Podcasts about Tosca

Puccini's operas remain some of the most beloved in the repertoire, their soaring melodies and emotional intensity instantly recognisable to audiences worldwide.From the romance and tragedy of La Bohème, to the raw passion of Tosca and the exotic splendour of Turandot, Puccini created worlds of intense drama and unforgettable melody.In this episode we are joined by musician and broadcaster Sandy Burnett as he explores what makes Puccini's music so distinctive and enduring. With insights from musical experts, Sandy uncovers the orchestral colours, vocal writing and dramatic instincts that defined Puccini's genius.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

Tosca Ruggieri is an independent art historian and the founder of Art with Tosca. She brings museum collections to life through storytelling, guided tours, and lectures. Based just outside of Washington, D.C., Tosca began her career in the London art market before shifting her focus to education and engagement both online and in-person. Since moving to the U.S. in 2021, she has created and led intimate, research-driven tours at the National Gallery of Art, helping audiences connect deeply with individual works while exploring themes such as women artists, symbolism, and the history of color. Her approach blends scholarship with improvisation, encouraging conversation and sparking curiosity that extends far beyond the museum walls. Tosca's passion for art has roots in her French and Italian upbringing: her early exposure to the museums of Paris, Florence, and Tuscany inspired a lifelong fascination with art history and collecting. Join our conversation with Tosca Ruggieri today on Radio Maine. Don't forget to subscribe to the channel for more episodes!  

Fem tertúlia després del Poblense 0 - Olot 0. Analitzem l'inici de la Primera Catalana amb els entrenadors del Sant Jaume i el Bosc de Tosca

A cura di Paolo PellegriniG. Puccini – Tosca Floria Tosca – Renata Tebaldi Mario Cavaradossi – Giuseppe di Stefano Il barone Scarpia – Ettore Bastianini Il Sagristano – Carlo Badioli Cesare Angelotti – Nicola Zaccaria Spoletta – Rinaldo Pelizzoni Sciarrone – Giuseppe Morresi Un pastore – Antonio Negri Un carceriere – Franco Piva Direttore Gianandrea Gavazzeni L Orchestra – Teatro alla Scala Coro – Teatro alla Scala 

Operaspymaster you may ask? Read on and listen to this episode. In this powerful and multifaceted episode of Unstoppable Mindset, we welcome Kay Sparling, former opera singer, PTSD survivor, and now debut novelist—as she shares her incredible life journey from international stages to the shadowy world of espionage fiction. Kay talks about the creation of her first novel, Mission Thaw, a gripping spy thriller based on her own real-life experiences volunteering with refugees in post-Cold War Europe. Kay and Michael discuss the inspiration behind her protagonist, CIA agent Caitlin Stewart, and how real-world trauma and service led Kay to use fiction as both a vehicle for healing and a call to action on the modern crisis of human trafficking. This is a conversation that transcends genres—music, espionage, activism, and resilience—all converging through the unstoppable spirit of a woman who refuses to stay silent. About the Guest: Kay Sparling was raised in the Midwest. At the age of seven, she began her professional singing career as Gretl in “The Sound of Music” and she continued to perform through high school. After graduation Kay attended University of Kansas and earned a BME in music education and a minor in Vocal Performance. She then attended graduate school in opera voice performance for one year at UMKC Conservatory of Music. She was awarded a grant to finish my graduate studies in Vienna, Austria. From there she won an apprenticeship at the Vienna State Opera. After moving to NYC to complete her second apprenticeship, Kay lived in Germany, Austria, and Italy for many years. In 1999 Kay returned to NYC and continued singing opera and became a cantor for the NYC diocese. After 9/11, she served as a cantor at many of the funeral and memorial masses for the fallen first responders. In 2003, Kay moved from NYC to the upper Midwest and started a conservatory of Music and Theatre where her voice students have been awarded numerous prestigious scholarships and won many competitions. In 2020, the pandemic shut down her conservatory, so she began training to be a legal assistant and now works in workers compensation. Back in 2013, Kay had started writing a journal as a PTSD treatment. She was encouraged to extend the material into a novel. After much training and several drafts, Mission Thaw was published in 2024. Kay is currently writing the second book in the Kaitlyn Stewart Spy Thriller Series. Ways to connect with Kay: Website: https://www.kaysparlingbooks.com X: https://x.com/MissionThaw/missionthaw/ Bluesky: https://bsky.app/profile/missionthaw.bsky.social Facebook: https://www.facebook.com/groups/505674375416879 Linkedin: https://www.linkedin.com/in/kay-sparling-8516b638/ Instagram: https://www.instagram.com/missionthaw/ Litsy: https://www.litsy.com/web/user/Mission%20Thaw About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:16 Well, hi everyone. Welcome to another episode of unstoppable mindset. I'm your host, Mike hingson, and our guest today is a very fascinating individual. I was just teasing her a little bit about her email address, which is operaspy master@gmail.com I'm telling you, don't cross her. That's all I gotta say. Anyway, we'll, we'll get into all of that. But I really am glad that she is with us. Kay Sparling is a fascinating woman who's had an interesting career. She's written, she's done a number of things. She's used to be an opera, gosh, all sorts of stuff. So anyway, we'll get to all of it and we'll talk about it. I don't want to give it all away. Where would the fun in that be? Kay, welcome to unstoppable mindset.   Kay Sparling ** 02:11 Well, thank you. I'm glad to be here. Well,   Michael Hingson ** 02:13 we're glad you're here. You're from up in Wisconsin. We were going to do this a couple of weeks ago, but you had all the storms, and it stole your internet and your power away, didn't   Kay Sparling ** 02:23 it? It sure did. Yeah, that was a terrible storm we had.   Michael Hingson ** 02:28 Yeah, that's kind of no fun. I remember years ago, I was talking to somebody on the phone. We were doing a sales call, and he said, I might not be able to stay on the phone because we're having a really serious storm, and he said it is possible that the lightning could hit the phone lines, and if it does, it could come in the house. And we talked for a few minutes, and then he said, I'm going to have to hang up, because I just felt a small shock, because the lightning obviously hit the phone line, so we'll have to talk later. And and he was gone. And we did talk later, though he was okay, but still, wow, yeah, there's a lot of crazy weather going on, isn't there? And we were just talking about the, we were just talking about the Canadian wildfires. They're No fun.   Kay Sparling ** 03:15 No, no. Just everywhere is having crazy weather.   Michael Hingson ** 03:20 Well, tell us a little bit about you growing up and all that sort of stuff, and telling me about the the early K   Kay Sparling ** 03:32 Well, growing up, I grew up in a farm community in the in the central Midwest, just you know, right in the middle of the bread basket, you might say, not near where you are now. No no, no further south and in very much agriculture time, I mean skipping ahead. I remember talking to a famous opera conductor when I was an apprentice, and I made some reference, and he goes, Well, how would you know that? And I said, because I grew up on a farm. And he went, Oh, get out here. Nobody makes it, you know, to a major European opera house from a farm. And I went, Well, I did. And later, I asked my mom to send me a picture, because we had had an aerial view taken of our homestead, and it was obvious for miles, all the way around the house and the barn and all, it was just corn fields and soybeans. You know what they showed   Michael Hingson ** 04:40 Illinois, Illinois, and so you showed it to him, yeah,   Kay Sparling ** 04:44 I showed it to him, and he was like, well, doggone, you're not lying. Like, No, I wasn't kidding you. I really did.   Michael Hingson ** 04:51 It shows how good I really am. See how far I progressed.   Kay Sparling ** 04:55 Well, you know, I was one of these kids. I. At five years old, I my parents took me to see sound and music at the theater, and during the intermission. Now I'm five years old, it's pretty late for me, right? But when we're in the concession stand, I tug at my mom's skirt, and I say, Mom, that's what I want to do. And she looks at me kind of funny, and she's kind of funny, and she's kind of confused. Well, what do you want to do work in a theater? You know, a movie theater? No, no, I want to do what those kids are doing on that on the movie screen. And she was like, Well, honey, you know, that's that's really hard to get somewhere like that. So that was when I was five. And then when I was seven, she just, you know, the all the school and the church were telling her, this kid's got a great voice, and they kept giving me solos and stuff. And so when I was seven, she put me in the Sangamon County Fair Little Miss competition. And of course, my talent was singing, so I just sang away. I really can't remember what I sang, but afterwards, a fellow came up to my parents and introduced himself, and he said that he was there, he had family, not, you know, in the area, and that he had grown up there, but since then, he he was in St Louis, and he said, we are, I'm a scout, and I'm looking, I'm an entertainment Scout, and I'm actually looking for, you know, the von trop children. We're going to do a big production, and we'd love to audition your daughter. Well, we were about, think it was an hour and a half away from St Louis, so my parents are like, wow, that'd be quite a commitment. But long story short, I did it, and that started my professional career. I was the youngest Bon Troy. You know, over cradle, yeah. And so it just went from there. And, you know, it was all Broadway, of course, and I did a lot of church singing, you know, it got to be by the time I was, you know, in high school, people were hiring me for weddings, funerals, all that kind of thing. And so I was a Broadway and sacred singer. Went to college. My parents said, you can't depend on a vocal performance degree. What if things don't work out? You have to have something fall back. So I went into vocal music ed at a very, very good school for that, and also music therapy, and, you know, continue being in their shows. And when I when I graduated, continued the Broadway, and one night I was also singing a little bit of jazz in Kansas City, where I was living, someone approached me. She was a voice teacher at the conservatory there, and that conservatory had an apprenticeship with the Kansas City Lyric Opera. And she said I knew you was an undergrad. My husband works where you, where you went to school, and I have been watching you for a long time. And I wish you quit this nonsense of singing Broadway and jazz and rock and everything and get serious, you know, and try opera. So I thought she was crazy to bring that up, but it wasn't the first time it had been brought up. So I have been teaching for a year, and at the end of that school year, I announced everyone I was going to graduate school and I was going to study opera. And so   Michael Hingson ** 08:55 what were you teaching?   Kay Sparling ** 08:57 I was teaching high school choir, okay, at a very big high school, very, very good choir department.   Michael Hingson ** 09:03 Now, by the way, after doing Gretel, did you ever have any other parts as you grew older in Sound of Music?   Kay Sparling ** 09:11 Okay, that's a very cool question. I am one of the few people that I know that can say I have sang every major role in Sound of Music sometime in my life. Ah, okay, because it was so popular when I was Oh, yeah. And as I would grow older, well now you're going to sing, you know, you just kept graduating up. And then pretty soon I sang quite a few Marias. And then after I was an opera singer. During covid, I was asked to sing Mother Superior. Mother Superior. Yeah, literally, have sung, you know, in a decades long career, I've sung every role in Sound of Music.   Michael Hingson ** 09:56 Cool. Well, that's great.   10:00 Yeah, so, so, anyway, so   Michael Hingson ** 10:02 you said that you were going to go study opera,   Kay Sparling ** 10:07 and I did a graduate school, and then I got the chance to get an international grant over to Europe, and so I decided to not finish my masters at that time and go over there and finish it, and most of all, importantly, do my first apprenticeship in Europe. And so I thought that was a great opportunity. They were willing. They were going to willing to pay for everything. And I said I would be a fool to turn this down. Yeah, so off I went, and that's kind of the rest of the story. You know, got a lot of great training, left Europe for a while, moved to New York City, trained best coaches and teachers in the world at the Metropolitan Opera and then, you know, launch my career.   Michael Hingson ** 11:04 So you Wow, you, you've done a number of things, of course, going to Europe and being in Vienna and places like that. Certainly you were in the the right place.   Kay Sparling ** 11:16 Yes, yes, definitely. You know, at that time in the in the middle 80s, United States was we had some great opera houses Iran, but we had very few. And it just wasn't the culture that it was in Europe, in Europe. And so, yes, there was a lot more opportunity there, because there was such a culture established there already.   Michael Hingson ** 11:44 So you went off and you did Europe and saying opera, what were you a soprano? Or what were you that sounds like a way a little high for your voice?   Kay Sparling ** 11:59 Well, you have to remember, I'm a senior citizen now. So this is the way it worked for me, because we're talking decades from the age 27 and I quit singing at 63 so that's a very long time to sing opera. So I started out, as you know, there is a voice kind of category, and each one of those, we use a German word for that. It's called Foch, F, A, C, H, and you know, that is determined by the kind of vocal cords you have, and the kind of training and the literature you're singing, and hopefully that all meshes together if you have good coaches and a good agent and such. And I literally have seen so many different Fox lyric, lyric mezzo, then to, very shortly, lyric soprano, and then for a long time, spinto soprano, which would be the Puccini and a lot of them really popular things. And then I was, I felt I was quite lucky that my voice did have the strength and did mature into a Verdi soprano, which is a dramatic soprano, not many of those around. And so that was, that was an endeavor, but at the same time, that was a leg up. And so most of the time in my career, I sang the bigger Puccini, like, let's say Tosca, and I sang a lot of Verdi. So I was an Italian opera singer. I mostly sang in Italian, not to say that I didn't sing in German or French, but I did very little in comparison to the   Michael Hingson ** 13:56 Italian Well, there's a lot of good Italian opera out there, although mostly I don't understand it, but I don't speak Italian well.   Kay Sparling ** 14:07 The great thing about most houses now is, you know, you can just look at the back of the seat in front of you, and there's the translation, you know, yeah, that   Michael Hingson ** 14:18 doesn't work for me. Being blind, that doesn't work for you. Yeah, that's okay, though, but I like the music, yeah. So how long ago did you quit singing?   Kay Sparling ** 14:32 Um, just about, well, under, just a little under three years ago, okay?   Michael Hingson ** 14:38 And why did you quit? This was the right time,   Kay Sparling ** 14:42 senses or what I had a circumstance, I had to have throat surgery. Now it wasn't on my vocal cords, but it was on my thyroid, and unfortunately, the vocal cord nerve. They had to take out some Cyst On. My right thyroid, and then remove it too. And unfortunately, my vocal cords were damaged at that time, I would have probably be singing still now some you know, I mean, because dramatic sopranos just can go on and on and on. One of my mentors was Birgit Nielsen, famous singer from Sweden, and she was in my grandmother's generation, but she didn't, I went to work with her, and she demonstrated at 77 she could still pop out of high C. And I believe, I believe I would have been able to do that too, but you know, circumstances, you know, changed, but that's okay. Yeah, I had sung a long time, and at least I can speak. So I'm just very happy about that.   Michael Hingson ** 15:51 So when you did quit singing, what did you decide to go do? Or, or, How did, how did you progress from there?   Kay Sparling ** 16:01 Well, I had already made a transition where I had come in 2003 to the Midwest. I came back from New York City, where I lived many, many years, and I started a conservatory of music and acting, and then that kind of grew into a whole conservatory of music. So I was also a part time professor here in Wisconsin, and I taught voice, you know, one on one vocal lessons, so high school and college and graduate school, and so I had this huge studio. So when that happened, I wasn't getting to sing a whole lot, because I was much more focused on my students singing me at that point, especially the older ones, professional ones, and so, you know, I just kept teaching and and then I had started this book that I'm promoting now, and so that gave me more time to get that book finished   Michael Hingson ** 17:10 and published. What's the name of the book?   Kay Sparling ** 17:13 The book is called Mission, thaw.   Michael Hingson ** 17:16 Ah, okay, and what is it about   Kay Sparling ** 17:22 mission thaw is feminist spy thriller set at the very end of the Cold War in the late 80s, and the main protagonist is Caitlin Stewart, who it who has went over there to be an opera singer, and soon after she arrives, is intensely recruited by the CIA. They have a mission. They really, really need a prima donna Mozart soprano, which is what Caitlin was, and she had won a lot of competitions and won a grant to go over there, and so they had been vetting her in graduate school in the United States. And soon as she came to Europe, they they recruited her within a couple weeks of her being there, and she, of course, is totally blindsided by that. When they approach her, she had she she recognized that things were not exactly the way they should be, that people were following her, and she was trying to figure out who, are these people and why are they following me everywhere? Well, it ends up being young CIA agents, and so when the head chief and his, you know, the second chief, approach her, you know, she's not real happy, because she's already felt violated, like her privacy has been violated, and so she wasn't really too wonderful of listening to them and their needs. And so they just sort of apprehend her and and throw her in a car, in a tinted window Mercedes, and off they go to a park to talk to her, right? And so it's all like crazy movie to Caitlin. It's like, what is going on here? And, you know, she can tell they're all Americans, and they have dark suits on, even though it's very, very hot, and dark glasses, you know? So everything is just like a movie. And so when they approach her and tell her about what they need her to do, you know, and this would be in addition to the apprentice she is doing that, you know, she just gets up and says, I'm sorry I didn't come over and be in cloak and dagger. A, you know, ring, I'm getting out of here. And as she's walking away, the chief says, Well, what if you could help bring down the Berlin Wall? Well, now that stops her in her tracks, and she turns around. She goes, What are you kidding? I'm just a, you know, an opera apprentice from the Midwest grew up on a farm. What am I gonna do? Hit a high C and knock it down. I mean, what are you talking about?   Michael Hingson ** 20:28 Hey, Joshua, brought down the wealth of Jericho, after all. Well, yeah, some   Kay Sparling ** 20:34 later, someone tells her that, actually, but, but anyway, they say, well, sit down and we'll explain what we need you to do. And so the the initial job that Caitlin accepts and the CIA to be trained to do is what they call a high profile information gap. She has a wonderful personality. She's really pretty. She's very fashionable, so she can run with the jet set. And usually the jet set in Europe, the opera jet set is also where all the heads of states hang out, too. And at that time, the the Prime Minister was pretty much banking the Vienna State Opera where she was apprenticing. So he ends up being along with many other Western Austrian businessmen in a cartel of human trafficking. Who they are trafficking are all the the different citizens of the countries that USSR let go. You know, when you know just got to be too much. Remember how, oh yeah, we're going to let you go. Okay? And then they would just pull out. And there was no infrastructure. There was nothing. And these poor people didn't have jobs, they didn't have electricity. The Russian mafia was running in there trying to take, you know, take over. It was, it was chaos. And so these poor people were just packing up what they could to carry, and literally, sometimes walking or maybe taking a train into the first Western European country they could get to. And for a lot of them, just because the geographical area that was Austria. And so basically, the Austrians did not want these people, and they were being very unwelcoming and arresting a lot of them, and there was a lot of lot of bad behavior towards these refugees. And so the Catholic church, the Catholic Social Services, the Mennonite Relief Fund, the the UN and the Red Cross started building just tent after tent after tent on the edge of town for these people to stay at. And so the businessmen decide, well, we can traffic these people that have nothing over to the East Germans, who will promise them everything, but will give them nothing. But, you know, death camps, basically, just like in World War Two. So you have work camps, you have factories. They they don't feed these people correctly. They don't they don't give them anything that they promise to them in in the camps. And they say, Okay, be on this train at this time, this night. And then they stop somewhere in between Vienna and East Germany, in a very small train station in the middle of the Alps. And they have these large, you know, basic slave options. And unfortunately, the children in the older people get sent back to the camp because they don't need them or want them. So all the children get displaced from their families, as well as the senior citizens or anyone with a disability. And then, you know, the men and the women that can work are broken up as well, and they're sent to these, you know, they're bought by these owners of these factories and farms, and the beautiful women, of course, are sold to either an individual that's there in East German that just wants to have a sex aid, pretty much. Or even worse, they could be sold to an underground East Berlin men's club. And so terrible, terrible things happen to the women in particular, and the more that Caitlin learns. As she's being trained about what's happening, and she interviews a lot of these women, and she sees the results of what's happened, it, it, it really strengthens her and gives her courage. And that's a good thing, because as time goes through the mission, she ends up having to be much, much more than just a high profile social, you know, information gather. She ends up being a combat agent and so, but that that's in the mission as you read, that that happens gradually and so, what? What I think is really a good relationship in this story, is that the one that trains her, because this is actually both CIA and MI six are working on this, on this mission, thought and the director of the whole mission is an very seasoned mi six agent who everyone considers the best spy in the free world. And Ian Fleming himself this, this is true. Fact. Would go to this man and consult with him when he was writing a new book, to make sure you know that he was what he was saying is, Could this really happen? And that becomes that person, Clive Matthews become praying, Caitlyn, particularly when she has to start changing and, you know, defending herself. And possibly, you know,   Michael Hingson ** 26:38 so he becomes her teacher in   Kay Sparling ** 26:42 every way. Yes. So how   Michael Hingson ** 26:45 much? Gee, lots of questions. First of all, how much of the story is actually   Kay Sparling ** 26:50 true? All this story is true. The   Michael Hingson ** 26:53 whole mission is true. Yes, sir. And so how did you learn about this? What? What caused you to start to decide to write this story?   Kay Sparling ** 27:08 So some of these experiences are my own experiences. And so after I as an opera singer, decided to be a volunteer to help out these refugees. I witnessed a lot, and so many years later, I was being treated for PTSD because of what I'd witnessed there. And then a little bit later in Bosnia in the early 90s, and I was taking music therapy and art therapy, and my psychiatrist thought that it'd be a good idea if also I journaled, you know, the things that I saw. And so I started writing things, and then I turned it in, and they had a person that was an intern that was working with him, and both of them encouraged me. They said, wow, if, if there's more to say about this, you should write a book, cuz this is really, really, really good stuff. And so at one point I thought, Well, why not? I will try. So this book is exactly what happened Caitlin, you know, is a real person, and everyone in the book is real. Of course, I changed the names to protect people and their descriptions, but I, you know, I just interviewed a lot of spies that were involved. So, yes, this is a true story.   Michael Hingson ** 29:06 Did you do most of this? Then, after your singing career, were you writing while the career, while you were singing?   Kay Sparling ** 29:13 I was writing while I was still singing. Yeah, I started the book in 2015 Okay, and because, as I was taking the PTSD treatment and had to put it on the shelf several times, life got in the way. I got my my teaching career just really took off. And then I was still singing quite a bit. And then on top of it, everything kind of ceased in 2018 when my mother moved in with me and she was diagnosed with Alzheimer's, but Louie body Alzheimer's, which is a very, very rough time, and so I became one of her caretakers. So I quit singing, put that on hold, and I. I had to really, really bring down the number in my studio I was teaching and spend time here at home. And so I would take care of her, but then after she would go to bed, and she'd go to bed much earlier than I wanted to, that's when I write, and that's when I got the lion's share of this book written. Was during that time, it was a great escape from what I was dealing with, believe it or not, you know, even though there's some real graphic things in the book and all it wasn't, it was a nice distraction.   Michael Hingson ** 30:36 Wow, so you, you lived this, needless to say,   Kay Sparling ** 30:41 Yes, I did, and yes.   Michael Hingson ** 30:45 So you've talked a little bit about what happened to these countries after the collapse of the USSR and communism and so on, these eastern companies, companies, countries. Has it changed much over the years.   Kay Sparling ** 31:03 Oh, yeah, for instance, one, you know, I went to Budapest after they were freed, I guess is what usr would say. Stayed in a five star hotel, and we were lucky if we had running water and electricity at the same time. And every time you went down on the streets, all you'd see is lines, you know, I mean, just because there'd be all like, Red Cross, etc, would be there, and they'd have these big trucks they drove in every day, and it just got to be because they had nothing. If you saw a truck, you'd start running towards it and get in line. You didn't care what it was, you know, and it was. And then fights would break out because they wouldn't have enough for everyone. And then, like, you know, maybe someone's walking away with a bag of rice, and some of us knock them over the head and take, you know, and it was very hard, you know, I was a volunteer there, and it was very, very hard to see this, you know, desperation, one story that I'd like to tell, and I put it in the book. I was riding my bike, you know, on a Friday afternoon to get some groceries at the nearest supermarket where my apartment was, and at that time, they still had the European hours, so they were going to close at five o'clock, and they weren't going to open until seven or eight on Monday morning. So you had to make sure you got there to get your weekend supply. So I was on my way, and I was parking my bike, and this woman, refugee woman, runs up and she has two small children with her, and she's carrying a baby, and she's speaking to me in a language I did not know. I do speak several languages, but I don't know Slavic languages and so, but I'm getting the gist of it that she has nothing to eat, neither do her children, and so I'm patting her on the shoulder, and right when I do that, a policeman that was guarding the door of the supermarket came up to me and, like, grabbed me really hard, and told me in German that I was not To speak to them, and I was not to help them, because if you help them, they'll stay. And I said to him in German, I'm an American. I am not Austrian. I am here on a work visa, and I can do whatever the hell I want to do. Well, he didn't like that. And so I just walked away from him, and I went in the store. And so I got up everything I get. Think of the big need, you know, I never had a baby, so I was trying to kind of figure that out, yeah, and I had to figure it out in German, you know, looking at labels now. And so finally I got, I got some stuff, you know, the stuff I needed, and, and, and the stuff that I got for the family, and I checked out, and I'm pushing the cart, you know, towards them. And he runs up beside me and stops me, and he says, I am going to arrest you if you bring that. I told you not to help them. And I said, again, I don't think I'm breaking any laws. And he said, Oh yes, you are. And I said, Well, I didn't read that in the papers. I didn't see it on TV where anyone said. That you cannot help a refugee. And so we're going back and forth. And so, you know, I'm pretty strong, so I just keep pushing it towards it. Well, she's kind of running down the park, and I'm like, wait, wait, you know, because she's getting scared of this guy, you know, he has a gun, he has a nightstick. Of course, she's scared, and so, you know, I would say, No, no, it's okay, because I can't speak for language, right? And so I'm just trying to give her body language and talk. Well, finally she does stop, and I just throw I give the one sack to the little boy, and one second little girl, they just run and and then, you know, I'm talking to her and saying, you know, it's okay, it's okay. And he grabs me, and he turns me around and he spits in my face.   Michael Hingson ** 35:53 Wow. Talk about breaking the law. But anyway, go ahead.   Kay Sparling ** 36:00 Welcome to Austria in the late 80s. You have to understand their Prime Minister Kurt voltheim won on the Nazi ticket. Mm, hmm. At that very time, if you got on a bus and you saw these businessmen going to work, at least 50% of them were reading the Nazi paper. Okay, so we kind of know what, where his affiliations lie. You know, this policeman and, you know, and I was very aware, you know, of of that party being very strong. And so you have to watch yourself when, when you're a foreigner. And I was a foreigner too, just like her. And so after wiping my face, I mean, I really, really wanted to give him a kick or something, yeah, and I do, I do know martial arts, but I was like, no, no, gotta stay cool. And I just told her to run. And she did and caught up with the children, and, you know, kept running. So that was the first experience I had knowing how unwelcome these people were in Austria. Yeah, so I got involved, yeah, I got involved because I was like, this is absolutely not right.   Michael Hingson ** 37:31 And so the book is, in part, to try to bring awareness to all that. I would think   Kay Sparling ** 37:36 absolutely there are, there are bits of it are, they're pretty darn graphic, but it's all true, and it's all documented. Sometimes people about human trafficking, they think, oh, it's not in my backyard. I'm not going to think about that. Well, I live in a very small college town, around 17,000 people, and two months ago, on the front page of this small paper here in town, there were seven men that were arrested for many counts of human trafficking of underage women and prostitution. So guess what, folks, it is in your backyard. If it's in this little town, it's probably in yours too. And we have to be aware before we can do anything. So we have to open our eyes. And I hope this book opens the eyes of the reader to say, Oh, my God, I knew things were bad, but I didn't realize that torture, this kind of thing went on. Well, it does, and I the International Labor Union estimates that 21 million people are being you. You are victims of human trafficking right now, as we speak, throughout the world, that's a lot of people, a lot of people. So most likely, we've all seen some hint of that going on, it didn't register as it at the time. You know, if you're just walked out of a restaurant, and you're walking to your car that's parked on the street, and you happen to go by an alley and there's restaurants on that row, and all of a sudden you see people being kind of shoved out and put in a truck. That's probably human trafficking, you know? And you know, a lot of people don't pay attention, but like, if they stop and think that doesn't look right, and if those people look like they may be from another country, yeah. And all you have to do is call the authorities, you know, and other ways that you can help are by you know, that that you can get involved. Are, you know, donate to all the different organizations that are finding this now.   Michael Hingson ** 40:19 Was the book self published, or do you have a publisher?   Kay Sparling ** 40:25 I self published, but it's more of a hybrid publishing company that's kind of a new thing that's going on, and so I cannot learn all those different facets of publishing a book, right? It just wasn't in my, you know, skill set, and it also wasn't even interesting to me. I don't want to learn how to do graphic illustration. Okay? So what I did is I hired a hybrid company that had all these different departments that dealt with this, and I had complete artistic control, and I was able to negotiate a great deal on my net profits. So I feel that, after looking into the traditional publishing world and not being exactly pleased with it to say the least, I think that was the right business choice for me to make, and I'm very happy I did it.   Michael Hingson ** 41:46 How do you market the book then?   Kay Sparling ** 41:48 Well, that was, that was the tricky part that that publisher did have some marketing they started, but obviously now they agreed it wasn't enough. So at that point, I attended a virtual women's publishing seminar, and I really paid attention to all the companies that were presenting about marketing. And in that time, I felt one that I just was totally drawn to, and so I asked her if we could have a consultation, and we did, and the rest is history. I did hire her team and a publicist, Mickey, who you probably know, and, yeah, it's been going really great. That was the second smart thing I did, was to, you know, hire, hire a publicity.   Michael Hingson ** 42:50 Well, yeah, and marketing is one is a is a tricky thing. It's not the most complicated thing in the world, but you do have to learn it, and you have to be disciplined. So good for you, for for finding someone to help, but you obviously recognize the need to market, which is extremely important, and traditional publishers don't do nearly as much of it as they used to. Of course, there are probably a lot more authors than there used to be too. But still,   Kay Sparling ** 43:19 yeah, their their marketing has changed completely. I remember I had a roommate that became a famous author, and just thinking about when he started, you know, in the 80s, how the industry is completely changed. Mm, hmm, you know. So, yeah, it's, it's really tricky. The whole thing is very tricky. One thing that I also did is one of my graduate students needed a job, and so I've known her since, literally, I've known her since eighth grade. I have been with this student a long time, and she's done very well, but she really is a wiz at the social media. And so she made all my accounts. I think I have 12 altogether, and every time I do something like what I'm doing tonight, soon as it's released, she just puts it out there, everywhere and and I have to thank her from again that that's probably not my skill set.   Michael Hingson ** 44:37 Well, everyone has gifts, right? And the the people who I think are the most successful are the people who recognize that they have gifts. There are other people that have gifts that will augment or enhance what they do. And it's good that you find ways to collaborate. I think collaborating is such an important thing. Oh, yeah. All too many people don't. They think that they can just do it all in and then some people can. I mean, I know that there are some people who can, but a lot of people don't and can't.   Kay Sparling ** 45:12 Well, I've got other things. I've got going, you know, so maybe if I only had to do the book, everything to do with the book, that would be one thing, but I, you know, I have other things I have to have in my life. And so I think that collaboration is also fun, and I'm very good at delegating. I have been very good at delegating for a long time. When I started my school. I also started a theater company, and if you know one thing, it's a three ring circus to produce an opera or a musical, and I've done a lot of them, and yeah, I would have not survived if I didn't learn how to delegate and trust people to do their own thing. So what are you   Michael Hingson ** 45:58 doing today? What are you doing today? Besides writing?   Kay Sparling ** 46:04 Well, during covid, everything got shut down, and I didn't have an income, and I had to do something. And one of, believe it or not, one of my parents, of one of my students, is an attorney for the state of Wisconsin, and she was very worried. I mean, it looked like I might lose my house. I mean, I literally had no income. And so, you know, I was a small business person, and so she offered me very graciously to come work in the department of workers compensation in the legal Bureau at the state of Wisconsin. So I never have done anything like that in my life. I have never sat in a cubicle. I've never sat in front of a computer unless it was in its recording studio or something like that. So it was a crazy thing to have to do in my early 60s, but I'm a single woman, and I had to do it, and and I did, and it put me on solid ground, and that was one reason I couldn't finish the book, because I didn't have to worry about a live cookie. And so I am continuing to do that in so as in the day, that is what I do. I'm a legal assistant, cool.   Michael Hingson ** 47:32 And so when did mission thought get published?   Kay Sparling ** 47:38 Mission thought almost a year ago, in August of 2024 it launched, yes, okay, yeah. And it was very scary for me, you know, because my hybrid publishers up in Canada, and they were telling me, Well, you know, we're going to get you some editorial reviews and we're going to have you be interviewed. And you know, those very first things where my editor at at the publisher had told me it was one of the really a good book, and that was one of the cleanest books she ever had to edit. And so that kind of gave me some confidence. But you understand, look at my background. I I didn't go to school to be a writer. I had never studied writing. I hadn't done any writing up until now, and so to that was my first kind of sigh of relief when the editor at the publisher said it was really a good book, and then I started getting the editorial reviews, and they were all stellar, and they continue to be. And I'm, I'm still a little shocked, you know, because it takes time, I guess, for a person to switch gears and identify themselves as an author. But you know, after a year now, I'm feeling much more comfortable in my shoes about that. But at first it was, it was trying because I was scared and I was worried, you know, what people were going to think about the book, not the story, so much as how it was crafted. But it ends up, well,   Michael Hingson ** 49:15 it ends up being part of the same thing, and yeah, the very fact that they love it that that means a lot. Yeah, so is, is there more in the way of adventures from Caitlin coming up or what's happening?   Kay Sparling ** 49:30 Yeah, this is hopefully a trilogy, um of Caitlin's most important standout missions. And so the second one is set in the early 90s during the Bosnian war. And this time, she cannot use opera as a cover, because obviously in a war zone, there's no opera. And so she has to. To go undercover as either a un volunteer or Red Cross, and this time, her sidekick is not the Clive Matthews. He has actually started a special squad, combat squad that's going in because, of course, we, none of us, were really involved with that war, right? But that's what he's doing. And so, believe it or not, her, her sidekick, so to speak, is a priest that very early, goes on and sees, you know, this absolute ethnic cleansing going on, you know, massacres and and he tries to get the Catholic Church to help, and they're like, no, no, we're not touching that. And so he goes AWOL. And had been friends in Vienna with the CIA during the first book. He goes to the CIA and says, This is what's going on. I saw it with my own eyes. I want to help. And so he becomes Caitlin's sidekick, which is a very interesting relationship. You know, Caitlin, the opera singer, kind of, kind of modern girl, you know, and then you know, the kind of staunch priest. But they find a way to work together, and they have to, because they have to save each other's lives a couple times. And this is my favorite book of the three. And so basically what happens is called Mission impromptu, and I hope to have that finished at the end of this month. And the reason we call it impromptu is because her chief tells her to just get the information and get out, but her and the priest find out that there is a camp of orphaned boys that they are planning to come massacre, and so they they they basically go rogue and don't follow orders and go try to help the boys. Yeah. And then the third book, she has actually moved back to New York, and she's thinking, well, she does retire from the CIA, and it's the summer of 2001 and what happened in September of 2001 911 and so they call her right back in she literally had been retired for about three months.   Michael Hingson ** 52:35 Well, to my knowledge, I never met Caitlin, so I'm just saying Mm hmm, having been in the World Trade Center on September 11, but I don't think I met Caitlin anyway.   Kay Sparling ** 52:43 Go ahead. No, she wasn't in the towers, but no, I was in New York. And yeah, so they called her back right away. And so the third one is going to be called Mission home front, because that's been her home for a very long time. She's been living in New York.   Michael Hingson ** 53:01 Are there plans for Caitlin beyond these three books? I hope so.   Kay Sparling ** 53:08 I think it would be fun for her to retire from the CIA and then move back to the Midwest. And, you know, it turned into a complete fiction. Of course, this is not true stuff, but, you know, like kind of a cozy mystery series, right, where things happen and people can't get anyone to really investigate it, so they come to Caitlin, and then maybe her ex boss, you know, the chief that's also retired, they kind of, you know, gang up and become pi type, you know, right? I'm thinking that might be a fun thing.   Michael Hingson ** 53:46 Now, are mostly books two and three in the mission series. Are they also relatively non fiction?   53:53 Yes, okay,   Michael Hingson ** 53:57 okay, cool, yes. Well, you know, it's, it's pretty fascinating to to hear all of this and to to see it, to hear about it from you, but to see it coming together, that is, that is really pretty cool to you know, to see you experiencing have the book, has mission thought been converted by any chance to audio? Is it available on Audible or   Kay Sparling ** 54:21 anywhere it has not but it is in my plans. It's there's a little bit of choice I have to make do. I use my publisher and hire one of their readers you know to do it, someone you know, that's in equity, that type of thing. Or you know, my publicity, or people are also saying, well, because you're an actor, and, you know, all these accents, it might be nice for you to do to read your own book. Well, the problem is time, you know, just the time to do it, because I'm so busy promoting the book right now. And really. Right writing the second one that you know, I just don't know if I'm going to be able to pull that off, but I have my own records, recording studio in my voice studio downstairs, but it's just and I have all the equipment I have engineers. It's just a matter of me being able to take the time to practice and to get that done. So it's probably going to be, I'll just use their, one of their people, but yes, yeah, it's coming. It's coming. Well, it's,   Michael Hingson ** 55:29 it's tough. I know when we published last year, live like a guide dog, and the publisher, we did it through a traditional publisher, they worked with dreamscape to create an audio version. And I actually auditioned remotely several authors and chose one. But it is hard to really find someone to read the book the way you want it read, because you know what it's like, and so there is merit to you taking the time to read it. But still, as you said, there are a lot of things going on,   Kay Sparling ** 56:09 yeah, and I have read, you know, certain portions of the book, because some podcasts that I've been on asked me to do that, and I and I practiced and that, it went very well. And of course, when people hear that, they're like, Oh, you're the one that has to do this. You know Caitlin. You can speak her, you know her attitudes and all. And then you also know how to throw all those different accents out there, because there's going to be, like, several, there's Dutch, there's German, there's Scottish, high British and Austrian. I mean, yeah, yeah, Austrians speak different than Germans. Mm, hmm,   Michael Hingson ** 56:53 yeah, it's it's a challenge, but it's still something worth considering, because you're going to bring a dimension to it that no one else really can because you wrote it and you really know what you want them to sound like, Yeah, but it's a it's a process. I and I appreciate that, but you've got lots going on, and you have to have an income. I know for me, we started live like a guide dog my latest book when the pandemic began, because I realized that although I had talked about getting out of the World Trade Center and doing so without exhibiting fear, didn't mean that it wasn't there, but I realized that I had learned to control fear, because I learned a lot that I was able to put to use on the Day of the emergency. And so the result of that was that, in fact, the mindset kicked in and I was able to function, but I never taught anyone how to do that. And so the intent of live like a guide dog was to be a way that people could learn how to control fear and not let fear overwhelm or, as I put it, blind them, but rather use fear as a very powerful tool to help you focus and do the things that you really need to do. But it's a choice. People have to learn that they can make that choice and they can control it, which is kind of what really brought the book to to mind. And the result was that we then, then did it. And so it came out last August as well.   Kay Sparling ** 58:27 Oh, well, if you read my book, you'll see Caitlin developing the same skills you were just talking about. She has to overcome fear all the time, because she's never been in these situations before, and yet she has to survive, you know?   Michael Hingson ** 58:44 Yeah, well, and the reality is that most of us take too many things for granted and don't really learn. But if you learn, for example, if there's an emergency, do you know where to go in the case of an emergency? Do you know how to evacuate, not by reading the signs? Do you know? And that's the difference, the people who know have a mindset that will help them be a lot more likely to be able to survive, because they know what all the options are, and if there's a way to get out, they know what they are, rather than relying on signs, which may or may not even be available to you if you're in a smoke filled environment, for example, yeah,   Kay Sparling ** 59:22 yeah, you should know ahead of time. Yeah, you know, I know the state where I work. I I mostly work at home. I'm able to do that, but we do have to go in once a week, and we just changed floors. They've been doing a lot of remodeling, and that was the first thing, you know, the supervisor wanted us to do was walk through all the way for a tornado, fire, etc, and so we did that, you know, and that's smart, because then you're like, you say you're not trying to look at a chart as you're running or whatever,   Michael Hingson ** 59:56 and you may need to do it more than once to make sure you really know it. I know for me. I spent a lot of time walking around the World Trade Center. In fact, I didn't even use my guide dog. I used a cane, because with a cane, I'll find things that the dog would just automatically go around or ignore, like kiosks and other things. But I want to know where all that stuff is, because I want to know what all the shops are down on the first floor. Well, now that that is the case anymore, but it was at the time there was a shopping mall and knowing where everything was, but also knowing where different offices were, knowing who was in which offices, and then knowing the really important things that most people don't know about, like where the Estee Lauder second store was on the 46th floor of tower two. You know, you got to have the important things for wives, and so I learned what that was. Well, it was, it was, those are important things, but you'll learn a lot, and it's real knowledge. Someone, a recent podcast episode that they were on, said something very interesting, and that is that we're always getting information, but information isn't knowing it. Knowledge is really internalizing the information and making it part of our psyche and really getting us to the point where we truly know it and can put it to use. And that is so true. It isn't just getting information. Well, that's great. I know that now, well, no, you don't necessarily know it now, until you internalize it, until you truly make it part of your knowledge. And I think that's something that a lot of people miss. Well, this has been a lot of fun. If people want to reach out to you, is there a way they can do that?   Kay Sparling ** 1:01:40 Yeah, the best thing is my book website, K, Sparling books.com spelled and it would K, a, y, s, p, as in Paul, A, R, L, I N, G, B, O, O, K, s.com.com, okay, and you can email me through there. And all the media that I've been on is in the media section. The editorial reviews are there. There's another thing that my student heats up for me is the website. It's it's really developed. And so lots of information about the book and about me on on there. And one thing I want to mention is, just because of my background and all the all the people that you know, I know, a friend of mine is a composer, and he wrote a song, a theme song, because we do hope that someday we can sell this, you know, yeah, to for movie and, or, you know, Netflix, or something like that. And so he wrote a theme song and theme music. And I just think that's fun. And then I wanted my students saying, saying it. And then, you know, it's with a rock band, but it's, it's very James Bond, the kind of with a little opera, you know, involved too. But, you know, not a lot of authors can say that on their website, they have a theme song for their books.   Michael Hingson ** 1:03:16 And where is   Kay Sparling ** 1:03:18 it? It would be under, it's going to be about the author. And there's a nice one of my other students is a graphic artist. She She did a graphic a scene of Caitlin with her ball gown, and she's got her foot up on a stool, and she's putting her pistol in her thigh holster, in I think, you know, it's kind of like a cartoon, and it quotes Caitlin saying, I bet you I'm going to be the only bell at the ball with this accessory pistol. And then right underneath that, that song, you can click it and hear it. We also are on YouTube mission. Thought does have its own YouTube channel, so you can find it there as well.   Michael Hingson ** 1:04:05 So well, I want to thank you for being here and for telling us all the stories and especially about mission. I hope people will get it and read it, and I look forward to it coming out in audio at some point. Yes, I'll be lazy and wait for that, I I like to to get books with human readers. You know, I can get the print book and I can play it with a synthetic voice, but I, I really prefer human voices. And I know a lot of people who do AI has not progressed to the point where it really can pull that off.   Kay Sparling ** 1:04:38 Well, no, it cannot. Yeah, I totally agree with you there.   Michael Hingson ** 1:04:42 So Well, thank you for being here, and I want to thank all of you for listening and watching us today. This has been fun. And as some of you know, if you listen to many of these podcasts, we have a rule on the podcast, you can't come on unless you're going to have fun. So we did have fun. We. You have fun? Yeah. See, there you go. I was gonna ask if you had fun. Of course, yes. So thank you all for listening. Love to hear from you. Love to hear what your thoughts are about today's episode. Feel free to email me at Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, E, S, S, i, b, e.com, also, please give us a five star rating. We appreciate it. K, I'll appreciate it. And when this goes up, when you hear it, we really value those ratings and reviews very highly. If you know anyone else who ought to be a guest and KU as well, love to hear from you. Please introduce us. Kay, you'll have to introduce us to Caitlin, but But seriously, we always are looking for more guests. So if anyone knows of anyone who ought to come on and tell a story, we'd love to hear from you. But again, Kay, I want to thank you one last time. This has been great, and we really appreciate you being here.   Kay Sparling ** 1:05:59 Well, thank you for having me.   Michael Hingson ** 1:06:04 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

durée : 00:19:53 - Les Nuits de France Culture - par : Philippe Garbit - En 1992, le clown, écrivain et psychologue Howard Buten, auteur du best-seller "Quand j'avais cinq ans je m'ai tué" évoque son parcours à travers ses chansons et musiques préférées : des comédies musicales de son enfance à Brassens en passant par l'opéra avec "La Bohème", et "Tosca" de Puccini. - réalisation : Virginie Mourthé - invités : Howard Buten

Ambient mix with autumnal (fall) sounds. The main focus is on tracks from @seven-villas-recordsand @pablo-bolivar as it just felt right. A bit of Tosca and Pantha du Prince thrown in too..

SummaryInnovation is often treated as a buzzword—but few nonprofit leaders take a hard look at the cultural, structural, and leadership obstacles that keep it from taking root. In this episode, Tosca talks with Carlos Simon, an innovation strategist and longtime leader at World Vision, about what it really takes to build innovation-ready organizations. From internal mindsets to outdated processes, they explore what's getting in the way—and what to do about it.Guest Bio:CEO of World Vision Costa Rica and iSmart360Director of Data Science and former Regional Director of BD & Marketing at World VisionInnovation strategist with 25+ years at World Vision International (WVI)Author of a forthcoming framework on the 7 stages of organizational innovation maturityWe Discuss:Why innovation is not the same as continuous improvement—and why that mattersThe cultural and structural obstacles that slow down innovation in large NGOsHow Carlos developed a framework that identifies 7 distinct organizational "zones" of innovation capacityThe importance of removing outdated processes to truly make space for new ideasWhy leaders must address internal “friction” as much as they focus on promoting new ideasHow senior leadership mindsets—like overconfidence or premature solution bias—can block innovationThe role of flat structures, strategic alignment, and client focus in driving real innovationQuotes“You cannot have a disruptive vision and then treat it as a continuous improvement plan.”“Innovation doesn't fail because of a lack of ideas—it fails because of internal resistance.”ResourcesOrganizational innovation index with exponential factor

Jaké kroky podniká Polsko po narušení svého vzdušného prostoru ruskými drony? Jak velký vliv na prezidenta Trumpa měl konzervativní aktivista Charlie Kirk, kterého zastřelil neznámý útočník v Utahu? A dirigent Jakub Hrůša má dnes první koncert jako hudební ředitel Královské opery v Londýně. Jak si poradil s tragickou operou Tosca?

Jaké kroky podniká Polsko po narušení svého vzdušného prostoru ruskými drony? Jak velký vliv na prezidenta Trumpa měl konzervativní aktivista Charlie Kirk, kterého zastřelil neznámý útočník v Utahu? A dirigent Jakub Hrůša má dnes první koncert jako hudební ředitel Královské opery v Londýně. Jak si poradil s tragickou operou Tosca?Všechny díly podcastu Hlavní zprávy - rozhovory a komentáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

V obdobju, ko se poletje poslavlja in se poletni festivali počasi končujejo, nekaj minut namenjamo prihajajoči koncertni sezoni – ta teden konkretno Glasbeni mladini ljubljanski. Sprehod po glasbenih prireditvah zadnjih dni tokrat obsega dogodke Festivala Ljubljana (Tosca, Otello, Nesrečniki in koncert orkestra sv. Cecilije), posvečamo pa se tudi festivalu Seviqc, ki je s koncerti stare glasbe obarval avgust.

OperaDelaware is gearing up for a new season. Anchored by two masterworks - Tosca and Andrea Chenier - the upcoming season also features some innovative performances intended to dismantle the stereotype of opera as stuffy and staid, including "Opera Deathmatch" and a chamber work where a cell phone plays a major role.On this edition of Arts Playlist, Delaware Public Media's Martin Matheny chats with OperaDelaware's Vice President of Engagement, Kerriann Otano and soprano Emily Margevich, one of the opera's Company Artists.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't not tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. I'm not going to ask if you know who this artist is, because I imagine most everyone reading this does. Yup, he's legendary opera lyric […] The post A “Tosca” Edition of RRR # 1,311 August 31, 2025 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Nocoj bo na odru Gallusove dvorane Cankarjevega doma v sklopu 73. festivala Ljubljana zazvenela koncertna izvedba Puccinijeve opere Tosca. Izbor arij in duetov bodo izvedli sopranistka Sondra Radvanovski, tenorist Freddie De Tommaso in baritonist sir Bryn Terfel ter zbor in orkester mariborske opere. Sinoči pa se je v cerkvi svetega Jurija na Taboru na Baču pri Materiji začel cikel dvajsetih koncertov Jesenske serenade, ki ga pripravlja Glasbena mladina ljubljanska. Letošnja edicija festivala je edinstvena, celo zgodovinska.

Album discussed on this episode is 'JAC' by Tosca. Then we discuss 'Bust Down' by Joey Valence and Brae from the new album Hyperyouth. *This episode was recorded on Sunday, August 24th, 2025For all of Mutlu's tour dates and tickets visit⁠ ⁠⁠⁠⁠https://www.mutlusounds.com/⁠⁠⁠⁠To suggest an album, leave a comment or visit us at ⁠⁠⁠https//www.carllandryrecordclub.com⁠⁠⁠The intro music is "I Should Let You Know" by Marian Hill.This is Carl Landry Record Club episode #171

Opera singer Freddie de Tommaso is only 32 but he's already a star and about to play a lead role in Tosca at the Royal Opera House in Covent Garden. From there he travels to New York to sing in La bohème at The Met before his role debut in Verdi's Luisa Miller in Valencia. In this episode of 20 Questions, Freddie takes us behind the scenes of his success, explains how he sprang to fame, speaks of his days playing rugby, explains why body-building helps his voice, reveals how much he can bench press, reflects on the role of looks in modern day productions and the greater power of the director, and remembers a childhood growing up in Tunbridge Wells where his late father ran a fine dining Italian restaurant. 

Summary: What does it really mean to lead through a feminist lens? In this episode of NGO Soul + Strategy, I sit down with Jayanta Bora, a seasoned People & Culture expert who has helped shape leadership practices across major NGOs. Drawing from his own matrilinear upbringing and decades of experience, Jayanta explores feminist leadership not as a gendered concept but as a deliberate, power-aware leadership practice rooted in justice and equity.Jayanta's Bio:Over 30 years of experience in People & Culture, OD, OB, and HR in the nonprofit sector.Former Executive Director of Human Resources at Plan International.Visiting faculty at NMIMS Global Access School and Tezpur University.Leadership roles at Oxfam, ChildFund, and other global organizations.We Discuss:What feminist leadership is—and what it is not.The origins of Jayanta's interest in feminist leadership, rooted in a matrilinear culture.Why feminist leadership is not about gender, but about power analysis.The seven behavioral competencies of feminist leadership:Self-awareness and reflectionSelf-care and caring for othersInclusion and dismantling biasAccountable collaborationSharing power and transparent decision makingRespectful feedback and conflict resolutionCourage and zero tolerance for discriminationThe need for more longitudinal research on feminist leadership effectiveness.How feminist leadership differs from traditional or transformational leadership styles.Quotes: “If you practice feminist leadership, you have no need for DEI policies, since intersectionality of identities is baked in.” “I am a male feminist.”Resources: Jayanta's LinkedIn profileLet's stay connectedYou can also watch this episode on YouTube and subscribe to be the first to know when new episodes or other thought pieces are released.Have a challenge or opportunity in your nonprofit or philanthropic organization that you'd like to explore? Feel free to reach out to Tosca directly at tosca(at)5oaksconsulting(dot)org.And if you'd like more insights on nonprofit leadership, organizational change, and culture, you can follow Tosca on LinkedIn.

Tosca: Gilda Cruz-Romo Cavaradossi: Placido Domingo Scarpia: Ingvar Wixell Sacristan: Renato Capecchi Angelotti: Allan Monk Spoletta: Andrea Velis Sciarrone:Russell Christopher Shepherd: Godehard Rau Conductor: James Levine Metropolitan Opera 1 March 1977 In-house recording

In een eerdere aflevering met Merijn Nijhuis bespraken we Joris Luyendijk. Hij probeerde zijn luisteraars schrik aan te jagen door te stellen: 'ze gaan nu ook al Tegenlicht van de buis halen!' Dat bracht ons op het idee om eens naar dat Heilige, Goudomrande Tegenlicht te gaan kijken...Gast: Merijn Nijhuishttps://www.instagram.com/merijnnij/?utm_medium=copy_link***Steun Open Geesten / Zomergeesten / Boze Geesten Podcast

A cura di Paolo PellegriniG. Puccini – ToscaLuciano PavarottiMario CavaradossiJosephine BarstowFloria ToscaAlain FondaryScarpiaPiero de PalmaSpolettaGottfried HornikCesare AngelottiWolfgang ScheiderSciaronneBerliner PhilarmonikerHerbert von Karajan

Recorded live at The Black Dagger Brotherhood Premiere in New York City on May 29, 2025.In this exclusive PassionPod episode, we're bringing you an exclusive look at the highly anticipated premiere of The Black Dagger Brotherhood in New York City. Recorded directly after the screening, this episode captures the raw excitement, heartfelt reflections and behind-the-scenes secrets straight from the cast, Tosca and the legendary author herself, J.R. Ward.Hear firsthand what it was like to bring these iconic vampire warriors to life and emotional journey that united this passionate team.To the fans who made this possible—this one's for you!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Leave us a voicemail today at (770) 648-3677 or email at info@passionflix.com.Support the show

Today is the day that the United States formerly celebrated its independence. But the events of recent months have not made me feel much like celebrating. As I racked my brain to think of an “American” (read: US-American) of whom we could be truly proud, my mind flew to Carol Neblett, one of the great (if relatively unsung) voices of the 1970s and beyond. Carol died prematurely and unexpectedly in November 2017, and from the earliest days of the podcast, it has been my intention to bring increased attention to her incandescent voice and artistry. For a while, her son Stefan Schermerhorn and I have been planning to do such a tribute, but as with so many such plans, life got in the way. With the looming national holiday, however, I felt the urgent need to do a Carol Neblett episode. So I contacted Stefan earlier this week to ask him if he had any reminiscences to share with us as I was preparing this urgently-needed episode. He returned with an absolutely charming Fourth of July anecdote which begins the tribute. There follows a plethora of live recordings of near-definitive performances of an enormous range of roles that were core to Carol's repertoire: Violetta, Ariadne, Thaïs, Marietta, Manon, Musetta, Louise, Tosca, Magda in La Rondine, Margherita in Mefistofele, Leonora in Il Trovatore, and Elettra in Idomeneo. Also well-represented is no doubt her most celebrated portrayal: Minnie in La Fanciulla del West. Being a tall and statuesque California-born blonde made Carol a physically ideal Minnie, but even moreso, it was THAT VOICE which allowed her to negotiate all of the part's considerable vocal difficulties and made her legendary in the part. This is the first of a planned series of Neblett episodes that I hope will bring you as much delight in listening as it did me in preparing it. And in this undeniably grim period of our nation's history, we desperately need Carol Neblett as a shining example of the brilliance of which the United States is still capable. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode, Tosca, Lauren & Ali break down Episode Five of The Black Dagger Brotherhood. If you haven't watched the episode yet, press pause and watch it first. We're diving into major plot points, character moments and behind-the-scenes insights that could spoil the experience.Come back after you've watched for all the juicy details, laughs and fan-favorite moments!If you're enjoying this series, please share it with your friends!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Leave us a voicemail today at (770) 648-3677 or email at info@passionflix.com.Support the show

⚠️ Spoiler Alert!In this episode, Tosca, Lauren & Ali break down Episode Four of The Black Dagger Brotherhood. If you haven't watched the episode yet, press pause and watch it first. We're diving into major plot points, character moments and behind-the-scenes insights that could spoil the experience.Come back after you've watched for all the juicy details, laughs and fan-favorite moments!If you're enjoying this series, please share it with your friends!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Leave us a voicemail today at (770) 648-3677 or email at info@passionflix.com.Support the show

(00:49) Wie gestern bekannt geworden ist, ist die Schweizer Schriftstellerin Gertrud Leutenegger gestorben. Sie wurde 76 Jahre alt. Gertrud Leutenegger war eine leise, aber faszinierende Stimme der Schweizer Literatur. Ihr Werk umfasst Romane, Erzählungen, Gedichte und Theaterstücke. Weitere Themen: (06:07) Tosca mit brutalen Stunts – bei den St. Galler Festspielen präsentiert der Regisseur Marcos Darbyshire eine aufwühlende Fassung der Puccini-Oper. (11:26) Kunst in krisengeschüttelten Zeiten – die Art Basel hat dieses Jahr bewusst viele politische Arbeiten gezeigt. (15:32) Exzess als Ausdrucksform – der Dokumentarfilm «Mutiny in Heaven» erzählt die Geschichte der ersten Band von Nick Cave.

Momentan finden im Klosterhof wieder die St. Galler Festspiele statt. Im Zentrum stehen wie immer die Aufführungen auf der eigens gebauten Bühne vor der Stiftskirche. Dieses Jahr wird die Oper «Tosca» des italienischen Komponisten Giacomo Puccini aufgeführt. Am Freitag war Premiere. Weitere Themen: · Mehrfache Meldungen: Diesel-Öl in Rapperswil-Jona in den Zürichsee gelaufen · Polizei ermittelt: Kleiner Waldbrand in Lenzerheide GR · Turnverein aus Zihlschlacht TG gelingt historischer Sieg am Eidgenössischen Turnfest in Lausanne

⚠️ Spoiler Alert!In this episode, Tosca, Lauren & Ali break down Episode Three of The Black Dagger Brotherhood. If you haven't seen the episode yet, press pause and watch it first. We're diving into major plot points, character moments, and behind-the-scenes insights that could spoil the experience.Come back after you've watched for all the juicy details, laughs and fan-favorite moments!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.comSupport the show

⚠️ Spoiler Alert!In this episode, Tosca, Ali, and Carlos break down Episode Two of The Black Dagger Brotherhood.If you haven't seen the episode yet, press pause and watch it first. We're diving into major plot points, character moments, and behind-the-scenes insights that could spoil the experience.Come back after you've watched for all the juicy details, laughs, and fan-favorite moments!In this episode of PassionPod, Ali, Carlos, and Tosca dissect the second episode of The Black Dagger Brotherhood series. They delve into the chemistry between Wrath and Beth (from the end of episode one), touch on the actors' performances and filming experience, and share behind-the-scenes details about both the intense action sequences and emotional scenes. The team also hints at what to expect emotionally and storyline-wise in episode three (releasing June 19th), focusing on key character developments and important plot points to come!Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.comSupport the show

⚠️ Spoiler Alert!This PassionPod episode dives deep into Episode One of The Black Dagger Brotherhood with Tosca Musk and very special guest,  J.R. Ward. If you haven't watched the episode yet, we highly recommend doing so before listening! We'll be discussing major plot points, character moments, and behind-the-scenes insights that could spoil the experience. Go watch first, then come back for all the juicy details!In this episode, Tosca Musk (Founder and CEO of Passionflix) and acclaimed author JR Ward discuss the creation and adaptation of The Black Dagger Brotherhood series for Passionflix. They delve into the challenging (yet exhilarating) process of bringing J.R.'s beloved book scenes to life, the intricacies of casting, and the impressive dedication of the actors. From hair-raising transformations and meticulously created sets to the importance of capturing character chemistry and managing detailed consent issues within love scenes, this episode offers a comprehensive behind-the-scenes look at the first episode of The Black Dagger Brotherhood (premiering June 5th). Tune in for fascinating insights and some humorous anecdotes as Tosca and J.R. reflect on their passionate collaboration.

It's Pride Month, and what better time to focus on queer musical culture in all its various manifestations! As far back as I can remember, I have been an Opera Queen, and today I kick off our queer celebrations with the a tribute to one of our favorite divas, the late Grace Bumbry. The chutzpah that she demonstrated throughout her career found particularly thrilling manifestation when she began transitioning to soprano roles in the early 1970s. Always an intrepid singer, Bumbry had a confidence, a fearlessness that swept all before it. Sometimes her reach exceeded her grasp, but even so, the results were always breathtaking, more often than not in a good way. I am not going to make the tired claim that Bumbry should have remained a mezzo and that when she started singing soprano, she destroyed her instrument. This tired trope is belied by the evidence at hand, including an active singing career that lasted more than 60 years. A while back I did a version of this episode featuring her studio recordings of the soprano repertoire, but there's a wild, abandoned quality to her soprano singing that is especially compelling in live recordings. So today I have sought out live performances captured on recordings between 1971 and 2007 (at a seventieth birthday concert) which reveal La Bumbarina at her most thrilling, including excerpts from Tosca, La Gioconda, Il Trovatore, Nabucco, Porgy and Bess, Ernani, L'Africaine, Aida, Salome, and Anna Bolena with such co-stars as Franco Corelli, Norman Bailey, Louis Quilico, and her beloved frenemy Shirley Verrett. If you love Grace, you don't want to miss this episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:28:46 - Daniel Harding, précision et liberté - par : Aurélie Moreau - Chef d'orchestre accompli et pilote de ligne, Daniel Harding est directeur musical de l'Orchestre de l'Académie Sainte-Cécile. Il a dirigé l'enregistrement de Tosca de Puccini avec Jonathan Tetelman, Eleonora Buratto, Ludovic Tézier… (DGG, 3/2025).

In this engaging episode of PassionPod, Lauren (Director of Development) and Tosca (Founder and CEO of Passionflix) interview Kellen Boyle, who plays Havers in the upcoming 'Black Dagger Brotherhood' series, releasing on June 5th exclusively on Passionflix. The trio discuss the funny mispronunciation of Havers' name, Kellen's unique experience with audiobook narration, and his journey into acting. They delve into the deep lore of the 'Black Dagger Brotherhood' world, touching on Kellen's character, Havers, and his dynamic with his sister Marissa, played by Victory Van Tuyl. Kellen and Tosca also share insights into the collaborative process of filmmaking and the importance of understanding different roles and departments on set. The episode takes a delightful turn when Kellen's wife, Jessica Craig, joins the conversation. Jessica, who starred in another Passionflix project, 'The Air He Breathes', shares memories of their wedding dance and how they met. This episode is a perfect blend of laughter, behind-the-scenes insights, and excitement, all building hype for the 'Black Dagger Brotherhood' series premiere.

Giacomo Puccini komponierte viele der beliebtesten Opern. Seine eigene Lebensgeschichte war nicht weniger dramatisch.

[@3 min] Alright, this week…we go Inside the Huddle with Gemma New. Having already achieved operatic glory in Opera Theater St Louis's acclaimed production of Susannah, find out how the Kiwi conductor is preparing for her upcoming debut at Santa Fe Opera! [@17 min] Then...in Monday Evening Quarterback, we give you the play by play of the US premiere of a new orchestration of Scott Joplin's Treemonisha- which gets us thinking, what are the best operas never to be seen by their composers? [@42 min] Opera Theatre names Patricia Racette as its new Artistic Director, and Sonya Yoncheva wants to teach your children about classical music..first lesson, Tosca! GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

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In this episode of PassionPod, Ali Whitaker (Head of Marketing and Publicity) and Tosca Musk (Founder and CEO of Passionflix) welcome Margie Goodspeed, the Head of Creative Post-Production at Passionflix. Margie joins us to talk all about her editing work on the first season of the 'Black Dagger Brotherhood' (releasing June 5th on PassionFlix).In their intro, Tosca shares details of her recent vacation in France and discusses her ongoing work on the 'Black Dagger Brotherhood' series, including her initial script readings (of season 2!) and additional visual effects on Season 1. Ali then shares her experience attending ApollyCon and getting to share the works of JR Ward with a brand-new audience!Margie then joins to discuss post-production process of the 'Black Dagger Brotherhood', highlighting how she managed the series' extensive scope and her evolving collaboration with Tosca. They delve into the distinctive editing and directing challenges, especially for fight scenes and deep emotional moments, and the role of music in enhancing the narrative. The episode concludes with fond memories and anecdotes from the making of previous Passionflix projects (highlighting 'Hollywood Dirt'), emphasizing their personalized approach and collaboration that drive the company's success.Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.com

Welcome to our special, fan-interaction episode! In this episode of PassionPod, our hosts (Tosca, Lauren & Ali) interact with you, the fans, through user-submitted voicemails and emails! They answer questions about  how Passionflix selects books to adapt, upcoming films this year and the overall behind-the-scenes process behind creating Passionflix movies and TV series. They discuss their favorite book tropes, genres, and specific romance novels they love. The team shares personal anecdotes about gifts from fans, including fan art and heartfelt messages.Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.com

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

durée : 01:28:01 - En pistes ! du vendredi 11 avril 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Que ce soit dans Tosca de Puccini, Lady MacBeth de Chostakovitch ou encore dans le lied L'amour et la vie d'une femme de Schumann, place aux voix féminines dans cette émission. A retrouver aussi : une symphonie signée Wynton Marsalis, le Versailles du 17ème mis en musique au clavecin...

Because there is no such thing as too much Eleanor Steber, today's episode once again features the prodigiously gifted singer, in my opinion the greatest soprano the United States has ever produced, singing a dizzying range of material, most of it recorded live between the years 1958 and 1979. These recordings were nearly all private releases on Steber's own record labels.. First, ST/AND Records, which she formed with her second husband Gordon Andrews, and which between 1960 and 1962 produced approximately fifteen LPs, all but one of them featuring Steber. Second, recordings released under the aegis of the Eleanor Steber Music Foundation, which she formed in 1973 and which released a few choice live recordings of Steber's late career recitals. The material ranges from selections from the Christian Science Hymnal, piously presented; sentimental ballads, tackily arranged; Bach and Mozart arias; art songs by Rorem, Barber, Britten, Debussy, Berg, and Beethoven; and opera arias from I Puritani, Der Freischütz, Giulio Cesare, and Tosca, the last performed at her campy Live at the Continental Baths concert in October 1973. Though as Steber grew older, her voice occasionally sounded blowsy, on the vast majority of these recordings she sounds stunningly good. And no matter what repertoire she was singing, her impeccable technique and pristine musicianship remained intact throughout. Much of source material from which these performances stem is exceedingly rare, and for the most part difficult and costly to obtain. So in my role as supreme Steber groupie, I am honored and thrilled to share these recordings, all of them from my own personal collection. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode, hosts Lauren Olsen, Ali Whitaker and Tosca Musk of Passionflix dive into discussing 'Tosca Talks', PassionCon and the 'Black Dagger Brotherhood'. The trio talk all about the conception and adventures of 'Tosca Talks,' highlighting memorable experiences like ghost tours with Jennifer L. Armentrout and crab catching in Key West with Alessandra Torre. They also share details about PassionCon Puerto Rico and current plans to scout for locations for future events. The episode wraps up with what we've all been waiting for... an in-depth discussion on the casting process, production experiences and fan reactions to the upcoming 'Black Dagger Brotherhood' series!

To hear the full episode, subscribe at patreon.com/TrueAnonPod --------- We take a hard look at softcore — and examine the sexy films of Elon Musk's sister, Tosca, and her erotic streaming service PASSIONFLIX. Discover more episodes at podcast.trueanon.com.

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Originally released a year ago on patreon, join Dean, Playboy Alex, Playgirl Carla, and Animator Aris as we talk about our trip to the opera! Check out booksboys.com for links to our social media, merchandise, music, etc, as well as patreon.com/booksboys for the latest episodes of Playboys Extra, Darkplace Dreamers, Film Fellows, Animation Adventurers and more! Hosted on Acast. See acast.com/privacy for more information.

New Sode':  Bonsoir from me and my AI Agent in my suite in Gstaad. My agent serves a dual position. 1 securing me as an Extra on this season's white Lotus as the kind hooker and 2 meme coin trades on my behalf so that I have extra spending money to fix stepson's embarrassing backhand. A true crypto use case.As I sip my Cote Du Rhone, listening to Tosca kill herself while watching my ETH stagnate, I am hesitant to call Vitalik and ask him to kindly make ETH seem a little more gangster, like a character that should appear on #The Wire, but then I thought against it, as his mother and I are still in a fight but I am much younger.  I reflect the fact that conference season is upon us. I have many grievances with Ethereum Foundation Denver and thus I will not be attending and instead will be getting high on Liquid Staking Derivatives in a melange of the ever expanding Solana ecosystem in the confines of my own imagination. My grievances with the EF U are too long that my quill pen will run out before I can front run my trades and My Bulimic MEV bot will no longer be rendered silent. Ipso facto let's start with Denver for the time being;  My grievances include but are not limited toNo get lip injectionsNo Museums that carry any Impressionists/Surrealists art  its policy that I cannot bring my Bedazzled Ak47 into any Panel for my own safety. I digress;My guest today is Hadley Stern a prominent Figure, formerly of the morally corrupt Traditional Finance ecosystem who marinated himself into Marinade. What is Marinade? Well, it's a marketplace much like a Bazaar in Turkey where you can get oodles and boodles of yield on your Solana safely and sexily.  We have a very serious discussion that is actually interesting because Hadley has been in the space long enough to know how to explain cryptomatic themes without driving his audience to drink cyanide out of boredom or confusion. I have been a long time stalker of Hadley's ever since he graced the podcast of #OntheBrink when I stumbled upon this podcast thinking I was going to listen to an episode about how to grapple with mental health due to my unresolved feelings of my ex-husband when in fact he explained how Staking indeed enhances security and injects a new economic layer into the crypto ecosystem.  This ep resolved my feelings towards my ex. Hadley is an expert leader of teams and also skilled in how to handle the relentless crypto-paparazzi.As such he provided me with some much needed media training before my stint as a guest on  the Real Housewives of North Korea. He has become more than a colleague but not in a Bizarre we need to call HR way, like in normal circumstances concerning me and HR, but in a way that he is my friend and my marinated Solana guru. He is also hella Fun and it is a crying shame that yet another crypto bro remains off the market. #Marinade #Glitter Ledger. 

Western coaching models weren't built for African leaders. So Nankhonde Kasonde, a Zambian international development as well as a leadership development specialist and certified coach, created something that was.Nankhonde's Bio:Nankhonde Kasonde is a Zambian international development specialist, certified leadership coach, and the founder of Zanga, an African leadership assessment and HR analytics company.As a leadership coach, Nankhonde recognized that African leaders need a coaching framework rooted in African national, regional, and continental values—rather than Western models that do not align with the cultural realities of high-context societies like Zambia.In high-context cultures, such as those in parts of Africa, China, and Japan, communication is often layered and indirect, relying on shared understanding, relationships, and cultural norms. This contrasts with low-context cultures, where communication tends to be more explicit and direct, as seen in Germany, the Netherlands, and the United States (for example). Recognizing this fundamental difference, Nankhonde developed a coaching framework tailored to African leadership, built on five key cultural dimensions: belief, pride, community, loyalty, and respect.Through Zanga, she provides African-grounded leadership coaching, self- and 360-degree assessments, and HR analytics that support talent management and organizational development. Her work aims to reshape leadership development in Africa by integrating culturally relevant coaching methodologies that truly resonate with African leaders.We Discuss:How did Nankhonde come to conclude that the Western approaches to coaching were not sufficiently helpful for African clients or tailored to their needs? In what ways were these coaching approaches not culturally appropriate?How did Nankhonde set out to develop your new coaching framework?What are the components of Nankhonde's coaching framework for African clients and how it is different from Western or  North-founded frameworks?Where does this coaching model diverge from Western ones?Resources:Zanga's LinkedIn pageNankhonde's LinkedIn pageZanga's websiteClick here to subscribe to be alerted when new podcast episodes come out or when Tosca produces other thought leadership pieces.Or email Tosca at tosca@5oaksconsulting.org if you want to talk about your social sector organization's needs, challenges, and opportunities.You can find Tosca's content by following her on her social media channels: LinkedIn  Facebook 

The first international guest of 2025 is here! Nat aka ScruffySpaceElf on socials joins me from Austria to talk about her favorite fandoms! We kick things off with what may be her number 1 fandom, Star Trek. Nat talks about which series started things off for her, some of the shows she's watched (and others she hasn't), favorite characters, and so much more as we explore the Trek space. Then we go from Sci-Fi to Fantasy, as Nat talks about House of the Dragon. She talks about her interest in the show, the actors & characters, and what she's liked so far after having only seen the first season. We also touch on Game of Thrones, which she has not seen. Then we talk about her work in the Opera and Classical Music space. From her experience in grade school to the work in her degree program and internships, Nat talks about what attracts her to this realm and offers some music recommendations to us (check out the links further down). Lastly, Nat talks about how she got into Cosplay. We talk about her and her families background in faires, the work her dad and mom do, and the characters she's cosplayed. Plus, we talk about what the future holds for Cosplay. You can find Nat at: https://www.instagram.com/scruffyspaceelf/ https://www.threads.net/@scruffyspaceelf https://www.instagram.com/bendingflatnotes/ https://www.tumblr.com/scruffyspaceelf https://www.tiktok.com/@scruffyspaceelf Aria from Dvorak's "Rusalka" https://www.youtube.com/watch?v=DsclkAbE0JM Aria from Puccini's "Tosca" https://www.youtube.com/watch?v=NLR3lSrqlww

Simon Reeve is a broadcaster and writer best known for his TV documentaries which combine travel and adventure with investigations into the challenges faced by the places he visits.His journeys have taken him across jungles, deserts, mountains and oceans, and to some of the most dangerous and remote regions of the world. He's dodged bullets on frontlines, dived with seals and sharks, survived malaria, walked through minefields and tracked lions on foot.Simon grew up in Acton in west London. He experienced anxiety and depression as a teenager and left school with few qualifications. He eventually found a job in the post room at the Sunday Times and from there progressed to working with the news teams, filing stories on a range of subjects from organised crime to nuclear smuggling. In the late 1990s he wrote one of the first books about Al-Qaeda and its links to Osama Bin Laden. His expertise in this area was quickly called upon after the 9/11 attacks in the USA, and he became a regular guest on American television and radio programmes.The current pandemic put Simon's overseas trips into abeyance and he has turned his attention to the UK, recently making programmes about Cornwall and the Lake District. DISC ONE: Eskègizéw Bèrtchi by Alèmayèhu Eshèté DISC TWO: Vissi d'arte - from Puccini's Tosca, performed by Kiri Te Kanawa with the London Philharmonic Orchestra, conducted by Sir John Pritchard DISC THREE: It Takes Two by Rob Base & DJ EZ Rock DISC FOUR: We Will Rock You by Queen DISC FIVE: Mr Brightside by The Killers DISC SIX: Wiley Flow by Stormzy DISC SEVEN: You're Lovely to Me by Lucky Jim DISC EIGHT: Rocket Man by Elton John BOOK CHOICE: Moonshine for Beginners and Experts by Damian Brown LUXURY ITEM: Bird seed CASTAWAY'S FAVOURITE: Rocket Man by Elton John Presenter Lauren Laverne Producer Paula McGinley