Podcasts about harpist

Yolanda Kondonassis is a Rock Star of the harp. She's got two Grammy nominations. She's considered one of the world's leading solo harpists and she is the world's most recorded classical harpist. She has performed worldwide and released over 25 albums. She's been featured on CNN, PBS and NPR. And listen to this - she is a dedicated environmentalist and the founder and director of Earth at Heart, a non-profit devoted to inspiring earth conservation awareness and action through the arts. My featured song is “1000 Days”. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH YOLANDA:www.yolandaharp.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's newest single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring World Class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Harpist Remy van Kesteren reed verkeerd richting de archiefkast, hij was namelijk weg aan het dromen bij de muziek in de auto. Van Kesteren werd als kind gegrepen door de de harp ‘Vanaf kinds af aan wilde ik met muziek de wereld over’. Die droom kwam uit. In klassieke muziek wordt gestreefd naar perfectie, terwijl in de popmuziek ook een zanger met een valse gitaar rechtstreeks je hart in kan gaan. Daarom maakt hij nu de overstap naar popmuziek. Zijn nieuwste single heet ‘Leave What You Know’. Bekijk deze aflevering hier. Presentatie: Gijs GroentemanRedactie: Julia van AlemVideo en montage: Lisette SpiegelerEindredactie: Corinne van DuinSee omnystudio.com/listener for privacy information.

Peter Sterling is an award-winning harpist who began to play after a series of life-changing angelic encounters in the canyons of Sedona in the early 1990's. His heartfelt and celestial harp music has touched the hearts and souls of people worldwide with many listeners reporting beautiful visions and even miraculous healings while listening to Peter's heavenly music. During his 28-year career with the harp, his recordings have been at the top of the radio charts and nominated for several awards. Recently Peter's album Sanctuary of Light won the Hollywood Music in Media Award for Best New Age/Ambient album of 2021. And his most recent album The Winding Way won the COVR Gold Visionary Award for Best New Age Record of the year for 2022!!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

For our podcast, Naked Men Talking, we were joined by The Naked Harpist - a professional musician who will soon be presenting a programme of harp recitals, which he will be performing naked for a room full of naked men.In the conversation, we talk about the how stripping off enhances his playing, connecting with his body, and the power of community.Upcoming concerts:19 Oct: London22 Oct: London26 Oct: BirminghamHost: Gareth Johnson (www.gtv.blue)

Herzlichst willkommen hier in der neuen Folge! Sauron ist komplett besiegt, aber was geht eigentlich im schönen Minas T? Das lernen wir, denn Eowyn und Faramir unterhalten sich viel und eventewell läuft da ja was! Irgendwann kommt Aragorn, Elessar, Telekom, Sohn von Arathorn, Waldläufer, neuer König, etc auch vorbei und die Party kann beginnen (und vielleicht auch noch ne Hochzeit?). Manu und Michel besprechen wie dies alles abläuft, freuen sich über die Königs-Zeremonie und machen Quatsch-Sachen. Ein paar Abschweifer kommen natürlich auch vor.Viel Spaß!

When I was a beginning harp student, the technical method I was learning - the Salzedo method - was something I took very seriously. From my very first harp lessons, I learned the important points of technique, as Salzedo taught it. I wasn't studying with Salzedo, of course, but my teacher, Marilyn Costello, was a student of his, and his method was what she taught her students. For a long time, I played the harp in innocent ignorance of the fact that there were other harp methods. In fact, it was a revelation to me in those early years when I discovered that most harpists in the world didn't use the Salzedo method. Truly, all the harpists I knew in the Philadelphia area were Salzedo method players, and it never occurred to me that this wasn't true across the wider harp-isphere.  Once that realization hit, I went into what I'll call Stage Two of my education about harp methods. That was the stage where I believed that everyone who didn't play Salzedo method wasn't playing the right way and they would never be good harpists. Ah, the foolishness of youth! It didn't take me long to realize how ridiculous that was; after all, there were many harp legends I admired who weren't Salzedo players. Time for another outlook adjustment.  My outlook has undergone many such adjustments in the ensuing years, mostly due to the evolution of my teaching philosophy. The basic underpinning for my thoughts on harp methods can be summed up like this: the method itself doesn't matter. What matters more is that you follow one. Without a method, your technique and your technique practice is merely a collection of skills. The method is the organizational plan that brings together skills, sound, ergonomics, and more, and unifies them with a cohesive set of why's and how's. A method doesn't leave you guessing about how to do something; it gives you the system to find solutions.  In this episode, I will talk about the key points of technique that every method addresses and I'll explore a few of the differences in approach between some common harp methods and why each approach works. It's not about one way being right and the other wrong; it's about having a plan you can follow. I'm hoping that by expanding your ideas about technique, I can encourage you to consider how following a harp method will make everything about your technique finally make sense to you.  Links to things I think you might be interested in that were mentioned in the podcast episode:  Fast track your progress - work with a Harp Mastery® Certified Coach.  Looking for a teacher near you? Check out our Accredited Teachers. Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-227  

Brandee Younger is a groundbreaking harpist who has redefined the instrument's place in contemporary music. Younger will perform at Indy Jazz Fest on September 17.  A classically trained musician, Younger has cultivated a unique sound that fuses her classical training with elements of jazz, R&B, and hip-hop. Younger has collaborated with a wide range of artists including Pharoah Sanders, Ravi Coltrane, Common, John Legend, Kanye West, Meshell Ndegeocello and many others. In 2021, Younger released “Somewhere Different” on the historic Impulse! label, earning a Grammy nomination for Best Instrumental Composition — the first Black woman ever recognized in that category. Her 2023 album “Brand New Life” celebrated the legacy of harp pioneer Dorothy Ashby and won the 2024 NAACP Image Award for Outstanding Jazz Album. Throughout her career, Younger has worked to promote and celebrate the work of jazz musician Alice Coltrane and on her new album “Gadabout Season” Younger is performing on Coltrane's harp. Listen to Younger's interview with WFYI's Kyle Long this week on Cultural Manifesto.

Artists are waiting to see if they will be eligible for Basic Income for the Arts scheme in 2026. The scheme offers €325 a week to 2,000 people in the arts in Ireland...The pilot project, which was first launched in 2022, will help to keep artists in employment and avoid some of Ireland's top performers from leaving the industry in pursuit of other careers.With the 2026 budget talks currently ongoing. Many artists await to see whether this scheme will continue and what will unfold if it doesn't.Joining Andrea to discuss this is Business Development Manager for audio-visual, creative and cultural sectors Willie White, Harpist from Dundalk Rosie Murphy and Labour TD and Spokesperson on Arts, Rob O'Donoghue.

Each of our Epic episodes is produced by Playful World Ministries! Thank you for your support! Your generous contributions allow us to creatively express God's Truth worldwide! To help us continue to playfully reach kids for Christ, please go to: https://actintl.givingfuel.com/brownlee And Thank You!!Episode 47: “The Blind Harpist”Nigel's work is done with his blind musical protégé, Benipe. And Benipe's spiritual blindness is no more. In the studio we learn there are different kinds of teasing. And Jenny's Corner leads us to her website and a very special video! Featuring the audiobook “The Dreamer, the Schemer, & the Robe,” by Jenny L. Cote1:33 - As Announcer Lad introduces our hosts – and there's a whole lotta teasing going on!5:34 – Chapter 46: “The Blind Harpist”26:23 – More teasing going on!27:15 – Jenny's Corner leads us to a very special video – found on her website: www.epicorderoftheseven.comAnd as always – we'd love to hear from you! Email Jenny: Jenny@epicorderoftheseven.comBy the way - the audiobook, “The Dreamer, the Schemer,& the Robe: written by Jenny L. Cote, and narrated by Denny Brownlee, is available on Audible.com. To order your copy - Click here: adbl.co/3BPQ1Zy

For our 50th episode, we have an extra special guest who I was so honored to speak with: musical artist/harpist Mary Lattimore! Mary's ethereal instrumental music, particularly her 2020 album Silver Ladders, was a cornerstone of my self-care in pregnancy, and I've been a massive fan ever since. Mary joined me virtually from her home in Los Angeles to discuss her favorite ways to build and nurture community and sustain inspiration in her artistry, the scoop on her favorite artist residencies, dreaming as a form of processing the nightmare that is the current political climate in the US, lucid dreaming, and oh so much more!With permission from the artist and her management, this episode includes a snippet from Mary's forthcoming song, “A Lock of His Hair Under Glass”This episode touches on the following topics:The Aces in Tarot (specifically the Ace of Wands)Sustainable artistic practicesBuilding an artistic community The value of practicing various art forms in an unskilled wayWhere to find artist residency programs Artistic inspiration through nature and unfamiliar environmentsAnimism relating to musical instrumentsThe arts as political resistanceDreaming as a way to process our deep emotionsLucid dreaming School of Song and their amazing Brian Eno workshop (!!)The Artist's Way by Julia CameronYour Brain on Art by Susan Magsamen and Ivy Ross Follow Mary's work and various projects here and here! Psyche Magic Website, Socials and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Psyche Magic Salon is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit psychemagic.substack.com/subscribe

Sound Pathways with Karen Olson Ph.D., Guest, Kirsten Agresta-Copely, harpist and composer Your Life, Your Gem Within – The Kuruvinda Journey with Renowned Harpist Kirsten Agresta Copely Like a rare ruby, our lives are shaped and polished through experience. On this episode of Sound Pathways, I sit down with GRAMMY®-nominated harpist and composer Kirsten Agresta Copely, celebrated for her dazzling performances on some of the world's most iconic stages. Together, we'll explore the inspiration behind her breathtaking new album Kuruvinda, a deeply personal work that sparkles with color, emotion, and the power of transformation. We'll dive into Kirsten's journey as a composer and performer, discovering how music and life's challenges reveal our truths, embrace the beauty of imperfection, and transform life's rough edges into brilliance. Don't miss this luminous conversation—tune in to uncover how you can discover your own gem within.

Bandleader, educator, and improviser Brandee Younger plays the harp. But while she has classical training and knows her way around Ravel and Debussy, she has long been fascinated by harpists like Dorothy Ashby and Alice Coltrane, Black women who created new spaces for the harp in the worlds of jazz and pop.  Brandee Younger's new album is called Gadabout Season, and on it, she plays her own compositions, and plays them on Alice Coltrane's own harp. She and her trio play in-studio.Set list: 1. Gadabout Season 2. New Pinnacle 3. BBL

“If I didn't have the harp, I wouldn't be me.”Internationally renowned harpist Judy Loman remains an active practicer, performer, and teacher at 89 years of age - and still clearly enjoys and loves what she does.So how does one maintain motivation and a sense of joy in making music through life's ups and downs, good and bad practice days, and peak and not-so-peak performances?In this episode, you'll hear the five pieces of advice she would offer to an aspiring harpist (they're applicable to singers and other musicians too), learn how to approach pieces that you might not like, and find out the two things she would do if she had only 20 minutes to practice today.Get the full transcript and watch the video version of the full interview right here:Judy Loman: On the Best Advice For an Aspiring Harpist (or Musician)* * *Have you been feeling a little stuck or stagnant in the practice room? Or has performance anxiety and the gap between practice and performance been a nagging issue that hasn't changed, no matter how well you've prepared for performances, auditions - and even lessons? If you've been wanting to experience more joy in the practice room and play more like yourself on stage, but haven't been quite sure how to make that happen, starting July 22, 2025, I'll be teaching a live, online, accelerated 2-week class on the most essential mental skills and practice strategies that can make a difference in your practicing and performing. We'll meet twice a week via Zoom and work on a series of exercises and techniques in four essential skill areas (effective practice, managing anxiety, focus, and confidence), together as a group. And to make sure the concepts become consistent habits, I'll show you how to gently integrate these new skills into your (or your students') daily practice through bite-sized practice challenges alongside a supportive group of practice buddies from around the world. Over 2000 musicians, educators, and students and learners of all ages have participated in the course to date. You can find out what alumni are saying, and sign up to join Cohort 24 at: bulletproofmusician.com/essentials

In this Barrel-Aged Classic, harpist Nicole Anderson joins Andy to talk about harp therapy, the pros and cons of being in an orchestra, and harp hiking. Intro music is "String Anticipation" by Cory Gray.

University of Hawaiʻi at Mānoa interim provost Vassilis Syrmos explains how proposed cuts to federal funding would affect research; Grammy-nominated jazz harpist Brandee Younger is recognized by the Doris Duke Foundation

This week's episode is a highlight from the archive, originally aired in 2023: I was so honoured to have this opportunity to talk with the inspiring Destiny Muhammad, who is a California-based jazz harpist and composer. You'll get to hear inspiring stories from her life as well as her music. She had a dream to play the harp but didn't have the opportunity until she was 30 years old. She speaks openly about the challenges in the 1980s due to the crack cocaine trade, her success as a barber, her determination and mentors including John Handy, and her unique perspectives in celebrating the legacies of Dorothy Ashby and Alice Coltrane. I'm sure you'll be inspired by Destiny's stories and music! The video and transcript are linked hereDestiny Muhammad websiteNewsletter Buy me a coffee?Podcast merch

Hohner Hall of Fame for Harmonica Darrell Mansfield below with my NehoSoul Band at House of Blues

Local harpist Emma Newton, who performs under the name Space Cowboy Newt, has an opportunity for other Rhode Island musicians: If you have a protest song, they'll help you record it for free. Newton, a music producer and audio engineer as well as a musician, talks about the project with guest host Christopher Gavin, and performs some of their own music. Tips and ideas? Email us at rinews@globe.com. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sivan Magen is an internationally acclaimed harpist. He has performed worldwide as a recitalist and soloist at Carnegie Hall and the Sydney Opera House and with the Israel Philharmonic, the Sydney Symphony and many other orchestras. He's an avid chamber musician too. His most recent recording won the 2023 Gramophone Award.My featured song in this episode is not one of mine. It's Mozart's Concerto for Flute and Harp, with Zubin Mehta conducting.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Sivan:www.sivanmagen.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Harpist, soloist, collaborator (Harlem Chamber Players), educator, and arranger Ashley Jackson's brand new album is called Take Me To The Water.  In the American spiritual tradition, water is a powerful metaphor for freedom and for moving from this life to the next. Jackson's record takes listeners on a watery journey through works by Debussy, the jazz harpist Alice Coltrane, blues, and some classic spirituals. As Jackson declares in a statement about the record, ”Water is something that we all need. It sustains us, it gives us life. Take Me to the Water reminds us we have a choice: we can let water be the thing that divides us, or, it can allow us to come together through our shared humanity.” She plays some of her arrangements of spirituals on a sculpted maple harp, in-studio. Set list: 1. River Jordan 2. Deep River II 3. Take Me to the Water I

Find out how this clever harpist uses her musical skills to free her husband from his imprisonment in this Russian folktale. An episode from Journey with Story,  a storytelling podcast for kids, ages 4-10. (duration- 11 minutes)   Check out our new patreon page patreon.com/journeywithstory We have updated our patreon page and are offering lots of new perks and benefits including special bonus episodes, bonus read-alouds, as well as stickers, coloring sheets, early access to episodes, access to all archived content,  and the chance for random shout outs on the podcast.  We really appreciate all of our patrons as they help to keep our show ad-free, as well as being able to bring you more quality content each month To download this month's free coloring sheets,  simply subscribe to my Patreon here, it's free! By subscribing, you not only support our mission to ignite imagination through enchanting fairy tales but also receive exclusive benefits like monthly free coloring sheets corresponding to our podcast episodes, and more! Your support means the world to us and enables us to continue creating captivating content for children everywhere. Thank you for joining us on this adventure! You can purchase some JWS teeshirts for your little listener on our website - coloring books for purchase will be available shortly.  

Úna ní Fhlannagáin is an award-winning Celtic harpist, from county Galway, and she's in New Zealand wrapping up a five week tour.

Music from: Captain John Stout, Leza Mesiah, The Moor Of Dundee, Sarah Marie Mullen, Erika the Harpist, Vince Conaway, Celtic Mayhem, Bardy Pardy, Misbehavin' Maidens, Chaste Treasure, Roxlovians , Harper & Minstrel , Marc Gunn, Hob the Troll, Jim Hancock, Dan The Bard, Pictus, The Rogues, Tartanic, Abby Green, Bedlam Bards, Cantiga, Fugli, Jesse Ferguson, Rowan and the Rose VISIT OUR SPONSORS RESCU https://RESCU.org Ocean Renaissance Foundation http://www.oceancityrenaissance.com/ The Ren List http://www.therenlist.com Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Songs Black Is the Color[01] performed by Captain John Stout from the album Songs of Love & Loss www.porterstout.com/ The Mermaid Song[16] performed by Leza Mesiah, The Moor Of Dundee from the album More Of The Moor Of Dundee www.moorofdundee.com/ King of the Faeries[05] performed by Sarah Marie Mullen from the album The Wild Woods www.facebook.com/sarah.m.rua Toss the Feathers & Drowsy Maggie performed by Erika the Harpist from the album A Fyne Faire Daye www.erikatheharpist.com Dalling Alman performed by Vince Conaway from the album Wanderlust(2) www.vinceconaway.com/ Bedlam Boys[02] performed by Celtic Mayhem from the album Celtic Mayhem www.facebook.com/RockinIrishMusic/ Dark Lady[01] performed by Bardy Pardy from the album Bardy Pardy (Self-Titled) www.bardypardy.com Space Shanty performed by Misbehavin' Maidens from the album Swearing is Caring www.misbehavinmaidens.com Jolly Roving Tar[01] performed by Chaste Treasure from the album Chaste Treasure www.chastetreasure.com Way Out At Sea[01] performed by Roxlovians from the album Living Room Rox www.gypsyrox.com Stingo performed by Harper & Minstrel from the album The Road To Lindemar www.theharperandtheminstrel.com Heart's Ease[03] performed by Marc Gunn from the album Heart's Ease www.marcgunn.com So Scared (Love Song) performed by Hob the Troll from the album Stop Making Songs www.hobthetroll.com Spanish Ladies[05] performed by Jim Hancock from the album Rolling Home www.jimhancock.com The Owlbear Song performed by Dan The Bard from the album Manticores and Owlbears: Songs about Dragons and the Dungeons in which they dwell! www.danthebard.com Dance of the Druids performed by Pictus from the album Air www.pictusmusic.com Ronds performed by The Rogues from the album Roguetrip www.therogues.com Ney Sayings performed by Tartanic from the album Unstoppable www.facebook.com/tartanicofficial My Johnny Was a Shoemaker[01] performed by Abby Green from the album Fig for a Kiss www.AbbyGreen.com Black Leather Band[01] performed by Bedlam Bards from the album Take Out the Trash www.bedlambards.com Cantiga 108 performed by Cantiga from the album Martha's Dragon www.cantigamusic.com/ Molly Malone[04] performed by Fugli from the album Mythtakes www.povera.com Bully in the Alley[09] performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com Parting Glass[40] performed by Rowan and the Rose from the album We Have Adventures www.rowanandtherose.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Elisabeth Remy Johnson celebrates 50 years of Atlanta Symphony Orchestra broadcasts on WABE. The ASO Principal Harpist performs the GRAMMY Award-winning Harp Concerto by Atlanta School composer Jennifer Higdon on March 20th and 22nd. Plus, we learn about the three new solo exhibitions on view at Echo Contemporary and hear about Aris Theatre’s relaunch of “Cailini,” an Atlanta-based Celtic Woman Tribute Band.See omnystudio.com/listener for privacy information.

'BRING IT IN THE HOUSE' - is a 30-minute talk/entertainment Podcast Show that spotlights (M)usicians, (E)ntertainers, (A)rtists, and (L)eaders...get your M.E.A.L.! In this episode, host Milli Mills speaks with Harpist, MARIEA ANTOINETTE, Saturday, February 22, 2025, at 7:30 pm CST. Stream live at https://www.facebook.com/groups/707997614338693.

Harpist Meredith McCrindle was in Northern Colorado for a few weeks this winter, visiting her parents on an extended trip away from her transplanted home in Ayr, Scotland.  For a portion of the trip, her close friend Jai McDowall joined her - his first time in Colorado.  I met Meredith when she was at our Rotary Club one morning, promoting her upcoming concert with Jai in Fort Collins.  She agreed (and voluntold Jai) to come on the show, and it was a lot of fun!Meredith's album, When Walls Speak, is a study on Dumfries House - home to King Charles when he's in Scotland, and where she has been resident harpist for many years.  She's also resident harpist for Trump Turnberry, Glen App Castle, Culzean Castle and more - if you need an amazing harpist in Scotland, or around Europe and the world, you'd be wise to call on her.  She's also the founder of a festival called Tamfest, a serial entrepreneur, and a business consultant!  Jai McDowall grew up in music, and performed on stage with his father going back to his teenage years.  After he won Britain's Got Talent in 2011, his life changed forever - and he caught amazing traction during his first year.  When he went independent however, he had much to learn.  Equipped with Meredith's friendship and insights for business, he's crafted an extraordinary world-ranging career from those first opportunities, and he's a great case study on how talent alone - isn't enough!  Inspiring and entertaining as always, and this time with one of the world's most famous harpists, plus a friendly baritone with a fun Scottish accent.  Enjoy.  The LoCo Experience Podcast is sponsored by: Logistics Co-op | https://logisticscoop.com/

Today, it's all about strings! We're hanging out with the Mississippi Symphony Orchestra to celebrate their 80th birthday and to learn more about them and their slate of events, then we're off to check out what's happening around the world-famous Vitamin String Quartet's neck of the woods, during their "The Music of Taylor Swift, Bridgerton & Beyond" concert, February 1st at Hattiesburg's Historic Saenger Theater, then it's an exclusive final sit-down with world-renowned harpist, Emmanuel Ceysson! He joins the show to chat all things harp & to let us in on what we can expect February 1st during his Bravo 3: Magnificent Strings Concerto at Madison Central High School! Plus I've got two chances to win tickets to the event! Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Check out this episode on MPB's YouTube Channel: Next Stop, Mississippi | Emmanuel Ceysson's Magnificent Strings & Mississippi Symphony Orchestra & Vitamin String QuartetNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

At the Braille 200 reception at the Scottish Parliament, guests were serenaded by blind harpist Fiona Kyle. Robert Kirkwood spoke to her after her performance. To find out more about braille and how the RNIB is celebrating 200 years since Louis Braille invented the system visit: https://www.rnib.org.uk/about-us/braille-200 Image shows the Braille 200 logo with 'Braille 200' written at the top in white text on a pink background with a visual Braille representation of the same text below it. Across the bottom is written Powered by RNIB and EBU written in their respective logos.

Today's episode focuses on the music of harpist, singer and composer Sophia Dussek. It is partly music history, partly harp history and partly harp technique. But it's really about connection. I want to help you feel a connection to our roots, to some of the musical and harp traditions that aren't merely history, but are part of the fabric of our daily harp playing.  There's an African proverb that says,”Walk like you have 3000 ancestors walking behind you.” We harpists so often feel that we're all alone on our journey. The truth is that we are only the newest leaves on a tree with many other branches full of other leaves, a tree whose roots were formed long ago. Every time we play, we are continuing the traditions of those harpists, so it makes sense to learn a little bit about them. The things we learn about our roots can help us connect to the music we are learning today in a deeper way. That's why I chose “connection” as the fifth of the five growth areas I identified in my book, Kaleidoscope Practice: Focus, Finish and Play the Way You've Always Wanted. When you take time, even occasionally, to enrich and enlarge your musical experience that is apart from your playing, you bring more understanding and dimension to everything you play. And in today's podcast, I will help you make those connections between the music of 200 years ago and the music that you're playing now. So today our musical “way back machine” will take us to the turn of the nineteenth century when harp playing had yet to be eclipsed in the drawing room by the piano. Picture any screen adaptation of “Pride and Prejudice” you've ever seen, and you will have the right atmosphere. In fact, our heroine for today, Sophia Corri Dussek, was born in the same year as the author Jane Austen. So put on your best muslin frock and we'll get going. Links to things I think you might be interested in that were mentioned in the podcast episode:  Join the Finish It Clinic Our February Seminar Series is available. Find out more about my Kaleidoscope Practice book Online resource for music by Sophia Dussek Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-193  

Susie is known on Instagram as Harping mad. That's harping underscore mad. You'll hear her talk about her family helped Susie develop her Instagram name. On Instagram you'll see Susie with her harp and at times, play her harp. You'll see her knitting and sewing. You'll even see Susie conquering the walks around the UK. Oh and Susie now manage her pain without the medication she was on. Here's the link to the house Susie is selling. Watch/ listen to Susie as she tells her story for SewOver50 on Sew Organised Style podcast. If you are able, consider supporting this podcast through our patreon account. Every podcast is free and the archive is gradually being uploaded on to the podcast YouTube channel. Sound with permission by bensound.com SewOver50 intersects with all communities. SewOver50 where we are so over ageism.  Our focus is the sewing talent each person shares on social media and providing recognition of their willingness to share their skills whether a beginner or experienced sewist. Make sure you listen to your SewOver50 friends in our SewOver50 podcast archive.  

Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, the global leader in strategic marketing and PR for classical music, opera, and the performing arts.  At Gold Sound Media, we elevate artists' careers through our signature holistic brand messaging approach, helping you connect with audiences and unlock your full potential. Explore how we can amplify your brand and discover the impact of strategic marketing done right. If you enjoy these artist conversations, sign up for our newsletter for more behind-the-scenes insights and stay up to date with exclusive content tailored for the classical music community.

Gillian Harrill's films⁠ have been featured at various festivals, ranging from the Oscar-qualifying ⁠AmDocs Film Festival⁠⁠ ⁠to the esteemed ⁠Sidewalk Film Festival⁠ and the ⁠LA Independent Women Film Awards⁠. ⁠Her⁠ ability to craft compelling narratives and capture the essence of her subjects has earned her a reputation as a filmmaker with an eccentric sense of humor and unwavering dedication to her craft. She started as the lead assistant editor on⁠ Beyond the Straight and Narrow⁠, streaming on Kanopy. In 2022, Gillian embarked on a fellowship in documentary filmmaking at ⁠Southern Exposure,⁠ where she spent 6 weeks fully immersed in directing ⁠Taxing the Sun⁠,⁠ ⁠which exposed legislation that decreased access to renewable energy in Alabama. Currently, Gillian is actively engaged in curating and associate producing two archival films that will be showcased as permanent exhibits in a Presidential Center opening in 2025. Her involvement in this endeavor reflects her dedication to preserving and sharing pivotal moments in collective history. She has also been a researcher for PBS programs like ⁠Native America 2.0⁠ and ⁠Confluence⁠⁠ ⁠and a production assistant and costume designer for ⁠Realm of Satan,⁠ premiering at Sundance 2024. Gillian holds a Bachelor of Science in Communication from Cornell University, where she minored in Film, Anthropology, and Media Studies.  --- Support this podcast: https://podcasters.spotify.com/pod/show/experimentalfilmpodcast/support

Does time really heal all wounds? The loss of a pet is a painful life experience. But healing comes in many forms including creativity and advocacy. That's Erica Messer's story. Her personal loss of her beloved cat Wolfgang took her on a journey to become a board-certified pet bereavement specialist and creator of Wolfie's Wish, a company that turned her pain into a purposeful mission. On this episode of HIListically Speaking, Erica opens up about how music, art and words of affirmation have helped thousands on their pet loss healing journey. Plus, why she's making the entire pet industry and workplaces see pet bereavement in an entirely different light.⁣ ⁣ CONNECT WITH ERICA & WOLFIE'S WISH⁣ https://wolfieswish.com/  @wolfies_wish⁣ (Get 10% off Grieving Cards with code: ELIZADOOLITTLE⁣ ⁣ PET BEREAVEMENT LEAVE PETITION⁣ https://www.change.org/p/pet-bereavement-leave-advocacy-petition⁣ ⁣ HILISTICALLY SPEAKING EPISODES MENTIONED: ⁣ Ep 151: Pet Loss: From Grief to Gratitude ⁣ Ep 155 Pet Lover's Stories: Voices of Love ⁣ ⁣ GET BRAIN CANDY DELIVERED TO YOUR INBOX⁣ ⁣ (Scoop on guests, giveaways, events and more)⁣ https://www.hilaryrusso.com/braincandy⁣ ⁣ CONNECT WITH HILARY⁣ https://www.hilaryrusso.com⁣ ⁣https://www.linkedin.com/in/hilaryrusso⁣ https://www.instagram.com/hilaryrusso⁣ https://www.youtube.com/hilaryrusso⁣

A little while back, I did a podcast episode about the music of Johann Sebastian Bach, and why I believe studying and playing that music is so important for harpists. If you want to go back and listen to that episode, it is Episode 154, and I will put a link to that episode in the show notes. Understandably, after that podcast aired, I was asked why I was emphasizing the music of Bach who didn't write anything that we know of for harp, when there are brilliant harp composers whose music we could study. I agree that studying music written for the harp is important for every harpist. But the music of Bach has been considered foundational for generations of music students, and it's no less important for us harpists. In fact, it is precisely because Bach didn't write for harp that we need to be extra-intentional about including his music in our studies.  There is a drawback, however. The difficulty factor of much of his music makes it inaccessible to beginning students, and beginning students, particularly adult beginners, could benefit so much from studying his music. So today, I have three goals. First, I'll show you what you can learn, even as a beginner harpist, from Bach's music and I'll demonstrate how you can learn it. Second, I'll share a practice page that you can use as a warm-up or for more practice on this material. And most importantly, in the course of our time together today, I want to help you connect with the beauty in Bach's music. Even though he never wrote anything for harp, he surely did write music that is beautiful, even transcendent, when it's played on the harp.   Links to things I think you might be interested in that were mentioned in the podcast episode:  Download your free Bach Study Sheet PDF Related resource 3 Bach Pieces Every Harpist Should Know and Why podcast Get the Harp Mastery® app for iPhone and iPad Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-179

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first Black woman to be nominated for a Grammy® Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award and later, the winner of the 2024 NAACP Image Award in the category of Outstanding Jazz Album for her latest album Brand New Life.  Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, Pharoah Sanders and Christian McBride.   Her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming and in 2019, Brandee was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens' “Soundtrack of America”.  Brandee is often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz & popular styles - particularly Detroit natives Dorothy Ashby & Alice Coltrane.  Her new album, Brand New Life, builds on her already rich oeuvre, and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual.  Younger's music is imbued with a sense of purpose and respect of legacy, creating a larger platform for the harp to reach newer and wider audiences than ever before.  In addition to teaching at Steinhardt, Younger holds leadership positions as a board member of The Coltrane Home and New Music USA.Maggie speaks with Brandee at the 67 Monterey Jazz Festival about her band and her association with Alice Coltrane and  The Year of Alice.“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” -  The New York TimesFollow: @harpistaSource: https://brandeeyounger.com/Source:https://steinhardt.nyu.edu/people/brandee-youngerSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Interview with harpist Marie Nicot - The Culture News

Nancy takes on like 8 mysteries in this one. Cute guy with amnesia who apparently escaped the Sea Org? Check. Bearded klepto with rage issues? Check. Hit and run driver? Harpist's missing sister? Ned's raging libido? Hippie with a scorpion fetish trying to sabotage a music festival and screw up Carson's street cred? PTSD? All of the above, thanks!

Ten years ago, I wrote a small book. It was my response to the frustration I observed some harpists experiencing. These harpists were diligent in their practice and dedicated to doing everything right. But they still weren't able to play their music the way they wanted. Some told me that they just couldn't get the notes, the fingering and the placing correct. Others said they couldn't get their music anywhere near an appropriate tempo. Some couldn't look at their hands and the music at the same time. Others couldn't make their music flow. And none of them seemed to be able to discover a solution to their problem. I started asking harpists questions, in order to find out a little more about what the real source of each of the issues might be. What I discovered was that, although the symptoms manifested differently in each individual, there was really only one problem, one that all of them shared. No one had ever told them how to practice. What I discovered in my own harp journey was that practice really wasn't about what I thought it was. It isn't enough just to play something over and over again until it's right. The goal of practice isn't perfection; it's music. When your practice isn't helping you make music, you can be pretty sure you're doing it wrong.  The right kind of practice starts with the right kind of focus. I'm not talking about mindset or concentration. I'm talking about practicing for the results you want, the results that are more than the right notes, results like flow, expression and musicality.  That was the starting point for my book. Kaleidoscope Practice: Focus, Finish and Play the Way You've Always Wanted. I used the word focus to describe five focus areas which can serve to direct your practice so that you can actually play the music you start. I'd like to explain those focus areas to you today and give you some of my favorite practice tweaks that may revolutionize the way you think about your practice, the way they revolutionized mine. Links to things I think you might be interested in that were mentioned in the podcast episode:  Get the Harp Mastery® app for iPhone and iPad. Check out the Kaleidoscope Practice ebook and PDF workbook, The Harpist's Playbook in the Harp Mastery® shop. Related resource: Don't practice for perfection! blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-176  

Our guest this week is Eilidh McRae. Eilidh is a professional harpist and harp teacher living in Darien, CT. 

Oakland Composer and Harpist Destiny Muhammad Has Always Charted Her Own Path Sitting on stage with her harp resting in her lap, Destiny Muhammad repeats this mantra: “Excellence, Beauty, and Success.” It's part mic-check and part pump-up. When she first started learning to play the harp, the Oakland-based composer and musician used to suffer from stage fright. Now, more than 30 years later, she commands the stage with a presence fit for a woman who calls herself the “sound sculptress.” As part of our series on California composers, KQED's Bianca Taylor brings us her story. The Pesky (But Lovable) Pine Native to the Northern CA Coast California is home to a lot of iconic trees, including giant sequoias, windswept Monterey cypresses, and Joshua trees. The bishop pine doesn't have that kind of celebrity status. But if you live on the Point Reyes Peninsula in west Marin County you're all too familiar with it. These indigenous trees are so well-suited to growing here, that to locals they're notorious pests, not because of how easily they grow, but because of how they die. The California Report's intern Lusen Mendel takes us to Tomales Bay State Park to meet someone who's made it his mission to deal with the pesky and strangely loveable, pines. Meeting Monarch the Grizzly Bear If you spend much time in the Sierra, you've probably been warned to look out for black bears. But there's another kind of bear that once roamed our state, one that's got a much bigger – and fiercer – reputation: the California grizzly. It's been 100 years since the extinction of the grizzly, but you can see one of the last of its kind, a bear named Monarch, up close at a new exhibit at San Francisco's California Academy of Sciences. Host Sasha Khokha paid a visit. Learn more about your ad choices. Visit megaphone.fm/adchoices

I am always impressed when talent and performance run in the family, and I can't think of a more powerful mother-daughter team to have in the studio right now than the two who are here. Merry Miller Guba is a world-renowned harpist, and Sue Grandi is the current Ms. Texas Senior America.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Elisabeth Remy Johnson, who has been the Principal Harpist of the Atlanta Symphony Orchestra since 1995. They talk about why she picked the harp, and her incredibly successful journey from majoring in Music and French at Harvard University directly to her position at the ASO. Elisabeth also shares details about founding the Urban Youth Harp Ensemble, the Merian Ensemble, and much more!For more information on Elisabeth: https://www.elisabethremy.com/You can connect with Elisabeth on Facebook and Instagram @elisremyjIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram, TikTok and YouTube @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

I had the pleasure of interviewing Catherine Girard. an exceptional, and talented artist and musician. With a unique blend of French and Peruvian heritage. Catherine shares her journey, as an independent singer, harpist, and songwriter. delving into her experiences and inspirations. We discussed her exploration, into various creative avenues. Including her venture into NFT art, and the release of her debut EP in 2020. Catherine's has a innovative approach to blending traditional and digital art techniques. Coupled with the power of AI, resulting in mesmerising 2D frame-by-frame animations.Catherine also opens up about her current pursuit. Becoming a movie soundtrack composer. She was so passionate, talks about how her background and experiences shape her music and art. Aiming to create emotive soundscapes that resonate deep, with her audience. Engaging conversation, that spans music, art, and the power of creativity. In overcoming challenges, and achieving one's dreams. Tune in to hear more about Catherine's inspiring story and her insights into the world of music and art. With the link provided below.https://www.youtube.com/channel/UCdwJUZ6DIvFdw09_O_2RXBgWe have a magical link below with all our socials and handle so you can find us on your favorite pod spot.https://linktr.ee/lostinthegroove

Harpist and singer-songwriter Mikaela Davis is playing two shows in our region this week - the first on Thursday, June 27 at The Colony in Woodstock, New York with Nashville based band Rich Ruth opening and the second on Saturday, June 29 as part of Wilco's Solid Sound Festival at MASS MoCA in North Adams, Massachusetts.

Johann Sebastian Bach is a name every musician knows. He is revered as a composer whose music defined musical practices in the Baroque era and whose compositions still influence music and musicians today. Learning about his music and learning to play his music is required study for any music major. But we harpists do feel a little neglected. We play one of the instruments that Bach did not write any music for. Of course, that doesn't stop us from borrowing extensively from his keyboard music, his violin and cello sonatas and partitas and his lute music. Much of Bach's music is well-suited to the harp with rippling scale passages or rich chords.  My first in-depth encounters with Bach's music were in my piano lessons when I was about 12 years old. My teacher was insistent about how the preludes and inventions I was studying should be played: how long each note should be, how the music was made up of melodies played together, or how the harmonies moved in progression. It was my first exposure to the real building blocks of music, besides simple key signatures and chords. Somehow Bach's music seemed to define and explain much of the rest of the music I encountered. In my studies in college, at The Curtis Institute of Music in Philadelphia, I learned much more about the inner workings of Bach's compositions and the lasting impact it has had, not just in terms of the wealth of beautiful music he wrote, but also in the effects his music had on every composer since his time. What I want to share with you today is not simply how learning more about Bach will make you a better harpist and all-around musician, but specifically how three familiar pieces by Bach can work together to help you improve your finger agility and evenness, your chords, your melodic flow, and your understanding of a couple of key musical concepts.  You probably already know and play at least one of these pieces, and possibly all three. What I want you to come away with today is a new understanding of how these pieces are constructed and how to use this information to become an even better harpist. Links to things I think you might be interested in that were mentioned in the podcast episode:  Fall Retreat registration is open now. Related Resource: Podcast Episode 109 Why Other Musicians Study Bach and Why You Should Too  Related resource Bach and My Friend Edward Aldwell blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-154  

I'm excited to have my sweet friend on the podcast this week, Megan Tibbits. She's an amazing singer, worshipper, harp player and artist.   Megan appeared before a national TV audience on ABC's Rising Star, advancing to the top 12, and released her debut album ‘Until I Fly' soon after. Since then, Megan has worked with artists such as Jennifer Lopez, Jonathan McReynolds, Danny Gokey, Brandon Heath & Marvin Winans Jr., and her videos have gotten the attention of artists such as Alicia Keys, Tauren Wells, etc. Most recently, Megan appeared as “The Harpist” on FOX's I Can See Your Voice and is soon to go on tour with author Bob Goff. She's much more than an artist but I loved getting to chat about the industry and worship and how to navigate some gray areas when it comes to leading God's people in something so holy. We explore the pressure to perform and the need to maintain a worshipful heart in all aspects of life because all of us have some kind of influence we've been called to steward. This is such a powerful conversation, and she brings such spiritual wisdom and that all can learn a great deal from!  Keep up with Megan:  http://megantibbits.com/ Let's Stay Connected:  Instagram: @itswhitneywood www.wisdomandwellnessww.com 

Our podcast guest for this episode joins us from Paraguay, in South America.  She's a self-trained success story who perfected her skills by watching online videos and countless hours of practice.  She's a skilled harpist and her music is bold and powerful. She's the lovely Catherine  Gairard and she's Someone You Should Know. Click here to buy the host a cold one.Show Links: Click here to go to Catherine's WebsiteClick here to go to Catherine's TikTokClick here to go to Catherine's InstagramClick here to go to Catherine's Twitter/XClick here to go to Catherine's FacebookClick here to go to Catherine's YouTubeClick here to go to Catherine's Music on SpotifyMusic VideosClick here to see the video for SolaClick here to see the video for  QuieroClick here to see the video for Guerra Odio y DolorAll music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

[REBROADCAST FROM April 6, 2023] Brandee Younger returns to the show, this time in-studio, to perform songs live from her new album, Brand New Life. The album celebrates the work of trailblazing jazz harpist Dorothy Ashby and features contributions from Pete Rock, 9th Wonder, Meshell Ndegeocello and Makaya McCraven.

The Cello Sherpa Podcast Host, Joel Dallow, interviews Irish Singer, Harpist and Violinist, Tara McNeill. Tara has been the violinist for the Celtic Woman for 8 years. They talk about her journey to this world famous group, what it's like to be on the road with them, how she manages to dance and play the violin, and much more!For more information on Tara, visit: www.taramcneill.com Order her new CD recorded with her husband, pianist Alexander Bernstein  "Across the Atlantic" on Tara's website.  The CD is also available on all the music streaming platforms. Tara is currently on the road for Celtic Woman's 20th Anniversary TourTour dates available  at: www.celticwoman.com Order the new 20th Anniversary album on the website.You can also find Tara on Facebook and Instagram:@taramcneillmusicAlso if there's space please say that I am on the road with Celtic Woman at the moment and you can find our tour dates at www.celticwoman.com and that we have a new 20th Anniversary album out!For more information on our sponsor: www.CLEAResources.com If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Instagram, TikTok and YouTube @theCelloSherpa

Catherine Gairard is an artist and musician with a diverse range of talents. We go into her many creative sides including singing, harpist, songwriting, and her art. Here is her website - https://catherinegairardmusic.com To hear more of Catherine's music please go here https://www.youtube.com/channel/UCdwJUZ6DIvFdw09_O_2RXBg Learn more about your ad choices. Visit megaphone.fm/adchoices