Podcasts about Opera house

From Dancing With The Newport Stars - (star) Chris Gardner is here with his pro Fran Huot as we talk about the show coming up at the Newport Opera House on March 13th and 14th.  Chris has been involved with the show for years, but this is his first time on stage as a Star dancing.  We talk about Fran's first time being a pro, does being in play & music productions at the Opera House help with this show, how the format will be this year, and lots more.  this is a co-production with the Newport Opera House Association and the Newport Area Chamber of Commerce.

Sidewalk Prophets Lead Singer Dave Frey discusses their upcoming performance at the Pella Opera House on Saturday, March 7th.

Note: Video of this episode can be found on Youtube and Spotify! Coming soon to Apple Podcasts. In this episode, hosts Tom Kim and Trevor Mountcastle recount Trevor's recent New Years trip to Australia that included visits to Brisbane, Sydney and Melbourne. They discuss the challenges of booking flights using points and miles, the varying experiences with American Airlines and Qantas business class, and the highlights of their stay in Brisbane, including the Lone Pine Koala Sanctuary. The conversation also covers their New Year's Eve celebrations in Sydney, exploring local attractions like the Opera House and The Rocks, and the unique culinary experiences they encountered. The hosts also discuss Melbourne and her beautiful markets and the Australian Open. They discuss the challenges of booking travel during peak times, the logistics of traveling with family, including limited mobility considerations, and how we chose specific flight experiences to mitigate those logistical challenges, such as the importance of non-stop flights. Key Points From This Episode: 00:00 Introduction to the Australian Adventure 00:47 Planning the Trip: Points and Miles Challenges 04:55 Flight Experience: Comfort and Crew Dynamics 11:27 Arrival in Australia: First Impressions 17:55 Hotel Experience: Hyatt Regency Brisbane 21:21 Wildlife Encounters: Lone Pine Koala Sanctuary 26:37 Exploring Brisbane: Markets and Local Culture 27:47 Traveling to Gold Coast: A Budget-Friendly Choice 31:04 Accessibility Challenges in Air Travel 31:22 Packing Light for a Long Trip 34:56 Choosing Accommodations: From Hyatt to Apartments 36:28 New Year's Eve in Manly: A Family Celebration 44:11 Transitioning to Hyatt Regency: A Familiar Stay 48:10 Exploring Sydney: New Experiences and Local Markets 50:49 Cultural Experiences: A Visit to the Opera House 51:40 Experiencing the Sydney Opera House 52:46 Traveling to Melbourne: A New Adventure 53:52 Hotel Experiences and Upgrades 55:32 Booking Strategies for Travel 59:07 Exploring Melbourne: Markets and Local Culture 01:00:38 Weather Challenges in Melbourne 01:04:34 Dining Experiences and Service Culture 01:11:07 Unexpected Adventures at the Australian Open 01:16:56 Experiencing Sporting Events with Low Friction 01:19:07 Navigating Travel Logistics and Flight Changes 01:22:33 Dining Experiences in Airports 01:26:31 First Class Lounge Experience at Qantas 01:27:30 Reflections on Long-Haul Flights 01:34:15 Desire to Return to Australia and Future Travel Plans 01:36:51 The Value of Nonstop Flights

Editor's note: Beacon was created in 1913 from Matteawan and Fishkill Landing. 150 Years Ago (February 1876) Officer Stevenson of Fishkill Landing received a $200 reward [about $6,000 today] for his part in capturing the horse thief Jeremiah Storm. Four empty barges belonging to the Knickerbocker Ice Co. arrived at Dutchess Junction to be loaded with ice cut at LaGrange for shipment to New York City. The Bachelor's Social Club held a Leap Year party on Feb. 29 at Swift's Opera House in Fishkill Landing. After members of the Matteawan school board were criticized by parents for being out of touch, they visited the schoolhouse to see how the students were doing. The Matteawan Seamless Clothing Manufacturing Co. closed suddenly, putting 450 men, women and children out of work. The owner, Mr. Falconer, attributed the closure to $60,000 [$1.8 million] he had spent on a dam, machinery and buildings to produce the new patented Crossley carpets. Falconer also invested in French felt suits for women, which sold poorly, and spent $30,000 [$900,000] on a Methodist meeting ground on Long Island. The firm's chief creditor was Fred Butterfield, Falconer's son-in-law, who toured the shuttered plant and said he and others would continue to back it. James Member of Fishkill Landing planned to open a hotel in Philadelphia for Dutchess County residents visiting the Centennial Exhibition. But after a visit, he abandoned the plan, saying there were already many hotels, and real estate was being sold and rented at exorbitant prices. An arsonist set fire to the stable and wagon house of David Davis, a retired merchant. He lost a carriage and 50 bushels of oats, but his horse was saved. After Mrs. Hamlin refused to pay Dewitt Rogers for installing a pump in her home, he sued for damages. She testified that Rogers had installed three pumps in succession, but none worked, so she had the final one removed. A jury ruled in favor of Rogers, but an appeals court overturned the judgment. In 1867, a wealthy millwright in Boston introduced Milo Sage, president of the Fishkill Landing Machine Co., to Norman Wiard, who said he had invented a boiler attachment that would save fuel and prevent explosions. Sage paid Wiard for the exclusive rights, and Wiard began ordering dozens of "prototypes," for which he eventually owed Sage $15,000 [$450,000]. Sage later learned that Wiard was selling the attachments to the U.S. military. 100 Years Ago (February 1926) Theodore Moith resigned after 44 years with the Beacon Police Department and 13 years as chief. In return, Mayor Ernest Macomber agreed to drop charges that Moith, who also served as a deputy sheriff, had collected questionable fees. Benjamin Roosa, age 67, felt ill while on a walk and stepped into a store on Fishkill Avenue but died before Dr. Julius Hayt could arrive. Roosa had been a railroad station agent and general manager for many years. He was also a former village president. The Beacon High School basketball team lost at Poughkeepsie, 14-11, in a game that included four ejections and a fourth-quarter dustup in which spectators ran onto the court and threw punches. Referee Mike Palen banished two players from each team. In the first quarter, Palisi, the Beacon captain, was forced to the bench for a few minutes after he was kicked in the stomach. At a roast beef dinner, members of the St. Rocco Society made plans to build a two-story clubhouse at the corner of South Chestnut and Dewindt. John Pomarico, described as "a well-known local wrestler," sued the city for $10,000 [$180,000] after he slipped on an icy sidewalk on Beekman Street and broke several ribs. The Denning's Point Brick Co. was installing machinery that its owners said would increase production from 166,000 to 300,000 bricks a day and eliminate the need for manual labor. The Frander Motor Sales Co. planned to open a Studebaker dealership in the former Stafford garage at the intersection of Main and South Chestnut. A snow melter invented b...

We spoke with Executive Director Jeff Dunn and Director of Programming and Education Andrea Bingham about the upcoming shows and events at the theatre. 

Welcome to another fun-filled episode of Geeks Corner! In this episode, hosts Mr. Daps and Caitie Bear dive into a variety of engaging topics, from the mystery of Martin Scorsese's voice cameo in The Mandalorian & Grogu to the delicious offerings of the Lunar New Year at Disneyland. Join us as we explore the highlights and the delightful aspects of Disney fandom.Main Content:Martin Scorsese in The Mandalorian:The episode kicks off with a surprising revelation: Martin Scorsese lends his voice for a cameo appearance in The Mandalorian. Mr. Daps and Caitie ponder whether this cameo will be credited, drawing comparisons to Daniel Craig's uncredited role. With the buzz already circulating on platforms like Wikipedia and IMDb, fans are eager to spot Scorsese's unique voice in the series.Engaging with the Audience:Caitie reminds listeners to subscribe to their YouTube channel, emphasizing the importance of community engagement. They encourage fans to visit Daps Magic and participate in the chat, highlighting how much they value audience interaction. This sense of community is a hallmark of Geeks Corner, making every listener feel like a part of the conversation.Lunar New Year Celebration:As the hosts transition into discussing the Lunar New Year, they share their experiences tasting various dishes at Disneyland. With a special sip and savor pass, they sampled six different items, sharing their favorites. Caitie expresses her longing for comforting noodles during the rainy weather, while Mr. Daps reminisces about the five-spice popcorn chicken that stole his heart. Their candid discussion about food cravings is relatable and adds a personal touch to the episode.The Muppets Phenomenon:The conversation takes an exciting turn as they discuss the Muppets and their recent success, garnering over eight million unique viewers shortly after debuting on Disney+. Mr. Daps and Caitie explore the possibility of a new Muppet series and speculate about potential guest appearances. They brainstorm exciting names, from Tom Hanks to Anne Hathaway, imagining how these stars would fit into the whimsical world of the Muppets. This segment showcases the hosts' deep affection for Muppets and their desire to see the franchise thrive.Returning Attractions:The episode also touches on the return of classic Disneyland attractions, mentioning "Great Moments with Mr. Lincoln" and how they are now running concurrently with "Walt Disney: A Magical Life." The hosts discuss the operational challenges of alternating shows and the excitement of seeing beloved characters come back to life on stage. Their insights provide a glimpse into the behind-the-scenes workings of Disneyland, adding depth to the listener's understanding of the park's operations.THE WEEK IN GEEKHappy Lunar New Year Year of the Horse - Favorite Foods with Sip & Savor https://dapsmagic.com/2026/02/a-delicious-lunar-new-year-sip-savor-pass-day-at-disney-california-adventure/ The Muppets Show Has 8 Million Unique Viewers In About a Week https://dapsmagic.com/2026/02/kermit-the-frog-reveals-8-million-viewers-watch-the-muppet-show-in-new-video/ Great Moments with Mr. Lincoln Returns to Opera House https://dapsmagic.com/2026/02/walt-disney-a-magical-life-and-great-moments-with-mr-lincoln-now-being-shown-in-rotation-at-disneyland/ ART Going Away, Toy Story Parking Lot Transportation is Not https://dapsmagic.com/2026/02/art-going-away-in-anaheim-toy-story-parking-lot-transportation-is-not/ New Trailer Released for The Mandalorian & Groguhttps://dapsmagic.com/2026/02/new-trailer-and-poster-released-for-the-mandalorian-grogu/ 

Today on the pod, we talk to friend of the show Guy Williams. What's he been up to in Western Australia? PS: You can see Guy Williams at the 2026 Best Foods Comedy Gala, on Friday 1 May at the Kiri Te Kanawa Theatre, Auckland and Saturday 2 May at the Opera House, Wellington and Sunday 3 May at the Christchurch Town Hall. Tickets on sale now at comedyfestival.co.nz See omnystudio.com/listener for privacy information.

The Royal Ballet and Opera House in London continue their access programme with up-coming audio described performances and touch tours for blind and partially sighted people of the Royal Ballet's revival of Glen Tetley's 60's cult classic Pierrot Lunaire.RNIB Connect Radio's Toby Davey was joined by Deirdre Chapman, Rehearsal Director at The Royal Ballet and Audio Describer Alice Gilmour for some background to the revival of Pierrot Lunaire and how this classic work of dance that blends both modern and classical ballet set to Schoenberg slightly challenging score is being brought to life on stage with description for visually impaired people.There are three audio described performances of Pierrot Lunaire on Wednesday 11, Thursday 12 and Tuesday 17 February all at 7.45pm with a touch tour prior to the performance on Thursday 12 February at 6.45pm and the performance on Tuesday 17 February is also a relaxed performance too. To book your tickets for the audio described performances of Pierrot Lunaire do either email boxoffice@roh.org.uk or telephone the Box Office on 020 7304 4000.  Do be aware that if you look for tickets for the dates of the audio described performances online the website might indicate that the performances are fully booked out as currently the booking system does not show the allocated seats set aside for blind and partially sighted people.  For more about access at The Royal Ballet and Opera House do visit - https://www.rbo.org.uk/visit/access-at-rbo(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Pella Opera House Executive Director Cyndi Atkins previews their upcoming events at the Opera House.

With special guest: Peter FitzSimons… in conversation with Bill Kable As well as being a 20th century marvel in its soaring design it remains a source of marvel that the Opera House was even conceived in the parochial, conservative backwater that was 1950s New South Wales. One thing that was typical then and remains so is the Australian love for a gamble so it was a brainwave of the NSW government to think of financing the construction by way of a lottery. All of a sudden there were more than enough funds to do the work of construction. But the bigger gamble was to construct a building like no other that would be on display at the heart of the city with techniques that had not been invented based on the imaginings and sparse drawings of a Danish architect who had never taken a building design through to completion. In his book The Opera House Peter FitzSimons takes us on an incredible journey. It took Peter 12 years to track down all the stories which include sexual intrigue, kidnap and murder, bullying and breakdowns. Friendships were made and irrevocably broken in the course of the 15 years of construction before the glorious opening on a beautiful Sydney day in October 1973. Podcast (mp3)

Where in the world am I? In San Diego, talking about Oslo Part 1 Welcome back to the  Dr. Mary Travelbest Guide podcast. I had my second solo  90-day journey around the world, and I'm excited to connect with fellow travelers and share experiences. The FAQ is from Amara, who wants to travel more. She asked: How can I plan a trip like you do, Dr. Travelbest? Would I love to take some of the trips you have been on? I'm not sure where to start. I hear a lot from YOU, but how do I do it? Answer: Getting started is like this. Take small trips until you build up your travel muscles. I met a woman yesterday named Teresa who said she needs to read my books and here's why.. She's a single woman in her 70s and relies on her grown children for travel assistance. But they don't always want to go on the same trips as mom. So Teresa needs to manage her travel. I also think she needs to organize her phone apps so she can find the ones she needs quickly. If this is you, stick around. Some of this will flow into your DNA. I know it.   60-second confidence challenge Your challenge today is to plan a Step One Trip. That means you spend the night in a new city, by yourself. You book your room, meals, and itinerary yourself. You come home the next day, refreshed and confident that you can do anything! One night of travel can reset your travel confidence.   If you like today's Confidence Challenge, my book series delves deeper into Step 1 travel. Never heard of it? You will. It's been tried, tested, and trusted since 2020. You can find the series at the link in the description.    See Book A for addressing this concern..  Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's special destination is Oslo, Norway, Part 1, the intro of Oslo. Today we're heading north — to Oslo, Norway, a city surrounded by fjords and forests. Oslo is one of Europe's most accessible and progressive capitals, offering a calm, safe, and modern environment — perfect for solo women travelers over 50, including those using wheelchairs or mobility aids. Norway is a stunning country with a vibrant population of around 5 million, comparable to Montana's population and area, stretching over 142,000 square miles. The current exchange rate is favorable at $10 USD for 10.1 NOK, making it an exciting time to explore this beautiful land! The renowned Hurtigruten line makes it easy to connect with major cities and highlights throughout the region. There are so many incredible places to visit, including these: - Hammerfest - The breathtaking Svalbard and the Lofoten Islands - Crossing the Arctic Circle and visiting Trondheim—particularly special for Karin - The scenic Flåm Railroad - The unique Vigeland Sculpture Park - The fascinating Fram Museum - Tasty cloudberries - The architectural marvel of the Oslo Opera House - The Well spa, a relaxing retreat at just $65 per day, open from 10 AM to 10 PM, and includes food - Convenient Bus 81 for easy travel Italian traveler Julius highly recommends the Paradox optical illusions exhibit in Oslo—what a fun experience! Additional must-see spots include: https://www.paradoxmuseumoslo.com/en/ - An impressive castle - The immersive Vikings exhibit that captivated Debbie and Erik from Toronto, Canada, whom I had the pleasure of meeting on the train and spending the better part of the day with. https://www.science.org/content/article/thousand-year-old-viking-fortress-reveals-technologically-advanced-society   - The Bergen Hurtigruten line - Stunning views of the Skagerrak Strait - Enchanting Troll Forest - The magical Aurora Domes - An informative visit to Oslo City Hall and the Nobel Peace Center - The enchanting Munch Museum featuring "The Scream." - The lovely Bygdøy neighborhood You pronounce Bygdøy (a peninsula in Oslo) roughly as "BIG-day" (or "BIG-oy"), with the 'y' sounding like the 'i' in 'big' or 'ee' in 'see', and the 'ø' sounding like the 'i' in 'bird' or the 'u' in 'fur', making it close to 'BIG-doy' or 'BÜGD-oy' in Norwegian, but 'Big-Day' is a common English approximation.    For an unforgettable adventure, the "Norway in a Nutshell" tour can be completed in just 2 to 3 days.    Don't miss the dazzling Lofoten Islands, the majestic western fjords, and the charming Longyearbyen in Svalbard, along with Trondheim! Get ready for a fantastic journey through Norway! . - Library - Ibsens Gate - Tysnes Festival: A nearby island with many summer music events. People in Norway typically take two months of vacation. Education and healthcare are publicly funded through high taxes, which support strong economic conditions.  Activities and locations: - Cable car to Mt. Ulriken - Royal Gamlehaugen Castle and Park - Kayaking On my First Day in Oslo, I arrived at the Train station and found my hostel on Karl Lagerfeldsgate Street - Oslo K7 Hostel:  There were minor issues, such as being under construction, but it wasn't a bad experience. My initial Activities included: - Swimming in the sea with Nina from South Korea - Visiting the Opera House, the Munch Museum, and the library - Tasting hot dogs and even shopping for underwear. https://www.visitnorway.com/places-to-go/eastern-norway/oslo/oslo-opera-house/   Art, Architecture, and the Waterfront Start your day at the Oslo Opera House, an architectural masterpiece that rises from the fjord like a glacier. The sloping white roof is fully wheelchair-accessible, with gentle ramps leading to panoramic views of the harbor and the city skyline—a truly unique experience. https://www.visitoslo.com/en/articles/the-harbour-promenade/   From there, take a leisurely roll or stroll along the Harbor Promenade, a flat, scenic walkway that connects many of Oslo's major attractions. Stop by the MUNCH Museum, dedicated to artist Edvard Munch, whose "The Scream" is on display here. The museum is fully accessible with wide galleries, elevators, and a riverside café for a light lunch. https://www.munch.no/en/   In the afternoon, visit Akershus Fortress. While some cobblestone areas can be uneven, the main paths and museum sections are accessible, and the views of the Oslofjord are worth the effort. End your first day at Aker Brygge (BRU-geh), a lively waterfront district filled with accessible restaurants and outdoor seating for watching the sunset. Brygge, spelled, B R Y …..(Norwegian/Danish for "jetty" or "quay") is pronounced roughly like "BRÜ-geh" (German ü sound, short 'e' at the end) in Norwegian or "BRŒK-eh" (like 'brok' with a soft 'eh' sound) in Danish, involving a rolled 'r' and a rounded vowel, similar to the start of "burger" but with a distinct "oo" or "uh" vowel sound before the 'g' and 'e'.  https://www.visitoslo.com/en/activities-and-attractions/boroughs/aker-brygge-tjuvholmen/ My missteps: High prices were not expected I was not fully prepared for the high costs of dining and transportation in one of Europe's priciest cities. Many travelers like me mistakenly expect prices to match other European capitals. To make the most of my time, I purchased a 24-hour Oslo Pass for convenient access to public transport and popular attractions. Plus, I used a refillable water bottle and enjoyed picnic meals from local grocery stores and bakeries.        Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest onYouTube In the news  

Live Nation are bringing iconic Canadian band The Tea Party back to Australia next month (February), bringing a unique live experience to our shores with the Elements Tour, celebrating the 35th anniversary of the band.Performing five shows in Australia, The Tea Party explore a new live musical theme around Elements, with Symphony shows in Melbourne and Sydney aligned to wind, and rock shows in Thirroul, Brisbane and Adelaide aligned to fire. In both formats, The Tea Party will be playing a set that features their greatest hits.The Fire shows will feature the three-piece tour de force fans are very familiar with, while the Wind show will bring a new dynamic to the live shows with The Tea Party accompanied by a fifty-piece Orchestra. Conducted by Sarah-Grace Williams, Hamer Hall in Melbourne will play host to The Tea Party with Orchestra Victoria, while the iconic Opera House in Sydney will feature a performance with The Metropolitan Orchestra and mark the rock outfit's first performance at the famed Opera House.HEAVY sat down with frontman Jeff Martin to discuss the intricacies of the tour, starting with a breakdown on the two differing shows."Well, the fire part is basically…" he measured. "There's going to be three standalone rock shows where it's just the three of us on stage doing what we do best. If you've ever seen the Tea Party live, it's a very, very powerful experience. It's very emotional because the roller coaster that we take the audience on. It can be some of the heaviest music and then some of the most romantic, gentle moments as well.So it really travels the whole kaleidoscope of the emotional spectrum. But then there's the wind elements of the tour as well. We are going to be playing one of the seven wonders of the world, the Sydney Opera House, with the symphony. And we're also doing the home of classical music here in Australia at Hamer Hall in Melbourne with the Melbourne Symphony Orchestra. We've done symphonies before, and it's always been a great success, but it's an honour to play one of the most iconic iconic buildings in the world."In the full interview, Jeff talks more about the opposing musical forces of nature with the Wind and Fire elements of the tour, taking us deeper into the mechanics of playing with an orchestra and the level of commitment required to make it work and how different the set lists will be between elements.He highlighted the different emotions he gets from playing a full rock show as opposed to an orchestral performance, 35 years of The Tea Party and his personal journey, future plans and more.Tickets for all shows: https://www.livenation.com.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

The Sydney Fish Market has cost 836 million dollar to build. Set on Sydney's famous harbour its creators expect it to become a new city landmark. They believe it can attract six million people a year. The new fish market has big shoes to fill. - Der 836 Millionen Dollar teure Neubau am berühmten Hafen von Sydney soll zu einem neuen Wahrzeichen der Stadt werden. Der neue Fischmarkt soll jährlich sechs Millionen Menschen anziehen – und damit in bemerkenswert große Fußstapfen treten.

we continue Jude Hennessy's interview with Philip Ryall on his book: Dear Unity: Overdue Love Letters to Heal a Divided Church. In today's discussion Jude and Phil explore the Unity Concerts planned in various countries between now and 2033 and Phil explains that Ecumenism is not just about building bridges but crossing them together. The series of international concerts will be launched in Sydney, at the Opera House on Sunday 14 June

Jude Hennessy in conversation with Philip Ryall on his book: Dear Unity: Overdue Love Letters to Heal a Divided Church, a collection of thoughts from prominent Christian leaders around the world, reflections, teachings, back stories, and cross-denominational letters that brings a whole new perspective on ecumenism. Linked to the book launch will be a series of international concerts with the first in Sydney, at the Opera House on Sunday 14 June

Listen to Harriet Pearson share the history of the Shepherdstown Opera House, an arts hub for early vaudville entertainment, Hollywood classics, concerts, and live theater. Learn about Town Run Theater Company as they launch an entertaining theater season. 

Cory Ciklin and a group of volunteers are helping to bring the Townshend Town Hall and Opera House back to its former glory. https://happyvermont.com

Pella Opera House Executive Director Cyndi Atkins discusses the end of a busy holiday season, what they are doing to prepare for multiple events in the near future, and their upcoming performances.

John Kosh in conversation with David Eastaugh https://koshdesign.com/ Kosh is a Multi-Grammy award winning art director and former creative director for Apple Records. In the mid-sixties, he was designer for The Royal Ballet and The Royal Opera House, where he produced a gold foil covered program for the anniversary Royal Gala attended by her Royal Majesty, Queen Elizabeth II. At the age of 22, Kosh was responsible for designing the innovative entry portal to the “Young & Fantastic” avant garde art and sculpture exhibition on The Mall in London's West End. Following his work for The Opera House, he met John Lennon and Yoko Ono in 1968 as they had admired his work as art director of Art & Artists magazine. They invited him to meet them one evening at Hammersmith Hospital, where Yoko was recuperating. Shortly thereafter they offered him a desk at Apple Records at 3 Saville Row. His first project was the “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Get Back picture book with the Let It Be album package, the Abbey Road album cover, John & Yoko's elaborate Wedding Album box set, and Hey Jude. Kosh was one of the few attendees at the Beatles' farewell rooftop concert. While working for Apple Records, he designed Mary Hopkin's Postcard, Billy Preston's That's The Way God Planned It, George Harrison's Radha Krisna Temple and The Plastic Ono Band's, Life With The Lions, plus singles, “Give Peace a Chance”, “Instant Karma”, “Cold Turkey” and “Power To The People.”  

One of 2025's most hotly tipped bands had to be NYC indie rock four-piece Geese. With some iconic performances leading up to the anticipated release of their third album Getting Killed, Geese's arrival at Toronto's Opera House this October was a sold-out, hyped affair, supported by Michigan post rock outfit Racing Mount Pleasant. Photographer and friend of the show Owen and I put our journalistic hats on at the show and returned with a review of the entire evening.Geese photosRacing Mount Pleasant photosPodcast cover art: Cameron Winter of Geese, live in Toronto, 11 October 2025. All photos by Owen Forbes.Try and support artists independently through buying their music, merch, going to shows! Bandcamps/websites linked above.Touch that dial and tune in live! CFRC 101.9 FM in Kingston or cfrc.ca⁠, Sundays 8-9:30 PM! Full shows in the linked archive for 3 months from broadcast.Like what we do? CFRC's Funding Drive is on until 31 December. ⁠Donate⁠ to help keep our 102-year old radio station going!Get in touch with the show: email ⁠yellowbritroad@gmail.com⁠, IG @⁠⁠yellowbritroad⁠⁠.PS: submissions, cc ⁠music@cfrc.ca⁠ if you'd like other CFRC DJs to spin your music on their shows as well.

Fluent Fiction - Norwegian: Ballet Dancer's Dilemma: Unmasking an Opera House Sabotage Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2026-01-03-08-38-20-no Story Transcript:No: Lysene fra Oslo Operahus glitret som diamanter mot den mørke vinterhimmelen.En: The lights from the Oslo Operahus glittered like diamonds against the dark winter sky.No: Det var bare få dager igjen til nyttårsgallaen, og stemningen var spent.En: There were only a few days left until the New Year's gala, and the atmosphere was tense.No: Inne i bygningen, blant den moderne arkitekturen som speilet den iskalde fjorden, sto Solveig i ballettstudioet, svett etter enda en intens øvelse.En: Inside the building, among the modern architecture that mirrored the icy fjord, Solveig stood in the ballet studio, sweaty after yet another intense rehearsal.No: Solveig var fast bestemt på å danse hovedrollen.En: Solveig was determined to dance the lead role.No: Hun hadde trent i mange år for dette øyeblikket.En: She had trained for many years for this moment.No: Men noe føltes galt.En: But something felt wrong.No: Merkverdige hendelser hadde kastet en skygge over forberedelsene.En: Strange events had cast a shadow over the preparations.No: Først forsvant musikknotene, deretter ble lysene uforklarlig slukket midt i en viktig prøve.En: First, the music notes disappeared, then the lights inexplicably went out in the middle of an important rehearsal.No: "Det er bare nerver," sa Leif, mens han trakk på skuldrene.En: "It's just nerves," said Leif, while shrugging.No: Han var en erfaren danser og trodde ikke på Solveigs bekymringer.En: He was an experienced dancer and didn't believe in Solveig's concerns.No: "Slapp av!En: "Relax!No: Det er alltid kaos før en stor forestilling.En: There's always chaos before a big performance."No: "Ingrid, som hjalp til med kostymene, var enig.En: Ingrid, who was helping with the costumes, agreed.No: "Ja, Solveig.En: "Yes, Solveig.No: Ingen saboterer nyttårsgallaen," la hun til, mens hun justerte et skjørt.En: No one is sabotaging the New Year's gala," she added, while adjusting a skirt.No: Men Solveig følte seg ikke beroliget.En: But Solveig did not feel reassured.No: Hun kunne ikke ignorere følelsen av at noe farlig truet.En: She couldn't ignore the feeling that something dangerous was threatening.No: Så, en kald kveld etter øvelsen, bestemte hun seg for å undersøke på egen hånd.En: So, one cold evening after rehearsal, she decided to investigate on her own.No: Med hjertet hamrende i brystet, beveget hun seg stille gjennom de tomme korridorene.En: With her heart pounding in her chest, she moved quietly through the empty corridors.No: Snøen dalte utenfor, og kastet svake skygger på veggene.En: The snow fell outside, casting faint shadows on the walls.No: Solveig kom til lagerrommet, hvor rekvisittene ble oppbevart.En: Solveig came to the storage room, where the props were kept.No: Der snublet hun over noe.En: There, she stumbled over something.No: En beskjed, sluppet under en stol.En: A message, slipped under a chair.No: Hun plukket opp papiret og leste hviskende: "Siste plan på nyttårsaften.En: She picked up the paper and read in a whisper: "Final plan on New Year's Eve.No: Sabotage.En: Sabotage.No: Gallaen skal aldri fullføres.En: The gala shall never be completed."No: "Solveig gispet.En: Solveig gasped.No: Dette var beviset hun trengte.En: This was the evidence she needed.No: Hun tok raskt notatet til operadirektøren.En: She quickly took the note to the opera director.No: Sammen la de en plan for å sikre at gallaen kunne fortsette uten flere hindre.En: Together they made a plan to ensure that the gala could proceed without further obstacles.No: Da den store kvelden kom, var kulissene endelig klare.En: When the big night came, the stage was finally ready.No: Publikum fylte salen, og lysene skinte igjen som stjerner.En: The audience filled the hall, and the lights shone again like stars.No: Solveig inntok scenen med en nyvunnet selvtillit.En: Solveig took the stage with newfound confidence.No: Hennes prestasjon var feilfri, og hun ble hyllet både som danser og helt.En: Her performance was flawless, and she was hailed both as a dancer and a hero.No: Med gallaen fullført og mysteriet løst, visste Solveig at hun kunne stole på instinktene sine.En: With the gala completed and the mystery solved, Solveig knew she could trust her instincts.No: Hun hadde overvunnet både tvil og farer for å stå i rampelyset hun drømte om.En: She had overcome both doubts and dangers to stand in the spotlight she dreamed of.No: Dette var bare begynnelsen på hennes glitrende karriere.En: This was only the beginning of her sparkling career. Vocabulary Words:glittered: glitrettense: spenticy: iskaldesweaty: svettdetermined: bestemtlead role: hovedrollentrain: trenestrange: merkverdigedisappeared: forsvantshadows: skyggerinexplicably: uforklarligexperienced: erfarenchaos: kaossabotaging: sabotererreassured: beroligetthreatening: truetinvestigate: undersøkecorridors: korridorenestorage room: lagerrommetprops: rekvisittenestumbled: snubletgasped: gispetevidence: bevisetobstacles: hindreflawless: feilfrihailed: hylletinstincts: instinkteneovercome: overvunnetdoubts: tvilsparkling: glitrende

Fluent Fiction - Norwegian: Dreams, Dilemmas, and Destiny at Oslo's Opera Gala Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-12-30-23-34-02-no Story Transcript:No: Vinteren hadde lagt sitt snøteppe over Oslo, og det glitret som et eventyr.En: Winter had laid its blanket of snow over Oslo, and it sparkled like a fairy tale.No: På Operahuset i Oslo samlet folk seg for nyttårsgallaen.En: At the Opera House in Oslo, people gathered for the New Year's gala.No: Lysene blinket over inngangspartiet, og det var en nesten magisk følelse i luften.En: Lights blinked over the entrance, and there was an almost magical feeling in the air.No: Signe, en ung kvinne med drømmer om å stå på scenen, hadde ventet lenge på denne kvelden.En: Signe, a young woman with dreams of being on stage, had waited a long time for this evening.No: Hun rettet kjolen sin og kikket rundt seg i det vakre bygget.En: She adjusted her dress and looked around in the beautiful building.No: Signe var nervøs.En: Signe was nervous.No: Ikke på grunn av kjølig vær eller fancy folk, men på grunn av han.En: Not because of the chilly weather or the fancy people, but because of him.No: Direktøren for Operahuset, som hun hadde hørt så mye om.En: The director of the Opera House, whom she had heard so much about.No: Dette var sjansen hennes til å gjøre inntrykk.En: This was her chance to make an impression.No: Så mange mennesker pratet og lo, men hun klarte bare å tenke på én ting: hvordan nærme seg direktøren?En: So many people talked and laughed, but she could only focus on one thing: how to approach the director?No: Ved siden av henne sto Lars, den trofaste barndomsvennen med det sjarmerende smilet.En: Next to her stood Lars, the faithful childhood friend with the charming smile.No: "Ser du han der borte?" sa han og pekte diskret.En: "Do you see him over there?" he said, pointing discretely.No: "Du klarer det. Du er fantastisk!"En: "You can do it. You're amazing!"No: Signe prøvde å smile tilbake.En: Signe tried to smile back.No: "Takk, Lars. Du har alltid trodd på meg."En: "Thanks, Lars. You've always believed in me."No: Men Lars hadde også noe på hjertet.En: But Lars also had something on his mind.No: Han hadde lenge ønsket å fortelle Signe at han drømte om å reise verden rundt.En: He had long wanted to tell Signe that he dreamed of traveling the world.No: Og, mer komplisert, at han hadde følelser for henne.En: And, more complicated, that he had feelings for her.No: Han visste at begge deler kunne endre vennskapet deres for alltid.En: He knew that both could change their friendship forever.No: Kvelden gikk, med musikk og dans.En: The evening went on, with music and dancing.No: Tiden nærmet seg midnatt, og Signe visste at dette var muligheten.En: The time was nearing midnight, and Signe knew this was her opportunity.No: Hun måtte snakke med direktøren.En: She had to talk to the director.No: Men akkurat da klokken nærmet seg tolv, tok Lars henne i armen.En: But just as the clock neared twelve, Lars took her by the arm.No: "Signe, jeg må snakke med deg."En: "Signe, I need to talk to you."No: Hjertet banket fortere.En: Her heart beat faster.No: "Lars, jeg må virkelig..."En: "Lars, I really need to..."No: "Vent litt. Det er viktig," sa Lars, men han visste også at hun måtte nå direktøren før han dro.En: "Wait a minute. It's important," Lars said, but he also knew she needed to reach the director before he left.No: "Jeg vet hvor mye dette betyr for deg. Og jeg vil alltid støtte deg, uansett hva," sa Lars raskt, før han snudde hodet mot direktøren som var i ferd med å forlate salen.En: "I know how much this means to you. And I will always support you, no matter what," Lars said quickly, before turning his head toward the director who was about to leave the hall.No: Signe så mellom Lars og direktøren.En: Signe looked between Lars and the director.No: Hun presset hånden hans.En: She squeezed his hand.No: "Vi snakker senere, ok? Dette er viktig."En: "We'll talk later, okay? This is important."No: Lars nikket, og hun løp etter direktøren.En: Lars nodded, and she ran after the director.No: Lars så etter henne, og forsto at det viktigste var Signek egentlige drøm.En: Lars watched her go, understanding that Signe's real dream was the most important thing.No: Hvis han kunne hjelpe henne på noen måte, var det verdt det.En: If he could help her in any way, it was worth it.No: Signe nådde direktøren akkurat i tide.En: Signe reached the director just in time.No: Hun introduserte seg selv med glød i stemmen.En: She introduced herself with a glow in her voice.No: De fikk et kort, men lovende, samtale.En: They had a brief but promising conversation.No: Hun følte seg sterkere, mer selvsikker.En: She felt stronger, more confident.No: Kanskje, bare kanskje, hadde hun en sjanse.En: Maybe, just maybe, she had a chance.No: Da klokken slo tolv, fyltes rommet av jubel og klemmer.En: When the clock struck twelve, the room filled with cheers and hugs.No: Signe og Lars møttes igjen, og hun gråt nesten av lettelse.En: Signe and Lars met again, and she nearly cried with relief.No: "Takk, Lars. For alt."En: "Thank you, Lars. For everything."No: "Vi er et team, husker du? Jeg er glad i deg, Signe.En: "We're a team, remember? I care about you, Signe.No: Og jeg vil at du skal følge drømmene dine," sa han, mens fyrverkeri begynte å lyse opp den mørke natten utenfor.En: And I want you to follow your dreams," he said, as fireworks began to light up the dark night outside.No: De så hverandre i øynene, mens fargene danset over fjorden bak dem.En: They looked into each other's eyes as colors danced over the fjord behind them.No: Vennskapet deres sto sterkt, og de begge visste at uansett hvor deres veier førte dem, så ville de støtte hverandre.En: Their friendship stood strong, and they both knew that no matter where their paths led them, they would support each other.No: Nytt år, en ny sjanse.En: New year, a new chance.No: Signe og Lars hadde hverandre, og en hel verden foran seg.En: Signe and Lars had each other, and a whole world ahead of them. Vocabulary Words:sparkled: glitretblanket: snøteppegala: gallaenmagical: magisknervous: nervøschilly: kjøligimpression: inntrykkapproach: nærmecharming: sjarmerendefaithful: trofastediscreetly: diskretdreamed: drømtecomplicated: komplisertfriendship: vennskapetnearing: nærmetopportunity: mulighetensqueeze: pressetintroduce: introduserteglow: glødcheers: jubelrelief: lettelsefireworks: fyrverkerisupport: støttepromising: lovendeconfident: selvsikkerjourney: reiseadjusted: rettethall: salenunderstanding: forstodreams: drømmene

The Sterling Opera House in Derby, Connecticut, is one of New England's most haunted and historically complex buildings. Opened in 1889 as a grand cultural landmark, it hosted performers like Harry Houdini, John Philip Sousa, and Amelia Earhart. Also, it hid a whole police station and jail directly beneath the stage. While audiences applauded upstairs, criminals sat locked in the cells below.In this episode, we explore the opera house's dramatic past, its ties to the Titanic, its rumored Houdini escape stunt, and the decades it sat abandoned. Then we dive into the paranormal activity that has made the Sterling a hotspot for investigators: voices in the basement, unexplained scratches, the balcony spirit known as “Andy,” and sightings of the White Lady.A deep look at Connecticut history, true crime, and one of the state's most active haunted locations. hauntedamericanhistory.comPatreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGHBarnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334AMAZON: https://www.amazon.com/dp/B0FQPQD68SEbookGOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_SMASHWORD: https://www.smashwords.com/books/view/1853316 !! DISTURB ME !! APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQYOUTUBE - https://www.youtube.com/@DisturbMePodcastwww.disturbmepodcast.com TikTok- @hauntedchris LEAVE A VOICEMAIL - 609-891-8658  Twitter- @Haunted_A_HInstagram- haunted_american_historyemail- hauntedamericanhistory@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Eddie and Wayne are here as we talk about the Christmas Light Parade / Twas Just Before Christmas this past weekend in Newport, building these old buildings, using a helicopter to put the weathervane on the Opera House, and lots more. 

AJC Director of Campus Affairs Moshe Lencer was on his first visit to Australia when the unimaginable happened. Hours after he enjoyed the sun at Sydney's Bondi Beach, it became the site of an antisemitic terrorist attack, leaving 15 people, including a child and a Holocaust survivor, dead. Moshe recounts attending a student leadership shabbaton, in partnership with Australia's Union for Jewish Students (AUJS), and the immediate aftermath on the ground—a mix of helplessness and resolve—and the powerful scene at Bondi Beach the following day, as Jews and non-Jews gathered to mourn and show solidarity. Reflecting on the rise of antisemitism in Australia, Moshe—speaking as an outsider to the community—underscores the guiding principle of Australian Jews at this moment: "If we stop celebrating Jewish identity, it means they won."  Read Full Transcript: https://www.ajc.org/news/podcast/ajcs-asia-pacific-institute-on-how-australias-government-ignored-the-warning-signs-before Resources: -What To Know About the Antisemitic Terror Attack in Sydney -Take action: Urgent: Confirm U.S. Special Envoy to Monitor and Combat Antisemitism Listen – AJC Podcasts: -Architects of Peace -The Forgotten Exodus -People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:     As the sun began to set in Australia on Sunday, more than 1000 gathered on Bondi Beach in Sydney to celebrate the first night of Hanukkah by the Sea, but at about 6p m, terrorists fired into the crowd, killing at least 15 and wounding dozens more. Students with the Australasian union of Jewish students had just wrapped up a Shaba tone before they headed to Bondi Beach and our own AJC, Director of Campus affairs, Moshe Lencer, whom we affectionately call Moosh, was there with him shortly before the attack, and he's with us now. Moosh, welcome to people of the pod. Moshe Lencer:     Thank you for having me.  Manya Brachear Pashman:     Well, I wish it were under very different circumstances. How are you doing and how are the students doing that you are spending time with there? Moshe Lencer:     It's a wonderful question, and the more I think about it, the less I have a clear answer. It's a combination of helplessness, and in the same time, desire towards hope and trying to figure how to move through this very dark time. The last 24 hours, a little bit more than that have been very interesting is this has been my first time ever in Australia. I landed here Friday morning. Right now, for context, it's Monday night, and until about 6pm on Sunday, it was a very pleasant, positive experience, filled with moments of Jewish pride and joy. The reason I'm in Australia, even in this moment, is time, is AJC has a partnership with the Austra Asian union of Jewish students known as AJUS. Which is the student organization that focuses on Leadership for Jewish students in Australia and New Zealand.  And I was invited to take part in a shabaton that was held just outside of Sydney with student leaders from both Australia and New Zealand. The weekend was filled with laughter and joy and happiness, and we were making edible chanukias before the holiday, we were talking about ways to advocate for what students needs and for what they need. We even finished the day with kayaking, and there was a lot of happiness and a lot of desire, because, as I learned recently, and I should have understood before by being in the southern hemisphere. This is the beginning of summer. This is the first few weeks when people finish the school year and they're enjoying it. They're celebrating. And that's why the dates were chosen.  So it's like beautiful and it's sunny, and we were expelled and everything. And as we were about to start celebrating a holiday that's all about our community and resilience, our resilience was tested again, and now as just over a day into it, we're still trying to see what we can do and how to move forward and support the community right now as it's hurting. Manya Brachear Pashman:     You were actually at Bondi Beach shortly before the attack. Can you kind of describe the environment and why you were there in the first place? Moshe Lencer:     Yeah, of course, as mentioned, we were doing the shabbaton, and the programming ended around 3pm and it's summer. It's the first few days of summer. If you Google, what can you do, or what should you do and see in Sydney, the first few things people will see will be the Opera House, which is, I think, the most iconic place in the city. And then the second thing is go. It says, Go to Bondi Beach. It's such a big piece of the community here and where people go. It's also super close to where most of the Jewish community lives. So we were saying, okay, the shabbaton is done. A lot of the people are now local. What can we do in between? Before people hop on trains and flights and everything? Let's go to Bondi Beach. We all met up at the frozen yogurt location that's very iconic there very that chain itself was very connected to Sydney, and the participants just went there as an unofficial thing. I got there a little bit after just exploring. I said, my first time in Australia, like, Okay, what do I do? I go to Bondai beach. I walked around there. I was seeing this. It's the first week of summer school. Just ended. The beach was packed. It was sunny, beautiful, everything. I don't think there was a person in Sydney that wasn't at the beach yesterday, and I left the beach at around 510, ish, heading towards dinner with the student leaders at the Opera House. Because if I'm already there, I need, I should see everything else. Manya Brachear Pashman:     And so why having, having walked that beach, why was there a Hanukkah celebration there? Can you tell our listeners who may not be familiar with who organized it, and why was the first night celebration? Operation scheduled for that, but that Hanukkah by the sea? Moshe Lencer:     Yeah, of course, Hanukkah by the Sea was one of several events that were held yesterday by the Jewish community. Here. It had over 2000 people, but and it wasn't the only one. There were many events that were designed to celebrate, to have joy. Hanukkah is a holiday of lights, the community here, the geography here is that for a lot of us, Hanukkah, as a holiday, happens in the cold, in the winter, and this is the beginning of summer. You know, it's summer we go to the beach. I was joking with them that their Christian friends do Christmas in July, just so they can have snow or cold associated with the holiday. And just to think about it, right? So going to the beach, going to the where that's part of their culture, the culture here. So there were other events not even far from it. It was the best way to celebrate it. And Chabad of Bondi is a community that's growing, and it's community. It's beautiful, and it's using different aspects of of the tapestry that is the Jewish community of Sydney. So it's more of like, why not do it here? Why not have it there? It's, you know, it's the most connected to what's going on. It's, would have been surprising if they weren't doing something here. Manya Brachear Pashman:     Was there in a giant menorah on the sands of the shore? Or how did they have it set up there? Moshe Lencer:     I will be honest that I missed the preparation. But from what I've seen, though, you know, it's Chabad. They bring giant menorahs wherever they go. I even today they brought a giant menorah to light right there, because this is the core of what Chabad is, is to bring the light, to bring the essence of Judaism, where everyone might go. I walked also today by another location that wasn't far, which had another Hanukkah event yesterday with rides and everything. And they still had the hanukkiah there. That also was a huge Hanukkah. It was, there wasn't hiding of what is going on. You know, the people saw the flyer for what was going on. It was very public. There wasn't a feeling that this holiday should be celebrated in closed doors and hidden from the public. Manya Brachear Pashman:     So you had mentioned earlier offline that you went back to Bondai Beach with the students that you were there to observe the Shabbaton with. Can you tell me what the scene is the day after? Moshe Lencer:     I arrived there today with, with the senior leadership of AJAS who, for context, these are college age students that have tremendous amount of responsibility and leadership and ability. They oversee Jewish students across the whole continent and New Zealand, just to explain. And these are people there in their early 20s, and today, it was very important for them to make sure that we stop by and pay their respects. We have flowers and we want to go and stop at the site. And we weren't the only people with this idea. And what, from everything in my understanding, was a combination of very structured and a very spontaneous situation. People showed up with flowers and stones to mark they were there, and candles and stuffed animals and ways to make sure that the location is not going to be seen as something that isn't important and isn't marked what the horrible scenes was there.  We got there, and I would say, there were, let's say about 100-120 sets of flowers. And then we stood there for another hour and a half, and I think it quadrupled, if not more, in that hour and a half. And it was just lines and lines of people. And what was very also noticeable, these were not just Jewish people, not Jewish and just Jewish individuals. I saw people of faith from different religions. I saw people walking with groceries and putting on flowers and heading back. I said, Children, I don't think there's someone in this whole area, and could have been even outside of Sydney that didn't want to stop and pay their respects because of how horrible that's the situation last night was, and how much it hurt the community, the Jewish community, of course, as being a part of the victims, not just the Jewish community that goes to Bondi, but also the community of Sydney. Many dignitaries have visited the sites in the last 24 hours, and. Um, there were several moments of spontaneous singing. There were, it was Hebrew singing, and it was started by different groups in different moments. It was just ways to those standing there to kind of find some silence in it. It was an attempt. And I'm saying an attempt, because I don't think anything can really help but an attempt to try to start processing, and I'm not going to be worried, and I cannot speak to the community itself as because I'm an outsider, I am fortunate enough to be connected to the members here and to those that are really trying to do what they can to continue and to move forward, but it is an outsider seeing something like this actually, there's some beauty and community and very, very dark times, and to know that it's not just the Jewish community helping each other, but It's the whole community here that they're showing up, just shows there might be some, some hope. Manya Brachear Pashman:     Was this out of the blue? I mean, in your conversations with people there on the ground, was this shocking? Or have they sensed a slow motion journey to this point? Moshe Lencer:     Antisemitism in Australia has been on the rise for a while now. Since October 7, a lot of events have happened, if it's been synagogues that were set on fire, and if it was individuals that would threaten children right outside of their kindergarten, if it was swastikas being spray painted, as I mentioned, the shabbaton started Friday. I landed at 9am on Friday, and I needed to be at our meeting place that was a main synagogue in Sydney at 11am meaning that my time I went through customs, got all my stuff, I just Uber directly there with my luggage. When I got to the synagogue, I was greeted by a security guard who looked at me and he was very confused of why a person he doesn't know stands outside of his synagogue with luggage. The first thing he told me is like, you're not allowed to walk in with luggage into a synagogue in Australia, and I understood exactly why he was saying this. They don't know me. They don't know what's in my luggage. Don't what can come out of my luggage. All of this story to say is that there, there is this tension. And I said it to him, and I said it when I walked in it I really was appreciative that would everything the security guard, no matter what, no matter what I was saying that was like, You're gonna open your luggage, I'm gonna go through everything you have to make sure that you're no matter we're gonna tell me, I'm making sure that there's nothing here that can harm this community. So the people are taking their job seriously with that being said, Australia as a whole has been lucky to never have events like this, not just on the antisemitism. They have never had this large of a terrorist attack and its soil.  So it's one of those they're preparing to for what they know, not what they thought would ever be gun laws on like the US are a lot more stricter there. It's very uncommon to even have weapons so easily. I'm not going to say that people saw it specifically coming. They felt like there is a slow simmer of events. Something's going to happen. No one thought this scale of horrible event can happen, because there was never a scale of this horrible event to a point where it's not a culture like the Jewish community in the US that checks its media and the updates every five minutes that three four hours after event yesterday in downtown Sydney, people were not even aware what was going on in other places, because what they didn't have to check the news. The Jewish community, of course, did. We were told to shelter in places. Everything happened. But if you were someone that is not connected Jewish community in Sydney, and you were in downtown Sydney, and which is in a different part by the Opera House, there's a huge chance you had no it was going on because you didn't need to, because you didn't think that you didn't think that you need to think that something's going to happen. And then moving forward to today, the whole feeling shifted. I got into an Uber that took me to the area, and his first reaction was, I really hope nobody's going to try to shoot you without even knowing I'm Jewish or not, he just like all he knows it was that there was a horrible attack last night in that geographical area. Manya Brachear Pashman:     So it's kind of shocking that you landed at 9am and by 11am you were already introduced to the precautions. That they took and the severity with which they with which they took them, and then not even 48 hours later, the worst. What can we do here in the United States or anywhere in the world where people might be listening to this podcast? What can we do to bring comfort, to bring solace, to show support that really will make a difference. Moshe Lencer:     Everything I've noticed, I'll say that out of what I've been noticing. And then AJUS has actually just launched about 45 minutes ago, a new initiative that they're asking the community, and when I say in community, I mean the Jewish community at large around the world, to share how they're spreading light right now and this holiday, send videos and pictures of lighting the menorah. It's already the second night of Hanukkah. Here it's right now, 10:34pm on Monday, while the day is only starting in the US. So they're, you know, they're far ahead at 16 hour difference. They want to see, they want to feel that the community and the Jewish pride and joy is still going through this. They're the community as it's hurting and it's trying to recover from this, is also trying to show that there is still a vibrant Jewish community, because at the core of this event is to have us hide and is to have us stop being who we are, and to have an if we stop celebrating Jewish identity means they won. They mean that they got exactly what they wanted by actively attacking us and killing us. They're also stopping us from continuing to be the community that we want to be. So that's one thing.  The other thing we're that I am seeing again, I don't want to speak for the community itself. I'm just saying from my experiences with it is to make sure that if you have any interaction with decision makers, if it's in Australia, or diplomats that represent Australia around the world, or even in your own country, that can make any type of public comments. As I said, it was simmering for a while, this didn't show up out of nothing. They didn't expect this horrible thing because, like I said, there was no precedent. But it didn't mean they weren't saying something's going to happen. Australia understood something's going on. But I think right now, what we need to do is putting some pressure to make sure that they're taking a lot more seriously here in Australia, they're taking it a lot more seriously around the world that after two years, when we were saying, this is not just about what they are using, the word of Israel is the fault. We're not against the Jews. It is. It is against the Jews. The lighting of a Hanukkah and Sydney, well, there's a cease fire. Has nothing to do with Israel has all to do with Jewish identity and community, and that's what we need right now to make sure that, you know, we're speaking out. We're making sure that elected officials, those that can make difference, are making a difference. Manya Brachear Pashman:     You talked about the past two years that there has been a rise of antisemitism since October Seventh. And just a few days after October 7, you also mentioned the Opera House. The Sydney Opera House was illuminated in blue and white, the colors of the Israeli flag to show solidarity after the terror attack, and yet, there were protesters outside yelling and some yelling antisemitism, and I'm curious if there has been any indication or expression of similar sentiments in the days after this terror attack. Moshe Lencer:     From my conversation so far with the community and from everything I saw, at least today at Bondi, it seems like the larger community is right now hurting for the Sydney, its own geographical syndicate community, for the Jewish community within its community, said I saw people Fate of different faiths there, very visibly from others right now, and I don't want to, want to knock on wood, I haven't heard or seen anything with that being said. Sorry, let me track this. I do know this morning, as people were putting down flowers, there were some videos of people wearing kefirs, they were actively trying to explain the connection between the shooting in their beliefs, and were trying to intimidate and interrupt as people were trying to mourn and the site. But it was very anecdotal. I believe was one or two people at most, and that does not represent a much larger thing. Just in comparison, as you mentioned that on October 9 that the bridge area in Sydney saw a protest that had hundreds of people. So it's a very different thing. With that being said, we're only 24 hours into this. Our community knows that sometimes we get a short grace period and then it flips. So I'm hoping that by the time this airs what I am saying won't change. Manya Brachear Pashman:     You and me both. Well, you reminded me of the 16 hour time difference. It reminded me that on New Year's Eve, I always tune in to watch the fireworks in Australia, because they're always the first to ring in the new year. And it, to me, is kind of a early first sign of hope for great things to come in the new year, and then I don't want to wait. In other words, I always tune into Australia for that sign of hope and of newness. So I hope that this is I hope that a page turns in Australia for the better, not for the worst. So moosh, thank you very much for joining Moshe Lencer:     Thank you for having me.    

Hello Interactors,Spain's high-speed trains feels like a totally different trajectory of modernity. America prides itself on being the tech innovator, but nowhere can we blast 180 MPH between city centers with seamless transfers to metros and buses…and no TSA drudgery. But look closer and the familiar comes into view — rising car ownership, rush-hour congestion (except in Valencia!), and growth patterns that echo America. I wanted to follow these parallel tracks back to the nineteenth-century U.S. rail boom and forward to Spain's high-spe ed era. Turns out it's not just about who gets faster rail or faster freeways, but what kind of growth they lock in once they arrive.TRAINS, CITIES, AND CONTRADICTIONSMy wife and I took high-speed rail (HSR) on our recent trip to Spain. My first thought was, “Why can't we have nice things?”They're everywhere.Madrid to Barcelona in two and a half hours. Barcelona to Valencia, Valencia back to Madrid. Later, Porto to Lisbon. Even Portugal is in on it. We glided out of city-center stations, slipped past housing blocks and industrial belts, then settled into the familiar grain of Mediterranean countryside at 300 kilometers an hour. The Wi-Fi (mostly) worked. The seats were comfortable. No annoying TSA.Where HSR did not exist or didn't quite fit our schedule, we filled gaps with EasyJet flights. We did rent a car to seek the 100-foot waves at Nazaré, Portugal, only to be punished by the crawl of Porto's rush-hour traffic in a downpour. Within cities, we took metros, commuter trains, trams, buses, bike share, and walked…a lot.From the perspective of a sustainable transportation advocate, we were treated to the complete “nice things” package: fast trains between cities, frequent rail and bus service inside them, and streets catering to human bodies more than SUVs. What surprised me, though, was the way these nice things coexist with growth patterns that look — in structural terms — uncomfortably familiar.In this video

Fare thee well for 2025! Charles and Dom sign off for the year, but not before they make bold plans for how they will return in 2026! Looks like The Chaser Report is coming to the Opera House!* Happy holidays dear listener!*'s cafe.---Order the 2025 CHASER ANNUAL: https://chasershop.com/products/the-chaser-and-the-shovel-annual-2025-preorderListen AD FREE: https://thechaserreport.supercast.com/ Follow us on Instagram: @chaserwarSpam Dom's socials: @dom_knightSend Charles voicemails: @charlesfirthEmail us: podcast@chaser.com.auChaser CEO's Super-yacht upgrade Fund: https://chaser.com.au/support/ Send complaints to: mediawatch@abc.net.au Hosted on Acast. See acast.com/privacy for more information.

Stuck in Vermont during the pandemic with his partner stranded across the border in Quebec, playwright Terry Allison was inspired to write about the repercussions at the family and small-town level of separation enforced by an invisible line. Terry talks about language as a fundamental part of our history, about the challenges of writing comedically for a different culture, and about borders as places where people can come together and collaborate to solve problems. Terry also addresses love as a theme of the play, the role of art in politics, and Kristi Noem's dramatic gesture at the Haskell Free Library and Opera House. Find the full audio library of Blue Vote Café episodes at http://bluevotecafe.com. Register and request your ballot every year at https://www.votefromabroad.org/.

Introducing you to Boy & Bear!Big week for this band, gig on the steps of the Opera House this weekend (go search for tix) and also new album called 'Tripping Over Time' releases on Friday (go search for it and pre-save, follow, all the things) ....plus also just good humans, enjoy the chat! Hosted on Acast. See acast.com/privacy for more information.

Introducing you, to a band that need no introducing, Franz Ferdinand!Ahead of their show at the Sydney Opera House (to wrap their tour) Alex and Bob are here for a little chat about the beginning, the middle and now to an amazing 20 odd years and six studio albums in, with multiple gigs and now, the Opera House steps. Smashing it! Hosted on Acast. See acast.com/privacy for more information.

Pella Opera House Executive Director Cyndi Atkins discusses their upcoming Christmas concerts throughout the month of December.

Louise Penny's new novel explores a sinister plot to make Canada the 51st state, but she's keen to point out that she wrote it before Donald Trump was re-elected as U.S. president. She spoke with Matt Galloway live on stage at the Haskell Free Library — right on the U.S.-Canada border — about life imitating art, and why she cancelled her U.S. book tour. They're joined on stage by Montreal singer-songwriter Patrick Watson, to discuss the intersection of art and politics.This special bonus podcast episode was recorded with a live audience at the Haskell Free Library and Opera House, a unique venue straddling the border between Quebec and Vermont.

In August 1896, Aussies went to the movies for the first time – and it happened at Melbourne's Opera House just nine months after the French Lumiere brothers got le punters to pay to see the moving pictures in Paris.It's easy to get a free trial that will give you access to ad-free, early and bonus episodes. Hit either of these links:Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaWant more original Australian true crime and history? Check out my books!They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.htmlEmail: forgottenaustraliapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Executive Director of the Newport Opera House Association, Laura Kessler is here as we talk about the Glenn Miller Orchestra returning to the Opera House stage on Sunday November 23rd.  This will be the 3rd year in a row they have come to Newport.  We talk about the history of Glenn Miller, how his music is timeless, what one would expect, dancing is encouraged, and more.  Plus we discuss Laura's history, the Newport Opera House Association, and more.

Highlights from our biggest live show yet! We're thrilled to share our first ever live episode, recorded in September 2025 at The Royal Opera House in front of 2200 Dish fans. Our guest, Jack Whitehall, is an English comedian, presenter, actor and writer - and no stranger to stages of such grandeur.  Jack joined us to help settle Nick and Angela's nerves and provide just a little bit of chaos in our on-stage kitchen. The night is one huge celebration of Dish, complete with special guests, a house band (thank you Sous Chefs), a trap door and more dry ice than we ever thought possible.  The show starts with a glass of Veuve Clicquot to celebrate a landmark moment before Nick mixes up an old fashioned for Jack. Angela serves an aubergine parmigiana, a Dish classic that proved a big hit for Shania Twain last year, alongside a glass of Prunotto Barolo, paired by the Waitrose wine experts.  Jack can be seen in the new Prime Video show Malice, where he plays a manipulative male nanny alongside David Duchovny and Carice van Houten. The role involved some cheffing skills, which come much more naturally to Jack than his father Michael, who is in the crowd for this show. From food likes and dislikes to the Fast Food Quiz under a spotlight, and a goody bag reveal that comes out of nowhere, this is Dish - but not like you've seen it before.  The show took place on the same night as the launch party of Angela's new restaurant, Cicoria, situated on the top floor of the Opera House.  You can watch full episodes of Dish on YouTube and, new for this season, on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk Dish from Waitrose is made by Cold Glass Productions Learn more about your ad choices. Visit megaphone.fm/adchoices

“I just want to shout on every corner that this guy is a big deal."

PJ is joined by Keith Barry Live In Studio who literally hacks his brain and talks about going back to a traditional hypnosis show. Keith Barry is in the Opera House with "Unhinged – 25 Years Inside Your Mind" on Fri Jan 23rd at 8pm Hosted on Acast. See acast.com/privacy for more information.

An absolute honour to spend an hour with the great Bill BaileyIn this wide-ranging conversation, Bill opens up about friendship, grief, family, creativity, and what really matters after a lifetime on stage. It's honest, warm, and full of the humour and curiosity that make him one of the world's most loved comedians.This episode is brought to you by the TAB. Got a hunch? Download the new app today and get your bet on.In this episode we cover:• His friendship with the late Sean Lock and the lessons he left behind• His relationship with his 93-year-old father and the wisdom passed down through generations• What success and happiness look like today• A lifetime of creativity, music and curiosity• Why walking, conversation and nature are essential for mental well-beingBill also talks about his upcoming NZ tour.Tour Dates:Monday, November 3rd, 2025 – Opera House, OamaruTuesday, November 4th, 2025 – Wolfbrook Arena, ChristchurchThursday, November 6th, 2025 – Trafalgar Centre, NelsonSaturday, November 8th, 2025 – Toitoi Events Centre, Hawke's BayTuesday, November 11th, 2025 – Michael Fowler Centre, WellingtonFriday, November 14th, 2025 – The Civic, AucklandMonday, November 17th, 2025 – Regent on Broadway, Palmerston NorthWednesday, November 19th, 2025 – TSB Stadium, New PlymouthFriday, November 21st, 2025 – Sir Howard Morrison Theatre, RotoruaSunday, November 23rd, 2025 – Globox Arena, Hamilton Hosted on Acast. See acast.com/privacy for more information.

Newport Police Chief Alex Lee is here as we talk about Halloween, the dance at the Opera House, drinking and driving, going to the State House and more.

The Sydney Opera House is one of the most famous buildings in the world and a symbol of Australia. Located on the harbor in Sydney, it looks like a group of giant white sails floating on the water. Designed by Danish architect Jørn Utzon, it opened in 1973 and became a center for music, theater, and dance. This video explores how the Opera House was built, what makes its design so unique, and why it's loved by people around the world. It's not just a building—it's a masterpiece of creativity and culture.

This is a Grave Talks CLASSIC EPISODE! Not every haunting is born from tragedy — some come from pure love of the stage. Built in the 1870s, the Rohs Opera House has seen laughter, heartbreak, and curtain calls for nearly a century and a half. Once destined for demolition, the historic theater was saved by the people of Cynthiana, Kentucky, who couldn't bear to lose its charm — or its spirits. As paranormal investigator Renee Hill soon discovered, they weren't the only ones keeping the show alive. From ghostly applause echoing through empty seats to shadowy figures caught watching performances long after the lights go out, the Rohs Opera House continues to entertain audiences on both sides of the veil. In this episode of The Grave Talks, step behind the red velvet curtains to uncover the secrets of a theater where the spirits still take their final bow — night after night. #RohsOperaHouse #HauntedTheater #GhostStories #ParanormalPodcast #HauntedKentucky #TheGraveTalks #RealHauntings #HistoricHauntings #ParanormalInvestigation #SpiritsOfTheStage #HauntedOperaHouse #GhostlyEncore Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE! Not every haunting is born from tragedy — some come from pure love of the stage. Built in the 1870s, the Rohs Opera House has seen laughter, heartbreak, and curtain calls for nearly a century and a half. Once destined for demolition, the historic theater was saved by the people of Cynthiana, Kentucky, who couldn't bear to lose its charm — or its spirits. As paranormal investigator Renee Hill soon discovered, they weren't the only ones keeping the show alive. From ghostly applause echoing through empty seats to shadowy figures caught watching performances long after the lights go out, the Rohs Opera House continues to entertain audiences on both sides of the veil. In this episode of The Grave Talks, step behind the red velvet curtains to uncover the secrets of a theater where the spirits still take their final bow — night after night. This is Part Two of our conversation. #RohsOperaHouse #HauntedTheater #GhostStories #ParanormalPodcast #HauntedKentucky #TheGraveTalks #RealHauntings #HistoricHauntings #ParanormalInvestigation #SpiritsOfTheStage #HauntedOperaHouse #GhostlyEncore Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

On this episode, Tony Brueski digs into the haunting legacy of the Tabor Opera House in Leadville, Colorado. From its grand opening during the silver boom to its modern-day reputation as one of America's most haunted theaters, this episode unravels the chilling accounts of performers and patrons who may never have left.  With reports of shadowy figures, phantom applause, and unexplained whispers, Tony takes you on a journey through history and mystery. Was it the passion of the arts or the tragedy of the Tabors that left such a powerful impression? 

On this episode, Tony Brueski digs into the haunting legacy of the Tabor Opera House in Leadville, Colorado. From its grand opening during the silver boom to its modern-day reputation as one of America's most haunted theaters, this episode unravels the chilling accounts of performers and patrons who may never have left.  With reports of shadowy figures, phantom applause, and unexplained whispers, Tony takes you on a journey through history and mystery. Was it the passion of the arts or the tragedy of the Tabors that left such a powerful impression? 

In this edition of Don't RIP, Hulk Hogan, Jack and Miles discuss the passing of Hulk Hogan, the billionaire South Park creators taking off the gloves with Trump, Tim Burchett: 'I know a lot of dirtbags myself', Trump renaming the Kennedy Center Opera House, the triumphant return of Air Bud and much more!See omnystudio.com/listener for privacy information.