Podcasts about Imitation

What does it really mean to be authentic in voiceover? In this first conversation of the new Truth in the Booth series, Anne Ganguzza welcomes voice actor and coach Tim Powers to explore why authentic voiceover is about much more than simply sounding natural. They dive into subtext, storytelling, emotional connection, predictable performances, character motivation, and the acting skills required to take someone else's words and make them feel genuinely true. Whether you're working in commercial, corporate narration, animation, or another area of voiceover, the same question remains: What are you really trying to make the listener feel? Anne and Tim also discuss why animation requires emotional truth, why imitation alone isn't enough, how practice builds authentic performance, and why the human ability to interpret and connect with a story remains at the heart of voiceover. Chapters 00:00 — Introducing Truth in the Booth with Tim Powers 02:23 — The Misconceptions About Becoming a Voice Actor 03:04 — Why Clients and Casting Directors Ask for Authenticity 05:17 — What Influencers Teach Us About Human Communication 06:01 — How to Make Someone Else's Words Sound Authentic 07:51 — Finding the Subtext Behind the Script 09:23 — Why Voice Actors Need Metaphor and Critical Thinking 11:25 — Every Script Has a Story 13:50 — Why Buying Decisions Begin With Emotion 16:00 — Voiceover as a Transference of Emotion 17:16 — Why Animated Characters Must Be Rooted in Truth 20:27 — Everything Has a Story 22:21 — Why Predictable Performances Don't Stand Out 24:23 — If You're Not Acting, You're Not Doing the Job 26:14 — Imitation, Impressions, and Emotional Range 28:24 — Why Voiceover Acting Is Not Supposed to Be Easy 29:37 — Why Professionals Make Difficult Skills Look Easy 31:03 — The Beatles, Practice, and Putting in the Time 31:43 — The Essential Lessons of Truth in the Booth

"If I can't say no to the Big Mac, or if I can't get my body to move intentionally, there's an element of self-mastery I don't possess. And so therefore I cannot give." ~ Chase CrouseWhat does John Paul II's Theology of the Body actually have to do with skipping the gym or ordering the Big Mac?Why might chasing your old "glory days" workout be the exact thing keeping you from getting healthier now?What's the real difference between comparing yourself to a fitness influencer and imitating a saint?In episode 107 of This Whole Life, Pat and Kenna Millea sit down with Chase Crouse, founder of Hypuro Fit, a Catholic fitness and nutrition coaching platform built to help people grow in strength, discipline, and virtue. Chase served as a missionary with Net Ministries before earning degrees in biblical theology, and he shares the exact moment reading John Paul II's Theology of the Body that changed how he saw exercise entirely: the realization that self-donation is impossible without self-mastery, and that gift of self to God and others requires a body and will that are actually trained to give.From there, the conversation moves into the practical side of that theology. Chase breaks down why so many people fail to build a fitness habit, either chasing an all-or-nothing intensity from their athlete days or never having built any tolerance for discomfort at all, and introduces the idea of minimal effective dosing, doing the least amount necessary to get real results rather than burning out on unsustainable extremes.Kenna and Chase also dig into the difference between comparison and imitation, why social media makes fitness advice feel like hard science when it's actually full of nuance, and how the Catholic tradition has always framed imitation, of Christ and the saints, as the true goal rather than something to feel shamed by. Chase closes with the one piece of practical wisdom he gives every client trying to build a healthier morning routine.This episode is for anyone who has ever wondered if caring about their physical health is a distraction from their spiritual life, or anyone looking for permission to start smaller than they think they need to.Chapters:(00:00) - Cold Open(00:30) - Welcome and Meet Chase Crouse(02:42) - High and Hard: Postpartum Health and a New Book Launch(17:08) - From Personal Training to Founding Hypuro Fit(18:36) - The Theology of the Body Lightbulb Moment(28:17) - Why Habits Are Hard and the Power of Minimal Effective Dosing(39:35) - Filtering Fitness Advice: Comparison vs Imitation on Social Media(53:33) - Sleep, Prayer, and a Final Challenge by ChoiceLinks and Resources:Chase Crouse and Hypuro Fit - https://www.hypurofit.org/Sanctify Your Day: A Structure to Live an Intentional, Healthy, and Holy Life - https://sophiainstitute.com/product/sanctify-your-day/The God of Endurance: A Practical Guide for Incorporating Exercise and Nutrition into Your Spiritual Journey - https://sophiainstitute.com/product/the-god-of-endurance/Support the showThank you for listening, and a very special thank you to our community of supporters!Join our email list and never miss an episode or an eventVisit us online at thiswholelifepodcast.com, and send us an email with your thoughts, questions, or ideas.Follow us on Instagram & FacebookInterested in more faith-filled mental health resources? Check out the Martin Center for IntegrationMusic: "You're Not Alone" by Marie Miller. Used with permission.

Fletcher Powell says a new comedy struggles to set itself apart from every other movie like it.

Title: 1-2 Thessalonians: Finale Text: The Books of 1 and 2 Thessalonians FCF: Prop: The Books of 1 and 2 Thessalonians is about God's people, saved, growing, and enduring until Jesus returns. Sermon Intro: [Slide 1] Turn in your bible to the books of 1 and 2 Thessalonians. For the last 9 months over the course of 34 sermons, we have covered all 136 verses of the canonical letters of Paul to the church in Thessalonica. Though they are two distinct letters, having been written only months apart and having several common themes, they could be observed as two chapters of one book. Today will be a different kind of message. Instead of looking at a particular text, we are instead going to assume the role of systematic theologians. Rather than sitting back and allowing one thought to pour over us from the text – we will instead fit together all we have learned into categories of truth. Although Paul doesn't outline for us what the main or primary purpose of each letter is – it is not difficult to gather the themes of each and come to a synopsis of what exactly Paul wanted to get through to the Thessalonians. I have printed an outline for each book. Some of them are available in the back still, but if you need a copy of either, let me know and I'll be happy to provide them. It is also worth noting that every sermon from this series is available in audio format on our website and almost all of them are available in video format on our YouTube channel. So, if you ever want to go back and review, or listen along with your own personal study, that is available for you. And that goes for every series I have preached here since I preached through Galatians, which was, believe it or not, 10 years and 2 days ago. We will begin this finale study by looking over the general timeline of the two books' composition and what each book touches on broadly. Then we will analyze the two books together for major themes and look for how those themes lace together with the rest of the scriptures and how they continue to be applicable for us today. Then we will put all those themes together to form a single yet dense sentence of the main theme of these two books. But first let me pray to get us started this morning. [Slide 2] The Timeline: · Paul, Silas and Timothy teach for a few months in Thessalonica · Paul is chased out of Thessalonica by the Jews · Paul goes to Corinth · Paul sends Timothy to check on them [Slide 3] The Reason · Timothy has reported back · They are being shunned by unbelievers in Thessalonica · They are confused on eschatology. They don't want any in the church to miss it, living or dead. · They have some lingering areas which need growth, including sexual immorality, love of one another, and working to provide for themselves. There are some unruly busy bodies causing some issues too. [Slide 4] The Content of Letter 1 · Thanksgiving for what God did in their hearts · Encouraging growth in faith, love, and hope. · Correction of eschatology · Hope in identity in Christ · Labor in love, work out faith · Need for peace from God [Slide 5] The Timeline: · Paul sends the first letter with Timothy · Paul continues work in Corinth with increasing persecution · Paul anxiously awaits Timothy's report · Paul sends second letter [Slide 6] The Reason · Timothy has reported back · Now being persecuted · Now deceived on eschatology thinking it has already come because some preachers and a letter that said it was from Paul said so. · The unruly are still a problem [Slide 7] The Content of Letter 2 · Thanksgiving for what God continues to do in their hearts · Encouragement for persecution · Correction of Eschatology · Hope in being chosen by God · Correcting the unruly · Need for peace and grace Transition: [Slide 8 (blank)] So now that you can remember at least broadly what Paul has written, let's synthesize all that information into some major themes across both 1 and 2 Thessalonians. I have narrowed it down to 7 major themes that all feed into the primary theme which we will dissect last of all. So, let's get started. I.) [Slide 9] Discipleship = Imitation a. Paul mentions imitation in both letters. b. Paul talks about the Thessalonians successfully imitating his example. He also talks about he and his companions' example being one worth imitation. c. And by extension, Paul indicates that because the Thessalonians have imitated him and his companions, they themselves are worthy of imitation. d. In this we see that in Paul's mind the heart of discipleship is one person following Jesus and encouraging others to follow them as they follow Jesus. e. In that sense if we simply follow the person who is closer to Christ than we are, we will always be following Christ. f. [Slide 10] So how does this theme relate to the rest of the New Testament? Well Paul addresses this in the Pastoral epistles where he tells Titus to have the older men teach the younger men and the older women teach the younger women. He doesn't just say teach them Christ's commands, although that is certainly part of it. He tells them to teach by example and produce those who imitate them. Peter lifts himself up as an Elder as an example to other Elders. In Acts the church first devotes themselves to the apostles' teaching. That is interesting. They were contemporaries of Christ, yet the apostles were the ones they were imitating. Why? Because the apostles were imitating Christ. g. [Slide 11] How does this theme work itself out in the whole counsel of scripture? As we look to the Old Testament, God continually raised up men who served as examples. The Patriarchs in general were examples to Israel. When a King was a godly King, he was said to follow in the footsteps of David. When he was ungodly, he was said to follow in the footsteps of Jeroboam. Here we see that godliness is taught and demonstrated through imitation. And so is ungodliness. Proving the axiom that more is caught than taught. h. [Slide 12] What impact does this concept have on us today? There are literally thousands of curriculums, courses, books, seminars, and philosophies surrounding the idea of discipleship. Some churches have pastors of discipleship. My point is not to say that these are foolish or a waste of time, necessarily. But the long and the short of it is, if you think of discipleship as a 12-week course to graduate from and not imitating those who are godly around you – you might have missed it. Imitation is much simpler and much more accessible. We might not be able to attend a 12-week course, but anyone can observe someone they know loves Jesus and is a godly person and endeavor to live like they live. This doesn't eliminate the need for intentional discipleship. But even when we intentionally disciple we must be someone who is worthy of imitation. All the while we continue to point ourselves toward imitating Christ. [Slide 13 (blank)] Transition: What is another piece of puzzle helping us form the primary theme of these books? II.) [Slide 14] True believers have nothing to fear regarding the Day of the Lord a. In both letters Paul addresses some fear or anxiety concerning the Day of the Lord. b. Have those who died missed it? c. Will it be so subtle we'll miss it? d. Are you sure because we have heard preaching saying we missed it? e. Paul not only informs them that they can't possibly miss the Day of the Lord – but he also, in both books, assures them that those who are truly God's people, have nothing to fear about the Day of the Lord. f. They might experience hardship and difficulty – but they won't be judged with the wicked. And they won't miss out on the kingdom. It doesn't work that way. God saved them FOR this Kingdom… and nothing can change that. g. [Slide 15] How does this theme present itself in the New Testament? In every entry of the New Testament concerning the end times and the Day of the Lord they serve both as a warning to those who are wicked and a comfort to those who are righteous. Those who have been made righteous in Christ should be comforted, not frightened, concerning the Day of the Lord. And those who are wicked should be warned. A third group exists as well. Those who claim to be righteous but are bearing no fruit, are warned that unless they do bear fruit, they will be swept away with the unrighteous. Not because they didn't bear fruit… but because they were never actually righteous. h. [Slide 16] Do we see this theme in the Old Testament as well. Perhaps even more so. The Prophets especially speak often of the Day of the Lord. And in those texts we also have three groups of people addressed. The wicked are warned of their judgment, the righteous are promised their coming reward, and those who live disobediently but claim to be God's people, are warned to obey lest they be swept away with the wicked too. i. [Slide 17] What does this theme mean for us? There is a lot of variety when it comes to eschatology. There are many different views and most of them are quite valid from the scriptures. But a view of eschatology that does not give comfort to God's true people, is a view that must be denied. Any view that denies the eternal punishment of the wicked, must be denied. Any view that allows you to live however you want, unchanged, and inherit God's Kingdom still, must be denied. And unfortunately, that eliminates several false teachings that are running rampant today. Be wise and understand that only the righteous will enter that Kingdom and only the righteous have nothing to fear on the Day of the Lord. [Slide 18 (blank)] Transition: That's two themes down. What is the next piece of the puzzle? III.) [Slide 19] True believers stand firm in and hold fast to the Christian Tradition a. We defined Christian tradition as the doctrines and lifestyles that Christ gave to His apostles to give to the church as it grew and expanded. b. In this, we see the first theme overlap a bit into this one. c. Since discipleship is imitation, true disciples of Christ should be imitators of Him and all who imitate Him. d. In that they will continue to hold fast to the doctrines Christ taught through His apostles and they will continue to stand firm in the lifestyles that Christ and his apostles taught and demonstrated. e. This is why when professing believers stop confessing truths or stop living in ways that conform to Christ, we begin to doubt or lose confidence in their profession of faith. f. [Slide 20] This concept is found in the rest of the New Testament as well. When we studied 1 and 2 Peter, James, Jude, 1-3 John, Galatians, Acts, and Matthew we saw this theme on repeat. True believers, true followers of Christ… follow Christ. They conform to what the master taught and lived. That is the nature of following Him. Meaning that any who don't… have lost all assurances that they are indeed His follower. g. [Slide 21] How does this theme present itself in the whole counsel of God? In the Old Testament God kept pointing back to what He had done. He kept pointing back to positive and negative examples of people following Him and being blessed and not following Him and being cursed. It becomes clear that those who are truly His remnant are those who consistently obey what He tells them to do. They consistently worship Him exclusively and live uprightly. The ones who are God's are those who conform to His standard and not to the nations around them. h. [Slide 22] How does this theme impact us today? We cannot love the world and God at the same time. If we love the world the love of the Father is not in us. It is so easy to let values of this world creep in. It is easy to let lifestyles of this world overtake us. But we must constantly be comparing our beliefs and lifestyles to the examples of Christ and his apostles through the Word of God. We who are true children of God must and ultimately will stand firm in and hold fast to the Christian Tradition. [Slide 23 (blank)] Transition: Three down four to go. IV.) [Slide 24] True believers grow in faith, love, and hope. a. This is a theme that Paul overtly developed in his first letter, but certainly was present in the second letter. b. In many ways it is part of their keeping the Christian traditions in that these three cardinal Christian graces are only possibly to true believers who are in Christ and following Him. c. They are called graces because each of these are given by God to His people as gifts. d. Faith speaks to not only what we believe but how firmly we hold to it. Love speaks to not only our love for God but for one another. And hope is rooted in the promises and atoning work of Jesus Christ. e. [Slide 25] Analyzing this theme in relation to the rest of the New Testament we observe that, they are called Cardinal graces because throughout the New Testament we see these graces mentioned most among all the gifts we should seek from God in increasing ways. Nearly every New Testament writer mentions these graces as gifts of God to His people to help them walk in His ways. f. [Slide 26] In the Old Testament we see these graces too although less explicitly stated. Certainly, faith in what God says, love for Him and others, and hope in His promises are included in everything taught and commanded of the children of Israel. g. [Slide 27] What does this mean for us? Since they are graces, we cannot work them up or conjure these on our own. We must seek the Lord for a steady and increasing supply of these as we endeavor to live for him in a fallen world. Of course, because our God is faithful and good, He continues to supply His grace to us in these ways through various means. [Slide 28 (blank)] Transition: More than half way there. V.) [Slide 29] True believers will endure great suffering before the Lord returns. a. Well, this one is a little less encouraging, isn't it? b. Paul mentions this overtly in both letters. He tells them that as believers in Jesus Christ they have been “appointed for affliction.” c. And he warns them of the coming apostasy and man of lawlessness who will bring great persecution upon the church. d. There is really no way to get around it, if we are followers of Christ, and the world crucified Christ, we shouldn't expect to be friends of the world. e. [Slide 30] Throughout the New Testament we see this theme expounded. Indeed, several letters in the New Testament are written to Christians who are suffering for the sake of Christ. Jesus addresses this and not only says that His followers will have trouble in the world, but also that suffering for His name is a blessing. And John affirms that the persecution of the man of lawlessness upon the saints in the last days will be quite successful. He says that the man of lawlessness will be granted power over them. f. [Slide 31] But the people of God in the Old Testament were exactly the same. Able was killed out of jealousy because he was righteous and Cain wasn't. Noah was despised though he spoke the message of truth and judgement. The children of Israel were enslaved to the Egyptians for 400 years. The Assyrians abused them, the Babylonians tried to assimilate them. God's prophets were hunted and killed, many times by the Israelites themselves. Even David, a man after God's own heart, was usurped by his own son. Following God and obeying Him has never been a safe path. It has always guaranteed trouble. g. [Slide 32] What does this mean for us? We are still enjoying relative freedoms in this country to worship God the way He tells us to. But the tide is turning. The voices of a godless or anti-Christian cause are rising up. And no amount “getting out the vote” is going to stop them. People have long rejected the bible and the God of the bible… it is only a matter of time before they reject the people of the God of the bible. Let's not get too attached to our comfort Christians. Very soon, it will cost you something valuable to follow Christ. You will have to give up freedoms, possessions, and even family to follow Christ. Are you ready? [Slide 33 (blank)] Transition: Only a couple more themes now. VI.) [Slide 34] True believers should be excellent in labor and giving. a. In both letters Paul desired them to work with their own hands, quietly, and earn a living for themselves. b. If they aren't willing to work, then they shouldn't be allowed to eat. c. Meaning no one should give them food if they just don't want to do anything. d. Furthermore, they should be doing good with their wealth by supplying the needs of those who are truly destitute. e. [Slide 35] This theme is repeated in the New Testament both by outright command in some of Paul's other letters and by example in the gospels and Acts. James describes the destitute as those who truly are unable to provide for themselves like widows and orphans. But even some widows are not truly destitute since they can remarry or be sustained by their family members. f. [Slide 36] In the Old Testament we see God putting in His law the care of those who are destitute, even reaching beyond the children of Israel to the stranger and foreigner among them. Not the fact that they are foreigners alone but that they are unable to provide for themselves. God's heart is near to those who are truly destitute. And therefore, He expects His people, if they are able, to work hard and earn enough to provide for their own family and a little extra to help others. g. [Slide 37] What does this mean for us? My friends, Christians should be the example every employer holds up as a hard worker. Christians should provide enough to care for their family's needs (not wants) but needs. And Christians should be known for their compassionate and joyful giving to alleviate real need first from their fellow believers and then to those outside the household of faith. This is a particularly difficult thing for younger believers to hear, since some generations coming into the workforce right now, are notoriously entitled and think they should be handed a paycheck that provides all their needs and wants for little to no work. To that, you must heed the teaching of Paul. Work hard and have enough to provide your needs and a little extra to provide for others who cannot provide for themselves. [Slide 38 (blank)] Transition: One final major theme of these books remains, and we needed to see all we just did for it to make sense. VII.) [Slide 39] The church is made of true believers a. After spending all this time discussing what true believers look like, we recognize that Paul spends a good deal of time defining what the church looks like. b. He also indicates that those who do not look like this should be marked out for disassociation. c. Meaning they shouldn't be treated as part of the community any longer. d. That is because the true church only consists of true believers and true believers do all that we've been talking about all morning. e. [Slide 40] As we look at the whole of the New Testament generally, we find this to be the message of the apostles to the churches they write to. There is an ontological change, a change in the core of your being when you come to Christ. It is not merely a change of mind; it is a change of nature. You become a new creation. You can change your mind about whether or not you like to fly… but you can't decide to grow wings and fly away. But when we are converted, we are given the Holy Spirit and we are changed from the inside out. This means that conformity to Christ is not only required… it is assured of all those who are truly saved. When someone professes to be of Christ but falters on conforming to Him, that is when the New Testament speaks of disassociation and excommunication from the church. f. [Slide 41] While we certainly can't see the church in the Old Testament, there was a covenant community of Israel and there were strict rules, moral, ceremonial, and civil that guarded entry into and purity within that covenant community. There were certain things that if you did them, you would be removed forever. Cut off. There were others that if you made a practice of them, you'd be cut off. g. [Slide 42] What does this mean for us? There has always been a safeguarding of God's people. Within the covenants that God establishes He sets the rules for who are within and without the covenant community. He also gives us paradigms to determine whether someone needs to be confronted or even removed from that community, even if it is only for a time. Yet the law of God's love permeates the New Covenant in that we continue to warn people disassociated from us, expected them to eventually repent and return. Why? Because they have confessed Christ. And we have hope that they will repent if they truly are believers. Transition: [Slide 43 (blank)] So what is the primary theme in these two books? What theme do all these themes feed into? Conclusion: [Slide 44] God has chosen from the beginning a people whom He will save from sin and death, whom He is continually conforming to His Son, whom the world will hate, who will endure until Jesus returns to save them to His Kingdom, forever! Let's break this down line by line. 1.) [Slide 45] First, God is the one doing this. a. As with all things, God is the primary mover in all things. b. As creator, He is always acting so that His creation can respond. 2.) [Slide 46] God has chosen from the beginning. a. This is, essentially, the sovereignty of God. b. God is not responding to things in real time as if He has just come to know them now. c. That would necessarily mean that there were things that God did not know which directly contradicts scripture. d. And because mankind is so lost, it requires God to act first to save them. e. We are told in Scripture and in II Thessalonians directly, that God chose before time began. From the beginning God chose to act. f. But what did He choose? 3.) [Slide 47] a people He will save from sin a. This is the doctrine of predestination. b. God chose, according to the counsel of His own will, who He would elect and redeem before time began. c. He chose because without choosing none would be saved. d. He chose not based on what those He was choosing would be or do, but according to His own desires. e. God chose a people, individuals from every tribe and nation, to save from sin through Christ's death and resurrection. f. Saving them from sin not only includes sin's penalty but even sin's power over them and eventually even sin's presence in their lives. 4.) [Slide 48] and death a. Of course, what good is it to be saved from sin if you still die with no hope of being raised? b. So, God chose not only to save from sin but also to deliver this chosen people from death and into eternal life. c. Christ is the firstborn of many brothers who die but will be raised again. 5.) [Slide 49] whom He is continually conforming a. But after saving them from sin and before they are rescued through death, God has also chosen to continually mold this people. b. He will not simply save them but will change them. He will conform them… to what? 6.) [Slide 50] To His Son a. It is in Christ that God has ever said He was well-pleased. b. Christ obeyed the whole law and pleased the Father perfectly. c. And so, God has chosen a people to continually conform to the perfect human, our new representative, Jesus Christ. 7.) [Slide 51] Whom the world will hate a. Of course, in conforming them to His Son, it will mean they inherit all that Jesus inherited, including the hatred of the world b. If we are chosen in Christ, we will be a new creation and opposed to the world which is allied against God. c. We too will be hated like Christ was d. And the more we look like Him, the more that hatred will grow. 8.) [Slide 52] Who will endure a. Even though we are appointed to be afflicted for Christ's sake, we are equally appointed to endure to the end. b. Our faith, if it is genuinely given by God, will endure to the end. c. Our obedience and love to God will also endure. d. Until when? 9.) [Slide 53] Until Jesus returns to save them a. Although we are saved from our sin upon conversion, we are not saved fully until the Lord Jesus returns. b. When He does, our enduring will come to an end and our eternal rest will begin. c. But how will we rest? What are we saved to? 10.) [Slide 54] To His Kingdom forever! a. We will be given new bodies to dwell in a New Kingdom where all will be made whole and complete. b. He will bring order and peace. He will bring us into perfect rest. c. And we will never have to be separated from Him ever again. d. God has chosen a people to obtain the glory of Christ. [Slide 55 (end)] Why are the books of 1 and 2 Thessalonians so uplifting to true believers? Because this is the primary theme. God has chosen us for marvelous things. Wonderful and glorious things. So, hold fast and stand firm. Endure to the end. And then, you will know true rest in Him. Let me pray and thank the Lord for His Word. Until we meet again – Grace and Peace to you.

In this episode:Why we imitate the visible “tree” without seeing the seeds, sacrifices, and choices that produced itHow individual values spread through imitation until they become culture, institutions, and systemsWhy Jesus says not to pull the weeds—and what this reveals about the limits of human judgmentHow certainty, the crowd, and our unexamined lenses can make us believe we see the whole fieldWhy humility means recognizing that seeing something clearly does not mean seeing everythingThe Parable of the Weeds raises an unsettling question: If we can see evil growing, why not simply pull it out? This episode follows the seed from the individual outward, exploring how what we become becomes visible, gets imitated, and eventually shapes cultures and systems. Through Jesus, Jung, Kierkegaard, Nietzsche, psychology, and the biblical image of the knowledge of good and evil, we examine why human beings are so confident in judging the entire field when we are standing inside it ourselves. We may recognize wheat and weeds, truth and deception, good and evil—but wisdom requires understanding the limits of what we can see, examining the lens through which we see it, and asking what we are imitating, cultivating, and passing on to others.Elevate How You Navigate with Len & a free call https://elevatehowyounavigate.comMAYU Water, use "autism" for 10% off at https://mayuwater.comDaylight Computer Company, use "autism" for $50 off at https://buy.daylightcomputer.com/autismDaylight Kids (!!!) https://kids.daylightcomputer.com/autism ‪Chroma Light Devices, use "autism" for 10% discount at https://getchroma.co/?ref=autism00:00 From Seed to System; What Happens When Becoming Spreads?01:54 We Imitate Trees, Not Seeds; What Success Hides03:52 From Person to Culture; How Values Become Systems04:43 Nietzsche & Kierkegaard; Where Did Your Values Come From?06:33 The Parable of the Weeds; Why Does God Allow Evil to Grow?07:16 Why Not Pull the Weeds?; The Limits of Human Judgment10:00 Everyone Thinks They Are the Wheat; The Danger of Certainty13:03 Humility; Seeing Something Doesn't Mean Seeing Everything14:14 The Knowledge of Good & Evil; Who Gets to Administer the Field?16:43 The Crowd; Confidence Is Not the Same as Truth18:06 Imitation, Institutions & How Seeds Survive Generations19:11 Final Reflections; What Are You Imitating & Becoming?21:48 MAYU Water, Daylight, Chroma & Len ArcuriX: https://x.com/rps47586YT: https://www.youtube.com/@FromTheSpectrumemail: info.fromthespectrum@gmail.com

Josh Blyskal, Special Projects at Profound, returns to the show for a data-rich, in-person conversation with Ross Hudgens about what's actually true in AI search right now, and what's just noise.  Josh makes the case that the industry's obsession with tracking frequency is mostly a distraction (running a prompt 10x a day vs. once barely moves your visibility score) and that the real hard problem is still attribution. He walks through a new model some advanced teams are using, treating agent attention as a proxy for human attention and heavily discounting citations into "clicks,” and shares why ChatGPT referral traffic is up 60% since mid-March, especially for CPG.  From there they get into why GEO is fundamentally a relationship business (the Reddit–Google negotiations, why Claude cites Reddit almost never, and the walled-garden problem), what actually separates slop from signal, and why listicles still do the "caloric work" of teaching a model an industry.  Show Notes 0:00 How often should you track Prompts? 08:14 The new attribution model 14:05 GEO as a relationship business 20:05 What separates slop from signal 26:43 Product pages, versus queries and battle cards 30:21 ChatGPT vs. Claude 34:12 Future-proofing your stack 40:55 Video, social and the language arbitrage 49:18 Imitation vs. creation & where GEO is headed Show Links Josh's website Josh on LinkedIn Preorder "Generative Engine Optimization: The Definitive Guide to AI SEO" by Ross Hudgens Subscribe for weekly episodes Listen on Apple Listen on Spotify Follow Ross on X Follow Siege Media on X Email Ross   Subscribe today for weekly tips: https://bit.ly/3dBM61f Listen on iTunes: https://podcasts.apple.com/us/podcast/content-and-conversation-seo-tips-from-siege-media/id1289467174 Listen on Spotify: https://open.spotify.com/show/1kiaFGXO5UcT2qXVRuXjsM Listen on Google: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9jT3NjUkdLeA Follow Siege on Twitter: http://twitter.com/siegemedia Follow Ross on Twitter: http://twitter.com/rosshudgens Directed by Cara Brown: https://twitter.com/cararbrown Email Ross: ross@siegemedia.com #seo | #contentmarketing

Sunday Morning, August 2, 2026Given by Nathan George | Pastor of Worship, Christ Covenant ChurchImitation of God3 JohnWatch on YouTubeDownload our mobile app

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Worthy of Imitation (broadcast date: 07/26/2026)

When we first find the spiritual path, we imitate. It's natural. We put on the costume before we've done the inner work. We adopt the style before we've absorbed the substance. We copy what we see in the saints and the sages — the dress, the language, the mood. But it's been said: "No man was ever great by imitation. Almost all absurdity of conduct arises from the imitation of those whom we cannot resemble." Raghunath and Kaustubha take that insight into one of the most important questions in the Bhagavatam: how could Krishna, the original speaker and guardian of morality, have a romantic relationship with so many girls? The answer extends to reframing who we are and what our purpose in life is. On the broadest level, the material world itself is the result of us imitating the Divine. That imitation produces absurdity and suffering. Returning to our natural position can be found through bhakti. Srimad Bhagavatam 10.33.26-34 ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

When we first find the spiritual path, we imitate. It's natural. We put on the costume before we've done the inner work. We adopt the style before we've absorbed the substance. We copy what we see in the saints and the sages — the dress, the language, the mood. But it's been said: "No man was ever great by imitation. Almost all absurdity of conduct arises from the imitation of those whom we cannot resemble." Raghunath and Kaustubha take that insight into one of the most important questions in the Bhagavatam: how could Krishna, the original speaker and guardian of morality, have a romantic relationship with so many girls? The answer extends to reframing who we are and what our purpose in life is. On the broadest level, the material world itself is the result of us imitating the Divine. That imitation produces absurdity and suffering. Returning to our natural position can be found through bhakti. Srimad Bhagavatam 10.33.26-34 ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

Exodus 6 - 7 | This week, the narrating voice of Exodus slows down the story with a genealogy. This is where most of us skip forward, but we won't today! Also, Moses and Aaron unleash the completely unique sign from Yahweh that proves that the brothers are representing the actual deity of the Hebrew people. Turns out Pharaoh's magicians can also make their shepherd staffs become snakes. Now what?

Adeline Atlas 11 X Published AUTHOR Digital Twin: Create Your AI Clone: ⁠⁠⁠⁠https://www.soulreno.com/digital-twin⁠⁠⁠⁠SOS: School of Soul Vault: Full Access ALL SERIES⁠⁠⁠⁠⁠https://www.soulreno.com/joinus-202f0461-ba1e-4ff8-8111-9dee8c726340⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/soulrenovation/⁠⁠⁠⁠Soul Renovation - BooksSoul Game - ⁠⁠⁠⁠https://tinyurl.com/vay2xdcp⁠⁠⁠⁠Why Play: ⁠⁠⁠⁠⁠https://tinyurl.com/2eh584jf⁠⁠⁠⁠How To Play: ⁠⁠⁠⁠⁠https://tinyurl.com/2ad4msf3⁠⁠⁠⁠Digital Soul: ⁠⁠⁠⁠https://tinyurl.com/3hk29s9x⁠⁠⁠⁠Every Word: ⁠⁠⁠⁠⁠⁠http://tiny.cc/ihrs001⁠⁠⁠⁠Drain Me: ⁠⁠⁠⁠⁠https://tinyurl.com/bde5fnf4⁠⁠⁠⁠The Rabbit Hole: ⁠⁠⁠⁠https://tinyurl.com/3swnmxfj⁠⁠⁠⁠Destiny Swapping: ⁠⁠⁠⁠https://tinyurl.com/35dzpvss⁠⁠⁠⁠Spanish Editions: Every Word: ⁠⁠⁠⁠https://tinyurl.com/ytec7cvc⁠⁠⁠⁠Drain Me: ⁠⁠⁠⁠https://tinyurl.com/3jv4fc5n⁠⁠⁠⁠

Paul says to the church at Corinth, “Imitate me as I imitate Christ.” The word in the Greek is where we get our word “mimic.” Paul is saying that he has such a close relationship with Jesus that he mimics him in everything he does and therefore, he can say to the believers, “Y'all mimic me because I am mimicking, I am acting just like Jesus.” Can we say that? Are we acting just like Jesus? What if someone was to follow your lead? Where would you lead them? To Jesus? Away from Jesus? Is your walk with Christ like a rollercoaster, up and down, turning all around, then back to the station? Or is it solid, trustworthy, stable, steady so that you can lead others to the immovable stone, the solid rock, Jesus?

Today we step directly into an intense political thriller that would be the envy of Tom Clancy, Vince Flynn, and John le Carre. In 2 Samuel 15, King David is fleeing for his life after his son, Absalom, launched a sudden rebellion in an attempt to steal the throne. Absalom has taken over the palace, but to completely secure his power, he needs to eliminate his father. In 2 Samuel 17, to determine the best course of action to accomplish is murderous goal, he calls two brilliant young advisors - Ahithophel and Hushai - to his war room to propose their best military options. But as Thomas a Kempis famously wrote in The Imitation of Christ, “Man proposes, but God disposes.”

Avec : Emmanuelle Dancourt, journaliste indépendante. Jérôme Lavrilleux, propriétaire de gîtes en Dordogne. Et Pierre Rondeau, économiste. - Accompagnée de Charles Magnien et sa bande, Estelle Denis s'invite à la table des français pour traiter des sujets qui font leur quotidien. Société, conso, actualité, débats, coup de gueule, coups de cœurs… En simultané sur RMC Story.

Too many people settle and are complacent and comfortable without understanding the mindsets they have is their greatest enemy. They're stuck and stagnant because of their own ways of thinking, feeling, and acting! Until people get out of their own way and allow healing of their hearts and minds, no change will occur! This can't be accomplished without doing the necessary inside work! People will continue to accept and allow things against their own best interest. They will think it's okay to get into or remain in unhealthy, toxic, and dead-end relationships! Love isn't blind, people are! Yet, those with unhealed hearts and minds don't realized how their own unresolved inner issues affect their lives!Become a supporter of this podcast: https://www.spreaker.com/podcast/relationships-and-relatable-life-chronicles--4126439/support.

► Tickets für unsere Tour: ⁠https://www.eventim.de/artist/die-deutschen► https://www.nummergegenkummer.de/► https://www.stoppt-mobbing.de/Erfahre exklusiv, wie es ist, die Hauptrolle im MJ Musical zu spielen und welche harte Arbeit wirklich hinter diesem Welt-Erfolg steckt. Tauche mit uns in die faszinierende Welt der Stage-Entertainment-Produktionen ein.In dieser intensiven Folge von 'Die Deutschen Podcast' haben wir den DSDS-Gewinner und heutigen MJ-Musical-Star Prince Damian zu Gast. Wir lüften das Geheimnis um die Königsdisziplin der Unterhaltungsbranche: das Musical. Prince Damian gibt uns seltene Einblicke in den harten Alltag zwischen München und Hamburg, das anspruchsvolle Auswahlverfahren durch das Jackson Estate und die psychische Belastung, permanent auf Höchstniveau performen zu müssen. Wie schafft man es, nach DSDS und Reality-Formaten wie 'Ich bin ein Star' weiterhin erfolgreich zu bleiben? Gemeinsam beleuchten wir den Unterschied zwischen Imitation und echter Charakterdarstellung, das strikte Fitness-Regime und die logistische Herkulesaufgabe hinter täglichen Shows. Zudem diskutieren wir die Faszination von Musical-Städten wie Hamburg, die Geheimnisse des Erfolgs von Klassikern wie 'König der Löwen' oder 'Tanz der Vampire' und blicken gespannt in die Zukunft der Hologramm-Konzerte. Ein absolutes Muss für jeden Musical-Fan und alle, die hinter die Fassade des deutschen Show-Business blicken wollen.Alle Kanäle | Prince Damien► https://www.instagram.com/myprincedamien► www.youtube.com/@MyPrinceDamien► https://x.com/myprincedamien► https://www.stage-entertainment.de/cast/prince-damien► https://open.spotify.com/intl-de/artist/2ZoC4H2JoIxYMUTlliZTGZAlle Kanäle | Die Deutschen► Folgt uns: ⁠https://linktr.ee/diedeutschen⁠► Werdet Teil der Community auf Patreon: http://www.patreon.com/diedeutschenpodcast/membership⁠

The Rebbe addresses the natural human aversion to competition and imitation, explaining that Lubavitch and the Rebbe specifically desire many to join in their work. He encourages the recipient to increase involvement and support for communal efforts. https://www.torahrecordings.com/rebbe/igroskodesh/012/006/4147

The 1992 Professional and Amateur Sports Protection Act prohibited betting on baseball, basketball, American football and most other sports in nearly every US state.In 2018, the Supreme Court declared the act unconstitutional, opening up America to a stampede of betting.On Free State today we look at how the gambling industry achieved such prominence and how they made gamblers feel that the problem wasn't them it was you. With tens of billions being bet on the World Cup and prediction markets like Polymarket allowing people to take a position on everything, we wonder where it will end? Hosted on Acast. See acast.com/privacy for more information.

Julien Courbet tente de contacter Athina Juge, mais cette dernière met du temps à répondre... l'envoyée spéciale était en fait bien occupée ! Tous les jours, retrouvez en podcast les meilleurs moments de l'émission "Ça peut vous arriver", sur RTL.fr et sur toutes vos plateformes préférées. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Adeline Atlas 11 X Published AUTHOR Digital Twin: Create Your AI Clone: ⁠⁠⁠⁠https://www.soulreno.com/digital-twin⁠⁠⁠⁠SOS: School of Soul Vault: Full Access ALL SERIES⁠⁠⁠⁠⁠https://www.soulreno.com/joinus-202f0461-ba1e-4ff8-8111-9dee8c726340⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/soulrenovation/⁠⁠⁠⁠Soul Renovation - BooksSoul Game - ⁠⁠⁠⁠https://tinyurl.com/vay2xdcp⁠⁠⁠⁠Why Play: ⁠⁠⁠⁠⁠https://tinyurl.com/2eh584jf⁠⁠⁠⁠How To Play: ⁠⁠⁠⁠⁠https://tinyurl.com/2ad4msf3⁠⁠⁠⁠Digital Soul: ⁠⁠⁠⁠https://tinyurl.com/3hk29s9x⁠⁠⁠⁠Every Word: ⁠⁠⁠⁠⁠⁠http://tiny.cc/ihrs001⁠⁠⁠⁠Drain Me: ⁠⁠⁠⁠⁠https://tinyurl.com/bde5fnf4⁠⁠⁠⁠The Rabbit Hole: ⁠⁠⁠⁠https://tinyurl.com/3swnmxfj⁠⁠⁠⁠Destiny Swapping: ⁠⁠⁠⁠https://tinyurl.com/35dzpvss⁠⁠⁠⁠Spanish Editions: Every Word: ⁠⁠⁠⁠https://tinyurl.com/ytec7cvc⁠⁠⁠⁠Drain Me: ⁠⁠⁠⁠https://tinyurl.com/3jv4fc5n⁠⁠⁠

Summer is prime time for river smallmouth, and once the water warms up, these fish become some of the most aggressive and predictable bass you can target. In this episode, we break down how rising water temperatures change smallmouth behavior, why crayfish are the key food source to imitate around rock and gravel, and why the shoreline often holds more active fish than the middle of the river. We cover how to read current breaks, shade lines, and first drop-offs, how to cover water efficiently until a pattern shows itself, and the gear setup that gives you the sensitivity and control to handle hard-fighting river fish. If you want to turn every bend and rock line into a productive stop, this episode has the blueprint.Become a supporter of this podcast: https://www.spreaker.com/podcast/bass-cast-radio--1838782/support.Become a Patreon memebet now for less then a pack of worms you can support Bass Cast Radio as well as get each epsiode a day early & commercial free. Just click the link below. PATREON 

This Week at Genesis | We Are Children of Our Heavenly Father Ephesians 6:1–9 As Paul concludes his household instructions in Ephesians, he turns to children, parents, slaves, and masters. In this message, we explore God's design for the parent-child relationship through the lens of the gospel. We are reminded that before we are parents, spouses, leaders, or workers, we are first children of our Heavenly Father. His love, discipline, grace, and instruction become the model for how we relate to others and how we raise the next generation. Together we consider what it means to obey and honor, how godly discipline reflects God's heart for His children, and why spiritual formation often happens through instruction, boundaries, training, and even struggle. Whether you are a parent, a child, both, or neither, this passage invites us to see ourselves as deeply loved sons and daughters learning to imitate our perfect Father. Scripture & Themes

Recently, the Amherstburg Freedom Museum hosted a virtual book launch for Cheryl Thompson's latest work, Staging Blackface in Canada, which was published in April 2026 by Wilfrid Laurier University Press. We're sharing a portion of that very interesting discussion.Cheryl Thompson lives in Toronto and is the author of Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812–1897, Uncle: Race, Nostalgia, and the Politics of Loyalty, and Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture. She holds a PhD in Communication Studies from McGill University and completed her undergraduate studies at the University of Windsor here in the Detroit River Borderlands.Dr. Thompson is an Associate Professor in Performance at Toronto Metropolitan University and currently director of Black Creative Lab where she heads up projects including a digital mapping of Black archival collections in Ontario and a database that catalogues blackface as performance and Black community's resistance to it. Her latest work, released this spring by Wilfrid Laurier University Press, is Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919.To watch the full conversation, go to the Amherstburg Freedom Museum's YouTube channel. For more information about the book, check it out on the WLU Press website.

Hymns: My God, How Wonderful Thou Art Fill Thou My Life, O Lord My God O God of Mercy, God of Might Outline: I. The Necessity of Imitating God II. The Manner of Imitating God

Join us this week for the second message in our series, "New Self," with Pastor Jared Clausen.

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada's history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women's emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City's Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Imitation is a huge part of the human experience, as we imitate role models and loved ones. Oscar Wilde called it the 'highest form of flattery'. But what did imitation – or mimesis – look like in early Christianity? To find out, Helen and Lloyd take a trip in the time machine with Professor Cornelis Bennema. They discuss what imitation meant in the ancient world, how the New Testament writers adapted the concept, and why Paul instructs his listeners to 'imitate me'. Dr Cornelis (‘Cor') Bennema is Head of Research and Professor of New Testament Studies at the London School of Theology. His main research interests include the Johannine literature, character studies in biblical narrative and early Christian ethics. He is the author of a number of works on mimesis, most recently Imitation in Early Christianity: Mimesis and Religious-Ethical Formation (Eerdmans, 2025). Support the showTheme music written and performed by Dave Roos, creator of Biblical Time Machine. Season 4 produced by John Nelson. 

Pastor Nicoletti preaches a sermon on “Citizenship & Imitation” from Philippians 3:17-4:1.

For decades, Oregon's winemakers have looked to France as the standard setter for what constitutes great wine. Brianne Day, founder of Day Wines, thinks it's time to stop doing that. Brianne has spent her career exploring what makes Oregon's vineyards unique. Today, we discuss her winemaking philosophy, biodynamic farming practices, and why Oregon's most exciting wines are the ones that aren't trying to be from somewhere else.We Want to Hear from You!Have a topic, craft category, or craft company you'd like to see us cover? Email us at: info@blisterreview.com to share those or any other thoughts you have about CRAFTED.TOPICS & TIMES:Origin Story & 1,500 Wines (4:28)Wine Exploration (15:07)Wine Making Regions (16:30)American Terroir (27:45)Creating & Managing Expectations (13:32)Natural Wine (36:22)Amaro (49:44)RELATED LINKS:Day WinesSennzaFinneBlister Craft CollectiveBecome a BLISTER+ MemberENTER OUR WEEKLY GIVEAWAYS:Enter Our Free Weekly GiveawaysSEE OUR OTHER PODCASTS:Blister CinematicBikes & Big IdeasGEAR:30Blister Podcast Hosted on Acast. See acast.com/privacy for more information.

Is copying the ultimate compliment? This Hour Has 22 Minutes's Chris Wilson makes a good impression with his pro-plagiarism argument, but Sean Cullen says there's nothing worse than a cheap imitation of the real thing. Next, we're asking if everybody needs therapy. Nikki Payne claims we could all use some time on the counselling couch, but Ashwyn Singh refuses to talk it out.Featuring: Chris Wilson, Sean Cullen, Nikki Payne, and Ashwyn Singh.

If we move past the confusing labels of "biblical manhood," what are we actually left with?

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This sermon from the Celebration CA camp series confronts the idol of expressive individualism in modern Western culture. It explores the tension between the modern desire to constantly innovate and the biblical call to submit, imitate, and reproduce proven models of faith.Scripture References1 Thessalonians 11 Thessalonians 2Key PointsThe Danger of the "Spin": There is a strong cultural tendency, particularly on the West Coast, to take a functional model and immediately add a personal spin to it. This relentless desire to be unique can often hinder a church's effectiveness.The Fruit of Submission: True growth often comes from radical submission to authority. A group of men experienced decades of trauma healed in just four days by submitting entirely to scripture and trusted leaders.Imitation over Innovation: A pastor from the Midwest successfully implemented a leadership track by simply copying a functioning model exactly as it was, demonstrating that straightforward imitation often yields better results than forced creativity.The Thessalonian Model: The early church in Thessalonica became an exemplary model to all of Macedonia and Achaia. They achieved this not by innovating, but by strictly imitating the apostles and the Lord despite facing severe affliction.The Idolatry of Independence: The ultimate, unquestioned value in Western civilization is often personal freedom and total independence, which can severely hinder the advancement of the Kingdom of God.ConclusionThe church is called to be a unified body of imitators. By laying down the prideful need to uniquely innovate every aspect of faith, believers can experience the profound power that comes from submitting to God's word and replicating faithful, proven models.Calls to ActionReflect on areas where expressive individualism and the need for independence have hindered spiritual growth or leadership.Identify faithful, working models of leadership in your church community and commit to imitating them without unnecessary alterations.Share this sermon with other leaders seeking to build healthy, unified church cultures. Support the show*Summaries and transcripts are generated using AI. Please notify us if you find any errors.

Today's episode spotlights Claudette Colbert, a genuine icon of cinema. Colbert's career traversed multiple eras in Hollywood: the Silent Era, the Pre-Code Era, and the Golden Age. To kick it off, we discuss what is widely considered one of the all-time greats, It Happened One Night. Claudette Colbert co-stars opposite Clark Gable in this genre-defining classic. Next, Claudette Colbert sinks her teeth into the 1939 screwball comedy, Midnight.Finally, Colbert co-starred with Louise Beavers in Imitation of Life, a 1934 film that explored race and identity. Let us know what your favorite Claudette Colbert film is! ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Aujourd'hui, Charles Consigny, avocat, Laura Warton Martinez, sophrologue, et Mourad Boudjellal, éditeur de BD, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

May 7th 2026: Ever taken an imitation NyQuil thinking “how different could it really be?” Well… apparently VERY different. In today's solo episode of The Mom Room, I recap the recent cold that absolutely took me out and the off-brand nighttime cold medicine that somehow managed to derail my entire night instead of helping me sleep. Turns out the non-medicinal ingredients matter more than I ever knew, and I have thoughts.I also share my honest review of Strangers: A Memoir of Marriage by Belle Burden. This review may ruffle a few feathers, but if you know me, you know I can't fake enthusiasm for a book that didn't land for me. Let's discuss.Plus, I answer a few listener questions, including: what's one small thing lately that has brought you an unexpected amount of joy? A simple question with surprisingly wholesome answers.A chaotic cold, questionable pharmaceuticals, controversial book opinions, and tiny joyful moments, a pretty accurate representation of life lately. Enjoy!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

05/03/2026 The Church becomes a true expression of Anam Cara, through a people who embody the humility of Jesus—moving from self-preservation to self-giving love as a shared way of life.

We continue with the leader reconsidered, this time looking into the particular way a leader imitates Christ and His being-set-apart-for-others. What is the most fundamental way the Holiness of Jesus is shown forth? What else but that, in His resurrection, He retains the wounds of His passion! How is it that leaders must imitate Christ precisely in this way? Find out more by listening to the episode! Iowa Catholic Radio Network Shows:Be Not Afraid with Fr. Fabian Moncada and Fr. Bruce RiebeBe Not Afraid in Spanish with Fr. Fabian MoncadaCatholic Women Now with Chris Magruder and Julie NelsonMaking It Personal with Bishop William JoensenMan Up! with Joe StopulusSunday Dive with Katie PatrizioThe Catholic Morning Show with Dr. Bo BonnerThe Daily Gospel Reflection with Fr. Nick SmithThe Uncommon Good with Bo Bonner and Dr. Bud MarrFaith and Family Finance with Gregory WaddleWant to support your favorite show? Click Here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, we're joined by Prof. Cor Bennema, Professor of New Testament at London School of Theology and the author of Imitation in Early Christianity: Mimesis and Religious-Ethical Formation (published by Eerdmans). Prof. Bennema talks about the distinctives of mimesis relative to other kinds of ethical formation/development, and where early Christianity is situated relative to mimesis in Greco-Roman philosophy. Team members on the episode from The Two Cities include: Rev. Dr. Nathaniel Adishian, Rev. Dr. Chris Porter, and Dr. Sydney Tooth. Hosted on Acast. See acast.com/privacy for more information.

“BESS FLOWERS & FRANKLYN FARNUM: QUEEN & KING OF THE EXTRAS” - 4/13/2026 (135) Actors BESS FLOWERS and FRANKLYN FARNUM were absolute legends of the “blink and you'll miss them” world. They weren't headliners — in fact, they often were not credited or even noticed, but honestly, that's what makes them so fascinating—their careers quietly stitched together the fabric of classic cinema. They were Extras. Without them and other extras like them, all those iconic movie moments would feel a lot less alive. Their careers spanned decades and thousands of films. They became, in their own way, silent witnesses to the evolution of Hollywood from the silent era through the golden age and into the modern period. So this week, we're going to explore the lives and careers of BESS FLOWERS and FRANKLYN FARNUM, examining not only their astonishing productivity but also their unique roles within the Hollywood system. By looking closely at the films in which they can best be seen, we gain a deeper appreciation for their contributions and the overlooked artistry of background performers. SHOW NOTES:  Sources: “This Actor Was in the Most Best Picture Winners over 1,100 Films, March 5, 2024, by Lloyd Farley, Collider.com; “Queen of the Extras: The Bess Flowers Story,” January 24, 2018, Neatora.com; “20 Feet From Movie Stardom: The Overlooked Story of Hollywood's Greatest Extra,” February 20, 2014, by Scott Feinberg, Vanity Fair; “Scales of Presence: Bess Flowers and the Hollywood Extra,” 2011, by Will Straw, Screen magazine;  “Franklyn Farnum Actor, Dies,” July 6, 1961, New York Times; Wikipedia.com Playbill.com TCM.com; IBDB.com; IMDBPro.com; Oscars.org; Movies Mentioned: All About Eve (1950) The Awful Truth (1937) Torch Song (1953) The Life of Emile Zola (1936) Going My Way (1944) The Lost Weekend (1945) Gentleman's Agreement (1947) The Greatest Show On Earth (1952)  Around the World in 80 Days (1956) The Apartment (1960) Hollywood (1923) A Woman of Paris (1923) A Stranger From Somewhere (1916) The Clock (1917) The Fighting Grin (1918) The Desert Rat (1919) Vanishing Trails (1920)   Billy The Kid (1925) Cleopatra (1934) Hands Across The Border (1926) Laddie (1926) Glenister of the Mounted (1926) The Jazz Singer (1927) The Blue Angel (1930) Gold Diggers of 1935 (1935) Hop-A -ong Cassidy (1935) The Adventures of Robin Hood (1938) Gone With the Wind (1939) Mr. Smith Goes to Washington (1939) Stagecoach (1939) The Lady Eve (1941) Meet John Doe (1941) My Darling Clementine (1946) I Remember Mama (1948) A Letter to Three Wives (1949) The Heiress (1949) White Christmas (1954) Guys and Dolls (1955) The Ten Commandments (1956) Grand Hotel (1932) Dinner at Eight (1933) It Happened One Night (1934) The Thin Man (1934) The Wizard of Oz (1939) Double Indemnity (1944) It's a Wonderful Life (1946)  A Place in the Sun (1951) Singin' in the Rain (1952) Rear Window (1954) Imitation of Life (1959) The Parent Trap (1961) 4(1998) --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

WATCH: https://www.curlynikki.com/daily-devotional-march-27-2026.html

This episode's mature themes may not be suitable for children. Catholic philosopher and epistemologist, Dr. Trent Dougherty, joins Pints to tackle the age-old question: what does it even mean to know something? The conversation weaves between rigorous philosophical debate - Descartes, Gettier, justified true belief and vulnerable personal territory where Dougherty shares his battles with the inner demons that plagued his pursuit of success.  Ep. 571 - - -