Podcasts about medieval

Help keep our podcast going by contributing to our Patreon! ⁠ We've covered werewolves in the ancient world before—and their connection to the Berserker myth. But wait til you hear what happened to werewolf mythology when the Catholics got their hands on it. This episode is a wild ride, taking you from the ancient Greek and Roman werewolves to a Medieval monster tied to the mysteries of serial killing, mental illness, domestic abuse, and the paranoia of the Witch Trials. It turns out Catholic werewolves stalked a very dark, very violent landscape—and we are just itching to explore it. Join us. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Living alone may be difficult, but what about dying alone? Physicians and nurses are the new priests accompanying people as they face death. But the experience of nursing homes, assisted living, and palliative wards are often some of the loneliest spaces in human culture.“He said, ‘Someone finally saw me. I've been in this hospital for 20 years and I didn't think anyone ever saw me.'”This episode is part 5 of a series, SOLO, which explores the theological, moral, and psychological dimensions of loneliness, solitude, and being alone.In this episode, Columbia physician and medical ethicist Lydia Dugdale joins Macie Bridge to reflect on loneliness, solitude, and what it means to die—and live—well. Drawing from her clinical work in New York City and the years of research and experience that went into her book The Lost Art of Dying, Dugdale exposes a crisis of unrepresented patients dying alone, the loss of communal care, and medicine's discomfort with mortality.She recalls the medieval Ars Moriendi tradition, where dying was intentionally communal, and explores how virtue and community sustain a good death. Together they discuss solitude as restorative rather than fearful, loneliness as a modern epidemic, and the sacred responsibility of seeing one another deeply. With stories from her patients and her own reflections on family, COVID isolation, and faith, Dugdale illuminates how medicine, mortality, and moral imagination converge on one truth: to die well, we must learn to live well … together.Helpful Links and ResourcesThe Lost Art of Dying: Reviving Forgotten Wisdom by Lydia S. DugdalePew Research Center Study on Loneliness (2025)Harvard Study of Adult Development on LonelinessEpisode Highlights“If you want to die well, you have to live well.”“Community doesn't appear out of nowhere at the bedside.”“He said, ‘Someone finally saw me. I've been in this hospital for 20 years and I didn't think anyone ever saw me.'”“We are social creatures. Human beings are meant to be in relationship.”“Solitude, just like rest or Sabbath, is something all of us need.”About Lydia DugdaleLydia S. Dugdale, MD, MAR is a physician and medical ethicist at Columbia University, where she serves as Professor of Medicine and Director of the Center for Clinical Medical Ethics. She is the author of The Lost Art of Dying: Reviving Forgotten Wisdom and a leading voice on virtue ethics, mortality, and human flourishing in medicine.Show NotesLoneliness, Solitude, and the CityNew York's “unrepresented” patients—those who have no one to make decisions for them.The phenomenon of people “surrounded but unseen” in urban life.“I have a loving family … but I never see them.”Medicine and the PandemicLoneliness intensified during COVID-19: patients dying alone under strict hospital restrictions.Dugdale's reflections on balancing social responsibility with human connection.“We are social creatures. Human beings are meant to be in relationship.”Technology, Fear, and the Online Shadow CommunityPost-pandemic isolation worsened by online echo chambers.One in five adults reports loneliness—back to pre-pandemic levels.The Lost Art of DyingMedieval Ars Moriendi: learning to die well by living well.Virtue and community as the foundation for a good death.“If you don't want to die an impatient, bitter, despairing old fool, then you need to practice hope and patience and joy.”Modern Medicine's Fear of DeathPhysicians unpracticed—and afraid—to talk about mortality.“Doctors themselves are afraid to talk about death.”How palliative care both helps and distances doctors from mortality.Community and MortalityThe man who reconnected with his estranged children after reading The Lost Art of Dying.“He said, ‘I want my kids there when I die.'”Living well so that dying isn't lonely.Programs of Connection and the Body of ChristVolunteer models, day programs, and mutual care as small restorations of community.“The more we commit to others, the more others commit back to us.”Solitude and the Human SpiritDistinguishing solitude, loneliness, and social isolation.Solitude as restorative and necessary: “All of us need solitude. It's a kind of rest.”The contemplative life as vital for engagement with the world.Death, Autonomy, and CommunityThe limits of “my death, my choice.”The communal role in death: “We should have folks at our deathbeds.”Medieval parish customs of accompanying the dying.Seeing and Being SeenA patient long thought impossible to care for says, “Someone finally saw me.”Seeing others deeply as moral and spiritual work.“How can we see each other and connect in a meaningful way?”Production NotesThis podcast featured Lydia DugdaleInterview by Macie BridgeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Alexa Rollow, Emily Brookfield, and Hope ChunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Can vultures eyes wrapped in fox pelt help heal sore skin? How important are leeches? Medieval people cared deeply about beauty, health and wellness; they were obsessed with remedies, beauty hacks and astrological predictions. Dr. Eleanor Janega hears about fascinating new research led by Professor James Palmer, from global ingredients and moon-based health charts, to how to achieve a medieval 'glow up'.More:Midwinter Medieval TraditionsMedieval Guide to MagicGone Medieval is presented by Dr. Eleanor Janega. Audio editor is Amy Haddow, the producers are Rob Weinberg and Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Grace Hamman explores the surprising spiritual wisdom of medieval Christian women, revealing how figures like Hildegard of Bingen and Catherine of Siena embodied authority, love, and leadership in complex ways often lost to modern history. Drawing on their insights, we reclaim forgotten virtues—seeing love as multifaceted, anger as a tool for justice, sloth as resistance to love, and meekness as the true strength of self-control.

In this episode, we talk with Dr. Jon English Lee about a class he teaches for CBTS: Historical Theology II. We further cover the benefit of studying Historical Theology, as well as the impact of Augustine on the Medieval perod of church history. For more information visit: https://cbtseminary.org  

Education, History - The Archivist

IntroductionFollowing the mention of kiddusha rabbah (קידושא רבה) in the Talmud, how did the Rishonim, the medieval normative legal authorities, discuss it? That is exactly the topic of the 184th episode of The Jewish Drinking Show, featuring sixth time guest, Rabbi David Fried.Biography of GuestRabbi Fried teaches Judaic Studies at the Upper School of The Ramaz School. He is also an editor and frequent contributor at The Lehrhaus. He lives in New Jersey with his wife Molly and their three sons, Elchanan, Saadia, and Aharon. He earned his rabbinic ordination from YCT Rabbinical School. Amongst his five other appearances on The Jewish Drinking Show, one of them was also on the Rishonim, Rishonim on Purim-Drunkenness.Textual SourcesTextual sources for this episode are available here.Time Stamps0:00 Welcome0:36 Introduction to Rabbi David Fried1:06 Introduction to the Topic2:00 The Talmudic Drinking Story8:10 How the Rishonim Consider the Parameters of Kiddusha Rabbah22:32 How the Rishonim Dealt With the Potential of Non-Wine for Kiddusha Rabbah35:46 Wrapping-up36:41 L'chaim Support the showThank you for listening!If you have any questions, suggestions, or more, feel free to reach out at Drew@JewishDrinking.coml'chaim!

Though well-known across Europe by name, the real lives of women such as Joan of Arc and Jadwiga of Poland have been buried under banners of nationalistic agendas that have twisted their stories through the ages. Oxford historian Janina Ramirez joins Sir Tony Robinson to illuminate the truth of these incredible women, and disentangle their real stories from the myths imposed on them through time. From Lady Godiva's real name, Godgifu, and how her eroticised image has overshadowed her real survival as a landowning woman in tumultuous times, to Joan of Arc's journey to becoming a warrior in a war-torn and plague-ravaged land, to Catherine of Siena's vivid visions and Jadwiga's reign as monarch of Poland, Professor Ramirez sheds light on truths long enshrouded by myths. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacob Vi Weekly #143 - “Medieval Sponges” JacobVi.com CattyShackIL.org Patreon.com/JacobVi “Cuomo is a known dirtbag, I'm surprised he even shows his face in public.” 3i/Atlas, Mamdani, and more!

Los catalanes Crim tienen nuevo largo --el quinto ya de su carrera-- y me encanta. Porque "Futur medieval" no es solo otro buen disco de punk rock afilado con letras coreables, sino que ofrece un muy interesante retrato sociológico de nuestro presente distópico. ¿Estamos a tiempo de cambiarlo? Durante la charla con el cuarteto de Tarragona también escuchamos un clásico contemporáneo de los grandes Refused, que se despiden de los escenarios (otra vez), y recomendamos la próxima edición del CKUD, un festival centrado en el hardcore que se celebrará los días 30 y 31 de enero de 2026 en Barcelona.

2. The Islamic World's Scientific Contributions and Mars in Medieval Thought. Matthew Shindell highlights an intellectual renaissance in the Islamic world—specifically Baghdad and Damascus—between the 10th and 16th centuries, which was vital while Europe was experiencing its "Dark Ages." Through translation and original work, Islamic scholars built upon ancient knowledge, fueling a great intellectual transformation. In the medieval period, Mars was widely associated with vices like war, violence, and disaster. However, the renowned poet Dante Alighieri, in The Divine Comedy, transformed this negative association into the virtue of fortitude. Since Dante was charting a path through the heavens, where all planets had to represent virtues, Mars was designated as the sphere housing martyrs and those who died in holy war, becoming a highly important symbol for Christian Europe. 1962

2. The Islamic World's Scientific Contributions and Mars in Medieval Thought. Matthew Shindell highlights an intellectual renaissance in the Islamic world—specifically Baghdad and Damascus—between the 10th and 16th centuries, which was vital while Europe was experiencing its "Dark Ages." Through translation and original work, Islamic scholars built upon ancient knowledge, fueling a great intellectual transformation. In the medieval period, Mars was widely associated with vices like war, violence, and disaster. However, the renowned poet Dante Alighieri, in The Divine Comedy, transformed this negative association into the virtue of fortitude. Since Dante was charting a path through the heavens, where all planets had to represent virtues, Mars was designated as the sphere housing martyrs and those who died in holy war, becoming a highly important symbol for Christian Europe. 1920 JOHN CARTER

This episode has it all…“diseased” Monkeys escaping a transport truck and Medieval tortures. Plus a little extra silly on the side!  CREEPY STALKER STORIES: TRUE CRIME-Aug 30, 2019 Apple Podcasts https://podcasts.apple.com/us/podcast/professionally-silly/id1336194512?i=1000448183314  Spotify https://open.spotify.com/episode/5VU6XHic9Y8ci1KASkbKHP?si=POSxhSFjQA6gi7ltrn571g  ALL MY SOCIALS ARE HERE https://linktr.ee/Ambersmilesjones Join my Professionally Silly YouTube channel membership to get access to perks: https://www.youtube.com/channel/UCEabIsoT5wrN5hRSgY7wnYQ/join   Amber “Smiles” Jones PO BOX 533 Lovejoy, GA 30250 Email me: itsprofessionallysilly@gmail.com  LEAVE ME A MESSAGE 805-664-1828

The One where Dave dreams of defending the Byzantine Empire against the Mongol Horde! Signal of Doom was voted #13 in the Top 100 Comic Book Podcasts on Feedspot! Please support the show on Patreon! Every dollar helps the show! https://www.patreon.com/SignalofDoom Follow us on Twitter: @signalofdoom Dredd or Dead: @OrDredd Legion Outpost: @legionoutpost

Hey Horror Fans!!!This week actress Sarah Durn joins the boys to talk about Chris Stuckmann's Debut horror film Shelby Oaks!! The viral found footage style paranormal mystery that's got the horror world buzzing. They chat about the movie's ghostly atmosphere, filming at real haunted locations, Sarah's thoughts on the supernatural and they even get into a little Medieval shenanigans and alchemy... As always, before the interview, Steve and Sean dive into the latest horror news, including the brand new Scream 7 trailer drop, their theories about what's coming next for Ghostface, and the exciting announcement that Brendan Fraser is returning for a new Mummy movie directed by Mostly Horror alumni Radio Silence. And of course after the interview, the boys close things out with their Mostly Horror Recs for the week; the movies, shows, albums and spooky gems you should be checking out next. If you love horror films, ghost stories, and behind the scenes talks with the genre's rising stars, this one's for you sooo... COME HANG OUT!!! Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage (all socials)Sean: @hypocrite.ink (IG/TikTok), @hypocriteink (Twitter/X)Enjoyed this episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform to help us reach more horror fans like you! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

José Avelino Gutiérrez es catedrático de Arqueología de la Universidad de Oviedo. Con él recorremos otra parte de la historia gijonesa, la medieval, época de transformación clave de la ciudad

 In part one of a three-part mini-series on the theme of "university", we go on a whirlwind tour of the history of universities, from medieval student guilds in Bologna to the modern day.  The University of Bologna nears its thousand-year anniversary. Why universities emerged: stability, trade, rediscovered texts, Church needs. Student guilds hired teachers; papal charters granted privileges, recognition. Medieval curriculum and university specialisations in law, theology, medicine. Renaissance humanism broadened studies beyond law and theology. Scientific Revolution made universities producers of new knowledge. Humboldt model united teaching and research in modern universities. Post-war expansion massified higher education around the world. Today: many universities, 250 million students; degrees often required. UK participation reaches 50%; rising costs and student debt. Full interactive transcript, subtitles and key vocabulary available on the website: https://www.leonardoenglish.com/podcasts/history-of-university ---You might like:

The State of Texas' new abortion law, SB8, is worst attack on reproductive rights in 50 years. Yet it was hardly a surprise. State Legislatures gerrymandered into GOP super majorities are hell bent on transforming American society into something out of the Handmaid's Tale and with the death of Ruth Bader Ginsberg, the new Trump court is going to help them get there. The question remains: how will we fight back? Maria Cardona joins Michael to discuss all this and more on Mea Culpa. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

We definitely have a hope became reality hangover this morning, but we also have a very fun episode for you today! We're talking romance shorts -- not novellas, not short novels, but actual short stories under 15,000 words (or about 50 pages). We talk about why this is such a difficult goal to hit, about why romance lends itself to longer formats, and about why short fiction is a really great way to keep reading when things feel chaotic.We also chat about Sarah's new short story, a part of the Ladies in Waiting anthology, out this week and providing minor characters from Jane Austen their own happily ever afters. Sarah is joined by romance greats Diana Quincy, Nikki Payne and Eloisa James, among others. Get the collection at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books. Also, we want to take a moment to send enormous thanks to everyone who donated to the Fated States Giving Circle at The States Project this year — those donations were gamechangers — last night we expanded our majority in the VA House, and secured a Democratic Trifecta in Virginia! As ever, we're so proud to stand and fight with you!If you'd like more romance chat in your life, please consider joining our Patreon, which comes with an extremely busy and fun Discord community! There, magnificent firebirds hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. Our next read along will be KJ Charles's The Magpie Lord. Get it at Amazon, Barnes & Noble, Kobo, Apple Books or wherever you get your books.NotesThe Ladies in Waiting anthology was released this week, and in the anthology, authors wrote HEAs for minor Austen characters. Sarah wrote about Miss Bates from Emma. Sarah has a few short stories: The Bladesmith Queen, a Medieval short available with her newsletter signup; "Fire That Lasts," and a YA short in the Generation Wonder anthology. The duke who has a sheep is in a novella called A Duke Worth Falling For. Sarah asked Threads for recs of romance short stories and that's where many of these...

What is the role of solitude in Christian history? Medievalist Hetta Howes comments on the allure of enclosure, how seeking solitude supports community, and what these ancient lives reveal about our modern search for connection.“Even those moments of solitude that she's carving for herself are surprisingly sociable.”This episode is part 1 of a 5-part series, SOLO, which explores the theological, moral, and psychological dimensions of loneliness, solitude, and being alone.Medieval Anchoresses and Women Mystics sought a life of solitude with and for God—what about their vocation might illuminate our perspectives on loneliness, isolation, and solitude today?In this episode, Hetta Howes joins Macie Bridge to explore the extraordinary lives of medieval women mystics, including Julian of Norwich and Marjorie Kempee. Drawing from her book Poet Mystic Widow Wife: The Extraordinary Lives of Medieval Women, Howes illuminates how these women lived in literal and spiritual solitude—sometimes sealed in stone anchorages, sometimes carving sacred space in the midst of family and community. Together they consider the physical and spiritual demands of enclosure, the sociable windows of anchorages, and the simultaneous human longing for both solitude and companionship. Across the centuries, these women invite us to think anew about loneliness, vocation, and the need for community—even in devotion to God.Helpful Links and ResourcesPoet Mystic Widow Wife: The Extraordinary Lives of Medieval Women – Hetta HowesJulian of Norwich, Revelations of Divine Love (Penguin Classics)The Book of Margery Kempe (Oxford World's Classics)Episode Highlights“An anchorage is a small cell, usually joined to a church… and the idea was that you would never leave that place alive again.”“Sometimes you do come across these things and you're like, oh, maybe the cultural consciousness was so different that they had a different language for loneliness.”“Marjorie frames herself as a figure who is constantly looking for connection—sometimes finding it, but often being rejected in really painful ways.”“Even those moments of solitude that she's carving for herself are surprisingly sociable.”“What I've learned from them is the importance of community—that even solitary professions absolutely rely on other people.”About Hetta HowesHetta Howes is a Lecturer in Medieval and Early Modern Literature at City St. George's, University of London. She specializes in the literature of the Middle Ages, with particular focus on medieval women writers, mysticism, and representations of gender and devotion. Her most recent book is Poet Mystic Widow Wife: The Extraordinary Lives of Medieval Women (2024).Show NotesSolitude and SanctityHowes introduces her research on medieval women mystics and writers (Julian of Norwich, Margery Kempe, Christine de Pizan, Marie de France).Exploration of the anchoritic life—cells built into church walls where women lived sealed from the world.The paradox of solitude: enclosure for God that still required connection for survival.The Anchorite's WorldAnchorages included small windows—to the church, the street, and for food—balancing isolation with limited engagement.Guidebooks warned women against gossip and temptation, revealing anxiety about sociability and holiness.“Why have a window to the world if you're not ever going to converse with it?”Loneliness and BoredomLoneliness rarely appears in medieval texts; boredom and idleness were greater concerns.“Boredom comes up as a concept much more often than loneliness.”Modern readers project our loneliness onto them; their silence might reveal difference, not absence.Julian and MarjorieJulian's quiet solitude contrasts with Marjorie's noisy, emotional piety.Marjorie Kempe's “roarings” and unconventional piety challenged norms; she lived in the world but sought holiness.“I wish you were enclosed in a house of stone”—a critique of her refusal to conform.Solitude and CommunityEven in seclusion, anchorites served others—praying, advising, maintaining windows to the world.Julian's writings reveal care for all Christians; her solitude was intercessory, not selfish.Howes connects medieval community to our modern digital and emotional isolation.Modern ReflectionsHowes parallels her own experience of digital overload and motherhood with the medieval longing for quiet focus.“As amazing as the digital can be, it's eroding so much.”She cautions against idolizing solitude but affirms its value for clarity and grounding.Production NotesThis podcast featured Hetta HowesInterview by Macie BridgeEdited and Produced by Evan RosaProduction Assistance by Alexa Rollow, Emily Brookfield, and Hope ChunA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

How to clarify, stabilize, and finish cider the right way The Purpose of Secondary Fermentation when Making Cider Once the apple juice has started fermented and it is now slowing down, it is time to rack over your cider for secondary fermentation. Secondary fermentation is where your cider moves from "young" to "refined." This stage improves clarity, stability, and overall quality before bottling or serving. 00:00 – Introduction and Welcome 00:27 – Meet the Host: Ria Windcaller 00:45 – The Magic of Clothes Pins 01:14 – Episode Overview: Secondary Fermentation 01:55 – Replay Announcement: Season 8, Episode 386 02:14 – Cider Making in the Northern Hemisphere 02:34 – Cider Making Resources and Equipment 06:09 – Totally Cider Tours 13:29 – Upcoming New York Cider Festival 15:31 – Featured Presentation: Clearing Cloudy Cider 24:01 – Observing Fermentation Activity 24:21 – Timing and Patience in Cider Making 24:54 – Understanding Racking Over 25:32 – Dealing with Stuck Fermentation 26:59 – Secondary Fermentation Indicators 27:47 – Preparing for Racking Over 29:13 – Racking Over Process 30:49 – Using Sulfites and Equipment 35:32 – Handling Head Space and Lees 38:38 – Final Tips and Bottling 42:43 – Supporters and Closing Remarks Why Secondary Fermentation Matters Secondary fermentation helps your cider: Improve the overall quality and characteristics of the final product during secondary fermentation by; Clarify: After the vigorous primary fermentation phase, yeast, pulp, and particulate matter settle out. Giving the cider time in secondary creates that clean, bright look in the glass. Stabilize: Letting the cider relax in a less active fermentation state helps smooth out rough edges and reduces the risk of funky off-character flavors. Reduce Bottle Sediment: Most of the lees settle in the secondary fermenter — not in your final bottles — giving you a cleaner, professional-looking cider. Avoid Off-Flavors: Yeast that sits too long on the lees can break down (autolyze) and create harsh, unpleasant aromas. Racking to secondary moves the cider off that yeast layer and protects the finished profile.. Secondary fermentation is a crucial step for refining cider, enhancing its clarity, taste, and stability before it is consumed or sold. Past Cider Making Episodes 381 DIY Cider Making for Beginners 382 Beginner Tips for Squeaky Clean Cider Equipment 384 Beginner Cider Making Tips forPrimary Fermentation  When to Transfer to Secondary Primary fermentation must be substantially complete. Signs include: – Airlock activity slows way down – Gravity readings stabilize over several days – Visible bubbling is minimal – A firm lees bed is forming at the bottom – Taste test confirms sugar is mostly gone (unless aiming for sweet Equipment needed for Cider's Secondary Ferment Find a complete list with links to purchase at the Cider Making Equipment page at ciderchat.com Extra Apple Juice to for topping off Secondary Fermenter – glass carboy of equal size Airlock and Bung Racking Cane or Auto-Siphon Sanitizer Hydrometer or Refractometer Tubing & a clothes pin ( a Ria tip to have on hand for clamping tubing as you go so it can be managed to insure that the tube doesn't slip down into the lees and stir them up) Bottle Brush and Cleaning Equipment Determining when Secondary Fermentation Begins Completion of Active Primary Fermentation: Watch and notice when the vigorous phase of primary fermentation is complete, which is typically indicated by a significant decrease in airlock activity or specific gravity readings that are close to the target final gravity. Gravity Readings: Use a hydrometer or refractometer to take consecutive gravity readings over a few days. When readings are consistent, it suggests that fermentation has slowed down enough for secondary transfer. Visual Clues: Look for a drop in the level of visible activity, such as the reduction of bubbles and the beginning of sediment formation at the bottom of the primary fermenter. Taste Test: Conduct a taste test for residual sweetness. If the cider is too sweet, it may need more time in primary fermentation unless the desired style of cider is sweet rather than dry. Timeframe Guidance: Generally, primary fermentation can take anywhere from a few days to two weeks, depending on factors like temperature, yeast strain, and original sugar content. Avoiding Off-Flavors: Transfer before the cider has sat too long on the lees at the bottom of the carboy to prevent off-flavors that can result from yeast autolysis. Specific Style Goals: Factor in the specific goals for the cider's style, as some styles may benefit from a longer or shorter primary fermentation before secondary. Equipment Availability: Ensure that the secondary fermentation vessel is prepared and sanitized before deciding on the transfer to avoid any delays once the cider is ready. Common Problems during Secondary Ferment Stalled Fermentation – Adjust fermentation temperature to optimal range. Excessive Oxidation – Minimize headspace and avoid splashing when transferring. Contamination – Practice stringent sanitation and possibly discard contaminated batch. Sulfite Burn – Allow time for dissipation or use activated carbon treatment. Insufficient Carbonation – Verify yeast viability and sugar availability; maintain proper bottle conditioning temperature. Sediment in Bottles – Allow full clearing in secondary, use fining agents, and bottle carefully. Unexpected Flavor Changes – Allow time for maturation or blend with another batch. Pressure Build-up in Containers – Use an airlock or periodically vent the container. Cider Becomes Too Dry – Monitor gravity to stop fermentation at desired sweetness or back-sweeten with non-fermentable sweeteners. Mentions in this Cider Chat Totally Cider Tours New York Cider Fest – City Winery NYC November 15th

David and Brad make an impassioned case for reviving public shaming via pillory—and this week's news provides all the evidence they need. First up: a Scottish woman who orchestrated an elaborate nine-month fake pregnancy with a doll named Bonnie Lee Joyce, complete with gender reveal parties, prosthetic baby bumps, and simulated diaper changes that fooled friends, family, and even the supposed father. Brad and David agree she deserves the stocks, but she's got company. Congressional Democrats blocking government funding while military members, FBI agents, and hungry kids go unpaid (but senators keep cashing checks)? Straight to the pillory. Prince Andrew, who spent decades bilking British taxpayers to fund his 40-prostitutes-in-four-days Thailand adventure before finally being stripped of his royal title? Front row in the town square. The only ones exempt from public shaming? The diseased research monkeys loose in Mississippi—at least they're honest about being extremely angry and dangerous.

Anastasija Ropa joins Jana Byars to talk about The Medieval Horse (Reaktion, 2025), a book that explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author's hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Anastasija Ropa joins Jana Byars to talk about The Medieval Horse (Reaktion, 2025), a book that explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author's hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Hail to the king, babyThis week on Fright Mic, join your noble maidens (and hosts), Sam and Liz for our very first Medieval horror movie pick. We're talking realms of deadites, evil twins, an army of skeletons and the MediEVIL DEAD in Sam Raimi's ARMY OF DARKNESS.Want more screams and laughs? Join our Fright Club at http://patreon.com/frightmicpodcast and get access to tons more episodes, discussions, rankings, watch parties and more!Fright Mic is an independent horror podcast. We would love to have you join our Fright Fam by following us on all our socials!PATREONMERCHFacebookFRIGHT CLUBInstagramBlueskyTwitterTiktokDiscordSupport the show

Anastasija Ropa joins Jana Byars to talk about The Medieval Horse (Reaktion, 2025), a book that explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author's hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Guest scholar Sara Lipton discusses antisemitism in medieval Europe. From the Nazis in the 20th century to current alt-right movements, many of history's and modernity's most prominent antisemitic groups have drawn on beliefs and motifs that first emerged during the Middle Ages. But conspiracies and caricatures didn't emerge overnight – they were a product of centuries-long shifts in political and religious dynamics.

Anastasija Ropa joins Jana Byars to talk about The Medieval Horse (Reaktion, 2025), a book that explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author's hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Trump brings Gaza war crimes home to US autistics.Using starvation to subjugate people is a war crime, whether at the point of a gun or denying SNAP benefits.November 1st, SNAP halted. Healthcare funding threatened. Social Security could vanish, Trump warns. 42 million Americans face losing food assistance. Not someday—right now.A nation that uses starvation on its own civilians? I'm no lawyer, but I'd argue that's tantamount to war on its own people. Any day of the week. And I consider it a crime in its own right, even if courts reserve “war crime” for armed conflict.I can hear it already: “You're being dramatic. That's hyperbolic. You can't compare domestic policy to Gaza.”Watch me.Medieval siege techniques. Surround them and starve them out. Whether it's Gaza or Indiana.What's Actually Happening?The Trump administration threatens benefits we count on to exist as political leverage during government shutdown negotiations. Support promised to the American public for decades, transformed into weapons to get what Trump wants.Here's what international law says about that. The Rome Statute explicitly classifies starvation of civilians as a war crime, a crime against humanity. Around the world, deliberately depriving people of food for political gain—that's defined as genocide.These aren't my words, they're international law.Gaza starvation: internationally recognized war crime.SNAP weaponization: They can call it an unfortunate policy choice, but it's the same tactic, just a different population. Location doesn't change that. Denying food to gain power simply is withholding food, withholding life for power. They're not negotiating. They're holding a gun to our heads.Why Autistics First?Numbers tell you everything you need to know. Autistics face an 85% unemployment rate. So we depend a lot on SNAP—I do. Most of us depend on Medicaid to see our doctors, and many of us are disabled, unable to work. So SSI dependency just to live, it's a high priority.The government knows exactly who gets hit when they pull these levers: autistics, neurodivergents. We're the most vulnerable first. We have the least political power of any minority group, I think.And look at the language they use. “Efficiency.” “Streamlining.” “Reducing dependency.” It's the old Nazi “useless eaters” logic dressed up in techno-bro management appeal. Killing off the weak, dusted off and wrapped in budget terminology. We're the testing ground, that's how it always works. Start with disabled people. Normalize the tactic. See who complains, see if you can get away with it. Then expand to the next group.We're the canaries in the coal mine. We die first. And we're already choking.The Roll Call of History: Every Empire Does ThisWant to know how I know this is a war crime? Because every failing empire does exactly this. Brings colonial violence home. Every. Single. One.France took torture techniques from Algeria, brought them home for Paris riot control. The U.S. militarized policing in the Philippines, deployed in Ferguson. Britain did the exact same thing: tactics used in the Irish colonies, in India, that came home to British workers as labor disputes escalated.This isn't speculation. This is documented history. The Ottoman Empire in its death throes: Armenian genocide, Greek genocide, Assyrian genocide. Ancient Rome. Ancient Egypt. Every single one.The pattern is always the same. It starts with unpopular groups: Jews, immigrants, disabled people, people they call “defective,” “foreign,” “unproductive.” Test on them first, see if anyone notices, see if anyone stops you, then expand.Scholars have a term for this: the “boomerang effect.” Or “internal colonialism”—when you apply colonial logic to your own people. Black radical thinkers saw this first, by the way. They recognized the pattern decades ago.The Gaslighting Ends HereSo when someone says “You're being dramatic”? No. I'm being historically accurate.“That's hyperbolic.” The Rome Statute disagrees. I can read you the details.“You can't compare domestic policy to war.” Every empire in history already done that. They already made that comparison for me.We're not comparing tragedies. “Who's suffering more than who?” We're recognizing tragedy.When policy debates require trigger warnings like this article, like this livestream, maybe it's not policy.When negotiations threaten survival, maybe they're not negotiations.When efficiency means starvation, maybe it's not efficient. It's fucking violence.That need for trigger warnings says it's violence. Not discourse. We're not being fragile. We're being informed. We're watching it happen in real time. Hell, it's obvious in every bowl of beans I eat instead of a hell of heavily tariffed hamburger.What We DoLiving through empire in decline: deadly for many. But here's what we do.We call it as we see it. We refuse sanitized language.When they say “policy,” we call it violence. Because starvation kills as sure as a bullet. Just slower.When they say “negotiate,” we name it hostage taking for the purpose of political power.When they say “efficiency,” we shout starvation tactics.It's medieval siege by budget. No catapults. No cannons. Just clean spreadsheets.We document the pattern. We recognize what's really happening while it's happening. We tell the truth about what we're witnessing. And we survive together.How? Let's talk again soon on meaningful resistance, survival, and mutual aid. I'm nearly ready to share my thoughts next week in my next livestream.The Picture I Want to Leave You WithTrump brings Gaza war crimes home. Not as a metaphor—as a moral diagnosis.Same tactics, similar intent, different location, same fucking outcome.Starvation is starvation. Siege is siege. Death is death. Even if the law reserves “war crimes” for battlefields and guys in uniform.Starting with autistics, starting with disabled people, starting with poor people, starting with anyone who needs to eat and expanding from there. Because that's how it always works.That's not drama, not autistic overreaction. If I ever hear that again—fuck the gaslighting we've lived through all our damn fucking lives.That's international law in definitions. That's documented history in its examples. That's pattern recognition across eras. We're just the ones recognizing it first.ClosingListen, that's all I got really. This episode, it's why I do these livestreams. Why I need this community, you guys.Because when they gaslight us, we need witnesses. We need truth.When they isolate us, we need each other.When they threaten our survival, we need to document what's happening in real time.See you next week around the same time. We'll talk resistance, mutual aid. What actually works when the empire comes home.Till then?Stay weird.Stay fierce.Stay alive.Key Timestamps for Chapter Markers:* 0:00 - Opening Thesis* 1:08 - What's Actually Happening* 2:23 - Why Autistics First* 3:19 - The Roll Call of History* 6:35 - The Gaslighting Ends Here* 7:50 - What We Do#AutisticAF Out Loud Newsletter is a reader-supported publication. Click to receive new posts free. To support my work, consider choosing a paid subscription.* 8:56 - The Picture I Want to Leave You With* 10:03 - Closing This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit johnnyprofaneknapp.substack.com/subscribe

Anastasija Ropa joins Jana Byars to talk about The Medieval Horse (Reaktion, 2025), a book that explores the role of horses across the medieval world, from the Kievan Rus' and Scandinavia to Central Europe, Byzantium, the Arab world and Asia, including China and India. Covering the early medieval period to the late Middle Ages, it examines how horses shaped societies, warfare and culture and how their legacy persists in traditional equestrian sports today. Drawing on little-known primary sources, artefacts, and the author's hands-on experience with historical horsemanship, the book offers a vivid account of the deep connection between people and horses. Combining scholarly insight with practical knowledge, this is the most comprehensive study of medieval horses in Europe and Asia to date. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this powerful episode of Hidden Wisdom, Meghan Farner and guest Ryan Carnahan explore the modern man's path from shame and addiction to strength, wholeness, and divine leadership. Ryan shares his personal transformation—how overcoming isolation, emotional suppression, and false independence led him to create The King's Core, a movement helping men reclaim clarity, ownership, resilience, and execution in their lives. Together, Meghan and Ryan unpack masculine healing, the hero's journey, and how men can preside with love, protection, and spiritual alignment.Timestamps & Key Discussion Points00:00 – 02:00 | Introduction: welcoming Ryan and the continuing series on divine masculinity02:00 – 04:00 | Ryan's early life: loneliness, insecurity, and early exposure to addiction04:00 – 07:00 | Struggles with hiding, shame, and the roots of self-worth07:00 – 10:00 | Discovering that pornography and addiction are emotional—not moral—issues10:00 – 12:00 | Healing begins with emotional awareness and connection12:00 – 14:30 | Meghan's insights on repentance as integration and feminine inner work15:00 – 17:00 | The hero's journey, Christ as the archetype, and transformation through suffering18:00 – 21:00 | Choosing into life experiences and reclaiming personal accountability21:00 – 23:00 | Agency, ownership, and co-creating change from within23:00 – 26:30 | Why men resist inner work and the illusion of independence26:30 – 28:30 | The pencil analogy: discovering connection through interdependence and gratitude29:00 – 31:00 | God as partnership—not domination—and divine interconnection32:00 – 36:00 | Breaking the “doom cycle” of burnout, shame, and disconnection36:00 – 39:00 | Emotional regulation, self-mastery, and protecting through presence39:00 – 41:00 | The balance of danger and safety in divine masculinity41:00 – 44:00 | Becoming the true protector through healing inner shadows44:00 – 46:30 | The King's Core: building inner frameworks for leadership and discipline46:30 – 49:30 | Medieval symbolism and the hero's archetype in Ryan's program49:30 – 51:30 | Redefining addiction as misdirected coping and returning to alignment52:00 – 53:30 | Final reflections: healing, leadership, and grounded divine masculinity Donate to Hidden Wisdom: Venmo @Meghan-Farner

AP correspondent Charles de Ledesma reports a man extracted from a partially collapsed medieval tower in Rome dies soon after his rescue.

In his four Time Travellers Guides to England, historian Ian Mortimer has taken us from the Medieval period all the way to the Regency, revelling not in the business of courts and princes but the minutae of daily life for ordinary men and women. In this podcast, he shares his insights into how the English people have changed over time - and how they have stayed the same. Touching upon liberty and leadership, xenophobia and violence, this whistlestop tour of a thousand years of English life is an unmissable treat for history lovers of all stripes. Who was the worst monarch? Why should you preserve your urine? And do the French really deserve all the credit for inventing champagne? Discover the answers to all of these questions and many more with one of our most beloved national historians. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What are the Medieval virtues? How are they related to the seven deadly sins? And how can they help us today? Joseph Holmes and Nathan Clarkson are joined by scholar and author Dr. Grace Hamman to answer these very questions. References and resources: https://www.britannica.com/event/Middle-Ages   Websites The Overthinkers: theoverthinkersjournal.world Nathan Clarkson: nathanclarkson.me Joseph Holmes: josephholmesstudios.com Dr. Grace Hamman: https://gracehamman.com/

AP correspondent Charles de Ledesma reports rescuers work to reach a worker trapped in a medieval tower that partially collapsed in ithe heart of Rome.

Fluent Fiction - Catalan: Medieval Market Marvel: Laia's Pursuit of Dreamy Wool Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-11-03-23-34-02-ca Story Transcript:Ca: Al mercat medieval de Barcelona, l'aire era ple de vida i colors.En: At the medieval market in Barcelona, the air was full of life and colors.Ca: Les parades lluïen un ventall de productes, des de fruites fresques fins a teixits acolorits.En: The stalls displayed a range of products, from fresh fruits to colorful fabrics.Ca: Els venedors pregonaven les seves mercaderies, i el so del regateig ressonava als carrers empedrats.En: The vendors touted their goods, and the sound of bargaining echoed through the cobblestone streets.Ca: Era la vigília de Tots Sants i les aromes de castanyes torrades i encens omplien l'ambient.En: It was the eve of Tots Sants and the scents of roasted chestnuts and incense filled the atmosphere.Ca: Laia passejava pel mercat amb un propòsit clar.En: Laia strolled through the market with a clear purpose.Ca: Cercava llana rara, de qualitat, per fer capes d'hivern.En: She was searching for rare, high-quality wool to make winter cloaks.Ca: Les volia vendre al mateix mercat i destacar-se entre els molts comerciants que competien per l'atenció dels compradors.En: She wanted to sell them at the same market and stand out among the many merchants competing for the buyers' attention.Ca: Els seus cabells rossos brillaven sota el sol tardoral, i els seus ulls blaus observaven cada racó a la recerca de la parada que buscava.En: Her blonde hair shone under the autumn sun, and her blue eyes scanned each corner in search of the stall she was looking for.Ca: "Vaga pels carrers, però no oblidis el teu objectiu," es repetia Laia a si mateixa.En: "Walk the streets, but don't forget your goal," Laia repeated to herself.Ca: Sabia que les seves monedes eren poques i el temps escàs.En: She knew her coins were few and time was short.Ca: La multitud, atreta pels festeigs de Tots Sants, feia el camí difícil.En: The crowd, drawn by the Tots Sants festivities, made the path difficult.Ca: Afortunadament, la seva amiga Teresa l'acompanyava, ajudant-la a esquivar la gent.En: Fortunately, her friend Teresa accompanied her, helping her weave through the people.Ca: "Allà està, Laia, la parada del llanaire!En: "There it is, Laia, the wool vendor's stall!"Ca: " Teresa va exclamar, assenyalant un petit lloc ple de bobines de llana de tots colors.En: Teresa exclaimed, pointing to a small spot full of wool spools of all colors.Ca: Laia es va dirigir ràpidament cap allà quan de sobte va veure una figura coneguda, Arnau, un comerciant rival.En: Laia quickly headed there when she suddenly saw a familiar figure, Arnau, a rival merchant.Ca: Ell també fixava la mirada en la llana.En: He also fixed his gaze on the wool.Ca: Els seus ulls es van trobar, i una competició silenciosa es va establir entre ambdós.En: Their eyes met, and a silent competition was established between the two.Ca: La Laia es va apropar al llanaire, decidida.En: Laia approached the wool vendor, determined.Ca: "Bon dia.En: "Good day.Ca: He sentit que la teva llana és la millor.En: I've heard your wool is the best.Ca: Podria comprar-te algunes bobines?En: Could I buy some spools?Ca: Tinc un somni de crear capes úniques per aquest hivern.En: I have a dream of creating unique cloaks for this winter."Ca: "L'ancià llanaire la va mirar amb benevolència.En: The elderly wool vendor looked at her kindly.Ca: "Tens ulls plens de passió, jove.En: "You have eyes full of passion, young one.Ca: Però, el meu estoc és limitat avui, i aquest noi," va dir assenyalant l'Arnau, "també vol fer una oferta.En: But my stock is limited today, and this young man," he said, pointing to Arnau, "also wants to make an offer."Ca: "Arnau, amb un somriure segur, va oferir una suma més gran del que la Laia podia imaginar per les bobines.En: Arnau, with a confident smile, offered a sum larger than Laia could imagine for the spools.Ca: El cor de Laia va començar a bategar ràpidament.En: Laia's heart began to beat rapidly.Ca: Sabia que no podia competir amb la riquesa d'Arnau, però també sabia que no podia perdre aquella oportunitat.En: She knew she couldn't compete with Arnau's wealth, but she also knew she couldn't miss this opportunity.Ca: Amb valentia, Laia va mirar el llanaire.En: With courage, Laia looked at the wool vendor.Ca: "Vinc aquí perquè crec en la meva visió.En: "I come here because I believe in my vision.Ca: Vull construir el meu futur i ser una clienta lleial.En: I want to build my future and be a loyal customer.Ca: Segur que Arnau és un bon comprador, però jo.En: I'm sure Arnau is a good buyer, but I...Ca: Jo faré que aquesta llana siguis tu mateix als carrers de Barcelona, admirada per tothom.En: I will make this wool be you yourself on the streets of Barcelona, admired by everyone."Ca: "Alguna cosa en la sinceritat de Laia va tocar el llanaire.En: Something in Laia's sincerity touched the wool vendor.Ca: Ell va pensar per un moment i després li va somriure.En: He thought for a moment and then smiled at her.Ca: "Et crec, Laia.En: "I believe you, Laia.Ca: Tinc fe en els teus somnis.En: I have faith in your dreams."Ca: " Amb aquestes paraules, li va vendre la llana al preu que Laia podia pagar.En: With these words, he sold her the wool at a price that Laia could afford.Ca: Laia va agrair profundament i va sortir del mercat amb les bobines de la seva mà, més segura que mai.En: Laia thanked him deeply and left the market with the spools in her hand, more confident than ever.Ca: Sabia que havia fet un pas important cap al seu somni.En: She knew she had taken an important step towards her dream.Ca: Mentre caminava de tornada cap a casa amb Teresa, el sol brillava amb una llum càlida de tardor, omplint el seu cor d'esperança i decisió renovada.En: As she walked back home with Teresa, the sun shone with a warm autumn light, filling her heart with hope and renewed determination. Vocabulary Words:market: el mercatstalls: les paradesvendors: els venedorsbargaining: el regateigstreets: els carrerseve: la vigíliachestnuts: les castanyesincense: l'encenswool: la llanacloaks: les capesmerchants: els comerciantsbuyers: els compradorspurpose: el propòsitcoins: les monedescrowd: la multitudfriend: l'amigavendor: el llanairespools: les bobinesoffer: l'ofertawealth: la riquesacourage: la valentiasincerity: la sinceritatvision: la visiófuture: el futurcustomer: la clientacompetition: la competiciódreams: els somnisdetermination: la decisiófaith: la feautumn: la tardor

Fluent Fiction - Mandarin Chinese: Jewels and Bargains: A Medieval Market Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2025-11-03-08-38-20-zh Story Transcript:Zh: 在一个秋天的下午，李华走进了一家中世纪主题的餐厅。En: On an autumn afternoon, Li Hua walked into a medieval-themed restaurant.Zh: 推开厚重的木门，她感受到浓浓的历史氛围。En: Pushing open the heavy wooden door, she was enveloped by a rich historical atmosphere.Zh: 餐厅里，烛光摇曳，墙上挂满了色彩鲜艳的旗帜，服务生穿着古装，仿佛将人带回了古代的集市。En: Inside the restaurant, candlelight flickered, vibrant banners adorned the walls, and the waitstaff dressed in period costumes, as if transporting patrons back to an ancient marketplace.Zh: 李华是个喜爱历史的年轻女子，一直梦想能为自己的收藏增添一件独特的中世纪风格的首饰。En: Li Hua was a young woman who loved history and had always dreamed of adding a unique piece of medieval-style jewelry to her collection.Zh: 她听说这家餐厅里有个市场，专卖手工制作的历史物件，因此她满怀期待地赶来。En: She had heard that the restaurant housed a market specializing in handmade historical items, so she came with great anticipation.Zh: 餐厅内的摊位商品琳琅满目，有古老的剑、精美的盾牌，还有许多闪烁着光辉的小饰品。En: The stalls inside the restaurant were filled with a dazzling array of merchandise, featuring ancient swords, exquisite shields, and many small, shimmering trinkets.Zh: 李华的目光很快被一个展示柜里的一枚项链吸引。En: Li Hua's attention was quickly captured by a necklace in a display case.Zh: 项链上镶嵌着一颗深蓝色的宝石，宛如夜空中的星星。En: The necklace was set with a deep blue gem, resembling a star in the night sky.Zh: “这是我想要的！En: "This is what I want!"Zh: ”李华暗自高兴，但她知道这枚项链名额有限，许多收藏家都虎视眈眈。En: Li Hua thought to herself joyfully, but she knew that the necklace was in limited supply, with many collectors eyeing it greedily.Zh: 李华走到柜台前，心中计算着自己的预算。En: Li Hua approached the counter, calculating her budget in her mind.Zh: “你好，这项链多少钱？En: "Hello, how much is this necklace?"Zh: ”她问摊主。En: she asked the vendor.Zh: 摊主微笑着回答：“这可是我这里的珍品，价格比较高哦。En: The vendor smiled and replied, "This is a treasure here, so it's quite pricey.Zh: 不过，说句实话，库存也不多了。En: Honestly, though, we don't have much stock left."Zh: ”李华心里一紧。En: Li Hua's heart tightened.Zh: 她的预算并不多，但那颗蓝宝石让她难以割舍。En: Her budget was limited, but the blue gemstone was hard to part with.Zh: 她悄悄看了看周围，看到一个男人也盯着这枚项链，眼中透出浓厚的兴趣。En: She discreetly glanced around and noticed a man also eyeing the necklace with intense interest.Zh: 此时气氛开始紧张，李华必须做出抉择。En: The atmosphere began to grow tense, and Li Hua had to make a decision.Zh: 她想起自己收藏的一件罕见的中世纪戒指，虽然割舍不易，但这或许是她手中的一张好牌。En: She recalled a rare medieval ring in her collection; although it was not easy to part with, it might be her bargaining chip.Zh: “如果我用这枚戒指来交换呢？En: "What if I trade this ring for it?"Zh: ”她小心翼翼地问摊主，亮出自己的戒指。En: she cautiously asked the vendor, showing her ring.Zh: 摊主仔细端详了戒指，眼中闪过一丝惊讶。En: The vendor examined the ring closely, a hint of surprise flashing in his eyes.Zh: “这枚戒指确实罕见，”他说，“可以交换。En: "This ring is indeed rare," he said, "a trade would be acceptable."Zh: ”那位竞争者失望地离开了，李华心头一松，终于得到了心爱的项链。En: The competitor left disappointed, and Li Hua felt relieved, having finally acquired the beloved necklace.Zh: 她感觉自己不仅收获了一件宝物，还学会了如何珍惜和利用现有的珍藏。En: She felt that not only had she gained a treasure, but she also learned how to cherish and utilize her existing collection.Zh: 握着项链，她离开了餐厅，秋风中充满了即将到来的温暖节日的期待。En: Holding the necklace, she left the restaurant, the autumn breeze filled with the anticipation of the warm festivities to come. Vocabulary Words:medieval-themed: 中世纪主题atmosphere: 氛围candlelight: 烛光flickered: 摇曳banners: 旗帜adorned: 挂满patrons: 顾客marketplace: 集市collection: 收藏anticipation: 期待array: 琳琅满目merchandise: 商品exquisite: 精美shimmering: 闪烁trinkets: 饰品resembling: 宛如greedily: 虎视眈眈budget: 预算vendor: 摊主pricey: 价格高surprise: 惊讶bargaining chip: 好牌rare: 罕见competitor: 竞争者discreetly: 悄悄intense: 浓厚decision: 抉择trade: 交换utilize: 利用cherish: 珍惜

Fluent Fiction - Norwegian: Where Lanterns and Perseverance Light Up the Medieval Night Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-11-03-08-38-20-no Story Transcript:No: I hjertet av en livlig middelaldersk markedsplass sto smia, varm og full av liv.En: In the heart of a lively medieval marketplace stood the forge, warm and full of life.No: Den intense klangen av metall mot metall fylte luften.En: The intense clanging of metal against metal filled the air.No: Flammene danset i peisen, kastet et gyllent lys over Eirik, smedens ivrige læregutt.En: Flames danced in the fireplace, casting a golden light over Eirik, the blacksmith's eager apprentice.No: Hans oppgave var stor: å lage et sett med utsmykkede jerne lanterner til den kommende vinterfestivalen.En: His task was significant: to create a set of ornate iron lanterns for the upcoming winter festival.No: Det var høst, og fargerike blader drysset ned som regn fra himmelen, dekket torget som en spraglete teppe.En: It was autumn, and colorful leaves drizzled down like rain from the sky, covering the square like a mottled carpet.No: Alle handlet hektisk for å forberede seg til festivalen.En: Everyone was busily preparing for the festival.No: Eirik hadde et brennende ønske om å imponere både sin mester, Kari, og festivalens adelige gjester.En: Eirik had a burning desire to impress both his master, Kari, and the festival's noble guests.No: Han drømte om at hans lanterner skulle bli de mest beundrede.En: He dreamed that his lanterns would be the most admired.No: Men smia hadde problemer.En: But the forge faced problems.No: Forsyningene var lavere enn forventet.En: Supplies were lower than expected.No: Jernet var knapp, og tiden var kort.En: Iron was scarce, and time was short.No: Eirik visste at han måtte være kreativ.En: Eirik knew he had to be creative.No: Med resolutt beslutsomhet valgte han å bruke gammelt jernskrap, gjenbruke hvert eneste bit til noe nytt og vakkert.En: With resolute determination, he chose to use old iron scraps, repurposing each piece into something new and beautiful.No: Nattevakter ble hans faste følge, måneskinn hans arbeidslys.En: Night shifts became his constant companions, moonlight his work light.No: Solveig, hans venn og tålmodige tilskuer, kom av og til for å gi ham litt nybakt brød og oppmuntrende ord.En: Solveig, his friend and patient observer, occasionally came by to give him some freshly baked bread and encouraging words.No: Hun beundret Eiriks utholdenhet og ønske om perfeksjon.En: She admired Eirik's perseverance and desire for perfection.No: Dagene gikk, og festivalen nærmet seg raskt.En: Days passed, and the festival approached quickly.No: Eirik arbeidet uten pause, hamret og bendet metallet med presisjon.En: Eirik worked without pause, hammering and bending the metal with precision.No: Sakte, men sikkert, tok lanterne etter lanterne form.En: Slowly but surely, lantern after lantern took shape.No: Like før festivalens begynnelse, med støv i håret og sot på kinnene, sto han der med de vakre lanternene fullførte.En: Just before the start of the festival, with dust in his hair and soot on his cheeks, he stood there with the beautiful lanterns completed.No: Men plutselig, mens han beundret sitt arbeid, hørte han en skarp lyd.En: But suddenly, while he admired his work, he heard a sharp sound.No: Én lanterne falt til bakken og fikk en stygg bulk.En: One lantern fell to the ground, creating an ugly dent.No: Eirik kjente panikken stige.En: Eirik felt panic rise.No: Tiden var knapp, og han kunne ikke lage den om igjen.En: Time was tight, and he couldn't make it again.No: Hans hjerte sank, men Solveig, som hadde vært der hele tiden, satte en hånd på skulderen hans.En: His heart sank, but Solveig, who had been there the whole time, placed a hand on his shoulder.No: "Det er vakkert," sa hun rolig og så ned på lanternene.En: "It's beautiful," she said calmly, looking down at the lanterns.No: "Kanskje denne bulken kan bli til noe enda bedre."En: "Maybe this dent can become something even better."No: Eirik tok et skritt tilbake og så på lysene med nye øyne.En: Eirik took a step back and looked at the lights with new eyes.No: Ideene flommet gjennom ham.En: Ideas flooded through him.No: Han grep verktøyet sitt igjen og ga bulken et formål, en vibrerende blomsterform.En: He picked up his tools again and gave the dent a purpose, a vibrant flower shape.No: Festivalen kom, lyset fra lanternene hans badet torget i et varmt, vennlig skinn.En: The festival came, and the light from his lanterns bathed the square in a warm, friendly glow.No: Folk samlet seg, overrasket av den unike skjønnheten.En: People gathered, surprised by the unique beauty.No: Og der, i mengden, sto Kari med et velvillig smil og nikket stolt til Eirik.En: And there, in the crowd, stood Kari with a benevolent smile, proudly nodding at Eirik.No: Denne hendelsen forandret Eirik.En: This event changed Eirik.No: Han visste nå at han kunne møte utfordringer med kreativitet og mot.En: He knew now that he could face challenges with creativity and courage.No: Han sto stoltere, med en ny funnet tro på seg selv og sine evner, klar til å møte hva enn fremtiden måtte bringe.En: He stood taller, with newfound faith in himself and his abilities, ready to face whatever the future might bring.No: Lantene var mer enn bare lys; de var en skinnende påminnelse for Eirik at hvert problem kan bli til et vakkert mesterverk.En: The lanterns were more than just lights; they were a shining reminder for Eirik that every problem can become a beautiful masterpiece. Vocabulary Words:forge: smiaapprentice: læreguttornate: utsmykkedemottled: spragletenoble: adeligescarce: knappresolute: resoluttdetermination: beslutsomhetrepurposing: gjenbrukeperseverance: utholdenhetprecision: presisjonsoot: sotdented: bulkbenevolent: velvilligglow: skinnfaith: tromasterpiece: mesterverkvibrant: vibrerendescarcity: knapphetobserve: tilskuerfreshly baked: nybaktapproached: nærmet segcompanion: følgecarpet: teppeimpressed: imponereadmire: beundrecast: kastetdrizzled: dryssetfaithful: trofastreluctantly: motvillig

Fluent Fiction - Danish: Unearthing the Past: A Medieval Quest for Authenticity Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-11-03-23-34-02-da Story Transcript:Da: Under en klar efterårshimmel, hvor gyldne blade raslede i en let brise, gik Søren og Astrid gennem det middelalderlige indkøbscenter i København.En: Under a clear autumn sky, where golden leaves rustled in a gentle breeze, Søren and Astrid walked through the medieval shopping center in København.Da: Det var som en lille tidskapsel, hvor hverdagen blev glemt, og fortiden blev levende.En: It was like a little time capsule, where everyday life was forgotten, and the past came alive.Da: Rundt om dem bar folk farverige middelalderdragter, og duften af friskbagt brød blandede sig med lyden af glade stemmer.En: Around them, people wore colorful medieval costumes, and the scent of freshly baked bread mingled with the sound of happy voices.Da: Søren kiggede ivrigt rundt.En: Søren looked around eagerly.Da: Han elskede historie, især den middelalderlige periode.En: He loved history, especially the medieval period.Da: I dag søgte han en unik gave til sin fars fødselsdag.En: Today, he was searching for a unique gift for his father's birthday.Da: Hans far delte Sørens passion for historie, og Søren ønskede at finde noget helt særligt.En: His father shared Søren's passion for history, and Søren wanted to find something truly special.Da: „Astrid, se derovre!” råbte Søren og pegede mod en bod fyldt med rustninger og sværd.En: “Astrid, look over there!” shouted Søren, pointing towards a stall filled with armor and swords.Da: „Søren, vi leder efter en gave, ikke en krig,” drillede Astrid, mens de bevægede sig tættere på.En: “Søren, we're looking for a gift, not a war,” teased Astrid as they moved closer.Da: De stoppede ved en bod, hvor en ældre mand med et stort, hvidt skæg solgte kister fyldt med antikke bøger.En: They stopped at a stall where an older man with a large, white beard was selling chests filled with antique books.Da: Men da Søren spurgte til prisen, viste det sig, at de var langt uden for hans budget.En: But when Søren asked about the price, it turned out they were far beyond his budget.Da: „Det er svært at finde noget ægte her,” sukkede Søren frustreret.En: “It's hard to find something genuine here,” sighed Søren frustratedly.Da: Astrid så eftertænksom ud.En: Astrid looked thoughtful.Da: „Måske skal vi tænke på, hvad din far virkelig vil sætte pris på.” De gik videre, og ved hver bod blev de mindet om budgetproblemet eller mangel på autenticitet.En: “Maybe we should think about what your father would really appreciate.” They moved on, and at each stall, they were reminded of the budget problem or the lack of authenticity.Da: Der var svævende priser og mange kopivarer.En: There were inflated prices and many knock-offs.Da: Sørens frygt voksede: Hvad nu hvis hans far ikke ville bryde sig om en middelalderlig gave?En: Søren's fear grew: What if his father wouldn't care for a medieval gift?Da: Da de var tæt på at give op, stødte de på en beskeden bod i et hjørne af markedet.En: Just as they were about to give up, they came across a modest stall in a corner of the market.Da: En kvinde med briller tilbød dem et sjældent, signeret manuskript fra middelalderen.En: A woman with glasses offered them a rare, signed manuscript from the medieval era.Da: Hands falmede sider bar spor af tidens tand, men autenticiteten var tydelig.En: Its faded pages bore the marks of time, but the authenticity was clear.Da: „Det er lidt beskadiget,” sagde kvinden undskyldende.En: “It's a bit damaged,” the woman said apologetically.Da: „Men det er ægte.” Søren så på manuskriptet.En: “But it's genuine.” Søren looked at the manuscript.Da: Selv med dets skavanker strålede det af historie og arv.En: Even with its blemishes, it radiated history and heritage.Da: Her var noget, der kunne fortælle en historie på egen hånd.En: Here was something that could tell a story on its own.Da: „Den vil min far elske,” besluttede Søren endelig.En: “My father will love it,” Søren finally decided.Da: Han købte manuskriptet, hans hjerte let.En: He bought the manuscript, his heart feeling light.Da: Astrid smilede varmt til ham.En: Astrid smiled warmly at him.Da: „Det handler om tanken og historien bag.En: “It's about the thought and the story behind it.Da: Det vil din far værdsætte.” Søren nikkede.En: Your father will appreciate that.” Søren nodded.Da: Han indså, at imperfektion også kunne have sin skønhed.En: He realized that imperfection could also have its beauty.Da: Han følte sig nu sikker på, at hans kærlighed til historien gik ud over det perfekte.En: He now felt sure that his love for history went beyond the perfect.Da: Da de forlod markedet, vidste Søren, at hans far ville forstå og værdsætte gaven – en påmindelse om at ægte værdi ligger i historien selv, ikke i udseendet.En: As they left the market, Søren knew that his father would understand and appreciate the gift—a reminder that real value lies in the history itself, not in appearance. Vocabulary Words:rustled: rasledebreeze: brisemedieval: middelalderligcostumes: dragtermingled: blandedestall: bodarmor: rustningerteased: drilledeantique: antikkebudget: budgetgenuine: ægtefrustratedly: frustreretthoughtful: eftertænksomauthenticity: autenticitetinflated: svævendeknock-offs: kopivarerfear: frygtmodest: beskedenrare: sjældentsigned: signeretmanuscript: manuskriptfaded: falmedeblemishes: skavankerheritage: arvradiated: stråledeimperfection: imperfektionbeauty: skønhedunderstand: forståappreciate: værdsættereminder: påmindelse

Send us a textDescriptionHarmony Behind Stone Walls: Life in the Medieval Cloister in 60 Seconds. Take a minute to get the scoop!Fun FactThe earliest Western musical notation emerged in monasteries, where scribes invented “neumes”—tiny marks above text to guide singers. This humble invention paved the way for modern sheet music. So, the next time you read a score, thank a monk with very steady handwriting.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Fluent Fiction - French: Medieval Miracles: A Night of Chivalry and Heroics Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-11-03-08-38-20-fr Story Transcript:Fr: La salle résonne des cris joyeux.En: The hall resonates with joyful cries.Fr: Les invités sont transportés au cœur du Moyen Âge.En: The guests are transported to the heart of the Middle Ages.Fr: Grands étendards aux murs, des chevaliers s'affrontent dans une chorégraphie de lumières et de sons.En: Large banners on the walls, knights clash in a choreography of lights and sounds.Fr: Élodie, cheveux châtains brillants sous les chandelles, observe le spectacle.En: Élodie, with chestnut hair shining under the candles, watches the spectacle.Fr: L'automne est là, et l'air est frais.En: Autumn is here, and the air is crisp.Fr: C'est la veille de la Toussaint, et Élodie a décidé de s'accorder un moment de répit, loin de ses éprouvantes journées de chercheuse médicale.En: It's the eve of All Saints' Day, and Élodie has decided to give herself a moment of respite, far from her grueling days as a medical researcher.Fr: Autour de la longue table en bois, les convives dégustent des mets médiévaux.En: Around the long wooden table, the guests savor medieval dishes.Fr: Marcel, le serveur, vêtu d'une tunique, sourit en servant l'hypocras.En: Marcel, the server, dressed in a tunic, smiles while serving hippocras.Fr: "Chevalerie et festin!En: "Chivalry and feast!"Fr: ", annonce-t-il gaiement.En: he announces cheerfully.Fr: Mais soudain, le temps s'arrête.En: But suddenly, time stops.Fr: Un homme, Jean, pâlit et s'affaisse dans sa chaise.En: A man, Jean, pales and collapses in his chair.Fr: Élodie le remarque immédiatement.En: Élodie notices immediately.Fr: Son cœur chute.En: Her heart sinks.Fr: Elle voulait tant profiter de cette soirée sans penser au travail.En: She wanted so much to enjoy this evening without thinking about work.Fr: Pourtant, elle ne peut ignorer son instinct.En: Yet, she cannot ignore her instinct.Fr: Elle s'approche de Jean, qui respire avec difficulté.En: She approaches Jean, who is struggling to breathe.Fr: Les autres convives s'agitent.En: The other guests become agitated.Fr: Élodie reste calme.En: Élodie remains calm.Fr: "Respirez profondément," dit-elle avec assurance.En: "Breathe deeply," she says with assurance.Fr: Elle identifie vite les symptômes : une réaction allergique.En: She quickly identifies the symptoms: an allergic reaction.Fr: Elle demande à Marcel de chercher une trousse médicale.En: She asks Marcel to fetch a medical kit.Fr: Heureusement, il reste quelques minutes avant l'arrivée des secours.En: Fortunately, there are still a few minutes before the emergency services arrive.Fr: Elle administre un antihistaminique rapide.En: She administers a quick antihistamine.Fr: Ses mains tremblent légèrement, mais sa voix reste ferme.En: Her hands tremble slightly, but her voice remains steady.Fr: Jean semble se calmer, son souffle redevient régulier.En: Jean seems to calm, his breathing becomes regular again.Fr: Les murmures d'inquiétude se transforment en soupirs de soulagement.En: The whispers of worry turn into sighs of relief.Fr: Les paramédicaux arrivent peu après, prenant Jean en charge.En: The paramedics arrive shortly after, taking Jean in charge.Fr: Élodie, essoufflée, retourne à sa place.En: Élodie, breathless, returns to her place.Fr: Autour d'elle, les invités lui adressent des sourires reconnaissants.En: Around her, the guests give her grateful smiles.Fr: Marcel lui tend un verre de vin, se penchant pour chuchoter : "Vous avez sauvé la soirée, et peut-être même Jean."En: Marcel hands her a glass of wine, leaning in to whisper: "You saved the evening, and maybe even Jean."Fr: Dans l'obscurité tamisée, Élodie réfléchit.En: In the dimmed darkness, Élodie reflects.Fr: Cet épisode lui rappelle combien elle aime aider les gens.En: This episode reminds her how much she loves helping people.Fr: Elle peut être historienne par passion, et médecin par vocation.En: She can be a historian by passion, and a doctor by vocation.Fr: Un équilibre est possible.En: A balance is possible.Fr: La soirée reprend son cours.En: The evening resumes its course.Fr: Les chevaliers reprennent leur danse de gladiateurs.En: The knights resume their gladiator dance.Fr: Élodie regarde, apaisée, le spectacle continuer.En: Élodie watches, soothed, as the spectacle continues.Fr: Elle sait maintenant qu'elle peut marier son amour du passé à ses compétences du présent.En: She now knows she can marry her love of the past with her present skills.Fr: En ce soir de la Toussaint, elle reçoit la promesse d'un nouveau départ, pleine d'idées et de projets.En: On this All Saints' Eve, she receives the promise of a new beginning, full of ideas and projects.Fr: Quand le spectacle prend fin et que les convives s'apprêtent à partir, Élodie sort sous le ciel étoilé, le cœur léger.En: When the show ends and the guests prepare to leave, Élodie steps out under the starry sky, her heart light.Fr: Elle est prête, non seulement à continuer de soigner, mais aussi à vivre pleinement chaque passion qui fait battre son cœur.En: She is ready, not only to continue healing, but also to fully live every passion that makes her heart beat. Vocabulary Words:the hall: la sallejoyful: joyeuxthe banners: les étendardsto clash: s'affronterthe choreography: la chorégraphiethe candle: la chandellecrisp: fraisthe respite: le répitgrueling: éprouvantto savor: dégusterthe server: le serveurthe tunic: la tuniquecheerfully: gaiementto collapse: s'affaisserthe symptom: le symptômethe allergic reaction: la réaction allergiquethe medical kit: la trousse médicalethe antihistamine: l'antihistaminiqueto tremble: tremblerthe voice: la voixthe whisper: le murmurethe paramedics: les paramédicauxgrateful: reconnaissantdimmed: tamiséthe episode: l'épisodeto marry: marierto soothe: apaiserthe promise: la promessethe gladiator: le gladiateurto heal: soigner

Full Text of ReadingsThe Commemoration of All the Faithful Departed (All Souls) Lectionary: 668The Saint of the day is Commemoration of All the Faithful DepartedThe Story of the Commemoration of All the Faithful Departed The Church has encouraged prayer for the dead from the earliest times as an act of Christian charity. “If we had no care for the dead,” Augustine noted, “we would not be in the habit of praying for them.” Yet pre-Christian rites for the deceased retained such a strong hold on the superstitious imagination that a liturgical commemoration was not observed until the early Middle Ages, when monastic communities began to mark an annual day of prayer for the departed members. In the middle of the 11th century, Saint Odilo, abbot of Cluny, France, decreed that all Cluniac monasteries offer special prayers and sing the Office for the Dead on November 2, the day after the feast of All Saints. The custom spread from Cluny and was finally adopted throughout the Roman Church. The theological underpinning of the feast is the acknowledgment of human frailty. Since few people achieve perfection in this life but, rather, go to the grave still scarred with traces of sinfulness, some period of purification seems necessary before a soul comes face-to-face with God. The Council of Trent affirmed this purgatory state and insisted that the prayers of the living can speed the process of purification. Superstition easily clung to the observance. Medieval popular belief held that the souls in purgatory could appear on this day in the form of witches, toads or will-o'-the-wisps. Graveside food offerings supposedly eased the rest of the dead. Observances of a more religious nature have survived. These include public processions or private visits to cemeteries and decorating graves with flowers and lights. This feast is observed with great fervor in Mexico. Reflection Whether or not one should pray for the dead is one of the great arguments which divide Christians. Appalled by the abuse of indulgences in the Church of his day, Martin Luther rejected the concept of purgatory. Yet prayer for a loved one is, for the believer, a way of erasing any distance, even death. In prayer we stand in God's presence in the company of someone we love, even if that person has gone before us into death. Read St. Anthony Messenger‘s practical guide to death for Catholics Saint of the Day, Copyright Franciscan Media

The legal status of women in medieval Cyprus was influenced by a mix of Byzantine, Frankish, and local customs. While legal frameworks varied, women often faced limitations on property ownership and inheritance rights. However, some women managed to attain positions of influence and power, challenging traditional norms. Despite societal constraints, women in medieval Cyprus demonstrated resilience, resourcefulness, and adaptability. Their contributions and agency, whether in domestic spheres, economic activities, or shaping political alliances, left an indelible mark on the island's history. Join me this month as I welcome back Dr. Angel Nicolaou-Konnari!

This lecture discusses key ideas from the sequence of letters between two great Medieval intellectuals, lovers, and religious Heloise D'Argenteuil and Peter Abelard It focuses specifically on the fifth and sixth letters, which are by Heloise and Abelard respectfully. In these letters both of the married lovers have opted for leaving their previous amorous and conjugal love behind and shifting their attention to God. They also both admit their ongoing struggles to see this commitment through consistently. To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Read Heloise and Abelard's Letters - https://www.gutenberg.org/files/35977/35977-h/35977-h.htm

Come with us down the dark, damp woodland lane for Gone Medieval's Halloween Spooktacular.Matt Lewis is joined by Amy Boucher and Alix Chidley-Uttley to delve into the eerie world of medieval ghost stories, folklore, and superstitions. What is the ominous significance of yew trees in graveyards? What is a corpse road? Discover how medieval stories and superstitions were more than spooky tales; they carried moral lessons and deeply entangled with folklore, religion and death.MoreDragons: From Eden to Middle EarthMonsters of the Medieval WorldWelsh Folk TalesGone Medieval is presented by Matt Lewis. Audio editor is Amy Haddow, the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK Hosted on Acast. See acast.com/privacy for more information.

⁠⁠Support us on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---Since the first European settlers took unsteady steps on its alien shores, America has been haunted by the Devil. Fears of Satan and his human confederates have long since lurked in our psyche, and played an overlooked role in the cultural and political development of the United States. In this week's episode of Gladio Free Europe, Liam and Russian Sam descend into the blackest reaches of American and European folklore to see how our forbearers understood the unspeakable.This episode explores the development of satanic conceptions and imagery in American life, beginning with the emergence of the demonic beings in ancient Jewish cosmology through the spread of Christianity and the settlement of the New World. Medieval and Early Modern Europeans saw Satan everywhere, guiding the hands of sinners and unbelievers to tempt mankind and doom souls to Hell. The devil was understood to be the real ruler of this sinful earth, as proven by the encirclement of Christendom by kingdoms of heretics and heathens. European explorers in America, Africa, and Asia believed the religions they encountered were expressions of Satanism, and used this belief to justify colonial institutions of violence and subjugation. Even within Christian lands, Satan held sway through the power of his followers, the secret legions of witches.This diabolical worldview had real implications on early American society, most notoriously in the New England Witch Trials in which hundreds of Puritans were accused of being willing agents of Satan. Though belief in witches faded across the 18th and 19th centuries, Americans still understood the Devil to be clawing at their back. In all of these periods, it was also understood that Old Scratch could be defeated at his own games. This motif is exceptionally common in American folk tales and especially folk songs, even making its way into William Dieterle's iconic 1941 film THE DEVIL AND DANIEL WEBSTER.Though most Americans no longer believe in the devil in a literal monstrous sense, more metaphysical attitudes toward Satan survive. We continue to understand evil in terms of external corruption, as a deviation from our humanity rather than the result of our lowest impulses. And across the 20th and 21st centuries, periods of distrust and paranoia have allowed true belief Satan and his witches to re-emerge in our discourse. Despite how modern and rational contemporary Americans imagine ourselves to be, the Devil has us in his clutches.

Ron and John are back with a new series: Missionary Work, Medieval Style. In this premiere, they tell some stories that you likely haven't heard. The accounts range from chilling to inspiring, but the guiding question is, “Where is the Holy Spirit at work here?” Travel with them into the [...] The post Missionary Work, Medieval Style: Part 1 appeared first on Orthodocs.faith.

This episode looks at the changing face of witchcraft from the Middle Ages through the Tudor and early Stuart eras. We'll start with royal women accused of sorcery, like Joan of Navarre and Eleanor Cobham - and trace how superstition turned into state policy under Henry VIII, Elizabeth I, and finally King James I.https://www.englandcast.com/haunted-tudor-london-walk/ Hosted on Acast. See acast.com/privacy for more information.

As the nights get longer and spookier, there's one thing that's guaranteed to make our hair stand on end: corpses that just won't stay dead. Especially the ones interested in eating us. This week, Danièle speaks with John Blair about who refused to rest in peace in the Middle Ages, how medieval people attempted to keep the dead buried, and why some hauntings reached epidemic proportions.You can support this podcast on Patreon - go to https://www.patreon.com/medievalists

This lecture discusses key ideas from the sequence of letters between two great Medieval intellectuals, lovers, and religious Heloise D'Argenteuil and Peter Abelard It focuses specifically on the fourth letter, which is by Heloise. In this letter Heloise reaffirms her love for her husband Abelard, and asserts that life will have little value or attraction for her after he dies. She explains what emotions she experiences, and the despair she feels about their situation, and then discusses the conflicts within her heart and mind that stand in the way of genuine and consistent repentance on her part To support my ongoing work, go to my Patreon site - www.patreon.com/sadler If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM You can find over 3500 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler Read Heloise and Abelard's Letters - https://www.gutenberg.org/files/35977/35977-h/35977-h.htm