Podcasts about contemporary music

Eva Zöllner talks to Cara Sacey about the New Music Scene in Johannisburg, South Africa.

Thursday Drive had the pleasure of interviewing Ben Marshall, Head of Contemporary Music and Lead Curator for Vivid Live at the Sydney Opera House. Ben talks about his job and how exciting it is to plan events at such a famous location. He shares what's coming up for Vivid Live, a music festival that focuses [...]Read More... from Interview with Ben Marshall about Vivid LIVE

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Pritesh Walia is a virtuoso jazz guitarist, accomplished composer, and dedicated educator hailing from the vibrant city of New Delhi, India. His musical journey began at the age of 13 when he immersed himself in the rich traditions of Indian Classical Music. Fueling his insatiable curiosity for music, Pritesh sought Western influences, pursuing a lifelong mastery of diverse musical styles. Armed with an Associate of Arts Degree from the Musicians Institute College of Contemporary Music, a Bachelor's Degree from Berklee College of Music in Contemporary Jazz Performance and Jazz Composition, and a Master's Degree in Jazz Performance from the New England Conservatory, Pritesh has honed his craft alongside some of the finest jazz musicians in the United States. Not only has Pritesh showcased his exceptional talent on global stages, but he has also formed collaborative partnerships with prestigious brands. During his tours of India from 2015 to 2017, he proudly represented leading musical instrument retailers. Sponsored by these industry giants, Pritesh conducted master classes and clinics across India, South America, and the United States, including two appearances at the esteemed Panama Jazz Festival. Pritesh's instructional prowess is further exemplified by his lessons and packages featured on renowned guitar instructional platforms such as Licklibrary. Currently endorsed by elite brands like Gruvgear, Chicken Picks, Collings Guitars, and Antelope Audio, Pritesh continues pushing his musical exploration's boundaries. His passion for education is evident in his role as a Jazz educator at institutions such as Bunker Hill Community College, Brookline Music School, and Excelsia College Sydney, where he guides master's students in the art of jazz. Pritesh is poised to make significant waves in the music scene with the upcoming release of his debut album, "Hope Town," scheduled for a fall 2023 release on all streaming platforms. This album, meticulously mixed and mastered by multi-Grammy winner engineer Dave Darlington, promises to be a testament to Pritesh's artistic vision. Additionally, Pritesh is set to unveil his organ trio, "PSA," in mid-2024, followed by a Big Band record featuring the Henry Godfrey Jazz Big Band and a modern Brazilian project with strings, both slated for release in late 2024. Recognizing his contributions to the jazz genre, Pritesh has been nominated for "Best Jazz Artist of the Year" at the Boston Music Awards alongside luminaries like Terry Lynn Carrington and Grace Kelly. Pritesh has had the privilege of studying under the mentorship of illustrious figures such as Scott Henderson, Russel Ferrante, David Fuze, Tomo Fujita, Tim Miller, Donny McCaslin, Jason Moran, Miguel Zenon, and esteemed composers like Frank Carlberg, Ben Scwendenner, and John Heiss. His collaborations include performances with the New England Jazz Orchestra, the Maria Schneider Orchestra at the New England Conservatory, and renowned jazz figures like Donny McCaslin, Bob Sheppard, and many others. Pritesh Walia's journey is a testament to his unwavering dedication to jazz, a genre that encapsulates not only his love for performance and composition but also his commitment to understanding its intricate harmony, theory, language, history, and voice. As he continues to evolve as a musician, educator, and collaborator, Pritesh's impact on the jazz world is poised to reach new heights.

Send us a textMichael Lenssen (also known as Mickey Lenny) is a multi-instrumentalist and composer currently based in Denver. He plays trumpet, cornet, and multiple synthesizer-based instruments (including the Electric Wind Instrument), but he didn't start out on those instruments.His brother, two years older than him, started playing the violin when he was about five, and Lenny quickly followed suit. Lenny played violin for about ten years, and towards the end of his time playing the instrument, he started getting into improvisational music such as jazz and Brazilian music. He started playing the trumpet in fifth grade, sticking with that instrument all the way through high school.Throughout this time, there were a few local musicians who inspired him along the way. He grew up close to Paul Erhard, currently a professor of double bass at the University of Colorado Boulder.At the time Lenny was growing up, Erhard was part of the Colorado Conservatory of Jazz Arts. Lenny participated in programs there from middle through high school, which led him through some of his first performance opportunities.He also earned a Jazz & Contemporary Music degree at the University of Miami (and, as a local connection, even taught ski lessons at Eldora during high school). Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

Yaron Herman is a celebrated French-Israeli jazz pianist and composer, widely recognized for his innovative approach to the piano and his ability to blend jazz with influences from classical music, world music, and pop. Born on July 12, 1981, in Tel Aviv, Israel, he initially pursued a career in basketball before an injury led him to the piano at the age of 16. Within just a few years, Herman's prodigious talent catapulted him into the international music scene. After studying at the prestigious Rimon School of Jazz and Contemporary Music in Israel, Yaron moved to Paris, where his career flourished. At 21, he released his debut album, Takes 2 to Know 1, and has since built an impressive discography of critically acclaimed works, including A Time for Everything (2007), Follow the White Rabbit (2010), and Alter Ego (2012). His 2017 album Y showcased his adventurous spirit, fusing jazz with electronic and popular music elements.

Emily Simonian Book, Music, and LyricsEmily Simonian is an acoustic pop singer-songwriter, published author, and a musical theatre composer, lyricist, and librettist. Raised on a steady diet of 90's pop, Beatles, Disney movies and classic musicals, she earned a merit-based scholarship to study at Berklee College of Music, and finished her degree at Musicians Institute in Los Angeles, earning a B.F.A. in Contemporary Music.Emily has released two acoustic pop EPs and has been recognized with awards, grants, and finalist placements in new works festivals. Her artistic vision has garnered multiple visionary sponsorships from benefactors who believe in her work, supporting her latest musical theatre project, When Two of Us Meet. Early reviewers in the theatre community have hailed the musical as "a Broadway-worthy stage production."​In September 2024, Emily received the Laurel Karabian Fund for the Arts Grant from the Armenian International Women's Association for her current musical project. When Two of Us Meet  is currently in development and will receive a concert reading at The Green Room 42 in New York City on March 22, 2025, sponsored by the Armenian International Women's Association. (Read more at BroadwayWorld.com). When Two of Us Meet is a top 12 finalist in the Florida Festival of New Musicals 2025, and a top 10 finalist in Colorado's New Musical Project 2025. ​In addition to writing music, Emily has a Masters Degree in Psychology and utilizes music and art therapies. Her contributions to mental health conversations have reached a broad audience through media outlets like TIME magazine, The Washington Post, Huff Post, Newsweek, Healthline, Cosmopolitan, Instyle, and Women's Health. ​Simonian is an active member of The Dramatists Guild, ASCAP, Maestra Music, and Musical Writers Academy. Emily serves as a volunteer at D.C. fashion nonprofit, Suited For Change, and also gives back to the arts community by dedicating her time as a Theater Tour Greeter, Lounge Host, and Friend of The Kennedy Center. When Two of Us Meet tells the story of a spirited family's turbulent journey from Armenia to America in the early 20th century, emphasizing the pivotal roles of faith, hope, and love in their personal, familial, and cultural evolution. 

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

If you could live and work anywhere in the world, where would it be? For Gia Morgan, the answer was Bali. Join us as Gia shares her journey from the bustling life of a singing teacher in Jersey to creating a business and studio in Indonesia. How is she navigating the challenges of relocation, building a thriving international student base, and embracing the beauty of a new culture? And what surprising lessons is she learning along the way!  WHAT'S IN THIS PODCAST? 1:09 Life in Jersey: Why I left a studio of 90 students  8:25 Working life in Bali 10:12 The biggest challenge of relocating  12:32 The legal bit  17:45 Music education and singing in Bali 22:31 Establishing and pricing singing lessons in a different country  29:40 A bit of advice   About the presenter click HERE  RELEVANT MENTIONS & LINKS Singing Teachers Talk Podcast - Ep.36 Healing Through Singing Energies, Crystals and Creating Atmosphere with Gia Morgan   ABOUT THE GUEST Gia is a British/Maltese Professional Singing Teacher, Singing for Health Practitioner, Vocal Manual Therapist, Specialist in Vocal Acupuncture, Vocal Health First-Aider, and coaches singing as a therapy. This includes Earth Choir, Kirtan/Chant gatherings, Adult Soul gatherings, courses and singing retreats. After finishing her Degree at the Academy of Contemporary Music at the ripe young age of 19 years old, Gia became a believer in the innate value of vocal well-being practices. Now 10 years on, Gia prides her teaching as a holistic focused approach.  Whilst travelling the East a decade ago, teaching singing in orphanages and schools – she also spent time leading through voice, Kirtan (Singing Meditations) with incredible masters of healing in Indonesia. This brings Gia pure joy to see a singer evolve in voice whole-body as well as all the “Geeky stuff” that is learnt in her lessons.  Gia was born in Jersey, Channel Islands in the UK, where she recently had a very successful voice studio for 5 years before moving to Indonesia. Gia now lives in Bali where she has opened a studio in Umalas. She also teaches and holds workshops and retreats in the UK, Malta and teaches internationally online.  Website: www.vocalswithgia.com Instagram: @baliholisticvoicestudio  BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Adam Behr, Senior Lecturer in Popular and Contemporary Music at Newcastle University, chats with Trevor.See omnystudio.com/listener for privacy information.

La historia de la música no depara un lugar de importancia a esta manifestación sonora hasta 1913, año del manifiesto de Russolo que preconiza los intonarumori o máquinas de ruido. Mucho más tarde despierta el ruidismo en Japón y en la escena del rock alternativo._____Has escuchadoAn Anthology of Noise & Electronic Music. Third A-Chronology 1952-2004 / Peter Rehberg (Pita). Sub Rosa (2004)Doing by not doing: [Iannis Xenakis. Persepolis + Remixes. Edition I] / Zbigniew Karkowski. Asphodel (2002)Acid Bath, Drip Bones: [Ju-Jikan: 10 Hours of Sound from Japan] / Pain Jerk. 23five; San Francisco Museum of Modern Art (2002)“Luigi Russolo, Intonarumoris, 1913”. YouTube Vídeo. Publicado por david rato, 1 de julio de 2012: [Vídeo]Minazo Volume 1. Voices from the Sea / Merzbow (Masami Akita). Important Records (2006)_____Selección bibliográficaARIZA, Javier, “El ruidismo en el cine. La expansión del universo acústico en imágenes”. En: El sonido de la velocidad: cine y música electrónica. Editado por Pablo G. Polite y Sergi Sánchez Martí. Alpha Decay, 2011ATTALI, Jacques, Ruidos: ensayo sobre la economía política de la música. Traducción de Federico Álvarez. Siglo Veintiuno Editores, 1995ATTON, Chris, “Fan Discourse and the Construction of Noise Music as a Genre”. Journal of Popular  Music Studies, vol. 23, n.º 3 (2011), pp. 324-342BAILEY, Thomas Bey William, Micro-Bionic: Radical Electronic Music and Sound Art in the 21st Century. Creation Books, 2009*BIJSTERVELD, Karin, Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. The MIT Press, 2008BROWN, Barclay, “The Noise Instruments of Luigi Russolo”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 31-48*CUSICK, Suzanne, “‘You Are in a Place That Is Out of the World…': Music in the Detention Camps of the Global War on Terror”. Journal of the Society for American Music, vol. 2 (2008), pp. 1-26*DEMERS, Joanna, Listening through the Noise: The Aesthetics of Experimental Electronic Music. Oxford University Press, 2010*DOLAN, Daniel, “Cultural Noise: Amplified Sound, Freedom of Expression and Privacy Rights in Japan”. International Journal of Communication, vol. 2 (2008), pp. 662-690FRIEDL, Reinhold, “Some Sadomasochistic Aspects of Musical Pleasure”. Leonardo Music Journal, vol. 12 (2002), pp. 29-30*GODDARD, Michael, Benjamin Halligan y Nicola Spelman (eds.), Resonances: Noise and Contemporary Music. Bloomsbury, 2013GRAHAM, Stephen, “Noise as Concept, History, and Scene”. En: Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. University of Michigan Press, 2016HEGARTY, Paul, Noise/music: a History. Continuum, 2007*ILES, Anthony et al., Ruido y capitalismo. Arteleku, 2011*KAHN, Douglas, Noise Water Meat: A History of Sound in the Arts. The MIT Press, 1999*KELLEY, Caleb, Cracked Media: The Sound of Malfunction. The MIT Press, 2009NOVAK, David, Japanoise: Music at the Edge of Circulation. Duke University Press, 2013ROSELL, Oriol, Un cortocircuito formidable: de los Kinks a Merzbow: un continuum del ruido. Alpha Decay, 2024*ROSS, Alex, El ruido eterno: escuchar al siglo XX a través de su música. Seix Barral, 2010*SCHWARTZ, Hillel, Making Noise: From Babel to the Big Bang and Beyond. Zone, 2011SIM, Stuart, Manifesto for Silence: Confronting the Politics and Culture of Noise. Edinburgh University Press, 2007VENN, Edward, “Rethinking Russolo”. Tempo, vol. 64, n.º 251 (2010), pp. 8-16*VOEGELIN, Salome, Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum, 2010* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Once again -- recording on the porch of Gebhard's Beer Culture Bar located in Manhattan's Upper West Side -- BCR hosts Rebecca McKean and Alan Winson talk with the four composers and performers and leaders of Composer's Concordance about "contemporary [classic] music." This music movement has been described by the New York Times as “unpredictable … irreverent …and ingenious.” For over four decades Composer's Concordance has presented concerts in all sorts of New York City area venues of inventive experimental music.Gene Pritsker -- Milica Paranosic – Peter Jarvis – and Seth Boustead -- talk about the history of the organization, their compositions and the ongoing joy of breaking contemporary boundaries of what is considered artful music in an unstable era.For our regular listeners if you would like a link to complete versions of the music played in this program -- make a request to email barcrawlradio.comHINT: This program is best heard with a set of good headphones. Hosted on Acast. See acast.com/privacy for more information.

Episode 135 An Electronic Music Mixed-Bag Playlist Time Track Time Start Introduction –Thom Holmes 06:28 00:00 John Bischoff, “The League Of Automatic Music Composers: Recording, December 17, 1978” from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Computer, David Behrman, Jim Horton, John Bischoff, Rich Gold; Mixing, "Blue" Gene Tyranny. “The League Of Automatic Music Composers makes music collaboratively by forming microcomputer networks. … For this performance, “each composer independently created a music program for his own microcomputer; we then mutually designed ways to internconnect our computers, and modified our programs to enable them to send data back and forth.” 08:40 06:58 Frankie Mann, “I Was a Hero” from “The Mayan Debutante Revue” (1979) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Organ, bass guitar, voice, composed by Frankie Mann. “The Mayan Debutante Revue” is a reinterpretation of religious history. The work is a performance piece  involving tape, slides, and one female performer.” 09:22 15:38 Frankie Mann, “How to be Very Very Popular” (1978) (excerpt) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Tape editing, organ, synthesizer, voice, composed by Frankie Mann; voices, Julie Lifton, Ellen Welser, and unknown others. “How to be Very Very Popular” began as a letter-tape to my best friend. … Later I began composing electronic music, initially using homemade circuits and later using expensive synthesizers in college electronic music studios. My friend and I continued to send each other letters cross-country in tape form.” 08:49 24:58 Maggi Payne, “Lunar Dusk” from Lovely Little Records (1980 Lovely Music Ltd.). Recorded at the Center for Contemporary Music, Mills College, February 4, 1979. Composed, electronic music by Maggi Payne. This piece was “composed using the Moog and Aries synthesizers and the twelve-track recording studio at” Mills College. “Major concerns … are spatial location of sounds and complex timbral changes.” 07:59 33:46 The Commodores, “Machine Gun” from Machine Gun/There's a Song in My Heart (1974 Motown). Single release featuring the early Commodores on this instrumental with Lionel Richie wailing along on the ARP Odyssey. 02:42 41:42 Billy Preston, “Space Race” from Space Race/We're Gonna Make It (1973 A&M). Single release. Preston was best known for his piano, Hammond, and Fender Rhodes work on Beatles' records and his early solo work. By this time, he had picked-up on the unique sounds that synthesizers could conjure. He was inspired to create this song while experimenting with the ARP Pro-Soloist synthesizer. 03:26 44:24 George Duke, “Part 1 - The Alien Challenges The Stick / Part 2 - The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters” from Master Of The Game (1979 Epic). Written by Byron Miller, David Myles, Ricky Lawson; Producer, Acoustic Guitar, Arranged By, Bells, Clavinet, Composed By, Fender Rhodes, Keyboards, Organ, ARP Odyssey, ARP String Ensemble, Minimoog, Oberheim, Prophet-5 and Crumar synthesizers, written by and vocals, George Duke; Bass, Byron Miller; Drums, Ricky Lawson; Guitar, David Myles. 09:21 47:46 Steve Roach, Side 2, “T.B.C.” (5:06); Canyon Sound (2:58); Time For Time (3:33); Reflector (6:50) from Traveler (1983 Domino). All music composed and performed on synthesizers by Steve Roach. American Roach has such a great legacy of electronic music that is clearly distinguishable from the German wave of the 1970s. This is from his first, official album released in 1983. 17:56 57:02 Reynold Weidenaar, “Twilight Flight” (6:56) (1977), “Close Harmony” (4:44) (1977), and “Imprint: Footfalls to Return” (5:04) (1981) from Reynold Weidenaar / Richard Brooks Music Visions (1986 Capstone Records). Weidenaar was formerly the editor of Bob Moog's Electronic Music Review journal (1968-70) and an early user of the Moog Modular synthesizer. He was director of the electronic music studio at the Cleveland Institute of Music and at the time of this recording was on the faculty of the NYU films and television department. Twilight Flight” for electronic sounds was composed in 1977. “Close Harmony” for electronic sounds was composed in 1977. “Imprint: Footfalls to Return” for soprano voice and electronically modified sounds of the bare feet of Bharata-natyam Indian dancer was composed in 1981. 16:50 01:14:58 Eric Siday, three short works, “Night Tide” (2:56), “Communications No. 2” (0:24); and “Threat Attack” (2:05) from Musique Electronique (1960 Impress). Hard to find original disc by Siday, before he ventured into commercial recording using the Moog Modular synthesizer. His intereste in electronic music was deep, and he was one of the first customers of Robert Moog when his synth became available. 05:28 01:31:58 Hans Wurman, “Etude In C Minor, Op. 10, No. 12” (1:54) and “Waltz In D-Flat OP, 64, No. 1 (1:24) from Hans Wurman – Etude In C Minor, Op. 10, No. 12 (1970 RCA). Arranged and performed on the Moog Modular synthesizer by Hans Wurman. Brilliant interpretations of two classical pieces. 03:22 01:37:14   Opening background music: Einstürzende Neubauten [ein-sturt-zen-deh noy-bau-ten], “Der Tod Ist Ein Dandy” from Halber Mensch (1985 Some Bizarre). Noise metal from this dependable source of industrial music. (06:39) Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Send us a textAir Date:  October 7, 2024 on 91.3FM WVKR-Erin Boogie stumbled upon the ARChive of Contemporary Music in a Chronogram article this past spring and immediately reached out to ask if someone would come on the show. To her delight, co-founder and director Bob George agreed to an on-site interview. Mr. George discusses how he got his start in the music industry, how the ARChive came to be, and how it ended up in a former piggery in Staatsburg owned by hotelier Andre Balazs. He also discusses the challenges the ARChive is currently facing, including their search for a new home. The good news is that they hope to stay in the area if they can find a location and there are plans to grow the ARChive into something the public can enjoy with spaces for conferences, live music, deejaying, dance, and more. Please check out the ARChive of Contemporary Music website and learn how you can support them here.Buzzsprout - Let's get your podcast launched!Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost.Support the show

In this episode: Listen to a conversation between your host Vivienne Aerts and Israeli Born Bass player and composer Adi Meyerson as we talk about her creative projects, her ‘chordless trio' and living in New York.   About Adi Meyerson Adi Meyerson is a NY-based Bassist and composer. She was born in San Francisco, CA and at the age of two, she relocated with her family to Jerusalem, Israel, where she grew up and remained until moving to NY in 2012. Adi Studied at "The New School for Jazz and Contemporary Music” and later on at “Manhattan School of Music” for her Masters. She studied with Master Musicians such as Ron Carter, Reggie Workman, Bob Cranshaw, Miguel Zenon, Jim Mcneely, Dave Leibman and worked with many greats such as Joel Frahm, Steve Nelson, Charli Persip, Ravi Coltrane and many others around the NYC area in highly renown venues such as Mezzrow, Smalls jazz, The Jazz Standard, Smoke, Birdland and others.She is A current member of the Bria Sconberg Band, Reginald Chapman's "Pressure Fit" and "Svetlana & the NYC collective", and actively tours and performs with many others around the US and the World. As a band leader and Composer, Meyerson has successfully made an impact on the NYC scene and earned her title as an up-and-coming young talent. In September 2017, She recorded her debut album "Where We Stand" which contains 9 original compositions all by Meyerson. The Album was very well received and Meyerson's music was referred to as "Intuitive and perspicacious, that displays a musical maturity that belies her newcomer status." Downbeat Magazine. The band has headlined the "Make some Noise" music festival in May 2016, Center City Jazz Festival in Philadelphia in 2019 as well as the international Guatemala Jazz Festival in 2019. Meyerson Has performed all over the US, Latin America and Canada with her band. Meyerson is a 2020 recipient of the NYFA women's grant and is set to record and release her sophomore album in late 2021. ⁠Instagram⁠ ⁠Website⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ ⁠Stream⁠⁠⁠⁠⁠⁠⁠⁠⁠ the Album Buy it on Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get the chocolate! ⁠⁠⁠⁠⁠⁠⁠⁠⁠More about Vivienne here Follow the podcast on your favorite platform

The business of music has been radically transformed in recent decades. Anthony Hamer-Hodges, principal of the London College of Contemporary Music, explains how.

A book which is proving to be invaluable to lovers of contemporary music in South Africa is called History of Contemporary Music of South Africa. Similar to an encyclopaedia, the book has a wealth of information on artists, bands, composers and performers with many photographs. It was written by Garth Chilvers and Tom Jasiukowicz and I invited Garth Chilvers to the People of Note studio to discuss how he went about researching and putting the book together.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Ed Neumeister, commercial and jazz trombonist from Oakland, California. About Ed: As a trombonist, composer-arranger and bandleader, Ed Neumeister is a musician's musician. Saxophone star Joe Lovano has valued Neumeister as a colleague for some four decades, praising him as a conductor of “infectious flair” as well as “a soloist of deep expressive passion.” Another renowned saxophonist, Dave Leibman, simply dubbed him “one of the best trombonists in the business.” Neumeister has five decades of experience on both sides of the Atlantic as an artist and an educator. Raised in the Bay Area, he was professional musician by his mid-teens. He backed such iconic vocal stars as Frank Sinatra and Sarah Vaughan there, performed in various symphony orchestras, and collaborated with Grateful Dead leader Jerry Garcia as well as such jazz notables as Jerry Granelli. Moving to New York City in 1980, Neumeister worked in the Duke Ellington Orchestra as both player and arranger for 15 years; he was simultaneously playing in the Mel Lewis Jazz Orchestra, earning a Grammy nomination in 1992 for his arrangement of “A Nightingale Sang in Berkeley Square.” In 2000, Neumeister moved to Austria to serve as a professor for 17 years at the University of Music in Graz. He wrote for various jazz bands while in Europe and performed extensively, along with composing classical chamber pieces and largescale concert works. Following a stint scoring films in Los Angeles, Neumeister returned to the New York area where he has been active as an educator, currently teaching at the School of Jazz and Contemporary Music at The New School, New York University and City College of New York, as well as William Paterson University in New Jersey. As a leader, Neumeister has recorded nine albums, ranging from large ensembles to small groups to solo trombone. He has released many of them via his own label, MeisteroMusic, including his latest: 3 for the Road, presenting his trio with vocalist Jay Clayton and the late pianist Fritz Pauer. The current version of that trio includes Gary Versace on piano. Another Neumeister gem is Suite Ellington, an album showcasing his arrangements for an all-star sextet of works by Duke Ellington and Billy Strayhorn; recorded in 2010 for Austrian Radio, Suite Ellington was hailed by Jazz Weekly as “a great tribute and intro to the world of Ellingtonia.” Neumeister's new working small band is a New York quartet featuring the trombonist alongside Versace, bassist Drew Gress and drummer Tom Rainey. 

Yvonnick Prene joins me on episode 117.Yvonnick was born in France and has been resident in New York for seventeen years after first moving to the city to study at the New School for Jazz & Contemporary Music.He started out playing blues and jazz on the diatonic and took lessons with some of the great French players, before focusing his attention playing jazz on the chromatic.Yvonnick is a bandleader and has released seven albums under his own name as well as numerous sessions as a sideman.He also runs the New Harmonica School in New York and the excellent online tutorial website My Harmonica Studio, as well as numerous tutorial books.Yvonnick is also the face of Hohner's new Xpression chromatic harmonica.Links:Website:https://www.yvonnickprene.com/Tuition website:https://www.myharmonicastudio.com/Henriksen amplifiers:https://www.henriksenamplifiers.com/Videos:Yvonnick's YouTube channel:https://www.youtube.com/channel/UCCRked2IhFUqTf92SHisizQYvonnick Prene & Manual Rocheman:https://www.youtube.com/watch?v=6O-y3YLahwYSlim Shady song:https://youtu.be/y6mgIJH6_EYNew York Harmonica School:https://www.youtube.com/watch?v=qcwEprk6rJ8Triste from Jobim's World album:https://youtu.be/nlztkwCXeKUPodcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------The Harmonica Company. Use promo code: 'happyhour7'.Email Jonathan at: sales@theharmonicacompany.com--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the Show.

Bad Bunny, the Puerto Rican reggaeton and Latin trap artist, has solidified his position as one of the most influential musicians in the contemporary music scene. Known for his distinctive voice, unique fashion sense, and genre-blending artistry, he has made waves not only in Latin music but across global charts as well.Born Benito Antonio Martínez Ocasio, Bad Bunny first gained attention through SoundCloud before signing with a record label and achieving international fame. His debut album, "X 100pre," was released on Christmas Eve in 2018 and received critical acclaim, cementing his status as a key player in Latin music. The album featured hit singles such as "Mia" featuring Drake, which drew significant attention from both English-speaking and Spanish-speaking audiences.Over the years, Bad Bunny has cultivated a massive following, in part due to his versatility and willingness to push boundaries. His second album, "YHLQMDLG" ("Yo Hago Lo Que Me Da La Gana"), released in 2020, further propelled him into the limelight. The album fused reggaeton, hip-hop, and other genres, showcasing his innovative approach to music. It debuted at number two on the Billboard 200 chart, making it the highest-charting all-Spanish album at the time.The versatile artist's impact extends beyond music; he is known for breaking gender norms through his fashion choices and music videos. He has used his platform to advocate for LGBTQ+ rights and address social issues, making him a significant cultural figure. In 2020, he released "El Último Tour Del Mundo," which broke new ground as the first all-Spanish-language album to reach number one on the Billboard 200 chart. The album includes hits like "Dákiti" and "Yo Visto Así," and seamlessly blends genres like rock, punk, and electronica into his reggaeton and trap roots.Bad Bunny's influence is not limited to album sales and chart positions. He has established himself as a streaming powerhouse. His inclusion in records alongside artists like Drake and Rihanna underlines his global appeal and impact on contemporary music. His collaboration with Drake on the song "Mia" contributed to his international recognition, highlighting his ability to cross linguistic and cultural barriers.Most recently, Bad Bunny's contributions to the music industry were recognized when Drake made Spotify history as the first artist with 17 songs surpassing one billion streams. Bad Bunny was previously tied with Drake for holding 16 songs with one billion streams, underscoring his significant presence in global streaming numbers and demonstrating the enormous reach of his music.In summary, Bad Bunny continues to be a transformative figure in music, known for his genre-defying sound, socially-conscious messages, and trendsetting style. As a trailblazer for Latin artists in the international arena, his influence is vast, marking him as a key artist who has redefined the boundaries of contemporary music.

Send us a Text Message.https://www.rileynicholson.com/https://cabrillomusic.org/What does it take to be a budding composer and also leader in the world of contemporary music? Riley Nicholson, Executive Director of the Carrillo Festival of Contemporary Music, and Neo classical composer, takes us through his compelling journey from his early days in percussion and piano to his present role in arts administration. Hear about the mentors who shaped his path, the unique challenges of focusing on composition during his college and graduate years, and his personal evolution in finding his own voice within the vast landscape of contemporary neoclassical music.Curious about the balance between artistic vision and executive leadership? Riley shares his experiences moving from the creative sphere into the world of arts administration, emphasizing the fulfillment that comes from supporting the broader arts community. Learn about the essential qualities that make an effective arts administrator, from understanding diverse musical styles to translating artistic visions into reality. Discover how Riley's leadership is making impactful contributions within the arts sector, driven by a mission that marries creativity with executive acumen.Riley also offers insight into the complexities of orchestral funding models, audience engagement, and the need for inclusivity in the arts. From inspiring encounters with renowned composers like John Adams to the profound influence of genre-bending artists such as Tim Hecker and Arca, this episode is a treasure trove of musical inspiration. Everyone's Music School Creating positive and lasting change in people's lives with music!Cabrillo Festival of Contemporary Music Transform the orchestral experience for artists & audiences by building a vibrant community &more Ignite NexusConsulting, life & executive coaching for organizations & individuals. Start the journey today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the Show.

GRAMMY-winning producer, artist, and songwriter Charlie Peacock defies categorization. Paul chats with him about everything from his early days on the Norther California jazz scene, to writing hits for the Christian music world, to producing everyone from the Civil Wars to Switchfoot. PART ONE:Scott and Paul talk about aging, the Rolling Stones concert Scott just saw, the centrality of energetic drummers, and other fun stuff. PART TWO:Our in-depth conversation with Charlie PeacockABOUT CHARLIE PEACOCKFrom jazz to pop to rock to country, gospel, and Americana, Charlie Peacock is a Grammy-winning producer, artist, and songwriter who defies categorization. In addition to his own wide-ranging work as a recording artist, he has written well-known songs such “Every Heartbeat,” which was a major pop hit for Amy Grant, and “In the Light,” which is best known for the version recorded by DC Talk. He's responsible for developing and producing the Grammy Award-winning duo The Civil Wars and the Modern Rock band Switchfoot, including their multi-platinum Top 40 pop hit “Dare You to Move.” Peacock launched his career as an artist on the Northern California jazz scene before recording his debut album, Lie Down in the Grass, which was released by A&M Records in the mid-1980s. After a stint with Island Records, he moved to Nashville to work as an artist and producer. His 1990 album, The Secret of Time, earned him a Grammy nomination for Best Rock/Contemporary Gospel Album. In that decade, he produced nearly 50 albums for other artists, and was named the Gospel Music Association's Producer of the Year for three consecutive years.The long list of artists he has produced includes Nicole Nordeman, David Crowder, Holly Williams, The Lone Bellow, Al Green, and Ladysmith Black Mambazo. He has produced a wide range of music for film and television, including the Mandy Moore film A Walk To Remember, Chris Cornell's "Misery Chain" from the soundtrack of Twelve Years a Slave, and "Hush," the title theme to the AMC drama Turn: Washington's Spies, featuring Joy Williams and Matt Berninger of The National.As an artist, he returned to jazz with the Love Press Ex-Curio album in 2005 before embracing vocal music once again with his 2012 album No Man's Land. In late 2015, Peacock was appointed the Director of Contemporary Music and Industry Outreach at Lipscomb University's College of Arts and Entertainment in Nashville. An author of several books, his forthcoming memoir will explore his musical life, while  his latest album as an artist, Every Kind of Uh-Oh, will be released at the end of August.  

Becky Gilhespie returns to the Singing Teachers Talk podcast to help us overcome our self-consciousness in singing. Becky is an experienced vocal coach working with touring artists, actors, and singers of all levels, having run studios in London and Sydney, and teaching at the Academy of Contemporary Music. Becky is the author of Singing for the Self-Conscious, which we'll be diving into headfirst in this episode. KEY TAKEAWAYS Becky Gilhespie recommends several strategies for overcoming self-consciousness in singing: have fun and enjoy the process, sing more throughout the day, journal to address negative self-talk, meditate and focus on breathing, make strange noises and faces to normalise them, video yourself to become comfortable with your appearance, sing for a trusted friend, sing outside to reduce pressure, develop solid vocal technique, express emotions through singing, and use permission slips from her book to take risks. Becky's book, Singing for the Self-Conscious, is a 30-day program designed to help singers overcome self-consciousness, boost confidence, and improve performance. It covers three sections: sense of self, evolving craft, and focusing outward, offering practical advice, exercises, and reflective tasks. Written in an accessible style, the book emphasises technique, personal style, and positive self-awareness, using Gillespie's experiences to relate to readers and guide them towards growth and increased self-confidence. Singing for the Self-Conscious features a 30-day program divided into three sections: Sense of Self, which focuses on personal growth, self-awareness, and confidence; Evolving Craft, which emphasises technique, style, and continuous improvement; and Focusing Outward, which encourages external connections, engaging with the audience, and authentic performance. Each section aims to reduce self-consciousness and boost singing confidence.   BEST MOMENTS "It's a book aimed at the singer who finds themselves reeling with self-consciousness, avoiding singing, holding back in their performances, and generally just lacking some self-confidence" "I've come on leaps and bounds and it feels so good. And it feels so good to help other singers with it too" "Self-consciousness is a heightened sense of self-awareness that can verge towards the negative"   EPISODE RESOURCES Guest Booking Link: https://beckygilhespievocalcoach.as.me Social Media: Instagram: @beckygilhespievocals Relevant Links & Mentions: (Book) Singing for the Self-Conscious by Becky Gilhespie (Podcast) Singing Teachers Talk: Ep.27 The Singing Masterchef with Becky Gilhespie Vocology in Practice (Podcast) Singing Teachers Talk: Ep.154 Managing Imposter Syndrome, Low Confidence and Overwhelm as Singing Teachers with Alexa Terry The work of Dr Valerie Young Academy of Contemporary Music (ACM): https://www.acm.ac.uk/ Line Hilton: https://linehilton.com/ The Sing Space: https://thesingspace.com/     BAST Book A Call   ABOUT THE GUEST   Becky is an experienced vocal coach working with touring artists, actors, and singers of all levels. Her experience includes running busy studios in London and Sydney, and teaching at the UK's Academy of Contemporary Music. She always felt that despite receiving some of the best vocal training available, the biggest hurdle was her crippling sense of self-consciousness. Becky's  book, 'Singing for the Self-Conscious', is an easy to follow practical step programme that combines study of mindset with practices in contemporary vocal training. The book helps singers overcome their mental hurdles to confident singing and performing.   ABOUT THE PODCAST   BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. basttraining.com Updates from BAST Training

Episode: 2053 A reflection on John Cage and his silences.  Today, guest scientist Andrew Boyd goes silent.

Today's podcast is titled, “Cultural Choices and Music with Tommy Vig.”  In 1993 attorney and Beatles fan Manuel Klausner and Hungarian-born jazz musician Tommy Vig discuss cultural choices and music with Vig contending that most of the music broadcast in America is “junk” and that we are never given the opportunity to become familiar with the great contemporary composers.  Listen now, and don't forget to subscribe to get updates each week for the Free To Choose Media Podcast.

In this episode of St. Louis In Tune, hosts Arnold Stricker and Mark Langston interview Nina Ferrigno and Benedetta Orsi about the upcoming 14th Season of the Missouri Chamber Music Festival. The discussion covers the festival's mission, scheduled concerts, and the significance of chamber music. Ferrigno, a founding member of the Calyx Piano Trio, and Orsi, an Italian mezzo-soprano, share their backgrounds, career highlights, and personal stories. The episode also delves into contemporary music, its cultural relevance, and amusing anecdotes from their performances. Listeners are encouraged to attend the festival and support the arts in St. Louis.[00:00] Welcome to Saint Louis In Tune: A Symphony of Conversations[00:57] Summertime Vibes and Casual Banter[01:32] A Return to Civility and Pronunciation Etiquette[02:54] Spotlight on Nina Ferrigno and Benedetta Orsi: Masters of Music[06:18] Exploring the Missouri Chamber Music Festival[11:55] Benedetta Orsi's Journey: From Pop to Opera[15:15] The Art of Music and Overcoming Challenges[18:24] Previewing the Missouri Chamber Music Festival Concerts[28:57] A Dive into Musical Innovations and Schoenberg's Vision[32:05] Exploring the Intricacies of Contemporary Music[32:45] The Impact of Politics and Culture on Music[33:35] The Personal Touch in Music Interpretation[33:51] The Ephemeral Nature of Music and Shared Experiences[34:32] Behind the Scenes: Preparing for a Premiere[35:11] The Magic of Live Performances and Festival Highlights[36:09] Festival Passes and Perks: An Insider's Guide[38:59] Upcoming Projects and Personal Plans[39:56] Unforgettable Moments on Stage[48:10] Celebrating National Days with Humor and Trivia[51:34] A Collection of Jokes to Lighten the Mood[53:46] Closing Thoughts and AppreciationMOCM-WebsiteMOCM-FacebookMOCM-InstagramBenedetta Orsi-WebsiteBenedetta Orsi-InstagramBenedetta Orsi-FacebookThis is Season 7! For more episodes, go to stlintune.com#music #opera #operatheatresaintlouis #mocm #chambermusic #calyxtrio #mezzosoprano #missourichambermusic #musicfestival

This podcast strives to inspire you through the personal stories of a diversity of musicians worldwide, with in-depth conversations and great music, that reveal the depth and breadth to a life in music.  This week's episode is with the wonderful harmonica player and composer Ariel Bart. I first started listening to her music with her debut album, “In Between” in which she presents a unique approach to the harmonica and all her albums feature her original music which is inspired by the European jazz tradition and the Middle-Eastern world. Ariel began playing the chromatic harmonica at the age of 7 and since then it's been her primary instrument.  We're including music from several of her albums. You'll hear  about some of her inspiring mentors and collaborators and her positive experience at the New School University for Jazz and Contemporary Music in New York City, including working with Reggie Workman, Shai Maestro, and Jane Ira Bloom. We also talked about the music business, and her delight in using storytelling and film with her music.  Like all my episodes, you can also watch this on my YouTube channel and I've also linked the transcript to my website, everything linked together here: https://www.leahroseman.com/episodes/ariel-bart Besides being the host, I take care of all the many jobs of research, production, and publicity for this podcast, and I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman Did you know that this podcast is in Season 4, and that I send out a weekly email newsletter where you can get access to Sneak Peeks of upcoming guests and be inspired by highlights from the archive? Sign-up here: https://mailchi.mp/ebed4a237788/podcast-newsletter Ariel Bart website: https://www.arielbart.com/ Take a Ten Minute Break, solo Nine Souls video: https://www.youtube.com/watch?v=T8VnpGV2b58 Timestamps: (00:00) Intro (02:51) Ariel Bart's harmonica journey and music education, starting to compose (07:40) In Between (13:16) Brendan Power, chromatic harmonica, playing technique (18:15) harmonica improvisation (20:03) Ariel's influences and mentors, Jane Ira Bloom, New School in New York, Reggie Workman, effect of many influences (28:36) please help this series keep going! (29:13) making Teardrop narrative video, storytelling (31:55) Teardrop (35:18) The Trio Project  (37:52) part two Listening to Shame from The Trio Project (42:12) writing for film, collaborations cellists Mayu Shviro, Talia Erdal (46:17) European contacts, the challenge of teaching (48:56) the need to learn the business side of a music career (52:32) clip from Deep Down with Omri Bar Giora (53:23) creative process, the importance of collaboration (54:56) the novelty of the harmonica for audiences, listening to singers (56:01) Nine Souls film project Take a Ten Minute Break (57:33) Nine Souls ensemble version from album Documentaries --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Blake Burrough joins Mary and Frank in studio to talk about his upcoming release "Cursed" out Friday, May 3. He plays his most recent song and shares some of his story and how he moved to Fayetteville to be a worship pastor after attending the Academy of Contemporary Music for schooling.

Amy Walton, with expertise in musical literacy and keyboard skills, joins Alexa to explore essential music theory and piano skills for singing teachers. Trained in jazz performance, she reshaped curriculum at the Academy of Contemporary Music and teaches at Toronto's Singers Edge. KEY TAKEAWAYS Musical literacy and keyboard skills are crucial for singing teachers. They enable accompaniment, enhance communication, and empower independent leadership. Understanding theory and tonality enriches teaching, making instructors more versatile and employable. Strategies for engaging music lessons include adding movement to exercises like scale learning, keeping a lighthearted atmosphere by involving students in activities like song form sketching, and tailoring lessons to their goals, whether karaoke or music school. Amy advocates for making theory accessible through arranging exercises and introducing concepts subtly. Amy also recommends using recording for feedback and preparing accompaniments in advance to focus on students during lessons. Vocal warm-ups using scales and arpeggios are essential for singers. They expand range, improve technique, and enhance articulation. From practising major scales for technique to exploring melodic minors for range, these exercises offer diverse challenges and benefits. To identify augmented and diminished chords on piano, understand their structure. Augmented chords raise the fifth scale degree, while diminished chords lower it. Play augmented chords by raising the fifth note of a major triad, and diminished chords by lowering the fifth note of a minor triad. Listen closely to distinguish their sound from major or minor chords. With practice, you'll master playing these chords. BEST MOMENTS  "I try to incorporate movement into it. It's a bit of dance." “Don't look at it as what can I do, but what can theory do for you in your practice." “Sometimes I do that in a way to hide the vegetables."   EPISODE RESOURCES  Social Media: Instagram: @amywaltonmusic Relevant Links & Mentions:  Jacob Collier: https://www.jacobcollier.com/ Kaya Herstad-Carney: https://kayamusic.com/ (Podcast) Singing Teachers Talk - Ep. 70 Coaching Contemporary Commercial Music with Kim Chandler  Open Music Theory - Viva Press Books: https://viva.pressbooks.pub/openmusictheory/ Popular Music Theory from University of West London: https://lcmmusicshop.uwl.ac.uk/shop/dept/Popular-Music-Theory/100105 Adult Piano Adventure Books  Modern Pop Keyboard Books (Hal Leonard)  (Podcast) Singing Teachers Talk - Ep. Essential Piano Skills for Singers and Voice Teachers with Brenda Earle Stokes BAST Book A Call ABOUT THE GUEST  Amy, originally from Cape Town, South Africa, boasts over 15 years' experience as a soloist and voice teacher. Trained in Jazz Performance at the University of Cape Town, she later led vocals at the Academy of Contemporary Music in London, reshaping their curriculum. Now based in Toronto, Amy teaches at Singer's Edge and offers consultancy services while presenting at Vocology In Practice conferences. Her expertise spans vocal physiology, musical literacy, keyboard skills, and contemporary improvisation. Notable career highlights include performances with the KwaZulu Natal Philharmonic Orchestra in South Africa and on the Eiffel Tower. ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. basttraining.com Updates from BAST Training

Acclaimed international jazz artist Jose James has a composure about him that one might compare to James Bond.   The Minneapolis native claims he was one of the least talented artists in his music circles growing up, yet he ultimately attended The New School for Jazz and Contemporary Music. His first album, The Dreamer, debuted in 2008. Since then, he's gone on to play at the Kennedy Center, The Hollywood Bowl, Ancienne Belgique, Jazz at Lincoln Center, the Melbourne Symphony and has recorded 11 more records including his latest which dropped April 5—the stunning album 1978, named for the year of his birth.   Along the way, he's picked up honor after honor in establishing himself as an extraordinary jazz singer/songwriter—but one built for the hip-hop generation. Pitchfork called him, “one of the suavest vocal improvisers on the scene,” and it's been said his arrangements and approach are “in deep conversation with funk, R&B, and hip-hop.”   Despite oozing cool, he's not really all about himself. You quickly understand that James lives for the collaboration and building art that he loves with others.   “I really grew up with this idea that you make music with a band, with other people,” he told me recently on The Load Out Music Podcast.  He grew up feeling the diverse vibes of bands ranging from the Ohio Players and Peter, Paul and Mary found in his mother's record collection; the funky global beats of his multi-instrumentalist father's band, Ipso Facto; the western church music of his Catholic school and diverse artists such as Nirvana, 10,000 Maniacs, De la Soul, A Tribe Called Quest and Grammy-winner Bobby McFerrin who was the creative chair of the Saint Paul Chamber Orchestra for a time in the early 1990s. When he was 17, James attended a McFerrin concert with the noted jazz pianist Chick Corea. It was then that he was hooked on the idea that a career in music was inevitable—but he still was surprised that others saw it as well. “Wow,” James said. “People see something in me that I might not see. I didn't really go to college. I didn't want to do the traditional route. I was like, I can have a coffee shop job and pay my rent and see what happens. This is where my spirit is taking me.” Despite a love for jazz, early on James understood that jazz could be limiting and wanted to explore the boundaries of the genre. “There is a strong jazz radio, but it's pretty strict about what they play,” he said, noting that listeners essentially find smooth or classic jazz on radio, but the parameters are narrow. Thus, he approaches each record with the understanding that he must keep certain singles within the ditches, producing them to be radio friendly, while stretching boundaries on other tracks with dance, pop and hip-hop beats. “I think it's more frustrating that jazz, in general, is not more popular in America,” he muses, despite his voice not elevating to indicate any semblance of anger. “You go to Tokyo, go to any shopping mall, restaurant, they are playing jazz.” As James' star has risen, he's realized two principal realities about his chosen career: That money and power still drive the industry and that he would be little without the graciousness of other artists.  “It's not just about talent, James said. “It's about who's pushing you and how much money.” This became apparent to him when he released a single independently in 2012 to little fanfare. However, the same single was included on his first album for the vaunted Blue Note label and it became a sensational hit, landing him appearances on David Letterman's and Conan O'Brien's late-night shows.  James credits his success to mentors who have given him their time including legendary jazz pianist McCoy Tyner (who worked with John Coltrane), singer Anita Baker, composer Christian McBride, band leader Chico Hamilton and even former late-night host Jay Leno. “There's so much generosity going around,” he said. “You have to take the wins.” As for 1978, James said that it is, “The first time I've really gotten personal in a concrete way. I'm going to reveal more about myself and where I'm from.”  He points to the racial politics of Minnesota and efforts to bring to bear a range of influences including Prince, Michael Jackson and even Bob Dylan. “I call it party and politics because, to me, that's what the 70s kind of resonates with. People knew how to party. They could throw down. But they were also famous for taking a stand.” Thus, the first half of the album is what he calls “party,” while the second half focuses on “politics,” including pieces written in the memories of George Floyd and Trayvon Martin. “I don't really worry about it,” James said of injecting politics into his art. “I've definitely gotten some of that—the shut up and sing kind of vibe. If it's important to you, I think you've got to talk about it. If people don't like it, that's kind of fine.” It's important to Jose James indeed. Enjoy a tremendous episode of The Load Out Music Podcast with the acclaimed jazz maestro. 

While SkyDxddy's artistry is rooted in deep introspection and raw emotion, one can't help but hope for her evolution toward a future built around peace and joy. Nevertheless, her willingness to explore the depths of the human experience is a testament to her commitment to authenticity and truth—a rare quality in today's music industry. LINKS:  SkyDxddy on the Web SkyDxddy on IG SkyDxddy on TikTok SkyDxddy on YouTube SkyDxddy on Spotify   SkyDxddy on Tour NOW!

Today on the best synth wave chat show there is, Andy chats with Ben a.k.a. Minute Taker. Ben talks about his Contemporary Music education, music marketing, and his collaborations with Walter Alienson. Andy finds out what a Minute Taker actually is, what Ben's writing process is, and what Ben has been watching on Netflix. They also talk about their pets and reselling old video game consoles. If you like what you're hearing you can support Beyond Synth on Patreon: www.patreon.com/beyondsynth or PayPal: www.paypal.com/paypalme/beyondsynth Don't Forget to Check out ALL the artists featured on the show: MINUTE TAKER: https://soundcloud.com/droidbishop http://droidbishop.bandcamp.com/ https://open.spotify.com/artist/0HPVHsbV2yIYPp2Pk4kdHe https://www.instagram.com/droidbishop/ https://www.facebook.com/DroidBishop https://twitter.com/DroidBishop WALTER ALIENSON: https://yachtsonfire.bandcamp.com/album/ride-by-night https://www.instagram.com/yachtsonfiremusic/ https://open.spotify.com/artist/1iybQgovkuTSld7DKEvwN9

Tom Jorgensen is an active and highly-requested drummer, session musician, composer, and mixing engineer based in New York City, currently on the first national tour of the Beetlejuice Broadway musical. Tom is a graduate with a BFA from The New School for Jazz and Contemporary Music in NYC, where he studied with jazz legends such as Reggie Workman, Charli Persip, and privately with Master Drummer Michael Carvin, with whom a mentorship continues to this day. Tom frequently performs with the internet sensation Post Modern Jukebox, having toured with the group extensively in the United States, Canada, Europe, New Zealand, and Australia. His career has also taken him abroad throughout Europe, South America, French Polynesia, and the Caribbean while acting as Music Director onboard Holland America Cruise Line. In this episode, Tom talks about: The broad range of genres and drumming styles in the “Beetlejuice” show Auditioning for a Broadway tour vs. being offered the gig outright The “authenticity meter” in relationship building What it means to have a sound-oriented approach His experience studying with Michael Carvin at The New School in New York What good relationships look like - if one person wins, we all win “Go, do, be, have” in that order

On the 62nd episode of the What is a Good Life? podcast, I am delighted to introduce our guest, Julia Duthie. Julia is a partner at PEPCO LLP, the bestselling author of The House on Dogbone St, and the former CEO of both the Academy of Contemporary Music and The True School of Music.Simply put, I find Julia's life story incredibly inspiring. She left home and school at the age of 16 after a troubling and challenging childhood, as we discuss in this episode.She takes us on her journey from working in vegetable market stalls for food in her teens and living in highly neglected conditions to being a managing director of an IT firm in her mid-twenties.From her experiences and realisations in therapy to opening up about her past, letting go of shame, and the death of her father sparking her own desire to connect more fully with who she really is, prompting her to accept her sexuality at the age of 50, connect with her creativity, and write a best-selling book.While she is also completely frank about what presently troubles her and where she suspects she has more to explore in terms of her childhood.This episode will offer plenty of inspiration regarding how Julia has lived such a vibrant life in the face of difficult beginnings. Her willingness to explore and be herself more fully, as well as the meaning and sense of belonging she is discovering along the way, will give you much to contemplate.Subscribe for weekly episodes, every Tuesday, and check out my YouTube channel (link below) for clips and shorts.Contact me at mark@whatisagood.life to book a free consultation (30 minutes) for one-on-one coaching around your own self-inquiry or to hear about executive team coaching experiences I am offering to build trust, communication, and connection amongst leadership teams.Running Order:03:00 What is a the real you?07:15 Mortality and authenticity11:15 Reflections on sexuality and honesty16:30 The effects of being yourself21:30 The feeling of belonging and creativity26:20 The motivation for sharing her story33:45 The path from market stalls to managing director38:30 The shadow side and struggle of life46:50 What happens after healing?50:30 External successes to meaning and belonging55:00 What is a good life for Julia?For further content and information check out the following:- For the podcast's YouTube page: https://www.youtube.com/@whatisagoodlife/videos- My newsletter: https://www.whatisagood.life/- My LinkedIn: https://www.linkedin.com/in/mark-mccartney-14b0161b4/- Julia's book: on Amazon - Julia's substack: https://juliaduthie.substack.com/- Julia's LinkedIn: https://www.linkedin.com/in/julia-duthie-607b4254/

California has halted stone-cutting work at some fabrication shops in the Los Angeles area after a “CBS Mornings” report found that workers were getting sick or even dying from exposure to silica dust while cutting a popular countertop material used in kitchens and bathrooms. CBS News consumer investigative correspondent Anna Werner has the new details.As "Oppenheimer" clinches Hollywood's top honor, a battle unfolds for those affected by atomic testing. With potential aid being discussed in Washington, there may be new for communities still grappling with radiation's long-term health effecAt the 96th Academy Awards, "Oppenheimer" led the night with seven Oscars including best picture, while "Poor Things" claimed four awards, including best actress for Emma Stone. Da'Vine Joy Randolph's win for best supporting actress also marked a night of memorable speeches and achievements.“CBS Mornings” lead national correspondent David Begnaud has the heartwarming story of a dog in Dallas, Texas, whose life was forever changed by a stranger's kindness, illustrating the true essence of being a good neighbor.In honor of Women's History Month, dive into female-centric stories with a list of inspiring book recommendations from Amazon's editorial director Sarah Gelman.The ARChive of Contemporary Music, one of the world's largest collections of popular music recordings. But it is at risk as it searches for a new location to preserve its century-old treasures.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

About EpisodeAs the sun sets on Ellen Primack's storied career at the Cabrillo Festival of Contemporary Music, she graces us with her profound insights into the festival's tapestry, woven with innovation and community spirit. Reflecting on her 32-year tenure, Ellen opens up about the festival's metamorphosis from its bohemian inception to a bastion of contemporary composition; a journey marked by the birth of new music and the nurturing of artistic careers. Our conversation traverses the festival's pivotal moments, understanding its heartbeat through the shared passions and collective efforts that have solidified its place in Santa Cruz's cultural landscape.Ellen and I cast a light on the transformative power of music, especially poignant during times of adversity like the recent pandemic. The festival's ability to reconnect and reinvigorate not only musicians but also the community at large stands as a testament to its foundational role within the arts. As Ellen speaks of the festival's impact, it's clear that it transcends the stage, embedding itself in the personal narratives of those it touches, inspiring growth, and defining careers.The finale of our dialogue with Ellen unveils a vision for the future, one where the baton of leadership is passed to invigorate the next wave of artistic directors and community leaders. Support the show

Ben Greenberg has played in over 50 bands, including The Fugue, Archaeopteryx, Bloody Panda, The Men, Little Women, and his project Hubble. He attended the New School for Jazz and Contemporary Music, joining the avant-garde band Zs. Ben is also involved in recording music through his recording studio Circular Ruin, having recently recorded Couch Slut's latest album.

Guthrie Govan is an English guitarist and guitar teacher, known for his work with the bands The Aristocrats, Asia, GPS, The Young Punx, and the Fellowship, as well as his solo project Erotic Cakes. More recently, he has collaborated with Steven Wilson and Hans Zimmer. He is a noted guitar teacher, working with the UK magazine Guitar Techniques, Guildford's Academy of Contemporary Music, Lick Library, and formerly the Brighton Institute of Modern Music.  He was named "Guitarist of the Year" by Guitarist magazine in 1993.  

This interview was recorded December 7, 2023. Dr. Randall Hall is professor of music at Augustana College in Rock Island, Illinois, as well as a performing saxophonist and composer. He's also writing a book about 'speculative' and 'weird' music as it relates to the Sacred and ritual experiences. In this special Spotlight interview, Randall shares his process of creating music that attempts to re-create a modern theurgic repertoire. (Theurgy is the practice that refers to the ascent of one's soul to the divine.) In the first part of our interview, Randall talks about his first 'encounter' with the concept of 'the harmony of the spheres' and his search to find it, and then explains the concepts of 'speculative' music that reach back to the Pythagorian-Platonic tradition. He also briefly traces a history of the development of musical ideas about consonance and dissonance, and how musical theory has changed with regard to the idea of 'Divine' music. Speaking about 'weird' music, Randall shares how the Divine is not always 'beautiful' but oftentimes terrifying to behold. Following the writings of Porphyry, when one sees or experiences something 'weird,' this is our indicator that we should pay attention to it, and that it signifies an opportunity for higher learning. Esotericism became the key for Randall to begin digging into these strange mysteries. He discusses his ideas about how music and esotericism are intertwined, and yet how there's not much discussion about musical practice in conjunction with ritual. Randall is trying to create a hermeneutical crisis in the listener, through set and setting, to allow the imagination to 'kick in' and allow the 'weird' to speak. There's much more that Randall shares in this interview that can't be summarized here! Clips used in this video, from the album Oracle, Voces Mysticae and Mithras Liturgy, are used with kind permission from Dr. Randall Hall. PROGRAM NOTESRandall Hall - HomeMusic | Randall Hall (bandcamp.com)Randall Hall | SpotifyFacebookTheme music: Stephanie Shea 

Sue Ray gets real with their discussion on neurodiverse conditions and the impact that has had on Sue as a woman, mother, and musician. Her inspirational story is a testament that there is always another way to keep looking for your people. Sue is bravely stepping into her power as a songwriting coach, artist, and indigenous advocate through Qmusic in Brisbane Australia and we are so glad to have had the chance to have her on the show. Sue Ray, the winner of the 2022 QMusic Blues'n'roots award, is an Australian Indigenous multi-award-winning singer/songwriter who captivates audiences with her original brand of country/blues and roots music, smoky rich voice, and high-energy performances. Often compared to such artists as Bonnie Raitt, Chris Stapleton, and Lucinda Williams, Sue's sound crosses genres allowing her to appeal to a wide audience demographic. Sue recently returned to Australia after being based in Nashville, where she worked alongside industry greats and connected into the scene, gigging and writing. Sue has a Diploma of Film & Television, Cert IV in Contemporary Music, Certificate in Sound Engineering and video production, and has completed a songwriting course at the Songpreneurs Retreat in Nashville TN. Connect with Sue: ⁠Website⁠ ⁠Spotify⁠ ⁠YouTube⁠ ⁠Instagram⁠ ⁠Facebook⁠

Shop Talk looks at the importance of archiving LP's and physical media that have an uncertain future. New York based ARC—Archiving of Contemporary Music—keeps and maintains the largest popular music collection in the world. Caught My Eye warns visitors in Las Vegas not to stop on pedestrian bridges for photo ops for fear of a $1,000 Pedestrian Flow Zone ticket. Also, a woman in California has a pop-up Blockbuster at the end of her driveway. Chad Hurley, co-founder of YouTube, is our Business Birthday.We're all business. Except when we're not.Apple Podcasts: apple.co/1WwDBrCSpotify: spoti.fi/2pC19B1iHeart Radio: bit.ly/2n0Z7H1Tunein: bit.ly/1SE3NMbGoogle Podcasts: bit.ly/1pQTcVWPandora: pdora.co/2pEfctjYouTube: bit.ly/1spAF5aAlso follow Tim and John on:Facebook: www.facebook.com/focusgroupradioTwitter: www.twitter.com/focusgroupradioInstagram: www.instagram.com/focusgroupradio

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You submitted questions and we offered some answers. Adam Rorrer joined me for a Q+A episode. We seek to offer Biblical and edifying responses. We've got everything from serious questions to a Frozen reference to determining if dancing is a sin and everything in between. Timestamps for Questions: 3:00 - Contemporary Music versus Hymns 7:26 - What is worldliness? We define what the world is and how we can be transformed by thinking Biblically. 11:40 - How do you represent Christ in an ungodly work environment? 15:35 - How do you combat legalism/tradition in the church and in my own heart? 20:37 - How do you love up to your God-given potential? 23:34 - Is dancing a sin? 25:58 - How do you deal with the discouragement of dating? or when dating is not working out? 31:06 - Who is your favorite person in the Bible? Why do you like them? 35:20 - What is your why for ministry? 38:37 - What is your go-to coffee order? 39:30 - What is your favorite water? 40:35 - What is your favorite thing about each other? 42:16 - Who is the better golfer?

On this one-of-a-kind album, the outstanding Danish ensemble Mathias Reumert Group presents three of Cuban composer Louis Franz Aguirre's strongest pieces, including the large-scale composition for percussion ensemble and flute soloist, Orula (Liturgia de la Adivinación), a journey in extreme sonorities, complex polyrhythms and searing microtonal melodies.“I come from a culture where rhythm is the rationale for life and death. Where the drums are a means to worship, to communicate, and to call the Orishas to come down to Earth”, says the composer.According to percussionist/conductor Mathias Reumert, “learning these works took years and left us forever changed. Listeners will understand”. A quote from musicologist Dr. Iván César Morales best sums up the experience: “Aguirres music has the power of an exorcism!”.Louis Aguirre (1968) is a Cuban composer resident in Denmark. Aguirre was educated as a composer, violinist and conductor at the University of Arts in Havana, Cuba, under the guidance of Harold Gramatges and Roberto Valera. When he was 27 years old, he became the artistic director and chief conductor of the Symphony Orchestra in his birth town, Camagüey, as well as guest conductor of the National Symphony Orchestra and the Santiago de Cuba Symphony Orchestra. He also was a professor at the Camagüey's Music Conservatory and artistic director and chairman of the International Festival of Contemporary Music (1996-2002) in Camagüey.Louis Aguirre is an award-winning composer whose music has been labelled as “Music from hell”and“Not for the faint of heart”. He is one of the foremost Latin American composers of his generation, yet only a handful of recordings exists.TracksLouis Franz Aguirre (b. 1968) Orula (Liturgia de la Adivinación) (2011) (34:32) Oru a Temayá y Obba (2012) (9:12) Oriki a Shangó: Kabiosile! (2004-2020) (18:45) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

THE ARWEN LEWIS SHOW - Richard Baron Arwen welcomes Richard Barone! Richard is a recording artist, performer, producer, and author. Since pioneering the indie rock scene in Hoboken, NJ as frontman of The Bongos and helping to launch the chamber pop movement with his solo debut “Cool Blue Halo”, Barone has produced numerous studio recordings and worked with artists in every musical genre. His list of collaborators has included producer Tony Visconti, Donovan, Lou Reed, and folk legend Pete Seeger. He has scored shows and staged all-star concert events at venues such as Carnegie Hall, the Hollywood Bowl, and Summer Stage in Central Park. His memoir Frontman: Surviving The Rock Star Myth was published in 2007. His album Sorrows & Promises and his latest book, Music + Revolution (2022), are celebrations of the 1960s music scene in Greenwich Village NYC, where Barone lives. He teaches the course “Music + Revolution” at The New School's School of Jazz & Contemporary Music, has served on the Board of Governors of The Recording Academy (GRAMMYs), serves on the Advisory Board of Anthology Film Archives, and hosts Folk Radio on WBAI New York.  @TonyVisconti, @Donovan, @LouReed, @PeteSeeger. Richard's Website: http://www.richardbarone.com More info:Wikipedia: https://en.wikipedia.org/wiki/Richard_Barone The Arwen Lewis Show Host | Arwen Lewis Executive Producer | Jeremiah D. Higgins Producer - Sound Engineer - Richard “Dr. D” Dugan https://arwenlewismusic.com/ On Instagram, Follow Arwen Lewis Here: @thearwenlewisshow @arwenlewis www.thejeremiahshow.com On Instagram @jeremiahdhiggins https://linktr.ee/jeremiahdhiggins

Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar.  If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

SynopsisIn 1942, the 19th Festival of the International Society for Contemporary Music was held in Berkeley, California. Over 30 composers from 13 nations were represented. All of them were male­–with one exception. On today's date, the Prelude, Allegro, and Pastorale for clarinet and viola written by Rebecca Clarke was premiered at the Festival.Clarke was born in England, in 1886, to an American father and a German mother. She grew up a British citizen, studied music in London, and became one of the U.K.'s first female professional orchestral violists. She was stranded in the United States at the outbreak of World War II and settled permanently in New York City.In notes for the 1942 Festival, Clarke modestly described her Prelude, Allegro, and Pastorale as (quote): “ … very unpretentious: a short, unassuming little prelude… The second movement should sound very spirited… The third movement, Pastorale, is rather melancholy and nostalgic…”This work, and much of Clarke's music, remained unpublished during her lifetime, but, over time, its quality and range increasingly came to light. When Clarke turned 90 in 1976, she was interviewed by the BBC, and seemed both gratified and bemused by all the renewed attention. Music Played in Today's ProgramRebecca Clarke (1886 – 1979) Prelude, Allegro, and Pastorale, Op. 11 Robert Plane, cl; Philip Dukes, vla. Naxos 8.557934

Join Rain on LaunchLeft today as they welcome Oscar-nominated Son Lux to kick off Qasim Naqvi's launch. Tune in for an engaging conversation with Ryan, Ian, Rafiq, and Qasim Naqvi as they discuss their unique experiences and creative processes in music-making. This versatile group excels as a live band, studio recording artists, and composers, embracing various aspects of the art they cherish. As a special treat, you'll have the privilege of hearing Qasim Naqvi's captivating performance of "The Curve" at the end of the episode. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [02:23] Ryan tells how he and Rafiq came to collaborate.  [08:25] Ian explains how they became composers for Everything, Everywhere, All At Once.  [10:26] Rafiq shares what they have been working on recently.  [12:39] Ryan comments on the reward versus the work and how the work won out.  [17:42] Qasim Naqvi reveals how he met the members of Son Lux, and they all reflect on their times together.  [25:02] Ryan talks about how their music is visual, and Qasim Naquiv discusses the modular synthesis while they land on making music with what they have.  [40:03] Listen to “The Curve” by Qasim Naqvi.    KEY TAKEAWAYS:  The difference between performing on stage and recording in a studio is night-and-day. When you find like-minded artists who appreciate each other's talents, you have a winning combination. Sometimes it’s the accident that makes the music. It’s called working with what you have.   BIOGRAPHIES::  SON LUX BIO: From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and the triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. Distilling these varied influences, Son Lux searches for an equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux has most recently scored the new Daniels film for A24, Everything Everywhere All at Once (March 2022). The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others. Based in New York, Rafiq Bhatia is the first-generation American son of Muslim immigrant parents who trace their ancestry to India through East Africa. Early influences such as Jimi Hendrix, John Coltrane, and Madlib—as well as mentors and collaborators including Vijay Iyer and Billy Hart—prompted him to see music as a way to actively shape and represent his own identity, not limited by anyone else’s prescribed perspective. When Ian Chang describes his creative process, the phrase "third culture” keeps coming up. Born in the colony of Hong Kong in 1988, Chang has lived a nomadic life. Stationed out of New York for ten years and since relocated to Dallas, Texas, he built an impressive roster of progressive pop collaborators such as Moses Sumney, Joan As Policewoman, and Matthew Dear, among others, all while performing internationally and recording as a member of Son Lux and Landlady. Ryan Lott makes his home in Los Angeles but grew up all over the United States. Music was the one constant in his formative years spent at the piano. In addition to an extensive career writing music for dance, he has become a sought-after composer for advertising, television, and film. Lott’s feature film credits include The Disappearance of Eleanor Rigby (2014), Paper Towns (2015), and Mean Dreams (2017). He has co-produced and co-written music for and with Woodkid, Sufjan Stevens, and Lorde.   BIOGRAPHY: QASIM NAQVI  Qasim Naqvi is a drummer and founding member of Dawn of Midi. Outside of his role in D.O.M., Qasim works on various projects, from electronic music to composing for orchestras, chamber groups, dance and film.  His concert music has been performed/commissioned by The BBC Concert Orchestra, Jennifer Koh, The London Contemporary Orchestra, Stargaze, Bang on a Can All-Stars, Crash Ensemble, The Now Ensemble, The Erebus Ensemble, yMusic, The Helsinki Chamber Choir, Alexander Whitley, Cikada, The Chicago Symphony Orchestra(MusicNOW Season) and others. He has been a featured composer at the Musica Nova Festival in Helsinki, the Spitalfields Festival in London, Ultima Festival, Southbank Centre and the Rest is Noise Festival in Holland.   Qasim's soundtracks for the film have appeared on HBO, NBC, PBS, Showtime, New York Times Op-Docs, VICE Media, at The Tribeca, Sundance, Toronto, Rotterdam and London Film Festivals, at dOCUMENTA 13 and 14, The Guggenheim Museum, The Tate Britain (Turner Prize 2018), MOMA P.S. 1, IDFA, Berlinale and others. He has worked with such notable filmmakers as Laura Poitras, Mariam Ghani, Marc Levin, Naeem Mohaiemen, Smriti Keshari, Prashant Bhargava and Erin Heidenreich. Acoustic trio Dawn of Midi has released two albums. Their most recent Dysnomia was acclaimed by Pitchfork, Rolling Stone, Spin, The Guardian and the New Yorker. Radiohead personally picked Dawn of Midi as their support band for two sold-out concerts at New York's Madison Square Garden for their Moon Shaped Pool tour.    Qasim earned his B.F.A in performance from the New School Jazz and Contemporary Music program and his M.F.A in composition and performance from California Institute of the Arts. He studied drums and performance with Andrew Cyrille, Joe Chambers, Reggie Workman, Buster Williams, Ralph Peterson Jr., Charlie Haden and Rashied Ali and composition with Wolfgang von Schweinitz, James Tenney, Morton Subotnick, Marc Sabat, Wadada Leo Smith, Michael Jon Fink and Anne LeBaron. He is a 2016 N.Y.F.A Fellow in Music and Sound and has received other fellowships and awards from Chamber Music America, The Foundation for Contemporary Arts, Mid-Atlantic Arts Council, Harvest Works, The Lower Manhattan Cultural Council, S.T.E.I.M. and Art OMI. Presently, Qasim lives in Brooklyn, New York and works on various projects as a freelance composer and drummer. He is represented by Erased Tapes Publishing.   RESOURCE LINKS Podcast - LaunchLeft   SON LUX LINKS: Son Lux Music - Website Son Lux - Instagram Son Lux - Twitter Son Lux - Facebook Son Lux - YouTube Son Lux - Soundcloud   QASIM NAQVI LINKS: Qasim Naqvi - Website Qasim Naqvi - Instagram Qasim Naqvi - Twitter Qasim Naqvi - Bandcamp