Podcasts about Creative nonfiction

"It's not actually about the questions you ask. It's about shutting up," says Julian Brave NoiseCat, author of We Survived the Night.It's episode 501 with Julian Brave NoiseCat, author of the memoir We Survived the Night. It's published by Knopf. It's a pretty spectacular debut and we have a lively chat about it and the writing and structuring of it. Julian is a writer, filmmaker, powwow dancer, and student of Salish art and history. Julian, man, what a cool dude. He really came to play ball, which is fun for me. His memoir blends personal history, family history, cultural history, coyote lore, and even some journalistic spurs in the storytelling, which makes it a shapeshifting text, much like his coyote ancestors. The book has been getting a lot of attention and deservedly so.His work has appeared in The New York Times, The New Yorker, The Washington Post. He has won many awards for his journalism and his debut documentary, Sugarcane, premiered at the 2024 Sundance Film Festival. He is a proud member of the Canim Lake Band. He is @jnoisecat on IG and in this conversation we talk about: His early vision for the book Hidden histories How he aimed for a woven text How the book was a study in transformation Non-uni-direction assimilation Writing what you don't know And his Bob Caro storyOrder The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Notes and Links to Stephanie Elizondo Griest's Work *Content Warning: Please be aware that the book discusses sexual assault   Stephanie Elizondo Griest is a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. She has also written for the New York Times, Washington Post, VQR, The Believer, BBC, Orion, Lit Hub, and Oxford American. Her work has been supported by the Lannan Foundation, Henry Luce Foundation, Princeton University, and the Institute for Arts and Humanities, and she has won a Margolis Award, an International Latino Book Award, a PEN Southwest Book Award, and two Lowell Thomas Travel Journalism prizes. Currently Professor of Creative Nonfiction at the University of North Carolina-Chapel Hill, Elizondo Griest has performed in capacities ranging from a Moth storyteller to a literary ambassador for the U.S. State Department. Wanderlust has led her to 50 countries and 49 states. Her hardest journey was to Planet Cancer in 2017, but she's officially in remission now. She recently endowed Testimonios Fronterizos, a research grant for student journalists from the borderlands enrolled at her alma mater, the University of Texas at Austin's School of Journalism. Buy Art Above Everything   Stephanie's Website   Review of Art Above Everything in Southern Review At about 3:40 Stephanie expands on her creative background and family connections to music and language  At about 10:15, Stephanie talks about formative and transformative texts, including work by and her relationship with her “spiritual madrina,” Sandra Cisneros At about 11:30, Stephanie discusses similarities and differences in some Mexican Spanish and Tejano Spanish At about 13:30, Stephanie provides seeds for her book At about 16:50, The two discuss a dearth of publicity and respect for female travel writers, and generally females writing about art At about 18:15, Stephanie talks about the formative artist residency in 2014 in India, at Nrityagram  At about 20:30, Stephanie responds to Pete's question about Sheryl Oring's inspiration for Stephanie's creative life  At about 24:45, the two discuss “Art as Reconciliation” and Stephanie's experiences in Rwanda with therapeutic theater and hard and painful and moving conversations and reconciliations  At about 29:05, Pete and Stephanie discuss post-dictatorship and art done in response to the House of the People in Romania At about 34:20, Stephanie and Pete discuss similarities between female artists around the world, as seen in Stephanie's research and travels, regardless of economic status and country of origin; Stephanie cites “callings” at young ages At about 38:30, Wendy Whelan and her absolute “devotion” to art is discussed, as well as the ways in which domineering males have often abused and defamed artistic women At about 44:00, Bjork and Iceland's masterful director Vilborg Davíðsdóttir and “Art as Revenge” are discussed  At about 48:55, Stephanie talks about the process of writing so personally At about 50:45, “Art as Medicine” and Stephanie's journey with cancer and ideas of humor and sustenance are discussed, along with Stephanie being “revived” by sharing stories on a mini book tour At about 54:20, Havana Habibi and its resonance are discussed  At about 56:40, Sandra Cisneros as a “spiritual madrina” to Stephanie and so many others is discussed  At about 1:00:40, Stephanie expands on the “force” that is Mama Mihirangi and her connection to Maori and female liberation  At about 1:04:10, Ayana Evans and her performance and her subverting expectations of Black women are discussed, including the Loophole of Retreat At about 1:09:00, The two discuss “Art as Immoratality” and ideas of legacy and passing on creativity and art as so meaningful  At about 1:11:20, Stephanie reflects on the book's 10 year span and its meanings       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 311 with Kurt Baumeister, whose writing has appeared in Salon, Electric Literature, The Brooklyn Rail, The Rumpus, and other outlets. An acquisitions editor with 7.13 Books, Baumeister is a member of The National Book Critics Circle and The Authors Guild, and 2025's Twilight of the Gods is his second novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

"Anything beats writing. Writing is tough," says John McPhee, staff writer for The New Yorker and author of more than thirty books of nonfiction.Hey CNFers, this is Episode 500 of The Creative Nonfiction Podcast, the show where I speak to tellers of true tales about the true tales they tell. There are kilometer stones like 100, 200, 300, and 400, but this one, this is a milestone and it features the writer and journalist who made me want to write narrative nonfiction in the first place: John McPhee.John is a titan, a soft-spoken titan. He is the author of more than 30 books, including A Sense of Where You Are, Levels of the Game, his Pulitzer Prize-winning Annals of the Former World, and the book that made me want to write nonfiction: The Survival of the Bark Canoe. John is 94 years young, still lives in Princeton where he has taught an exclusive masterclass on factual storytelling, a class taken by the likes of David Remnick and the late Grant Wahl, I believe, among countless people who have gone on to write and report with distinction.He's been a staff writer for The New Yorker since the 1960s when William Shawn was the editor. Not long thereafter, he was offered a job to teach at his alma mater Princeton University and he famously edited students' submissions not unlike how Shawn edited him at The New Yorker. He's written about such wide ranging topics from basketball, to tennis, to bark canoes, to Alaska, to lacrosse, to oranges, to myriad topics in geology.John is synonymous with thinking through structure and coming up with unique structures for most of his stories, each one something of a fingerprint: no two are alike and the facts borne out from this intensive, slow reporting dictate the shape of the story he has locked into.His work is methodical and patient. He hangs out. He fills notebook after notebook, rarely uses a recorder, maybe only if there's someone speaking in such technical jargon that there's no way to keep pace. His career has been this wonderful balance of give and take: teach for most of the year and not write; then write and not teach. John is unassuming and gentle and an example of how you can do this work without bombast or pyro and still be riveting and sometimes downright hilarious.So we talk about: The influence of his high school English teacher Olive McKee Living room fighters Writing on spec The notebooks he's used for decades How a lack of confidences is an asset What a good editor does Writing as teaching How having a plan frees you to write The panic of having not written leads to productivity And how proud of his daughters he isParting shot on what it all means at 500 and maybe where I see the show going for the next 500.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

As the Sami community (Norway) struggles to protect ancestral lands from the building of a damn in 1979, Oslo detective Hans Sorensen arrives in the north of the country to investigate sabotage on a damn. Then a body is discovered, and Sorensen has to delve into his own past and heritage. He is Sami but no longer immersed in the culture, and Sorensen is also mourning the recent death of his wife, so he's hesitant to return to his hometown. He ends up following the trail of two women, a journalist and a musician, and discovers the writings of a relative, a real-life Sami author who wrote about his struggle to survive. If the Owl Calls (Sharon White, WTAW Press 2025) is a fascinating mystery filled with Norwegian and Sami history, about identity and memory. Sharon White is an award-winning author whose work spans nonfiction, poetry, and fiction. She has written extensively about nature, place, and memory, bringing a lyrical and reflective voice to her storytelling. Her books include Vanished Gardens, the AWP Award in Creative Nonfiction winner; Boiling Lake, winner of the Italo Calvino Prize in Fabulist Fiction; and Minato Sketches, a Rosemary Daniell Prize winner. White received her BA in English Literature from Colby College and spent a year studying at Manchester College, Oxford University. She has an MFA from Goddard College, where she was a member of the first class of graduates in Ellen Bryant Voigt's innovative program. She holds a PhD in English Literature from the University of Denver. An Associate Professor Emerita at Temple University, White has dedicated her career to writing and teaching. A passionate traveler, she draws inspiration from diverse landscapes and cultures. In Scandinavia she researched the life of Danish painter Emilie Demant Hatt, and in 2019, as an artist-in-residence in Dunedin, New Zealand, she immersed in the region's literary and artistic culture. She has also taught creative writing at Temple University Japan. She lives in Philadelphia with her husband, Scott Masker. When not working or traveling, she loves to garden and take walks around the city. She also enjoys skiing and biking. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the Sami community (Norway) struggles to protect ancestral lands from the building of a damn in 1979, Oslo detective Hans Sorensen arrives in the north of the country to investigate sabotage on a damn. Then a body is discovered, and Sorensen has to delve into his own past and heritage. He is Sami but no longer immersed in the culture, and Sorensen is also mourning the recent death of his wife, so he's hesitant to return to his hometown. He ends up following the trail of two women, a journalist and a musician, and discovers the writings of a relative, a real-life Sami author who wrote about his struggle to survive. If the Owl Calls (Sharon White, WTAW Press 2025) is a fascinating mystery filled with Norwegian and Sami history, about identity and memory. Sharon White is an award-winning author whose work spans nonfiction, poetry, and fiction. She has written extensively about nature, place, and memory, bringing a lyrical and reflective voice to her storytelling. Her books include Vanished Gardens, the AWP Award in Creative Nonfiction winner; Boiling Lake, winner of the Italo Calvino Prize in Fabulist Fiction; and Minato Sketches, a Rosemary Daniell Prize winner. White received her BA in English Literature from Colby College and spent a year studying at Manchester College, Oxford University. She has an MFA from Goddard College, where she was a member of the first class of graduates in Ellen Bryant Voigt's innovative program. She holds a PhD in English Literature from the University of Denver. An Associate Professor Emerita at Temple University, White has dedicated her career to writing and teaching. A passionate traveler, she draws inspiration from diverse landscapes and cultures. In Scandinavia she researched the life of Danish painter Emilie Demant Hatt, and in 2019, as an artist-in-residence in Dunedin, New Zealand, she immersed in the region's literary and artistic culture. She has also taught creative writing at Temple University Japan. She lives in Philadelphia with her husband, Scott Masker. When not working or traveling, she loves to garden and take walks around the city. She also enjoys skiing and biking. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

"You start to wonder was it all worth it? Or what's the point in trying to do it again? You know, if there's going to be more disappointment in the future. I think it is something that you know probably just changes as you go on, regardless, right? I want to get that second book under my belt so it's not all just on this one, this one baby, you know?" says Maggie Mertens.Maggie is the author of Better, Faster, Farther: How Running Changed Everything We Know About Women (Algonquin Books). It's a brilliant book that traces the advancement of women's athletics through running. Hard as it is to believe, but it was thought that women couldn't, nay, shouldn't run farther than 800 meters. Running might affect their fragile constitution, they might even ruin the work place … there's a name for headlines like that one: They're called subscription cancellers. [Context: The New York Times ran a podcast headline with its conservative columnist asking “Did Women Ruin the Workplace?” Anyhoo …Maggie is making the freelance workplace a good time, thank you very much, and it's a pleasure to get to celebrate her approach to the work and her incredible book that came out in 2024.So Maggie's work has appeared in the Wall Street Journal, The Atlantic, NPR, Sports Illustrated, ESPNw, Creative Nonfiction, among others. She has a Substack called My So Called Feminist Life at maggiemertens.substack.com and she does much of social media-ing on IG @maggiejmertens and you can learn more about her and her work at maggiemertens.com.So Maggie and I talk about: The long book writing process Community Time pegs Strict deadlines for the self How she named her chapters in Better Faster Farther Taking the wins And the post-book malaiseOrder The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Your life is a story, but not every moment needs to be shared. In this episode of Writing Break, we're exploring memoir and creative nonfiction, the genres where truth becomes art. Learn how to shape your real experiences into stories that captivate readers, how to handle the tricky business of writing about other people, and how to balance honesty with craft.

"I have this desire to write as a novelist might write but write nonfiction," says Sasha Bonet, the author of The Waterbearers: A Memoir of Mothers and Daughters (Knopf).Today we have the brilliant writer, the brilliant mind, Sasha Bonet, author of The Waterbearers: A Memoir of Mothers and Daughters. This book is a masterpiece that chronicles the matriarchal lineage of Sasha's family, and the pain, and the struggle, and the triumph of will, of the slow, methodical, generational march forward and the residue of generational trauma, what we can outrun and we can never outrun. Damn, man, it's something of a family epic that brought to mind A Hundred Years of Solitude to me in its scope, in its sweep. I don't know. Maybe I have no clue what I'm talking about.Sasha is a writer, critic, and editor living in the socialist hellscape of New York City, woot, woot!Her essays have appeared in the Paris Review, Aperture, New York Magazine, Vogue, and BOMB, among others. She earned an MFA from Columbia University and teaches nonfiction writing at Columbia's School of the Arts and Barnard College. You can learn more about Sasha at sashabonet.com and follow her on the gram @sasha.bonet.This is a rich conversation about: Community The in-between place Not holding back Her influences Her writing practice And how jazz informs her writingShe's also good friends with G'Ra Asim, who appeared on these podcast airwaves way back on Ep. 256.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Go back in time and listen to this conversation about Historical Fiction from Season 2!In this episode of The Watchung Booksellers Podcast, authors Laurie Lico Albanese and Anastasia Rubis discuss reading and writing historical fiction.Laurie Lico Albanese is a historical novelist, most recently of the acclaimed novel Hester,  which gives voice to Hester Prynne in a retelling of The Scarlet Letter. Hester was a Book of the Month club selection and an Audible and Goodreads Best Books of 2022. Laurie's previous historical novels include Stolen Beauty, about the famed Gustav Klimt portrait known as The Lady in Gold. She lives in Montclair with her husband, where they raised their two grown children. She writes for New Jersey Monthly, teaches writing, and is at work on a new novel.Anastasia Rubis' writing has appeared in the New York Times, Huffington Post, New York Observer, and literary journals. One of her stories, “Girl Falling,” was named a Notable Essay in Best American Essays of 2014. Another, “Blue Pools,” was included in the anthology Oh, Baby published by Creative Nonfiction. She co-wrote and co-directed a 13-minute documentary titled Breakfast Lunch Dinner: The Greek Diner Story. Her latest work, Oriana, is a novel based on the life of journalist Oriana Fallaci. Rubis earned a BA magna cum laude from Brown University and an MA from Montclair State University. She teaches memoir writing and is working on a second novel. She and her husband live in Montclair, where they raised their daughter, and spend summers in Greece, where their parents were born.Resources:Woman in Gold Neue GalerieThe CrownOppenheimerLeeBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

“So much misery. It is so much misery. It is so hard. It's not natural, locking yourself in your room for three years to focus on one person is not mentally healthy. Leigh Montville, great, great writer, said to me years ago, he's like, ‘It's an unnatural thing. You spend two years in a hole to come out for two weeks, you know?'” — Jeff Pearlman, author of Only God Can Judge Me.Today we have Jeff Pearlman returning to the show to talk about his 11th book, his latest book, Only God Can Judge Me: The Many Lives of Tupac Shakur (Mariner Books). Jeff has made a career out of being a sports writer, so when I heard he had turned his biographical eye toward a hiphop icon from the 1990s, I was especially intrigued by how he would approach it. It's the kind of book he could pursue after having proved himself ten times before, with a few of his books becoming coveted NYT bestsellers. He interviewed close to 700 people for the book … that's how you do this. THAT is how it's done.The first time he was on, I think I annoyed him a bit with my questions on “craft.” He kind of bristled at the idea that it was a “craft,” which maybe he thought was too cute a word to put on it. To him, it's fucking work. You make all the calls. Then you make more. You go to the locations. You knock on doors. You report, report, report. It has more to do with tenacity and rigor than art … so I made sure I steered clear of things that felt too crafty this time around.Jeff is all over the place. By that I mean he's got a YouTube presence with The Press Box Chronicles, a TikTok presence with more than 300,000 followers. He has a podcast, Two Writers Slinging Yang (still waiting for my invite), a political Substack called The Truth OC, and his writing/journalism Substack The Yang Yang. He's a writer in his 50s and he's tremendously nimble. He understands, even with his platform and profile, that nobody is going to champion your book like you can. Honestly, we can all take a page out of his book and how he has embraced the ever-changing playbook for book promotion. In this conversation Jeff and I talk about: Book promotion Finding the little guys How he handled another Tupac biography publishing during his research for this book The misery of it all Conversations he had with Jonathan Eig, the PP winning author of King: A Life Jeff's favorite “version” of Tupac And hitting the “fuck-it” stage.All great stuff, as you might come to expect from speaking to Jeff Pearlman. His audio was a bit muddy. It's not as great as I would have liked but I think the message carries the day.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"When I came in [to Longreads], I didn't come in and say, I think we need to grow aggressively. I said, 'Let's figure out who we are. Let's figure out what other people aren't doing, that we do , and that we can do better.' And so the only real thing that changed when I first came in was to try to make the editors known quantities," says Peter Rubin, head of publishing at Automattic, where he works primarily with Longreads, but also The Atavist Magazine.Today we have Peter Rubin. He's on the pod to talk about a lot of things, but he's also drumming up attention for a membership drive for longreads.com, a hub of curation for the best longreads on the web, first started by Mark Armstrong. Longreads has since gone onto publish original works of criticism, journalism, and personal essays and won a National Magazine Award for best digital illustration in 2020. In conjunction with with Oregon Public Broadcasting, they produced Bundyville, the hit podcast that made Leah Sottile something of a household name (shoutout to her new season of Hush).He spent many years at Wired Magazine and he's also the author of Future Presence: How Virtual Reality is Changing Human Connection, Intimacy, and the Limits of Ordinary Life, which came out in 2018, but with Chat GPT going full porn for verified adult users (what could possibly go wrong?), Peter's book seems oddly of the moment … also it's only seven years old, but I guess in tech that's like the stone age.You can learn more about Peter from his very stripped down website ptrrbn.com, yeah, he hates vowels, don't come at him with vowels, or on the gram @provenself. In this conversation we talk about: Finding diamonds in the rough How he cultivated his editor eye Being merciless in the edit Figuring out the new identity of Longreads when he took over in 2021 Curation And the Longreads membership driveVisit longreads.com to read more and to pony up … that's what I'm going to do, for you people who think I get handouts, just know that I'm not that savvy.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"As a reader, if I were a fan reading this book, I want the good, the bad and the ugly. I want you to rip the band aid off and tell the truth. Because, from my from my experience, I've read a lot of memoirs that are super boring and just fluff," says Jeremy X. Wagner, co-author of Curtis Duffy's Fireproof: Memoir of a Chef (Dead Sky Publishing).We have Jeremy X. Wagner on the show today. This dude is a stone-cold badass and the co-author/ghost writer of Fireproof: Memoir of a Chef (Dead Sky Publishing). Jeremy, man, he's a heavy metal musician and founder of the death metal band Broken Hope. He's the author of the novels Rabid Heart, which was nominated for the best horror novel at the 2019 Splatterpunk Awards, and the novel The Armageddon Chord. He has a new novel coming out in January titled Wretch, so stay clued into jeremyxwagner.com for more info on that.He's the CEO of the TV/film company Aphotic Media and the indie publishing company Dead Sky Publishing. He has a very varied creative life which I find inspiring and really fucking cool.In this conversation we talk about: How he became an accidental publisher Playing guitar Being turned on to Ride the Lightning Passion and imagination as a driver Learning the business inside and out Competition Trust And how he translated Curtis's voice onto the pageOrder The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

On this episode of the No Labels, No Limits Podcast, we welcome Jennifer Robin Wilson—leadership coach, author, and consultant—whose career has spanned midwifery, nonprofit leadership, and now coaching and writing.Jennifer's unique journey—from delivering babies to guiding organizations—reflects her passion for human connection through change. A certified Kolbe Consultant with an MBA in Leadership and MFA in Creative Nonfiction, she helps leaders and teams reduce burnout, improve collaboration, and align with their natural problem-solving instincts.Her latest book, The Heart of Homestay, draws on her 17 years leading the Canada Homestay Network and offers tools for navigating cultural differences, building compassion, and fostering psychological safety.In this conversation, Jennifer shares:How Kolbe assessments help reduce stress and unlock team dynamicsWhy understanding conation—how we naturally take action—transforms leadership in real timeThe parallels between hosting international students and creating healthy workplace culturesWhy failure and discomfort, when embraced, are powerful drivers of innovation and trustJennifer's grounded wisdom, combined with her soaring vision (yes, she's also a licensed pilot), makes this a conversation filled with practical insights and heartfelt stories.Jennifer also offers free leadership and host family resources through her website.Connect with Jennifer Wilson:Website: https://www.oakbaycoachingandconsulting.caLinkedIn: https://linkedin.com/in/jenniferrobinwilson | https://linkedin.com/company/oak-bay-coaching-and-consultingInstagram: https://instagram.com/jenniferrobinwilsonFacebook: https://facebook.com/JenniferRobinWilsonLinktree: https://linktr.ee/jenniferrobinwilsonConnect with Sarah Boxx:Website: https://sarahboxx.com/Facebook: https://www.facebook.com/strategicvisioncoach/Instagram: https://www.instagram.com/sarahboxxllc/X: https://x.com/i/flow/login?redirect_after_login=%2FSarahBoxxLinkedIn: https://www.linkedin.com/in/sarahboxxsherpa/Check out our sister show, the Nonprofit Podcast, where we dive into strategies for nonprofit leaders and change agents driving real community impact. Tune in wherever you get your podcasts! https://shows.acast.com/nonprofits-today #heartofhomestay #nolabelsnolimits #podcast #personalgrowth #nlnlpodcast #changemakers #successmindset #inspiration #mindsetshift #jenniferwilson #womeninleadership #inspiringleaders #strengthbasedleadership Hosted on Acast. See acast.com/privacy for more information.

Ren Cedar Fuller joins Let's Talk Memoir for a conversation about how when we love people we want their world to be bigger, raising a transgender child, having a disability, writing a lot of drafts for the right structure to snap into place, revising for months, not forcing an ending, writing about other people, including our children in our work, putting a collection together, finding themes in our work, entering contests, moving toward creativity and also toward organization, shaping a memoir-in-essays vs. an essay collection, and her award winning collection Bigger.   Also in this episode: -using the Poets & Writers database to research contests and presses -studying in an MFA program -a close look at a hermit crab essay   Books mentioned in this episode: -H is for Hawk by Helen Macdonald -Station 11 by Emily St. John Mandel -In the Dream House by Carmen Maria Machado   Ren Cedar Fuller's debut book, Bigger, won the 2024 Autumn House Press Nonfiction Prize and was a finalist for the 2024 Iron Horse Prize and the Santa Fe Writers Project 2023 Literary Awards Program. Her creative nonfiction essays have won Under the Sun's Summer Writing Contest in 2022, been a finalist in the 2022 Terry Tempest Williams Prize for Creative Nonfiction at North American Review, and placed second in the 2022 Eunice Williams Nonfiction Prize. Ren's essays have appeared in HerStry, Hippocampus, New England Review, North American Review, and Under the Sun, and have been nominated for a Pushcart Prize and Best American Essays.    Ren is a parent facilitator at TransFamilies, an online hub for families with gender diverse children. She taught public school in California, Oregon, and Washington before founding a nonprofit early learning center in the Seattle area, where she continues teaching parent education.Ren lives in Seattle with her husband, Jason, and loves to kayak on the Salish Sea. She is currently in the M.F.A. in Writing program at Pacific University.  https://www.instagram.com/ren.cedar.fuller/ https://www.rencedarfuller.com/ Book purchase: https://bookshop.org/p/books/bigger-essays/f18b41d10d1216d8?ean=9781637681084&next=t&affiliate=21790 – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

In this episode, Dean Horswell chats with Stephanie Anderson about the many challenges within America's food and farming system, and how regenerative agriculture, female leadership, and consumer support can help address them. Bio: Stephanie Anderson is the author of From the Ground Up: The Women Revolutionizing Regenerative Agriculture (The New Press, 2024). Her work has appeared in The Rumpus, TriQuarterly, Flyway, Hotel Amerika, Terrain.org, The Chronicle Review, Sweet and others. Stephanie is the 2020 winner of the Margolis Award for social justice journalism and a co-editor for the University of Nebraska Press “Our Regenerative Future” book series. Her debut nonfiction book, titled One Size Fits None: A Farm Girl's Search for the Promise of Regenerative Agriculture, won a 2020 Nautilus Award and 2019 Midwest Book Award. Stephanie holds an MFA from Florida Atlantic University, where she serves as Assistant Professor of Creative Nonfiction.

"This has to be meaningful to you. It has to be a story that won't leave you alone, a story that you're willing to rearrange your calendar for," says Masha Hamilton, whose Atavist Magazine story is titled "I've Gone to Look for America."Today we have Masha Hamilton, a journalist, a novelist, a fan of the show, a fan of Pitch Club. You'll want to visit mashahamilton.com to learn more about her wide-ranging career covering the world. She's the author of five novels and trying to sell her sixth. She was at one point the director of communications and public diplomacy at the US embassy in Kabul.Her story for the Atavist is about her driving the entire length of I-95 with her photographer son Cheney, and stopping at just about every rest stop to speak with strangers about how they feel about our country. “Conversations and revelations about an ailing nation along Interstate 95.” Man, those Atavist editors sure can write the hell out of a dek.Guess who's back!? Seyward Darby! Do your best Kermit the Frog dance. Very nice to hear her and this piece challenged Seyward in ways I didn't see coming: Meaning, she didn't share Masha's optimism or hope. Seyward, for lack of a better word, disagreed with it, so there was an interesting tension she brought to the edit.For Masha's part, we talk about: Novels as complimentary to her nonfiction Covering societies in change Healing through story How this was piece was a therapy session Accelerated intimacy Endings Middles Finding the meaning Writing you rearrange your calendar for And belonging as practiceOrder The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

In this episode, Dean Horswell chats with Stephanie Anderson about the many challenges within America's food and farming system, and how regenerative agriculture, female leadership, and consumer support can help address them. Bio: Stephanie Anderson is the author of From the Ground Up: The Women Revolutionizing Regenerative Agriculture (The New Press, 2024). Her work has appeared in The Rumpus, TriQuarterly, Flyway, Hotel Amerika, Terrain.org, The Chronicle Review, Sweet and others. Stephanie is the 2020 winner of the Margolis Award for social justice journalism and a co-editor for the University of Nebraska Press “Our Regenerative Future” book series. Her debut nonfiction book, titled One Size Fits None: A Farm Girl's Search for the Promise of Regenerative Agriculture, won a 2020 Nautilus Award and 2019 Midwest Book Award. Stephanie holds an MFA from Florida Atlantic University, where she serves as Assistant Professor of Creative Nonfiction. 

"When I got back to [writing], it was like an athlete or a martial artist coming back to the practice, and the endorphins start running back. And you remember the joy that you had in it, also the struggles of it, but you're back in it, and then I couldn't be stopped," says Jeff Chang, author of Water, Mirror, Echo.Today we have Jeff Chang, and what a great conversation this was. He's the author of the beefy biography Water, Mirror, Echo: Bruce Lee and the Making of Asian America. It's published by Mariner Books, so we share a publisher here. Pretty cool.He's also the author of Can't Stop, Won't Stop: A History of the Hip-Hop Generation, which was the winner of the American Book Award, Who We Be: A Cultural History of Race in Post-Civil Rights America, and We Gon' Be Alright: Notes on Race and Resegregation.He's a writer, host, and cultural organizer known for his work in culture, politics, the arts, and music. His work has appeared in the New York Times, Wall Street Journal, The Guardian, Los Angeles Times, and the Believer, among many others. He has a great Substack at zentronix.substack.com and you can follow him on Instagram @zentronix. You can learn more about Jeff at jeffchang.net.We talk about: How hip-hop influenced his work Trust and relationships Voice Compression And stealing time to writeWhy don't you settle in?Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"For many of us, myself included, it's easy to want to be on the New York Times bestseller list, or the USA Today bestseller list, and to try to get an amazing number of week-one sales, but it's important to remember that those lists are really hard to get on, and there can be this nice long tail in terms of the impact of a book where maybe it doesn't necessarily get a ton of sales in that first week or that first month. But over time, it continues to sell, right? And then you get these bumps, and you realize that, oh, this book has staying power," says Mallary Tenore Tarpley.Mallary is here today for a double-feature Friday. She's the author of Slip: Life in the Middle of Eating Disorder Recovery (Simon & Schuster/Simon Element). It's pretty heavy shit, man. She developed a disordered relationship to food when her mother passed away when she was just 11 years old. Mallary spent years in treatment and the book blends her personal story with the ballast of science and outward-facing reporting, memoir-plus as it was pitched. We'll call it Memoir Max.Mallary has been on the hustle for Slip. She's everywhere. She's posting. She's newslettering. She's beating the drum. She's an example of what a modern author must do in this age. I'd say take a look at what she's doing and maybe cherry pick what works for you. But speaking from experience, really nobody is going to do it for you.She graduated from Providence College and earned an MFA in creative nonfiction from Goucher College, where she started Slip. She worked with my dear friend Maggie Messitt on it for a bit.Mallary is an assistant professor of practice at the University of Texas where she teaches journalism classes. She started her career at The Poynter Institute where she would become the managing editor of the website, poynter.org. Her work has appeared in The New York Times, The Washington Post, Teen Vogue, Nieman Storyboard and she has a Substack, don't we all, called Write at the Edge, at mallary.substack.com. You can also learn more about her at mallarytenoretarpley.com and follow her on LinkedIn or Instagram as well.We talk a lot about Platform and publicity How she vetted a freelance publicist Staying power And some of her best memories working alongside Roy Peter Clark at PoynterOrder The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Robert Weintraub is a best selling author and, most recently, wrote "American Hindenburg" for The Atavist Magazine..We're going to hear from lead editor Jonah Ogles about his side of the table and how he advises people to model their stories after previously published ones and how there's never really a wasted moment by doing as much research as possible. Either you find out there's nothing there, or you find out there's there there and you have more grist for the mill.Robert is the best selling author of No Better Friend, The Divine Miss Marble, The House that Ruth Built, and The Victory Season. He has a Substack called NYC 1000 where he counts down the top 1,000 sporting events in New York City. That's at weintraubr.substack.com. Robert cut his teeth as a television producer at ESPN, but soon began writing for Slate, The New York Times, The Guardian, Grantland, and now The Atavist. We talk about creating these historical narratives and grounding the characters in their present, looking at a magazine and then thinking what kind of stories you can pitch there, and how his Atavist story started as a book proposal. You can learn more about Robert at robertweintraubauthor.com.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Weekly shoutout: Check out Lynchpins, our ongoing David Lynch tribute series! Hi there, we're back! Today I am delighted to be arts calling Camille U. Adams once again! (https://www.camilleuadams.com/) About our guest: CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023. (https://linktr.ee/Camille_U_Adams) Camille is a memoirist, a poet, and a nature writer. Camille has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction. Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship. A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others. In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths. Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Thanks for this amazing conversation, Camille! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN. Much love, j artscalling.com

"I really love this medium. I think cartooning is an incredible medium. There aren't a lot of rules. You can, if you can, really make it up. You can make it suit you," says Roz Chast a cartoonist and artist whose work routinely appears in The New Yorker.So today we have Roz Chast. You know Roz Chast, and if you don't, quite frankly I hope we never meet. She's a long time cartoonist for The New Yorker whose work is kinda of panicky and bleak and goofy and … heightened … and wicked smaht. She's the author of Can't We Talk About Something More Pleasant?, Going into Town, and What I Hate from A to Z and what brought Roz to the podcast is a two 1,000-piece puzzles and a 2026 wall calendar now out by Workman Publishing. Really cool, and you can find those at hachettebookgroup.com.Cool stuff.Roz was, of course, a joy to speak with. I watched several interviews with her in preparation for this and I reached out to Dana Jeri Maier for questions because Dana loves Roz, and is a working cartoonist, so it seemed like a good shoulder to tap.Roz is a true artist. She paints these pysanka eggs, which are dyed eggs with cool paintings on them. She's into block printing now and she does some rug weaving things, too. I'm sure there's a formal term for it. She was inducted into the Society of Illustrators Hall of Fame in 2019. She won the National Book Critics' Circle award for Autobiography in 2014, and also was a National Book Award finalist for Can't We Talk About Something More Pleasant? Her work routinely appears in The New Yorker and in this episode we talk about: The ricketyness of a freelance career How being an outsider made her a better cartoonist How cartooning is like being at the children's table of art Aging parents And her experience on The Simpsons.Lots of rich stuff here that I hope you enjoy. I know I did.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

In this episode, WIR Cynthia Amoah sits down with Ghanaian-American poets Claudia Owusu and Tasha Lomo for a layered conversation about language, place, and what it means to write and create from the in-between. Together, they explore how heritage shapes creative voice, the role of poetry as both resistance and refuge, and the ways they each build community through art—from spoken word albums to filmmaking to advocacy for Black women. Special thanks to fo/mo/deep for lending us their song, "Bourbon Neat" for the podcast! Find out about upcoming Bexley Public Library events at https://www.bexleylibrary.org Follow Bexley Public Library across platforms @bexleylibrary Host/Guest Bios Cynthia Amoah is a Ghanaian-American poet, national speaker, and teaching artist. She received her MFA from The New School, where she was cited for Excellence in Poetry. Cynthia has been featured on three TEDx stages, The Lincoln Theatre, and the United Nations Information Center in Accra, among others. She is currently serving as the 2025 Inaugural Writer-in-Residence at the Bexley Public Library and the 'Arts in the Parks' Coordinator with Ohio Department of Natural Resources. Her writing and performances often explore questions of identity, belonging, displacement, migration, and uprootedness. Cynthia's chapbook 'Handrails' was published by Akashic Books in Fall 2021. She resides in Columbus, OH with her family and facilitates workshops in poetry, positive thinking, confidence-building, and using our voice as instruments for strength and social change. Learn more at www.cynthiaamoah.com. Tasha Lomo is a Ghanaian American poet, writer, and community advocate. She currently serves as the Program Manager for The Giovanni Collective; a collective dedicated to the advancement of Black women writers and poets, and has performed her work across the central Ohio community. She has received training through the Lincoln Artist Incubation Program, the Wexner Center for the Arts, and Writerz and Scribez based in London, England. She uses her work as a platform to explore themes of identity, culture, and self actualization.  Claudia Owusu is a Ghana girl through and through. As a writer and filmmaker, her work divulges the nuance of Black girlhood through a personal and collective lens. Her writing has appeared or is forthcoming in Ninth Letter, Bellingham Review, Indianapolis Review, Vogue, Narrative Northwest, Akoroko, and Brittle Paper. Her films have screened internationally at Aesthetica, the New York African Film Festival, Urbanworld, and Blackstar Fest. She is the author of the chapbook, In These Bones I Am Shifting, by Akashic Books. Her documentary film in progress "This is the House: If I Don't See You, I Love You" is the winner of the 2025 Julia Reichart award. She holds an MFA in Creative Nonfiction from The Ohio State University.

In this episode I have a captivating conversation with writer and artist James Roberts. We explore the profound themes of his book "Two Lights," delving into the beauty and tragedy of the natural world. James shares his journey from city life to the rural landscapes of the Welsh borders, where he finds inspiration in the twilight hours and the delicate balance of nature. We also discuss the intersection of science and creativity, the importance of attention, and the emotional resonance of beauty.  Links James Roberts' Substack - Into the Deep Woods Night River Wood - James Roberts' Official Website "Two Lights" Book Purchase Link Other episodes if you liked this one: Episode 320: Channeling Wild Gods with Tom Hirons - Tom Hirons is a poet whose work resonates deeply with the primal and ungovernable forces of nature, the human condition, and the intersections where they meet. His writing, including the much-lauded poem Sometimes a Wild God, stirs something ancient within, reminding readers of the chaos and beauty that lie at the heart of existence. In this conversation, we delve into the inspirations and philosophies behind his work, exploring the wild, untamed forces that shape his poetry and his perspective on creativity.  Listen here Episode 82: Irreplaceable with Julian Hoffman - This week's guest is writer Julian Hoffman and we're talking about his book Irreplaceable. I read the book a few months back and as you might expect from reading the blurb, it's about those irreplaceable wild environments and the species we're in danger of losing. But it's also about the people who are so deeply connected to the landscapes and the animals they're battling to save. Julian speaks about why it's imperative that we stop the destruction of precious landscapes, how we can help at the individual level and why it's vital to maintain the connection between people and place. Listen here  Please support the podcast on Patreon And follow Roots and All: On Instagram @rootsandallpod On Facebook @rootsandalluk On LinkedIn @rootsandall

"God, I feel like I'm still enduring that, like it's this sort of ongoing thing where I'm not sure I ever if I'll ever get to a place where I feel like my work and ambitions for the work and daydreams about writing and art-making ever meet my taste," says Patrycja Humienik.For Ep. 485 we've got Patrycja Humienik. She's a poet and her debut collection is We Contain Landscapes and it is published by Tin House. Patrycja is the daughter of Polish immigrants and is a writer, editor, and teaching artist. You can follow her on the gram @jej_sen. So Patrycja and I had nice little jam sesh about: Trusting the path The Magic of Revision Weekly Writing Rituals with her Work Wife Tension and Textures And writing without the pressure of publicationSome really rich stuff. Her work has appeared in the New Yorker, that rag, Gulf Coast, Poetry Society of America and many others. She works between borders: of disciplines, language, body, art activism, conflict/transformation. She's a true artist, man. You can learn more about her at www.patrycjasara.com.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Notes and Links to Camille Adams' Work          CAMILLE U. ADAMS, Ph.D. was born and raised in beautiful Trinidad and Tobago. She is the author of the explosive memoir How To Be Unmothered: a Trinidadian memoir, finalist in the Restless Books Prize in New Immigrant Writing 2023.    Camille is a memoirist, a poet, and a nature writer. She has been awarded Best of The Net—nonfiction 2024. She has received five Pushcart Prize nominations and three Best of the Net nominations for her memoir writing. Camille's work has also received recognition as a notable essay in Best American Essays 2022. Her writing has been long-listed in the Graywolf Creative nonfiction Prize 2022 and selected as a finalist for The 2021 Orison Anthology Award in Nonfiction.    Her other honours include an awarded fellowship as an inaugural Tin House Reading Fellow, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Fellowship, A VONA scholarship, and a Roots Wounds Words Fellowship.    A Tin House Summer Workshop alum, Camille has served as a juried reader for Tin House for two consecutive years and as a moderator for two author panels. She has also received support from Kenyon Writers Workshop, Grubstreet, and others.   In addition, Camille has been an associate CNF editor at Variant Lit and an assistant memoir editor at Split Lip Magazine and at The Account. She has long taught English and creative writing, emphasising the importance of strong craft, beautiful prose, and ugly truths.   Having earned her MFA in Poetry from City College CUNY and her Ph.D. in Creative Nonfiction from FSU, Camille currently teaches creative writing and literature in New York City. She is at work on her second memoir. Buy How to Be Unmothered: A Trinidadian Memoir   Camille U. Adams' Website    Excerpt from How to Be Unmothered     At about 2:55, Camille talks about her ideal writing environments and she and Pete bond over Pete's  At about 5:00, Camille responds to Pete's question about what books and stories resonate with her students-she references Javier Zamora and Derek Walcott and Jamaica Kincaid At about 8:00, the two discuss purchasing details for How to Be Unmothered At about 9:15, Camille shares great early feedback for the memoir  At about 11:35, Camille responds to Pete's question about her early reading loves At about 14:30, Pete cites Jamaica Kincaid's masterful work and Camille shouts out George Lanning, Samuel Selvon, Paul Keyes Douglas, and other masterful Caribbean writers At about 16:50, Camille responds to Pete's questions about the “push-and-pull” of colonialist language and history in Trinidad At about 21:00, Camille highlights Daniel José Older's brilliant work as the two discuss evocative language  At about 22:25, Camille cites calypso and its performances as a keen example of the dynamic nature of language   At about 24:05, Camille and Pete discuss the book's dedication and epigraph (eek-Pete first calls it an “epitath”), with Camille sharing an insightful story on an idea's generative appearance in her head At about 28:40, Camille responds to Pete's question about the significance of her memoir's chapter titles as different trees At about 31:05, Pete and Camille set out the exposition for the memoir, especially the pivotal opening scene; Camille expounds on the long drive recounted and how it serves as a sort of cultural and historical tour of Trinidad At about 35:00, Camille talks about her  At about 36:25, Camille talks about the Trinidian term “hotfoot,” as the two discuss double standards for men and women At about 38:20, No spoilers! as Pete highlights an evocative and creative section about rum At about 40:55, Camille reflects on an “initiation” and on ideas of dominion over nature At about 44:00, Camille examines ideas of being a child and expectations and tropes around parent-child alienations At about 46:50, The two discuss an evocative series of scenes and ideas of intimacy and forced burdens At about 49:40, Camille responds to Pete's musings about the somatic sensations depicted in the book, including introducing the wise, apt saying: “there is no past tense in the body” At about 54:00, Camille describes traumatic experiences heaped on children in general and on herself, as she reflects on ideas of “property” and a lack of agency At about 58:00, Camille talks about why she can't and won't live with “unlove” At about 1:00:00, Camille discusses ideas of joy and resilience and vulnerability and “strip[ping] words of meaning and connections to political and psychological consciousness  At about 1:04:50, Camille highlights a meaningful song, The Journey” by Chris “Tambu” Herbert  At about 1:07:40, Camille teases her second book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 289 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?”    This episode airs on August 26.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

"I am tyrannical about noise and about quiet. I don't feel that I can control the amount of mess I make. I mean, I know I can, but I kind of can't. And there's just so many things about my character that are really detrimental to having a writing process, which I need, and it's just so opposed to everything that's going on in my disgustoid little spirit," says Rax King, author of Sloppy.As I tell Rax in this conversation, I hadn't been reading a lot of what I'd call “fun” books. I wasn't having much by way of fun reading for a long time and that changed with Sloppy, which isn't to say the book doesn't have its heavy moments, but it's couched in a buoyant and irreverent voice that I found very appealing.Like Melissa Febos, Rax is something of a quote machine with acerbic wit that made this episode really electric. That's something I notice from voice-heavy memoirists and essayists. Like, if you're not throwing heat as an essayist, you gotta work on your game. Maybe there are some who can lyric their way through, but that's not my taste, personally. I need people pointing out the absurdities and their complicity in the absurdity. I don't even know what that means, but it sounded good.Rax King also is the author of Tacky: Love Letters to the Worst Culture We Have to Offer and the co-host of Low Culture Boil with Courtney Rawlings and Amber Rollo. Rax's work has been nominated for a James Beard Award and has appeared in Food & Wine, MEL Magazine, Glamour and Electric Literature. You can learn more about Rax at her website raxkingisdead.com or follow her on the gram @raxkingisdead.We talk about revisions, her sobriety, her sloppiness, money issues, steady-income spouses and a lot of other stuff. She really brought the heat.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"That is the main difference between storytelling for the ear and writing, is that the cost of revisions is so much higher," says Julia Barton.We have Julia Barton. Julia was the third hire, I think I have that right, with Pushkin Industries, the podcast giant founded by Malcolm Gladwell. She's the executive editor of Pushkin and helped develop Revisionist History and Against the Rules, the latter by the journalist and uber best seller Michael Lewis. She, quite literary, edits with her ears.I met Julia briefly at the Power of Narrative Conference in Boston, where she's also a Nieman Fellow, as her talk followed mine. I did not attend her talk and I feel great shame about that, but my battery was in the negative after my talk and I just needed to disappear, the plight of the introvert. I could have learned a LOT since her talk was about the grammar of audio stories. I atoned by inviting her on the podcast to talk about her auditory journey.So Julia has a cool newsletter called Continuous Wave, which is a weekly newsletter exploring the forgotten history of broadcast and all electronic media. It's very specific, which is what you want from a newsletter. She's the founder of RadioWright, she is @bartona104 on IG. We talk about: Editing audio stories and how it's different than print What's the ideal length for a podcast be it narrative or interview The cost of revisions Scratch mixes and dry mixes Animal vs. Mineral editing Picturing the ideal interview in your head And more!Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Mee Ok Icaro (pronounced “Mee Oak Ee-car-oh”), is a unique and powerful voice in the world of visionary medicine and personal growth. As a Sacred Medicine Advisor and Integration Specialist, Life Purpose Coach and Guide, Writer and Book Doula Mee Ok is dedicated to helping individuals heal and find their path in life. She integrates many teachings from a variety of traditions, from ancient to modern. With a passion for writing and a talent for prose, Mee Ok is an award-winning stylist and poet. Her work has appeared in notable publications like the LA Times, Boston Globe Magazine, and Michael Pollan's Trips Worth Telling anthology. She was even featured in Gabor Maté's New York Times bestseller The Myth of Normal and the Netflix docuseries [Un]Well. With over a decade of experience working with ayahuasca and dieting seven master plants, Mee Ok is curing a near-fatal autoimmune disease, scleroderma, and is dedicated to helping others heal and recover their birthright of authenticity and truth. Mee Ok holds a BA in Philosophy from Boston University and an MFA in Creative Nonfiction, and has studied the history of sexuality and medicine at Harvard. She currently partners with Shipibo healers to offer ayahuasca retreats in Peru. With a diverse set of passions, including racial and disability equity, adoptee advocacy, social justice, film, literature, doggies, and drag, Mee Ok is a curious soul with a wealth of knowledge and experience she loves to share. HoldingCompassionate.space Mee Ok (pronounced "Mee Oak") Stay Current: Substack Newsletter Professional Offerings: HoldingCompassionate.space Personal Writing: Mee-ok.com Season 11: Adoptee Memoirs - books in order: Practically Still a Virgin by Monica Hall You Can't Get Rid of Me by Jesse Scott and Keri Ault Unspoken by Liz Harvie Sign up for our mailing list to get updates and the Eventbrite for our September 12th & 13th Washington, D.C. Event! This episode of the Making of Me Podcast is brought to you by the Adoptee Mentoring Society - a virtual community built by adoptees, for adoptees. They offer adoptee-centric mentorship for adopted persons 12 and up, led by trained adoptee mentors. Whether you're navigating identity, searching for the words, or simply wondering how adoption has shaped you, they get it. Listeners of The Making of Me Pod get 25% off their first session with code: PRO-TMMPOD AMS offers free mentorship to adoptees in Washington State and Oregon, as well as scholarships for those facing financial barriers. Learn more at adopteementorship.org or email them at: info@adopteementorship.org Thank you to our Patreons! Join at the $10 level and be part of our monthly ADOPTEE CAFE community. The next meeting will be determined in September (we are working around our live event and travel). RESOURCES for Adoptees: Adoptees Connect Gregory Luce and Adoptee Rights Law Fireside Adoptees Facebook Group Dr. Liz Debetta: Migrating Toward Wholeness Movement Moses Farrow - Trauma therapist and advocate National Suicide Prevention Lifeline – 1-800-273-8255 OR Dial or Text 988. Kristal Parke Because She Is Adopted Reckoning With The Primal Wound Support The Show

"You have to finish it out. You have to report it, even if it's financially a terrible idea," says Matthew Wolfe.OK, it's that Atavistian time of the month so we're here to talk about Matthew Wolfe's “The Talented Mr. Bruseaux: He made his name in Chicago investigating racial violence, solving crimes, and exposing corruption. But American's first Black private detective was hiding secrets of his own.” Go to magazone.atavist.com to read it.So we'll be hearing from Matt in due time. It's not Matt's first story with the Atavist and we talk a little about his first story with the Atavist as well.Matt is a journalist and I believe he wrapped up a PhD in sociology. He's got a book coming out next year. We'll be sure to tout that when the time comes.Batting leadoff here is none other than lead editor Jonah Ogles. Jonah and I talk about the ideal writer to work with and get into how he edited Matt's pieceMatt's first Atavist story was “The Ghosts of Pickering Trail.” His work has appeared in the New York Times, the New York Times Magazine, National Geographic, The Atlantic, Harper's, Pop-Up Magazine, the New Republic … hold on ... maybe I should just read the publications he hasn't written for. Oh, wait, there are none. Shit. You can find more about Matt at matthewwolfe.net.Matt likes to lean on TV and screenplays as a means to developing stories. He uses the Dan Harmon Story Circle to help with structure, and I'll link up to that in the show notes. We talk about not being mercenary about stories and leaning into the ones that won't let go, and one of the more bizarre recommendations you'll ever hear.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"Listening to podcasts, it's like, how do I start making them? That's been my approach, essentially try and take that beginner mindset into anything and try to teach myself new skills," says Mark Armstrong.Who do we have today? It's Mark Armstrong! He is a producer, a writer, a singer, working at the intersection of storytelling and digital media. Does that make him intersectional? Hell, yes.Mark is the founder of Longreads, the hashtag phenomenon back when social media was cool. Now he's the editor of the Nieman Storyboard, which is where all us narrative journalists go to get jealous of one another. He hosts the Nieman Storyboard podcast and he's also the co-founder of Ursa Story Company that he created with Dawnie Walton and Deesha Philyaw. Intersectional, indeed.So Mark is a pretty rad guy, great guy. He was one of the five people in the audience for event in Seattle. I tell you, five people in a room made for 100 is … upsetting, but he was so generous to come by. We got our picture taken together. See that in the show notesIn this episode we talk about: Beginner's mindset Trying new things just to fuck around The importance of a host's curation Why he started the Nieman Storyboard Podcast And the myriad ways we as journalists can try to make a buckIt's some nice dialogue here. A real conversation. You can learn more about Mark at markarms.com and follow him on Instagram @markarms.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"Yeah, join the club of people who feel inadequate," says Dana Jeri Maier, a cartoonist and author of the graphic book on creativity Skip to the Fun Parts.This incredible artist is the author of Skip to the Fun Parts: Cartoons and Complaints About the Creative Process. It's one of the best books on creativity because it deals with doubt, it deals with jealousy, it deals with ideas, it deals with perfectionism. Dana is a hilarious cartoonist and you should pick up a Front Runner and also a copy of Skip to the Fun Parts.I've long wanted to be a cartoonist. I know there's no perfect job, but I love the idea of creating something funny and whimsical and not having to talk to as many people as being a biographer entails.Dana, Dana, Dana, is a contributor to the New Yorker Daily Shouts and the creator behind the cartoon series The Worried Well. She has illustrated for The Phillips Collection, the DC Public Library, Politics and Prose, and Museum Hack. She's into improv and she lives in DC with her two cats and man husband.We talk about her influences, voice and style, how she doesn't trust anyone with a neat desk, bad ideas, jealousy, and a lot more. She's a real treat.Learn more about her at danajerimaier.com and on IG @danajerimaier.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Brendan O'Meara, host of the Creative Nonfiction podcast, joins J.D. to talk about his new book, "The Front Runner: The Life of Steve Prefontaine"Visit us on Substack

In the fifty years since his tragic death in a car crash, Steve Prefontaine has towered over American distance running. One of the most recognizable and charismatic figures to ever run competitively in the United States, Prefontaine has endured as a source of inspiration and fascination—a talent who presaged the American running boom of the late 1970s and helped put Nike on the map as the brand's first celebrity-athlete face. Now on the anniversary of his untimely death, author Brendan O'Meara, host of the Creative Nonfiction podcast, offers a fresh, definitive retelling of Prefontaine's life, revisiting one of the most enigmatic figures in American sports with a twenty-first-century lens. Through over a hundred and fifty original interviews with family, friends, teammates, and competitors, this long-overdue reappraisal of Prefontaine—the first such exhaustive treatment in almost thirty years—provides never-before-told stories about the unique talent, innovative mental strength, and personal struggles that shaped Prefontaine on and off the track. Bringing new depth to an athlete long eclipsed by his brash, aggressive running style and the heartbreak of his death at twenty-four, O'Meara finds the man inside the myth, scrutinizing a legacy that has shaped American sports culture for decades. What emerges is a singular portrait of a distinctly American talent, a story written in the pines and firs of the Pacific Northwest back when running was more blue-collar love than corporate pursuit—the story of a runner whose short life casts a long, fast shadow. Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

"I'm a guy who needs a lede. I need the lede to work. I need it to be compelling. And it doesn't have to be the best place to begin. It just has to be a place to begin that works and that amuses and sucks you in. I. So once I have a lede, then that will lead to another place," says Nick Paumgarten.Wow, so today we have Nick Paumgarten and can I tell you something? Nick has long been my favorite New Yorker profile writer. Whether it's profiling Mikaela Shiffrin or Mr. Money Mustache, or features about elevators, teaching birds to migrate, the Eagles winning the Super Bowl, or a feature about a sketchy restaurateur; he is appointment reading. I see his name in the table of contents of an issue of The New Yorker and I will stop just about everything I'm doing and spend the next hour or so reading Nick's work. Over the years, he's been the model, for me, as the perfect profile writer.Nick is a long-time New Yorker staff writer. You know, it's funny, since I've never landed a big feature at a big magazine like the New Yorker, I kinda feel like a phony, a fake writer, even though I have two books under my belt. When Nick and I were off mic, he was saying how because he hasn't published a book yet, he feels like a fake writer. This is Nick Paumgarten (!) saying he feels like a phony. It goes to show, none of us feel good about ourselves.In this episode, we talk about: The reporting suggesting the root system of a piece Loosening your grip Stories being like a rip tide Need a lede to work first Befriending chronology And the nerderyI mean, great stuff. I was finally put in touch with Nick by CNF Pod alum Jared Sullivan, the author of the brilliant book Valley So Low, of Ep. 443 fame, and I'm so glad we got to make this happen.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Shownotes:John T. Edge joins Chris and Eddie for a conversation that takes them all over the South. John T. is a writer, commentator, the former director of the Southern Foodways Alliance, and host of the television show True South. He is the director of the Mississippi Lab at the University of Mississippi, and his latest passion project is the Greenfield Farm Writers Residency, which will offer space for writers of all kinds to step away from the real world and put their focus and attention on their writing project, whether that's a song, a poem, a novel, or a scientific paper.John T. earned his MA in Southern Studies from the University of Mississippi and an MFA in Creative Nonfiction from Goucher College. He has written or edited more than a dozen books and has written columns for the Oxford American and the New York Times. He has also been featured on NPR's All Things Considered as well as CBS Sunday Morning and Iron Chef.Most importantly, he firmly believes that Birmingham, Alabama, is a Southern city, no matter what Chris says.Resources:John T.'s websiteGreenfield Farm Writers ResidencyTrue South

"The story is the horse, and the writer is the rider of the horse, and you as the editor, need to help guide them along. And if the rider starts to fall off, you put them back on, and it's your job to lead them safely into the barn. At no point should you shove the rider off the horse, get on yourself and ride it into the distance," says Amanda Heckert, executive editor of Garden & Gun.Amanda Heckert is something of a wunderkind and an absolute boss of an editor.In this episode we talk about: How she tells her writers to let it rip (within reason) How she found empathy for the writer side of the table, and how writers can better understand the POV of the editor side Writing a great pitch How a story is a horse the writer is the rider And the arc of her career that brought her back to her native South CarolinaYou can learn more about Amanda at gardenandgun.com and follow her on IG @amandaheckert.This episodes opens with an audio excerpt of The Front Runner, read by Roger Wayne.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"If you don't cultivate other interests or travel or spend time with friends, this and that, you don't have anything to write about," says Dane Huckelbridge, author of Queen of All Mayhem (William Morrow).Dane returns to the show to talk about his latest book, but also a smattering of other juicy writer topics such as: Procrastination Writing around the uncertainty Not having much of a routine Spacing out Niche hobbies And staying motivatedDane can be found at danehuckelbridge.com and on IG @huckelbridge.This episodes opens with an audio excerpt of The Front Runner, read by Roger Wayne.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"One of the things I've done is to reconfigure the fireworks. The fireworks for me now are getting to have this thing off my desk so I get to work on something new. That's the firework," says Yi Shun Lai, an author, writer, and instructor.Our occasion for this show was an essay she wrote for Writer Magazine about "arrival fallacy," this notion that once we get "there," wherever "there" is, we will have made it.She's the author of three books, all in different genres, the YA novel A Suffragist's Guide to the Antarctic, the novel Not a Self-Help Book: The Misadventures of Marty Wu, and the micro memoir Pin Ups.Learn more about Yi Shun at thegooddirt.org and follower her on social media @yishunlai.In this episode, we talk about: How to reconfigure the fireworks Arrival fallacy Money Privilege And being kind to yourself.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

"I would say my books are about three quarters research and sort of mining my research, and then one quarter writing," says Hampton Sides, author of several New York Times bestselling works of narrative history, including his latest, now in paperback, The Wide Wide Sea. It's published by Doubleday.So Hampton was great. There was a moment halfway through where my dogs got to barking, then howling, which made me give them a stern talkin' to. I think I edited that out. I should have. Hope I did. I can tolerate a little barking in the background, but the howling is obnoxious. Hampton got a laugh out of all of it … He's the author of eight books including In the Kingdom of Ice, Hellhound on his Trail, and Ghost Soldiers.Here we talk about: How he found his lane of book writing Of transitioning from a journalist to a popular historian Finding the frame Writing in coffee shops Running to the computer in the middle of the night And an April Fool's Day joke gone horribly wrongLearn more about Hampton at hamptonsides.com and follow him on the gram @hamptonsidesauthor.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Maureen Stanton joins Let's Talk Memoir for a conversation about her writing beginnings in fiction and using the scenic and immersive to move readers, falling in love with creative nonfiction, revisiting and recreating a love story, discovering the question behind her book, facing the blank page, bad first drafts, writing an illness narrative, placing an essay in Modern Love, authenticity on the page, the long winding path to publishing, not thinking your book will ever get published, working on multiple projects while querying, how love evolves, and her new memoir The Murmur of Everything Moving.   Also in this episode: -the fog of grief -killing our darlings -submitting to writing contests   Books mentioned in this episode: -Bird by Bird by Anne Lamott -Angela's Ashes by Frank McCourt -The Liar's Club by Mary Karr -This Boys Life by Tobias Wolff  -Argonauts by Maggie Nelson -Barbarian Days by William Finnegan   Maureen Stanton is the author of The Murmur of Everything Moving: A Memoir, winner of the Donald L. Jordan Prize for Literary Excellence; Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of the Maine Literary Award for memoir and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of the Massachusetts Book Award in nonfiction and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has been widely published, including in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review, Florida Review, River Teeth, The Sun and many others. Her essays have received the Iowa Review prize, The Sewanee Review prize, Pushcart Prizes, the American Literary Review award, and the Thomas J. Hruska award from Passages North. She's been awarded fellowships from the National Endowment for the Arts, the Maine Arts Commission, the MacDowell Colony, and the Virginia Center for Creative Arts. She teaches creative writing at the University of Massachusetts Lowell and lives in Maine.    Connect with Maureen: Website: https://www.maureenstantonwriter.com LinkTree: https://linktr.ee/maureenstanton41 Instagram: https://www.instagram.com/maureenstanton41 Threads: https://www.threads.com/@maureenstanton41 LinkedIn linkedin.com/in/maureen-stanton-6693ab11  Facebook: https://www.facebook.com/maureen.p.stanton Bluesky: https://bsky.app/profile/maureenstanton.bsky.social   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

"We are sort of drinking from a fire hose of content right now. And it makes me wonder, because I feel like I'm stuck on this wheel that I have to produce all the time. Do I even want to write for money anymore? I don't know," says Cassidy Randall, author of the book Thirty Below, and back for her second Atavist story "The Longest Journey."Writing is in her bones, so she's not quitting, but the freelance production wheel is tough.We talk about: The productivity wheel Earning trust for stories Constructing a headline and subhead to focus a story And how best to immerse readers in a storyLearn more about Cassidy at cassidyrandall.com and @cassidyrandall on Instagram.Order The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

"I talked to my wife, and she was like, 'You're probably tired. You've been writing this book non stop for six months, and you probably just need a break. Like, go get a gelato and chill out.' And I was like, 'I can't,' then I was like, 'All right, fine, I will.' And then I ate a bunch of ice cream and watched the Pam Anderson documentary on Netflix in the middle of the day. And after, I don't know, four or five days, I had an idea, and I was like, ready to get back to work," says Melissa Febos on Episode 472.Melissa is the author of five books of nonfiction, including her latest, The Dry Season: A Memoir of Pleasure in a Year Without Sex (Knopf).In this conversation, we talk about: Writing in community Literary stardom Being a weirdo Wile E. Coyote The jealousy dragon The theory of bottoms And the liberation of quitting thingsReally rich stuff. You can learn more about Melissa at melissafebos.com and follow her on IG @melissafebos.Order The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

It is quite interesting to see women lead the charge in revolutionizing regenerative agriculture, which is a male-dominated space. They are bringing a brand-new approach to raising awareness about social justice, gaining mostly the attention and interest of youth. Corinna Bellizzi chats with Stephanie Anderson, an award-winning journalist, who utilizes storytelling to bring regenerative farming practices to the mainstream. She explains why diversity is needed to minimize soil disturbance, make nutritious food easily accessible to the public, and empower local farmers and businesses. Stephanie also discusses how to go through the challenges of transitioning to regenerative agriculture, creating a better perception of profit, and voting for pro-environment politicians.About Guest:Stephanie Anderson is the author of From the Ground Up: The Women Revolutionizing Regenerative Agriculture (The New Press, 2024). Her work has appeared in The Rumpus, TriQuarterly, Flyway, Hotel Amerika, Terrain.org, The Chronicle Review, Sweet and others. Stephanie is the 2020 winner of the Margolis Award for social justice journalism and a co-editor for the University of Nebraska Press “Our Regenerative Future” book series. Her debut nonfiction book, titled One Size Fits None: A Farm Girl's Search for the Promise of Regenerative Agriculture, won a 2020 Nautilus Award and 2019 Midwest Book Award. Stephanie holds an MFA from Florida Atlantic University, where she serves as Assistant Professor of Creative Nonfiction.Guest Website: https://StephanieAndersonWriting.comGuest Social: https://instagram.com/stephanieandersonwritinghttps://facebook.com/stephanieandersonwritingShow Notes: Raw audio00:03:27 - A Farm Girl's Journey Into Regenerative Agriculture00:06:34 - Achieving Diversity In Regeneration00:11:46 - How Women Embody Regeneration Beyond Soil00:19:00 - How To Finance Regenerative Agriculture Efforts00:22:28 - Using Storytelling To Convey The Message Better00:26:47 - Common Threads Among Women Regenerative Leaders00:30:50 - What Capital Is Left For Regenerative Farming00:35:02 - Greater Women Participation In Agriculture00:39:18 - Changing Perspectives On Profit And Supporting Local Businesses00:49:46 - Breaking Down A Big Problem Into Smaller Parts00:51:59 - Getting Into The Justice Ecology00:53:33 - Voting For Pro-Environment Individuals00:57:04 - Stephanie's Next Projects00:59:11 - Episode Wrap-up And Closing WordsJOIN OUR CIRCLE. BUILD A GREENER FUTURE:

"I've also learned in this rewilding experiment that so much of our time as writers takes place off the page, as we're thinking about our concepts, as we're doing research, and when I actually do come to the page and have a chance to actually type out these ideas, I've done so much pre-writing over the course of the previous season that that draft comes really easily to me," says Megan Baxter, author of three books of nonfiction, including Farm Girl: A Memoir (Green Writers Press).Megan has got it figured out, man. She has won numerous national awards, including a Pushcart Prize. Her essay collection Twenty Square Feet of Skin was longlisted for the 2024 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Megan got on my radar when I was doing Prefontaine research and I was thumbing through my stack of True Stories, that chapbook Creative Nonfiction used to put out. I saw this essay titled “On Running” and I was like well shoot, I need to study this. Then I reached out to her and she sent me her essay collections and her memoir Farm Girl, so we dig into that.Megan's work has appeared in The Threepenny Review, Hotel Amerika, River Teeth, and others. She lives in New Hampshire where she runs her own small farm and teaches creative writing through online courses and lessons. You can learn more about her at meganbaxterwriting.com and follow her on Instagram megan-baxter We talk about: Rewilding her writing Rabbit holes Actually living the ream Hyperattention The real housewives edit And how Pinterest helps with her writingOrder The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

"I don't feel envy. I don't think. Maybe in some deeper and maybe even more troubling psychological level. I do feel competition with with people, competition over resources, trying to claim certain ideas, stake a claim to certain ideas before other people can, especially when you're working with the subject that's in the public sphere. You don't have any personal, any real wider claim to something than somebody else. It can be nerve wracking," says John O'Connor, author of The Secret History of Bigfoot: Field Notes on a North American Monster (Source Books).John returns to talk about his first book, tackling the mythology of Bigfoot and the psyche of those who believe. He talks about writing with humor, making himself the butt of most jokes, and trafficking in a subculture that many — including John — are skeptical of.Find more about him at johnmoconnor.com and follow him on Instagram @centerforhighenergymetaphysics.Order The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

"I genuinely feel that those of us writing books need to remember that we are writing them simply because we feel the desperate need to write that particular thing. And unless I feel that way, I shouldn't be writing it because it's not for the financial benefit. It is not because it gives me more time to do things with other people. It doesn't matter how many books or lengthy features you write, it's all kind of a painful process. So you have to do it because you're really invested in the things that you are focused on," says Maggie Messitt, author of Newspaper and The Rainy Season.Maggie is a professor and a journalist and an author. She's was the founding national director for Report for America and currently is the Norman Eberly professor of practice in journalism. Find more about her at maggiemessitt.com and follow her on Instagram @maggiemessitt.Pre-order The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com

On the heels of Mother's Day, tune into Memoir Nation this week for a conversation about *mother as character*—among many other potential characters any one of us might be on the page. Guest Nicole Graev Lipson explores the idea of where fiction ends and truth begins when you're a woman through this fascinating conversation prompted by her recent memoir-in-essays Mothers and Other Fictional Characters. If you've ever thought about the boundaries between truth and fiction as a writer or a reader, or the confines certain roles limit women to or within—girl, mother, wife—you won't want to miss this episode. Nicole Graev Lipson is the author of the memoir-in-essays Mothers and Other Fictional Characters. Her writing has been awarded a Pushcart Prize, selected for The Best American Essays anthology, and shortlisted for a National Magazine Award. Her work has appeared in The Sun, Virginia Quarterly Review, The Gettysburg Review, Creative Nonfiction, Fourth Genre, River Teeth, Alaska Quarterly Review, LA Review of Books, The Millions, Nylon, The Washington Post, and The Boston Globe, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the heels of Mother's Day, tune into Memoir Nation this week for a conversation about *mother as character*—among many other potential characters any one of us might be on the page. Guest Nicole Graev Lipson explores the idea of where fiction ends and truth begins when you're a woman through this fascinating conversation prompted by her recent memoir-in-essays Mothers and Other Fictional Characters. If you've ever thought about the boundaries between truth and fiction as a writer or a reader, or the confines certain roles limit women to or within—girl, mother, wife—you won't want to miss this episode. Nicole Graev Lipson is the author of the memoir-in-essays Mothers and Other Fictional Characters. Her writing has been awarded a Pushcart Prize, selected for The Best American Essays anthology, and shortlisted for a National Magazine Award. Her work has appeared in The Sun, Virginia Quarterly Review, The Gettysburg Review, Creative Nonfiction, Fourth Genre, River Teeth, Alaska Quarterly Review, LA Review of Books, The Millions, Nylon, The Washington Post, and The Boston Globe, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Will Bardenwerper grew up playing baseball and even was a member of his college team at Princeton. As a result, he has a great perspective to write about baseball as he does in Homestand: Small Town Baseball and the Fight for the Soul of America (Doubleday).That soul, in this book, is partially under attack from private equity firms gobbling up and eradicating minor league baseball teams. It's just one of the many threads of Will's wonderful book.Podcast Specific Substack at creativenonfictionpodcast.substrack.com.Pre-order The Front RunnerNewsletter: Rage Against the AlgorithmShow notes: brendanomeara.com