Podcasts about Neoclassicism

An interesting short article that uses Futurism, Abstract Expressionism, Neoclassicism as examples of aesthetic acorns that contain metaphysics of political movements, and in doing so are able to draw people who align with such politics.

Episode: 2977 Thomas Jefferson, the Maison Carrée of Nîmes, and the Virginia State Capitol.  Today, Thomas Jefferson in love.

The dictionary defines Neoclassicism as the revival of a classical style or treatment in art, literature, architecture, or music. What will the craftsmen define it as in architecture? Let's find out

DescriptionIgor Stravinsky was a huge proponent of Neoclassicism in music—much to the shock and dismay of some listeners and critics. Take a minute to get the scoop!Listen to: Igor Stravinsky - Octet for Wind Instruments [With score] ℅ YouTubeFun FactA pupil of Rimsky-Korsakov in his native St. Petersburg, Stravinsky had inherited the style of the Russian nationalist group, the so-called kuchka or Mighty Handful, and the ballets he wrote for Sergei Diaghilev's Ballets Russes before and during the First World War – The Firebird, Petrushka, The Rite of Spring, and Les Noces – are post-kuchka works, based on folk tales or rituals, using folk music or poetry, and largely ignoring the orthodox procedures of traditional classical music.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

DescriptionWhat was Neoclassicism in music? And which composers utilized this aesthetic form? Take a minute to get the scoop!Fun FactSergei Prokofiev's Symphony No. 1 (1917) is sometimes cited as a precursor of Neoclassicism. Prokofiev himself thought that his composition was a "passing phase" whereas Stravinsky's neoclassicism was by the 1920s "becoming the basic line of his music".About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Welcome to episode 132 of Activist #MMT. Today's the final part of a six-part series with Texas Christian University (TCU) economics professor and Cowboy Economist John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and pmpecon.com author, Jonathan Wilson. Jonathan and I spoke in episodes 106 and 107. (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to part one in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video (!) – go here.) Today in part six, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always be caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these final three parts, in the show notes to part four. But for now, let's get right back to Jonathan's conversation with John Harvey. Enjoy. Audio chapters 3:57 - What if the price of diamond jewelry goes up? Should we care? 6:09 - Josh Barro, if it wasn't inflation in used cars, it'd just be somewhere else. (victim blaming) 9:38 - GDP can be dominated by financial speculation. 13:26 - At the rank-and-file level, neoclassicism is not a conspiracy 17:16 - What neoclassicals really believe 21:47 - Thomas Oberlechner and balancing trusting what test subjects say and their biases 25:10 - Paul Davidson- it is better to be approximately right than precisely wrong. (accuracy versus precision) 30:34 - Complicated models for complexity sake, or because it needs to be? 32:32 - Policy based on children's building blocks 35:31 - South Africa COVID loan program (worry for "over investment", for investment in what the economy really doesn't need) 41:39 - How much of the resistance against intervention is ideology? 43:43 - Where did initially believing in no intervention, come from inside you? 46:58 - Do you think MMT needs to be more upfront about its political economy aspect? 49:53 - Warren Mosler's banking proposals 52:41 - Jonathan recaps 55:41 - Goodbyes 58:53 - Duplicate of introduction, with no background music (for those with sensitive ears)

Welcome to episode 132 of Activist #MMT. Today's the final part of a six-part series with Texas Christian University (TCU) economics professor and John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and author, Jonathan Wilson. Jonathan and I spoke in episodes and . (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video (!) – go .) Today in part six, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always be caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these final three parts, in the show notes to . But for now, let's get right back to Jonathan's conversation with John Harvey. Enjoy. Audio chapters 3:57 - What if the price of diamond jewelry goes up? Should we care? 6:09 - Josh Barro, if it wasn't inflation in used cars, it'd just be somewhere else. (victim blaming) 9:38 - GDP can be dominated by financial speculation. 13:26 - At the rank-and-file level, neoclassicism is not a conspiracy 17:16 - What neoclassicals really believe 21:47 - Thomas Oberlechner and balancing trusting what test subjects say and their biases 25:10 - Paul Davidson- it is better to be approximately right than precisely wrong. (accuracy versus precision) 30:34 - Complicated models for complexity sake, or because it needs to be? 32:32 - Policy based on children's building blocks 35:31 - South Africa COVID loan program (worry for "over investment", for investment in what the economy really doesn't need) 41:39 - How much of the resistance against intervention is ideology? 43:43 - Where did initially believing in no intervention, come from inside you? 46:58 - Do you think MMT needs to be more upfront about its political economy aspect? 49:53 - Warren Mosler's banking proposals 52:41 - Jonathan recaps 55:41 - Goodbyes 58:53 - Duplicate of introduction, with no background music (for those with sensitive ears)

Welcome to episode 131 of Activist #MMT. Today's part five of a six-part series with Texas Christian University (TCU) economics professor and Cowboy Economist John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and pmpecon.com author, Jonathan Wilson. Jonathan and I spoke in episodes 106 and 107. (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to part one in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video – go here.) Today in part five, they continue their conversation regarding exchange rates from different points of view and in different contexts. In the second half, John gives his extended thoughts on a recent critique of MMT by Drumetz and Pfister. Next week, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these three parts, in the show notes to part four, which is the first with Jonathan. But for now, let's get right back to Jonathan's conversation with John Harvey. Enjoy. Audio chapters 5:19 - Currency markets are driven by financial capital flows, not trade flows. 8:27 - "I feel like a liar when I talk about the mainstream theories of exchange rate." 11:35 - How crises made it into John's textbook and class 13:44 - 1990's Mexican and East Asian currency crises 17:38 - If Mexico had more advanced industry at the time of the crisis, could it have done differently? (Brazil and capital controls) 20:58 - Ilene Grabel's books and concepts 22:17 - Russian interest rates and hot money, versus unsustainable returns for crypto 25:27 - The game of musical chairs 28:37 - Turkey and becoming stuck with short-run strategies 30:55 - Is it harder to build a cold money economy, or boot out the IMF from a hot money economy? 34:45 - Barney Miller and revolution, and bouncers who check facial structure 38:52 - Jamie Galbraith's bi-annual conference at the university of Texas 40:12 - Drumetz and Pfister MMT critique - the setup 41:20 - How John learned about MMT 44:17 - Initial comments on Drumetz and Pfister- tone and rhetoric 46:15 - Drumetz and Pfister- unstated assumptions 47:16 - Drumetz and Pfister- what they get right about MMT (and try to present as an indictment) 54:20 - "MMT doesn't do any formal modeling" - General equilibrium modeling 56:30 - Simultaneous equations can't model time 1:10:39 - What if the price of diamond jewelry goes up? Should we care? 1:15:27 - Duplicate of introduction, with no background music (for those with sensitive ears)

Welcome to episode 131 of Activist #MMT. Today's part five of a six-part series with Texas Christian University (TCU) economics professor and John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and author, Jonathan Wilson. Jonathan and I spoke in episodes and . (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video – go .) Today in part five, they continue their conversation regarding exchange rates from different points of view and in different contexts. In the second half, John gives his extended thoughts on a recent critique of MMT . Next week, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these three parts, in the show notes to , which is the first with Jonathan. But for now, let's get right back to Jonathan's conversation with John Harvey. Enjoy. Audio chapters 5:19 - Currency markets are driven by financial capital flows, not trade flows. 8:27 - "I feel like a liar when I talk about the mainstream theories of exchange rate." 11:35 - How crises made it into John's textbook and class 13:44 - 1990's Mexican and East Asian currency crises 17:38 - If Mexico had more advanced industry at the time of the crisis, could it have done differently? (Brazil and capital controls) 20:58 - Ilene Grabel's books and concepts 22:17 - Russian interest rates and hot money, versus unsustainable returns for crypto 25:27 - The game of musical chairs 28:37 - Turkey and becoming stuck with short-run strategies 30:55 - Is it harder to build a cold money economy, or boot out the IMF from a hot money economy? 34:45 - Barney Miller and revolution, and bouncers who check facial structure 38:52 - Jamie Galbraith's bi-annual conference at the university of Texas 40:12 - Drumetz and Pfister MMT critique - the setup 41:20 - How John learned about MMT 44:17 - Initial comments on Drumetz and Pfister- tone and rhetoric 46:15 - Drumetz and Pfister- unstated assumptions 47:16 - Drumetz and Pfister- what they get right about MMT (and try to present as an indictment) 54:20 - "MMT doesn't do any formal modeling" - General equilibrium modeling 56:30 - Simultaneous equations can't model time 1:10:39 - What if the price of diamond jewelry goes up? Should we care? 1:15:27 - Duplicate of introduction, with no background music (for those with sensitive ears)

Welcome to episode 130 of Activist #MMT. Today's part four of a six-part series with Texas Christian University (TCU) economics professor and Cowboy Economist John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and pmpecon.com author, Jonathan Wilson. (Jonathan and I spoke in episodes 106 and 107.) (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to part one in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video – go here.) This three-part interview with John and Jonathan is wide ranging and in-depth. They start by discussing the difficulties nations face managing their currencies, such as during major conflicts, natural or man-made disasters, and in the global south. They also discuss these things from the perspectives of holders of various currencies, both in and out of a country. In part two, they continue this conversation. In the second half of part two, John gives his extended thoughts on a recent critique of MMT by Drumetz and Pfister. Finally, in part three, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these three parts, in the show notes. And now, onto Jonathan's conversation with John Harvey. Enjoy. Resources 2004 book by Ilene Grabel and Ha-Joon Chang: Reclaiming Development: An alternative economic policy manual 2017 book by Ilene Grabel: When Things Don't Fall Apart John Harvey, intermediate macro, 30 lectures (discusses problems with general equilibrium models) Paul Romer "post-real" paper, The Trouble with Macroeconomics and Trouble with Macroeconomics, Update - Paul Romer George DeMartino (Ilene Graebel's husband) 2013 , Professional Economic Ethics: Why Heterodox Economists Should Care Megacorp. an oligopoly by Alfred Eichner (John: somewhat outdated but still important) Steve Keen 1995 paper in Journal of Post Keynesian Economics, Finance and economic breakdown: modeling Minsky's "financial instability hypothesis" 2011 post by Warren Mosler, Proposals for the Banking System Audio chapters 3:30 - Video games 7:12 - We need an MMT game 10:58 - The plan 11:31 - What happened to the ruble and domestic inflation in Russia this year? 15:02 - How does Russia manage the price of the ruble through, Gasprom, which is a privately owned bank? 17:00 - What are foreigners who held rubles before the war now doing? 19:53 - Timeline of Russian management of the ruble through the conflict 21:38 - Russian versus non-Russian holders of the ruble 23:08 - Bank of International Settlements (BIS) tri-annual survey of international transactions 26:07 - What might happen after the war? 28:11 - Strong currency as a cause versus as an effect. 33:24 - Ilene Grabel 34:21 - Decrease in price drives demand up, but not enough to drive the price back up to the original level. (No perpetual motion machine) 38:36 - Holding foreign currencies as a form of portfolio diversification. 49:57 - Should countries force others to purchase things in their home currency? 53:55 - Hierarchy of currencies, 1-5 58:59 - What is a low-value exporting country to do? 1:04:35 - The deficit can be evidence of an external desire to save 1:08:16 - Currency markets are driven by financial capital flows, not trade flows. 1:12:00 - Duplicate of introduction, with no background music (for those with sensitive ears)

Welcome to episode 130 of Activist #MMT. Today's part four of a six-part series with Texas Christian University (TCU) economics professor and John Harvey. Parts four through six are also the first main interview of Activist #MMT hosted by someone other than me. Today's guest host is my own former guest, MMT researcher, Texas lawyer, and author, Jonathan Wilson. (Jonathan and I spoke in episodes and .) (A list of the audio chapters in this episode can be found at the bottom of this post. Here's a link to in this six-part series with John, which contains a link to all other parts. For a link to every Activist #MMT interview with John – plus the full audio of every Cowboy Economist video – go .) This three-part interview with John and Jonathan is wide ranging and in-depth. They start by discussing the difficulties nations face managing their currencies, such as during major conflicts, natural or man-made disasters, and in the global south. They also discuss these things from the perspectives of holders of various currencies, both in and out of a country. In part two, they continue this conversation. In the second half of part two, John gives his extended thoughts on a recent critique of MMT . Finally, in part three, they focus on some of the core assumptions and ideology of mainstream economists. They also discuss how some assume inflation to always caused by too much demand and too high wages, despite clear empirical evidence that it's caused by something else. You'll find links to many resources, as mentioned by John and Jonathan throughout these three parts, in the show notes. And now, onto Jonathan's conversation with John Harvey. Enjoy. Resources 2004 book by Ilene Grabel and Ha-Joon Chang: : An alternative economic policy manual 2017 book by Ilene Grabel: John Harvey, , 30 lectures (discusses problems with general equilibrium models) Paul Romer "post-real" paper, and George DeMartino (Ilene Graebel's husband) 2013 , by Alfred Eichner (John: somewhat outdated but still important) Steve Keen 1995 paper in Journal of Post Keynesian Economics, 2011 post by Warren Mosler, Audio chapters 3:30 - Video games 7:12 - We need an MMT game 10:58 - The plan 11:31 - What happened to the ruble and domestic inflation in Russia this year? 15:02 - How does Russia manage the price of the ruble through, Gasprom, which is a privately owned bank? 17:00 - What are foreigners who held rubles before the war now doing? 19:53 - Timeline of Russian management of the ruble through the conflict 21:38 - Russian versus non-Russian holders of the ruble 23:08 - Bank of International Settlements (BIS) tri-annual survey of international transactions 26:07 - What might happen after the war? 28:11 - Strong currency as a cause versus as an effect. 33:24 - Ilene Grabel 34:21 - Decrease in price drives demand up, but not enough to drive the price back up to the original level. (No perpetual motion machine) 38:36 - Holding foreign currencies as a form of portfolio diversification. 49:57 - Should countries force others to purchase things in their home currency? 53:55 - Hierarchy of currencies, 1-5 58:59 - What is a low-value exporting country to do? 1:04:35 - The deficit can be evidence of an external desire to save 1:08:16 - Currency markets are driven by financial capital flows, not trade flows. 1:12:00 - Duplicate of introduction, with no background music (for those with sensitive ears)

This week, Jonathan Bate leads us a merry dance in search of fresh woods and pastures new; and Philip Ball explains the importance of the mysterious Higgs Boson.‘A History of Arcadia in Art and Literature: Volume 1: Earlier Renaissance; Volume 2: Later Renaissance, Baroque and Neoclassicism' by Paul Holberton‘Elusive: How Peter Higgs solved the mystery of mass' by Frank Close.Produced by Charlotte Pardy See acast.com/privacy for privacy and opt-out information.

Ever wonder why the American capitol is chock full of columns, pediments, and triglyphs, or why the Washington Monument appears supremely suited for roasting large quantities of meat? Then this is the episode for you. The guys begin their journey way back in the 18th century when Europe was undergoing a wave of “Greek Fever” and “Egyptomania”. They had it all:  romantic poems, shady trinket collections, and enlightened revolutions which eventually spilled over into neo-classical architecture. And this still 'colors' the way we recall and interpret the ancient world. Thus the obelisk of WaMo and the Pantheon-y JeMe flexing its dome-court advantage. All very nice, but can it go too far? Did anybody really need a ripped, shirtless statue of George Washington throneing it up in the Capitol rotunda? Tune in to find out.

The 1800s represent a significant period which art historians estimate to be the beginning of transition from the Neoclassicism art movement which was founded on the Roman art, to the Romantic era that advocated for expressive art. Painters who lived during the period attempted to reach out to their audience by touching what went on during the period they lived (Van Gogh-Bonger and Gayford, 2018). This paper presents a biography of Vincent Willem van Gogh, a Dutch painter who because his emotional and psychological struggles, found solace in painting, and even became the forerunner of the revolutionary Expressionism art movement. Get full access to Art Legends in History at www.artlegends.org/subscribe

DescriptionEver wondered what is Neoclassicism in music? And how did Igor Stravinsky play his part? Join me, as we take a minute to get the scoop!Fun FactFrom 1948 to 1951, Stravinsky worked on his only full-length opera, The Rake's Progress, a Neoclassical work based on a series of moralistic engravings by the 18th-century English artist William Hogarth. The Rake's Progress flirts with the late 18th-century grand opera but with the hard edges and twists of the Stravinsky wit and refinement.About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

Neoclassicism is the label we use for the period of art history after the Baroque. Spanning the 18th century enlightenment era and into the beginning of the 19th c. Paradigms or broad thought trends always develop in relation to the period before them, and often shift to embrace an opposing aesthetic. In this case, the flowery ornamentation and ostentatiousness of the baroque and the rococo eras, gave way to the embrace of the clean lines and pared back style of classical Greek and Roman antiquity.Today we will discuss:-Alexander Pope's translation of Homer's Iliad. 1715-1720. https://www.gutenberg.org/files/6130/6130-h/6130-h.htm-Sir G. Kneller's portrait of Alexander Pope. 1719https://www.bl.uk/collection-items/portrait-of-alexander-pope-by-sir-godfrey-kneller-1719-J.Maubert's portrait of John Dryden. 1700. https://www.bl.uk/collection-items/portrait-of-john-dryden

Stravinsky’s interaction with composers shaping the Modern Age is explored, from Debussy, Prokofieff and Bartók through to contemporary music. Music includes De Tijd (Andriessen), Jeux (Debussy), Mikrokosmos (Bartók), Scythian Suite (Prokofieff), Metamorphoses (Britten), Petrushka (Stravinsky).Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

This episode looks at Stravinsky’s works created after his relocation to the New World, embracing jazz, serialism and Disney. Music includes Agon, Ebony Concerto, The Rite of Spring.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

The roles of myth, faith and memory in Stravinsky’s works is explored, from Russian chant to Greek classicism. Music includes Mavra, Symphony of Psalms, Oedipus Rex.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

Stravinsky’s relationship with the stage, both ballet and opera, is examined, including collaborations with Diaghilev, Auden and Balanchine. Music includes Pulcinella, The Rake’s Progress, Apollo.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

Join us on Friday for Episode 2, in which Stravinsky’s relationship with the stage, both ballet and opera, is examined, including collaborations with Diaghilev, Auden and Balanchine.

Igor Stravinsky’s ongoing significance and influence, a half century after his death, is reassessed from a safe objective distance.Music includes Funeral Song, Requiem Canticles, The Rite of Spring.Are you discovering Stravinsky for the first time, or returning in 2021 to the music of a lifelong favourite? We invite you to listen to this new series of audio podcasts, presented by his publisher Boosey & Hawkes in honour of the 50th anniversary of his death. Each of the five short episodes is hosted by Jonathan Cross of Oxford University and author of a recent critical biography of the composer.

Join the Three Dudes Wearing Plaid as they learn why Gus sounds much better than Mitchell, whether the Three Dudes would love their corpse son (if they had one), and how not to pronounce ‘boatswain.' Our theme music is by Evan Schafer, and the show is edited by Gus Guszkowski. If you have questions or comments about anything we talked about on the show, feel free to email us at 3dudeswearingplaid@gmail.com, and follow us on Instagram @3dwpcast! All the links for this episode can be found below: https://en.wikipedia.org/wiki/John_Keats https://en.wikipedia.org/wiki/Lord_Byron https://theculturetrip.com/europe/united-kingdom/articles/7-strange-facts-about-barmy-baron-byron/ https://www.poetryfoundation.org/learn/glossary-terms/romanticism https://www.poetryfoundation.org/poets/john-keats http://www.bbc.co.uk/history/historic_figures/byron_lord.shtml https://www.poetryfoundation.org/poems/44477/ode-on-a-grecian-urn https://en.wikipedia.org/wiki/Romantic_poetry https://en.wikipedia.org/wiki/Neoclassicism https://en.wikipedia.org/wiki/Sosibios_Vase https://en.wikipedia.org/wiki/William_Wordsworth https://en.wikipedia.org/wiki/Percy_Bysshe_Shelley https://www.history.com/this-day-in-history/frankenstein-published https://www.onthisday.com/date/1818/january/1 https://slate.com/technology/2016/06/how-a-volcanic-eruption-in-indonesia-inspired-frankenstein.html https://en.wikipedia.org/wiki/Herbert_West%E2%80%93Reanimator

While a famous committee of five drafted the Declaration of Independence, a far more unsung committee of thirteen wrote America's first rulebook. The Articles of Confederation was our first constitution, and it lasted nine years. If you prefer Typee to Moby Dick, Blood Simple to A Serious Man, or Picasso's Blue Period over Neoclassicism, you just might like the Articles of Confederation. The fable of its weaknesses, strengths, rise, and downfall are told to us by Danielle Allen, Linda Monk, Joel Collins, and Lindsey Stevens. Special thanks to Paul Bogush, who taught us to play Articles of Confederation the Game with a sack of blocks. Thanks to everyone who has supported our show in the last few weeks, click here to make a donation to Civics 101.

Artwork Credit: Louis XV room (18th cent.) - 1735–1740 Carved oak with gilded ornamentation 365.8 x 762 x 853.4 cm (144 x 300 x 336 in.) Fine Arts Museums of San Francisco Roscoe and Margaret Oakes Collection 51.2.1 Image courtesy of the Fine Arts Museums of San Francisco

Didot，由法国同名家族铸造的字体，在启蒙运动的时代背景中风格自成一类。与此同时，迪多家族对于字体排印行业的推动不仅限于字体，也为后世留下了诸多关于「刻板印象」的趣闻。今天，我们继续邀请主编 Rex 为大家讲述一代经典字体及其缔造家族的往事。 参考链接 Didot family（迪多家族），法国著名铸字商、印刷商、出版商 Didot point（迪多点），字体排印度量单位；1783 年由 François-Ambroise Didot 确立为法寸（French inch）的 1/72 Firmin Didot，stereotype 印刷技术的发明者，也被认为是 Didot 字体的设计者 Stereotype（铅版印刷），也称 cliché；后被引申为「刻板印象」的意思 纸型（flong），铅板印刷中所使用的纸质模版 Didot，迪多家族设计、铸造的字体家族的统称 Romain du Roi（国王的罗马体），路易十四时期为法国皇家印刷所设计的衬线体 Craig Eliason，美国圣托马斯大学艺术史专业教授，在字体排印领域有诸多研究，同时设计开发数码字体 新古典主义（Neoclassicism），十八世纪兴起于法国的艺术运动 Didone，Vox-ATypI 分类法中的一个类别；该名称取自 Didot 和 Bodoni 的结合 Bodoni，由意大利字体设计师 Giambattista Bodoni 设计 《时尚》（Vogue），1892 年创办于美国纽约的时尚及生活方式类杂志 《时尚芭莎》（Harper’s Bazaar），1867 年创办于美国纽约的女性时尚杂志 Linotype Didot，Adrian Frutiger 设计的 Didot 复刻作品，Linotype 出品 HTF Didot，Jonathan Hoefler 于 1991 年为《时尚芭莎》定制的 Didot 复刻作品 嘉宾 Rex Chen：The Type 建立者、主编 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。 The Type 会员计划已上线，成为我们的会员，即可享受月刊通讯、礼品赠送、活动优惠以及购物折扣等权益。

Episode: 2977 Thomas Jefferson, the Maison Carree and the Virginia State Capitol.  Today, Thomas Jefferson in love.

Do you feel like there's something in your life you have a passion for and are really good at? What if why you couldn't do it was because you were afraid, insecure, or felt like a prisoner to structure and rules?Well, this interview can help you!Juan Sánchez is a Spanish music producer, pianist, and composer based in Barcelona.He started taking piano lessons at the conservatoire when he was 14 and during the end of the ’80s until the end of the 90’s he was playing keyboards with different bands. In 1995 went to London to study music and technology and he was there for five years.In 1999 Juan started making instrumental electronic music and since then he has been creating music for multimedia and sound libraries for music producers.Juan has started a new project that consists in releasing a series of Neo-Classical, Ambient and New Age piano music singles to be delivered in all the music streaming platforms. Learn more about Juan here:https://juansanchezmusic.info/

Do you feel like there's something in your life you have a passion for and are really good at? What if why you couldn't do it was because you were afraid, insecure, or felt like a prisoner to structure and rules?Well, this interview can help you!Juan Sánchez is a Spanish music producer, pianist, and composer based in Barcelona.He started taking piano lessons at the conservatoire when he was 14 and during the end of the ’80s until the end of the 90’s he was playing keyboards with different bands. In 1995 went to London to study music and technology and he was there for five years.In 1999 Juan started making instrumental electronic music and since then he has been creating music for multimedia and sound libraries for music producers.Juan has started a new project that consists in releasing a series of Neo-Classical, Ambient and New Age piano music singles to be delivered in all the music streaming platforms. Learn more about Juan here:https://juansanchezmusic.info/

Art podcast. How the artistic movements of Baroque, Rococo and NeoClassicism reflected the society and politics of their time See acast.com/privacy for privacy and opt-out information.

Join Dylan and Natalie for a quick 15 minute rundown of the culture in the early to late 1800's. Neoclassicism, transcendentalism, and African American culture.

Neoclassicism

In 1919, two competing art movements went head-to-head in Paris. One was the Return to Order, a movement about purity and harmony. The other was Dada, a movement about chaos and destruction. Their collision would change the trajectory of Western art. Hugo Ball established the Cabaret Voltaire in Zurich, where Dada came to life in February 1916. In this photo, he's dressed in his "magic bishop" costume. The costume was so stiff and ungainly that Ball had to be carried on and off stage. You can hear the entire text of Ball's "Karawane" on Youtube (https://www.youtube.com/watch?v=z_8Wg40F3yo). You can also read the text (https://poets.org/poem/karawane). Marcel Duchamp arrived in New York to a hero's welcome, a far cry from the disdainful treatment he was receiving in France. He was hailed for his success at the 1913 Armory Show, where his painting "Nude Descending a Staircase" was the hit of the show. "Nude Descending a Staircase" was considered radical art, but it was still oil paint on canvas. Duchamp would soon leave even that much tradition behind. Francis Picabia was handsome, rich, dashing, and about as faithful as an alley cat. That he wasn't court martialed for neglecting his diplomat mission to Cuba for artistic shenanigans in New York was entirely due to his family's wealth and influence. He was also well known in New York for his visit there during the Armory Show. Picabia abandoned traditional painting for meticulous line drawings of mass-produced items, including this work, titled "Young American Girl in a State of Nudity." Duchamp horrified New Yorkers when he presented "Fountain" to an art exhibit as a work of sculpture. A urinal may not seem particularly shocking now, but it violated any number of taboos in 1917. While "Fountain" is generally atttributed to Duchamp, it is possible, although by no mean certain, that it was actually created by the Baroness Else von Freytag-Loringhoven. A German ex-pat, she was creating art out of ready-made objects more than a year before Duchamp and lived her life as a kind of non-stop performance art. Whatever her role in "Fountain," she deserves to be better remembered as a pioneering modernist. After he returned to Europe, Picabia's art became less disciplined and more outlandish. He titled this ink-blot "The Virgin Saint." Picabia also published a Dadaist journal, in which he published this work by Duchamp. It's a cheap postcard of the "Mona Lisa" to which he added a mustache. The title "L.H.O.O.Q. is a pun in French; it sounds like "she has a hot ass." Tzara and other Dadaists in Paris devoted themselves to events and performances. This is a handbill for a "Festival Dada" that took place on May 26, 1920. Tzara and Picabia are listed as performing, along with several other prominent Dadaists including Andre Breton, Louis Aragon, and Paul Eluard. These evenings became increasingly frantic and nihilistic as Dada wore on. By 1919, Pablo Picasso part of the artistic establishment and no longer a radical on the edges of society. In 1911/1912, Picasso paintings looked like this--this is "Ma Jolie," a dense, complicated, frankly intimidating Cubist painting. Ten years later, he painted this work, Woman in White. With its clarity, beauty, and nods to tradition, it is a prime example of Picasso's embrace of neo-classicism after the Great War. The impulse to create clear, simple, ordered art existed in many European countries. In the Netherlands, Piet Mondrian worked in the Neoplasticist movement creating his iconic grid paintings. This is "Composition No. 2" from 1920. At the same time, in Germany the Bauhaus was established. As a school of arts and crafts, it taught a stripped-down, clean aesthetic that applied to everything from architecture to furniture design, industrial design to graphic design. This poster advertising a 1923 exhibition is a good example of Bauhaus design and typography. The Surrealist movement arose out of Dada's ashes in the mid- to late-1920s. It combined the traditional painting technique of neo-Classicism with the bizarre imagery of Dada. Salvador Dali's "Persistence of Memory," for example, is a technical masterpiece, with masterful execution. It's also impossible and, frankly, disturbing. T.S. Eliot's "The Waste Land" gives the impression of randomness, of lines picked out of a coat pocket. In fact, it is painstakingly constructed and shows as much technical skill as Dali's clocks. You can read the poem (https://www.poetryfoundation.org/poems/47311/the-waste-land), or listen to Alec Guinness read it (https://www.youtube.com/watch?v=Hcj4G45F9pw)--or maybe do both at the same time. This meme was created in 2013 by cartoonist KC Green. It captures the Dadaist attitude that shows up in popular culture a great deal here in 2019--a sense that the world is really weird right now. Please note that the links below to Amazon are affiliate links. That means that, at no extra cost to you, I can earn a commission if you click through and make a purchase. (Here's what, legally, I'm supposed to tell you: I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn fees by linking to Amazon.com and affiliated sites.) However, I only recommend books that I have used and genuinely highly recommend.

Welcome to HerArt podcast, a project for art lovers, especially art created by women. In our third episode, we will talk about Yayoi KUSAMA - a heretic of the art world that identifies with no one movement, calling her style “Kusama art.” My name is Nata Andreev and I am going to tell you seven curious facts that you didn’t know about the woman that has devoted her life as an avant-garde artist. It will be amazing if you could join me for the twelfth session of my Wknd Study Group this Sunday, March 31st. We will discuss the movement that started in the opposition to rococo which is Neoclassicism.

Amelia gives a brief history of the evolution of Art History as a discipline.

While a famous committee of five drafted the Declaration of Independence, a far more unsung committee of thirteen wrote America's first rulebook. The Articles of Confederation was our first constitution, and it lasted nine years. If you prefer Typee to Moby Dick, Blood Simple to A Serious Man, or Picasso's Blue Period over Neoclassicism, you just might like the Articles of Confederation. The fable of its weaknesses, strengths, rise, and downfall are told to us by Danielle Allen, Linda Monk, Joel Collins, and Lindsey Stevens. Also, Paul Bogush tells us how to play Articles of Confederation the Game with a sack of blocks. Subscribe to Civics 101 for all your civil needs. Find out more at civics101podcast.org.

In "Facing Off Across Sunset Boulevard" La Jolla Symphony & Chorus celebrate mavericks and visionaries. The concert's title refers to the giants of 20th-century music whose work bookends the program, Arnold Schoenberg and Igor Stravinsky. The two men lived scant miles apart in Los Angeles after fleeing Nazism yet never interacted, separated less by distance than by sharp differences in compositional method, aesthetic direction, and personality. Whatever their differences, their work inspired the other three composers represented on the program - Olivier Messiaen, Hannah Lash, and Toru Takemitsu - to continue their exploration of sonority, classical form, and movement. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33164]

In "Facing Off Across Sunset Boulevard" La Jolla Symphony & Chorus celebrate mavericks and visionaries. The concert's title refers to the giants of 20th-century music whose work bookends the program, Arnold Schoenberg and Igor Stravinsky. The two men lived scant miles apart in Los Angeles after fleeing Nazism yet never interacted, separated less by distance than by sharp differences in compositional method, aesthetic direction, and personality. Whatever their differences, their work inspired the other three composers represented on the program - Olivier Messiaen, Hannah Lash, and Toru Takemitsu - to continue their exploration of sonority, classical form, and movement. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33164]

20th Century, 1917: In previous centuries there were prevailing styles and forms of music. The Baroque, Classical and Romantic eras have their own set of conventions that composers followed. But the 20th century saw fragmentation as composers reacted and counter-reacted to the artistic expressions around them. Neoclassism is an example of such a reaction.

We talk with Florentine sculptor Raffaello Romanelli, sixth generation sculptor and proprietor of one of the most historic sculpture studios in Europe. Through his family's work we can trace the progression from Neoclassicism through Romanticism, Modernism, and right through to the present resurgence of figurative sculpture. 

This episode kicks of the exploration of the OTHER 19th century in sculpture - the one occurring outside the milieu of Paris. Lorenzo Bartolini shaped the sculpture of 19th century Italy, evolving the Neoclassicism of Canova into a ethos which sought to seek Beauty in Truth, and Truth in Beauty.

The idea of looking towards Greek art for inspiration wasn't exactly new in the late 18th Century with artists such as Canova and David. Artists had been doing it constantly, and for centuries. And yet, the name we give the dominant style of the late 18th century - Neoclassicism - seems to imply there was. What was so 'Neo' about Neoclassicism? Listen to the podcast and join the Enlightened.

Brigid Von Preussen discusses "Wedgwood’s Portrait Medallions.” Von Preussen is working on her PhD at Columbia University, which examines the relationship between Neoclassicism, commerce, and inter-medial reproduction in late eighteenth-century British design and art.

November 11, 2015 at the Boston Athenæum. Boston Athenæum began collecting Neoclassical art shortly after its establishment in 1807. At the time Neoclassicism was a hugely popular artistic movement, due in part to the romanticized view of the United States’ system of government being modeled on Greco-Roman and Enlightenment ideals. Mary Beard’s S.P.Q.R.: A History of Ancient Rome provides insight into the realities of the ancient Roman world and thereby context for understanding the 19th-century Neoclassical movement. By 63 BCE, the city of Rome was a sprawling, imperial metropolis of more than a million inhabitants. But how did this massive city—the seat of power for an empire that spanned from Spain to Syria—emerge from what was once an insignificant village in central Italy? In S.P.Q.R., Beard changes our historical perspective, exploring how the Romans themselves challenged the idea of imperial rule, how they responded to terrorism and revolution, and how they invented a new idea of citizenship and nation, while also keeping her eye open for those overlooked in traditional histories: women, slaves and ex-slaves, conspirators, and losers. Like the best detectives, Beard separates fact from fiction, myth and propaganda from historical record. She introduces the familiar characters of Julius Caesar, Cicero, and Nero as well as the untold, the loud women, the shrewd bakers, and the brave jokers. S.P.Q.R. promises to shape our view of Roman history for decades to come.

Institute of Historical Research Neoclassicism and Florentine Freemasonry Dr Jason Kelly (Indiana University - Purdue University) British History in the Long EIghteenth Century seminar series

Frankenstein's Monster, scenes of disaster and shipwreck, Edgar Allen Poe's 'The Raven'... what could be more Romantic? in this episode, Jason explores the Romantic movement in art, a direct competitor to Neoclassicism, and answers your burning questions as to what flowers and chocolates on St. Valentine's Day have to do with 1st century Greek  literature.

The idea of looking towards Greek art for inspiration wasn't exactly new in the late 18th Century with artists such as Canova and David. Artists had been doing it constantly, and for centuries. And yet, the name we give the dominant style of that period - Neoclassicism - seems to imply there was. What was so 'Neo' about Neoclassicism? Listen to the podcast and join the Enlightened.

Whether it's at a university degree program or in a small private atelier, most figurative sculptors today train at schools, rather than as apprentices to professional sculptors. But what was the first art school in Europe? why was it created? Your host Jason Arkles details the history of the rise of the academy as a way to train artists in a more varied, eclectic, and intellectually challenging program than traditional apprenticeships allowed.

Cyrus Patell, american literature, from the beginnings to the civil war, New York University, NYU, OpenEd, Open Ed, Open, Education, american neoclassicism, francis scott key, phillis wheatley, phillip freneau

A short introduction to this album.

Transcript -- A short introduction to this album.

French Romanticism took its philosophical cues from Germany and literary inspiration from England, developing a unique approach and adding to the core of aesthetic theory.

Transcript -- French Romanticism took its philosophical cues from Germany and literary inspiration from England, developing a unique approach and adding to the core of aesthetic theory.