Podcasts about Drum

When an Australian thrash band that never broke big in the U.S. gets compared to early Metallica, Slayer, and Maiden in the same breath, you know you've stumbled onto something special. This episode dives into Mortal Sin's 1986 debut Mayhemic Destruction—a ferocious, drum‑heavy, DIY thrash record from Sydney that plays like a missing puzzle piece in 80s metal history.Across the conversation, the hosts unpack how Mortal Sin emerged out of Australia's pub‑rock and Buffalo‑style heavy scene into a faster, more aggressive sound after drummer Wayne Campbell discovered Metallica through tape‑trading in 1984. They trace the band's rapid rise from self‑funded studio upstarts to landing a global deal, touring with Metallica, Megadeth, and Testament, and struggling with that classic “too big for pubs, too small for arenas” problem back home. Along the way, they dig into the band's revolving‑door lineup, eerie mystery around the original drummer's disappearance, and the evolution of Mortal Sin's sound across later records.Musically, the episode zeroes in on what makes Mayhemic Destruction such a compelling outlier in 80s thrash. The drums and low end dominate the mix in a way that completely inverts the American template, forcing listeners to dig for the guitars and exposing a strange, rewarding hybrid of thrash, New Wave of British Heavy Metal, power metal, Motörhead grit, and proto‑death‑metal experiments on the title track. There's plenty of love for the riffs, time‑changes, and dark modal choices in songs like “The Curse” and “Lebanon,” but also honest criticism of the limited, Hetfield‑ish vocal approach and the odd sequencing choices that bury some of the strongest material in the back half.If you're into 80s thrash metal, early Metallica, Slayer, Anthrax, Testament, NWOBHM, or obscure Australian metal bands that never quite got their due, this deep dive into Mortal Sin and Mayhemic Destruction is absolutely in your wheelhouse. It's a conversation about more than one album—it's about how geography, timing, and weird production decisions can turn a record into a cult artifact waiting to be rediscovered.Episode Highlights0:00 – Mayhem from Sydney – Setting up Mortal Sin, Mayhemic Destruction, and why this Australian thrash debut matters in the 80s metal landscape.5:05 – Battle jackets and logos – Gavin's origin story with Mortal Sin via patches, Kerrang! mags, and why some bands lived as imagery long before you ever heard a note.7:00 – Band history and lineup chaos – From Sydney origins and early rehearsals with Lino to global deals, tours with Metallica and Megadeth, and constant guitar player turnover.12:05 – DIY Mega Metal and Hetfield's stamp – Recording at 301 Studios, self‑releasing the album, mailing it out like a zine, and landing James Hetfield's 1986 endorsement.17:20 – “The Curse” – How the opening riffing, harmonics, and dissonant second‑guitar lines signal that Mortal Sin aren't just copying Bay Area thrash.22:30 – Drum mix from another planet – Why the massive, low‑end‑heavy drum sound flips the usual thrash hierarchy and changes how you hear the riffs and groove.24:50 – “Lebanon” – Dark, almost Slayer‑like scales, Dokken/Mr. Scary vibes, and how this track becomes a standout for mood and melody.25:30 – Thrash without a ballad – The near‑total absence of slow songs, the fake‑out intro of “Liar,” and what that says about the band's commitment to speed and aggression.30:15 – Honest strengths and weak spots – Praise for the riffs and rhythm section, plus a candid look at the limited vocals, buried mixes, and backward‑feeling sequencing.35:25 – Album art, demons, and Sydney in ruins – The Dungeons & Dragons‑style cover, nuked‑city imagery, and why this screamed “Tipper Gore nightmare” in the 80s.35:30 – “Mayhemic Destruction” (title track) – Proto‑death‑metal vocals and blast beats a year before Death's Scream Bloody Gore, and why burying it as the closer was a smart move.40:30 – Live vs. studio – What the 20th anniversary live tracks reveal about the band's true sound compared to the unique, drum‑heavy studio mix.[45:00 – Final verdict – Is Mayhemic Destruction a worthy album, a decent single, or a lost cult gem in the Australian thrash canon?Love uncovering 80s metal obscurities and lost thrash gems? Hit subscribe, leave us a review, and share this episode with a fellow metal nerd who still remembers drawing band logos on grocery‑bag book covers. Dive deeper into archives, polls, and bonus content at digmeoutpodcast.com and join the Union to vote on future episodes at dmounion.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Recorded 2026-02-16 03:07:31

Recorded 2026-02-16 15:00:10

Recorded 2026-02-15 07:08:23

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A new song from Slowe. A wonderful track from Augustin Coombe. Broken Beat from Rosie From the Block, IZCO feat Camille Munn and KASIA. Dancefloor Beats from Mr Scruff, Lovellious and Chris Bangs. Drum & Bass from Calibre remixing Sun Ra Arkestra, Peshay and S.P.Y. Rap from Salimata and Natives From Da Undaground feat Crystal Clear (co-produced by J Dilla). Plus plenty more music treats.

Ich bi ja bekannterwis kei Fän vom Valentinstag und däm ganze Kommerzkitsch. Drum ischs erschtunlech, dass bis jetzt de St. Skeletortag a mir verbigange isch.

Recorded 2026-02-14 00:02:43

Recorded 2026-02-14 01:13:05

Recorded 2026-02-14 12:51:37

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Recorded 2026-02-13 17:09:49

Recorded 2026-02-13 16:01:31

Recorded 2026-02-13 19:16:52

Recorded 2026-02-13 15:00:03

Right Dub… with tracks by… Hummingbird, Rastaveli MC, Dubmatix, Audacious P Dubdaddy Andres Cotter, Eitan Avineri, Manwel T, Ashtech, Art-X, The Roots Addict, Youthie, Charlies Flat, Ash Digs, Springtones, Javinz, Hidden Encampment   Hummingbird & Rastaveli MC – Selassie I Dub [Culture Dub Records]   Dubmatix – Black Dub (Audacious P Dubdaddy Dub)   Andres […]

Braincrack Braincrack is an electronic musician who has made a name for themselves in the world of Drum & Bass music. They are natives of the energetic city of Budapest, Hungary. Braincrack has established itself as a major player in the music industry with their particular kind of Drum & Bass music that fuses complex electronic beats with throbbing rhythms . Braincrack's music is distinguished by its contagious melodies, pounding basslines, and expertly produced soundscapes. The band draws inspiration from the lively energy of its surroundings. They stand out due to their distinctive approach to electronic music, which effortlessly combines parts of numerous subgenres to produce an absolutely engaging audio experienc the capacity of Braincrack to elicit a variety of emotions through their music sets them apart from their contemporaries. Their tunes take listeners on a sonic trip that is both thrilling and thought-provoking, from euphoria-inducing drops to introspective periods of introspection. Braincrack's music has an unmistakable depth and complexity that keeps listeners coming back for more, with each beat and synth being meticulously created Braincrack's music distinguishes out in the Drum & Bass genre for its flawless production quality and meticulous attention to detail. With sophisticated percussion patterns and basslines that hit with amazing intensity, their songs serve as a tribute to their mastery of the genre. And is Active in Genre's such HITECH Goa , Frenchcore/Hardcore , TerrorCorE, Braincrack's tracks are certain to get you moving and keep you captivated from beginning to end, whether you're at an exhilarating club night or losing yourself in the music at home . Braincrack a rising star in the Hungarian music scene, has developed a distinctive style of electronic and Drum & Bass music. They have a devoted audience because to their contagious beats and alluring melodies, and it won't be long until their music soars to even greater heights. As they continue to push the limits of electronic music and make their imprint on the world scene, keep an eye out for Braincrack. Social media: Facebook: https://www.facebook.com/braincrack86/ Instagram: https://www.instagram.com/braincrack_official_/ Soundcloud: https://soundcloud.com/braincrack Tik Tok: https://www.tiktok.com/@braincrack_official?is_from_webapp=1&sender_device=pc Spotify: https://open.spotify.com/artist/2Dl4RPMvyhNwcI1taC7Xqw?si=QE1Tmts-QxuMaZqhyd7kxg Tracklist: 1 Dr. Peacock, The Sickest Squad — Paint It Black 2 Tommy Richman - Million Dollar Baby (Sghenny Frenchcore Remix) 3 NiGht AiNuMI — Nightstyle - Castle In The Sky (Frenchcore Hardcore RMX) 4 Radium — Work It Harder 5 Remzcore — Remzcore - I'm a Pickle 6 Sefa, Mr. Ivex — LSD Problem 7 Sprinky — Still Waiting 8 The Sequel & Friends — Dark Voices 9 The Sickest Squad — Moshpit 10 The Sequel — F#cked Up 11 Snoop Dogg — Gaspar Yanga (UNIT Frenchcore Bootleg) 12 Angerfist_and_Crucifier_-_Fresh_With_the_Gargle_(Partyraiser_remix) 13 Angerfist_and_Dr_Peacock_-_Inframan 14 Mr._Bassmeister-Middle_Aged_Fck_(Deadlock_remix) 15 Angerfist_and_Radium_-_Reason_to_Hate 16 Angerfist_-_Chaos_and_Evil_(Andy_the_Core_remix) 17 Sefa - Suffering Matters 18 Albino-The_Apocalypse 19 Warface_and_Sefa_-_Robot_Gangbang 20 The_Prophet_-_Wanna_Play 21 Hyrule_War_and_Ohmboy_-_Funky_Feelings_(original_mix) 22 Sprinky_-_Ping_Pong_(original_mix) 23 Dysistor-The_Hottest_Hot_Sauce 24 Technical Hitch - Mama India(Braincrack Frenchcore Bootleg Rmx)

Recorded 2026-02-12 02:00:47

Recorded 2026-02-12 00:04:32

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Recorded 2026-02-12 21:09:05

Recorded 2026-02-12 18:00:40

Send a textScott, Cardone and Novak discuss the Super Bowl and the predictable outcome that came to pass. We also discuss if this is the start or fizzling out of the Pats climb to the top and what it means for the rest of the NFL. Then we also air our Pet Peeves and then finish up with listener questions.  Our website: www.angryfootballfans.com. Please check it out and subscribe to our pod.Download our podcast at Buzzsprout: https://www.buzzsprout.com/1358293Or wherever you get your podcasts. We are also now available on YouTube. Search for Three Angry Giants fans and subscribe to our channel.

Recorded 2026-02-11 22:00:22

Recorded 2026-02-11 18:01:11

Recorded 2026-02-11 04:07:22

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. This episode is a new installment of The Drum Panel, and it's Part One of Two diving into Chick Corea's Cheap But Good Advice For Playing Music in a Group. I'm joined by good friend of mine Rafa Vidal, who also plays with the band Almost Monday, who are currently killing it, and of course Eric Somers-Urrea is back on the panel. We start off reacting to a post from Tommy Igoe about drum education and who should really be setting the agenda in lessons. That opens the door to a bigger conversation about intention, listening, and what it actually means to function inside a band. From there, we break down the first six pieces of Chick's advice and what they look like in real life: Play only what you hear. If you don't hear anything, don't play anything. Don't let your fingers and limbs just wander—place them intentionally. Don't improvise endlessly—play something with intention, develop it or not, but then end off, take a break. Leave space—create space—intentionally create places where you don't play. Make your sound blend. Listen to your sound and adjust it to the rest of the band and the room. We also get into a Rafa's new endeavor called Touch Grooves. Check out more information on that HERE --- Get Your Copy of the Drummers on Drumming Book Today

Send me a text and please visit www.livefrommydrumroom.com My guest is world renown drummer and educator, Billy Ward! We do a deep dive into Billy's long and successful career, including his work with Robbie Robertson, the 1996 film “That Thing You Do” and much more. Billy has two award winning instructional DVDs, “Big Time” and “Voices In My Head” available through Hudson Music, and his book “Inside Out” is available through Modern Drummer Publishing. So come along for the ride for a fun and inspirational episode with Billy Ward! Please subscribe!  Contact Billy: https://www.billyward.com/Order "Big Time" and "Voices In My Head" https://hudsonmusic.com/Order "Inside Out" https://www.moderndrummer.com/store/inside-exploring-mental-aspects-drumming-print-book/Live From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Beatrice M. has released dope records on labels like Tectonic and Tempa. For this mix the Bait label head teamed up with Tim Reaper, Future Retro London label boss and lover of all things Jungle, Drum & Bass and Hardcore - with an impressive discography. Enjoy!

Recorded 2026-02-10 23:45:52

Recorded 2026-02-10 04:38:55

The National Congress of American Indians hosts the State of Indian Nations on February 9, 2026. Speakers Larry Wright, Executive Director, NCAI Jonas Kanuhsa, Co-President, NCAI Youth Commission Angelina Serna, Co-President, NCAI Youth Commission Mark Macarro, President, NCAI Sen. Tina Smith (D-Minnesota) The State of Indian Nations kicked of NCAI's executive council winter session. The event is taking place in Washington, D.C. More from NCAI: https://www.ncai.org/event/2026-soin

While this weeks guest has been on the show quite a few times now (I checked, this makes  4!), he hasn't done an official episode of the podcast yet. We're excited to finally have him on for one. Brian brings a hybrid approach to his sets: part selector, part storyteller. You can catch him weekly on Twitch and regular appearances on the Timeless Live Mixes, Drum and Bass Proper and Joanna O's Frequency Broadcast. He has also been featured at parties for Bassbunny Productions, Deli Fresh, as well as Subjective ENT. His next show he'll be playing in Richmond, VA opening for Joanna O, Ben Soundscape, and Collette Warren on March 13th. Representing Charlotte NC, please welcome Dub Science. Links and tracklist below. Please enjoy❤️ Back next week -Thomas https://www.instagram.com/dub.science?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== https://soundcloud.com/dub-science?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Tracklist: Molecular, En:vy - Speed Racer (Original Mix) Gino - Momocho (Original Mix) Molecular, Lavance - Next Level (VIP) Dub Ten - Echoes of Regret (Original Mix) Scurrow - Kicking You Out (Original Mix) TRACK ID - TRACK ID Sabre - Box (Original Mix) Monrroe - Mudcrab (Original Mix) TRACK ID - TRACK ID Kolectiv - Thuggin RANS0M - Modem Era Dunk, Gum-B - Lost Position (Original Mix)       Kolectiv - Last Light (Original Mix)       Monrroe - Apostate (Original Mix) RANS0M - Salem [Four Corners Music] (Out Feb 12th) Enei, Kasra, SOLAH - Haunted (Original Mix) Minor Forms, Serpnt - Reinforce It (Original Mix) Samurai Breaks - Blister Pack (Original Mix) Crystal Clear - Kingpin (Original Mix)     Molecular, Waeys - Arrows (Original Mix)   TRACK ID - TRACK ID Dub Head - Invisible Dub (Original Mix) TRACK ID - TRACK ID Leks, Speaker Louis - The Boss (Original Mix) Untrue- Low Low TRACK ID - TRACK ID Dunk - Karma (Original Mix) Telm & Wilson - 321 (Original Mix) Kendrick Lamar - Not Like Us (Phibes Bootleg)  

Episode 82 du podcast APRODMEDIA RADIO, mixé par Horria. Vous pouvez également retrouver ce podcast sur Apple Podcasts et le live vidéo sur YouTube : https://youtu.be/J4ueqwkZWWI "Originaire de Roumanie, HORRIA est un artiste polyvalent aux multiples facettes. Passionné par la musique électronique depuis plus d'une décennie, il s'inspire d'une variété de styles musicaux (Hip-Hop, Jazz, UK Bass Music, RnB) pour créer un univers qui lui est propre. HORRIA mixe principalement des styles tels que la House, le UK Garage, la Drum & Bass et la Techno, créant une atmosphère unique et caractéristique. Il aime combiner des voix moody avec des rythmes lourds et des polymétries, et re-contextualiser des mélodies et des acapellas bien connues pour créer de nouvelles expériences musicales." HORRIA www.instagram.com/horria.wav/ @horrificbeets www.youtube.com/@HORRIA-Horrific APRODMEDIA RADIO www.instagram.com/aprodmediaradio www.youtube.com/@aprodmediaradio/

Drum & Bass 87-88 BPM (174-176) The "Lost Tapes" feature previously unreleased mixes. Love you all! Instagram: @djrolemodel ❤❤❤ #djrolemodel The Lost Tapes - Episode 105

Recorded 2026-02-09 03:09:49

Recorded 2026-02-09 15:00:10

Finally, a new mix I'm really excited about w/ 100% brand new releases. Downtempo / Future Bass / Breaks / Tech House / Indie

Recorded 2026-02-08 23:01:19

Recorded 2026-02-08 19:58:57

Recorded 2026-02-08 17:32:37

Recorded 2026-02-08 12:04:07

Recorded 2026-02-07 16:03:37

Recorded 2026-02-07 12:06:17

Recorded 2026-02-07 17:33:08

Recorded 2026-02-07 03:38:15