Podcast appearances and mentions of Walt Disney

The story of Mary Blair, the person who is often described as Walt Disney's favorite artist. Part Twenty-Seven. Bandcamp subscriptions - dhipodcast.bandcamp.com

In this episode, Michael and Tom explore the idea that Walt Disney quietly designed Disneyland to be a classrom where people could learn without ever feeling like they were being taught.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited Travel Hosted on Acast. See acast.com/privacy for more information.

We take on the EPCOT International Flower & Garden Festival with a fun challenge inspired by our friend Jon Self. Jon recently shared his list of what he considers the best and worst dishes at this year's festival, and instead of just reading his thoughts… we decided to put them to the test ourselves. Here's the twist: we grabbed all eight items from Jon's list and set out around EPCOT to try every single one of them — without knowing which dishes he loved and which ones he thought were the worst. That means every reaction you hear is completely honest and happening in real time. As we make our way from booth to booth, we taste each dish live and share our immediate thoughts on everything from flavor and presentation to portion size and more. Along the way we talk about which dishes surprised us, which ones didn't quite live up to the hype, and which ones we'd absolutely order again on our next visit. If you're planning a trip to the Flower & Garden Festival, this episode should give you a great idea of which dishes might be worth your time and which ones you may want to skip. And of course, as always, we have plenty of fun (and a few laughs) along the way.

Send a textThe Mickeyphile Podcast Episode 246 - Cirque du Soleil's Drawn to Life, Disney News, and Easter Displays Around Walt Disney WorldIn this episode of The Mickeyphile Podcast, we head to Disney Springs to experience one of Walt Disney World's most unique shows—Drawn to Life presented by Cirque du Soleil and Disney. This stunning production blends Cirque's signature acrobatics with Disney animation storytelling, creating a show that celebrates the art of bringing characters to life.We break down what makes the show special, the incredible performers, the animation inspiration behind the story, and whether this spectacular is worth adding to your next Walt Disney World vacation.We also cover the latest Disney news, including the announcement that Josh D'Amaro will become CEO of The Walt Disney Company on March 18, 2025, a new baby Ankole calf born at Disney's Animal Kingdom Lodge, and the return of the beautiful Easter egg displays at Disney's Grand Floridian Resort, Yacht & Beach Club, and Disney's Contemporary Resort.Plus we revisit the Millennium Falcon: Smugglers Run update we discussed last episode and what it could mean for the future of the attraction.If you love Disney parks, Disney entertainment, and a little behind-the-scenes magic, this episode has something for you.In This Episode• Review of Drawn to Life by Cirque du Soleil at Disney Springs• The story and artistry behind the show• Our thoughts on the performances and production• Josh D'Amaro named CEO of The Walt Disney Company• New Ankole calf born at Disney's Animal Kingdom Lodge• Easter egg displays return to Disney's Grand Floridian, Yacht & Beach Club, and Contemporary Resort• Updates to Millennium Falcon: Smugglers RunListen & SubscribeThe Mickeyphile Podcast is your source for Disney travel tips, Walt Disney World news, Disney Cruise Line trip reports, and honest Disney reviews.Connect With UsFacebook Group:https://www.facebook.com/groups/946434275769168/Instagram:https://www.instagram.com/mickeyphile_podcast/Music: “Cân thema (Mickeyphile Podcast Theme)” copyright Scott Daves 2024 Hear the Podcast at:iTunes:  https://tinyurl.com/3azxhptmSpotify:  https://tinyurl.com/4m9rxnsbAmazon:  https://tinyurl.com/yupaf7f7iHeart Radio: https://tinyurl.com/cjjcras4Pandora:  https://tinyurl.com/4mhhbars      

Join Erik and Tage this week as they answer 100 questions from listeners. Support the podcast by going to https://www.thehubcrawl.com/support. 1: Janelle A: Is there a ride that you ALWAYS like to have as your last ride of the trip? 2: Ryan P: You get to move into one animated Disney character's house. Whose house is it? 3: The one and only Marie: If Episode 100 included a “Previously On The Hub Crawl” montage, what moment has to be in it and why is it Erik's locker room story? 4: Marie: What Disney announcement did you initially hate, but has now grown on you? 5: Marie: What merchandise item have you purchased because of the show? 6: Marie: What episode should be required listening for new listeners? 7: Ryan P: Corn dog or Churro 8: Ryan G-H: What has been your favorite part about doing this show? 9: Ryan GH: Cancel, Host, Guest (FMK): DL Weekly, TSR, EarzUp 10: Robert A. S. Jr.: What is the best joke you heard on the jungle cruise? Not the back side of water one. 11: Erik C: Which land at any domestic Disney park plays the best background music? 12: Erik C.: Which attraction are you most puzzled by or still trying to figure out the storyline? 13: Erin C: One popular snack is gone forever…what is it? 14: Not a host of Spokes: Who is your favorite Spokes host? 15: Erin C: Which character do you have the most photos with at the parks? 16: Erin C: You have unlimited, free access to a single snack at the parks, what is it? 17: Olivia S: You can bring back one ride at DL or WDW but you have to demolish a current ride. What are you bring back and what are you demolishing? 18: Erin C: Would you rather share a meal with Walt Disney, Roy Disney, or Lillian Disney? 19: Olivia S: What is your all time favorite snack in a Disney Park 20: Olivia S: What is your all time fave meal at a Disney park 21: Erin C: What is still on your Disney bucket list? 22: Olivia S: All time fave drink in a Disney park 23: Olivia S: What is your favorite Disney pod besides ones that you host? 24: Olivia S: You are getting a new dog or cat and naming them after a Disney character. What are you naming them? 25: Olivia S: You can build a duplicate of one attraction to your town. What attraction are you building? 26: Olivia S: What's your favorite piece of merch that own (ie something you can wear) 27: James B: Which land would be the hardest for you to say goodbye to? 28: James B: What new holiday would you like to see get an overlay and on which attraction? 29: James B: Which street entertainment group is the most likely to get you to stop? 30: James B: What has been your best character meet and greet experience? 31: James B: What's your go-to souvenir every time you visit the parks? 32: James B: What shuttered attraction would you wish to bring back? 33: James B: Where would you work in the park? 34: James B: Where is the best hot dog in the park? 35: James B: Where do you put yourself to watch the Fireworks? 36: James B: Are you a rope drop person or a close down the park person? 37: James B: You have time for one attraction and are in New Oreleans Square. If wait times are the same, are you riding Pirates or Haunted Mansion? 38: Andy M: How would you retheme the Disneyland Peter Pan queue to make it more interactive and plus up the storytelling? 39: Andy M: What ride would benefit the most from an on-ride photo op? 40: Andy M: What lesser-known/niche character would you love to see more of in the park as a meet n' greet? 41: Andy M: Assuming the rumors come true about a Haunted Mansion restaurant coming to the WDW Magic Kingdom, what would you want to see inside that would make it live up to our insane (unfair?) expectations? 42: Andy M: What is your favorite/most-treasured item you've bought while at a Disney resort/park and what is the dumbest thing you've willingly wasted money on at a resort/park? 43: Jeff V: Disneyland or DCA? 44: Robert A. S. Jr.: Why is Canada the best land in Epcot? 45: Robert A. S. Jr.: Why do you love the muppets and who is the best muppet? 46: Robert A. S. Jr.: You have a vip to take you on one ride and eat 1 thing in the park and then you go home. What do you eat and ride? 47: Stephanie S: if you could interview anyone working at the Walt Disney company today; who would it be and what 3 questions would you ask them first? 48: Trebor R: You have to add a stop to any monorail in any Disney park. What park and what stop are you adding? 49: Kris S: What's your favorite overlay at the parks? 50: Kris S: Favorite Haunted Mansion ghost? 51: Conor S: Favorite festival or foodie guide? 52: Marie: What is something you have done on a Disney vacation that you would likely never do again? 53: Marie: 70 years in, what's your pick for the most overhyped part of Disneyland—and what's the most underrated gem people still don't appreciate? 54: Marie: If you could have any Disney character as a BFF, who would you choose? 55: Ryan GH: Who is a particularly memorable guest you've had on the show? 56: Ryan GH: What type of questions do you enjoy answering the most? 57: Ryan GH: If you could have 2 characters from any Disney property as guests on this show, who would it be? 58: Kris S: Best specialty churro you've ever had? 59: Marie: What question asked on the show revealed way too much about someone? 60: Kris S: Favorite Disney song of all time? 61: Ryan P: You can only ride one attraction for the rest of time at your favorite park. What is it? 62: Marie: What guest behavior causes you irrational rage every time? 63: Ryan P: You can time travel. Which decade would you like to visit your favorite park in? 64: Kate A: What Disney parks snack should have an entire festival at either Epcot or DCA dedicated to it? 65: Ryan P: What fairy tale that has not yet been adapted into a Disney animated feature should be their next project 66: Ryan P: Josh has already had to step down, you're suddenly named CEO. What are the first three things you do to improve the company? 67: Kate A: What WDW Resort hotel would you like to magically transport to Disneyland Resort? 68: Ryan P: One attraction all the audio animatronics and set pieces are suddenly real every night after floating (à la Night at the Museum). To which attraction would you like to see this happen? 69: Kate A: If you had to wear one Disney Parks cast member costume every day for a year, which would you choose? 70: Jude A: What character would you like to see on the stern of a future Disney Cruise Line ship? 71: Kate A: Which Disney villain would you least like to run into in a dark alley? 72: Marie: You went to Garner Holt's workshop and built an animatronic to install at a Disney Park. What is its name? What does it do? And where are you putting it? 73: Kate A: Which Disney villain probably had a valid point? 74: Kate A: What Disney song could you most accurately sing on command? 75: Bryan: What feature do you feel is missing from the Disneyland/WDW mobile apps? 76: Bryan: Disneyland semi-recently started selling the Monte Cristo sandwich at Royal Street Veranda. What sit-down meal do you wish Disney would offer as a quick service option? 77: Bryan: With Josh D'Amaro ascending to CEO, predict the next head of Disney Parks & Experiences. 78: Ryan GH: If you could host a podcast in the general orbit of The Hub Crawl (i.e. the host(s) have been on THC) that you don't currently host, which show would it be? 79: Conor S: What food is lacking at the parks? 80: Conor S: If you could bring back one attraction from extinction what would it be? 81: Shannon W: Is classic Disney better than modern Disney? 82: Shannon W: If you had to preform one Disney song karaoke-style, which would you choose? 83: Shannon W: What was your very first Disney movie, and how did it make you feel? 84: Shannon W: Which character would make the best real life best friend? 85: Kris S: Favorite pavilion at EPCOT? 86: Ryan P: If you could ride one attraction with one character what attraction and character would it be? 87: Ryan P: You can walk around the inside of any attraction you want. Which attraction do you choose? 88: Ryan P: What character do you think is under represented in the parks? 89: Timothy Q M: Does anyone else see pink elephants when they drink the “special” water? 90: Ryan P: You have to live in the world of the last Disney animated film you watched for one year. How's your life going to be? 91: Ryan P: What would you do to market ‘original' ideas for films better, or how would you get fans to purchase tickets to these films? Fans keep saying no more sequels, but when an original idea film comes out, box office numbers are poor. 92: Shannon W: Which Disney movie do you think gets better as you get older? 93: Ryan P: what is your best memory or thing you like best about doing this podcast? 94: Shannon W: If you could live inside a Disney movie, which one would you choose? 95: Shannon W: What's the most powerful Disney song ever? 96: Shannon W: Which movie has the strongest overall soundtrack? 97: Shannon W: If two Disney characters from different movies met, who would be best friends? 98: Erin C: Dole whip or Churro? 99: Erin C: Rope drop or close the park? 100: Erin C: What kind of merch would you like to see sold on Main Street in Disneyland that's not already sold there.

Join Erik and Tage this week as they answer 100 questions from listeners. Support the podcast by going to https://www.thehubcrawl.com/support. 1: Janelle A: Is there a ride that you ALWAYS like to have as your last ride of the trip? 2: Ryan P: You get to move into one animated Disney character's house. Whose house is it? 3: The one and only Marie: If Episode 100 included a “Previously On The Hub Crawl” montage, what moment has to be in it and why is it Erik's locker room story? 4: Marie: What Disney announcement did you initially hate, but has now grown on you? 5: Marie: What merchandise item have you purchased because of the show? 6: Marie: What episode should be required listening for new listeners? 7: Ryan P: Corn dog or Churro 8: Ryan G-H: What has been your favorite part about doing this show? 9: Ryan GH: Cancel, Host, Guest (FMK): DL Weekly, TSR, EarzUp 10: Robert A. S. Jr.: What is the best joke you heard on the jungle cruise? Not the back side of water one. 11: Erik C: Which land at any domestic Disney park plays the best background music? 12: Erik C.: Which attraction are you most puzzled by or still trying to figure out the storyline? 13: Erin C: One popular snack is gone forever…what is it? 14: Not a host of Spokes: Who is your favorite Spokes host? 15: Erin C: Which character do you have the most photos with at the parks? 16: Erin C: You have unlimited, free access to a single snack at the parks, what is it? 17: Olivia S: You can bring back one ride at DL or WDW but you have to demolish a current ride. What are you bring back and what are you demolishing? 18: Erin C: Would you rather share a meal with Walt Disney, Roy Disney, or Lillian Disney? 19: Olivia S: What is your all time favorite snack in a Disney Park 20: Olivia S: What is your all time fave meal at a Disney park 21: Erin C: What is still on your Disney bucket list? 22: Olivia S: All time fave drink in a Disney park 23: Olivia S: What is your favorite Disney pod besides ones that you host? 24: Olivia S: You are getting a new dog or cat and naming them after a Disney character. What are you naming them? 25: Olivia S: You can build a duplicate of one attraction to your town. What attraction are you building? 26: Olivia S: What's your favorite piece of merch that own (ie something you can wear) 27: James B: Which land would be the hardest for you to say goodbye to? 28: James B: What new holiday would you like to see get an overlay and on which attraction? 29: James B: Which street entertainment group is the most likely to get you to stop? 30: James B: What has been your best character meet and greet experience? 31: James B: What's your go-to souvenir every time you visit the parks? 32: James B: What shuttered attraction would you wish to bring back? 33: James B: Where would you work in the park? 34: James B: Where is the best hot dog in the park? 35: James B: Where do you put yourself to watch the Fireworks? 36: James B: Are you a rope drop person or a close down the park person? 37: James B: You have time for one attraction and are in New Oreleans Square. If wait times are the same, are you riding Pirates or Haunted Mansion? 38: Andy M: How would you retheme the Disneyland Peter Pan queue to make it more interactive and plus up the storytelling? 39: Andy M: What ride would benefit the most from an on-ride photo op? 40: Andy M: What lesser-known/niche character would you love to see more of in the park as a meet n' greet? 41: Andy M: Assuming the rumors come true about a Haunted Mansion restaurant coming to the WDW Magic Kingdom, what would you want to see inside that would make it live up to our insane (unfair?) expectations? 42: Andy M: What is your favorite/most-treasured item you've bought while at a Disney resort/park and what is the dumbest thing you've willingly wasted money on at a resort/park? 43: Jeff V: Disneyland or DCA? 44: Robert A. S. Jr.: Why is Canada the best land in Epcot? 45: Robert A. S. Jr.: Why do you love the muppets and who is the best muppet? 46: Robert A. S. Jr.: You have a vip to take you on one ride and eat 1 thing in the park and then you go home. What do you eat and ride? 47: Stephanie S: if you could interview anyone working at the Walt Disney company today; who would it be and what 3 questions would you ask them first? 48: Trebor R: You have to add a stop to any monorail in any Disney park. What park and what stop are you adding? 49: Kris S: What's your favorite overlay at the parks? 50: Kris S: Favorite Haunted Mansion ghost? 51: Conor S: Favorite festival or foodie guide? 52: Marie: What is something you have done on a Disney vacation that you would likely never do again? 53: Marie: 70 years in, what's your pick for the most overhyped part of Disneyland—and what's the most underrated gem people still don't appreciate? 54: Marie: If you could have any Disney character as a BFF, who would you choose? 55: Ryan GH: Who is a particularly memorable guest you've had on the show? 56: Ryan GH: What type of questions do you enjoy answering the most? 57: Ryan GH: If you could have 2 characters from any Disney property as guests on this show, who would it be? 58: Kris S: Best specialty churro you've ever had? 59: Marie: What question asked on the show revealed way too much about someone? 60: Kris S: Favorite Disney song of all time? 61: Ryan P: You can only ride one attraction for the rest of time at your favorite park. What is it? 62: Marie: What guest behavior causes you irrational rage every time? 63: Ryan P: You can time travel. Which decade would you like to visit your favorite park in? 64: Kate A: What Disney parks snack should have an entire festival at either Epcot or DCA dedicated to it? 65: Ryan P: What fairy tale that has not yet been adapted into a Disney animated feature should be their next project 66: Ryan P: Josh has already had to step down, you're suddenly named CEO. What are the first three things you do to improve the company? 67: Kate A: What WDW Resort hotel would you like to magically transport to Disneyland Resort? 68: Ryan P: One attraction all the audio animatronics and set pieces are suddenly real every night after floating (à la Night at the Museum). To which attraction would you like to see this happen? 69: Kate A: If you had to wear one Disney Parks cast member costume every day for a year, which would you choose? 70: Jude A: What character would you like to see on the stern of a future Disney Cruise Line ship? 71: Kate A: Which Disney villain would you least like to run into in a dark alley? 72: Marie: You went to Garner Holt's workshop and built an animatronic to install at a Disney Park. What is its name? What does it do? And where are you putting it? 73: Kate A: Which Disney villain probably had a valid point? 74: Kate A: What Disney song could you most accurately sing on command? 75: Bryan: What feature do you feel is missing from the Disneyland/WDW mobile apps? 76: Bryan: Disneyland semi-recently started selling the Monte Cristo sandwich at Royal Street Veranda. What sit-down meal do you wish Disney would offer as a quick service option? 77: Bryan: With Josh D'Amaro ascending to CEO, predict the next head of Disney Parks & Experiences. 78: Ryan GH: If you could host a podcast in the general orbit of The Hub Crawl (i.e. the host(s) have been on THC) that you don't currently host, which show would it be? 79: Conor S: What food is lacking at the parks? 80: Conor S: If you could bring back one attraction from extinction what would it be? 81: Shannon W: Is classic Disney better than modern Disney? 82: Shannon W: If you had to preform one Disney song karaoke-style, which would you choose? 83: Shannon W: What was your very first Disney movie, and how did it make you feel? 84: Shannon W: Which character would make the best real life best friend? 85: Kris S: Favorite pavilion at EPCOT? 86: Ryan P: If you could ride one attraction with one character what attraction and character would it be? 87: Ryan P: You can walk around the inside of any attraction you want. Which attraction do you choose? 88: Ryan P: What character do you think is under represented in the parks? 89: Timothy Q M: Does anyone else see pink elephants when they drink the “special” water? 90: Ryan P: You have to live in the world of the last Disney animated film you watched for one year. How's your life going to be? 91: Ryan P: What would you do to market ‘original' ideas for films better, or how would you get fans to purchase tickets to these films? Fans keep saying no more sequels, but when an original idea film comes out, box office numbers are poor. 92: Shannon W: Which Disney movie do you think gets better as you get older? 93: Ryan P: what is your best memory or thing you like best about doing this podcast? 94: Shannon W: If you could live inside a Disney movie, which one would you choose? 95: Shannon W: What's the most powerful Disney song ever? 96: Shannon W: Which movie has the strongest overall soundtrack? 97: Shannon W: If two Disney characters from different movies met, who would be best friends? 98: Erin C: Dole whip or Churro? 99: Erin C: Rope drop or close the park? 100: Erin C: What kind of merch would you like to see sold on Main Street in Disneyland that's not already sold there.

Rafael Arinelli, Camila Henriques, Andreas Buhler e Henrique Rizatto enfrentam a pergunta que ninguém quer fazer mas todo mundo pensa: a Disney perdeu a criatividade ou só perdeu a coragem?Em 2025, a empresa foi o único estúdio a faturar mais de 6,5 bilhões de dólares, tornou o Disney+ lucrativo e quebrou recordes nos parques. Mas quando foi a última vez que criaram um universo do zero que virou fenômeno cultural? Frozen foi em 2013, gente. Treze anos atrás.O papo disseca o paradoxo: nove dos dez filmes de maior bilheteria recentes são marcas que já existem. Toy Story 5, Moana 2 ganhando live action antes de completar dez anos, remakes de Rei Leão e Pinóquio que tecnicamente são impecáveis mas emocionalmente vazios. O Disney+ virou vilão da história, forçando Marvel, Pixar e Lucasfilm a produzir em volume industrial até o público entrar em fadiga.E tem o elefante na sala: o público reclama da falta de originalidade, mas é ele quem garante bilhões para as sequências. Walt Disney hipotecou a casa para fazer Branca de Neve. Hoje, a empresa prefere o conforto da nostalgia reciclada. A criatividade migrou do roteiro para a engenharia dos parques.• 05m07: Pauta Principal• 1h11m44: Plano Detalhe• 1h28m26: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Junior• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Camila): Filme: O Testamento de Anny Lee• (Camila): Filme: A Noiva!• (Andreas): Documentário: Meru - O Centro do Universo• (Andreas): Álbum: Dominguinho• (Henrique): Livro: Walt Disney: O Triunfo da Imaginação Americana• (Henrique): Série: Devil in Disguise: John Wayne Gacy• (Henrique): Filme: Salve Rosa• (Rafa): Minissérie: All her faultEdição: ISSOaí

 Wondering if the Disney Dining Plan is worth it for your family? Today I tackle the 3 questions to ask if you are considering the dining plan to get the most out of it. I'll share restaurants that will cost you 2 dining plan credits, how to get the most for your money, and when I would definitely skip the dining plan. I hope you enjoyed today's show. I'd love to connect with you over on Instagram @mountains_of_magic or Facebook at Fantastical Vacations by Daniele. If you would like help in planning an upcoming Disney or Universal vacation, email me at danielerobbins@fantasticalvacations.com or fill out a quote form to get started planning the magic Get A Quote Want the latest travel deals and all my tips for Disney, Universal and Cruising?Join my email newsletter  Want to try fetch rewards and get free gift cards by scanning receipts? Use my code 8G48W to get 2000 points at sign up. FETCH REWARDSMy Website mountainsofmagic.square.siteMusic from Uppbeat (free for Creators!):https://uppbeat.io/t/andrey-rossi/bring-the-funLicense code: E9BZCTS1O3JRPERX This podcast is not sponsored or supported by Fetch Rewards. Views of the host are her own. 

In this episode of I Want That Too, Jim Hill and Lauren Hersey dive into a mix of new Disney merch, fan experiences, and theme park history. They break down the newly revealed Disney Princess running shoes from Brooks, preview merchandise coming to EPCOT's Flower & Garden Festival, and look at a premium new D23 tour that takes fans through Walt Disney's Los Angeles. Then Jim returns with Part 2 of the story of how a struggling shopping area at Walt Disney World evolved from the Disney Village Marketplace into the sprawling Disney Springs destination we know today.  NEWS • Brooks and runDisney unveil the 2026 Disney Princess Half Marathon weekend shoe collection featuring Rapunzel, Belle, and Moana inspired designs - including braided laces, lantern motifs, and ocean themed colorways.• Registration prices for the Disney Princess Half Marathon continue to climb, now landing between $259 and $269, adding to the debate around race merch availability and resellers.• D23 launches the premium Walt's Los Angeles Tour for Gold Members - a $1,999 guided experience visiting Walt Disney Studios, Imagineering, Walt's former home, the Carolwood Barn, and ending with dinner at one of Walt's favorite restaurants.• A preview of EPCOT's 2026 Flower & Garden Festival merchandise highlights new Orange Bird apparel, a retro inspired button down, Spike the Bee accessories, and Annual Passholder exclusives.• Disney California Adventure prepares for the 2026 Disney California Adventure Food & Wine Festival, including new marketplace booths and the Sip and Savor Pass that lets guests prepay for festival items. FEATURE • Part 2 of the Disney Springs story: how Michael Eisner inherited the underperforming Walt Disney World Shopping Village in the 1980s.• The creation of Pleasure Island in 1989 as Disney's answer to Orlando's Church Street Station nightlife.• The evolution into Downtown Disney in the 1990s with additions like Planet Hollywood, Rainforest Cafe, LEGO Imagination Center, DisneyQuest, and Cirque du Soleil's La Nouba.• Why Pleasure Island ultimately closed in 2008 - and the short lived Hyperion Wharf concept that almost replaced it.• How a major rethink under Disney Parks leadership led to the massive Disney Springs redevelopment, expanding the complex to more than 150 shops and restaurants across four themed districts. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com• Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews• Instagram: JimHillMedia• TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave GreyProduced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by UnlockedMagic. If a Disney or Universal trip is anywhere on your radar for 2026, the team at UnlockedMagic can help you secure great ticket deals with guidance from people who truly know the parks. Learn more and lock in your future trip at UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Think you've done everything at Disney World? From quiet corners to unique entertainment and experiences, the girls are highlighting their favorite hidden gems and magical moments that don't always make those "must-do" list. Thank you for listening!Spend your Wednesdays with Tammy, Ana, and Alex as they spill the tea over planning elevated Walt Disney World, Disneyland, Disney Cruise Line, or Adventures by Disney vacations. We are concierge travel agents with Fantastical Vacations. For help with your next Disney vacation, as well as Universal, cruise lines, all-inclusive resorts and more, you can email us at theteaatthed@gmail.com Follow us on Instagram at https://www.instagram.com/theteaatthed/As well as: Alex: https://www.instagram.com/happilyeverafteralexandra/Ana: https://www.instagram.com/twinmomonmainstreet/Tammy: https://www.instagram.com/howfarillgotravel/For suggestions for future episodes, comments, or questions, you can email us at Theteaatthed@gmail.com

On today's Disney podcast, we are talking about the best FREE things to do when staying at Walt Disney World. Whether you’re wanting to save a little money on your next vacation or looking for things to do before or after your next Disney cruise, these are our favorite things to do for free at Disney World. Enjoy! This episode is sponsored by Fantastical Vacations. For free concierge vacation planning, specializing in Disney and Universal Vacations, visit https://www.fantasticalvacations.com We would love you to join us on Patreon! Thanks so much for supporting the show. We also have Addicted to the Mouse Merchandise! You can check it out at https://addictedtothemerch.com Thanks so much for listening! If you like what you hear, please subscribe and catch us every Sunday for the podcast. Join us every Sunday and Wednesday evening as we take you to Walt Disney World, Disneyland, on Disney Cruise Line, Universal Studios and everywhere in between! We can be found at www.addictedtothemouse.com and be reached at danandleslie@addictedtothemouse.com Please also connect with us here: Patreon – https://www.patreon.com/addictedtothemouse Youtube – https://www.youtube.com/@AddictedtotheMouse Facebook – https://www.facebook.com/AddictedtotheMouse/ Instagram – https://instagram.com/addictedtothemouse/ The post Our Favorite Free Things to Do at Walt Disney World appeared first on Addicted to the Mouse.

We're recapping a quick Florida weekend that packed in a little bit of everything — live music, Disney Springs dining, dessert experiments, and even a quick outlet stop. The trip kicked off in Jacksonville seeing Justin Furstenfeld of Blue October live at FIVE before heading down to Orlando for a stay at the Drury Inn near Disney Springs. From there, we turned the weekend into a mini Disney Springs food crawl with stops at Pizza Ponte, where we tried the Bun Giorno garlic-cheese pinwheel and the Il Gladiatore pizza, followed by a visit to Salt & Straw to sample several of their wild cereal-inspired ice cream flavors. After another Justin Furstenfeld show at the House of Blues, we wrapped the night with a late dinner at Chicken Guy, trying the five-tender combo with sauces like Chipotle Ranch and Garlic Parmesan. Along the way we share our thoughts on the food, the concert experience, staying at the Drury Inn, and a quick stop at the Vineland outlets before heading home. It's a fun, casual recap episode full of food, music, and a little Disney Springs chaos. Jeremy recently released his new book Still Loud, Now Clear, a music-inspired memoir about sobriety, rebuilding life, and finding clarity after years of chaos. If you've ever felt overwhelmed, stuck, or like you were the only one struggling, this book is a reminder that you're not alone—and that a better soundtrack is possible. Learn more at: stillloudnowclear.com

In this wildly unpredictable episode of The Other Side of Midnight, Lionel takes you on a late-night rollercoaster through the dark triumphs and hilarious absurdities of modern society. The episode kicks off with true crime, breaking down the shocking guilty verdicts of the Alexander brothers' sex trafficking ring and dissecting the bizarre legal defenses used in court. From there, Lionel passionately bemoans the absolute decline of civilization as seen at JetBlue airport terminals—where the golden age of glamorous flying has been tragically replaced by sad snacks and passengers shamelessly wearing pajamas, slippers, and shower bonnets in first class. The conversation then pivots to the wild tech revolution, exploring how user-generated YouTube videos have officially dethroned Walt Disney in revenue, while poking fun at the ridiculous, all-inclusive luxury of Google and Uber corporate campuses that feature indoor ice cream trucks and sleeping pods. Finally, Lionel and his callers take a nostalgic trip back to the golden era of television with Mike Douglas and Ed Sullivan, asking the ultimate question: with everyone launching a podcast today, where have all the real movie stars gone? Learn more about your ad choices. Visit megaphone.fm/adchoices

“Plus it" is a Disney term - or a philosophy - often linked to Walt Disney himself. Its meaning is to take an idea, project, or detail and make it even better, more magical, or more detailed than originally planned. It emphasizes enhancing the Guest experience or creative product beyond the expected. Scott recently went to Walt Disney World and the surrounding areas for his birthday. He ate some amazing food, rode a bunch of rides, and saw some incredible shows including a couple that he's never seen before and one that he hasn't seen in about 40 years! The best part of it all was that he got to spend some quality time with his wife and friends. Everyone went above and beyond to make this trip so amazing and memorable. There were so many laughs and magical moments and a few surprises and unique experiences were bestowed upon Scott. Because of all of this, “Birthday Trip 2026 - Plus It” seemed like a perfect name for this recap.Enjoy!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

The story of Mary Blair, the person who is often described as Walt Disney's favorite artist. Part Twenty-Six. Bandcamp subscriptions - dhipodcast.bandcamp.com

Send a textWhat if the word “crazy” is just how people describe commitment they don't yet understand? In this episode, we explore why bold goals—whether building a business, pursuing elite performance, or chasing an unconventional dream—often look irrational before they look successful. From the persistence of Walt Disney to the entrepreneurial leap of Sara Blakely and the fan-first innovation of Jesse Cole, the pattern is clear: meaningful work gets labeled “crazy” before it gets respected.We also break down the difference between followers and real community, why other people sometimes project doubt onto your ambition, and how reframing criticism can fuel discipline and resilience. If you've ever been told your goals are unrealistic, this conversation will help you stay focused, build courage, and keep moving when progress gets quiet.Takeaways“Crazy” is often the early label for courage and uncommon commitment.A large audience isn't the same as a real community that supports your mission.The goals that look irrational early are often the ones that create the biggest impact.Thank you for tuning in! If you feel led, please subscribe & share the show to others who you believe would benefit from it.Keep in touch below! Join The Unshakeable Discipline Community! Winning Is... Weekly Newsletter! LinkedIn | www.linkedin.com/in/ryanacass/ Instagram | @ryanacass

In the 1980s, Imagineering completely tore apart Walt Disney's original Fantasyland. But how did they decide on what should replace it? And what did they decide NOT to build?On this episode of Distory with Kate & Kirk, we fly back in time to Disneyland's 1983 opening of New Fantasyland and Disney's Peter Pan's Flight. Through rare Imagineering documents and vintage photos, we deep-dive into the details of how they dismantled and rebuilt Walt's original Fantasyland, including some concepts that never came to pass. As we fly along, Kirk takes us on a tour of dormer windows, Kate points out some ideas that didn't pan out for Imagineering, and we both lament the loss of so much art and memories when the bulldozers tore down Walt Disney's original Fantasyland. While waiting for the dispatch of our pirate galleons, we research some common Disney rumors, discover what inspired some of the queue design, and learn from original work documents how Imagineering pivoted away from their first idea of simply copying the 1971 Walt Disney World version of Peter Pan's Flight.Join us LIVE on YouTube every week! Be notified by subscribing to Kate's Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@disneycicerone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can also find us on Instagram, Facebook, and at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disneycicerone.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠walruscarp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠View full video versions of each episode at Disney Cicerone's YouTube channel ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HERE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OR on the Spotify version of our podcast.Kate's Books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WalrusCarp T-shirts & Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MOWD app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Distory T-shirts and Stickers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kate's Substack Many thanks to Disney historian Joshua at  ⁠E82 | The Epcot Legacy⁠ for contributing resources for this episode!

We kick off our annual March Madness bracket challenges with a Walt Disney World ride tournament as we rank and seed eight attractions in each of the four parks — Magic Kingdom, EPCOT, Hollywood Studios, and Animal Kingdom — to build the ultimate 32-ride bracket. Using factors like popularity, theming and immersion, innovation, broad appeal, and overall guest satisfaction, we determine which rides earn the coveted #1 seeds and which ones barely sneak into the tournament field. From heavy hitters like TRON Lightcycle / Run, Guardians of the Galaxy: Cosmic Rewind, Star Wars: Rise of the Resistance, and Avatar Flight of Passage… to beloved classics like Haunted Mansion, Pirates of the Caribbean, Spaceship Earth, and Kilimanjaro Safaris, every attraction has to find its place on the bracket. Along the way we debate controversial rankings, question whether nostalgia should matter, and set up some very interesting first-round matchups. Which rides deserve the top seeds? Which ones are overrated? And what attraction do you think could pull off the biggest upset? Let the brackets begin. Download the bracket: https://www.mainstmagic.com/wp-content/uploads/2026/03/TO-SHARE.pdf

Jim Hill and Lauren Hersey explore the latest Disney Springs news, from towering CrazyShakes and a savory new concept from Gideon's Bakehouse to a possible interactive gaming venue taking over the old NBA Experience building. They also spotlight a subtle new Disney-inspired apparel brand before diving into the surprisingly complicated early history of Disney Springs. In part one of this deep dive, Jim traces the story all the way back to Walt Disney's original EPCOT city plans and the unlikely beginnings of what eventually became Walt Disney World's shopping and dining district. NEWS • Black Tap CrazyShake pop-up arrives at Disney Springs with over-the-top milkshakes, including a Disney-exclusive Mickey-themed shake available for a limited 90-day run • Six Ravens announced as a new savory concept from Gideon's Bakehouse founder Steve Lewis, featuring “coffins” (old-school hand pies), smashed potatoes, and local beer • Level 99 interactive challenge venue rumored for the former NBA Experience building, bringing 60 physical and mental challenge rooms plus food and drinks • The Aerophile balloon ride at Disney Springs returns with a brand-new balloon, once again offering aerial views of Walt Disney World FEATURE • Why Disney Springs exists at all - and how its origins trace back to Walt Disney's original EPCOT city concept in the 1960s • The opening of the Lake Buena Vista Shopping Village in 1975 and why Disney initially designed it for residents, not tourists • How the Empress Lily riverboat restaurant helped introduce Disney's first-ever character dining experience in 1978 • Early resort expansion plans around the shopping village, including a proposed New Orleans Square-themed hotel district that never happened HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is brought to you by Unlocked Magic, the go-to place for some of the best deals on Disney and Universal theme park tickets. If a 2026 park trip is on your radar, Unlocked Magic helps you lock in great prices and plan ahead with confidence. Visit: unlockedmagic.com If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Disney Parks Podcast Extra Magic Hour Show – Show 913 In today's show, Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix Part 2 The post Disney Parks Podcast Extra Magic Hour Show – Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix Part 2 appeared first on Disney Parks Podcast.

Disney Parks Podcast Extra Magic Hour Show – Show 913 In today's show, Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix Part 2 The post Disney Parks Podcast Extra Magic Hour Show – Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix Part 2 appeared first on Disney Parks Podcast.

Register for ATD Intensive: https://atdintensive.td.org/ Frontline employees represent 70–80% of the global workforce, yet they're often the least supported. In this episode of ATD's Accidental Trainer, JD Dillon, author of The Frontline Enablement Playbook, and Shannon Davis, Talent Development Manager at MAREK, unpack what organizations consistently misunderstand about frontline work and what it really takes to enable performance across industries. From retail and healthcare to construction and hospitality, the conversation explores commonalities across frontline workforces, creating learning programs for deskless workers, and how AI fits into the picture. JD shares insights from his work across movie theaters, Walt Disney theme parks, higher education, and global logistics, while Shannon brings a frontline-first mindset from her work in construction and talent development leadership. Resources: JD's LinkedIn: https://www.linkedin.com/in/jddillon/  JD's website: https://jddillon.com/  Shannon's LinkedIn: https://www.linkedin.com/in/shannon-davis1938/  Intensive Website: https://atdintensive.td.org/

Amber and Disney John continue their live-action Disney series with some Irish flavor. Fun, laughter, music, pot of gold, and Sean Connery singing make up this delightful movie. Send a textTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcast https://www.youtube.com/@DockingBay77podcast https://dockingbay77pod.buzzsprout.com

Sebastian gets a "guided" tour through Walt Disney World with the family, but the perks aren't exactly what they are cracked up to be (mainly talking to a stranger all day.  Meanwhile Pete wonders could Leo DiCaprio shut down an amusement park with a visit, who sleeps in Walt Disney's old apartment, and then a special Morgan Housel pilled money management section to close things out during a riveting book share.  Come get rich with laughter, it's all splash mountain from here. Follow Sebastian: @SebastianComedy Follow Pete: @PeteCorreale To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/PeteAndSebastianYouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/PeteAndSebastian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/PeteAndSebastian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For Sebastian's tour dates, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.sebastianlive.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For Pete's tour dates, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.petecorreale.com/⁠⁠⁠⁠⁠⁠⁠ Head to https://FactorMeals.com/thecast50off and use code thecast50off to get 50% off your first Factor box PLUS free breakfast for 1 year. *Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Magic Kingdom, Disney's Hollywood Studios, and Disney's Animal Kingdom are seeing extensive construction updates as Disney adds new lands and experiences to its Walt Disney World theme parks. Piston Peak, Villains Land, Monsters Inc. Land, and Tropical Americas are just a few of these updates. In this Imagination Skyway news episode, we'll recap just about everything that's currently closed, under refurbishment, or under construction at the Walt Disney World Resort. Villains Land & Piston Peak Analysis: https://www.patreon.com/posts/villains-land-151902958 To plan a trip, be sure to work with KMV Travel.   Get ad-free episodes, bonus episodes, in-depth news analysis, and premium content at patreon.com/imaginationskyway.   Tag me and join the conversation below. Instagram: www.instagram.com/imaginationskyway Facebook: www.facebook.com/imaginationskyway YouTube: https://www.youtube.com/@imaginationskyway Email: matthew.krul@imaginationskyway.com  How to Support the Show Share the podcast with your friends Rate and review on Apple Podcasts or Spotify Join our Patreon Group - https://www.patreon.com/imaginationskyway Enjoy the show!

We're ranking every table service restaurant on the Walt Disney World monorail loop. From the iconic chaos of Chef Mickey's to the signature staples like California Grill, Cítricos, and Narcoossee's… and yes, even the modern newcomer Wailulu Bar & Grill — nothing is off limits. We break down all ten restaurants across Disney's Contemporary Resort, Polynesian Village Resort, and Grand Floridian Resort & Spa using seven key criteria including food quality, value for money, atmosphere, views, uniqueness, reservation difficulty, and who each spot is really for. But we don't stop there. We hand out bonus awards — because what's a ranking episode without a little chaos? This episode blends nostalgia, honest opinions, date-night vibes, family dining realities, and a few spicy takes along the way. Whether you're planning your next monorail meal or just want to argue with us from your car, this one is guaranteed to spark debate. All aboard — it's time for Our Official Monorail Restaurant Rankings.

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1980: Jeff Goins explores how history's greatest creators, from Picasso to Walt Disney, refused to be confined to a single craft, embracing new mediums to fuel lifelong growth. By challenging the modern pressure to specialize narrowly, he makes a compelling case for becoming a focused polymath who builds complementary skills over time. Discover how your past experiences, current interests, and willingness to pivot can shape a richer, more creative future. Read along with the original article(s) here: https://goinswriter.com/change-medium/ Quotes to ponder: "Sometimes, the way we get to our best work is by quitting something else." "The lesson? Our past can prepare us for our future, if we learn to embrace our present and never stop growing." "Don't be afraid to change mediums, keep trying new things."

AI is reshaping what it means to be a modern manufacturing professional.When a 30-year veteran retires, decades of expertise used to leave as well. How they ran a machine, which feeds and speeds worked, and all the practical knowledge that separated good from great. Now, Mastercam's AI co-pilots can capture that information and make it instantly accessible. The learning curve that used to take years can now be compressed into months, making manufacturing careers more accessible to the next generation.Chris sits down with Russ Bukowski, President of Mastercam, to explore how CAM technology has evolved from manual G-code programming to AI-powered systems that are fundamentally changing manufacturing accessibility.The conversation covers the business side of manufacturing transformation, why mid-size machine shops and tier-two suppliers are no longer at the mercy of large OEMs, the leadership lessons Russ learned from Walt Disney and why manufacturing salaries are starting at $80K+ for CNC programmers.In this episode, find out:How CAM systems act as a 10x multiplier for manufacturing professionals.The evolution from manual G-code programming to AI-powered CAM systemsWhy Mastercam's AI co-pilot is bridging the knowledge gap left by retiring manufacturing expertsHow post-COVID supply chain vulnerabilities are driving companies to vertically integrateThe power shift giving mid-size manufacturers leverage in negotiations and exclusive supplier agreementsWhy manufacturing needs to be promoted as a viable white-collar careerHow technical expertise creates leadership credibility The importance of visiting customers and talking to shop floor employeesWhat Mastercam's acquisition enabled in terms of investment, innovation, and customer relationshipsEnjoying the show? Please leave us a review here. Even one sentence helps. It's feedback from Manufacturing All-Stars like you that keeps us going!Tweetable Quotes:“AI's not a silver bullet. It's not going to replace a program or replace an operator, but it is going to enable them to do more and to move more quickly in the business.”“CAM is really that enabler. Without it, the digital design to physical machine process is slow and error-prone. It removes the cognitive burden and makes complex manufacturing possible. It's that 10x multiplier for somebody in manufacturing, making somebody a 10x manufacturing expert because they're able to deliver results so much faster by using computing power.”“I always like to ask myself this as a leader, if nobody was looking, if there were no repercussions, would I still make the right decision? From a sustainability standpoint, from an ethical standpoint, that's how I hold myself accountable.”Links & mentions:Mastercam, CAD/CAM solutions that are trusted to deliver superior and reliable machining performance with advanced productivity tools and AI-enabled CAM capabilities Tree House Brewing Company, brewers of Julius and pioneers of hazy IPA, Tree House produces world-renowned beer in Charlton, Massachusetts Make sure to visit http://manufacturinghappyhour.com for detailed show notes and a full list of resources mentioned in this episode. Stay Innovative, Stay Thirsty.Mentioned in this episode:Mfg Happy Hour's Rust Belt Renaissance TourManufacturing Happy Hour is hitting the road this spring, hosting live shows Cleveland on 3/24, Rochester on 3/25, and Pittsburgh on 3/26. Get your tickets today.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

This week, Jim and Len explore how the most famous movie palace in Hollywood became the centerpiece of Disney's Hollywood Studios… and somehow never its official icon. Along the way, Olaf teaches drawing lessons (to himself), Millennium Falcon gets a name that even Disney couldn't commit to, Butterbeer achieves new levels of sugar density, Disneyland Paris flirts with character hotel makeovers, and Disney Cruise Line tries to figure out exactly how much of a discount it takes to get you off the couch. NEWS • Olaf hosts a new drawing experience at Disney's Hollywood Studios, including a wonderfully meta segment where Olaf learns to draw Olaf. • Millennium Falcon: Smugglers Run briefly adds “A New Mission” to its name before Disney quietly rethinks the branding. • Universal's Butterbeer Season returns with waffles, cream puffs, and what your cardiologist calls “concerns.” • Joe Rohde releases “Floating Mountains,” blending travel stories and creative philosophy. • Disneyland Paris surveys suggest Newport Bay Club rooms may soon feature aquatic Disney IP overlays. • A Disney Cruise Line survey reveals how many clicks it takes before 30 percent off starts sounding persuasive. FEATURE The History of The Great Movie Ride – Part 2 • Why the Chinese Theatre replica sits in icon position but never officially became the park's symbol. • How Sid Grauman turned an earthquake, a tent, and a projector into a Hollywood empire. • Walt Disney's long affection for the Chinese Theatre, from Flowers and Trees to the Mary Poppins premiere. • The subtle design tweaks that made Florida's version taller, shinier, and occasionally slippery. • How The Great Movie Ride building carried more history than most guests ever realized. For this episode's full show notes, click here.⁠ HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets at prices better than gate rates by visiting UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Jim and Len explore how the most famous movie palace in Hollywood became the centerpiece of Disney's Hollywood Studios… and somehow never its official icon. Along the way, Olaf teaches drawing lessons (to himself), Millennium Falcon gets a name that even Disney couldn't commit to, Butterbeer achieves new levels of sugar density, Disneyland Paris flirts with character hotel makeovers, and Disney Cruise Line tries to figure out exactly how much of a discount it takes to get you off the couch. NEWS • Olaf hosts a new drawing experience at Disney's Hollywood Studios, including a wonderfully meta segment where Olaf learns to draw Olaf. • Millennium Falcon: Smugglers Run briefly adds “A New Mission” to its name before Disney quietly rethinks the branding. • Universal's Butterbeer Season returns with waffles, cream puffs, and what your cardiologist calls “concerns.” • Joe Rohde releases “Floating Mountains,” blending travel stories and creative philosophy. • Disneyland Paris surveys suggest Newport Bay Club rooms may soon feature aquatic Disney IP overlays. • A Disney Cruise Line survey reveals how many clicks it takes before 30 percent off starts sounding persuasive. FEATURE The History of The Great Movie Ride – Part 2 • Why the Chinese Theatre replica sits in icon position but never officially became the park's symbol. • How Sid Grauman turned an earthquake, a tent, and a projector into a Hollywood empire. • Walt Disney's long affection for the Chinese Theatre, from Flowers and Trees to the Mary Poppins premiere. • The subtle design tweaks that made Florida's version taller, shinier, and occasionally slippery. • How The Great Movie Ride building carried more history than most guests ever realized. For this episode's full show notes, click here.⁠ HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Walt Disney World and Universal Orlando tickets at prices better than gate rates by visiting UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

472 - Is a Disney World Moderate Resort worth the upgrade? In this episode of the Disney Travel Secrets Podcast, #1 best-selling authors and Travel Agents Rob & Kerri Stuart break down everything you need to know about Walt Disney World's four Moderate Resorts — and why they might be the smartest move for your next Disney vacation. Let us help you plan your Disney Vacation - CLICK HERE From the cozy charm of Disney's Port Orleans French Quarter (Rob & Kerri's personal go-to) to the convention-style luxury of Disney's Coronado Springs Grand Destino Tower, the riverboat magic of Port Orleans Riverside, and the Disney Skyliner access at Caribbean Beach Resort — this episode covers it all. Rob & Kerri also share a hilarious personal story about how a septic system emergency led to a spontaneous overnight stay at French Quarter, why Coronado Springs is unmatched for dining and concierge perks, and the real dollar-for-dollar value of stepping up from a Value Resort to a Moderate. In this episode you'll learn: The key differences between Disney's Value, Moderate, and Deluxe Resorts Which Moderate Resort is best for families, couples, and convention travelers Why the Disney Skyliner changed everything for Caribbean Beach Resort The best pools, dining, and theming at each Moderate Resort Whether the ~$90/night price difference is actually worth it (spoiler: Rob & Kerri think so) Insider tips on mobility considerations, room sizes, and transportation options Why Port Orleans French Quarter is the smallest — and most beloved — resort on Disney property

Michael Gebert, author of The Chicago Way: An Oral HIstory of Chicago Dining • J.B. Kaufman, author of Worlds to Conquer: The Art and Making of Walt Disney's Fantasia • Thomas Gladysz: Focus on Louise Brooks (92:26)

We are back with another jam packed episode of Mickey Marvel and More! Have you ever been sitting at your desk at work and thought to yourself, boy I'd really like to drop everything right now and just be in a Disney park? Or have you ever fantasized about playing hooky for a day and skip on off to Walt Disney World? I know I have fantasized about that from time to time, but I have definitely never done it. Well, lucky for you we know somebody who has. Our cousins, Taylor, Madison, and Kennedy played hooky recently and skipped on down to Walt Disney World for a whirlwind 24 hour trip. Join us for the Family Chat to hear all about their adventure. We have all of that plus listener mail, and news from in and around the Disneyverse! It's gonna be a fun one! Come join us!News Stories:The Muppet Show a hit for ABC and Disney+https://thewaltdisneycompany.com/news/muppet-show-viewers/Watch the Black & White “Spider-Noir” Teaser Trailerhttps://www.marvel.com/articles/tv-shows/spider-noir-teaser-trailer-nicolas-cage-ben-reillyhttps://youtu.be/HgMbkitzhEM?si=iZO8LaDS9J3rcPzvMardi Gras 2026 Golf Cart Parade at Disney's Port Orleans French Quarter & Riverside Resortshttps://wdwnt.com/2026/02/celebrate-mardi-gras-2026-disneys-port-orleans-french-quarter-riverside-resorts/https://www.fantasylandnews.com/2026/02/15/the-secret-mardi-gras-parade-that-only-happens-one-day-a-year-at-disney-world/About Us:My family and I have been enjoying the Disney theme parks and cruises for over 30 years and have been DVC members since 2013. Not trying to carbon date us, but we have also been around since the creation of the Star Wars universe and the Marvel one as well. What I am saying is that we have been lifelong fans of all things Disney, and we spend a lot of time around our family's table discussing a lot of these topics. Basically, the purpose of this podcast is to continue those discussions here and maybe bring you along for the ride.Email: mickeymarvelandmore@gmail.comFacebook: https://www.facebook.com/profile.php?id=61556208721543Instagram @mickeymarvelandmore: https://www.instagram.com/mickeymarvelandmore/X: https://x.com/Marvel_and_MoreSpotify: https://open.spotify.com/show/4wPOwNwUqOmQOtNiuni6gMApple: https://podcasts.apple.com/us/podcast/mickey-marvel-and-more/id1728888080Amazon Music: https://music.amazon.com/podcasts/e52f614e-2485-47b4-b463-8acaa3c6eadf/mickey-marvel-and-moreiHeartRadio: https://www.iheart.com/podcast/269-mickey-marvel-and-more-147327185/Youtube: https://www.youtube.com/@MickeyMarvelAndMoreCastbox: https://castbox.fm/ch/6015785RSS Feed: https://anchor.fm/s/f19475a4/podcast/rss

Disney Parks Podcast Extra Magic Hour Show – Show 910 In today's show, Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix The post Disney Parks Podcast Extra Magic Hour Show – Top 5 Biggest Complaints About Walt Disney World in 2026 | What Disney CEO Josh D'Amaro Needs to Fix appeared first on Disney Parks Podcast.

 This year marks the 85th anniversary of the Disney classic "Dumbo." In honor of this movie masterpiece, we revisit our Dumbo part 2 episode from June of 2022 June 15, 2022:  In honor of over 80 years of flying high, we proudly present part 2 of our tribute to The One, the Only.... Dumbo! Walt Disney's fourth full-length animated feature, considered by most as one of best animated films of all time, and a true masterpiece of storytelling and visual arts. Chris and Brain continue their retelling of the plot, discuss what happened within the franchise after the film's initial release, and share their favorites and personal stories about this Disney classic, stopping to reflect upon the amazing music and discuss even more of the film's the colorful cast of characters along the way. So step right up for the breathtaking conclusion of the Greatest Show on Earth!!!Download (right click / Save as) Visit our on-line store for exclusive Jiminy Crickets and DisneyChris Website Merch!!!! https://jcpodcast.threadless.com/​ If you would like to help support the Jiminy Crickets podcasts and DisneyChris.com - Please consider becoming a Patreon Subscriber and receive exclusive rewards every month. https://www.patreon.com/DisneyChris

Happy Regular Guy Friday, Heal Squad! This week we go from Julie Andrews, Walt Disney, and the battle over casting Mary Poppins… to why middle management so often misses greatness. Chuck Barris buying a bar just to knock it down. The difference between absurd comedy and mean comedy. And why waiting for “Santa Claus” to bring you your shot is a losing strategy. We also get into Netflix's Reality Check… America's Next Top Model, The Biggest Loser, kidfluencers… and the messy question of accountability.  PLUS: blizzard life in Connecticut, shovel reflections, Certs updates, Bazooka Joe vs. Double Bubble, and a full candy nostalgia spiral. Underneath it all: don't wait for permission. Take the shot. Follow the fun. Bye Betches. HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop My Macy's Storefront EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host AUDIBLE:  https://audible.com/healsquad AG1: drinkag1.com/healsquad  ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER:This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

We throw ourselves into a brutally fun Disney Would You Rather showdown where every choice comes with a consequence — and there's absolutely no fence-sitting allowed. Encanto is coming to Animal Kingdom… so do you double down with another blockbuster attraction or finally fix Tomorrowland once and for all? Only visit EPCOT during festivals… or give them up forever in exchange for a free table service meal every visit? Build a fifth gate in Orlando… or continually expand the four parks we already love? And that's just the beginning. We debate ride strategy chaos like standby-only Guardians vs virtual queue forever, losing all boat rides vs losing all dark rides, and whether you'd rather guarantee Flight of Passage stays under 30 minutes or finally see the Yeti working perfectly again. Then we dive into dining dilemmas, resort loyalty tests, and park-day strategy battles that reveal what kind of Disney fan you really are — rope drop every day or close the parks every night? Plan everything 60 days out or completely wing it? This episode is part nostalgia, part strategy, part chaos — and 100% the kind of conversation that will have you yelling your answers at your speakers.

Think you need a big budget to have big magic at Disney? Think again. This week, Ric and Gina are sharing a surprisingly magical list of things you can do, or buy across Disney property for ten dollars or less.From classic games and hidden experiences to budget-friendly souvenirs and underrated fun, they're proving that you don't have to spend a fortune to make unforgettable memories. Join Ric and Gina as they explore the little ways you can make a big splash on a budget.Because sometimes, the best magic costs less than you think.Back to the Magic is the flagship podcast of 407&Beyond Vacation Co., start your Disney vacation at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.407vacations.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get all your Disney Parks news from the official 407 Blog at https://407vacations.com/blog/

Join Mike and Scott today as we take a short break from Listener Questions to discuss some "best practices" when it comes to bringing friends or family to a Disney destination for the first time! We discuss planning, dining choices, resort options, touring strategies, ship and itinerary choices with Disney Cruise Line, onboard activities, and much more! Come join the BOGP Clubhouse on our Discord channel at www.beourguestpodcast.com/clubhouse!  Thank you so much for your support of our podcast! Become a Patron of the show at www.Patreon.com/BeOurGuestPodcast.  Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.   Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

Haunted Disneyland first appeared on our feed back in 2015 as one of our earliest episodes. We later covered Walt Disney World and the Haunted Mansion got its own deep dive on a Halloween Episode. Disney has held a special place in both of our hearts from the time we were little kids. Disneyland was one of the first amusement parks either of us visited as we were both born in Southern California. Disneyland was inspired by a dream to build a place where all the members of a family could have fun and this "Happiest Place on Earth" has been fulfilling that dream for seventy years. Our favorite attraction is the Haunted Mansion. What if that mansion were really haunted? Could it be? And what of the rest of the park? Could a park that was the heart and soul of Walt Disney go on without his spirit somehow sticking around? Join us on a magical journey as we share the history and hauntings of Disneyland! Check out the website: http://historygoesbump.com Music used in this episode: Main Theme: Creepy Carnival Theme  Created and produced by History Goes Bump Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/ Other music in this episode: Castle in the Clouds produced by History Goes Bump  Licensed under International Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/

We throw the notes out the window and just hit record the second Rhonda walks in the door — because we were in two different states all weekend and somehow didn't actually talk about any of it until now. Rhonda breaks down her girls' trip to Athens, Georgia for a Bailey Zimmerman concert, complete with rainy plans, Parents' Weekend crowds, questionable hotel choices, and an Uber ride that felt like the opening scene of a horror movie (but, spoiler, everyone survives). Meanwhile, Jeremy's weekend turns into a full-on Disney-to-DC sprint: Hollywood Studios and EPCOT festival bites, a detour to Disney Springs with friends, a peek at a two-person DVC tower studio at Riviera with a killer Spaceship Earth view, and a stop at Cake Bake Shop that ends with banana pudding magic. And then… it's off property chaos time. Think: smoky lobby, system outage, no key card, a toilet that won't flush, and a very real “time is money” reminder that ties right back into our on-property vs off-property debate from last episode. It's funny, it's honest, it's chaotic in the best way — and it's basically you sitting at the kitchen table with us.

March 1, 1951. Two Texas horse trainers sit down to lunch with Walt Disney. They assume he wants to use their animals in a movie. Instead, Walt leans in and tells them about something that doesn't exist yet. Not a carnival. Not an amusement park. Something movie-like in the real world. And if he's going to build it, he'll need horses. At that moment, Disneyland is just an idea in Walt's head. But within a few years, he'll clear 160 acres of orange groves in Anaheim and attempt to build that dream in barely twelve months. The budget will balloon. The rivers will drain into the soil. The rides will be welded together overnight. And Walt will stake his company — and his personal fortune — on opening the gates on time. Why was Disneyland such a gamble? And how did Walt essentially invent a whole new form of live entertainment?   Special thanks to our guests: Leslie Iwerks,  director of Disneyland Handcrafted; Mark Catalina, producer of Disneyland Handcrafted;  Becky Cline, director of the Walt Disney Archives; and Tom Fitzgerald, chief storytelling executive and senior creative executive  at Walt Disney Imagineering. Get in touch: historythisweek@history.com  Follow on Instagram: @historythisweekpodcast Follow on Facebook: ⁠HISTORY This Week Podcast⁠ To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

857 · Top Ten Extinct Walt Disney World Experiences We'd Bring Back Some of the most powerful memories you have from Walt Disney World probably aren't tied to a single attraction.They're tied to something else.This week, in Episode 857, we're counting down our Top Ten Extinct Walt Disney World Experiences We'd Bring Back. No rides allowed. No $2 ticket books. Just the details, the atmosphere, the in-between moments that quietly changed how the parks felt.These weren't headliners.They weren't rope drop priorities.But somehow… they became part of our story.From the unexpected to the emotional to the “Oh wow, I forgot about that,” this list is going to spark memories... and maybe a little debate.And as you listen, I want you building your own list.Because I guarantee at least one of yours won't be on mine.Join the conversation, share what you'd bring back, and be part of the community at WDWRadio.com.

Go to www.LearningLeader.com The Learning Leader Show with Ryan Hawk This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. www.InsightGlobal.com/LearningLeader My Guest: Jesse Cole is the owner of the Savannah Bananas. He went $1.8 million in debt, slept on an air mattress, and built a business that is now valued at over a billion dollars. I spent half a day with Jesse in Savannah watching practice, and Jesse gave me a personal tour of their entire operation. It was incredible. Notes: Fans First - The sign is on every locker. And leading out to the field, "Tonight is someone's first time seeing our show." Obsessed/Focused - Banana Ball/Serving people is his life. We didn't talk about hobbies, TV shows, or anything other than what they're doing now and in the future. He's obsessed with what he does and super focused. Transparent - Jesse just released their full P&L as a private company: revenue, expenses, player salaries, everything. Most businesses guard this religiously. He's completely transparent. I asked why, and he said, "Fans first. They deserve to know everything." Reps - We went to the field to watch practice. It looked just like a game. Players were dancing all the time. And every single rep they practiced as a trick play (behind the back, through the legs, etc.). They never play normal baseball. You wonder how they are so good on gameday at doing a backflip while catching a fly ball. Because they practice it thousands of times without fans so that when they're there, they put on a great show. Hiring – "Love your people more than you love your customer." 12,000 people on the waitlist to work for the Bananas. When you hire, have them do a "fans first" essay. Then they write a future essay.  Always Be Caring, Different, Enthusiastic, Fun, Growing, & Hungry Fans First: The Counter-Intuitive Decision - Jesse sacrificed $6 million in ticket revenue after a system messed things up for fans.  Merch – 787,000 fans purchased merchandise in 2025, totaling 1.96 million total items. That means the average person is purchasing ~2.5 items at checkout, with 80% of total sales taking place in person. 621,000 at live shows versus 166,000 online. It's a $50m business! TV: The Distribution Strategy - Giving Away Value - Jesse insisted on free YouTube streaming even when ESPN wanted exclusivity. Jesse is building a zero-profit secondary ticket market. He's literally giving away things other sports properties would monetize. So, even with all of the team's games still airing for free on YouTube, the Bananas averaged 500,000 viewers on ESPN, The CW, and Roku. The team's most-watched broadcast was a July 4th game at Fenway Park, which averaged 837,000 viewers on ESPN, making it the holiday weekend's most-watched primetime sports broadcast. TV networks want exclusivity, but you demand that the games still be broadcast for free on YouTube (in addition to whatever channel they are on) Social Media - The Bananas added 12.7 million new social media followers in 2025 alone. That pushes their total social media following across all channels north of 35 million... Roughly 2x more followers than MLB's most popular team, the Yankees, at 18 million. You have to believe something before you achieve something. Six years ago, Jesse said, "We're gonna sell out Fenway Park," and his team looked at him like he was crazy (they were a college summer baseball team, not even doing tours yet). You have to get through the messy to get to the great. Their first world tour was brutal: the sound was terrible, the show wasn't great, the game finished in the seventh inning because they didn't have a rule to make it go nine innings. See what's best for the guest, not what's best for the business. Walt Disney was the first to go into full-length animation, color, sound, and with Disneyland, he focused on one entrance to control the experience, custom rides, and invested in a castle and landscaping, which made no money. Go where others won't go. Sam Walton went to small towns, and no one paid attention to him for the first five to ten years. It's somebody's first time every night. Fans wait three years on a waitlist to come to a game, so Jesse doesn't care if you're having a bad day. That's their first time. Control the entire experience. Walt learned he couldn't control the experience when people watched his movies at a theater (it could be dirty, and people might not be nice), so he built Disneyland. Who do we work for? Fans. Jesse opened the books completely (numbers, player salary, merch sales, everything) because they have a responsibility and accountability to their fans. We have to feel our mistakes. When they sent a wrong email to 44,000 fans instead of 4,000, it cost them $6 million to take care of those fans with tickets (more than the company brought in their first five years). We need to have bigger failures. If we're not trying things big enough, we won't have bigger failures and mistakes that cost us a lot more in the future. Turn mistakes into moments. After the $6 million email mistake, Jesse set up a Zoom call with all 44,000 people, had everyone turn their cameras on, and apologized while looking at every single person. Build something you wish existed for yourself. Jesse played baseball until he couldn't anymore. He put so much pressure on himself that it wasn't fun anymore, and he was told he wasn't good enough. Design every second of the first-day experience. When players showed up, they went to a parking lot with a DJ at 8:30 AM. Three buses arrived with balloons, hundreds of people lined the streets cheering, Man-nanas served munchkins on silver platters, a custom hype video played, the host introduced from the roof, and fireworks went off. Every player has been told they're not good enough. All Bananas players have been drafted or been top college players, and at some point, they've all been rejected, cut, told to hang it up. Obsession is awesome. If you can find something you're obsessed with, so few people in the world get to have that. Watch the best of the best obsess over details. Derek Hough (one of the greatest dancers) wasn't just focusing on the dance; he was producing while dancing, telling the camera crew exactly where to come, when to hit him, and where he would wink. No one goes home excited about normal. No one says, "That restaurant was really normal, the waiter served it the same way, the food was pretty normal, the parking lot was normal." Whatever's normal, do the exact opposite. Normal gets normal results. There's a lot of normal in the world, but not a lot of extraordinary. Put yourself in the customer's shoes and eliminate friction. Where's the game tonight? On Amazon, Peacock, CBS, NBC? Jesse threw away millions to keep all games free on YouTube because that's a friction point. Your fans will reward you. The Bananas sold over 1.9 million merch items last year because they built something people are proud of and want to wear. If people don't want to wear your merch, you haven't made them feel something yet. One fan gets a new Bananas tattoo every year (he's got six logos on his leg now). Invest everything in the experience, spend zero on traditional marketing. Make the experience so good that fans will share with everyone that this is something they haven't experienced before. Social media growth came from trying and stumbling into learning. In 2016, an intern said he could create videos; they did a lip sync to "Can't Stop the Feeling" by Justin Timberlake. It wasn't even well-produced, but they tried. Give energy back because of how good it feels. A woman came up to Jesse on a cruise and said she was there because he gave her a hug at a Sacramento game the day after her sister died. She came on the cruise to give him a hug back. Do what gives you energy. Jesse's entire day is filled with things that give him energy: being with people, rehearsing shows, banana ball youth meetings, broadcast team, and talented writers. Have people who love to execute. You do what gives you energy and have them execute at a high level. Be very involved at the beginning (get the idea and vision right) and at the end (make adjustments).

Today, Mike and Scott are back with a topic that was suggested by Listener Craig from Louisville during the Disneyland Half-Marathon Weekend! He heard a few people mention that if there was an experience that was on both coasts (Walt Disney World and Disneyland), the experience was always better at Disneyland! Do you agree? Scott and Mike go around and compare attractions, snacks, hotel experiences, the "bubble" feel and more on today's show! Please share your thoughts over on the Discord channel at www.beourguestpodcast.com/clubhouse. We hope you enjoy today's podcast!  Please visit our website at www.beourguestpodcast.com.  Thank you so much for your support of our podcast! Become a Patron of the show at www.Patreon.com/BeOurGuestPodcast. Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.   Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

In this episode, Michael continues his series on Walt Disney's Nine Old Men as he and Tom discuss animator, director, and producer Woolie Reitherman and his contributions to the Walt Disney Studio.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited TravelSources:Books:Walt Disney's Nine Old Men & The Art of Animation by John CanemakerWalt Disney's Nine Old Men: Masters of Animation by Don HahnThe Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Great Animators by Andreas Dejas Hosted on Acast. See acast.com/privacy for more information.

We're breaking down a real-world 4-night trip for a family of four driving to Disney and compare a Value Resort stay to an off-property hotel. We look at lodging costs, transportation, theme park parking, groceries, hidden fees, and the true price difference when everything is added up. But cost is only part of the story. We also debate each side head-to-head in categories like transportation convenience, added perks, space and comfort, stress level, food flexibility, and — of course — the Disney bubble. Is staying on property really worth the extra money? Is off property actually cheaper once you factor everything in? And at what point does convenience outweigh savings? If you're planning a Walt Disney World vacation and trying to decide where to stay — this episode is for you.