Podcasts about renaissance ethnography

Welcome back to Drafting the Past. I'm Kate Carpenter, and this is a podcast about the craft of writing history. In this episode, I'm joined by historian and writer Dr. Surekha Davies. Surekha is a former history professor who now writes full-time, and she can also be found speaking about history and consulting on monsters. In fact, monsters have played a major role in much of her research. Her first award-winning book was titled Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters. Her second book, which is aimed at a general audience, is out now; it's called Humans: A Monstrous History. The book looks at, as she puts it, how people “have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way.” I spoke with Surekha about how she made the switch to full-time writing, her newsletter, Notes from an Everything Historian, and how she organized what could have been an unruly book. Enjoy my conversation with Dr. Surekha Davies.

Historian Surekha Davies joins us to explore how ideas of wonder, race, and the monstrous shaped European thought in the age of empire. These weren't just abstract concepts—they were embedded in scientific discourse, travel writing, and the visual culture of the time. Shakespeare's plays reflect these cultural currents. In The Tempest, the character of Caliban—described as savage, deformed, and barely human—embodies the fears and fantasies that haunted early modern encounters with the so-called “New World.” Davies unpacks how Caliban's portrayal draws on the same ways of thinking that labeled certain people monstrous and how Shakespeare's work offers a lens into the period's views on race, colonialism, and imagination. As we confront new technologies like artificial intelligence, Davies helps us consider what today's “monstrous others” might be and how early modern ways of thinking linger in our discussions of what it means to be human. Dr. Surekha Davies is a British author, speaker, and historian of science, art, and ideas. Her first book, Renaissance Ethnography and the Invention of the Human, won the Morris D. Forkosch Prize for the best first book in intellectual history from the Journal of the History of Ideas and the Roland H. Bainton Prize in History and Theology. She has published essays and book reviews about the histories of biology, anthropology, and monsters in the Times Literary Supplement, Nature, Science, and Aeon. From the Shakespeare Unlimited podcast. Published April 8, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

This week Dr. Surekha Davies joins in to talk about a different way of seeing human history--through monsters. According to her, Monsters are central to how we think about the human condition. So our conversation reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. And to do so, we are talking about one of the very best Pixar films ever made: Monsters, Inc. This episode is so good that it's scary.About our guest:Dr. Surekha Davies is a British author, speaker, and historian of science, art, and ideas. Her first book, Renaissance Ethnography and the Invention of the Human, won the Morris D. Forkosch Prize for the best first book in intellectual history from the Journal of the History of Ideas and the Roland H. Bainton Prize in History and Theology. She has written essays and reviews about the histories of biology, anthropology, and monsters in the Times Literary Supplement, Nature, Science, and Aeon.

Cannibals, headless men, and giants were common figures of Medieval and Renaissance maps. Historian Surekha Davies tells us why we need to take these figures seriously. Davies is the author of Renaissance Ethnography and the Invention of the Human: New Worlds, Maps and Monsters.

In our inaugural podcast, Contributing Editor Cynthia Houng speaks with Prof. Surekha Davies about her book, Renaissance Ethnography and the Invention of the Human: New Worlds, Maps and Monsters (Cambridge University Press, 2016), winner of the 2016 Morris D. Forkosch Prize for the best first book in intellectual history.

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in.

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

You find a lot of strange things on late medieval and “Age of Discovery” era maps. Of course there are weird beasts of every sort: dragons, griffins, sea monsters, and sundry multi-headed predators. But you also find a lot of bizarre, well, people. These include giant people, tiny people, one-footed people, people with two heads, and people with no heads at all (their eyes, mouths and noses are in their chests). What is one to make of all these different kinds of humanity? And, more important from a historical point of view, what did Renaissance mapmakers think they were doing when they adorned their cartographical products with them? In her wonderful new book Renaissance Ethnography and the Invention of the Human: New Worlds, Maps, and Monsters (Cambridge University Press, 2016), Surekha Davies offer answers aplenty, and good ones. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices