in-depth discussion, we chat about how they approached adapting the music from the original Netflix series, the emotions that shaped their score, and the unconventional instruments they used to bring the series to life. Plus, they share which MCU characters they'd love to compose for and tease some sonic Easter eggs for fans to discover. Marvel Television's Daredevil: Born Again is streaming now on Disney+.Check out our full interview with The Newton Brothers on YouTube Here Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

This is our conversation with Yellowjackets composers Anna Waronker and Craig Wedren. In this in-depth conversation, we explore the sonic mystery box they've crafted over the past three seasons of the show. From eerie guttural vocalizations to layered dissonant harmonies—and even deep forest tree burps—they break down key sections of the score, revealing how they capture the intense emotions of the characters. Plus, they discuss the unique challenges of composing for the same characters at different points in their lives, from their teenage years to adulthood. Yellowjackets Season 3 is streaming now on CraveTV in Canada.   Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

The Composer and His Work.Get all the news you need by listening to WBZ NewsRadio 1030 on the free #iHeartRadio app! Or ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Dive into the world of film scoring and production with Simon Franglen, acclaimed composer known for his work on Titanic and Avatar, in this milestone 100th episode!

Today, we're traveling back to 1997 for a conversation with one of the most distinctive and rebellious filmmakers of the indie film scene—Greg Araki. By the time Nowhere hit theaters in ‘97, Araki had already made a name for himself with his bold, surreal, and unapologetically queer storytelling. As the final entry in his “Teen Apocalypse Trilogy,” Nowhere pushed boundaries with its wild mix of sex, drugs, existential dread, and alien abductions—all wrapped in the signature Araki aesthetic.

This week I'm speaking with violinist, music educator, publisher, and recently retired professor Dr. Cora Cooper. We talk about incorporating women composers in our students' repertoire from the start, her journey as a musician, and her fabulous practice flow chart that you'll for sure want to check out.    Links in this episode:  Sign up to attend Christine's session for teachers on Friday, April 11th at 9am pacific all about holding parent-teacher conferences in your program HERE Find Dr. Cora Cooper's website for all the music discussed in this episode HERE Incorporating Violin Music by Women in the Suzuki rep by Claire Allen The Practice Flow Chart Practicing for Artistic Success by Burton Kaplan  You can read this episode in article format HERE Find Christine's Books on Bookshop.org HERE  Connect with Christine on Instagram

In 1978, Christina Crawford published Mommie Dearest, a groundbreaking memoir that exposed the dark side of her life with legendary actress Joan Crawford. The book became an instant bestseller, sparking controversy, debate, and even a cult-classic film adaptation. Back in 1998, I had the privilege of sitting down with Christina Crawford to discuss the impact of her book two decades later. Stay tuned as we revisit that conversation—a candid, revealing look at one of Hollywood's most infamous stories.

Using instruments from the 17th and 18th centuries, BYU-Idaho students will perform pieces from German composers from the Baroque era.

Russian-American composer Jane Kozhevnikova shares how she transitioned from jazz pianist and composer to choral composer, and why directors should take more chances on newer works.

Jonny sits down to interview Scott Johnson the director of Tesserae, Carbondale's premier Queer+ Choir. They discuss the origin, makeup, funding, and upcoming first concert of the project. In the back half of the show, Heather joins Jonny to discuss some particular Carbondale and Southern Illinois protests and pushback against the autocratice and phobic uprising, providing just a few highlights of this past week's attrocities.

Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, the global leader in strategic marketing and PR for classical music, opera, and the performing arts. At Gold Sound Media, we elevate artists' careers through our signature holistic brand messaging approach, helping you connect with audiences and unlock your full potential.Explore how we can amplify your brand and discover the impact of strategic marketing done right.If you enjoy these artist conversations, sign up for our newsletter for more behind-the-scenes insights and stay up to date with exclusive content tailored for the classical music community.

We review most of the Oscar Nominated Shorts, I'm Still Here & The Girl with the Needle, update some of the experts predictions heading into BAFTA, react to VES, SCL & Artios + we recap all of the Super Bowl Movie Trailers and more! Updated Predictions from Experts, Our Feel + M1's Ted Talk on Oscars History - 1:29 OSCAR NOMINATED SHORTS REVIEWED: Live Action Betting Odds + Anuja on Netflix - 8:30 I'm Not A Robot + Radiohead covers - 12:42 A Lien + Horror Realism - 14:31 Doc Short Betting Odds + The Only Girl in the Orchestra on Netflix - 15:53 I Am Ready, Warden on Paramount Plus - 19:34 Instruments of a Beating Heart + Pandemic Kids - 23:41 Incident + A Lawyer's Perspective - 28:37 Animated Short Betting Odds + Wander To Wonder - 31:11 Beautiful Men + More Claymation Penis - 34:12 I'm Still Here - 35:22 The Girl With The Needle - 38:55 VES: Visual Effects Society Winners - 42:19 SCL: Society of Composers & Lyricists Winners - 44:13 Artios Awards from the Casting Society - 46:37 Super Bowl Trailer Reviews include Novacaine, Thunderbolts*, Lilo & Stitch, Mission: Impossible - The Final Reckoning, How To Train Your Dragon, F1, Megan 2.0, Smurfs, The Fantastic Four: First Steps - 48:26 More What We're Watching: M1's Twin Peaks: The Return rewatch, Tom Green's New Doc + Stand-Up Special, You're Cordially Invited, Goodrich, + The Before Trilogy & Anora rewatches - 59:27 OUTRO: What'd you think of the Oscar Nominated Shorts? Or what have you caught up with in terms of the nominees that you liked or disliked? Let us know. https://linktr.ee/mikemikeandoscar This is the calm before the Oscars storm as we enjoy one final Oscar Race Checkpoint before BAFTA.

In this week's episode, I'm joined by Andy Gesner of HIP Video Promo to talk about why personal branding is becoming harder to ignore – and how production music composers can build a presence without feeling like they have to become content creators.Plus, I'll be sharing my thoughts on an electronic disco/funk cue by 52 Cues Friend Darko Malcevic and featuring a new contemplative tension cue I've recently written for the Masters!https://www.hipvideopromo.comhttp://youtube.com/@HIPVideoPromohttps://www.instagram.com/hipvideopromoWatch this episode on YouTubehttps://youtu.be/RTCKOIgaPbECymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Album Accelerator – a self-paced program with over 6.5 hours of video content, discussion threads, articles, and resources which guides you through the entire process of creating a production music album. Plus you'll receive a 90-minute, one-on-one session to listen through your album and discuss strategies for library placement. Head over to 52cues.com/accelerator to sign up today!

David and Wayne welcome Chuck Bryan from The Cinematic Flashback Podcast back to the show to celebrate one of their favorite composers, Jerry Goldsmith, with their top five favorites of his scores! For exclusive episodes and content, check out A Film By... Podcast on our Patreon with a FREE 7-day trial. You can also sign up as a free member! Check out www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Host Anna Smith brings you an exclusive conversation with Zoe Saldaña, Clément Ducol and Camille, recorded live at London's Charlotte Street Hotel following a screening of the 13 time Oscar-nominated and 12 time BAFTA-nominated film Emilia Pérez. Directed by Jacques Audiard, this genre-blending musical thriller tells the story of a lawyer who becomes entangled in the world of a cartel boss undergoing a dramatic personal transformation. Starring Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz, the film is generating awards buzz for its bold storytelling and powerful performances. Joining Anna for this discussion is Oscar-nominee Zoe Saldaña, who plays Rita in the film. She shares her experience collaborating with versatile French filmmaker Jacques Audiard on bringing to life the story of four Latina women, citing how refreshing it was to embody a flawed woman, the character of Rita. She's joined by Clément Ducol and Camille, the composers and songwriters behind the film's evocative soundtrack, who share insights into the five-year-long creative process of bringing Emilia Pérez's distinctive musical identity to life. This episode was recorded live on 31 January 2025 and is brought to you in partnership with Netflix. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Alex Jones Sound recordist: Erin Millican House band: MX Tyrants This episode is in partnership with Netflix © HLA Agency

**Reupload. Originally Posted 5/15/20**Raise your baton, ready your highlighters and pens, and don't forget to grab that score as Dr. Payne and Eric continue our month long Conducting Bootcamp! Dr. Onsby Rose from Dordt University joins us this week to share his unique perspective as a Composer and a Conductor.Dr. Onsby C. Rose is currently the Director of Instrumental Studies and Associate Professor of Music at Dordt University. In this position, he conducts the premiere instrumental ensemble, the Dordt University Wind Symphony, in addition to conducting the Dordt Campus-Community Band, and guiding all aspects of the Dordt Instrumental Ensembles and Instrumental Music Education programs. He is also the General Manager & Executive Director of the Northwest Iowa Symphony Orchestra and has accepted an appointment as the Principal conductor of the orchestra beginning in the 2020-21 season. Prior to Dr. Rose's arrival in northwest Iowa, he attended the University of South Carolina as a music education major and in 1997 he was accepted as a trombonist for the U.S. Marine Corps fleet bands. During his 11-year Marine Corps career he served as a trombonist and conductor with bands in Albany, GA and New Orleans, LA as well as on staff at the Armed Forces School of Music in Norfolk, VA. He also served for two years as a baritone bugler with "The Commandant's Own" U.S. Marine Drum and Bugle Corps in Washington, D.C. Dr. Rose completed his Bachelor of Music at East Tennessee State University in 2005. In 2007 Onsby was honorably discharged from the USMC. He then freelanced as a trombonist and worked as a railroad freight conductor in the eastern U.S., before returning to music education in 2012 as Director of Bands at Hampton HS and MS in Carter County, TN. In 2016, Dr. Rose completed his Master of Music in conducting at Appalachian State University. Immediately following he completed his in D.M.A. in conducting at The Ohio State University where he studied with Dr. Russel C. Mikkelson. Dr. Rose has studied conducting with Russel C. Mikkelson, John Ross, and Kevin Richardson with additional conducting studies with Jerry Junkin, Kevin Sedatole, Frank Battisti, Charles Peltz, Eugene Corporon, Donald McKinney, and Steven Peterson. Dr. Rose's outside academic pursuits encompass writing and music composition. Having studied with the late Dr. David Maslanka, Dr. Rose's musical compositions have been performed by many of the premiere military bands in Washington D.C., the Wheaton Municipal Band, numerous college and high school bands in the United States, regional orchestras, as well as internationally in Australia, Japan, Guam, and Germany.  Although Onsby views himself primarily as a teacher and conductor, he thanks God for the gift of composition. Onsby and his wife Jessica live in Sioux Center, Iowa with four of their five boys, Timothy, Caleb, Elijah and Colin. Dr. Rose is a member of numerous professional organizations to include the CBDNA, WASBE, NAfME, Phi Mu Alpha Sinfonia, Kappa Kappa Psi, Tau Beta Sigma, and the American Society of Composers, Authors, and Publishers. However, he holds closest to his heart the title of United States Marine. (bio courtesy of dordt.edu)Not Your Forte Podcast is a music education podcast that is geared towards helping Music Education students survive and thrive throughout their undergrad as well as prepare to enter the "real world". Not Your Forte is brought to you by Eric Tinkler, a senior in music education at Kansas State and Dr. Phillip Payne, the Undergraduate Music Education advisor at Kansas State. You can listen to us on Apple Podcasts, Spotify, Youtube and much more!Support the show

Your hosts with the most return from a trip to California where many discussions were had about Old Blood's future plans, lunch was had with Wes Borland, and all ended in the Effector Market Anaheim popup. So, they wanted to catch you up and also catch up with you: this one's full of listener voicemails and all about the year ahead.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to Andy's latest Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

This Day in Legal History: 13th Amendment PassedOn January 31, 1865, the U.S. Congress passed the 13th Amendment, formally abolishing slavery in the United States. The amendment declared that "neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction." While President Abraham Lincoln's Emancipation Proclamation had freed enslaved people in Confederate-held territories two years earlier, it lacked the permanence of a constitutional amendment. The House of Representatives passed the measure by a vote of 119 to 56, narrowly reaching the required two-thirds majority after intense political maneuvering. The Senate had already approved it in April 1864. Ratification by the states followed, culminating in its adoption on December 6, 1865. The amendment marked a legal end to slavery, but systemic racial discrimination persisted through Black Codes, Jim Crow laws, and other restrictive measures. Despite this, the 13th Amendment laid the foundation for future civil rights advancements. Its passage was a key victory for abolitionists and a defining moment of the Civil War's aftermath. The amendment's "punishment for crime" clause later became a subject of controversy, as it allowed convict leasing and forced labor in prisons, disproportionately affecting Black Americans. Even today, debates continue over its implications for the U.S. prison system.Fox Rothschild LLP has blocked its lawyers from using DeepSeek, a Chinese AI startup, due to concerns about client data security. While the firm allows AI tools like ChatGPT with restrictions, DeepSeek's data storage in China raises unique risks, according to Mark G. McCreary, the firm's chief AI and information security officer. A recent data breach involving DeepSeek further heightened security concerns. Other major law firms, including Wilson Sonsini and Polsinelli, are also implementing strict vetting processes for new AI models. Wilson Sonsini requires its chief information security officer and general counsel to approve AI tools before use, while Polsinelli enforces firm-wide restrictions on unapproved AI software. Law firms are also monitoring AI use by third-party vendors to ensure compliance with security protocols. McCreary emphasized that established legal tech companies prioritize data protection, reducing the risk of firms switching to less secure AI models.Fox Rothschild Blocks DeepSeek's AI Model for Attorney UseA federal appeals court has ruled that the U.S. government's ban on licensed firearms dealers selling handguns to adults under 21 is unconstitutional. The 5th U.S. Circuit Court of Appeals overturned a previous ruling, citing the Supreme Court's 2022 decision in New York State Rifle & Pistol Association v. Bruen, which requires modern gun laws to align with historical firearm regulations. The federal ban, enacted in 1968, was challenged by young adults and gun rights groups, who argued it violated the Second Amendment. Judge Edith Jones, writing for the court, found insufficient historical evidence to justify restricting gun sales for 18-to-20-year-olds. The ruling marks a major shift in gun policy, aligning with broader legal trends expanding Second Amendment protections. The Justice Department, which defended the ban under the Biden administration, has not yet commented on the decision. Gun rights advocates hailed the ruling as a victory against age-based firearm restrictions.US ban on gun sales to adults under age 21 is unconstitutional, court rules | ReutersIn a piece for Techdirt, Karl Bode critiques the Trump FCC's decision to roll back efforts to curb exclusive broadband deals between landlords and internet providers. The Biden FCC had attempted to update outdated rules that allowed ISPs to form monopolies within apartment buildings, driving up prices and reducing competition. However, due to delays caused by industry opposition and the failed nomination of reformer Gigi Sohn, key proposals—including a ban on bulk billing—were left unapproved. When Brendan Carr took over as FCC chair under Trump, he quickly scrapped these pending consumer protections. Bode argues that U.S. telecom policy is stuck in a cycle where Democrats make half-hearted attempts at reform, only for Republicans to dismantle them entirely under the guise of deregulation. The result is a landscape where telecom giants and landlords continue to collude, leaving consumers with fewer choices, higher costs, and poor service.The Trump FCC Makes It Easier For Your Landlord And Your ISP To Collude To Rip You Off | TechdirtBally's Chicago casino project is facing a legal challenge over its commitment to reserving 25% of its investment opportunities for women and people of color. Conservative activist Edward Blum, known for spearheading lawsuits against affirmative action, filed the suit on behalf of two white men who claim they were unfairly excluded from investing. The lawsuit argues that the policy violates federal civil rights law and should be open to all investors regardless of race. This case is part of a broader push against diversity, equity, and inclusion (DEI) initiatives, which gained momentum after a recent executive order from President Trump eliminating DEI programs in the federal government. Bally's maintains that its agreement with the city complies with legal requirements. The lawsuit references an 1866 civil rights law originally meant to protect Black Americans' economic rights and is similar to other cases challenging race-conscious corporate policies. Blum's organization has previously led legal battles against diversity-focused scholarships, grants, and hiring programs, including the Supreme Court case that struck down race-based college admissions in 2023.America's Battle Over DEI Strikes a Chicago Casino's Financing PlanThis week's closing theme is by Franz Schubert.Franz Schubert, one of the most beloved composers of the early Romantic era, was born on this day in 1797 in Vienna, Austria. Though he lived only 31 years, his vast output of music—ranging from symphonies and chamber works to piano music and over 600 songs—continues to inspire musicians and audiences alike. Schubert's music is often characterized by its lyricism, rich harmonies, and deep emotional expression, seamlessly bridging the clarity of the Classical era with the passion of Romanticism.Despite his immense talent, Schubert struggled with financial stability and never achieved widespread fame during his lifetime. He spent much of his career composing in relative obscurity, supported by a close-knit circle of friends and fellow artists. His songs, or lieder, are especially celebrated for their ability to capture both the beauty and melancholy of the human experience, with works like Erlkönig and Winterreise standing as some of the greatest achievements in the genre.His instrumental music, however, remained underappreciated until long after his death. Today, his symphonies, string quartets, and piano sonatas are recognized as masterpieces, filled with lyrical beauty and striking contrasts. Among his later works, the Piano Sonata No. 20 in A major, D. 959 showcases his mature style, blending elegance with deep introspection. The final movement, Rondo: Allegretto, serves as this week's closing theme, capturing both Schubert's charm and his poignant sense of longing.Though he died in 1828, just a year after Beethoven, Schubert's influence only grew in the decades that followed. Composers like Schumann, Brahms, and even Mahler admired his work, helping to cement his legacy as one of music's great geniuses. Today, on the anniversary of his birth, we celebrate the life and music of a composer who, despite facing struggles and setbacks, left behind an extraordinary body of work that continues to resonate across centuries.Without further ado, Franz Schubert's Piano Sonata No. 20 in A major, D. 959.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

This, our 8th Listener Compositions episode, is all about our fine listeners and their fine talents. Let's hear what they've been up to! This episode will feature the original music of Soren Thomsen (Current Maso), Edward Bender, Thomas Czarples, Emily Zhang and Keith Andrews!

Marcus "Bellringer" Bell is an award-winning music producer, songwriter, musician, singer, activist, and entrepreneur. He has marketed, promoted, produced, remixed, and written for iconic artists like Nicki Minaj, Snoop Dogg, and Timbaland, as well as for major brands like Sony Music, HBO, Netflix, and Amazon. As the CEO of Bellringer Productions, Marcus oversees a music sync, licensing, and production company with a catalog of over 10,000 songs and 300 recording artists. His music has been featured by brands including McDonald's and General Mills, and even performed by Beyoncé during her On the Run II tour with Jay-Z. Marcus is also the Amazon number-one bestselling author of Bellringer Branding Bible: The 5 Musician Branding Principles for Singers, Rappers, DJs, Music Producers, Composers, Writers, and Recording Artists. His contributions to music and branding make him a trailblazer in the industry.In this conversation, we discuss:Marcus Bellringer's journey as a music producer and technologist, blending creativity with AI to transform the music industry.How AI tools have enabled Marcus to create over 15,000 songs in just six months, surpassing a lifetime of work without AI.The creation of Ravyn Lyte, North America's first AI music artist, and how it represents innovation in music creation and mental health advocacy.AI's role in the entertainment industry, addressing fears and shifting the narrative from threat to opportunity.The humanistic approach to AI, emphasizing the importance of emotional connection, storytelling, and compassion in the age of technology.Practical advice for creatives navigating the intersection of humanity and AI, including tools and strategies for finding meaning and purpose.Resources:Subscribe to the AI & The Future of Work Newsletter: https://aiandwork.beehiiv.com/subscribeConnect with Marcus on LinkedIn: https://www.linkedin.com/in/marcusbellringer/AI fun fact article: https://techxplore.com/news/2024-11-artificial-intelligence-threat-music.html Writer CEO May Habib on LLMs and the Future of Co-Pilots for Content Generation with AI: https://podcasts.apple.com/us/podcast/may-habib-ceo-of-writer-discusses-llms-and-the/id1476885647?i=1000628256870 

We return from our holiday break with Tyler Gilmore, who you may know as BlankFor.ms! Tyler is most known as an electronic artist, using tape loops, pedals, synths, and other textural elements to create evocative slow-moving songs. It may surprise the listener, then, that his object is the trumpet! It's the instrument that started it all for him, and we all learn about his journey with it, then away from it, and perhaps back to it? Only time will tell. In the meantime, we talk about the bodily experience of instruments, some different things our listeners bought over the holidays, Andy's rabbithole of servicemen strats, and a lot of other things along the way. Enough reading start listening! Check out BlankFor.ms: https://www.blankfor-ms.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @blankfor.ms, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

In this episode, we explore the critical role that Performing Rights Organizations (PROs) like BMI, ASCAP, and SESAC play in the music industry. Whether you're a musician, songwriter, or venue owner, understanding these organizations is key to navigating copyright, royalties, and legal music usage.

These days I find myself in a pensive, troubled state, very much in need of the kind of consolation that only music can provide. A number of years ago, I published a pair of episodes featuring the sublime Margaret Price performing music of mourning and consolation. Today's episode presents an expanded and refurbished version of the second of those episodes, in a program composed entirely of art song, moving through a sequence of emotions surrounding loss. Composers include Johannes Brahms, Giuseppe Verdi, Robert Schumann, Enrique Granados, Franz Schubert, Grace Williams, Sergei Rachmaninov, Felix Mendelssohn, Philip Cannon, Hugo Wolf, Alban Berg, Maurice Ravel, Franz Liszt, Peter Cornelius, and Richard Strauss, and collaborating pianists and conductors include Claudio Abbado, Wolfgang Sawallisch, Cyprien Katsaris, Geoffrey Parsons, and Neville Marriner, as well as frequent collaborators James Lockhart and Thomas Dewey. A thorough traversal of the song repertoire by one of the supreme recitalists of the late 20th Century. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Steffen Thum is a German composer for film, TV, games and advertising, based in Berlin. With over 70 credits to his name, he has extensive experience across high profile studio films, independent cinema, TV and advertising campaigns. Max Aruj is a composer born and raised in Los Angeles. His recent projects include MoviePass, MovieCrash (HBO), Lansky starring Harvey Keitel, and The Ice Road (Netflix) starring Liam Neeson. Both are successful film composers with experience working on high profile projects with composers such as Lorne Balfe, Hans Zimmer and others. They're here to talk with us today about collaboration, lessons learned in their careers, and their work on the film “Betrayal.” Topics Include: *Working for another composer is another level of training and “school” *The importance of working very cleanly and clearly in collaboration *Work at a high level to hone your craft *The importance of attention to detail *Behind the score of “Betrayal” *Advice for aspiring musicians https://www.steffenthum.com/ https://maxaruj.com/

In memoriam: Composers & conductors we lost in 2024Playlist: Sarah Gibson, Jennifer Koh - You Are Still HerePeter Schickele - New Horizons in Music AppreciationPeter Schickele - Prelude to Einstein on the FritzPeter Eotvos, Netherlands Radio Chamber Orchestra - Replica for Viola & OrchestraPhill Niblock - Didjeridoos and Don'tsAlcides Lanza, Catherine Meunier - DiastemasToru Takemitsu, Seiji Ozawa & Toronto Symphony Orchestra - Requiem for String OrchestraJack Behrens, Bianca Baciu - Homage to RachmaninoffPeter Schickele, The Lark Quartet - Quintet No. 2 for Piano & StringsWolfgang Rihm, Alarm Will Sound - Will Sound

Happy 2025 everybody! Last year ground to an ignominious end here in comPOSERS territory. A failed attempt at recording an episode about the Jim Carrey Grinch movie robbed us of our holiday spirit, and scheduling conflicts didn't allow for another kick at the Christmas can before the new year was upon us.  But thankfully Krueger and friend of the show Andrew Young took a trip out to the Newd (the new Stude) to record a silly special with Aaron and other friend of the show (and wife of Aaron) Katrina Kelly. So enjoy this Jay-less little Christmas special, a mere two weeks too late. New year, same comPOSERS. 

We start in Los Angeles with emerging composter Derrick Skye, whose fascination with the cosmos is woven into his music. When Skye began composing “Prism, Cycles and Leaps,” he watched YouTube videos about Jupiter and was captivated by the way the planet moved at different speeds. As a mixed race person, he resonates with musical traditions from across the globe and blends genres and forms. Music from India, the Balkans and West Africa form the building blocks of Sky's music today. Reporter Clare Wiley tells us about Skye's musical process and what he hopes people will take away from his work. Then, we're traveling up to the Bay Area to meet another California composer. Destiny Muhammad was nine years old when she first saw Harpo Marx playing the harp in an episode of “I Love Lucy.” She immediately knew she wanted to play the mesmerizing instrument. It took over two decades for the Oakland-based artist to start learning how to play the harp, but it set her on a path to pursue her unique “Celtic to Coltrane” genre, as she calls it. Today, Muhammad works as a composer, teacher and performer in the Bay Area, and writes original scores for her group, The Destiny Muhammad Trio. KQED's Bianca Taylor brings us Muhammad's story. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

For today's episode I'm on site in Musicnotes' Nashville office, speaking with their senior marketer Jaleesa Garland. This episode is full of great concepts and principles that will help composers market their music better. --- Support this podcast: https://podcasters.spotify.com/pod/show/garrett-breeze/support

Lately, Jay has been writing about Stefan Zweig's memoirs, “The World of Yesterday.” Zweig was a writer of immense talent and versatility. He also knew a lot of music and a lot of musicians. Composers set poems of his to music. Strauss collaborated with him on an opera. This episode is dedicated to Zweig and music. Reger, “Ein Drängen ist in meinem Herzen” List, “Feux follets” Marx, “Ein Drängen ist in meinem Herzen” Strauss, “Die schweigsame Frau,” Act I, finale Strauss, “Die schweigsame Frau,” “Wie schön ist doch die Musik”

AKI NAKAMURA began his professional journey as a quantum chemist, having graduated from the Department of Applied Chemistry at Yokohama National University. However, it wasn't long until he turned to the shakuhachi for his future career. Aki studied under numerous shakuhachi masters, including Katsuya Yokohama. He then went on to study composition and jazz theory at Berklee College of Music, USA, graduating summa cum laude. He finished his tertiary studies at the New England Conservatory of Music as a scholarship student in the Master of Music Composition and the Third Stream program. His compositions are diverse and include orchestral music, choral music, chamber music, big band music, and traditional Japanese music. He has established a performance method that makes full use of overtones, multiphonics, the traditional Japanese breathing technique of ‘Missoku', and his own originally developed method of ```, which involves exhaling and inhaling at the same time. While staying true to the traditions of the Komusō monks, collecting, analysing, and performing their repertoire, he is also active as a performer of rock, jazz and classical music. He has performed in more than 150 cities in over 40 countries, at events and venues such as the Montreux Jazz Festival, Queen Elizabeth Hall (London), the Lincoln Center (New York), Blue Note (New York), the Kennedy Center (Washington DC), the Berlin Philharmonic Hall, the Polish National Opera, under the auspices of the Ministry of Foreign Affairs and the Japan Foundation. His numerous performances have been shared worldwide through over 40 broadcasting platforms. Book: “Breathing with Missoku:The Undiscvered Zen Secret ofJapanese Culture”  

Today we're joined by Sean Mackowski of Tallon Electric. Before the episode, we thought his object was going to be an amp, but as we get into it, we realize it's all about The Noise, his new pedal collaboration with the band Alpha Wolf. We talk about pedal usage in modern medal and heavy music in general, and various approaches to gain, octaves, and momentary bursts of sound. This one's inspired by the new wave of players using pedals as instrumental elements of the heaviest riffs around. Also, Andy and I are taken aback when we find out what band Sean used to be in. It's a fun one, so dive in!Check out Tallon Electric: https://tallonelectric.com/Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @tallonelectric, @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Author Orice Jenkins tells the full story of Ulysses Goolsby and the Early County massacre more than 100 years later. The Early County Massacre has been known as the Grandison Goolsby War for over a century, focusing on the events of December 30th, 1915, when 46-year-old Grandison used gunfire to defend himself from a lynching mob. Lesser known is that the incident started two days earlier when Grandison's son was attacked on his way to a wedding, and that it all led to the Supreme Court of Georgia sending that same son to death row five years later. The career highlights of Orice Jenkins have covered more ground than he ever could've imagined as a singer-songwriter, genealogy researcher and executive director of a nonprofit organization. His journey as an author started with unearthing the stories of formerly enslaved Americans on his blog, Chesta's Children. Since then, Orice's work has been featured in the Washington Post, UsefulCharts.com, Finding Your Roots and on the National Park Service website. He is a member of the Afro-American Historical and Genealogical Society; the American Society of Composers, Authors and Publishers; and a charter member of the Sons and Daughters of the United States Middle Passage. Buy Orice's book HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest is an author, publisher, film historian and documentary filmmaker. His books include looking at the careers of Clint Eastwood, John Wayne and Sean Connery among others. He's also has written/co written books on James Bond (Incredible World of 007, The Essential James Bond.) His magazine, Cinema Retro, is devoted to films of the 60's and 70's. Our discussion was wide ranging and covered BTS stories of several classic films, his relationship with Bond Producer Cubby Broccoli and of course his favorite film scores. Composers include Goldsmith, Bernstein and Tiomkin among others. Enjoy this episode with Lee Pfeiffer.

Today's all about Dark Star! After many cagey teasers, we reveal all about the new pedal and what it means for Old Blood. We take your voicemails, we tell tales of what it took to make the thing, and we get consistently distracted. Hope you like your hosts as much as you like our latest lofi reverb instrument!Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseLeave us a voicemail at 505-633-4647!

Author Orice Jenkins tells the full story of Ulysses Goolsby and the Early County massacre more than 100 years later. The Early County Massacre has been known as the Grandison Goolsby War for over a century, focusing on the events of December 30th, 1915, when 46-year-old Grandison used gunfire to defend himself from a lynching mob. Lesser known is that the incident started two days earlier when Grandison's son was attacked on his way to a wedding, and that it all led to the Supreme Court of Georgia sending that same son to death row five years later. The career highlights of Orice Jenkins have covered more ground than he ever could've imagined as a singer-songwriter, genealogy researcher and executive director of a nonprofit organization. His journey as an author started with unearthing the stories of formerly enslaved Americans on his blog, Chesta's Children. Since then, Orice's work has been featured in the Washington Post, UsefulCharts.com, Finding Your Roots and on the National Park Service website. He is a member of the Afro-American Historical and Genealogical Society; the American Society of Composers, Authors and Publishers; and a charter member of the Sons and Daughters of the United States Middle Passage. Buy Orice's book HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

The muses were Ancient Greek goddesses of inspiration. Throughout history, the term muse has been used to describe any number of people, all of whom inspired works of great art and/or literature. In the popular imagination, muses are almost always women, inspiring brilliant men to their greatest artistic achievements. Why am I bringing this up? Because in the case of the piece we are going to talk about today, the Brahms Clarinet Quintet, the muse, and the source of inspiration, was very different. In 1890, Brahms retired from composing. In a way this was very rare. Composers very rarely retired, and most went on composing until their deaths, leaving unfinished works, but Brahms declared that he had nothing left to contribute, and that a younger generation should take over. He was only 57 years old, but he had become embittered both with the world of music and with the world as a whole. His 4th symphony had ended in a kind of apocalyptic destruction of the symphonic genre as a whole; a paroxysm of disillusionment with the direction music was going and with the direction of politics in Europe. But in March of 1891, Brahms heard a clarinetist named Richard Muhlfeld. Muhlfeld quickly became, for lack of a better word, Brahms' muse. His playing directly inspired Brahms to write 4 works for the clarinet, a trio, 2 sonatas, and a quintet, the topic for today's show. The clarinet quintet is practically the definition of the so-called autumnal Brahms. The clarinet quintet is one of Brahms' most expansive chamber works, and it is Brahms at his most wistful, nostalgic, and even tragic. Today on the show I'll take you through this magisterial work, exploring all of the things that make this piece so special, so touching, and so unforgettable. Join us!

Classical music and politics have never been easy bedfellows. Composers and performers throughout history have relied on patronage and support from wealthy sources in order to keep their dreams afloat, and so unlike many other forms of music, classical music often has the reputation of being a politics-free zone. But the truth is that there is a whole repertoire of classical music that is infused with politics, and not just music from the 20th and 21st centuries. Today, with the American election looming just around the corner, we'll explore a series of pieces that all had political messages, the stories behind them, the motivations of the composers who wrote these pieces, and of course, the music itself. We'll be covering music by Haydn, Smyth, Shostakovich, Verdi, Adams, and much more today - join us!