Podcasts about ravel

durée : 00:03:55 - Jeux d'Eau : Ravel dans le grand bain - par : Max Dozolme - Hier je vous parlais des reflets magiques du Clair de Lune de Gabriel Fauré, une pièce qu'admirait beaucoup un élève de Fauré. C'est Maurice Ravel, un compositeur qui a dédié à son professeur sa première grande pièce pour piano. Une pièce aquatique là encore…

Ravel Morrison joins the podcast this week, and might just be the most surprising guest we have ever had on Undr The Cosh. Ravel lifts the lid on the lies, rumours, and misconceptions so many people have about him and why he never lived up to his potential. From a young age, Ravel had eyes on him as he came through the ranks at Manchester United under Sir Alex Ferguson, where he was widely regarded as the best talent in the academy. With a dressing room full of world-class professionals like Gary Neville, Rio Ferdinand, and Cristiano Ronaldo, it's hard to understand why so much of that talent went unfulfilled. Despite his raw ability, Sam Allardyce managed to get glimpses of his best including that unforgettable goal against Tottenham but after agent disputes, he was forced out the door and once again labelled a “bad egg.” After moving abroad, Ravel hit the lowest point in his career under Simone Inzaghi at Lazio before rediscovering his love for football playing in Mexico. And of course, in true Undr The Cosh fashion, we get the full story behind his obsession with tuna, the infamous incident involving Lee Clark's pond, and why Gary Neville once lost it and smashed his phone. Ravel opens up about the people who lied about him, his beef with Zaha and explains exactly where things went wrong and why a player with his level of talent never fulfilled his full potential. Bespoke kits for your club with O'Neills Sportswear UK

I saw a wonderful band called FERLA on Saturday night with some friends. The lead singer was bald with his hair completely gone up top, but at the back where it still grew he'd let it go out into a mullet! Awesome. His voice reminded me of the singer from that band Future Islands who did the incredible spot on Letterman like ten years ago.   Then on Sunday morning I went to an 11am performance of Chopin's Piano Sonata no. 2 and a few pieces by Ravel, at Tempo Rubato in Brunswick. That was also a magical performance and has had me humming the Funeral March from the Chopin Sonata all week. I had a great show in Bendigo on Thursday, and have another one coming up in Brisbane this weekend!

durée : 01:00:11 - Abed Azrié, chanteur et compositeur franco-syrien - par : Priscille Lafitte - Dernier né d'une fratrie de 10 enfants, Abed Azrié grandit à Alep, où il chante en araméen chaque dimanche à l'église. Il vient à Paris pour apprendre le piano et la composition en autodidacte, à l'écoute de Bach, Debussy et Ravel, avant de traduire et de mettre en musique l'épopée de Gilgamesh. - réalisé par : Philippe Petit

durée : 01:27:56 - Le Quatuor Ébène, l'alchimie du quatuor - par : Aurélie Moreau - Le Quatuor Ebène impressionne par la richesse et la profondeur de ses interprétations, tout comme son approche libre des différents styles musicaux. Au programme aujourd'hui : Beethoven, Mozart, Ravel, Mendelssohn, Fauré, Dvořák, Schoenberg…

Fergus Grady, Director of the French Film Festival Aotearoa, previews this year's programme – a star-studded affair featuring Sarah Bernhardt, Charles Aznavour, Marie Antoinette, the Count of Monte Cristo, Laure Calamy, two films about art thieves and the story behind Ravel's “Bolero”!Go to this episode on rnz.co.nz for more details

durée : 00:28:19 - Clément Lefebvre, pianiste - Après les Français Rameau, Couperin et Ravel, Clément Lefebvre s'attaque au Russe Scriabine dans son nouveau disque. Avec poésie et subtilité, le pianiste s'engage à corps perdu dans cette musique si originale et "éprouvante psychologiquement" selon ses propres mots. Portrait d'un grand sensible.

durée : 02:04:49 - Musique matin du mardi 13 mai 2025 - par : Jean-Baptiste Urbain - Après les Français Rameau, Couperin et Ravel, Clément Lefebvre s'attaque au Russe Scriabine dans son nouveau disque. Avec poésie et subtilité, le pianiste s'engage à corps perdu dans cette musique si originale et "éprouvante psychologiquement" selon ses propres mots. Portrait d'un grand sensible. - réalisé par : Yassine Bouzar

En medio de un nuevo intento por modificar el proceso electoral en curso, el Instituto Nacional Electoral (INE) ha rechazado categóricamente la solicitud de cancelar 26 candidaturas enviadas por el Senado y la Cámara de Diputados. La consejera Dania Ravel, presidenta de la Comisión de Prerrogativas y Partidos Políticos y del Comité de Radio y Televisión del INE, explicó en entrevista con Manuel López San Martín que la petición es improcedente, pues excede las atribuciones del legislativo y del propio INE. El Senado pidió cancelar 26 candidaturas, pero el INE dice “no” “No tenemos la facultad de hacer la cancelación de esas candidaturas”, afirmó Ravel, quien detalló que la solicitud se basa en supuestos como la falta de promedio mínimo de 8 en licenciatura o presuntos antecedentes penales de las y los aspirantes. A juicio del Consejo General del INE, estos argumentos no son suficientes ni oportunos para justificar una cancelación en esta etapa del proceso. Además, la consejera fue tajante en recordar que la ley es clara: “El Senado no puede pronunciarse sobre la elegibilidad o idoneidad de las candidaturas, y lo que está haciendo con los escritos que nos mandan es, de facto, hacer ese pronunciamiento”.See omnystudio.com/listener for privacy information.

Maurice Ravel (1875 - 1937) - Sonata in do maggiore per violino e violoncello, M. 731.       Allegro [0:00]2.       Très vif [4:40]3.       Lent [7:56]4.       Vif, avec entrain [14:53] Jean-Jacques Kantorow, violino, Philippe Muller, violoncello

durée : 01:28:26 - En pistes ! du lundi 05 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble 1684 continue ses enregistrements des œuvres méconnues de Johann Rosenmüller. A découvrir aussi, un Daphnis et Chloé de Ravel par l'orchestre philharmonique de Strasbourg qui enregistre une toute nouvelle version du célèbre ballet, en cette année anniversaire.

durée : 01:28:26 - En pistes ! du lundi 05 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble 1684 continue ses enregistrements des œuvres méconnues de Johann Rosenmüller. A découvrir aussi, un Daphnis et Chloé de Ravel par l'orchestre philharmonique de Strasbourg qui enregistre une toute nouvelle version du célèbre ballet, en cette année anniversaire.

Maurice Ravel (1875 - 1937) - Sonata n. 2 in sol maggiore per violino e pianoforte1.       Allegretto  2.       Blues (Moderato) [10:00]3.       Perpetuum mobile. Allegro [16:42] Oleg Kagan, violinSviatoslav Richter, piano

„Unraveled“ lautet der Titel, was aus dem Englischen übersetzt „enträtselt“ bedeutet – und im in diesem Titel steckt ein erstes Rätsel: Denn wer die Buchstaben genauer studiert, kann darin den Namen des Jubilars entdecken: „Ravel“. Vor 150 Jahren wurde Maurice Ravel geboren – und er wird hier gefeiert von einem Saxophonquartett aus Spanien, das 2025 das eigene zehnjährige Bestehen feiert: Das Kebyart Ensemble. Wie diese doppelte Geburtstagsparty klingt, verrät Thilo Braun.

It's time to bring Ravel back into our lives, along with a fictional dead princess. Be sure to like and share with a friend!  Music: https://imslp.org/wiki/Pavane_pour_une_infante_d%C3%A9funte%2C_M.19_(Ravel%2C_Maurice) https://creativecommons.org/licenses/by-nc/4.0/legalcode

Dies ist Jean-Efflam Bavouzets zweite Einspielung von Ravels kompletter Klaviermusik; die erste legte er vor 20 Jahren vor. Den bei Ravel so wichtigen Drahtseilakt zwischen Respekt vor den Noten und eigenem interpretatorischen Freiraum - Bavouzet meistert ihn auf diesem Doppelalbum exemplarisch.

durée : 01:28:25 - Le Trio Busch, expressivité et brio - par : Aurélie Moreau - Depuis sa création en 2012, le Trio Busch est rapidement devenu un ensemble de premier plan, régulièrement invité sur les grandes scènes et aux principaux festivals d'Europe et des Etats-Unis. Aujourd'hui : Dvořák, Ravel, Chostakovitch et Schubert.

durée : 01:27:56 - En pistes ! du mardi 29 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Vingt ans après la première, le pianiste français livre une nouvelle intégrale de l'œuvre pour piano du compositeur français. On écoute aussi ce matin un oratorio oublié de Francesco Gasparini, des chants traditionnels de Transylvanie et des transcriptions inédites de Bach, Vivaldi, et Lotti.

durée : 00:12:33 - Ravel : intégrale de l'œuvre pour piano seul, par Jean-Efflam Bavouzet - Vingt ans après une première intégrale de l'œuvre pour piano de Maurice Ravel sous le label MDG, Jean-Efflam Bavouzet se confronte à nouveau aux partitions du compositeur dont on célèbre cette année le 150ème anniversaire de la naissance.

durée : 01:27:56 - En pistes ! du mardi 29 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Vingt ans après la première, le pianiste français livre une nouvelle intégrale de l'œuvre pour piano du compositeur français. On écoute aussi ce matin un oratorio oublié de Francesco Gasparini, des chants traditionnels de Transylvanie et des transcriptions inédites de Bach, Vivaldi, et Lotti.

durée : 00:12:33 - Ravel : intégrale de l'œuvre pour piano seul, par Jean-Efflam Bavouzet - Vingt ans après une première intégrale de l'œuvre pour piano de Maurice Ravel sous le label MDG, Jean-Efflam Bavouzet se confronte à nouveau aux partitions du compositeur dont on célèbre cette année le 150ème anniversaire de la naissance.

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

Silas Farley returns with another Hear the Dance conversation, focusing this week on the George Balanchine pas de deux Sonatine, choreographed in 1975 as the opening ballet for the company's Ravel Festival. Repertory Director Christine Redpath shares memories of performing in that festival and of watching Sonatine's original dancers Violette Verdy and the late Jean-Pierre Bonnefoux, commemorated in this episode by former Principal Dancer Peter Boal, while Principal Dancer Megan Fairchild describes the ways in which this ballet taught her that a single piece can have "many textures." (56:31) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Sonatine for Piano (1905) by Maurice Ravel All music performed by the New York City Ballet Orchestra, All Sonatine excerpts played by NYCB Solo Pianist Elaine Chelton Reading List:  Thirty Years: The New York City Ballet by Lincoln Kirstein Repertory in Review: Forty Years of The New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein Balanchine Then and Now Edited by Anne Hogan Mr. B: George Balanchine's 20th Century by Jennifer Homans Ravel by Roger Nichols Maurice Ravel: A Life by Benjamin Ivry The Cambridge Companion to Ravel by Deborah Mawer Ballerina: A Biography of Violette Verdy by Victoria Huckenpahler Violette Verdy by Dominique Delouche and Florence Poudrou

durée : 01:28:29 - Bruno Rigutto - par : Aurélie Moreau - Pour Bruno Rigutto, « appuyer sur les touches, ça n'est pas suffisant pour un pianiste !... Le son, la voix sont le reflet de l'âme, de l'être, de l'individu ». Aujourd'hui, notamment des œuvres de Chopin, et Ravel, Schumann, Liszt et Prokofiev.

De Boutique is tijdelijk alleen een albumrubriek. Dit keer is klassiek programmeur Peter Tra te gast om te praten over Rachmaninov, Ravel en de culturele melting pot die het begin van de twintigste eeuw was. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique

De Boutique is tijdelijk alleen een albumrubriek. Dit keer is klassiek programmeur Peter Tra te gast om te praten over Rachmaninov, Ravel en de culturele melting pot die het begin van de twintigste eeuw was. Benieuwd naar de tracklist en shownotes? Check ze via: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tivolivredenburg.nl/studio/podcast/st-pauls-boutique

En una transformación histórica para el acceso a la información pública y la protección de datos personales en México, el Instituto Nacional Electoral (INE) ha asumido nuevas atribuciones tras la extinción del Instituto Nacional de Transparencia, Acceso a la Información y Protección de Datos Personales (INAI). Así lo confirmó la consejera electoral Dania Ravel en entrevista con Juan Manuel Jiménez para MVS Noticias, en ausencia de Manuel López San Martín. ¿Por qué desapareció el INAI? La medida surge a partir de la reforma constitucional publicada el 20 de diciembre de 2024, cuyo objetivo es la “simplificación orgánica” del aparato gubernamental. Esta reestructura eliminó al INAI y a los organismos garantes de transparencia estatales, delegando parte de sus responsabilidades al INE. “Con esta reforma, el INE adquiere competencia para conocer de los asuntos relacionados con el acceso a la información pública y la protección de datos personales de los partidos políticos”, explicó Ravel. Esto incluye la recepción y resolución de recursos de revisión, facultad que antes era exclusiva del INAI.See omnystudio.com/listener for privacy information.

Today is Jeffrey Wang, a piano student of Soo Young Lee. He plays Bach, Mozart, Ravel, Niedermaier and Chopin on the Fay & Daniel Levin Performance Studio Steinway. The post Jeffrey Wang, 17, piano appeared first on WFMT.

durée : 02:28:40 - France Musique est à vous du samedi 19 avril 2025 - par : Gabrielle Oliveira-Guyon - Cette semaine, nous célébrons le printemps grâce à vos suggestions - et au retour du soleil ! Au programme : une Etude printanière de Cécile Chaminade, Bridge of light de Keith Jarrett, Le printemps de Glazounov, Sur la place de Birds on the wire et Daphnis et Chloé de Ravel. - réalisé par : Delphine Keravec

durée : 02:28:34 - France Musique est à vous du samedi 19 avril 2025 - par : Gabrielle Oliveira-Guyon - Cette semaine, nous célébrons le printemps grâce à vos suggestions - et au retour du soleil ! Au programme : une Etude printanière de Cécile Chaminade, Bridge of light de Keith Jarrett, Le printemps de Glazounov, Sur la place de Birds on the wire et Daphnis et Chloé de Ravel. - réalisé par : Delphine Keravec

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

durée : 01:27:48 - En pistes ! du jeudi 17 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le pianiste norvégien signe un disque spirituel avec deux œuvres religieuses de Liszt. Mais aussi : une intégrale des mélodies de Bizet pour célébrer les 150 ans de la mort du compositeur de Carmen, le quatuor de saxophones Kebyart réinvente la musique de Ravel et ses héritiers...

In the gold rush of generative AI, it seems that every legal tech vendor wants to be a one-stop shop for legal technology. But after 15 years of developing legal tech, Nik Reed, CEO of Knowable, a legal technology company devoted to helping enterprises bring order and organization to their executed agreements, believes that lawyers should be wary of the hype. Often, the most successful AI solutions are those that focus on solving specific problems exceptionally well rather than attempting to be all things to all lawyers.  On today's LawNext, Reed joins host Bob Ambrogi for a conversation that explores what makes legal AI actually work well in practice. It is a topic he has been thinking about, in one form or another, since he was still a student at Stanford Law School, where he co-founded the legal research startup Ravel with classmate Daniel Lewis in 2012. After LexisNexis acquired Ravel in 2017, Reed moved into strategic product management there, and then joined Knowable in 2019 to lead its product research and development. He became the company's CEO last November, just as the company launched Ask Knowable, its generative AI suite.  In a conversation that explores what makes legal AI actually work in practice, Reed emphasizes the critical importance of pristine data environments, high-quality metadata, and clearly defined use cases. “It's still hard to build really good products, especially for lawyers, and it takes a lot of hard work,” Reed says. “ And anyone that's telling you that that's not the truth is probably already a product that you shouldn't be using.” But ultimately, he believes, AI has the potential to restore balance to legal practice by handling the rote work lawyers never wanted to do, allowing them to return to what they went to law school for – critical reasoning and solving complex problems. Thank You To Our Sponsors This episode of LawNext is generously made possible by our sponsors. We appreciate their support and hope you will check them out.   Paradigm, home to the practice management platforms PracticePanther, Bill4Time, MerusCase and LollyLaw; the e-payments platform Headnote; and the legal accounting software TrustBooks. LEX Reception, Never miss a call, with expert answering service for Lawyers. Briefpoint, eliminating routine discovery response and request drafting tasks so you can focus on drafting what matters (or just make it home for dinner). SpeakWrite: Save time with fast, human-powered legal transcription—so you can focus on your practice   If you enjoy listening to LawNext, please leave us a review wherever you listen to podcasts.  

Episodio #171En este episodio de Dirección Coral Online exploramos la primera de las *Trois Chansons* de Ravel, una obra coral que transforma un cuento infantil en una sátira mordaz. Descubrimos cómo Nicolette, entre el miedo, el amor y la avaricia, elige lo inesperado, y analizamos la ironía de Ravel tanto en el texto como en la música. También abordamos su maestría en la escritura coral y el destino trágico que marcó sus últimos años.suscribirte a mi newsletter: https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234s://www.dopplerpages.com/gusespada-D9EA4/Form6-62234

Subscribe to the paper: https://simplecirc.com/subscribe/17820213Don't miss the extra story! Become a supporter at: https://catholicfamilynews.locals.comJoin Brian McCall and Murray Rundus as they discuss this week's storiesTrump's Liberation Day TariffsFather Altman and the Novus OrdoThe Bishops and fundingToday's premium story: Austin Metcalf double standardDon't miss the extra story! Become a supporter at: https://catholicfamilynews.locals.comCulture:Brian- St Matthew PassionMurray- Bolero by Ravel#catholic #popefrancis #christianity

Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.For the first episode in season 20, I am joined in conversation by pianist Chris Gall. We discuss his brand new album Impressionists Improvised, a solo piano exploration of works by Debussy, Ravel and Satie alongside some original tracks. This is a beautiful combination of classical music that many of us are familiar with, interpreted with improvisions by a brilliant pianist.Thanks to Chris for allowing me to play tracks from Impressionists Improvised alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

durée : 01:58:15 - Ravel, 150ème anniversaire de la naissance : Ma discothèque idéale - par : Philippe Cassard - Une petite discographie idéale des enregistrements de Maurice Ravel, à l'occasion du 150e anniversaire de sa naissance. - réalisé par : Philippe Petit

durée : 00:04:58 - Classic & Co - par : Anna Sigalevitch - .

Debussy and Ravel are often described as the prototypical musical impressionists. It is often said that the two composers are the closest equivalents to the artistic world of Monet, Renoir, Pisarro, Degas, and others. But both Ravel and Debussy (like Monet for that matter), vehemently rejected the term Impressionism, and they both felt that they were striking out on their own individual paths in their msuic. That didn't stop the public and critics from constantly comparing the music of these two shining lights of French music, despite the fact that Ravel and Debussy are actually quite different. Comparing Ravel and Debussy is a bit like comparing Haydn and Mozart. At first glance, there are many similarities, but if you look and listen more closely, Ravel and Debussy(like Mozart and Haydn) had totally different approaches, goals, and styles. All of the constant comparisons and attempts at making the composers compete with each other had a real impact on Debussy and Ravel. Initially they were friends and mutual admirers of each others work, but they slowly drifted apart over time until they stopped speaking to each other altogether. We'll talk about this complicated personal relationship, as well as looking at these differences in their music, not from a critical standpoint, but from the perspective of bringing out what is so wonderfully unique about their music. We'll also talk about Ravel's arrangements of two Debussy's greatest orchestral works: his two piano arrangement of Debussy's Nocturnes, and his piano 4 hands arrangement of the legendary Prelude to the Afternoon of a Faun. Join us on another collaboration with G Henle Publishers! Recordings: Nocturnes Claudio Abbado with London Symphony Anne Shasby, Richard McMahon, Piano Prelude to the Afternoon of a Faun Ravel arrangement: Jean-Pierre Armengaud and Olivier Chauzu Debussy Arrangement: Charles Badami and Anthony Olson 

Is earnáil thar a bheith iomaíoch é earnáil na bhféilte agus is cinnte go bhfuil dúshláin mhóra roimh fhéilte atá níos lú. Tá rudaí ag éirí níos strusmhaire fós do lucht eagraithe Fhéile na Gealaí i Ráth Cairn na Mí óir le laghdú “60% ar mhaoiniú” agus ar urraíocht na féile. Labhraíonn Caoimhe Ní Chathail, ball de lucht eagraithe na féile faoin buille trom seo agus amharcann sí siar ar conas a d'fhás Féile na Gealaí as cliseadh an fhéile Ravelóid a bhí beartaithe do Bhaile Átha Cliath. See omnystudio.com/listener for privacy information.

Ravel wrote something so difficult he couldn't even play it, and he even dared to criticize others' performances! Linda Carducci and John Banther dive into a work that challenges the most virtuosic of soloists, its frightening accompanying poetry, and what exactly makes it so difficult. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

durée : 00:12:38 - Le Disque classique du jour du vendredi 28 mars 2025 - À l'occasion des 150 ans de Maurice Ravel cette année, ce disque présente un voyage musical entremêlant les styles de Ravel et du baroque français, en particulier les œuvres de François Couperin.

durée : 00:12:38 - Le Disque classique du jour du vendredi 28 mars 2025 - À l'occasion des 150 ans de Maurice Ravel cette année, ce disque présente un voyage musical entremêlant les styles de Ravel et du baroque français, en particulier les œuvres de François Couperin.

This past March 7 would have been the 94th birthday of the great French coloratura soprano Mady Mesplé. This episode begins a new series of episodes devoted to “Queens of the Night,” the surprisingly wide variety of sopranos who at one time or another sang this role. After a sampling of Mesplé singing this role (in French), we also hear back to back comparisons with Janine Micheau (Mesplé's teacher) and Mado Robin (one of Mesplé's most famous predecessors); a Gounod duet with Nicolai Gedda; a stunning avant garde showpiece composed expressly for Mesplé; a series of mélodies by Debussy, Roussel and Ravel; a live late-career performance of Poulenc's final composition, the dramatic monologue La Dame de Monte-Carlo; an effervescent live 1969 performance of Zerbinetta's aria; and a deeply moving recording of La Mort de Socrate by Erik Satie. Further proof, if such were needed, of Mesplé's versatility, virtuosity, and profound musicianship and humanity. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

The mayor of Istanbul, who's the main political rival to President Erdogan, has been formally arrested on corruption charges. The detention of Ekrem İmamoglu triggered protests across Turkey. The court confirmed he would be held in custody pending trial. Mr İmamoglu is expected to be confirmed as a presidential candidate today. We speak to Ilnur Cevik, a member of President Erdogan's security and foreign policy council.Also, how Uganda's health system is coping with the loss of US AID money. We hear from Dr Herbert Luswata., the president of the Ugandan Medical Association.We hear from Romania where the supporters of the far-right politician Calin Georgescu say he should not have been prevented from taking part in coming elections. And the lost music of the French composer Ravel gets a radio outing! (Photo: Ekrem Imamoglu. Credit: Reuters)

Nous sommes au soir du 22 novembre 1928. Le tout Paris, la crème de la crème de la « bonne société », le gratin du monde politico-culturel, se presse à l'Opéra Garnier. On est venu pour assister à la création du « Boléro », le nouveau ballet de Maurice Ravel. Dans la fosse, le chef Walther Straram dirige son orchestre. Le journal « Le Figaro » décrit le ballet comme une «évocation de l'Espagne dansante en une taverne de faubourg sous la lampe de cuivre accrochée aux solives; muletiers et contrebandiers acclament la danseuse qui bondit sur la table, aux sons d'une musique magicienne, sa danse s'exalte de plus en plus». La danseuse se nomme Ida Rubinstein, elle a plus de quarante ans. La chorégraphie est signée Bronislava Nijinska, maîtresse de ballet russe. Les costumes d'Alexandre Benois et les décors d'Oreste Allegri. Dans la salle, on peut apercevoir Igor Stravinsky qui, 15 ans plus tôt, a fait scandale avec son « Sacre du printemps » et que Ravel a soutenu. Serge de Diaghilev, organisateur de spectacles, impresario influent, n'est pas très enthousiaste. Il décrit une représentation qui « suait l'ennui provincial... tout y était long, y compris Ravel qui ne dure pourtant que 14 minutes. Le pire, ajoute-t-il, était Ida. Voûtée, une tignasse rousse, sans chapeau, avec des chaussons de danse pour paraître plus petite. Elle est incapable de danser quoi que ce soit. Dans le Boléro, elle est restée un quart d'heure à tourner maladroitement sur une grosse table. » Le public, lui, est plutôt conquis et réserve un bel accueil à cette création si déconcertante. La presse salue « la somptuosité », « les dons singuliers », « le triomphe de la maîtrise technique », « le délice d'élégance » et « le tour de force éblouissant » du compositeur. On raconte aussi n'importe quoi, qu'une spectatrice aurait crié « Au fou ! » et que Ravel aurait déclaré : « Celle-là, elle a compris ». La légende se met en marche. De Paris à Bruxelles, de Monte-Carlo à New York en passant par Milan et Londres, le Boléro devient un phénomène et rentre dans l'Histoire de la musique. Un succès, d'ailleurs, qui ne va pas complètement ravir son auteur et même l'irriter. Ravel craint le malentendu. Solitaire et pudique, ouvert et généreux, obstiné, peu enclin aux honneurs, qui était Maurice Ravel ? Pourquoi tant de frilosité devant sa propre réussite ? Aurait-il eu le génie humble ? Notre invité est Xavier Falques, professeur d'Histoire de l'art à l'UCL et au Conservatoire de Mons et producteur et animateur de Café Viennois et Baroque café sur Musiq3. Sujets traités: Maurice Ravel, orchestre, piano, musique, boléro, concerto Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Despite a raft of laws and programmes in France to address the gender pay gap, women still earn less than men. Organic farmers try to adapt to a drop in demand for organic food. And the story of Ravel's Boléro – the world's most performed piece of classical music. There are some explanations for France's 22 percent gender pay gap – women work fewer hours on average and in lower-paid jobs. But even doing the same job and putting in the same hours, women still earn 4 percent less than men, and a barrage of legal measures hasn't managed to change that. We look at what's going on with economist Anne Eydoux and lawyer Insaff El Hassani – founder of a company helping women negotiate salaries. El Hassani highlights negative images around wealthy women and how France's "female wage", dropped in 1946, still impacts the way some employers view women's salaries. (Listen @0')France has downsized its ambitions to increase the amount of organic agriculture after a drop in consumer demand for organic food . After years of growth, especially during the Covid pandemic, inflation and a distrust in labelling have turned consumers away from buying organic produce, even as new farmers are drawn to the prospect of working in a different way. At the recent annual agricultural fair in Paris, farmers and others working in the organic sector talk about how they are adapting to the new economic reality, and the need to raise awareness of the value of organic food, beyond the price tag. (Listen @17')France is marking the 150th anniversary of the birth of composer Maurice Ravel, whose most famous piece, Boléro, is considered an avant-garde musical expression of  the machine age. (Listen @9'50'')Episode mixed by Cecile Pompeani. Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

On today's episode of "Conversations On Dance", we are joined by former Chief Dance Critic of the New York Times and performing arts historian Alastair Macaulay to discuss the legacy of composer Maurice Ravel around the corner from his 150th birthday. We talk about Ravel's major commissions for dance, how dance influenced his compositions outside of those meant for the concert dance stage, and his continued impact on major choreographers of the 20th century and onwards, like Frederick Ashton and George Balanchine. The Torvill and Dean “Bolero” referenced: https://www.olympics.com/en/video/torvill-and-dean-s-legendary-bolero-performance-music-mondaysLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Magician, Swiss Watchmaker, Aloof, Elegant, Precise, Soulful, Childlike, Naive, Warm: these are all words that have been used to describe Maurice Ravel, a man of elegant contradictions. But perhaps these contradictions are why his music remains so beloved and universally appealing to so many musicians and audience members. Ravel has long been one of my favorite composers, and I always adore listening to his music and performing it. For the 150th anniversary of his birth, the legendary publishing house of G Henle has decided to focus on Ravel and his circle this year, calling this series Ravel and Friends. A few months ago, the Henle office contacted me to ask if I would be willing to collaborate with them on a series of Sticky Notes episodes about Ravel, each one focusing on the relationship between Ravel and another composer who was in his circle. This sounded like an amazing idea, and so I jumped at the chance to work with them. So, over the course of the next 5-6 months, you will be seeing 5 episodes under the Ravel and Friends theme. Today's episode will be a chance to do an overview on Ravel himself and to take a look at some major works that I haven't gotten around to covering on the show yet. We'll then finish the show with an interview with the great pianist Boris Giltburg, as we discuss the solo piano verison of Ravel's La Valse, one of the most challenging pieces in the entire repertoire. Later episodes will include a look at Ravel's relationships with Debussy, Gershwin, and De Falla, and much more! This is such an exciting chance to take a deeper look at one of the greatest 19th and 20th century composers, as well as take a look at the broader musical and social trends of that era, something I've always been deeply interested in. Join us!