Podcasts about Baritone

Every Time I Feel the Spirit arr. William Dawson (1899-1990) - Keith Levell, baritone and Chancel Choir by First Community Church

I'm Gonna Sing 'Til the Spirit Moves in My Heart arr. Moses Hogan (1957-2003) - Brayden Williams, baritone and Chancel Choir by First Community Church

This week, Ryan and Brian receive information about nuclear fusion, non-placental reproduction, and Högertrafikomläggningen, and yet feel they've actually learned nothing. (Cover art this week is by John Froehlich, and it's pretty cool.) If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a DM or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Instagram / Bluesky

In this episode of OPERA Road Trip, host Sebastian F. Schwarz turns to France—one of the historic strongholds of the European operatic tradition—shaped by a dense network of public institutions, a strong culture of state support, and a long-standing belief in opera as a public good. From the court of Louis XIV and the founding of the Académie Royale de Musique to the grand opéra tradition of the 19th century and the decentralisation policies of the post-war period, the episode traces how France developed a uniquely structured and highly institutionalised operatic ecosystem. It is a system built on stability and public investment, yet increasingly confronted with financial pressures, evolving audience expectations, and the need for renewal. At the heart of the episode are conversations with two leading figures of today's French opera landscape: Valérie Chevalier, General Director of Opéra Orchestre National Montpellier Occitanie, reflecting on regional opera, decentralisation, and the realities of leading a major house outside Paris; and Stéphane Degout, one of France's most internationally acclaimed baritones, offering a performer's perspective on the French repertoire, artistic identity, and the relationship between national tradition and global careers. Together, their voices reveal a system negotiating continuity and change—raising questions about how a deeply rooted cultural model can adapt to the demands of the present while preserving its artistic core. Opera Road Trip is hosted by Sebastian F. Schwarz who is Casting Director of Milan's Teatro alla Scala and whose curriculum as an opera manager includes CEO and Artistic Director and Administrator positions at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburgische Staatsoper and Wexford Festival Opera. He is Vice-president of the International Richard Strauss Society, member of the board of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera. All episodes: https://operavision.eu/features/opera-road-trip Music extracts for this episode: Introduction: Fidelio (Beethoven): Overture, op. 72 Ecerpts from Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Ecerpts from L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Munich Radio Orchestra, Hervé Niquet Ecerpts from Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre del'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni   Excerpt from Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonus Music: Excerpt from Mazeppa (Clémence Grandval): Julien Dran, Munich Radio Orchestra, Mihhail Gerts Link to the recorded catalogue of rediscovered works published by Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme.   Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.       In dieser Episode von OPERA Road Trip richtet Gastgeber Sebastian F. Schwarz den Blick auf Frankreich – eines der historischen Zentren der europäischen Operntradition, geprägt von einem dichten Netz öffentlicher Institutionen, einer ausgeprägten Kultur staatlicher Förderung und dem tief verwurzelten Verständnis von Oper als öffentliches Gut. Vom Hof Ludwigs XIV. und der Gründung der Académie Royale de Musique über die Grand opéra des 19. Jahrhunderts bis hin zu den Dezentralisierungspolitiken der Nachkriegszeit zeichnet die Episode nach, wie sich in Frankreich ein einzigartig strukturiertes und stark institutionalisiertes Opernsystem entwickelt hat. Es ist ein System, das auf Stabilität und öffentlicher Finanzierung beruht, zugleich jedoch zunehmend mit finanziellem Druck, sich wandelnden Publikumserwartungen und dem Bedarf nach Erneuerung konfrontiert ist. Im Zentrum der Episode stehen Gespräche mit zwei prägenden Persönlichkeiten der heutigen französischen Opernlandschaft: Valérie Chevalier, Generaldirektorin des Opéra Orchestre National Montpellier Occitanie, die über regionale Oper, Dezentralisierung und die Realität der Leitung eines großen Hauses außerhalb von Paris spricht; sowie Stéphane Degout, einer der international renommiertesten französischen Baritone, der eine künstlerische Perspektive auf das französische Repertoire, Fragen der Identität und das Spannungsverhältnis zwischen nationaler Tradition und internationaler Karriere einbringt. Gemeinsam zeichnen ihre Stimmen das Bild eines Systems im Spannungsfeld von Kontinuität und Wandel – und werfen die Frage auf, wie sich ein tief verwurzeltes kulturelles Modell an die Anforderungen der Gegenwart anpassen kann, ohne seinen künstlerischen Kern zu verlieren. Opera Road Trip wird moderiert von Sebastian F. Schwarz, Casting Director des Mailänder Teatro alla Scala, dessen Laufbahn als Opernmanager Positionen als CEO, Künstlerischer Leiter und Administrator am Theater an der Wien, bei Glyndebourne, am Teatro Regio Torino, beim Festival della Valle d'Itria, an der Hamburgischen Staatsoper und beim Wexford Festival Opera umfasst. Er ist Vizepräsident der Internationalen Richard-Strauss-Gesellschaft, Mitglied des Vorstands der European Musical Theatre Academy und Mitbegründer des Cesti Competition for Baroque Opera. Alle Episoden: https://operavision.eu/features/opera-road-trip Musikbeispiele dieser Episode: Einleitung: Fidelio (Beethoven): Ouvertüre op. 72 Auszüge aus Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Auszüge aus L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Münchner Rundfunkorchester, Hervé Niquet Auszüge aus Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Auszug aus Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonusmusik: Auszug aus Mazeppa (Clémence de Grandval): Julien Dran, Münchner Rundfunkorchester, Mihhail Gerts Link zum Aufnahmen-Katalog wiederentdeckter Werke, herausgegeben vom Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision ist eine frei zugängliche Streaming-Plattform für Oper, unterstützt durch das Programm Creative Europe der Europäischen Union. Erleben Sie Live-Streams, während die Aufführungen direkt im Opernhaus stattfinden. Entdecken Sie eine Vielfalt an Formaten – darunter Oper, Operette, Musiktheater, Tanz, Ballett und Konzerte. Ob Opernkenner oder neugieriger Neueinsteiger – bei OperaVision findet jeder etwas.     Dans cet épisode d'OPERA Road Trip, l'animateur Sebastian F. Schwarz se tourne vers la France — l'un des bastions historiques de la tradition lyrique européenne — façonnée par un dense réseau d'institutions publiques, une forte culture de soutien étatique et une conviction durable de l'opéra comme bien public. De la cour de Louis XIV et de la fondation de l'Académie Royale de Musique à la tradition du grand opéra au XIXe siècle, jusqu'aux politiques de décentralisation de l'après-guerre, l'épisode retrace la manière dont la France a développé un écosystème lyrique à la fois fortement structuré et hautement institutionnalisé. Un système fondé sur la stabilité et l'investissement public, mais aujourd'hui confronté à des pressions financières croissantes, à l'évolution des attentes du public et à la nécessité de se renouveler. Au cœur de l'épisode, des entretiens avec deux figures majeures du paysage lyrique français actuel : Valérie Chevalier, directrice générale de l'Opéra Orchestre National Montpellier Occitanie, qui revient sur l'opéra en région, la décentralisation et les réalités de la direction d'une grande maison en dehors de Paris ; et Stéphane Degout, l'un des barytons français les plus acclamés à l'international, qui apporte le point de vue de l'interprète sur le répertoire français, l'identité artistique et le lien entre tradition nationale et carrière internationale. Ensemble, leurs regards dessinent un système en équilibre entre continuité et transformation — et interrogent la capacité d'un modèle culturel profondément ancré à s'adapter aux exigences du présent tout en préservant son essence artistique. Opera Road Trip est présenté par Sebastian F. Schwarz, directeur de casting du Teatro alla Scala de Milan, dont le parcours de directeur d'opéra comprend des fonctions de CEO, directeur artistique et administrateur au Theater an der Wien, à Glyndebourne, au Teatro Regio de Turin, au Festival della Valle d'Itria, à l'Opéra d'État de Hambourg et au Wexford Festival Opera. Il est vice-président de l'International Richard Strauss Society, membre du conseil de l'European Musical Theatre Academy et cofondateur du Cesti Competition for Baroque Opera. Tous les épisodes : https://operavision.eu/features/opera-road-trip Extraits musicaux de cet épisode : Introduction : Fidelio (Beethoven) : Ouverture, op. 72 Extraits de Herculanum (Félicien David) : Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Extraits de L'île du rêve (Reynaldo Hahn) : Hélène Guilmette, Cyrill Dubois, Orchestre de la Radio de Munich, Hervé Niquet Extraits de Werther (Jules Massenet) : Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Extrait de Le Nozze di Figaro (Wolfgang Amadeus Mozart) : Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Musique bonus : Extrait de Mazeppa (Clémence de Grandval) : Julien Dran, Orchestre de la Radio de Munich, Mihhail Gerts Lien vers le catalogue enregistré des œuvres redécouvertes publié par le Palazzetto Bru Zane : https://bru-zane.com/en/dischi/ OperaVision est une plateforme gratuite de streaming d'opéra, soutenue par le programme Europe créative de l'Union européenne. Regardez des diffusions en direct au moment même où les représentations se déroulent à l'opéra. Profitez d'une grande variété de spectacles — opéra, opérette, théâtre musical, danse, ballet et concerts. Que vous soyez mélomane averti ou simple curieux, OperaVision propose une offre pour tous.      

KEXP presents La Doña performing live at 25th Street Recording in Oakland, California, during Noise Pop 2026. Recorded February 27, 2026. 1. Carla Anita2. La Mentira y La Verdad3. Conciénteme4. Tus Besos Ayla Davila - Vocals, Bass, Bass DrumCamilo Landau - Guitar, Tres, VocalsMiguel Govea - Guitar, Accordion, Trumpet, Baritone, VocalsCecilia Peña-Govea - VocalsNaomi Garcia Pasmanick - Maracas, Sax, VocalsAmanda Magaña - Bongo, Congos, Guira, VocalsOmar Ledezma - Conga, CajaAndre Louviere - TubaDayron Calderon - Trombone, Vocals Host: Larry Mizell, Jr.Audio Engineer: Kevin SuggsGuest Audio Engineer: 25th Street CrewAudio Mixer: Tano Brock, Cecilia Peña-GoveaMastering Engineer: Matt Ogaz 25th Street Crew:Gabriel ShepardKarishma KumarCollin Purdue https://www.ladona415.comhttps://www.noisepopfest.comhttps://www.25thstreetrecording.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Born with a magnificent voice, Opera star Teddy Tahu Rhodes fought against his destiny for years until a letter he'd been avoiding reading changed everything (R) 

Most players settle for whatever string set is on the shelf, but I've been piecing together custom sets since the early '90s. In this video, I build my perfect custom string sets using my preferred D'Addario NYXL strings through their Custom String Shop.For my 1957 Fender Esquire, I dialed in a set gauged 10, 12, 16, 24, 34, 44 balanced for feel, tension, and snap. It's based on their NYXL 9.5–44 set, but with slightly more robust high E and B strings.Then I went further, building a baritone NYXL set that doesn't normally exist, with gauges 14, 18, 24, 44, 56, 70, including an unwound 3rd string for better bending and overall playability.The best part? D'Addario's Custom String Shop lets you spec everything exactly how you want, and the sets show up beautifully packaged with your name on them.If you've ever thought, “these strings are close… but not quite right,” this is how you fix it.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

On this episode of The Bandwich Tapes, I sit down with guitarist and composer Mark Lettieri for a conversation that lives right at the intersection of groove, discipline, and musical curiosity. Mark has spent years carving out a distinctive voice on the guitar—whether through his solo work, his baritone guitar explorations, or his playing with Snarky Puppy and Fearless Flyers—and this conversation is a window into how that voice developed.We talk about what has been a particularly full year for Mark: touring internationally, playing iconic rooms like the Blue Note, and balancing the demands of the road with the rare gift of time at home. For Mark, staying active isn't just part of the job—it's a creative engine. The more he plays, the more ideas emerge.One of my favorite parts of our conversation centers on restraint—the idea that what you don't play can matter just as much as what you do. Mark reflects on the records he grew up listening to, where the entire band worked together to shape a moment, and how those lessons show up when he's on stage or in the studio with world-class musicians.We also get into the nuts and bolts of being a working musician today: communication in the studio, professionalism on the gig, showing up prepared, and reading the room. Along the way, Mark shares stories about his early career in advertising and PR, a surprising David Crosby connection that introduced him to open tunings straight from the source, and what's ahead—including a fascinating upcoming project with sitarist Purbhayan Chatterjee, new baritone-driven material, and the continuing musical adventures that connect his solo work, Snarky Puppy, and Fearless Flyers.Key TakeawaysRestraint is musical power — sometimes the most impactful choice is knowing when not to play.Groove starts with listening — the pocket comes from how musicians respond to one another in real time.Professionalism matters — showing up early, prepared, and ready to collaborate keeps you in demand.Baritone guitar as a voice — Mark has helped expand the instrument's role beyond heavy music into funk and groove-based contexts.Creative momentum comes from staying active — touring, writing, and performing feed the creative cycle.Musical identity evolves — Mark's journey reflects influences from rock, funk, jazz, and beyond.Collaboration drives discovery — projects like his upcoming work with sitarist Purbhayan Chatterjee push his sound into new territory.Music from the EpisodeMagnetar (Mark Lettieri - feat. Adam Deitch & Shaun Martin)Gigantactis (Mark Lettieri Group with the WDR Big Band)Voyager One (Mark Lettieri - feat. Nate Smith & Bobby Sparks II)Blue Straggler (Mark Lettieri - feat. Travis Toy) About the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the stories, influences, and moments that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

[@ 2 min] Alright, this week…it's a very important Hall of Fame induction for the late, great Jose Van Dam! The legendary Belgian bass-baritone finally breaks our streak of inductees that are either sopranos, tenors, or Georg Solti… [@ 44 min] And then…Oliver Camacho's in the Big Apple to give us a field report from the Eric and Dominique Laffont Competition! Who won, who lost, and who's clamoring to be the next guest here on the OBS? Stay tuned to find out the answer to at least two of these questions… [@ 51 min] Plus, in the ‘Two Minute Drill'… the Met probably should not try applying for a loan any time soon... GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

As the penultimate episode in my 2026 Black History Month series, I revisit the stories of African American performers who, for a variety of reasons, including seeking to improve their increase their opportunities as artists of color, made their way to Europe in the 1950s and 1960s. Today the focus is on the low-voiced males, baritones, bass-baritones, and basses, in a variety of musical genres, who found success overseas. Surely the most famous of these is the great operatic baritone Lawrence Winters, who leads off the episode, but there were many others as well, some in opera, some in pop music, and some in that magical and confusing world in between, who also experienced life in its fullness, not just in Germany, but in Austria, Italy, and Norway as well. A few of these singers, among them Kenneth Spencer and Thomas Carey, are still somewhat remembered today. Far too many others are virtually forgotten. Among those we also discuss William Ray, Owen Williams, Henry Wright, William Pearson, George Goodman, and Allan Evans. The musical selections are primarily focused on pop music and crossover, with some fascinating exceptions. Even within this somewhat circumscribed musical palette, however, there is much variety to be experienced, and celebrated. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

THE SECOND SONICSIGIL OF THE TRIADIC "ALGOL" CONJURATIONS IS FULLY STREAMABLE HERE, SANS THE SOUR STREAMING SORROWS OF DARK GUIDED PLATFORMS YONDER... THE DARK WESTERN GARAGE PSYCHTRONIKA CONCEPTUAL SOUND SIGIL BE HITHER! BASK AND BARK ALONG ITS SONICALLY TETHERED MOVEMENTS AND SURF THE 44 MINUTE AND 44 SECOND TRANSDIMENSIONAL WITCHPUNK WAVE HOISTED WITHIN THIS HAUNTED ALGOL-RHYTHM PLAYER--A DIGITAL ALTAR CASTED BETWEEN BINARY DETRITUS RIDDLES TIMELINES IN A PERFECT 30 YEAR NOSTALGIA LOOP: FOR A HAUNTOMANTIK TALISMAN NEEDS A HAUNTOMANTIK DISPATCH DEVICE: (RE)INTRODUCING THE ALGOL-RHYTHMIC WINAMP PLAYER! REVELATOR ROSZ ∴ ECO ASPEKTRE (ALGOL II ∴ ECO) UNIQUE BANDCAMP RELEASE WITH ALTERNATE TRACKS: AUDIOMANCY INSTRUMENTALS IF YOU FANCY YOURSELF AN AUDIOMANCER AND WOULD LIKE TO DISSOLVE

[@ 2 min] Alright, this week…as the national 10th anniversary tour of the trailblazing opera 'Fellow Travelers' is set to launch next month, one of the stars of the tour, baritone Joseph Lattanzi, goes Inside the Huddle to talk Tennis, Hawkins Fuller, and his upcoming role debut as another gay mid-20th century American: Van Cliburn! [@ 36 min] Then, JOYCE DIDONATO, the Queen D herself, takes a Free Throw on how to make the most impact in one of her public masterclasses. [@ 41 min] Plus, in the ‘Two Minute Drill'…Renee Fleming says she has to wash her hair, Denyce Graves says peace out, and Roberot Alagna says, "Who's my wIfe?" GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Vintage Dreams, Modern Hands: A Conversation with PRS Guitars at NAMM 2026They were literally closing down the show floor when I grabbed Alex Chadwick from PRS Guitars for a conversation I wasn't willing to miss.We'd been talking off-mic about something that kept nagging at me—this tension between technology and creativity that runs through everything in the music world right now. So I hit record, security guards circling, and asked him straight: Is technology helping musicians become better artists, or do you still need to learn the hard way?His answer was refreshingly honest. Technology isn't inherently good or bad. It's a tool. When it helps people be more expressive, more creative—that's the win. When it gets in the way of that expression? That's when we have a problem.It's the kind of nuance that gets lost in the usual gear coverage.PRS brought some beautiful new instruments to NAMM this year. The John Mayer Wild Blue Silver Sky stopped people in their tracks—a sharp turquoise finish with the first matching headstock ever produced from their Maryland factory on a Silver Sky. Limited to a thousand pieces worldwide. For Mayer fans and Silver Sky devotees alike, this one feels special.Then there's the Ed Sheeran Semi-Hollow Piezo Baritone. A 27.7-inch scale instrument tuned a fifth below standard, with discrete outputs for both magnetic and piezo elements. But here's what got me: each guitar ships with a signed print of Sheeran's original artwork that appears on the body. He's a visual artist too. The instrument becomes a canvas for multiple creative expressions at once.But the conversation that really stuck with me was about vintage guitars and why we romanticize them so much.Those 1950s and 60s instruments—the ones on posters, in documentaries, making the music that shaped entire generations—they've become holy relics. And the ones that actually sound magical? They cost as much as a house now. So how does anyone access that?Chadwick explained something about PRS's philosophy that I found genuinely compelling. They don't go back to the fifties. They go back to 1985. That gives them freedom—they can draw inspiration from those holy grail instruments without being trapped by their quirks, their inconsistent tolerances, their aged components. They can take what made those guitars legendary and build it into something repeatable, accessible, and comfortable.The goal, he said, is to create instruments that get out of the way. Guitars that let the person be more expressive instead of fighting against limitations.That phrase has been echoing in my head since I left Anaheim. Instruments that get out of the way.Because that's really what this is about, isn't it? All the gear, all the technology, all the innovation—it only matters if it helps someone find their voice. Make their own music. Tell their own story.PRS seems to understand that. In a world obsessed with vintage nostalgia and spec-sheet comparisons, they're building for expression.And that's worth a conversation, even when security is showing you the door.Marco Ciappelli reports from NAMM 2026 for ITSPmagazine, exploring the intersection of technology, creativity, and the humans who make music possible.__________________________This is a Brand Highlight. A Brand Highlight is an introductory conversation designed to put a spotlight on the guest and their company. Learn more: https://www.studioc60.com/creation#highlightGUESTAlexander ChadwickPRS GuitarsRESOURCESLearn more about PRS GUITARS: https://prsguitars.comAre you interested in telling your story?▶︎ Full Length Brand Story: https://www.studioc60.com/content-creation#full▶︎ Brand Spotlight Story: https://www.studioc60.com/content-creation#spotlight▶︎ Brand Highlight Story: https://www.studioc60.com/content-creation#highlightKEYWORDSNAMM 2026, PRS Guitars, John Mayer Silver Sky, Ed Sheeran guitar, PRS Wild Blue, baritone guitar, guitar gear, new guitars 2026, PRS limited edition, guitar innovation, NAMM Show, musician interviews Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Baritone electric guitars live in that perfect middle ground between standard guitar and bass, and once you understand what they do best, it's hard to live without one.In this video, I'm diving into baritone guitars, why a typical 27” scale baritone is very different from a Bass VI (usually 29–30” scale), and how each one functions in a band context. While they can look similar at first glance, they play, feel, and sit in a mix very differently.I also talk about classic effects choices for baritone, especially tremolo and vibrato, and why those sounds pair so perfectly with the baritone's extended range and piano-like low end.A huge influence for me was Pete Anderson, particularly his baritone work with Dwight Yoakam on tracks like “Little Ways” and "Buenos Noches From a Lonely Room." Seeing Pete on Austin City Limits in 1989, playing a baritone Telecaster, impacted me as a young player, as it was the first time I really understood how powerful a baritone could be in country music.Fast-forward to touring with Brad Paisley, I was using a Bass VI on “Whiskey Lullaby”, but quickly realized it wasn't quite right. Brad played a baritone on the original recording, and once you hear that, you can't un-hear it. That experience really cemented the difference for me between the two instruments and when each one truly shines.I also break down my personal baritone guitar, which is a bit of a Frankenstein in the best way possible:Allparts baritone conversion neckMusic City Bridge saddlesKiller Vintage and Adder pickupsCustom Emerson wiring harness, with the tone control only on the bridge pickupMJT pine bodyA one-of-a-kind blue burst finish and relic paint job done by Brad Paisley himselfThe final piece of the puzzle was the nut, fretwork, and setup, expertly handled by Aaron, Nick, and Max at Glaser Instruments, who absolutely nailed the feel and playability.If you've ever wondered whether a baritone is right for you, how it differs from a Bass VI, or how players like Pete Anderson and Brad Paisley have used them so effectively, this one's for you.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

We have so much to tell you about!  In this episode, we dig into the life of Storme DeLarverie, a man who was born to a black mother and white father.  Mom was a servant and Dad was wealthy.  Because he was a child of black and white parents he was never issued a birth certificate and chose to celebrate his birthday on December 24th.  His dad paid for his education but he was raised mostly by his grandfather.  He joined the Ringling Brothers Circus as a show rider and began to get on stage at Jazz Clubs at only 15.  He would travel Europe with a jazz ensemble before returning to the United States where he joined the Jewel Box Revue.  The Jewel Box was at the time the only interracial drag show and it toured all over the country even to military bases.  And Storme became the show's lone drag king and emcee.  He was on hand at the Stonewall when the infamous uprising began in New York City aand may have been the one to kick off violence.  He later went on to become the Guardian of Greenwich Village in this, wow this was a true American episode of the Family Plot Podcast.Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Send us a textBrian Witkowski's path has moved through the worlds of classical singing, voice teaching, and coaching—but the thread running through all of it is his belief in the power of a person's voice to shape their life. Trained as a classical baritone, Brian spent years performing, teaching, and mentoring musicians, before his work expanded into supporting leaders, entrepreneurs, and creatives navigating high-pressure environments and seasons of reinvention.What he discovered along the way is that voice is never just vocal technique—it's how we express needs, hold boundaries, make decisions, and trust our own worth in the world. Today, Brian helps artists and professionals reconnect with that deeper sense of voice so their work, livelihood, and identity no longer feel at odds with each other.His approach is gentle, grounded, and deeply human.At its heart, Brian's work encourages one simple truth: You are allowed to take up the space that your voice was always meant to hold.Top 5 Songs of Encouragement1) Schubert - Sehnsucht D.636 - Fischer-Dieskau / Engelhttps://www.youtube.com/watch?v=idlY1ytShmU&list=RDidlY1ytShmU&start_radio=12) “Rhinestone Cowboy” by Glenn Campbellhttps://www.youtube.com/watch?v=8kAU3B9Pi_U3) “Respect Yourself” by the Staples Singershttps://www.youtube.com/watch?v=InYaB16xEd04) “Cancelled” by Taylor Swifthttps://www.youtube.com/watch?v=Ij6SgmK8KGQ&list=RDIj6SgmK8KGQ&start_radio=15) “American Anthem” Nathan Gunn, (Gene Scheer, piano arrangement Lee Musiker)https://www.youtube.com/watch?v=_JCLEQALjiUReach out to Brian athttps://thelucrativevoice.com/Support the show

A brand-new episode today inaugurating a series of episodes belatedly celebrating my birthday that will see us through to the end of the month. I have so many singers, composers, and topics in which I am interested and hope to devote full episodes to in the near future. This is the first of two episodes focusing on baritones (and a few bass-baritones) who have not yet received full Countermelody treatment. Among the singers included: Josef Metternich, Tom Krause, Walter Berry, Theodor Uppman (pictured), Erich Kunz, Charles Panzéra, Roland Hermann, Aubrey Pankey, Kostas Paskalis, Pavel Lisitsian, Gianni Maffeo, John Shirley-Quirk, and exemplary pop singers Scott Walker and David Allyn singing a wide range of music from art songs of Sibelius, Rachmaninov, Griffes, Diepenbrock, and Vaughan Williams, to mélodies by Ravel, Debussy, and Hahn, to Lieder by Schubert and Brahms, to operetta arias to opera scenes and arias by Leoncavallo, Verdi, and Manfred Gurlitt; to pop songs by Randy Newman and Rodgers and Hart. And that's just the tip of the iceberg: also teased are forthcoming episodes on arie antiche and the Polish-Swiss composer Constantin Regamey. Come to think of it, today's is an excellent introduction to the Countermelody podcast in all its range and scope. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

STgenetics® Canada team members join us to reflect on the 2025 August Genetic Evaluations now that the dust has settled. Mike Barnum and Ryan Corrigan share what stood out to them, the power of proven maternal lines and the impact of indexes like Eco$ and RCI. Additionally, we hear about newly released sires like BEATBOX, BARITONE and more along with how Farmfit® has been received and improved for the market.00:00 Introduction and Welcome00:33 Highlights of the August 2025 Genetic Evaluations01:37 Importance of Proof Runs for Dairy Producers03:03 Third Generation TPI Sire Achievement04:16 Canadian Bulls and Their Impact08:51 Newly Released Bulls11:47 Understanding Balance in Dairy Breeding12:51 Eco$ Index: Enhancing Dairy Profitability15:15 Robotic Count Index: A Leading Selection Tool17:52 Farmfit® and Other Technological Advancements20:39 Future Breakthroughs in Dairy Genetics22:55 Final Thoughts and Conclusion

THANK YOU LOU!In honor of the last game of the Legendary Golden Voice of the Hawkeye Marching Band Lou Crist, here is the interview Tim & John Brown did all the way back on Down & Off Episode 1 in November 2020!Listen to Lou talk about his time in the HMB, his journey to becoming the Golden Voice, the band under the direction Fred Ebbs, Dr. Tom Davis, the many road & bowl trips, did you know Lou was a BARITONE?!, the origins of The Boom, and so much more.

Baritone Huw Montague Rendall, who is currently starring as Count Almaviva in Glyndebourne's production of Le nozze di Figaro, joins Netty for tea in the latest episode. They chat about the world of stage performance, sharing anecdotes that cover everything from character exploration to elaborate hairstyles and the art of navigating high-heeled shoes.Huw Montague Rendall discusses the life of a singer, highlighting both the challenges and the rewarding aspects of the profession. Drawing on the unique advantage of being nurtured by his parents, who are also singers, he reveals how their guidance laid the foundation for his career. Catch him on stage in our upcoming BBC Proms performance!--Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

Baritone Christopher Purves joins Netty for tea and a chat backstage of Glyndebourne opera house in this episode. Currently performing the title role of Saul with the OAE, Christopher shares his interests in theatre and the many discoveries he has made throughout his singing journey.Christopher explores his singing approach for his character, Saul, and shares how he began his journey in opera while also venturing into other musical genres. He emphasises the importance of communication, emotional expression, active listening, and the distinctions between using one's singing voice and speaking voice. --Tea with Netty is the Orchestra of the Age of Enlightenment's podcast hosted by viola player Annette Isserlis (Netty). Over a cuppa (or something a little stronger…), Netty chats with a variety of conductors, players and other guests as she ‘spills the tea' on the side of classical music you don't normally hear. Available as Apple podcast, Google Podcast, Spotify, Stitcher, iHeart Radio, TuneIn+Alexa

The German baritone Dietrich Fischer-Dieskau's 100th birthday falls on May 28. One of the most versatile singers of the last century – his operatic repertoire alone ranged from Gluck, Handel and Mozart via Verdi, Wagner and Richard Strauss to Berg, Busoni and Reimann – it's his devotion to song that remains his lasting legacy. To mark the anniversary of Fischer-Dieskau's birth, Gramophone's James Jolly spoke to song specialist and author of Schubert: The Complete Song Texts (Schirmer: 1988), Richard Wigmore. They focused on Fischer-Dieskau's audio recordings of Schubert's greatest song-cycle Winterreise (1828) which include three with Gerald Moore, as well as versions with Klaus Billing, Hermann Reuter, Daniel Barenboim, Jörg Demus, Alfred Brendel, Murray Perahia and Maurizio Pollini.

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, the global leader in strategic marketing and PR for classical music, opera, and the performing arts. At Gold Sound Media, we elevate artists' careers through our signature holistic brand messaging approach, helping you connect with audiences and unlock your full potential.Explore how we can amplify your brand and discover the impact of strategic marketing done right.If you enjoy these artist conversations, sign up for our newsletter for more behind-the-scenes insights and stay up to date with exclusive content tailored for the classical music community.

The baritone Benjamin Appl has recorded an album for Alpha that combines the music of György Kurtág with that of Franz Schubert. 'Lines of Life: Schubert & Kurtág' is the result of a long process that started with Kurtág choosing the singer for this unique project and working with him on the music, and finally producing the recording - and even playing the piano for Appl in two songs that close the programme. James Jolly met up with Benjamin Appl – a former Gramophone Young Artist of the Year – to talk about the album, but also about another recording that's on the horizon, his tribute to his teacher, and one of the great Lieder singers of the post-war period, Dietrich Fischer-Dieskau, the 100th anniversary of whose birth falls in May. This Gramophone Podcast is given in association with Wigmore Hall

Baritone and composer Roderick Williams OBE sits down with bereavement expert Jason Davidson. In this episode, Roderick talks about the importance of music before, during and after death, the importance of telling people how you feel before they die, and Cusp, a piece of music he composed that meditates on death and grief.You can also watch a subtitled version of the episode on YouTube.On the Marie Curie Couch aims to open up conversations about death, break down the taboo and encourage people to share their end of life plans.This podcast is made by Marie Curie – the UK's leading end of life charity. For more information about the vital work we do, head to mariecurie.org.ukOn the Marie Curie Couch is produced and edited by Marie Curie, with support from Ultimate Content. The music featured is Time Lapse by PanOceanic. Hosted on Acast. See acast.com/privacy for more information.

Vont and Dave play Lyric Shuffle, we ask you what you gave up because it cost too much, and more!

Vont and Dave play Lyric Shuffle, we ask you what you gave up because it cost too much, and more!

Vont and Dave play Lyric Shuffle, we ask you what you gave up because it cost too much, and more!

Welcome to the first episode of season 6 of the Live Ukulele Podcast! This week I share some updates and dig into the concept of "killing your babies," letting go of things that are holding you back in your music.- Changelog: https://liveukulele.com/updates/- Baritone learning philosophy: https://liveukulele.com/baritone/learning-philosophy/Support the showJoin my newsletter! It's free and I won't spam you. Get updates on new lessons and access to exclusive resources: https://liveukulele.com/signup/Support the podcast: Become a supporting member: https://liveukulele.com/register/supporting-member/?coupon=SUPPORT5 Buy video lessons or a book: https://liveukulele.com/store/ Use my Sweetwater affiliate link next time you need to buy some gear! https://sweetwater.sjv.io/9WbER0. Enter their gear giveaway every month while you're there (affiliate link): https://sweetwater.sjv.io/rQ4n9G Gear I use to create this podcast: https://sweetwater.sjv.io/eKJb6zCREDITS- Hosted, produced, edited, and mixed by Brad Bordessa - Theme music by Brad Bordessa; available on If Only: https://bradbordessa.bandcamp.com/album/if-only

It was Danelectro that brought us the baritone electric guitar, but it's Jackson that has now released what is perhaps the doomiest version of that instrument. We tried our hand at some death metal this week (glad that's over). Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

On this week's episode of “Inside the Vatican,” host Colleen Dulle is joined by Lawrence Gien, a survivor of clerical sexual abuse spoke about his experience as part of a penitential celebration in St. Peter's Basilica at the Vatican on Oct. 1, 2024. Calling for healing for survivors and administrative urgency from the church to address their pain, Mr. Gien saw his testimony as an important symbolic act to promote transparency and accountability for people wounded by the Catholic Church—many of whom remain unnamed and unheard. Find links for further reading from the episode here. Please support this podcast by becoming a digital subscriber to America Media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Connie tells Anthony that he needs to go to Reno with his father instead of fishing with Uncle Fredo.

James Earl Jones, known for his acting and iconic Baritone voice, received many awards, honors, and accolades for his work as an actor on Broadway, in film, on television, and in voice projects to include the voice of Darth Vader in the Star Wars movies. One of the few performers to receive the EGOT, awards … The post James Earl Jones: A Tribute and Life Celebration (Episode # 494) first appeared on TRANSLEADERSHIP, INC®.

We'd love to hear from you! Please send us a Text Message!The phone rang. I picked it up and the lady on the other end said, “Hi, I am the director of the Creative Arts program at Camp Newfound Owatonna. I'm looking for a teacher to put together a music class for this summer's creative arts program at camp. I'm wondering if you might know someone who might be interested.” Long story short, needing a vacation, I took the job. A week or so at this camp in the cool state of Maine woods by a lake in August seemed to totally make sense. The story of how I spent my summer vacation – teaching a music class to 12 dedicated very adult students. The trials and triumphs; the obstacles and revelations. The building of a song from the ground up and the ultimate joys of performance. A walk in the sunlight; A Walk In The Woods.Theatre of the imagination is presented by Watchfire Music:  watchfiremusic.comUpdated header about Theater of the Imagination Updated Watchfire Music Commercial To access all of the episodes in our podcast, please subscribe to Watchfire Music's Theater Of The Imagination Subscription Series. Unlock all of the episodes and experience so much more! Learn More here: https://bit.ly/theater-of-the-imagination-info Or, if you're ready to subscribe, subscribe here: https://bit.ly/subscribe-to-theater-of-the-imagination We'd love to hear from you! Please send us a Text Message!

Huw Montague Rendall is a singer who is making waves in the musical world, and he has just released his debut album with orchestra, 'Contemplation'. Signed to Erato by Alain Lanceron, Rendall gives us a superb showcase of his talents with a programme that ranges widely, and reveals many different facets of this fine young artist. Huw's partners for the album are the Opéra Orchestre Normandie Rouen and conductor Ben Glassberg. The son of two distinguished singers – the mezzo Diana Montague and the tenor David Rendall – Huw talks to James Jolly about 'Contemplation'.

When an art song and opera composer writes a memoir, what does that process look like? Does mastery in one creative realm translate to another? How is an aria like a story?  I just loved this deep and passionate conversation with Ricky Ian Gordon, author of the new memoir SEEING THROUGH: A Chronicle of Sex, Drugs, and Opera.   Ricky Ian Gordon was born in Oceanside, NY and raised on Long Island. After studying piano, composition, and acting, at Carnegie Mellon University, he settled in New York City, where he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Gordon's songs have been performed and recorded by Renée Fleming, Dawn Upshaw, Nathan Gunn, Judy Collins, Kelli O'Hara, Audra MacDonald, Kristin Chenoweth, and many others. His works include Dream True, Orpheus and Euridice, Green Sneakers for Baritone, String Quartet, Empty Chair, and Piano, The Grapes of Wrath, and Intimate Apparel. His memoir SEEING THROUGH: A Chronicle of Sex, Drugs, and Opera was published in July 2024. Check out the book here or follow Ricky at his website, or @rickyiangordon on X and Instagram.   Thanks for joining me on Crushing Classical!  Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!      

August 26, 2024 Ed Romine, author & Pastor of Education & Evangelism @ First Baptist Church of Provo, Utah, who will address: “The BOOMING BARITONE BELL of ENGLAND: The PEDAGOGY & PRACTICE of CHARLES HADDON SPURGEON's OPEN-AIR PREACH- ING”   Subscribe: iTunes  TuneIn Android RSS Feed Listen:

HAPPY POD DAY! In this episode we have the INCREDIBLE, TALENTED AND EXTREMELY JACKED ....wait for it........MICHAEL HEWITT!! He is both known for performing and for teaching men how to be, well, more manly. GRRRR! We deep dive further into our love of opera, wellness, being naked on the job and what it's like to be silent but deadly. Stay to the end for a messy little surprise. 

Miguel Coradine and Karolina Medina of Craddock Sirius Insurance, Adam Rodgers and Elise Miller, Baritone and Mezzo Soprano at The Charlottesville Opera, and Matthias John of Matthias John Realty joined Alex Urpí & Xavier Urpí On “Today y Mañana!” “Today y Mañana” airs every Thursday at 10:15 am on The I Love CVille Network! “Today y Mañana” is presented by Emergent Financial Services, LLC, Craddock Insurance Services Inc and Matthias John Realty, with Forward Adelante.

Episode 534 is is brought to you by... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10% ⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send us mail? 60 Cycle Hum #615 9450 Mira Mesa Blvd. San Diego, CA 92126 LINK HERE FOR PHOTOS 00:00 Chemistry Box 8:59 Thanks Patreon! 10:49 Musicmaster Baritone 21:15 We got a package from VORPFX and Steve bought some Honey Picks! 29:25 More blood talk 36:00 Steve and Ryan talk about what gear they'd want to take from the other's collection. Also something about Chaos Audio 51:24 Lowrider 55:25 This week's music was sent by Horst Prillinger of Orp and is called "Tiny Drops" **************************** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Something with our affiliate links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ +++++++++++++++++++++ Social Media Stuff: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram and Twitter @60cyclehum ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #60cyclehum #guitar #guitars #shameflute

With Winterreise, Andrè Schuen and Daniel Heide complete their recordings for DG of Schubert's three song cycles, and have understandably saved the most challenging to last. James Jolly spoke to Andrè to discover how he approaches this colossal work, the Everest of any singer's repertoire. This Gramophone Podcast is produced in association with Wigmore Hall.

Hayden Mueller is just finishing his sophomore year of high school and second year of the FFA, and he already has a lot going on.  In addition to farming corn & soybeans with his dad, uncle and brother, he is now leasing his own land to do the same.  In the 8th grade he started his own business in order to make some money, and that has grown into Hayden's Landscaping in which he is providing an array of lawn services to his customers.   It may sound like Hayden is working all the time, but there is another side to his high school experience - music.  Hayden first got introduced to music playing the recorder in elementary school.  Since then, that has grown to him playing guitar, bass guitar and saxophone.  Currently he plays the baritone saxophone in the marching band and pep band at his high school.  

On the latest episode of ‘New Classical Tracks,' Will Liverman highlights women composers past and present on his new album with pianist Jonathan King, 'Show Me the Way.' Find out more!

Today on the Rarified Heir Podcast we are talking to Ed Eckstine, son of singer Billy Eckstine and actress/model Carolle Drake. Our conversation with Ed was fun, fascinating, edifying and above all, full of stories of his life as the child of a celebrity but also his own career in the music industry. Our only regret was not keeping Ed for another 90 minutes because he has stories for days. We barely scratched the surface. Part two is a must. Many of us only know Billy Eckstine as a jazz & pop singer whose baritone voice and smooth delivery made him one of the most in-demand singers from the 1930s well into the 1950s. But he also was a guitar player, trumpet player and this Billy Eckstine & his Orchestra was the first Bebop Big Band and his players and vocalists were a who's who of Jazz -  Charlie Parker, Dizzy Gillespie, Dexter Gordon, Miles Davis, Art Blakey,  Sarah Vaughan, Pearl Bailey, and Lena Horne all were part of the band in the 1950s. By 1950, his popularity rivaled Sinatra - which as you will hear wasn't a rivalry at all between these two friends. It was Eckstine's talent as well as his good looks and dapper attire that made him perhaps the first black entertainer to become a crossover star in the segregated 1950s America. But as we learn from our conversation with Ed, one photo in a major American magazine essentially put an end to all that in the must ugly and vile way possible. But to hear Ed tell it, this terrible incident was a blessing in disguise as it opened up doors for him outside America and made him an international star, touring well into the 1980s in Europe, Australia and Japan. Our conversation with Ed also focused on his own career in the music industry that took him from journalist to publicist to head of Quincy Jones Qwest Productions to stints at Polygram,  Arista and as the President of Mercury Records. As Nabil Ayers in the New York Times said, “Eckstine's story is unique because he was the first black person to be let in — to be allowed by the predominantly white music industry to helm one of its largest entities.” This is the Rarified Heir Podcast and everyone has a story. Ed Eckstine's is like none other.

We're back! Happy Wednesday everyone! Today Lauren takes us on a deep dive on How to Succeed in Business (Without Really Trying), a show that has aged... well? not well? We can't decide. What do you think? Get in touch! @downstageleftpc downstageleftpc@gmail.com downstageleftpodcast.com

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Our friend Iain Graham is at it again. THis time he's loaned us a baritone guitar, fresh off the press. There are so many bespoke touches on this thing, we almost forgot to actually play it. And it did not disappoint. It was as easy as could be to get any kind of sound out of this instrument. Contact Iain for more info at https://grahaminstruments.com/ Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

Get ready for an incredible episode as we sit down with Jason Gordon, the talented former Baritone of the Fabulous Blackwood Quartet and current Baritone with the award-winning Southern Gospel group, the Perrys. Join us as we dive into Jason's musical journey, his experiences with these renowned groups, and the power of Southern Gospel music. Don't miss this inspiring interview!Listen to Talkin' Tenor: https://podcasts.apple.com/us/podcast/talkin-tenor/id1397130771?i=1000587528854Listen to Sleighing it with Santa Rob: https://podcasts.apple.com/us/podcast/sleighing-it-with-santa-rob/id1687667555Listen to Backstage Pass with Tony and Jason: https://podcasts.apple.com/us/podcast/backstage-pass-with-tony-and-jason/id1670190952 Watch Good Life on the Road: https://youtube.com/@goodlifeontheroad?si=7-fxy8F7dIp8E9Aq Visit The Perrys Website: http://www.perrysministries.com/Follow the Perrys on Facebook: https://www.facebook.com/ThePerrys70?mibextid=LQQJ4d The Perrys' Secondary Facebook: https://www.facebook.com/Liberty1963?mibextid=LQQJ4dThe Perrys on Instagram: https://instagram.com/theperrys70?igshid=MzRlODBiNWFlZA==The Perrys on Twitter: https://x.com/perrys70?s=21&t=wCWGc7Bn5l5Z6F2y25nX3wThe Perrys on YouTube: https://youtube.com/@theperrys9801?si=BOujeUesIIgXfd-9 Support the showIf you have questions or comments email ebonezonepodcast@yahoo.com Follow the Ebone Zone on Twitter: https://twitter.com/OfficialEBZLike the Ebone Zone on Facebook: https://www.facebook.com/ebonezoneofficial/Visit www.ebonezone.com for more content!

Baritone and composer Roderick Williams and violinist Jennifer Pike - the youngest ever winner of BBC Young Musician of the Year at the time in 2002, aged just 12 - join Cerys Matthews and Jeffrey Boakye to add five more tracks to the playlist. The musical choices take us from one of the most famous tunes in the UK (composer unknown) to a Labi Siffre hit famously sampled by Eminem, via arguably the most recognisable film theme of all time. Labi Siffre makes an appearance to look back on his 1975 classic. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: God Save the Queen (from 1888 and 1898) In Flanders Fields by Charles Ives and John McCrae Jaws – Main Title by John Williams Violin Sonata No.2 in G Major: III Perpetuum mobile by Maurice Ravel I Got the... by Labi Siffre Other music in this episode: Yeke Yeke by Mory Kante Let's Go Fly a Kite from Mary Poppins God Save the King, performed by Roderick Williams and Le Concert Spirituel Hen Wlad Fy Nhadau (Land of My Fathers) - the National Anthem of Wales Der Vogelfänger bin ich ja from The Magic Flute by Wolfgang Amadeus Mozart Vespers of 1610: Deus in adiutorium meum intende by Claudio Monteverdi Opening of La Valse by Maurice Ravel To Those Who Pass the Borough from Peter Grimes by Benjamin Britten Flight of the Bumblebee by Nikolai Rimsky-Korsakov My Name Is by Eminem