Podcasts about Beowulf

During the First Ogres War, Beowulf leads a fearsome charge on the battlefield in the Enchanted Forest of old. After every last soldier had been slain, Beowulf surrenders to death just as Rumpelstiltskin intervenes, killing all the ogres. Hailed as a hero in the village, Beowulf is irked by Rumple’s new title. He creates a […]

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Jo Harkin discusses with Ivan six things which should be better known. Jo Harkin studied literature at university. She daydreamed her way through various jobs in her twenties before becoming a full-time writer. Her debut novel Tell Me an Ending was a New York Times book of the year. Her new novel is The Pretender, which is available at https://www.waterstones.com/book/the-pretender/jo-harkin/9781526678348. She lives in Berkshire, England. The ruin of Minster Lovell. This was the estate of the Viscount Lovell, one of the main characters in The Pretender. It's got enough standing walls and a beautiful vaulted entryway to allow you to imagine life there, but also the setting is stunning. Alice Chaucer's tomb, and the concept of the Memento Mori. An hour away from Minster Lovell, in Oxfordshire, are the former lands of the Earl of Lincoln, another main character in the novel. In the pretty village of Ewelme, St Mary's church contains the tomb of Alice Chaucer – grand-daughter of the poet himself, and the grandmother of Lincoln. The Fabliaux. A modern English verse translation of medieval French Fabliaux. These were stories told across all levels of medieval society. And they were absolutely filthy. Food/drink suggestion. A recipe for an overlooked and delicious medieval dish – the pre-potato pea pottage. Exhibition. The British Library Treasures room has a permanent display of original books, maps and manuscripts, including medieval and Tudor era items such as pages from Leonardo da Vinci's notebooks, Beowulf, and the first printing of the Canterbury Tales. Misericords. Westminster Abbey is on every London tourist's must see list, but often-overlooked feature are the misericords. In the magnificent Henry VII's chapel, where his and Elizabeth of York's tombs are located, the original 16th century hinged oak seats were not visible to the general public. This podcast is powered by ZenCast.fm

Welcome to another all-new Carolina Reeper Show! ... Jon and the gang are in the studio and we are totally LIVE!   Dire Wolves, once extinct, are now back! Scientists have cloned them and are now roaming the planet! ... and what is a Beowulf?   We've got Idiotic TikToks that we'll be sharing and Jon's giving away more of his money in the Screen Actors Guild Residual Check game!   All this and more on this episode of Carolina Reeper!   Jon Reep Social Media: Facebook Twitter Instagram TikTok   For gifts and more in the Hickory, NC area check out Goodwill Northwest NC!    Go try the Jon Un-REEP-eatable Burger at the Hickory Social House!   Get you a Honda and a Hotdog at Hendrick Honda of Hickory!   Buy South in Ya Mouth BBQ Sauce here!

Du är en luktande lampa i natten, Somna. Ett vindskydd av bambu, ett parkeringsgarage, ett öra i smärta. Från Rusta till Roar – vägen är lång, men ändå kort, särskilt när man kastar sig mellan verklighetens plastkortsrabatter och Själlands metafysiska monster. Jag ligger på rygg och undrar: är jag ensam eller bara väldigt fri?Vi pratar Beowulf, pest, meteoritnedslag och varför man ställer skölden mot väggen innan man går in till kungen. Jag är kanske bara en berättande apa, men i kväll är jag din.Det är som det är. Det som händer, händer. Och just nu finns ingenting vi kan göra åt det. Nu börjar vi.Sov gott!Mer om Henrik, klicka här: https://linktr.ee/Henrikstahl Bli medlem i Somna med Henrik PLUS här: https://plus.acast.com/s/somna-med-henrik. Hosted on Acast. See acast.com/privacy for more information.

Why should we care about poetry? Are we just too stupid to really understand it? Find out as we discuss Tolkien's thoughts on how to properly translate an Old English poem into prose, and the many errors that a translator can fall into in the process.Follow us on X! Give us your opinions here!

We will never know some of the informal language that was bandied about among speakers in the time of Beowulf.

Guardian Goddess in Manhattan.Book 3 in 18 parts, By FinalStand. Listen to the ► Podcast at Explicit Novels."Our Princess grew up around a woman whose keen intellect we rely on to protect us from unseen enemies," Saint Marie's voice became deeper and more threatening. "At the age of ten, she," Saint Marie looked my way as my hand shot up mimicking Aya's identical plea for attention."Yes Ishara?" Saint Marie chose to acknowledge me."She's nine.""Fine. At the age of nine, she earned an honorific, Mamētu me eda, which I didn't accomplish until my 19th year." 'Yes Ladies, I'm an epic bad-ass and I've been out-performed by a child'."She was kidnapped along with the Head of House Ishara. They tortured her by clipping off two of her digits, one at a time, then seared the damage with a blowtorch. She gave them nothing. At the end of the encounter, the two of them managed to defeat thirty Seven Pillar's commandos, over fifteen she disabled personally.""After killing nearly half as many enemies as the 35 I have personally dispatched in my entire career, she crossed a mile and a half of barren rock in the midst of a Category 4 Typhoon. Cáel Ishara only helped her half of the way because he was engaged with the last two members of the Seven Pillar's team.""I have utter confidence the madness here today, while assisted by House Epona and Ishara, was the brainchild of Krasimira. I say 'assisted' because Cáel Ishara spared Kwenhamai's life on the battlefield. Katrina Epona removed Kwenhamai from Romanian custody to keep her out of the hands of those who wished us harm. I was aware Kwenhamai was in New York, but not her precise location.""My read on the situation is this:"Aya of Kururiyahhssi was aware of Kwenhamai and Krasimira's plot to adopt her into the bloodline of the first Amazon.""She was not aware of Kwenhamai's plan to exit the Host in the manner she chose. I read the shock and pain in, Aya's face.""Our Princess has not given me a single order and I am the only voice here today that matters, I am the Golden Mare and the Council has consistently failed to agree on a Regency.""Krasimira, why have you done this?" Saint Marie abruptly asked for either a denial, or acquiescence of her perception of events."As directed by the Ancestors, the statute of a goddess of a First House was recast then returned to her perpetual spot. It brought new light to a dark, sacred and painful place. In that moment I realized that for the first time in nearly 3,200 years, the descendants of every Amazon gathered before the walls of Wilusa (Troy) had been reunited.""I was troubled. Was this a portent the augurs couldn't divine? In their council (the augurs) then came up with the words 'speak to our eldest'."Oh shit, the rest of the Council was racking their minds trying to figure who was the oldest surviving Amazon. I knew for a fact they were overlooking the two top candidates."I sought out the eldest Amazon alive. They claimed to not have the answer for my worries. She had far more numerous things weighing on her mind such as her intimate demise. Though I hated sharing the same air with her, I asked her to tell me her greatest regret.""I had given up on the Amazon Race until an Amazon reminded me, through martial effort, valiant spirit and a kind heart, I was wrong to abandon my faith with my people. Now I will die, unable to pass on my renewed hope because the one Amazon I would trust with my legacy is equally childless.""I asked her the name of this Amazon she felt was worthy of her legacy. Then I informed her she was wrong and the Amazon in question did indeed have a daughter. She asked to meet the daughter,""Last night I requested the presence of a female child residing with members of House Epona," the Keeper of Records looked up at the Golden Mare. "I provided neither the resident female (Caitlyn, Aya's Mother), or the House Head with an explanation."Female childSince my revival, Amazons were using 'female' child a lot more often. This meant, the motheer had never told her daughter farewell. The true fate of Aya of Epona would never officially be recorded. She has been born, but never recorded as an Amazon of her true House."The three of us met alone. The two embraced; birth mother and daughter. The eldest of us proclaimed she saw the light of Kururiyahhssi in her daughter's eyes. Words were exchanged. The child agreed to be adopted then departed. Further arrangements were made without the child's knowledge as we have recently observed.""I testify that there is only one Amazon alive today who knows what transpired and I will take those conversations to my grave. Does that suffice?" Krasimira finished. I was already regurgitating my mental quandary with my Isharans. Was Aya really a daughter of Kururiyahhssi?"I will leave it to the others to contemplate your, bizarre actions, Krasimira," Saint Marie frowned. "As for the rest of you, Aya has impressed me. If she has not impressed you, I do not care. I think she is definitely influenced by those two," Saint Marie motioned to Katrina and me. "It is a given since Katrina was of her blood and she has risked much in the presence of a man she calls 'Atta' and he calls 'Duma'.""Katrina is a cold, heartless snake and I am convinced she is one of the best 'First Bearer of the Sun Spear through the Halls of Night and Death' the Host been served by in a long, long time.” Saint Marie paused then looked at me while she said; “ Cáel is a fool who leads with his heart when he should let better women take charge. Fortunately for the rest of us, he is reliably successful despite his multitude of handicaps."Was I upset about being insulted? No. The truth hurts and a Man needs to learn to roll with the punches. Buffy I could deal with. Katrina most likely appreciated being associated with a dangerous reptile. Saint Marie hadn't forgotten Katrina threating Saint Marie's daughter that was for sure."I am considering much of what our Princess would like me/us to do, because it is based in keen insight and well-reasoned thought. She wishes to spare our sons so we will have more warriors in the fight. We have already added men to Havenstone and one to the Council, as was the Will of the Ancestors.""Let me see, she wishes a bodyguard of fourteen (2 First House and 1 from Africa, Asia, Europe and North & South America, the Amazon presence in Australia was minimal and I doubted they would bring someone up from Antarctica, plus the seven matching Runners) without removing permanent members of any House and allowing all Houses to have access to our future Queen. I approve. It is a fine idea and I wish I had thought of it.""Should we add Runners directly into the Royal House? She doesn't think so and I feel this decision shows a remarkably insightful into the long history of our People and protects the Council's sensitivity on such matters. I approve.""Placing our sons into the care of the Royal House? We need to free up as many sisters as possible. Men under the care of the Royal House will be tradesmen and help-mates. Not a single weapon will be in their hands. If none of you have realized herlike will take two decades to implement, it only increases my eagerness to see her become 'casted'."Aya's hand shot up again.Yes?""I would hope the Council, or the Regents, will consider a 'like' which is not mine. It is a man's and it should be of no surprise the idea is Cáel's.""If you feel it holds merit, Aya, tell us," Saint Marie deferred."The 9 Clans have shown some interest in a children exchange programs among our youth as it would provide new techniques we can add to our arsenal an a new avenue to experiment with new ideas. I find the idea to be promising as the Host takes part in affairs beyond our own immediate needs. It would also supply partners between families to be shared for a season or two."Translation: Amazon women could breed with men of allied Secret Societies to reduce our dependence on our own, much smaller, male population. In the short term, it would go a long way to rectifying the Host's child-bearing problems.The Council's quarrelsome behavior was biting them in the ass big time. Saint Marie was right, the only opinion that mattered was hers until the Council elected a Regency. Had we not been at war, the Council would have ruled, but we were, so we took orders from the Golden Mare. Even if the High Priestess had been alive, she would have deferred to our designated War Leader on most things."Cáel Ish, Cáel Wakko Ishara is a very dangerous and devious male, Aya. Be careful of any council he gives," Saint Marie's caution was more playful than menacing."I'll be okay," Aya peeped. "He doesn't have sex with any woman until she is eighteen." That wasn't what the Golden Mare was cautioning her about. We all knew it. Aya was working to defuse a sticky bit of mental juggling, listening to a man's advice."On that we can agree," Saint Marie conceded. "Back to what I would 'like' to say. The New Directive is being implemented. I feel it goes beyond the purview of my mandate. I will leave it for the Regency to deal with. Katrina and Tessa have already invested in the groundwork in this endeavor, so I will endorse it if that is the decision of the Regency.""I have zero desire to add a single Runner to the Security Detail. I will open up slots in the training program if that is what the Regency demands. Each House's policy for dealing with the First Directive is their business, not mine. If any of you wish to consider something the Princess considers to be important, so be it. The idea of 1,000 Isharans does not appeal to me. Look how much trouble their tiny numbers have already caused us and take heed."Buffy began growling, which amused/worried the Houses on either side of us. Unlike me, Buffy didn't 'roll with the blows' and considered all manner of insults to me, House Ishara and her Isharan sisters to be answerable with violence. I loved her so. There was also no way I'd let her go after Saint Marie. The Golden Mare would crush her; I had no doubt."The unwelcome blood feud: are both House Heads ignorant of my forbiddance of such things? Apparently so. Both defied me by tossing insults back and forth. Considering we are at war with two of the most powerful Secret factions, I am angered by both for their idiocy.""The solution the Princess likes is rather novel," Saint Marie was punishing both Messina and me with her low voice and fiery gaze. Krasimira coughed."Yes?" Saint Marie suspended her anger."The suggested resolution is not without precedence," Krasimira spoke with a scholarly detachment. "In our early days, the Host settled such disputes in Spring and Fall gatherings by contests of foot speed, hunting, horsewomanship, archery and wrestling. If we revive the tradition, the competing Houses could nominate one woman for each contest to settle the matter. Only the hand-to-hand match would risk either contestant's health.""I will consider it and render judgement before the Sun sets today," Saint Marie nodded. "The final like pleases me greatly. Dealing with the 52 of you is, Cáel?"I was on the spot. I couldn't let down my fan base of one, Aya. Perhaps it was five, Buffy (who would never admit it), Daphne (who liked me), Katrina (because she liked fucking with my head) and Desiree (who was less likely to admit she found me funny than Buffy).I felt I gave a decent effort."'A ginormous pain in my hemorrhoids?' the basic one.""'More painful than having my cornea scrapped with a spoon?' more gruesome.""'Enough to make me want to give Sakuniyas a surprise French kiss?' most likely to be fatal.""'Worse than waking up to discover I'm related to Cáel Wakko Ishara?' most horrifying, for both of us.""'Inspiring me to toss it all away and take up Professional Bikini Mud Wrestling?' a personal fantasy of mine.""Why do we put up with him again?" one House Head remarked."Because I am worried that one," motioning to Buffy, "will stab me in the elevator after a meeting.""My First, are you acting psychotic around the Council members?" I looked over my shoulder at Buffy."Wakko Ishara, it is not an act. I am psychotic," she responded deadpan."Are you still packing that thermite grenade?""No Wakko Ishara. Daphne stole it from me and hid it," was her quick delivery."I love working with you two," Daphne whispered."What is it with you, your unsubtle sexual innuendo and me in a bikini?" Saint Marie stared at me."I find the combination of brilliance and lethality sexy. Just ask Elsa," I grinned. Then I grimaced as Buffy stomped on my toes. The House Heads and Apprentices on either side of me noticed and clearly expected me to do something, like to show outrage (because she was my underling), or start crying (because I was a guy)."Prestige," Daphne hissed quietly. "Prestige." She was reminding Buffy that beating me up in public made the other Amazons think even less of me than they already did."I will go with (B), the cornea scrapping," Saint Marie gave me a nod."Damn it," I muttered. I also got my foot out of the way before someone did any more damage to my phalanges.'Best Daddy Ever,' Aya mouthed to me. Back to the main action."It is not my place to order the rest of you to elect Shawnee, Rhada and Buffy to be the Regency. I do admit I admire the mixture of candidates," Saint Marie declared. I shot Rhada a quick look. She seemed really, really enamored of the idea of being part of the Regency, thus staying in New York for the next decade, or so."Before the idea is rejected out of hand, I suggest we ask the three people our Princess would like to be part of the Regency if they would accept the nomination," the Golden Mare continued. "Shawnee Arinniti?""I bow to the logic and reason of the proposal," Shawnee replied."Rhada Meenakshi?""I wish to join my sisters in battle, yet I accept the reasoning behind the proposal," Rhada nodded. "If my Head of House agrees, I will stay and do my part for our People." What was she saying to me? 'You are going to whip me, beat me, torture me, humiliate me and push me to beyond the limits of any pain I have experienced until I pass out ~ repeatedly'."I despair of finding any other compromise," Mahdi frowned. "If my Apprentice understands the greater difficulty she will face gaining prestige among her House-mates, I will consent to this proposal." Essentially a 'yes'."Buffy Ishara?""I was really looking forward to ripping the spines out of still living foes, but I would be a fool to go against Aya of Kururiyahhssi's smarts. If Wakko Ishara wants to walk out of this room unassisted, he will see the wisdom of this decision as well," she gave me a shark's smile. Daphne had surpassed her limit and punched Buffy."Hell ya, I agree," I exclaimed. "Now I know there will be certain times of the day when she isn't stalking me.""I'll work more pain into our limited schedule," Buffy grumbled."Are we sure he is the House Head and she is the Apprentice?" Yet another House Head joined the 'shit on me' train.It was telling of our group dynamic how we accepted the Pyramid of Pain. The underlings dispensed advice and violence as they felt necessary without their 'superior' getting pissy about it. Buffy felt totally justified hitting me and accepted being hit by Daphne, who continued to act unimpeded as Buffy's rapid-fire translator."If I was House Head, I'd handcuff him to me," Buffy clarified for her."What she said," I pointed a thumb Buffy's way. I'd have used a finger, but she might have grabbed, twisted and made me scream in pain."Perhaps the Council can vote on this as their second order of business," Saint Marie cloaked her command as a suggestion."Cáel Wakko Ishara, can I ask you a personal question?" Kohar of Marda caught my attention."Shoot, wait, probably not the best terminology in this crowd. Ask away," I replied."Have you faced a House challenge yet?""Yes. Just last night in fact. We free-climbed the north-face of Havenstone. I beat the next closest contender by three floors. I also had Princess Aya on the roof dropping bricks on anyone who attempted to get past me.""That means he isn't going to answer you," Beyoncé  interpreted for my audience."Can't you ever take these meetings seriously?" Febe Mielikki glowered."La, Febe, in the past few minutes I have watched the person I love most in the world get her life shat on," I shook my head."The only thing worse than seeing this happen to Aya is knowing this is her sole opportunity to not lose her soul, so I'm sucking up my heart's pain and putting forward a jester's persona so I don't put any more pressure on her than she's already been subjected to. Like me, she doesn't want the distinction of being a Person of Note.""Like me, she knows she must sacrifice her dreams for the sake of our People, the Amazon Host. Trust me, you would rather have 'me, the jester' than 'me, the Amazon' furious with the destiny that has foisted this pain on her'. Do any of you take responsibility for forcing the events of this morning?" I growled. If they wanted to see the other side of the Janus, so be it."Had you chosen a Regency in the fucking weeks you've been bickering, Kwenhamai could have been dealt with privately. The fate of the Royal House could have been put off a few years. Had you not all been so dead-set on being heroines of the Host, three of you would have sacrificed your bloodlust, your birthright and the future accolades you could recite on your final night (before taking themselves to the cliff), but none of you did.""Instead, you set the stage for dumping all of your indecisiveness on the slender shoulders of a nine year old girl most of you had written off as too fractured and frail to survive her 12th year only three months ago. So Febe how do you like the honest 'me'?" I finished off furiously.It was not lost on anyone in the chamber I was an Amazon raging against the cruelty of fate. Every other bitch in the room knew they had discarded my daughter's life as trivial and I was prepared to unleash violence on the next one to show an ounce of disrespect over Aya's surrendering of her destiny and my grief at failing to find a way to stop this from coming to pass. St Marie had just reminded them that I was 'reliably" successful despite my handicaps. Not an enemy anyone in the room wanted any part of. Saku would have been proud.A Note:I have been remiss in informing my readers of the names of the 53 Houses, even though I created it some time ago. I have made a few alterations to the original version as I've had to rethink certain parts of this tale, but here is the list I now use.List of Goddesses:The First Twenty Houses in no particular order :1) Ishara, Oaths, Medicine and War (to North America) (died out 450 CE; Reborn in 2014)2)   (Deceased) Anat, Goddess of War, Fury and Blood Sacrifice (died out 6th cent. BCE) ~ possibly resurrected by Sakunyias3) Anahit, water, wisdom and war (to North America)4) Arinniti, Sun Goddess (to North America)5) Hanwasuit, Sovereign Goddess6) Illuyankamunus, Dragon God (to North America) (Special Case)7) Inara, the Hunter Goddess8)  au ka, fertility, War, healing9) Kamrusepa, Healing medicine magic (to Africa)10) Lelwani, Goddess of the Underworld (to Africa)11) Hapantali, Pastoral Goddess.12) Hatepuna, Sea Goddess (to India)13) Hannahannah, Mother Goddess14) Moirai, Fate15) Selardi, Lunar Goddess (to Africa)16) Nammu, Primordial Sea, sailing, sailors (to India) (to Indonesia)17) Uttu, Goddess of plants (to Africa)18) Lahar, Cattle Goddess (to Africa)19) Ereshkigal, Queen of the underworld (to India)20) Istustaya and Papaya, Twin Goddesses of Destiny (to North America)Additional Houses, founded in Europe:(Code: Sc = Scythian; T = Thracian, P, Phrygian, C = Celtic, R = Roman, Sl = Slavic)21) (Sc) Marda, the One-Eyed Goddess/Vengeance {fantasy creation}22) (Sc) Farānak, A Scythian Goddess also known as the Lynx Goddess and the Silent Huntress (Dora)23) (Sc) Stolgos, Monstrous Slayer of Greeks (known to the Greeks as the Gorgon Stheno) {semi-historical}24) (T) Cotyttia, Thracian Goddess of Sex, War and Slaughter (to North America)25) (T) Bendis, Thracian Goddess of the Moon and Hunting.26) (T) Semele/Rajah, Thracian Goddess of the Earth and Birth (to India)27) (T) Hylonome, Centaur Goddess28) (P) Cybele, Phrygians Earth Goddess on Lion's throne (to the Amazon)29) (C) Andraste, War Goddess; also Goddess of the Moon and Divination; 'the Rabbit Goddess'30) (C) Epona, Horses (to North America)31) (C) Cyhiraeth, Goddess of springs whose war cry precedes death (to Africa)32) (C) Maeve, War Goddess, the Enslaver of Men33)   (Deceased) (C) Nantosuelta, Earth, Fire and Fertility (died out 1st cent. BCE)34) (C) Artio, the Bear Goddess (to North America)35) (C) Nemain, Goddess of War and Panic36) (R) Minerva, Roman Goddess of War & Strategy37)   (Deceased) (R) Diana, Hunting and Archery (died out in India 16th cent. CE)38) (Sl)  iva, Love and Fertility49) (Sl) Morė, Goddess of harvest, witchcraft, winter and death (to North America)40) (Sl) Zorja, The twin Guardians (Evening/Morning Stars)41)   (Sl) Oźwiena, fame and glory (died out in 1944)42)   (Sl) Koliada, Sky Goddess and deity of sunrises/dawn (died out 17th cent CE)43) (F) Mielikki, Goddess of the Hunt44) (N) Ska i, giantess, Goddess of bow-hunting, skiing, winter, and mountainsAdditional Houses, founded in In dia:45) (I) Mookambika, Demon Slayers46) (I) Bhadra, Goddess of the Hunt (to Indonesia)47) (I) Meenakshi, The Liberator (Rhada and Madi's House)48) (I) Durga (Dark Mother) (to Indonesia)49) (I) Chandala Bhikshuki, Queen of Night, Death, Destruction and Rebirth50) (I) Jaya (Goddess of Victory)51)   (I) Chelamma, the Scorpion Queen (died out 16th cent.)Additional Houses, founded in Africa:52) (A) Oshun, (Yoruba Goddess of Love, Sexuality, Beauty and Diplomacy; Lady of the Orisha ~ life spirits)53) (A) Yemonja, Mother of Rivers (to the Amazon)54) (A) Oba, Goddess of Betrayal and Exile55) (A) Ox ssi, Goddess of Hunting, Forests, Animals and Wealth56) (A) Jengu, Goddess of Jungles and Water SpiritsAdditional Houses: founded in North America(NT = Native Tribal)57) (NT) Uusheenhiton (noo'uusooo' heeninouhuusei hitoniho') (Arapaho), Storm Horse Sister {fantasy creation}58) (NT) Gahe, Apache (supernatural spirits who live in the mountains)Prospective House:59) New, (Hittite) SzelAnya, the Dragon's DaughterCurrent Number of Central Houses:12 in North America (9+Ishara from Europe and 2 native)10 in Africa (6 from Europe and 5 native)3 in Amazonia (1 from Africa and 2 from Europe)8 in India (3 from Europe and 7 native)3 in Indonesia (2 from India and 1 from Europe)17 in Europe6 Deceased{7:35 am Sunday, September 7th ~ Last day}Right where we left offMy rage over Aya wasn't called into question or challenged. Practicality had trumped tradition in the inevitable Amazon fashion. The only one elevated in anyone's eyes was Aya. Krasimira's apparent political adventurism was probably hard for the others to deal with. But in context, only Mahdi, Katrina and Saint Marie had seen her denounce Hayden, so this seemed a new side of Krasimira to most people in the room.Krasimira wasn't the spiritual authority, that was Hayden. She wasn't the Generalissimo, that was Saint Marie. Katrina and I were both appointed officials, we retained our House status. Saint Marie would die a member of House Inara and join her ancestors with pride. Her litany of accomplishments were well known to the Host.But Krasimira? She would die a member of House Cybele unheralded. The Keeper of Records recorded the feats of others, not their own. Nearly two generations ago, a young Krasimira had joined the Keeper's House as a guardian to an un-remembered (save by her) augur. The augur passed and she took up other duties within the house.When the old Keeper faced her final months, she elevated Krasimira to her spot. High Priestess Hayden had approved the choice without really knowing who Krasimira was. (No one outside the House of the Keeper had personal bonds with her anymore.) Seamlessly, she had sat in the old Keeper's seat and the Council kept chugging along.For the past eight years, she had sat quietly at Hayden's side and only speaking when addressed. Mostly, she did nothing overt. The actual note-taking was done by an underling. The Keeper took her own private notes squirreled away in her mind, to be written when she was by herself. Those notes would be handed over to her successor, for the Keepers' eyes and theirs alone.I don't think Krasimira knew me in particular when she dutifully followed Hayden into these chambers the day my death, or life in a cage, was bantered about. It was the day we first crossed paths. She would have known of Shawnee's request for the tooth of an Isharan, though she lacked the authority to ask why. (She wasn't a voting member of the Council.)But when Shawnee made her claim, Krasimira hadn't balked in her support, despite the oddity of Shawnee's declarations, I was indeed Ishara and my sisters could not dispose of me. The outrage of the others meant nothing to her. She pursued her obligations with true Amazon fearlessness both inside and outside of the Council.On the night of the 2nd Betrayal, a Keeper had sat there in silence as her fellow Amazons, the Ash Men, were sentenced to an unjust death. She'd had neither the numbers nor the authority to alter events, what else could she have done?So the Keepers kept track of the names of nineteen 'unaccounted for' Ash Men. For what purpose? An episode of Amazon history no one would ever want to revisit? Yet in my hour of need, coming back 2,600 years was the name 'Vranus of Ishara', sitting only a few keystrokes away. No one, save a few Arinniti diehards, wanted to know the truth of the Amazon Ash Men; and even they didn't want to remember us as individuals. To them, Vranus existed as a notation on the secret Charter of the Arinniti Sons.To Krasimira, Vranus had been a living, breathing warrior of the Host, not even dead, still mythically fighting the enemies of our race because his death had never been officially recorded. With my appearance, I stood in mute testimony to his death, and that of his sons and their sons for a damn long time.Still, I hated playing catch-up.With the Amazon custom of adoption, had no one asked if another possible Isharan heritage still persisted?I would bet they had. And I'd bet they had sought for that knowledge in the Rolls of the Host, always finding that pathway devoid of hope. But if the Keeper had known, why had she kept quiet?Pride, shame, Krasimira's words: we show anger when we should show humility. We are proud of our shame. We are arrogant of our weaknesses. We have heaped insult upon insult on our ancestors, yet are now aghast that they turn away from us, I had confused her soliloquy with that of an accusation, not the long held understanding of her office.Even staring extinction in face, the modern Host hadn't truly accepted the answer, the line of Vranus. Faced with the truth, the Amazons would have 'forgotten' the descendants of Vranus all those centuries ago in the same way they 'forgot' all the other Ash Men on the day I was brought into the Host.But the Keepers did something more than maintain the rolls and records of the Amazons, more than watch over the augurs and make sure their messages made it to the proper ears. They safeguarded the truth. No matter what the Council decided and the High Priestess commanded, the Keepers remained honest stewards of the real history of the Amazons.Why?The Amazons were terribly practical and the truth could run contrary to the needs of political reality. Honesty wasn't a highly stressed Amazon virtue, loyalty was. So was bravery. And thus generation after generation of Keepers had lied to the Council and the High Priestesses. Every time those august personages had committed something to 'the nothingness', the Keepers had defied them and not forgotten.The first heads of the first twenty houses had surrendered their names for the unity of their people, but the Keepers remembered. All twenty of those women had been of the Amazon tribe of the Pala people living on the southern coast of the Black Sea when the Trojan Wars began. Over time, their true blood descendants had founded new houses and been adopted into others.Aya was truly a daughter of Kururiyahhssi; I had no doubt of that anymore. Had she not shared the same blood as the first Amazon, Krasimira wouldn't have brought Aya and Kwen together. Resurrecting an ancient tradition in a complicated fallacious coup attempt wasn't in her; nor was such a maneuver even a necessity. The Host would elect a Regency eventually and Saint Marie was handling the war in a highly competent fashion.So Krasimira hadn't sought out the heirs of Vranus, yet when one appeared, she welcomed 'him'. And when she stepped into the President's office with Hayden while waiting for me to be brought upstairs to face judgement that night, I imagined sending Hayden to the cliffs was the farthest thing from her mind.The rest were playing politics, gender politics, and couldn't see the truth staring Krasimira in the face. The truth was a bitch and didn't play favorites, or worry about the sensibilities of others. Krasimira had seen her sisters refusing to acknowledge the ugly reality they had created for themselves.Krasimira wasn't an advocate for Ishara, that was my job, and my crappy performance was something between Dot and me. She wasn't an advocate for the males and the New Directive. That was what Katrina was for. No, like a hundred Keepers before her, Krasimira was the silent sentinel for the Truth and, the Truth didn't care about anything but the Truth."The assassin is indeed in this room. Its name is Amazon was a rather grand pronouncement from the Chief Librarian, wasn't it? Krasimira didn't chastise Hayden. That wasn't her place. Technically, neither was she disputing Hayden's ability to rule.This wasn't the climax of a dinner-theater 'Who Done It'. The crime before the High Priestess was High Treason and I was the pre-ordained guilty party. My 'ally', Katrina Epona, had not been an advocate for my defense. No. Again in my Hour of Need it was Krasimira.Lacking any true authority, she had defied her sisters and made her definitive statement. What truly transpired was Krasimira staring Hayden straight in the eyes and saying 'you cannot lie your way out of this one, High Priestess. We (as in all the Keepers past and present) will not let you'.Had she used those words, Saint Marie would have gotten around to asking what Krasimira meant. Krasimira would have rather died, because once those bitches discovered their nerdy sisters hadn't erased a damn thing in 3,000 years, they would insist they do so immediately. Krasimira wasn't about to do that. Thanks to the chaos surrounding Hayden's departure, no one had confronted her over her crucial action.To put it more precisely, the Golden Mare had been too busy and Mahdi had been wrapped up in Hayden's Decree and the resulting pressure on the Heads of House to pick the Regency. Katrina was probably a case of I'm not going to ask you so you don't have to lie to me. The only other living person in the room when Hayden's fate was sealed was me, and I'd had my hands full as well.I had to think about what I should and could do. I couldn't beat her up over Aya anymore than I could punish my Isharans for their misplaced arrogance. I decided to extend a 'thank you'; and not only for myself, but for every conceited bitch who had ever sat at this table, or all the other physical mediums the Council had used before this one.We held three votes: The Council couldn't collectively decide on how to implement Aya's other likes (1), so they agreed on her suggestion for a Regency instead (2). The final vote was to set a date for the next Council meeting (3). A date within 9 days of the Winter Solstice with the Regency to decide the precise date and give the House Heads two weeks warning.The last calamity at the meeting was initiated by a question of etiquette."How do we address the Princess at Council meetings?" the Head of House Hanwasuit inquired of Krasimira."There is no precedent for addressing the Iwaruwa alone. By our laws, she is not truly Dumalugal Aya either. She is Nasusara," Krasimira responded. Queen."She is a child," a third House Head declared, "not an Amazon.""No," Mahdi shook her head. "A, Aya is 'un-casted'. She bears an honorific presented to her by the leader of an established stronghold (Summer Camp) and confirmed by the Golden Mare minutes ago.""Congratulations my mamētu me eda," I winked to my past and present Princess, "you've just become a single-digit aged teenager.""Go Aya," Daphne and Buffy whispered behind me. Aya raised her hand, waiting for Saint Marie's recognition.However, Saint Marie moved steadily forward, declaring: "Until the Regency alters my decision, I decline assigning anyone to the Iwaruwa (heiress) whose sole purpose would be to stop her from sneaking off to endure her 12th Year Test. I judge it to be better we know where we placed her as opposed to failing to outsmart her as she needlessly proves to the Host she is, in fact, already an Amazon of the Host." Aya lowered her hand.Thus,'Yes, Aya is an Amazon of the Host' and 'Aya will take her 12th Year Test because she wants to take it, won't let us talk her out of taking it and the rest of us had better accept it'."So, she is our Queen then?"No one appeared to have an answer. Aya raised her hand once more."Yes?" the Golden Mare smiled down at her."Am I in charge?" Aya's other hand squeezed Saint Marie's as she spoke in a barely audible voice."Perhaps.""If I was in charge, I would like it if there was a law that declared the Queen of the Amazons would be officially represented by a Regency until she becomes casted, and antedate the law by one hour so this never, ever comes up again," Aya kept looking up at Saint Marie."Aya," Katrina exhaled.The council chamber was a mixture of awe, resentment and amusement. If Aya was Queen, she could make such a law. The Queen-ship was a Bronze Age autocratic institution designed to provide leadership to a 'state' in near-constant warfare with is neighbors.It was guided by oral traditions and military necessity, not written laws. As long as the queens provided successes on the battlefield and through diplomacy, she was deemed fit to rule. The traditional way of choosing a House Head was the same for the Royal House, the ruling Queen chose an heir.In the long list of Queens, less than half had been the 'eldest' child. No, those ancient War Leaders picked the bravest, smartest and most successful daughters to succeed them. Their wisdom in those selections showed in the fact the Amazons had held off a male-dominated world for over 600 years before fatally marching off to answer an ally's call to fight in the Trojan War."I advise against it," Saint Marie shook her head. "You are young. You are also the only Royal we have. Duty demands and sisters must always answer their sister's call."Translation: Aya was an adult now. It was similar to the first lesson Pamela gave me upon learning I was Ishara. We lived with bitches, it doesn't pay to play nice with bitches."Thank you," Aya nodded. She was 'thanking' Saint Marie for the lesson, no matter how hard it was to accept. Krasimira coughed."Now that the matter is settled," she spoke. The matter wasn't settled. Krasimira was steamrollering the discussion. "What do we call you?", to Aya."I, oh," in a very small voice. Aya's brow furrowed and her tiny nose wiggled. "I wish to be known by the legacy of my Anna (mother) and Atta (me, Cáel). I will be Assiyai hamai.""Love song?" Daphne murmured to Buffy."Assiyai hamai?" Krasimira asked for clarification. 'Love-song' was hardly the name of a 'fierce' Amazon Queen."The only other name I could come up with was Markappidusmene, which seemed less auspicious," she meeped. Markappidusmene meant 'Tiny Smile'."Perhaps Talliyahulla would be more auspicious?" Saint Marie nudged Aya. 'War Cry'."Oh no!" Aya balked. "That's your job.""What do you think your job is?" the Golden Mare questioned, suddenly realizing she'd made the mistake of making assumptions where Aya was concerned."To go to the cliffs with twice as many Amazon daughters, each equal to the likes of Saint Marie, Katrina, Oneida, Buffy, Elsa, Kohar and Tad fi as exist today. We must not 'survive', or simply replenish our numbers."We must become stronger because the World is a terribly messed up place," she raised her wounded hand and splayed her digits for the others to see the two she was missing, "and has become too small for us to seek safety in hidden freeholds any longer. If we cannot hide, we must rule openly. We are Amazons. Having no equals, we must rule alone. The only people we can trust, really trust, are the sisters at our sides."My job is to advance my People's cause with both compassion and cruelty and I will do so alone, because the Amazon Queen has no equals, only daughters."Not a sound. I could count out the individual fan blades recycling the air."Let our enemies tremble," Saint Marie nodded, repeating an earlier declaration."Assiyai hamai," Krasimira intoned, making Aya's royal name official before adding, "Assiyai hamai, you are mistaken about one thing. You are not alone. You have a mamētu me eda.""Oh," she perked up, shedding the gloom which surrounded her. She looked at me, our eyes met and we both grinned, then she giggled...and yet again, up her hand went."Yes?" Saint Marie looked upon Aya respectfully and then at me with much suspicion."Is the mamētu me eda of my mamētu me eda also my mamētu me eda?" Aya asked.Just like old times, only Katrina was ahead of the game. "Oh, by Epona," the Spy-mistress snorted."Cáel Wakko Ishara, who is your mamētu me eda, oh no," Saint Marie bristled."Ah, indeed," Krasimira nodded. "An unlooked for bonus.""Does someone care to enlighten the rest of us?" the head of House Nemain prodded."Oh!" That was Elsa."That's right!" Oneida, she was definitely a fan of me and my spasmodic lifestyle."Wakko Ishara's mamētu me eda, other mamētu me eda, is Temujin, Great Khan of the Reborn Mongol-Turkish Khanate and ally of the Host," Saint Marie let them know. "They are bonded by Cáel risking his own life to save Temujin's. It is actually a privately understood and publically declared fact.""In Temujin's words to the international press when our Cáel and our new Queen were kidnapped : I believe Cáel is still alive. If he wasn't, we would be seeing piles upon piles of dead enemy around him and his 'boon companion', clearly visible from orbit. Until they discover this carnal pit from Hell, I am sure they are both still alive," Oneida added. Rhada flashed ill-distilled hate her way."Shawnee, is your Apprentice's mind addled with the birthing hormones of their child?" Mahdi snipped. That was merely a cultural zing, not an attempt to expose my sinister erotic misdoings. Unfortunately, she was somewhat correct. Okay, she was totally correct."That was uncalled for," Shawnee graciously chided Mahdi, thus demonstrating her ignorance of the facts soon to be in evidence."Yes, I am carrying a child of Arinniti and Ishara," Oneida proclaimed loud and proud. "We share a Warrior's Love."I wasn't really sure how anyone else reacted to the news because House Ishara exploded into violence. That is the politic way of saying Daphne and Juanita were trying to stop Buffy from beating me to death. Here was yet another Ishara-baby and it wasn't gestating inside her. I was too stunned to defend myself.And the old refrain: 'and then it got worse'."Ta  ah kattanda!" (IN HITTITE for 'you pig's ass'), Rhada howled. I missed her drawing her blade, vaulting to the top of the table and lunging at Oneida. Most of the Amazons in the room stood, yet held their ground.They weren't shocked into indecisiveness, only trying to understand the nature of the conflict before intervening. This was not the first 'your Amazon did something my Amazon found infuriating' public threat they had to have dealt with. Rhada was more volatile than the average woman of her breed and station, true, but a violent in-chamber assault?That wasn't the 'worse' though. Oneida drawing her blade in an open challenge to Rhada wasn't the worse either, nor was her shouting."He loves me! He merely saved you!"Saint Marie yelling 'Ishara! Ishara!' over and over again, demanding I put my house back in order wasn't the end of my woes, nope.Me being yanked free of my House fur-ball into the volcanic gaze of Elsa as she seethed, "Rhada?" Oh yeah, Elsa's people and Rhada's people had a bit of a blood feud going on, how could I have forgotten that?But wait!"Not Fabiola!" gasped Messina, bizarrely assuming I slept with, okay, not such a huge assumption."Gael?" voiced by the Head of House Bendis, followed by Gael's "I'm late.""Damn it!" I pulled away from Elsa (slightly)."No. She only lets me ejaculate on 'safe days'," to Messina, Fabiola's Mom."Oh, come on! We had sex one time!" to Gael of Bendis, and finally,"Stop it!" to Rhada and Oneida, (deep breathe). "Really?" with my most believable happy face plastered on. "This is great news!"No. No it wasn't, and I could read the ugly emotional undercurrents on the faces of everyone present, except Aya, who kept the faith."Ishara," Saint Marie rumbled. I held up one finger to forestall her wrath."Oneida, Rhada and I have already decided to name our daughter Parvati. My daughter by Tad fi, ordained by the Goddess to be the first born, will be named Shala while my first son will be called Harki heni (White Hair, I'd call him Raider when we were in the 'outside' world).""My daughter by Miyako Yuri will be named Suwais-urāni, Fushichou in her Mother's tongue, in honor of Sakuniyas. My, other relationships," I would have liked to say 'none of your business', except Amazon mothers, or not, those children would be of Ishara's blood and potentially their kin.

Send us a textPlaywright Megan Gogerty streamed into the Playwright's Spotlight right before the opening of her one-woman show and reimagining of the story of Beowulf. It's a fascinating episode with tons of wisdom to take in, unpack, and apply. We discuss one-person adaptations and letting the play be itself, the importance of intuition, the use of two ideas that collide, and knowing what the question is. We delve into the structure of a one-person vs multi-actor piece, the structure of a one-person show, the audience as another character, smaller markets and selling widgets, who you vs who knows you, accessibility, gatekeeping, and asking for permission, and the role of the audience and making them ask questions. The more this podcast grow, the more every episode offers something new. Megan delivers. Enjoy. AND, if you're in the LA area be sure to catch the West Coast premiere of her production FEAST at The Count's Den through April 6th through the ticket link below -https://events.immersiveartcollective.org/events/immersiveartcollective/1511665Megan Gogerty is a playwright and comedian. Her solo show Lady Macbeth and her Pal, Megan played at the Edinburgh Fringe Festival and won the Audience Pick of the Fringe at the Cincinnati Fringe Festival. Her play Bad Panda (Theatre Without Borders, Beijing; Iron Crow Theatre Co.; WordBRIDGE Boomerang Playwright honoree) is published by Original Works Publishing and was translated into Spanish for a five-month run at Del Teatro Milan in Mexico City. The Atlanta Journal-Constitution listed her solo show Hillary Clinton Got Me Pregnant in their yearly Top Ten Best Plays. Megan's musical drama Love Jerry was produced in the New York Musical Theatre Festival where it won three Talkin' Broadway Citations and four NYMF Excellence Awards including Excellence in Writing. She was a Playwright's Center Jerome Fellow, A WordBRIDGE alum, and earned her MFA in Playwriting from the University of Texas at Austin. She currently teaches playwriting at the University of Iowa and is a regularly returning visiting-faculty for the Playwright's Lab at Hollins University.For tickets to FEAST through April 6th, 2025, visit - https://events.immersiveartcollective.org/events/immersiveartcollective/1511665To watch the video format of this episode, visit - https://youtu.be/ZJBqlXMom-8Links to resources mentioned in this episode -Know Theatre of Cincinnati - https://www.knowtheatre.comWalking Shadow Theatre Company - https://www.walkingshadow.orgLenaea High School Theatre Festival - https://www.lenaea.orgMoving Arts - https://movingarts.orgOriginal Works Publishing - https://www.originalworksonline.comNew Play Exchange - http://newplayexchange.orgWebsite and Socials for Megan Gogerty -Website - www.megangogerty.comBlueSky - @megangogertyTikTok - @megangogertyWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfeSupport the show

Send us a textIn the final chapter of Climbing Parnassus, Tracy Lee Simmons distinguishes between the "skills" and the "content" arguments for classical study, and says that the skills argument is in fact the stronger. Content, Simmons says, can be learned by reading translations - or even from scanning Wikipedia (or asking A.I.!). What is irreplaceable about true classical study is the formation of the mind and the skills acquired from long years of intense training in reading and writing in Greek and Latin. The death of this educational program caused European literary culture to rot, just as critics and poets like W.H. Auden, T.S. Eliot, and C.S. Lewis had warned: they were the last generation to receive this education, and so it should be no surprise that they were the last generation of Anglophone writers even to approach greatness.Tracy Lee Simmons' Climbing Parnassus: https://bookshop.org/a/25626/9781933859507New Humanists episode on Albert Jay Nock: https://newhumanists.buzzsprout.com/1791279/episodes/10528217-should-everyone-be-educated-episode-22 J.R.R. Tolkien's Beowulf: The Monsters and the Critics: https://jenniferjsnow.wordpress.com/wp-content/uploads/2011/01/11790039-jrr-tolkien-beowulf-the-monsters-and-the-critics.pdfPlato's The Last Days of Socrates: https://bookshop.org/a/25626/9780140449280Seamus Heaney's translation of Beowulf: https://bookshop.org/a/25626/9780393320978ALI's Latin for Kids program: https://ancientlanguage.com/latin-for-kids/New Humanists is brought to you by the Ancient Language Institute: https://ancientlanguage.com/Links may have referral codes, which earn us a commission at no additional cost to you. We encourage you, when possible, to use Bookshop.org for your book purchases, an online bookstore which supports local bookstores.Music: Save Us Now by Shane Ivers - https://www.silvermansound.com

In this episode, we're kicking things off with a little personal drama—stress literally threw my back out, leaving me flat on my back contemplating life (and the plot of my next movie). Then, we dive into the curious case of Gene Hackman's passing, unpacking some mysterious details surrounding the legendary actor's natural yet puzzling death. Could it be the start of a real-life Hollywood thriller?For movie fans, we explore the world of Beowulf adaptations, dissecting everything from the gritty Beowulf & Grendel to the bizarre animated take by Robert Zemeckis. Which one truly captures the epic poem, and which one left us scratching our heads? Plus, a hilarious breakdown of our signature movie rating system: Binge Now, Binge Later, or Binge Never.As always, there's a detour into nostalgia—this time, it's all about 80s Care Bears bubblegum (don't ask, just watch). So, whether you're here for some juicy Hollywood mystery, epic movie battles, or just a good laugh, this episode has it all!

The bois sit down with Oscar winner Roger Avary, (Killing Zoe, The Rules of Attraction, Pulp Fiction) and Gala Avary, (producer of The Video Archives Podcast), to discuss the state of film, physical media, innovation, the paranormal, and Dwayne The Rock Johnson.Join our Patreon for bonus episodes, supplements, Discord access, and more: https://www.patreon.com/therearetoomanymoviesMerch: https://www.toomanymovies.com/shopInstagram:https://www.instagram.com/therearetoomanymovies/TikTok:https://www.tiktok.com/@therearetoomanymoviesListen on Spotify:https://open.spotify.com/show/7lwOlPvIGdlmr6XjnLIAkG?si=4e3d882515824466Subscribe on iTunes:https://podcasts.apple.com/us/podcast/there-are-too-many-movies/id1455789421Twitch:https://www.twitch.tv/therearetoomanymoviesTwitter:http://www.twitter.com/tatmmpod00:00:00 Cold Open00:00:35 Intro00:01:43 Killing Zoe Screening at The Texas Theater00:18:51 Film vs. Digital00:27:40 Choosing Your Medium00:38:28 Frame Rates and Projection Tech00:46:26 Film vs. Digital Cinematography00:48:12 Movie Theaters00:49:50 Physical Media00:51:52 Made in the USA00:55:53 TVs at Home00:58:03 Physical Media Resurgence01:05:01 Innovation in America01:10:20 Making Art in a Business Industry01:14:37 Director Talk01:21:43 Movies At The Right Time01:24:44 Business Models of the Film Industry01:32:22 State of Movie Theaters01:36:00 Vastness of Content01:38:27 Batman (1989)01:40:48 Writing vs Writing & Directing (Silent Hill & Beowulf)01:51:41 Robert Zumeckis01:55:02 Eric Stoltz Back to the Future Recasting02:00:44 Clifton Collins Jr.02:04:25 State of Acting & Casting02:08:00 Dwayne The Rock Johnson02:12:10 Movies In The Theater02:22:08 Warlock02:26:45 Steven Soderbergh02:32:34 Roger's Use Of Surrealism02:50:01 Practical vs. CGI02:54:50 Surrealism03:00:52 Roger's Paranormal Stories03:26:53 Guess The Budget03:31:15 What Was In The Briefcase In Pulp Fiction?03:35:21 Actor Game03:47:54 Outro

The boys drink and review one of Pigweed's homebrews, then discuss the Anglo-Saxon poem Beowulf. What makes Beowulf such a timeless epic? In this episode of Beer and Conversation with Pigweed and Crowhill, we dive into the legendary Old English poem, exploring its themes of heroism, honor, and the battle between good and evil.We discuss Beowulf's iconic fights with Grendel, Grendel's mother, and the dragon—unpacking the deeper meanings behind these monstrous encounters. How does Beowulf reflect the values of warrior culture? What does it reveal about fate, leadership, and the tension between pagan and Christian worldviews?Join us as we break down the literary significance of Beowulf, its historical context, and why it still resonates today.

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/gareth-hinds Graphic novels are experiencing something of a renaissance recently. As the medium has gained popularity, notable thinkers like Sapiens author Yuval Noah Harari and the late John Lewis have brought their stories to life beautifully in graphic novel form. Gareth Hinds has played a big role in shaping the medium. His graphic novel adaptations of The Iliad, The Odyssey, Macbeth, Beowulf, and King Lear have brought new readers and new perspectives to these classic tales. Count us in that group of his readers looking at these ancient stories differently. We speak with Gareth about his creative and editorial workflow, and how he turns challenging works from Shakespeare, Homer, and others into a graphic novel. We also talk about how his background in video game design influences his work, and how he chooses stories that lend themselves well to his style of illustration. Bio Gareth Hinds is the creator of critically-acclaimed graphic novels based on literary classics, including Beowulf (which Publisher's Weekly called a “mixed-media gem”), King Lear (which Booklist named one of the top 10 graphic novels for teens), The Merchant of Venice (which Kirkus called “the standard that all others will strive to meet” for Shakespeare adaptation), The Odyssey (which garnered four starred reviews and a spot on ten “best of 2010” lists), Romeo and Juliet (which Kirkus called “spellbinding”), and Macbeth (which the New York Times called “stellar” and “a remarkably faithful rendering”). Gareth is a recipient of the Boston Public Library's “Literary Lights for Children” award. His books can be found in bookstores and English classrooms across the country, and his illustrations have appeared in such diverse venues as the Society of Illustrators, the New York Historical Society, and over a dozen published video games. *** Premium Episodes on Design Better This ad-supported episode is available to everyone. If you'd like to hear it ad-free, upgrade to our premium subscription, where you'll get an additional 2 ad-free episodes per month (4 total). Premium subscribers also get access to the documentary Design Disruptors and our growing library of books, as well as our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. Upgrade to paid *** Visiting the links below is one of the best ways to support our show: Masterclass: MasterClass is the only streaming platform where you can learn and grow with over 200+ of the world's best. People like Steph Curry, Paul Krugman, Malcolm Gladwell, Dianne Von Furstenberg, Margaret Atwood, Lavar Burton and so many more inspiring thinkers share their wisdom in a format that is easy to follow and can be streamed anywhere on a smartphone, computer, smart TV, or even in audio mode. MasterClass always has great offers during the holidays, sometimes up to as much as 50% off. Head over to http://masterclass.com/designbetter for the current offer. *** If you're interested in sponsoring the show, please contact us at: sponsors@thecuriositydepartment.com If you'd like to submit a guest idea, please contact us at: contact@thecuriositydepartment.com

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this week's episode, we chat with RP about the expectations of the hero's journey, mysterious celebrity clients, and getting paid to DM. Spoilers for Beowulf, I think? We tank our chances for a Neuralink sponsorship in this one, just like we tanked our chances for a Tesla sponsorship earlier this season. (Also, just in case it wasn't clear, we recorded both this interview and the interview with Austin before the election, when joking about Elon Musk's failing companies felt different somehow.)RP plugs Order of the Stick in this episode, and the fact that this webcomic has been running for more than two decades has made Jake feel intensely mortal. They also plug Demon: A Memoir and The Silmarillion. Head on over to RP's Instagram to see what they're working on, send them an email to ask about playing in one of their professionally DM'd games, or support them on Patreon or Ko-fi.In this episode we also refer back to a couple previous conversations, including our interview about OSR-style gameplay with Max and our Flashlight on recent decisions at Wizards of the Coast. This week's PC intro comes from Hali, who plays in one of RP's home games with friends, and who's also been a player in one of Jake's campaigns. If you like the music on the show, go check out more of Reilly's music. Follow us wherever you get your podcasts, including Spotify, Apple Podcasts, and YouTube. You can also get episodes right from the source at our RSS feed. If you enjoy Campaign Spotlight, consider subscribing to our Patreon. For more on the show, including links to all our social media, visit our website.    ★ Support this podcast on Patreon ★

It's time to take a short break from the world of War and Peace and dive even further back in time...What happens when a local family run establishment refuses to engage with repeated noise complaints from a blood thirsty daemon? You very much *will* believe the answer.  ///patreon.com/wapin7 - Fight the curse... with money!wapin7.com/rate

Ever wonder why critical military resources get lost in the“fog of war”?In this week's episode of Defense Mavericks, Ryan Connell sits down with Beowulf's founders, Mark Hammonds and Ryan Perez, to discuss how Bulldog—a logistic and planning tool—was developed to streamline military logistics.Drawing from their firsthand experiences in Ukraine, they discuss how real-time feedback from soldiers transformed Bulldog into a game-changing tool for efficiency, accountability, and survivability on the frontlines.They also dive into the evolving role of AI in software engineering, the lessons they learned while navigating U.S. government contracting, and Beowulf's partnership with Carahsoft to deploy their solution.If you're interested in technology's role in defense or the journey of a startup tackling massive logistical problems, this episode is a must-listen.Key Takeaways:(00:00) Introduction (01:10) The story behind Beowulf's creation(05:09) Initial problem identification in Ukraine's military logistics(11:16) Real-world impact of poor inventory management(14:47) Progress and challenges with scaling Bulldog (18:28) Regulatory hurdles for small businesses contracting with the government(21:30)  AI's evolving role in software engineering(25:54) Importance of early, direct feedback from users(27:46) How to get actionable feedback from software pilots(30:19) Episode wrap-upAdditional Resources:

Episode 039: February 8, 2025 Please join me discuss art careers with Brittany Torres. About Brittany: Brittany Torres is an award winning fantasy artist with a unique style of digital painting that focuses on luminous, fantastical female portraits. She braved the college towns of MA to emerge armed with a Bachelor's of Liberal Arts from Mount Holyoke College and a deeper appreciation for female representation. To no one's surprise she majored in both English Literature and in Medieval Studies, specializing in King Arthur, Beowulf, and manuscript research. With a background in publishing, graphic design, along with website and social media marketing business, Brittany has always found ways to stay creative. She currently shows her artwork at fantasy and sci-fi conventions, both internationally (Glasgow Worldcon 2024) and locally, such as her home show Norwescon in Seattle where, among others, has been awarded the People's Choice Best in Show Award in 2022, 2023, and 2024. Brittany also sells her artwork at comic cons around the entire Pacific Northwest, while taking on commissions and doing collaborations, the latest being fan art collaborations with top authors on BookTok. When not glued to the computer you can find her with a cup of coffee in hand, living a ridiculously fun life with her growing family in Washington State. Brittany's Links: Website: https://www.torresfantasyart.com Echo Chernik Links: Website: https://www.EchoChernik.com Illustration: https://www.echo-x.com Facebook: https://www.facebook.com/echoxartist Instagram: https://www.instagram.com/echochernik Patreon: https://www.patreon.com/thexcaliberproject Kickstarter: https://www.kickstarter.com/profile/echox/created

www.mixcloud.com/%D0%BF%D0%B0%… 01 Jaden Bojsen, David Guetta, Tchami, Malaa, MAKJ - Let's Go N9 (RUSHMORE Mash-Up) 02 Firebeatz - Chip Tune 03 Laidback Luke & Vion Konger - Rocking With The Best 04 DBL - Come On DJ 05 Kapuzen, Jay-Z, Kayne West, Sterbinszky - Niggas In Paris (Mashup Mix) 06 Dillon Francis & DJ Snake - Get Low (Dipside 'VIP' Remix) 07 Luke Miller - Flip That Dough 08 Tujamo & Norii - Make The Place Go Boom 09 Kid Panel - Bass Down Low 10 Daddy Yankee - Gasolina (Blue Edit) 11 Dubdogz, Beowulf, Woo2Tech - Azkaban 12 Dr Dre ft. Snoop Dogg - Still Dre (BeatBreaker F1 Vegas Remix) 13 Kendrick Lamar - Tv Off (Kue Remix) 14 FISHER & Flowdan x Tchami, Malaa & MAKJ - Boost Up (Cream 'N9' Edit) 15 Justice, Robin Schulz, CYRIL, Hawk - We Are Your Friends x World Gone Wild x Don't Stop (SIKS Edit) 16 Tove Lo, M83 - Stay High x Midnight City (SIKS Edit) 17 Black V Neck, Cave Studio - Do My Thing 18 Chief Keef - I Don't Like (Your Lucky Day Remix) 19 DeepDelic - The Way

In a post apocalyptic, medieval, steampunk world, a man walking around with his own armory of weapons and a dark past arrives at a trading outpost cursed with a great evil that he's been hunting. Add in some industrial techno music, a gratuitous amount of somersaults, and a gigantic straight razor guillotine…and you've got 1999's interpretation of the Old English epic poem BEOWULF! Didn't see that coming, did ya?! Come for the Christopher Lambert, but stick around for Grendel's hot MILF!!!

It's an EPIC birthday episode to celebrate Brian's 35th. Join Dan and Brian as they discuss a whole range of topics -- birthday traditions, Dumpuary, the Oscars, strange pronunciations, mortality, etc. -- as they review three films Brian saw in theaters for his birthday. First they disucss the Tim Burton fatherhood curiosity, Big Fish. Then they look at the book series and ornately-produced film adaptation, A Series of Unfortunate Events. Lastly, they look at the ostentatious Robert Zemeckis mocap film, Beowulf. Happy Birthday, Brian! Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/  

David Adger is Professor of Linguistics at Queen Mary University of London. He's created new languages for TV series and films and he explains to Michael Rosen how he goes about it. For his latest language he used existing Creole languages for his 'conlang', or constructed (artificial) natural language. He talks Michael through the grammar and language principles he applies to his creations and lets him try his hand at the monsters' language he invented for a televised version of Beowulf.Producer: Maggie Ayre

This week we are going to talk about the most famous force of vengeance in English literature- Grendel's mother. She is known as the mother of revenge but why? And more importantly- did he have it coming?Support the showFollow us on Twitter and Instagram: https://twitter.com/MythsMovies https://instagram.com/mythsinmovies

The Old English poem Beowulf is a vital source of information on history, language, story and belief from the darkest of the Dark Ages. Only one copy is known to exist (it’s in the British Library), and that was rescued from a fire that is known to have destroyed many other manuscripts. If Beowulf didn’t exist, how much would we know about that period? It’s a sobering thought that between 410 and 597, no scrap of writing survives from what is now England. This is an interval comparable in length between now… and the Napoleonic Wars. The same is true about fossils — what we know of the fossil record is an infinitesimal dot on an infinitesimal dot on what really happened. Almost everything that once existed on our planet has been lost. This means that anything new we find has the potential to change everything. Today guest, Henry Gee, author of A (Very) Short History of Life on Earth, zips through the last 4.6 billion years to tell a tale of survival and persistence that illuminates the delicate balance within which life has always existed.See omnystudio.com/listener for privacy information.

It's a new year and a new day, and have we got a pod for you.  We're talking, not one, not two, but Thirteen Warriors.  Yup that's right we fired up the old VHS and watched the 1999 Antonio Banderas classic/bomb, The Thirteenth Warrior.  So get ready for fireside duolingo, cannibal cave people, and questionable amounts of eye liner.  So bust out those copies of Beowulf from junior high and ask yourself "do you know the difference between a man and a bear?  Ya, but what if it's dark?  See!!!!!  Also, is Phillip trolling Bridget with this movie pick? Listen to find out!!!!!

Summary In this powerful message, Pastor Roman draws parallels between the epic poem Beowulf and the struggles we face in life, emphasizing the importance of confronting our inner demons. He explores the emotional anguish experienced by Jesus in Gethsemane, highlighting the significance of humble beginnings and the impact of trauma. Chapters 00:00 The Hero's Journey: Beowulf and Personal Monsters03:03 Emotional Anguish: Jesus in Gethsemane12:02 Humble Beginnings: The Impact of Trauma18:04 Moments of Truth: Integrity in Darkness21:56 Forgiveness: The Key to Overcoming Anguish28:00 Defeating Anguish: The Power of PerseveranceTakeaways Life is like the story of Beowulf; we must confront our inner monsters. Emotional anguish is a universal experience, as seen in Jesus' life. Humble beginnings can shape our character and resilience. Stress can have profound effects on our mental health. Crying is a natural and healing response to stress. We must choose to keep fighting through our struggles. Integrity is tested in moments of darkness and adversity. Forgiveness is essential for personal and spiritual growth. We should not make decisions when emotions are high. Perseverance is key to overcoming life's challenges.

Back with another All Reading Counts episode, Joshua Noel and TJ Blackwell discuss the Epic Poem, Beowulf! They talk about their history with this book, why it's still relevant today, and how we can learn to be a true hero from stories like this!.What is the story of Beowulf about? What is the true story of Beowulf? Is Beowulf A Saxon or Viking? What does Beowulf teach us? What happens at the end of the Beowulf? What race is Beowulf? What biblical figure is Grendel connected to? Why did Beowulf fight Grendel? What does Beowulf do after he kills Grendel's mother? Was the dragon in Beowulf evil? We discuss all this and more in this one! Join in the conversation with us on Discord now!.Support our show on Captivate or Patreon, or by purchasing a comfy T-Shirt in our store!.Check out the rest of our All Reading Counts series:https://player.captivate.fm/collection/3706021e-22e5-4598-ae1d-732ec8e275a9.Listen to all of Joshua's episodes:https://player.captivate.fm/collection/642da9db-496a-40f5-b212-7013d1e211e0.Check out all of TJ's episodes:https://player.captivate.fm/collection/f4c32709-d8ff-4cef-8dfd-5775275c3c5eMentioned in this episode:You can help support the show on Patreon!Get exclusive access to live recordings, bonus questions, free merch, access to future D&D campaigns, the opportunity to help choose our topics, and much more!SG PatreonSystematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.Anazao Ministries Podcasts - AMP NetworkCheck out other shows like this on our podcast network! https://anazao-ministries.captivate.fm/You can help support the show on Patreon!Get exclusive access to live recordings, bonus questions, free merch, access to future D&D campaigns, the opportunity to help choose our topics, and much more!SG PatreonAnazao Ministries Podcasts NetworkCheck out all of the other AMP shows!

What if the stone circles of ancient Sweden weren't just meeting places, but instruction manuals carved in stone? The UFO activity at sites like Hagbards Galge and the superhuman abilities unlocked through Viking breathing techniques hint at a truth our ancestors knew well: perhaps the gods were never gods at all, but teachers who left their lessons hidden in plain sight.FOLLOW DAVID LOVEGROVE HERE - https://www.youtube.com/@vikingsuperpowersIf you are having a mental health crisis and need immediate help please go to https://troubledminds.org/help/ and call somebody right now. Reaching out for support is a sign of strength.LIVE ON Digital Radio!  http://bit.ly/40KBtlWhttp://www.troubledminds.net or https://www.troubledminds.orgSupport The Show!https://www.spreaker.com/podcast/troubled-minds-radio--4953916/supporthttps://ko-fi.com/troubledmindshttps://rokfin.com/creator/troubledmindshttps://patreon.com/troubledmindshttps://www.buymeacoffee.com/troubledmindshttps://troubledfans.comFriends of Troubled Minds! - https://troubledminds.org/friendsShow Schedule Sun-Mon-Tues-Wed-Thurs 7-10pstiTunes - https://apple.co/2zZ4hx6Spotify - https://spoti.fi/2UgyzqMTuneIn - https://bit.ly/2FZOErSTwitter - https://bit.ly/2CYB71U----------------------------------------https://troubledminds.substack.com/p/beyond-beowulf-tolkiens-window-intohttps://youtu.be/gp8gmkfyM7Ahttps://x.com/SirEvanAmato/status/1858881737842913678https://tolkiengateway.net/wiki/Beowulf_and_the_Criticshttps://en.wikipedia.org/wiki/Beowulf:_The_Monsters_and_the_Criticshttps://www.poetryfoundation.org/poems/50114/beowulf-modern-english-translationhttps://en.wikipedia.org/wiki/Old_Norsehttps://norsemythologist.com/aesir-gods/https://en.wikipedia.org/wiki/%C3%86sirhttps://en.wikipedia.org/wiki/Fasceshttps://www.gutenberg.org/files/598/598-h/598-h.htm

Mentioned in the episode:Everyday Dose- https://www.everydaydose.com/goldivy Code- GOLDIVY at checkoutSmidge- Magnesium Supplements for a Good Night's Sleep | Smidge® Code- GOLDIVY10 for a 10% discount at checkoutAll Things Elderberry- www.allthingselderberry.com Code- GOLDIVY at checkout for 15% off your first orderMOVE- Try one full-body, energizing workout you can do 2-3 days week here: MOVE with Gold IvyJoin MOVE + have access to all workouts, Golden Hours, and resources here: MOVE with Gold IvyGuest: Jesse Golden- JESSE GOLDEN (@jessegolden) • Instagram photos and videosThe Golden Secrets Skincare: SKINCARE – THE GOLDEN SECRETS Code: GOLDIVYJesse Golden is not only a devoted mother, wife, holistic health practitioner, yoga teacher, author, and creator of The Golden Secrets- a holistic, sustainable skincare + wellness line. She is also one of our biggest idols. Jesse lives authentically and shares healing modalities that are absolutely lifechanging. We use The Golden Secrets skincare products every day and love to hear how Jesse cares for herself in the most natural ways.In this episode, Jesse shares her journey to her precious son, Beowulf. There are many unexpected turns, devastation, hope, sadness, and eventually bliss and Jesse walks us through it all. We admire Jesse's ability to share what helped her in hopes that it helps someone else on their own journey.#infertility #ivf #ivfjourney #pregnancy #geriatricpregnancy #healthandwellnesspodcastSupport the show

Christmas might be over, but that doesn't mean they're getting a moment's peace, as, for this week's Bonus Episode, we're peering through the veil and into the history and folklore of Elves, from their earliest recorded mentions through to today!Part of the "Three Ravens Bestiary" series, we start off chatting about the modern perception of Elves, which, in most of the Western world, sees them linked to Santa Claus and Tolkien's Middle Earth mythos. Yet, as we quickly uncover, despite the 'White Ones' being all magical and shimmery and shiny, they actually have a very shady history that is inextricably linked to tales of abduction, sexual violence, and, from the 18th century on, they have a significant role in ethno-nationalism, too.Despite becoming a byword for 'fairy' or even 'demon' by Shakespeare's day, as we dive back to the beginning we find that Elves really were distinct creatures, mentioned in some of the earliest North European literature that has survived across the millennia, as well as in Anglo Saxon medical texts, some of the very first Scottish witch trials, and, of course, the Icelandic Eddas, Beowulf, and tonnes of fascinating Medieval writing. From ancient border ballads to myths of early kings, legends of Wayland and Erik The Red to saucy old Chaucer, we're really running the gamut with this one! Yet, how did the rather terrifying, often God-like Elf become synonymous with household pixies? And what did the Christian church to do transform perceptions of Elves into something to be pitied rather than feared? Plus, how could using the lavatory with extreme prejudice serve as a useful defense against Elf-kind - in addition to silver crosses and pentagrams?As ever, we have at least some of the answers - though, fair warning, there's still plenty to fear when thinking about Elves, so leave some butter outside your door, and be sure to steer clear of wild places at sunrise and sunset...The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome back to a our final episode of our second season An Aesthetic Education. Our last two episodes of this season will take us back in time to explore the origins of the English language and literature by diving into the world of Anglo-Saxon, England and the story of Beowulf.Written & Presented by Jeremy RosenAll Rights Reserved Altalena Inc. READING LIST:Peter S. Baker (ed.), The Beowulf Reader (Routledge, 2000)R. E. Bjork and J. D. Niles, A Beowulf Handbook (Liverpool University Press, 1997)R. E. Bjork, R. D. Fulk and J. D. Niles (eds.), Klaeber's Beowulf (University of Toronto Press, 2008)R. D. Fulk (ed.), The Beowulf Manuscript (Harvard University Press, 2010)R. D. Fulk, Interpretations of Beowulf: A Critical Anthology (Indiana University Press, 1991)Malcolm Godden and Michael Lapidge (eds.), The Cambridge Companion to Old English Literature (Cambridge University Press, 2013)E. B. Irving, Rereading Beowulf (University of Pennsylvania Press, 1992)Andy Orchard, A Critical Companion to Beowulf (Boydell and Brewer, 2003)Andy Orchard, Pride and Prodigies: Studies in the Monsters of the Beowulf Manuscript (University of Toronto Press, 2003)J. R. R. Tolkien and C. Tolkien, Beowulf: A Translation and Commentary (Houghton Mifflin, 2014)Stephen Mitchell, Beowulf (Yale University Press, 2017)

Welcome back to a new episode of An Aesthetic Education, as we head towards the end of the year and the end of our second season. Our last two episodes of this season will take us back in time to explore the origins of the English language and literature by diving into the world of Anglo-Saxon, England and the story of Beowulf.Written & Presented by Jeremy RosenAll Rights Reserved Altalena Inc. READING LIST:Peter S. Baker (ed.), The Beowulf Reader (Routledge, 2000)R. E. Bjork and J. D. Niles, A Beowulf Handbook (Liverpool University Press, 1997)R. E. Bjork, R. D. Fulk and J. D. Niles (eds.), Klaeber's Beowulf (University of Toronto Press, 2008)R. D. Fulk (ed.), The Beowulf Manuscript (Harvard University Press, 2010)R. D. Fulk, Interpretations of Beowulf: A Critical Anthology (Indiana University Press, 1991)Malcolm Godden and Michael Lapidge (eds.), The Cambridge Companion to Old English Literature (Cambridge University Press, 2013)E. B. Irving, Rereading Beowulf (University of Pennsylvania Press, 1992)Andy Orchard, A Critical Companion to Beowulf (Boydell and Brewer, 2003)Andy Orchard, Pride and Prodigies: Studies in the Monsters of the Beowulf Manuscript (University of Toronto Press, 2003)J. R. R. Tolkien and C. Tolkien, Beowulf: A Translation and Commentary (Houghton Mifflin, 2014)

Many of us struggled with the Old English poem "Beowulf" in high school. But what if you could actually hear "Beowulf" in the English of today? There's a new translation by Maria Dahvana Headley that uses contemporary language and even internet slang to create a fresh take on this centuries-old poem -- right down to addressing the reader as Bro! Also, what's a word for feeling desperately lonely, but also comfortable in your solitude? And: the story of the word nickname. It comes from words that literally mean "an additional name." Plus laundry list, snaggletooth, breakfast, desayuno, circus lingo, gaffle, a search-engine brain teaser, hogo, logomachy, Waldeinsamkeit, and a book about book burning that's bound in asbestos!  Read full show notes, hear hundreds of free episodes, send your thoughts and questions, and learn more on the A Way with Words website: https://waywordradio.org/contact. Be a part of the show: call 1 (877) 929-9673 toll-free in the United States and Canada; worldwide, call or text/SMS +1 (619) 800-4443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vi önskar er alla ett gott nytt år och vill tacka för så mycket för det gångna året. Kommentera gärna och berätta vad ni tycker har varit bäst i år. Planeringen inför 2025 pågår för fulla muggar och alla fingervisningar om vad som uppskattas mest är värdefulla för oss. Men först ska avsluta poddåret 2024 men en sjujävla berättelse!Norden har sin egen Herakles. Han kallades Beowulf och enligt det kväde som bär hans namn dräpte han tre monster under sin långa och ärofyllda gärning. Sagan är en av JRR Tolkiens största inspirationer för berättelserna från Midgård.Men Beowulfkvädet är också föremål för en intensiv och ganska illasinnad debatt om huruvida den går att använda som historisk källa. Sagan kommer mycket sannolikt från nordiskt 500-tal innan den skrevs ned i England någon gång på 700-talet. Sagan äger rum på Danmark och innehåller referenser till sveakungar och medeltida krig. Är det sanning eller myt? Varför bråkas det så mycket?——Läslista:1.Eriksson, Bo, Tusen år av fantasy: resan till Mordor, Historiska media, Lund, 20202.Eriksson, Kristina Ekero, Vikingatidens vagga: i vendeltidens värld, Första utgåvan, Natur & Kultur, [Stockholm], 20213.Gräslund, Bo, Beowulfkvädet: den nordiska bakgrunden, [Kungl. Gustav Adolfs Akademien för svensk folkkultur], Uppsala, 20184.Lovén, Christian, ‘Beowulf och Gotland: replik till Bo Gräslund', Fornvännen (Print)., 2019(114):4, s. 249-252, 20195.Lönnroth, Lars, Det germanska spåret: en västerländsk litteraturtradition från Tacitus till Tolkien, Första utgåvan, Natur & kultur, Stockholm, 20176.”Drakdödaren som var kung på Gotland” af Klintberg, Bengt i SvD 2018-10-137.”Lätt att rasera teori om Gotländsk Beowulf” Harrison, Dick på SvD.se Lyssna på våra avsnitt fritt från reklam: https://plus.acast.com/s/historiepodden. Hosted on Acast. See acast.com/privacy for more information.

Send us a textFilmshake's year of 1999 ends with one of 1999's final releases, The Green Mile. Your hosts were so emotionally devastated by this film 25 years ago that they haven't had the heart to venture back to it...until now. But this isn't just an episode on The Green Mile...it's a culmination of everything Filmshake has done this year...which means it's time for one more cell-rattling argument! But before your hosts can fight over anything, they have to discuss this episode's punishment film: the incredible, incredibly bad 1999 Mortal Kombat-inspired "techno-future" softcore and swords adaptation of Beowulf! It's two movies that will inspire two completely different uses of tissues...and it's only on Filmshake!Music Heard This Episode"The Green Mile" -- Thomas Newman"Circus Mouse" -- Thomas Newman"Coffey on the Mile" -- Thomas Newman"End Credits" -- Thomas Newman"Western Eyes" -- PortisheadIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

We're joined this week by Bernie Taylor. Call it confirmation bias if you like, but I got a lot of validation in this episode. Taylor takes us through cave art found around the pillars of Hercules, among other places, to document the earliest zodiac found. From that and knowledge of which animals are represented, he put together the story which might be the first story. We follow the hero through the horizon and the directions, to reveal the heroe's journey. Perhaps the holy or noble diver. The origin of the winged gods, the mer-gods, cerebus, most of the labors of Hercules. And, if you listen carefully, you'll probably hear echoes of Gilgamesh and Beowulf and life emerging from mountains or turning into natural features. The real lack of Atlantis might also be established. We go back at least 34,000 years to answer many of the questions we've been asking for eras. 

Hwæt a Movie returns with Beowulf: Prince of the Geats! Given how hard this one is to find, we'd be surprised if any of you have seen it. Released in March 2007, shortly after SYFY's Grendel and ahead of Robert Zemeckis's Beowulf, this Scott Wegener-directed indie film dives into the epic tale with a unique take on the hero and his legendary battles. And while the film's limited budget and production constraints might be apparent, its dedication to the original text shines through. Making the film more charming and admirable is the fact that the production team and actors all worked for free on this passion project. All proceeds from the sale of the DVDs for Beowulf: Prince of the Geats went to aid both the American and Norwegian Cancer Societies. Get a sense of the film by watching the trailer here. The film stars both Jayshan Jackson and Damon Lynch III as the younger and older Beowulf. Wegener's decision to depict Beowulf as the son of an adventuring African fisherman offers some interesting possibilities and an approach to the character that we haven't seen yet. It's also one of the few film adaptations to follow Beowulf home to Geatland after his time in Denmark. As always, our episode includes an exhaustive summary of the film, a Q&A discussion, and our final ratings. How do these versions of Beowulf, Grendel, and Grendel's Mother stack up against those we've seen before? And how does this quirky, low-budget film score on its fidelity to the source material and its overall entertainment value? As the length of the episode might suggest, we've got a lot to say about this one. This was a delightful film to unpack, and we hope you enjoy hearing about it as much as we enjoyed discussing it. If you're interested in reading more about Wegener's decision to cast black actors to play Beowulf and the responses it prompted, check out the following articles and discussions: Clark, David. "Race/Ethnicity and the Other in Beowulf". In Beowulf in Contemporary Culture, edited by David Clark, 31-50. Cambridge: Cambridge Scholars Publishing, 2019. Nokes, Richard Scott. "Beowulf: Prince of the Geats, Nazis, and Odinists". Old English Newsletter. 41, no. 3 (2008): 26–32.   Listen to our overview, watch the trailer (or find the film if you can), and let us know what you think on our social media: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Or join others like you on Saga Thing's unofficial official Discord

Reflection on an Almost Two-Year Journey of Generative AI in Industry – Maria Sukhareva ​About the speaker: ​Maria Sukhareva is a principal key expert in Artificial Intelligence in Siemens with over 15 years of experience at the forefront of generative AI technologies. Known for her keen eye for technological innovation, Maria excels at transforming cutting-edge AI research into practical, value-driven tools that address real-world needs. Her approach is both hands-on and results-focused, with a commitment to creating scalable, long-term solutions that improve communication, streamline complex processes, and empower smarter decision-making. Maria's work reflects a balanced vision, where the power of innovation is met with ethical responsibility, ensuring that her AI projects deliver impactful and production-ready outcomes. We talked about: 00:00 DataTalks.Club intro 02:13 Career journey: From linguistics to AI 08:02 The Evolution of AI Expertise and its Future 13:10 AI vulnerabilities: Bypassing bot restrictions 17:00 Non-LLM classifiers as a more robust solution 22:56 Risks of chatbot deployment: Reputational and financial 27:13 The role of AI as a tool, not a replacement for human workers 31:41 The role of human translators in the age of AI 34:49 Evolution of English and its Germanic roots 38:44 Beowulf and Old English 39:43 Impact of the Norman occupation on English grammar 42:34 Identifying mushrooms with AI apps and safety precautions 45:08 Decoding ancient languages ​​like Sumerian 49:43 The evolution of machine translation and multilingual models 53:01 Challenges with low-resource languages ​​and inconsistent orthography 57:28 Transition from academia to industry in AI Join our Slack: https://datatalks.club/slack.html Our events: https://datatalks.club/events.html

This is Episode 61 of the Consortium Podcast, an academic audio blog of Kepler Education. In this episode, Dr. Joshua Mayo, associate professor of English at Grove City College, gives his second keynote address on Cheerful Truth—the need to let go of pretentious sophistication—at the 2024 Consortium conference in Maynard, MA on July 12-13, 2024. Kepler's Consortiums provide resources and regional connections for Christian families, teachers, and educational organizations to expand the reach of classical education and foster human flourishing for generations to come. The New England Consortium of Classical Educators (NECCE) exists to point New England to the unifying Truth found in Christ and His creation, the Good of fellowship with like-minded individuals, and the Beauty reflected in great works of literature, science, and art, through teaching, conversation, and conferences. Josh Mayo is chair and associate professor of English at Grove City College, where he teaches British literature, composition, and the “Good Books” (feel free to ask him about this favorite term). He and his wife Bethany, along with their five children—Ezra, Silas, Ainley, Zoe Claire and Finn—live in Western Pennsylvania (in a technical sense). But for most of the year, Josh's soul dwells in a little fishing village in Maine called “New Harbor.” Additional relevant notes: he feels inspired by Beowulf, confused by Flannery O'Connor, and elated by Dickens.

What is not to love about 13 bros teaming up to defeat an ancient evil that lives in the mist? Based on the real life account of 10th century Islamic poet Ahmad Ibn Fadlan and the epic poem Beowulf the 1999 film takes some big swings. Strider clears the fog around what is and isn't historically on point.  Strider's Special Makin' Memories striderwilson.com Sources: Screenhub.blog, imdb.com, encyclopedia.com, study.com, bbc.com ‘The 13th Warrior: The Hollywood blockbuster that pioneered a Muslim hero' by Mohammad Zaheer 2024, britannica.com, discover.hubpages.com, odins-gift.com, artofconversation.net ‘Re-Watching The 13th Warrior' by Matthew Morgan 2023

Me and Shahid are back with episode #251 of Hood Classics...2007 Beowulf Twitter     @jeffvstheworld - Jeff     @philly_drugs - Shahid Instagram @thejeffvstheworld - Jeff @shah_abdul_hadi TikTok @therealjeffvstheworld --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffvstheworld/support

My guest today is someone who I believe, without exaggeration, will help transform the way people learn ancient languages for years to come. While our institutional academies crumble, a new academy is quietly emerging in independent organizations like the Ancient Language Institute, and Colin Gorrie is one of its leading figures. His aspiration is to "bring linguistics out of the ivory tower," which he's done magnificently with his new book Osweald Bera, now available for pre-order. We talk about Tolkien, Beowulf, and the magic of learning ancient languages. Pre-order Osweald Bera: https://ancientlanguage.com/vergil-press/osweald-bera/ Register for Spring courses at The Ancient Language Institute https://ancientlanguage.com/youngheretics/ Order Light of the Mind, Light of the World (and rate it five stars): https://a.co/d/2QccOfM

Hwæt a Movie returns with the Beowulf film you didn't know you needed to see: SYFY's Grendel. Released at the start of 2007, ahead of Beowulf: Prince of the Geats and Robert Zemeckis's Beowulf, Grendel rides the wave of Beowulf-mania that was sweeping nation back then. Or perhaps it started the craze? And while you might think based on the title that this film picks up where Beowulf and Grendel left off with a more nuanced and sympathetic approach to this epic medieval monster, you'd be wrong. Grendel gives us the more violent and aggressive side of this famous shadow-walker. Chris Bruno stars as Beowulf in this Nick Lyon directed film adaptation of our favorite Old English poem. As you'll see, no one can spin a tale of exposition or spin round and round in combat this Beowulf. With Ben Cross as King Hrothgar and Marina Sirtis as his queen, Onela—wait, Queen Onela? If you know your Beowulf, or your Swedish history, then you may have spotted a problem here. But hey, the film also features a crossbow that shoots magic exploding arrows. Realism and textual fidelity isn't what makes this movie fun! Each episode of Hwaet a Movie includes an exhaustive summary and discussion of the film, a brief Q&A, and then our final ratings categories for the film's take on Beowulf, Grendel, and Grendel's mother. We conclude by rating the film for its faithfulness to the source material and then for its entertainment value. This one was a real pleasure to discuss. We hope you enjoy it as much as we did! Once you've listened, reach out and let us know how we did. Was this the perfect Beowulf? Or is there still room for improvement? Have you seen Grendel? Share your thoughts on our social media: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Or join others like you on Saga Thing's unofficial official Discord   All music taken from the film for this episode is by Nathan Furst.

Bonfires of paperwork have accompanied human upheaval for centuries, eradicating, making space for rewriting. Imagine standing in the centre of Paris as revolutionaries sweep away the old ways along with the ashes of centuries of records and memories.Matt Lewis is joined by Professor Robert Bartlett to consider how much of what we might have known about the past has been consumed by the fires of revolution and war, and how close we were to losing every word of Beowulf.Gone Medieval is presented by Matt Lewis and edited by Ella Blaxill. The producer is Rob Weinberg. The senior producer is Anne-Marie Luff.Gone Medieval is a History Hit podcast.Enjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘MEDIEVAL' https://historyhit.com/subscriptionYou can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK