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4 episodes with sublime music
4 episodes with sublime music
The multi-genre band Sublime gets a lovely tribute courtesy of guest Douglas McCambridge (the host of Good Times Great Movies! Podcast). Why did this band successfully mix R&B, Ska, Soul, Alt. Rock, Punk & Reggae together? When did the modern-day resurrection in the form of Sublime with Rome take off? Why are their NSFW lyrics actually okay for their stress-filled narratives? And more applause for a short-lived yet tragedy laden successful group! MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/ Blind Knowledge Podcast Network: https://www.blindknowledge.com/ SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222 Discord: https://discord.com/channels/796154005914779678/796154006358851586 #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass
Jaz Coleman: musician, composer, singer, songwriter and record producer.He's the founder of English post punk band Killing Joke, a New Zealand resident living a few months of the year on Great Barrier Island, and has made a significant contribution to New Zealand's music scene.Celebrating 40 years as the lead singer of Killing Joke, Jaz has released a new album Magna Invocatio: A Gnostic Mass for Choir and Orchestra Inspired By the Sublime Music of Killing Joke.The album is made alongside Russia's oldest orchestra, the St Petersburg Philharmonic. Jaz joined Andrew Dickens to discuss his lengthy career and his stunning new album.LISTEN ABOVE
[OUT DEC 29TH, 2017] FRIDRIKH In The House #388 Release December 28, 2017 Biggest and best tracks of 2017 Hour One: 01.LouLou Players & Sugar Hill - Groove In You (Original mix) [LouLou Records] 02.Walker & Royce - Take Me To Your Leader Feat. Dancing With White Girls [Dirtybird] 03.Detroit's Filthiest - Handprint (Original Mix) [Motor City Electro Company] 04.Rony Breaker feat. Damon Trueitt - Central Park (Original Mix) [Deepalma Soul] 05.Bleeping Sauce - Move On (Original mix) [Sublime Music] 06.Joey Negro - It's More Fun To Compute [Z Records] 07.Loleatta Holloway - Love Sensation (Dr. Packer Rework) [Salsoul Records] 08.Pete Herbert - Pass Me By (Pete Herbert Remix) [Nang Records] 09.Worthy, option4, Leela D - Workin' (Original Mix) [Love & Other] 10.Dionigi - We are the Funky Robots (Original Mix) [Quantistic Division] 11.Air - Don't Be Light (Malibu Remix) [Parlophone France] 12.Freeform Five, Ali Love - Throwing Stones (Extended Mix) [SPINNIN' DEEP] 13.Claptone - Before I Lose My Mind Feat. Say Yes Dog (Original Mix) [Exploited] 14.Purple Disco Machine - Let the Music Play (Original Mix) [Sweat It Out!] 15.Ron Carroll - Lucky Star (Extended Version) [Tiger Records] 16.The Shapeshifters - Lola's Theme Recut (Dr Packer Remix) [Glitterbox Recordings] 17.PWNDTIAC - Don't Go Away (Original Mix) [Nurvous Records] 18.Sage Act & Marilia Paiva - Addiction (Original mix) [Brazuka Music] 19.Luna City Express - Victims of the Funk (Dario DAttis Remix) [Lapsus Music] 20.Andhim - German Summer (Original mix) [Monaberry] 21.JeanGa And George - Showtime [Greco-Roman] 22.Napkey - At Least (Grandlife Remix) [Kitsune] 23.AFFKT feat. Sutja Gutierrez - The Show [Sincopat] 24.Gabe - Get Your Body (Original Mix) [Sublime Music] 25.Beth Lydi - Animalistic (Original Mix) [Get Physical Music] 26.Time (FR) - Bird (Original Mix) [Way Of House] 27.Corne (AUT) - Love Me (Original Mix) [Sir.Edward Records] 28.Yamil, Stefano Crabuzza - Ain't No Sunshine (Original Mix) [Go Deeva Records] 29.Death On The Balcony - The Difference [Akbal Music] 30.Curtis Alto, Julia Anrather - You Might (Extended Mix) [SPINNIN' DEEP] Hour Two: 01.Kolombo, Sion - I Feel (Original Mix) [LouLou Records] 02.Pimpo Gama - Like Sex on the Beaches (2k17 Secret Version) [LouLou Records] 03.CDR 04.The Beatangers & Boogie Vice - Good Girl [Beatangers] 05.Armitage - Squelch (Original Mix) [Whartone Records] 06.Clyde P & Tim Baresko - J.A.C.K (Original Mix) [MadTech] 07.J.Nandez - Revelious (Original Mix) [Hall Of Fame Records] 08.Detlef, Ossey James - Swagon (Original Mix) [Repopulate Mars] 09.CDR 10.CDR 11.Kolombo - That's Why (Original Mix) [LouLou Records] 12.Branzei - Break It Down [Loulou Records] 13.Nick Siarom - Down (Original Mix) [BlowUP Music] 14.CDR 15.Alexey Romeo - Summer Sadness (Sammy W & Alex E Remix) [Heartbeat Records] 16.Charles Ramirez, Luca M & JUST2 - Up & Down [DFTD] 17.FISHER (OZ) - Stop It (Original Mix) [Dirtybird] 18.The Mekanism - Time To Party (Original Mix) [Play It Say It] 19.Dakar - Donkey Kong (Original Mix) [Elevation] 20.CDR 21.CDR 22.Pimpo Gama - Musica (Original Mix) [LouLou Records] 23.Mancodex - Ghetto Funk (Original mix) [Box Of Cats] 24.Justin Jay, Josh Taylor - Pussy Pop (Original Mix) [Emerald City Music] 25.Bjorn Maria, Kolombo - Make It Look Good (Original mix) [Loulou Records] 26.Endor - Indigo Indica (Original mix) [Night Beast Trax] 27.Groove Armada, Slarta Jon - Tune 101 (Jamie Jones Drip Drop Remix) [VIVa MUSiC] 28.ANOTR - Boogieman (Extended Mix) [No Art] 29.Detlef - JayDee (Original Mix) [Relief] 30.Bruce Leroys - Inside My Brain (Original Mix) [Kittball]
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. See more at: http://divinity.uchicago.edu/Mellon-Islamic-Studies-Initiative2 Sufism today has gained widespread interest mainly through its music and poetry, but also through its contrast with orthodox scriptural Islam. Sufism stands for an inclusive Islam focused on personal love of God and spiritual guidance within a wide range of devotional practices. Music and mystical poetry are the sonic embodiment of Sufism and its worldwide placeholder in the search for spiritual goals. Sufi, thus, can designate a broader spectrum of vernacular devotional and ritual identities. The core idea for this workshop allows us to approach this near-global vogue of a Sufi Imaginary through its music. “Islam and Sufism” also brings into conversation a range of ideascapes and practices, from the traditional South Asian spiritual lineages to a new generation of Muslim popular culture. Sufi music is founded in ritual and its constraints, but its practice is also open to creative agency. Reaching for the gift of the sublime enables embodied engagement on multiple levels—through rhythm, repetition of words, even ecstatic dance, to reach for the gift of the sublime, individually or collectively. Panel 1: The Sublime and Music: Islam and the West Regula Qureshi and Philip V. Bohlman in Conversation Discussant: Michael Sells Recitation and Discussion of Poetry Michael Sells, Love Lyrics of Ibn al-Farid and Ibn al-`Arabi Saleem Qureshi, Sublime Rebellion: Iqbal's Urdu and Farsi Verse Chair: Thibaut d'Hubert Colloquy 1 Deborah A. Kapchan, Witnessing the Sublime: Sufi Samaa in Secular France Moderator: Hakan Karateke Music and Sublime Across the Muslim World Bertie Kibreah, Sufi Tattva: The Sound and Space of Mystical Song in Bangladesh Shayna Silverstein, Performing Sacred Popular: Syrian Sufi Dance as National Heritage Michael O’Toole, Staging the Sublime: Music and Islam on Stage in Germany Lauren Osborne, Locating Experience and Emotion in the Recited Qur'an Moderator: Marcia K. Hermansen The Labor of Sublimity: A Conversation Kaley Mason, Robert L. Kendrick, Regula Qureshi Colloquy 2 Peter L. Manuel, Qawwali as the Anti-Sublime Moderator: Regula Qureshi
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