Podcast appearances and mentions of hannah lash

Grade 6 teacher, Hannah Lash, discusses what she enjoys about the curiosity of sixth-grade students. She also shares about her personal passions, including drama, and her first experience as a kindergartner in a community production of the musical Grease. Patrick Carruth, President and Headmaster of The Bear Creek School engages in conversation with members of our Middle School and Upper School faculty to discover more about who they are and hear how their passion for their subject areas shapes their teaching as they guide students toward becoming people of wisdom, compassion, and courage. Visit our website at tbcs.org/podcast for show notes from this episode.   

Hi Aunique Beauties! Its been a week! FIRST! I relaunched www.camaraauniquebeauty.com and I am hyped! USE CODE THANKFUL for 15% off the entire site, the Hannah Lash aka the June Lash is so beautiful and perfect for everyday wear too. I am also on a vegan cleanse and I partnered with @thejoyalife for a discount Iam in love with their Matcha Elixir especially now since I am not eating as much and I need energy. You already know I will not promote anything I don't believe in. This product I do!     https://bit.ly/35JiJsZ USE CODE CAMARA20 We talk about Hannah today and the many things I learned from her. PLEASE SUBSCRIBE! TAG ME! SHARE! DOWNLOAD! TAG A FRIEND A HUSBAND! LOL   

Called “contemporary chamber trailblazers” by the Boston Globe, Hub New Music — composed of flute, clarinet, violin, and cello — is forging new pathways in 21st-century repertoire. The ensemble’s ambitious commissioning projects and “appealing programs” (New Yorker) celebrate the rich diversity of today’s classical music landscape. In recent seasons, HNM’s performances have been described as “gobsmacking” (Cleveland Classical), “innovative” (WBUR), and “the cutting edge of new classical music” (Taos News). Hub New Music brings its passion for adventurous and relevant programming to global audiences as both a quartet and as collaborative artists. Recent projects include Matsuri with shakuhachi player Kojiro Umezaki and the Asia / America New Music Institute (AANMI); The Nature of Breaking, a 30-minute collaborative work with composer/harpist Hannah Lash; Requiem for the Enslaved, an evening length mass by Carlos Simon supported by Georgetown University’s GU272 Project that honors the lives of 272 African American slaves and their descendants; and a choreographed production of Robert Honstein’s Soul House with Boston’s Urbanity Dance. The question of the week is, "What makes a piece of music special?" This week, we discuss what makes a piece of music special to each of the group's members, the process of curating a concert program to optimize the audience experience, how to find the special quality within a piece of contemporary music, how delving into different areas of the classical music field affects your musicality, and the group's amazing new album, Soul House. You can find out more about Hub New Music on their website, hubnewmusic.org and hear their new album, Soul House, on Spotify, Apple Music, and Amazon Music.

Ensemble pianist Tae Kim sits down with composer Hannah Lash to talk about her opera "Beowulf." They talk libretto, instrumentation, piano reduction and more!

Our guest this week is Dmitrii Nilov, recent winner of the Concert Artist Guild International Competition! Dmitrii is only the second solo percussionist to win this prestigious competition, 15 years after his teacher Svet Stoyanov. He has collaborated with leading composers including Alejandro Viñao, Hannah Lash, and Lansing McLoskey, and recently performed Avner Dorman's double percussion concerto with the Hartford Symphony Orchestra under the baton of maestra Carolyn Kuan.Watch here. Listen below. If you cannot see the audio controls, your browser does not support the audio element 0:00 Intro and Hello2:00 The Concert Artist Guild competition3:38 Competing against non-percussionists13:20 Choosing repertoire for a competition29:50 Why did you choose to study abroad in the US?  41:55 Ben: Emmanuel Sejourne

"When I sat down to write "Eating Flowers" I felt in many ways that I was responding to the energies of orchestral music whose colors I find irresistible: music of Ravel, Rimsky-Korsakov, Debussy, and Messiaen particularly. My piece does not quote or even explicitly refer to this older music, but the energy and the color was certainly an influence. I titled my piece "Eating Flowers" to capture the sense of having tasted the delicious and delicate colors of my favorite orchestral music, which nourished my own creative spirit after having been digested." --- Hannah Lash Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33852]

"When I sat down to write "Eating Flowers" I felt in many ways that I was responding to the energies of orchestral music whose colors I find irresistible: music of Ravel, Rimsky-Korsakov, Debussy, and Messiaen particularly. My piece does not quote or even explicitly refer to this older music, but the energy and the color was certainly an influence. I titled my piece "Eating Flowers" to capture the sense of having tasted the delicious and delicate colors of my favorite orchestral music, which nourished my own creative spirit after having been digested." --- Hannah Lash Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33852]

"When I sat down to write "Eating Flowers" I felt in many ways that I was responding to the energies of orchestral music whose colors I find irresistible: music of Ravel, Rimsky-Korsakov, Debussy, and Messiaen particularly. My piece does not quote or even explicitly refer to this older music, but the energy and the color was certainly an influence. I titled my piece "Eating Flowers" to capture the sense of having tasted the delicious and delicate colors of my favorite orchestral music, which nourished my own creative spirit after having been digested." --- Hannah Lash Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33852]

"When I sat down to write "Eating Flowers" I felt in many ways that I was responding to the energies of orchestral music whose colors I find irresistible: music of Ravel, Rimsky-Korsakov, Debussy, and Messiaen particularly. My piece does not quote or even explicitly refer to this older music, but the energy and the color was certainly an influence. I titled my piece "Eating Flowers" to capture the sense of having tasted the delicious and delicate colors of my favorite orchestral music, which nourished my own creative spirit after having been digested." --- Hannah Lash Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33852]

In "Facing Off Across Sunset Boulevard" La Jolla Symphony & Chorus celebrate mavericks and visionaries. The concert's title refers to the giants of 20th-century music whose work bookends the program, Arnold Schoenberg and Igor Stravinsky. The two men lived scant miles apart in Los Angeles after fleeing Nazism yet never interacted, separated less by distance than by sharp differences in compositional method, aesthetic direction, and personality. Whatever their differences, their work inspired the other three composers represented on the program - Olivier Messiaen, Hannah Lash, and Toru Takemitsu - to continue their exploration of sonority, classical form, and movement. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33164]

In "Facing Off Across Sunset Boulevard" La Jolla Symphony & Chorus celebrate mavericks and visionaries. The concert's title refers to the giants of 20th-century music whose work bookends the program, Arnold Schoenberg and Igor Stravinsky. The two men lived scant miles apart in Los Angeles after fleeing Nazism yet never interacted, separated less by distance than by sharp differences in compositional method, aesthetic direction, and personality. Whatever their differences, their work inspired the other three composers represented on the program - Olivier Messiaen, Hannah Lash, and Toru Takemitsu - to continue their exploration of sonority, classical form, and movement. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33164]

This Week - COMPOSER and HARPIST Hannah Lash talks about her 1 Track - FORM AND POSTLUDE.

Harpist and Composer Hannah Lash reflects on the power of the human connection and how interconnected we are in our lives. This commission by Art of Élan features the world premiere performance of Julie Smith Phillips.

The Cabrillo Festival of Contemporary Music brings together some of the best and brightest composers working today. I spoke to three from this year's lineup as we listened to some of their pieces. Harpist/composer Hannah Lash confided her love of tuned percussion and hidden structure. Missy Mazzoli discussed her "River Rouge Transfiguration" – inspired by the iconic Ford auto plant–and "Vespers for a New Dark Age": secular music with sacred sources. Nico Muhly reflected on cartoon travelogues and Disneyfied gamelan in his piece "Wish You Were Here" and his "technical exercise with a heart of gold," "Étude #3" featuring violist Nadia Sirota.