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For additional notes and resources check out Douglas' website.Today's podcast (12 minutes) comes from two chapters in The Imitation of Christ (Book 1, Chapters 9 and 6). They are "On Obedience and Submission" and "On Earthly Affections."v 12:15; Rom 14:17Insights for Life:* "It is far safer to live under authority than to be in a place of authority."* "It is safer to listen and receive counsel than to give it."* "Proud and greedy people are never at peace."* "True peace of heart is found in resisting passions, not yielding to them." Tomorrow: "On the Many Benefits of Obedience," "On Self-Denial," and "On the Surrender of Self"

For additional notes and resources check out Douglas' website."The simplicity of the book's language and the direct appeal to the religious sensitivity of the individual in an uncomplicated way are perhaps the primary reasons why this little book has been so widely received and so deeply influential." — BritannicaScriptures alluded to or cited: 1 Cor 1:18; Matt 16:14; 25:41,46; Ps 112:7; Rom 8:29; John 19:17; Rom 6:8; Luke 24:46; Job 14:1; John 13:8; 2 Cor 12:2; Acts 9:16; 5:41; Luke 9:23 (Mark 8:34; Matt 16:24); Rom 8:17; 1 Pet 2:24; Acts 14:22.Application:Do I love pleasure, relaxation, and comfort? Do I complain about little things?Am I a disciplined person? Do I aim to achieve the minimum, or is my life maximized for Christian impact?In my personal pain, do I discern God's grace?Will I make a concerted effort today to follow the royal way of the Cross?Tomorrow: "On the Power of Divine Love" (à Kempis's title). Note: Starting tomorrow, please log in as a website member for the remaining 27 Imitation devotional podcasts.Cool à Kempis quotes:If Christ is amongst us, then it is necessary that we sometimes yield up our own opinion for the sake of peace.Who struggles more than those who strive to overcome themselves?Also, check out the daily à Kempis tweets.

Sarah and AJ dish on an A-list couple that might be getting divorced over her long-time smoking habit. Aubrey O’Day from Danity Kane is embroiled in a hot photoshop controversy - tabloids say they have a pic of her after a massive weight gain, but are they real? Get ready cause Gen Z’ers apparently don’t like when you use periods in text messages and TOMORROW On #heyfrase Darcey and Stacey from TLC’s 90 Day Fiance join the show. Show is sponsored by: Saucey.com use code HEYFRASE for $10 off your first order

"Siri, what happens on episode 84 of Tomorrow?" "On episode 84 of Tomorrow, Josh talks to Joanna Stern of the Wall Street Journal." "What do they discuss?" "Digital assistants, PewDiePie, donuts, and discrimination." "Great, play episode 84." "I'm afraid I can't do that, Dave." "What? My name's not Dave." "Oh, would you like to update your contacts?" Learn more about your ad choices. Visit megaphone.fm/adchoices

Week Four - Shaping the Opera Stars of Tomorrow On this episode, we hear from two men in the Artists Training Program: Apprentice Artist Stephen Clark, a bass-baritone, and Studio Artist Terrence Chin-Loy. Stephen is performing the roles of Angelotti in Tosca, the Politician in The Ballad of Baby Doe – seen near the end of the opera – and Irving Geltman in The Impresario, one of the 2016 one-act operas. It’s his first summer here, and we sat down in late June to discuss how his summer is going. Stephen describes two of his roles in detail, what it’s like being a young bass-baritone and a young artist in general, his experience of sharing the stage with our principal artists, growing up in Tulsa, Oklahoma, and being introduced to opera there, and why he’s drawn to the villains in every story. Tenor Terrence Chin-Loy is back for his second summer as a Studio Artist at Central City Opera. He’s in the Ensemble for the main stage shows – as are all of the young artists – as well as several scenes in the Short Works opera scenes programs. He also sings regularly at the St. James United Methodist Church across the street from the Opera House. It was built in 1871-72 by the same Cornish miners who built our Opera House. Terrence describes his busy schedule, what it’s like living in a historic property with a cool backstory, how – as a 1st generation American born to Jamaican parents – he discovered his love for opera, and what inspires him to keep going in this very competitive business. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org. 

Week Four - Shaping the Opera Stars of Tomorrow On this episode, we hear from two people you won’t see onstage – but whose work you’ll definitely see, and who are incredibly important to ensure successful performances. Melinda Sullivan is the Movement Coach and Resident Choreographer, and Erick Wolfe is the Stage Combat Instructor and Resident Fight Choreographer. Melinda and Erick describe the work they do with the young artists as well as the principals and how they collaborate with each other to teach singers how to be aware of their bodies. Erick talks about weaponry on stage and action sequences in movies, and Melinda shares why Renaissance and Baroque dance forms are some of her favorites. They also share what makes Central City Opera special to them. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.

Week Four - Shaping the Opera Stars of Tomorrow On this episode, we'll hear from two women in the Bonfils-Stanton Foundation Artists Training Program: soprano Ashley Fabian, an Apprentice Artist, and mezzo-soprano Tatiana Ogan, a Studio Artist. The two take the stage together in The Ballad of Baby Doe as saloon girls Kate and Meg, and they're also sharing the role of the Shepherd Child in Tosca. Ashley Fabian also appears as Betty Braswell in The Impresario, one of the 2016 one-act operas. On the first half of this episode, Ashley describes her various roles in this season's productions – and gives us a sample of Betty’s brassy Brooklyn accent! She tells us where she’s from, how she got into opera, what inspires her, the competition that permeates her chosen field, the uniqueness of living in a Central City Opera historic property – and the ghost that wakes up her and her housemates at 4:00 AM. Mezzo-soprano Tatiana Ogan is back for her third summer at Central City Opera! She’s also a Colorado native from Fort Collins. In addition to her supporting roles in The Ballad of Baby Doe and Tosca, Tatiana appears as Estelle Ogelthorpe in Later the Same Evening, one of the 2016 one-act operas. She describes her athletic years as a child all the way into college – she competed in both Irish dancing and running – and how she gotten bitten by the opera bug as a kid, performing in a production of The Magic Flute at Loveland Opera Theater. Tatiana also tells us about her role in the one-act opera and her inspirations developing the character of a middle-aged New York woman, as well as how Central City Opera has influenced her as an artist and singer.   Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.  

Week Four - Shaping the Opera Stars of Tomorrow On this episode, we hear from the Principal Coach/Diction Coach of Central City Opera, pianist Michael Baitzer. He describes his two positions at the Festival; his love for lyric diction and the flavor that it brings to great storytelling; where he's from and how he got involved in opera; and his job for the other 9 months of the year at Washington National Opera. He also shares advice for young singers - he is a big fan of those 24 Italian Art Songs - and he tells us about his first sleepless day at Central City Opera. Have questions or want to provide feedback? Email us at podcast@centralcityopera.org. Remember to subscribe to our podcast to get the latest episodes delivered directly to your device. To hear more stories from inside Central City Opera and buy tickets to the shows, visit us at www.centralcityopera.org.