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Runkus took time to speak about his latest album called SUPERNOVA with REGGAE IN THE CITY'S Daddy English. The album is the first of its kind for Jamaican music and Runkus tells how imagination can save lives. All this and more. @reggaeinthecitypodcast @daddyenglishbi Facebook @reggaeinthecityuk Linktr.ee/daddyenglish
At a hillside gathering in Watt Town, Jamaica, drums, prayer, and song converge in a living tradition that reaches beyond the island and across the generations to Africa. Kirt Henry is part of the community of revivalists who worked to secure Unesco recognition for a practice long misunderstood and marginalised. In this intimate journey into Jamaican spiritualism, scholar and practitioner, Kirt, reflects on faith shaped by memory, resilience, and ancestral connection. Through stories of healing, trance, ritual clothing and the sacred language of the body, Kirt explores a spiritual world where the boundaries between the earthly and the unseen are fluid. Revivalism emerges, not as a relic of the past, but as a way of life, one that carries the weight of colonial trauma while offering belonging, continuity and hope. This episode of The Documentary, comes to you from Heart and Soul, exploring personal approaches to spirituality from around the world.
Reggae Mix Vol. 5 | Lovers Rock & Culture Classics featuring Beres Hammond, Morgan Heritage, Sanchez, Garnett Silk, Freddie McGregor, Richie Spice, Barrington Levy, Romain Virgo, Collie Buddz and more. Enjoy 41 minutes and 40 seconds of smooth lovers rock, roots reggae, culture classics, conscious reggae, Jamaican reggae, and timeless reggae love songs. This mix is perfect for chilling, driving, relaxing, backyard vibes, date night, or anytime you need sweet reggae energy. 00:00:00 Gentleman - Superior — Riddim: Superior 00:01:25 Morgan Heritage - Inna Dem Ting Deh — Riddim: Superior 00:02:52 Glen Washington - Strangers in the Night — Riddim: Full Attention 00:04:28 Richie Stephens & Maxi Priest - My Girl Dis — Riddim: Full Attention 00:05:36 Beres Hammond - They Gonna Talk — Riddim: They Gonna Talk 00:06:46 Half Pint - Just Be Good — Riddim: They Gonna Talk 00:07:52 Anthony B - Good Life — Riddim: They Gonna Talk 00:08:28 Collie Buddz - Blind To You — Riddim: Blind To You 00:09:52 Everton Blender - Ghetto People Song — Riddim: Lalabella 00:11:15 Tony Rebel - Jah Is By My Side — Riddim: Lalabella 00:12:42 Morgan Heritage - I'm Coming Home — Riddim: Reggae Baby 00:14:40 Kiprich - Telephone Ting — Riddim: Telephone Ting 00:15:37 Beres Hammond - Come Down Father — Riddim: Columbus 00:17:32 Chuck Fender - Haffi Win — Riddim: Queen Majesty 00:18:12 Chuck Fender - I Swear — Riddim: I Swear 00:18:58 Richie Spice - Marijuana — Riddim: Fifth Element 00:20:30 Ed Robinson - Knocking On Heaven's Door — Riddim: Knocking On Heaven's Door 00:22:02 Mikey Spice - Alli Alli Hoo 00:23:10 Garnett Silk - Hello Mama Africa — Riddim: Smile 00:24:49 Freddie McGregor - Let Him Try — Riddim: Let Him Try 00:26:00 Half Pint - Substitute Lover — Riddim: Moving Away 00:27:18 Wayne Wade - I Love You Too Much — Riddim: Love Bump 00:28:30 Sanchez - Missing You Now — Riddim: Rougher Yet 00:29:44 Garnett Silk - Place In Your Heart — Riddim: Won't You Come Home 00:31:07 Freddie McGregor - Gate Pass — Riddim: Love Bump 00:32:29 Beres Hammond - I Feel Good — Riddim: I Feel Good 00:34:02 Romain Virgo - Mi Can't Sleep — Riddim: I Feel Good 00:35:17 Marcia Griffiths - I Shall Sing — Riddim: Answer 00:36:22 Beres Hammond - Rockaway — Riddim: Rock Away 00:37:39 Barrington Levy - Too Experienced 00:39:12 Beres Hammond - Pull Up The Vibes #ReggaeMix #LoversRock #BeresHammond #MorganHeritage #Sanchez #RootsReggae #CultureReggae #ReggaeVibes
On today's episode of Vinyl Fridays Brandon & AP Lindsay pay tribute to the long running label Island Records. Inspired by the Harry Belafonte movie & song "Island in the Sun" the label was founded in Jamaica in 1959, and specialized in Jamaican folk music, Ska, and reggae before relocating to London in the mid-sixties, where they would branch out into jazz, British folk, progressive rock, and then Punk, New Wave, Post-Punk and more . . . . ------------------------------------------------------------------------------------- Contact us: Instagram: @BIRP60406 Youtube: @blueislandradiopodcast7320 Patreon: patreon.com/blueislandradio Email: blueislandradio@gmail.com
Over 100 patients in four days, many of them experiencing a professional dental cleaning for the very first time. On this bonus Laurel Ridge Community College edition of The Valley Today, host Janet Michael connects via Zoom with a team live from Negril, Jamaica — Brandy Hawkins Boies (Director of Communications and Outreach at Laurel Ridge), longtime Rotarian Kathy Kantor, and three recent graduates of Laurel Ridge's dental hygiene program: Stacey Escobar, Dahye Seo, and Nataly Hernandez. The conversation traces how a casual hallway idea between a Rotarian and a college administrator a decade ago has become a fully-supported, equipment-rich mission program — built on Rotary global grants that converted a shipping container into a working dental clinic. The three graduates share what it's been like to put their fresh credentials to use in real-world conditions, the moments that made it click (one patient asked for a hug), and what's next for each of them. Plus: how community members can volunteer for free cleanings at the Laurel Ridge dental clinic in Middletown, and how churches and groups can join Rotary's ongoing trips to Jamaica. WHO'S ON THIS EPISODE • Brandy Hawkins Boies — Director of Communications and Outreach, Laurel Ridge Community College • Kathy Kantor — Rotarian (Strasburg Rotary Club); co-architect of the Rotary global grants funding the Jamaica dental clinic • Stacey Escobar — Recent graduate, Laurel Ridge Dental Hygiene Program (16 years in the dental field; heading back to practice in Burke, VA) • Dahye Seo — Recent graduate, Laurel Ridge Dental Hygiene Program (joining practices in Fairfax and Loudoun counties) • Nataly Hernandez — Recent graduate, Laurel Ridge Dental Hygiene Program (returning to Jamaica for a second mission trip in just a month) ABOUT THE PROGRAM The Laurel Ridge Community College Dental Hygiene Program admits 18 students every two years — a competitive cohort with a rigorous workload. Since 2018, graduates have had the option to participate in a post-graduation mission trip to Negril, Jamaica, working at a dental clinic established and equipped through Rotary International global grants involving Woodstock, Front Royal, Warren County, Winchester, and Strasburg Rotary Clubs, in partnership with the Negril Rotary Club. The Jamaican clinic is also open to other visiting dental teams and groups year-round. HOW TO GET INVOLVED • Volunteer as a patient — free cleanings at the Laurel Ridge dental clinic in Middletown help students complete their lab hours. Get on the waiting list for the next class (starting August 2026). • Support future mission trips — donations help cover flights, lodging, and supplies for graduating students. • Join a trip — Kathy and Byron (Brill) host teams in Jamaica three times a year. Churches and community groups are welcome. LINKS & RESOURCES • Laurel Ridge Dental Hygiene Program: laurelridge.edu/dental • Strasburg Rotary Club Facebook page ALSO MENTIONED • Drone Show at Jim Barnett Park — Saturday • free admission • approximately 250 drones • details on Winchester City Parks' Facebook page THE VALLEY TODAY with Janet Michael — A decade of conversations. New podcast episodes drop weekdays at 11 AM. Catch the show on The River 95.3 and Fox Sports 1450 AM weekdays just after noon. Subscribe and listen at thevalleytodaypodcast.com — available on Apple Podcasts, Spotify, and wherever you get your podcasts. If you enjoy the show, please take a moment to leave a rating or review — it helps more listeners find us. Connect with us: Facebook — facebook.com/ValleyTodayFanPage Instagram — instagram.com/thevalleytoday
"Feel the rhythm, Feel the rhyme! Get on up, it's bobsled time!"Remember that iconic line from Cool Runnings? It turns out the Jamaican bobsled team knew a thing or two about metabolic health.In a bobsled, if the team isn't moving in a predictable, perfect rhythm, the sled crashes. Your body operates the exact same way. When we throw the extremes and rollercoaster habits at our body, we create total chaos. In this episode, we are unpacking why Predictability > Chaos, how to stop treating your body like the enemy, and how to get your own "bobsled" running smoothly again.Resource: Katy SaltsmanWe are so grateful for your support! Please share this podcast with someone who needs it and leave us review: https://podcasts.apple.com/us/podcast/positive-on-purpose/id1531548022
This week on the pod, Seth and Josh welcome Ziggy Marley! Ziggy talks all about growing up in Kingston as the son of Bob Marley, what his father's fame felt like during his childhood, and the family trips that shaped him: from modest weekends in the Jamaican countryside to traveling to Zimbabwe for the country's 1980 independence celebration. He also shares stories about moving to Delaware for a year, experiencing snow for the first time, visiting Miami, and meeting half-siblings during rides in the family's yellow VW. Plus, Ziggy also chats about his upcoming studio album "Brightside," out now! Watch more Family Trips episodes: https://www.youtube.com/playlist?list=PLlqYOfxU_jQem4_NRJPM8_wLBrEEQ17B6 ------------------------- Support our sponsors: Shopify Sign up for your one-dollar-per-month trial today at https://SHOPIFY.COM/trips Rula Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/trips #rulapod First Leaf Stop settling for wines that don't quite hit the mark. Head to https://TryFirstleaf.com/trips to sign up and you'll get fifty percent off your first box PLUS free shipping for an entire year. ------------------------- Family Trips is produced by Rabbit Grin Productions. Theme song written and performed by Jeff Tweedy. ------------------------- About the Show: Lifelong brothers Seth Meyers and Josh Meyers ask guests to relive childhood memories, unforgettable family trips, and other disasters! New Episodes of Family Trips with the Meyers Brothers are available every Tuesday. ------------------------- Executive Producers: Rob Holysz, Jeph Porter, Natalie Holysz Creative Producer: Sam Skelton Coordinating Producer: Derek Johnson Video Editor: Josh Windisch Mix & Master: Josh Windisch Episode Artwork: Analise Jorgensen #familytrips #sethmeyers #joshmeyers Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us Fan MailWhat happens when a first generation is told “you're not Jamaican” in one but never fully seen as American either? In this episode, I explore Lens 6 of the Caribbean Diaspora Experience Model (CDEM): "You're Not Either Or, You're Both And". Through stories from podcast guests, family experiences, and observations over more than a decade of podcasting, I unpack the emotional complexity of Caribbean identity in the diaspora for first generation Caribbean Americans. This conversation explores what it means to navigate layered identities when your heritage, upbringing, geography, and community experiences don't always align neatly. From being called a “Yankee” by family members to reconnecting with culture later in adulthood, this episode validates the experiences of people who have spent years trying to prove they are “Caribbean enough.”The episode also explores:Why some immigrant parents distanced their children from cultureThe role of fear, assimilation, and survival in shaping identityWhy accents and language don't determine belongingThe emotional impact of cultural gatekeepingHow Caribbean identity evolves across generationsAt the heart of this episode is a reminder: you do not have to choose between identities. You can be Caribbean and American. Jamaican and Canadian. Guyanese and Brooklyn-born. Identity is layered, lived, and evolving.Resources MentionedCaribbean Diaspora Experience Model (CDEM)Previous Lens Episodes:Lens 1: Where You Start Shapes the JourneyLens 2: Where You Live + What You Seek = How You Connect Lens 3: Cultural Anchors Keep Us RootedLens 4: Your Identity Will ShiftLens 5: Culture Influences How We Show Up At WorkSubscribe to the NewsletterSupport How to Support Carry On FriendsDonate: If you believe in our mission and want to help amplify Caribbean voices, consider making a donation. Get Merch: Support Carry On Friends by purchasing merchandise from our store. Connect with @carryonfriends - Instagram | Facebook | YouTube A Breadfruit Media Production
Meteorologists expect not only that an El Niño warming pattern will emerge this year, but also that it will be one of the strongest on record. And, José Luis Rodriguez Zapatero, Spain's prime minister from 2004 to 2011, has been charged with influence peddling in the controversial rescue of an airline partly owned by government officials in Venezuela. Also, during a legislative session in Jamaica last week, a lawmaker used Jamaican Patois — also known as Jamaican — and caused quite a stir. Plus, go into the weekend with the electronic sounds of Cumbia. Learn about your ad choices: dovetail.prx.org/ad-choices
Alberta announces a vote on whether to hold a vote on whether to separate -- and a former Conservative cabinet minister tells us about his plan to convince as many people as possible that Canada's union is worth preserving. He was restrained without restraint. And now, people in Ireland are demanding answers after the death of a Black man who was suspected of shoplifting -- and set upon by security guards. A Jamaican politician tells us what it was like to be interrupted in parliament for speaking Patois -- or Jamaican -- and why she's speaking out about speaking it. When Victor Bal got his university degree today, he was accompanied by his service dog Kopek -- who joined him for every class he took. And ultimately should also have been given a degree. Stephen Colbert's "Late Show" has come to an end; a long-time writer for the show tells us the host's finely tuned moral compass guided the writer's room, even on the toughest days.Everybody wants their photo taken with one Parisian celebrity -- so the Louvre is moving the Mona Lisa to her very own space, where people can stop fighting over self-portraits with the portrait. As It Happens, the Friday Edition. Radio that hates to get in the middle of a Louvre's quarrel.
Season 5 starts with real tears as Courtney and Whitney reflect on the ways they've carried each other over the years. It's honest, emotional, and the perfect setup for an episode about what sisters can mean to each other. This week, they welcome Dr. Jessica Shepherd and her sister Desiree Jordan, two Jamaican Canadian sisters now living in Dallas. Jessica is a board-certified OB/GYN, TV health expert, CEO, and entrepreneur, while Desiree is a midlife reset coach. Together, they bring wisdom, humor, and personal experience to a conversation about women's health, perimenopause, menopause, and what the ladies of Hey Sis lovingly call "Cougar Puberty.". Then the convo shifts to the star of the hour, Momma Pauline, a hard working immigrant woman from Jamaica who along with their father moved to Toronto to create a new life and better opportunities for Jessica and Desiree. A pillar of the Jamaican Ex-Pat community, an avid cook and exemplary hostess, Momma Pauline modeled for her daughters the importance of bringing loved ones together around food. Jessica and Desiree share memories of her legendary table settings, Jamaican cooking, Hallmark Movie Christmas's, and one unforgettable cow tongue dinner they would rather forget. This episode is a tribute to the mothers who raise us, the sisters who save us, and the stories that keep us connected! Love You, Love Your Show! Everything Dr. Jessica Shepherd Instagram Website Book - Generation M: Living Well in Perimenopause and Menopause Everything Desiree Jordan Instagram Mid Life Reset Studio About Hey Sis, Eat This Hey Sis, Eat This is hosted by Courtney Ashley & Whitney Wolder Follow us on social media @heysiseatthis Visit our Website for recipes and more heysiseatthis.com Contact us at hello@heysiseatthis.com
Jaboukie Young-White joins the pod to discuss his rudeboy uncle, Jamaican names, the juicy tale of how his parents got married, why GLP1s are psyops, and much more. Jaboukie and Stav help callers including a gay man who's ethically conflicted after learning that the married man he hooked up with was gay and not straight, and a 40-year-old husband and dad of three who's responsible in every way except the fact that he loves doing dabs. See Jaboukie live and follow him online: https://www.jaboukie.com/ https://www.instagram.com/jaboukie https://www.twitter.com/jaboukie https://www.tiktok.com/@jaboukie ☎️ Want to be a part of the show? Call 904-800-STAV and leave a voicemail to get advice!
In today's conversation, I'm joined by Coaches Desk TV to discuss the current landscape of men's and women's sprinting in Jamaica right now.Subscribe to Coaches Desk on YouTube: https://www.youtube.com/@coachsdesktv-------------------------------------------
Episode No. 758 features artists Leasho Johnson and Laura Facey. Both artists are featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. Johnson's paintings explore Black queer identity, Caribbean folklore, and post-colonial narratives. His pictures find meaning in the space between figuration and abstraction, and between Jamaican cultural heritage and broader art histories. His exhibition credits include the 2025 Liverpool biennial at the Walker Art Gallery and group shows at the Leslie Lohman Museum, New York, the Portland (Me.) Art Museum, and the National Gallery of Jamaica. His work is in the collection of the Art Gallery of Ontario, Toronto, the Pérez Art Museum Miami, and the University of Michigan Museum of Art. Facey is a Jamaica-based sculptor whose work addresses the land around her and the histories it holds. Her work often seeks what Facey calls "a healthy alchemy" for people and the earth. She has shown at the International Slavery Museum in Liverpool, the Havana biennial, and at the National Gallery of Jamaica. Her 2003 Redemption Song is sited in Kingston, Jamaica's Emancipation Park. A career-spanning monograph of her work will be published later this year. Instagram: Leasho Johnson, Laura Facey, Tyler Green. Air date: May 14, 2026.
Everyone knows the American Revolution was won at Yorktown in 1781, when Cornwallis’s Army was trapped, but almost no one knows that victory depended on a Spanish intelligence operative who raised 500,000 pieces of silver in Havana in just 24 hours, convincing Cuban residents to liquidate their jewelry, gold ornaments, and diamonds to fund the French fleet's journey to trap Cornwallis. Francisco de Saavedra was Spain's ultimate shadow architect, operating like a CIA station chief or Charlie Wilson funneling weapons to topple Soviet Afghanistan, coordinating resources across the Caribbean through the Council of the Indies while gathering intelligence on British naval movements. The silver he raised, equivalent to roughly $1 billion in World War II war bond drives when adjusted for inflation, paid French sailors and provisioned Washington's Continental Army for the decisive siege. Without Saavedra's behind-the-scenes diplomacy, Spain and France would never have coordinated their fleets, and the Mississippi River supply line that smuggled Spanish gunpowder and uniforms to the rebels would have remained closed. Today's guest is James Giesler, author of Francisco De Saavedra's American Revolutionary War: The Spanish Contribution to the Battle of Yorktown. We discuss the unlikely career of Saavedra, an intelligence officer for the Spanish Crown who had such adventures as being capture by the British in 1780 and talked his way out of Jamaican captivity by pretending to be a civilian, why he forced joint Spanish action to capture Pensacola in May 1781 and eliminate the British southern strategy, how he negotiated a treaty for French and Spanish military planning for the first time, and why he planned the 1782 capture of the Bahamas to keep British ships tied up in the West Indies instead of reinforcing Cornwallis. Giesler explains that Saavedra wasn't a boots-on-the-ground commander like Lafayette but a strategic fixer who rose to become Spain's Prime Minister in the 1790s, proving that revolutions are won as much by financial wizardry and intelligence networks as by battlefield heroics.See omnystudio.com/listener for privacy information.
On this day in 1981, reggae icon Bob Marley died from skin cancer at age 36. The Jamaican singer-songwriter helped introduce reggae music to global audiences and left behind timeless songs that continue to shape music, culture and political movements worldwide. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
“An Arcane Inheritance," the latest novel of author Kamilah Cole, weaves dark academia with occult secrets at a fictional Ivy League school based in Hartford. The story follows the ambitious, determined Ellory Morgan, a Jamaican immigrant and first-generation college student pursuing a degree in political science. A lavish scholarship allows her to begin her college education at Warren University, but soon after arriving on campus, things start to unravel into the paranormal. We'll explore Cole's latest book, ask what drew her to Hartford and explain "dark academia" — a popular genre where brooding and blazers meet ivory towers and sinister secrets. GUEST: Kamilah Cole: author of several books including “An Arcane Inheritance" Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.
This week on the longest-running '80s pop culture podcast, Steve Spears and Brad Williams return to one of their favorite recurring topics: unlikely cover songs of the 1980s. Did you know Eddie Money's “I Wanna Go Back” was originally recorded by Billy Satellite? Or that Chaka Khan's Grammy-winning “I Feel for You” began as a deep cut by Prince? Episode Timeline 00:00 – Welcome back to Unlikely Cover Songs of the '80s 02:14 – “Wind Beneath My Wings” and its surprising origins 10:42 – Eddie Money vs. Billy Satellite: “I Wanna Go Back” 22:31 – Chaka Khan, Prince and “I Feel for You” 35:48 – The Clash cover Eddy Grant's “Police on My Back” 46:17 – TV Party seggy 51:42 – Arcade seggy 56:03 – Book updates, Barnes & Noble signing and Classic Pop review 59:50 – Closing thoughts In this episode, the guys explore the surprising origins behind some of the decade's most beloved songs, including: “Wind Beneath My Wings” by Bette Midler “I Wanna Go Back” by Eddie Money “I Feel for You” by Chaka Khan “Police on My Back” by The Clash Along the way, they discuss: Forgotten original artists MTV-era music videos Prince songwriting trivia Jamaican rude boy culture Accidental studio moments that became iconic And why '80s music history is weirder than you remember Plus: Listener mail Arcade and TV Party seggies Updates on the Stuck in the '80s book Upcoming Florida book signings And more nostalgic chaos from your favorite retro podcast If you love '80s music, new wave, classic rock, MTV memories, and pop culture deep dives, this episode is for you. On Sale Now! Stuck in the '80s: 20 Years of Conversations with Pop Culture Icons Who Defined a Decade, by podcast creator Steve Spears, is finally for sale as both a paperback and ebook. Featuring more than 60 interviews from the podcast, along with insider stories and other previously unpublished insights, the book is available on most online bookstore websites including: Amazon Barnes and Noble Walmart Our Sponsors The 2027 lineup of The 80s Cruise has been announced. Join us Feb. 27 to March 6 onboard Royal Caribbean's Mariner of the Seas along with Chaka Khan, Night Ranger, Loverboy, DMC, John Waite, Peter Hook & the Light, Public Image Ltd., DJ Jazzy Jeff, Bob Geldof and the Boomtown Rats, Stryper, The Romantics, Nick Heyward of Haircut 100, Bulletboys, Katrina of Katrina and the Waves, Slim Jom Phantom, the Plimsouls and more. Use the promo code STUCK when booking to get $250 cabin credit. For more information, go to www.the80scruise.com. Our podcast is listener-supported via Patreon. Members get special swag and invitations to patron-only Zoom happy hours with the podcast hosts. Find out more at our official Patreon page. The Stuck in the '80s podcast is hosted by creator Steve Spears and Brad Williams. Find out more about the show, celebrating its 21st year in 2026, at sit80s.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Welcome back to Seasoned Sessions! This week Ada and TV's Dean Webster chat about whether celebs should have attended the Met Gala, the colonisations of Jamaican beaches, and why are dogs allowed absolutely everywhere these days?
What happens when you rescue a forgotten studio that once shaped American music history - and bring it roaring back to life?This week, I sat down with Teresa Knox, the powerhouse entrepreneur and preservationist behind the rebirth of The Church Studio in Tulsa, Oklahoma - the legendary home of Leon Russell, the early Shelter Records family, and the roots of what became known as the Tulsa Sound. Teresa shares the entire arc of this wild journey: from collecting Leon Russell Slurpee cups as an 8-year-old kid, to buying the abandoned church sight unseen, to rebuilding it from the ground up and restoring it as a world-class studio, museum, archive, and engineering school. We talk about the stunning history embedded in the building - the 1915 hand-built sanctuary, the 1972 Leon-era renovations, and what it really takes to preserve a place where so many iconic recordings were born.We dig deep into the music: Leon's time in the Wrecking Crew, his explosion after Mad Dogs & Englishmen, recording with George Harrison at the Concert for Bangladesh, and his early influence on players like Elton John and Glen Campbell. Teresa shares stories from the Shelter Records years - Tom Petty and the Heartbreakers arriving as Mudcrutch, J.J. Cale, The Gap Band, Phoebe Snow, Willis Alan Ramsey, Freddie King, and even Bob Marley & The Wailers turning the place into a Jamaican party. She walks us through the official Church Studio playlist, the discovery of original artifacts inside the walls, and why preserving the stories of these musicians matters just as much as preserving the building itself.Finally, we talk about the reconstruction: shoring up a collapsing foundation, solving electrical noise and RF issues, preserving historic architecture while building a modern studio, restoring a Neve 8068, installing two EMT 140 plates, and designing a hybrid analog/digital workflow. Teresa also explains how The Church Studio now trains new engineers through its hands-on vocational school, hosts sessions with top artists, runs a nonprofit to support musicians, and continues the legacy of Leon and the Tulsa Sound through events like CarniFest. Her passion for preservation, community, and world-class sound makes this one of the most inspiring studio stories I've ever heard.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ The next program starts May 11, 2026 https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK30 to get 1 month free of NI 360!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/6BLaSUX1juRYH6jHHTfa6k?si=nZtNPzHDSXi0bVQnpSU43AIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/557
What if Jamaican businesses could access capital without a bank ever approving them? Dr. Matthew Preston and Dr. Thaon Simms sit down with Stanley Thompson, EVP at Quantus Capital, to get inside the engine room of the Quantus Advantage IPO. Stanley breaks down structured finance, securitization, the 8% hurdle rate, and why the $11 billion private credit market in Jamaica is largely untapped. Whether you're a first-time investor or sizing up your next JSE position, this episode gives you the framework to decide for yourself.Chapters:00:00 Introduction and Stanley's Background01:37 From Mayberry to Quantus: Stanley's Finance Journey02:34 What Made Stanley Leave Banking for a Startup04:33 Traditional Financing vs the Quantus Way07:55 The Sandals Farmer Example: How Receivables Financing Works12:19 Structured Finance vs Securitization Explained17:00 The $11 Billion Market Jamaica Isn't Using19:05 How the Quantus Advantage IPO Fits the Bigger Picture25:29 Which Sectors Does Quantus Prefer?31:00 Stanley's Top 3 Investment Evaluation Criteria40:51 Why the 2% Fee and 8% Hurdle Rate Are Justified44:32 Junior Market vs Main Market: Why Quantus Chose the US Main Market48:52 Price vs Value: How to Actually Assess This IPO52:13 Closing Thoughts and Stanley's Message to Future Shareholders
“Giving up is not failure; it’s a strategic move.” In this episode, Nick speaks with Cleous Young about his journey of self-discovery, the importance of interests in life, and how giving up redundant pursuits can lead to greater fulfillment. They explore mindset shifts, the power of curiosity, and the role of legacy in personal growth. What to listen for: The role of interests in personal growth The concept of giving up and making space for new opportunities The importance of self-awareness and curiosity Legacy and the impact of life stories “Your life can be a legacy that inspires others.” Our lives are our own, yet we can serve as an example to others Legacy isn't just what we leave behind, but HOW we leave things behind The way you lead your life may just be the reason why someone makes a change in their own life “I’ve been giving up things because in the back of my mind it’s like, hey, if you let it go, if it comes back, then it’s meant for you.” Most people think “giving up” is failure, but that's not always the case When we let things go from our lives, they make way for new beginnings Changing our perspective on giving up can change the way we maneuver our lives About Cleous “GloWry” Young CleousYoung is an author, speaker, and advocate for personal growth, resilience, and ethical living. Through his unique philosophy and storytelling, he helps both adults and children navigate adversity, discover purpose, and cultivate values such as kindness, integrity, and nobility. Cleous shares practical life lessons and inspiring perspectives to empower people to live intentionally and make a positive impact in their communities. https://cleousyoung.com/ https://www.linkedin.com/in/cleous-glowry-young-a1856218b/ https://www.instagram.com/cleousyoung/ Resources: Interested in starting your own podcast or need help with one you already have? Learn how I can help! Learn more about our host, Nick McGowan. Thank you for listening! Please subscribe on iTunes and give us a 5-Star review! https://podcasts.apple.com/us/podcast/the-mindset-and-self-mastery-show/id1604262089 Listen to other episodes here: Click Here To View The Episode Transcript Watch Clips and highlights: https://www.youtube.com/channel/UCk1tCM7KTe3hrq_-UAa6GHA Guest Inquiries right here: podcasts@themindsetandselfmasteryshow.com Your Friends at “The Mindset & Self-Mastery Show” Click Here To View The Episode Transcript Nick McGowan (00:02.126)Hello and welcome to the Mindset Self Mastery Show. I’m your host, Nick McGowan. Today on the show we have Cleus Young. Cleus, how are you doing today? Cleous GloWry Young (00:12.487)Hey, I’m doing good, good, good. Very good today. Yeah. And you? Nick McGowan (00:17.198)Awesome. My man, I’m excited that you’re here. I’m good. I’m really good. You know, I maybe I can add a few more goods like you did. I appreciate when somebody gives a real answer or when they like, actually when they’re like, I’m good. I’m good. Yeah, I’m good. I’m good. Instead of somebody be like, how are you? I’m shit. This is awful. Fuck. Why did I wake up this morning? That’s a totally different feeling. So Cleous GloWry Young (00:21.957)Okay. Cleous GloWry Young (00:38.447)Yeah. No, I had an event yesterday and it’s a little unique event and it went tremendously well. So it’s like the residual from yesterday is still hanging on today. So it’s like, yeah, woke up feeling good. But then I thought about the event and the outcome and it was like, hey, add some more goods to that. Yeah. Nick McGowan (00:52.632)Yeah. Nick McGowan (01:02.924)Yeah, cool. I love that riding on a high in a sense. That’s also part of what this show is about. We talk about mindset, self mastery and transformation and being able to understand that some days are gonna be great because you’re riding a high. Some days you might be grieving because of the thing that happened the day before. And there’s stuff to get into all of that. So why don’t you kick us off? Why don’t you tell us what you do for a living and what’s one thing most people don’t know about you that’s maybe a little odd or bizarre. Cleous GloWry Young (01:06.194)Yeah. Cleous GloWry Young (01:19.379)yeah. Cleous GloWry Young (01:29.371)So I work in the community. I have a nonprofit and one of the things that we actually particularly specialize in is helping people figuring out things. For me, that’s what I had to do for my own life. So even now I have this context, it’s called transfiguration, where it’s like saying trans, right? Moving from one place to another. And then figuration is that comp. concept of what you would say figure things out, right? So for me for the last say past eight years, I’ve been figuring out things for my own self, not what I’ve been taught, what I’ve been given. And for me, it’s like, hey, this is what I now find applicable that whatever I did for myself, I can also do for somebody else. Perfect example, I hosted an event around trauma and this Three generations of women came to that event, grandma, mom, and daughter, and it’s like they were treating themselves a certain way growing up, right? And it was until they came to the event and they started to figure out that, you know what? This has been a trauma pattern in our life, generation after generation. And it just allowed them to now systematically put different things in place and started to actually move forward. So for me, this is what I do on a day-to-day basis. The one weird thing about me that most people would never understand, like yesterday at the event, people will see me out here doing all these things, but they would never understand that there’s a saying that says never give up, right? I’m somebody who have given up so many times. And it’s interesting, and I didn’t give up because it’s hard. I gave up because it’s redundant. Like I get up every day, I’m seeing the same old thing over and over again. And it’s like, even when you look at self-master, right? So I used to teach. And when I was teaching, it’s like, hey, the students are doing well. And it’s like, when I look at my life, I’m like, whoa, I’m not doing well. They’re doing well. And what I end up doing, I just give up teaching. Like. Cleous GloWry Young (03:52.923)It wasn’t hard. The students are doing well. Like even one of those set of students that I taught, they got the highest score in the entire school in the math. The entire score on what is called the PSSA. Right? That means they’re doing well. Was teaching hard? No. But it just became redundant that I went to school every day doing the same thing over and over again. And I just got up and I just gave up. So continually, I keep giving up. Nick McGowan (04:18.99)Hmph. Cleous GloWry Young (04:23.141)I know the saying that says, don’t give up on your dreams. But for me, I just give things up. And know, you know what’s so funny? I’ve given up so many times and then something else just comes in my way to start a whole new journey. And it’s like, I guess you’re not supposed to finish right here because I’m thinking that, hey, I’m done. Nick McGowan (04:41.44)Yeah. Cleous GloWry Young (04:44.123)And I’m telling you, it’s not because it’s hard. None of the things that I’ve ever done has been hard. It’s just becomes redundant. It’s like you get up every day, you’re doing the same thing. And it’s like you’re looking at the results of the community and it’s like it’s not getting better. And people are putting on this facade that, things are better. No, look at the numbers, look at the killing, look at the violence. It’s like, so at one point I just gave up. And I remember the last time I gave up. Nick McGowan (04:58.318)Mm. Cleous GloWry Young (05:13.105)July 28, 2016. Like this time I just called my mom, Like I just finished school. Two months ago I graduated. Magna cum laude, right? And then two months after I was like, I called my mom and said to my mom, mom, I can’t do this anymore, man. And it was because of the stuff that I learned in school. Like when I tell you it was so redundant, we’re sitting out here trying to do these things, right? Nick McGowan (05:30.894)you Cleous GloWry Young (05:39.092)And it’s like somebody sitting in the background making it hard for us. So when I started to learn certain things about psychology, I was like, wow, I’m just out here wasting my time. So July 28, 2016, I called my mom and I said to my mom, hey, I’m done with this community work. And then I went into behavioral therapist. Funny enough, right? Nick McGowan (05:49.262)You Cleous GloWry Young (06:03.431)So I’m working with students now in the classroom, right? Helping them with their behavior problem. I’m like, hey, I’m done with the community. Let me just find a population that I know that I’m gonna work with on a day-to-day basis. So I’m in the school now and day by day I’m working with the students, right? And then I look around, I’m like, why is everything academic here? Like, don’t they have anything social context around here? And I kid you not, I sat down and I designed this. Look how funny it is. This is what I actually designed. You see that? It says, be the ant. And I was like, something like this need to be in a classroom where they come and they can see that life is more than just academic. Again, I was coming from a teacher, right? And when you told me as a student, you got an A, I’m not impressed. Because I know the ins and outs of getting an A. It’s nothing difficult. You come to school, pay attention, do your work, participate, you get the A. Nick McGowan (06:35.192)Mm-hmm. Nick McGowan (06:46.669)Yeah. Cleous GloWry Young (07:02.129)So when I looked at it, I was like, wow, I’m in here as behavioral therapist helping someone with their behavior. I’m now looking at it from an academic standpoint. Now, like not from teaching, but from a behavior standpoint. And I’m like, why everything in the classroom is so academic? And I sat down and this was the poster that I actually designed. And that literally led me to start looking to go back into community where I just gave up. Nick McGowan (07:24.558)Thanks. Cleous GloWry Young (07:30.011)So that is something that most people don’t know about me. It’s like, Clay C Oatley, you’re doing all these great things. But they would never realize that I’ve given up so many times, not because it’s actually saying hard, because of the redundancy that I keep seeing in the… Nick McGowan (07:46.99)Even just the fact that you consider it giving up and the things are redundant and really the story that you’re telling and how that all worked. You’re making these little shifts and pivots, et cetera. One of the things that I love to nerd out about in my life and obviously here on the show is to take those moments. Like this is sort of a safe space in a sense. We can talk about the craziness and the stuff that’s happened, but this is like a lab where we get to go, well, what actually happened there? Like, what did you do? How does that work? How do we implement it? What changes did we make? Or just watch the damn movie in a sense and go, wow, that was really cool. So I think that’s some of the fun part of living because that’s where we actually get to do the work. Like when you’re in those moments, when that thing comes up and you go, wait a minute, everything’s redundant. This is not what I want to do anymore. You’re kind of still reacting or responding to the situation. And then from there, you really have to rely on the fucking work you’ve done in the past. Cleous GloWry Young (08:20.435)Mmm. Nick McGowan (08:44.846)like these little moments to go, all right, what do we do now? I think of it almost like you’ll have an issue or something that happens and you go, all right, well, that didn’t work out the way I wanted it to. What do I do? Some people will kind of watch their game tape in a sense. Other people will go, I don’t want to go anywhere near it. Like that wasn’t a thing I wanted to do or whatever. And then they run past. So when you talk about giving up, I want us to dive into that a bit because really there are people that have their own businesses. Cleous GloWry Young (09:08.605)Mm-hmm. Nick McGowan (09:14.646)or there are people that are working for a company or they’ve been in a marriage or a relationship or a system for so long, be it a family system, the whole fucking systems that we’re part of, capitalism and everything else. And they’re starting to look at that and go, and well, shit, I wanna give up, but it’s not really giving up like from the interpretation that you could have right off the bat. I can almost guarantee somebody listened to you say, I give up a bunch. Cleous GloWry Young (09:20.211)don’t wanna. Cleous GloWry Young (09:33.139)I need to give up. Nick McGowan (09:43.266)And then what you say where they’re like, well, that’s not really giving up. That’s like giving into where you should be going. And when I think of giving up, could mean this or that or whatever. When people give things up from a negative perspective, because it was like, it was a hard thing to do or didn’t work for them. I think there are some times where we can look at that and go, fuck man, I gave up. Or yeah, you’re damn right. I gave up on this thing. Instead of saying, I moved that out of the way so I can go do these other things. So breaking down that moment, even 2016 or something that happened as of late of like, all right, well, if you give something up, that’s a big choice that you’re making to say, I’m actually removing this because of all the work that happened underneath. So let’s break that apart a little bit. When you give something up, what’s sort of the, I don’t know. Cleous GloWry Young (10:31.61)much. Nick McGowan (10:40.502)not like the framework or like what the fuck process do you do? But if you really think about it, what are you doing in those moments? Because you feel something, you see something, and then you’re making an actual decision to go, moving you because I’m expecting something else to come along. Or am I off from that? Cleous GloWry Young (10:58.895)So a part of it is going to my interest, which is something that I started to pay attention to. Like, what is it that I’m really interested in? And I think you also hit a nail on the head. It’s like, hey, it has come to a point where it’s it stopped. So I remember going into teaching, it’s like, hey, I was promised all these things. And when I looked at it, it was like, hey, these things are not being fulfilled of what I was promised. So it’s like, hey, you know what? I’m going away. So a part of it was looking at it and saying, hey, these are the things that I’m interested in, but those interests are not being met. So it’s like, hey, I’m going to give this up. Why? Because it’s like, I don’t know, for me, my mindset is set on this. So I grew up in a culture where they say if you love somebody, right, let them go. If they come back, then they were meant for you. So that’s my mindset that, when I give up things, it’s like I have this program in me that says, hey, if it comes back, then it was meant for me. If it doesn’t, then let me look for the next thing. Funny enough, even with my, I’m an author. The first book that I wrote, this was 26 years ago. Even that, I let that go and moved on and actually wrote on different books. I’m up to my 10th book now, right? But what came back actually now was my first book, which I just republished and launched last week. So 26 years later, it came back to me and it’s like, lately I’ve been sitting down and I’ve been paying attention and it’s like, okay, this must have been meant for me because it’s no way that I let it go 26 years ago. And then now it’s now back in my life, like showing me the reality of what I needed to do. to the point now I started to concentrate just on this concept for the last couple of months where I’m like, hey, I got this published now, right? So a part of me is like having your mindset where it’s like, hey, yeah, I’m giving this up, but it’s not giving it up because it’s hard. It’s like, where’s the interest in it for me? Yes, I’m doing these things. I’m doing a great job as a teacher. But again, even when you look at the poster that I created, right? I was in the classroom. Nick McGowan (12:54.062)Hmm. Nick McGowan (13:03.246)Yeah. Cleous GloWry Young (13:23.183)I’m doing a behavioral therapist work, but then I looked at it as like, where’s my interest? So my interest is not being fulfilled here. And it’s almost like when I started to understand these things now, it’s like, hey, you got a bigger calling on your life. And it’s based on the things that you’re interested in. And then here’s a key component that I never understood until now, right? The reason, so I’m Jamaican. Nick McGowan (13:29.016)Mm-hmm. Nick McGowan (13:40.896)Yeah. Cleous GloWry Young (13:52.678)I came here to live in America, say 31 years ago, right? When I came here, my interest was playing soccer, which is called football. Very, very good at playing soccer, right? In high school, very, very good. I wanted to be the next Pelley. At one point, I sat down and I looked at it and I said to myself, what would life be like? to become the next Pele. And when I looked at that, I was like, wow, that’s not something that I’m interested in. And what I did that moment, I gave it up. So when you ask that question, now what I’ve been doing over the years is paying attention to the things that I’m giving up and realizing that it’s not that, it’s not hard. It’s just that my interest is no longer in these things. And it’s like I’m searching for something greater Nick McGowan (14:32.878)Yeah. Cleous GloWry Young (14:50.683)And the greater can’t come until I give those little things up. And as a soccer player in high school, where it’s like, I even started to sign autograph because people thought that I was going to be this big time player. So there’s this big future waiting for me. And I looked at it and I’m like, hey, I’m not interested in that. Like the lifestyle of being a celebrity, kicking a ball in a goal. And it’s like, at that moment, I was like, no, I don’t want that. I want something more meaningful. I never knew what meaningful meant to me at that particular moment, but I know that being a soccer player, a celebrity, that wasn’t meaningful for me. So I gave it up and I started to look for something more meaningful that has interest in it for me. And the more I kept on going. when I look at my path, I became a teacher, was very good. But it’s like, hey, this is not meaningful. This is not interesting to me. I gave it up. I became a behavioral therapist. Same thing. Nick McGowan (15:31.822)you Nick McGowan (15:50.104)Thank Cleous GloWry Young (15:51.676)So all these years what I’ve been doing, I’ve been giving up things because in the back of my mind it’s like, hey, if you let it go, if it comes back, then it’s meant for you. If it’s not coming back, then the next step now is to search for something greater. And that’s what I’ve been doing, just searching, searching for something greater, right? And it was eight years ago. that I found what I’ve been looking for for the last 26 years. And it has piqued my interest in such a way that it it drives me on a day-to-day basis to say that, hey, this is what I was looking for. I never knew it 26 years ago when I said, hey, I don’t want soccer, right? But I knew that I was looking for something that was meaningful, that intrigues my interest. And it’s like, hey, this is what actually led to now. Nick McGowan (16:23.053)Hmm. Nick McGowan (16:37.934)Sure. Cleous GloWry Young (16:49.267)Eight years ago, I had this breakdown, which they would call depression. And something just came in my spirit and said, hey, look at what is called the black box of an airplane. And while it came in my spirit to look at that, it gave me the instructions of what to do. When I did that, I moved from what is called mental depression to mental aviation. And that alone piqued my interest to say that, wow, I was depressed a few weeks ago, right? And then now I followed this methodology around this blockbusters thing that just virtually came to me, right? As a revelation. And then here’s it that I’m on a whole nother level of thinking now. And that piqued my interest. from eight years ago, I’ve been into this concept of understanding what is called the aviation industry. And I’ve never. Nick McGowan (17:22.509)Mm-hmm. Cleous GloWry Young (17:45.936)never had an interest in saying, hey, let me give up. Because there’s always something that’s making me look at it and say, wow, I need to learn this. This is gonna make me greater. And the more I learned it now, now, going back to the first question that you asked, it’s like looking at it and saying that, hey, this is how I now make a difference in someone else’s life. I use the aviation platform to help them to understand and figure things out now. Nick McGowan (17:56.536)Yeah. Cleous GloWry Young (18:14.491)so they can get to their destination. Nick McGowan (18:17.998)I think the fact that you talk about interests and asking yourself the like, what’s actually interesting to me and being able to see the self awareness of, well, this is redundant or I don’t want to do these things anymore. The thing that I like to be able to take from whatever we talk about on the show myself or with other people is for somebody to be able to go, right, well, what’s actually going on in my life? What do I get from this? Like, what do I do in my business or my relationships or what have you? And I think the interest is a big thing that a lot of us are really pushed away from because of the systems that we have to deal with. Society here in the States tells us you need to go to school, you need to get a job, you need to have a family, you need to do these things and blah, blah. That’s changing. That actually changed back in like the 90s, but it’s taken now our generation to be able to understand like time out, we need to do things differently. And the context of where things are with technology and just Cleous GloWry Young (19:00.403)Butch. Cleous GloWry Young (19:06.323)Mm-hmm. Nick McGowan (19:16.448)life in general and all of that. But the interest, it’s a through line for all of our lives that if we look back at what are the things that are interesting to us or what are the things that drive me, I think sometimes we get lost when people ask like, what gives you passion to wake up in the morning and people are like, well, I hate my job, but I really like the money it pays me. So fucking I guess that thing. And I think the big thing that we’re looking at here is like going deeper to that to go, wait a minute, if I pause for a second. and I understand what actually moves me a bit, we can then actually take steps from there. You pointed out with being a soccer player, I had a similar, not similar in a sense, or I wasn’t signing autographs and stuff like that, but I wanted to be a rock star when I was in high school. And I remember thinking like, I’m not gonna do anything else, fuck you guys, fuck your school, I’m gonna go be a rock star, blah, blah, blah. And I remember being probably 18 and registering, I don’t know if I wanna be on tour constantly. Cleous GloWry Young (20:02.099)Hmm Nick McGowan (20:16.334)but I didn’t talk to anybody about it. And I was into all types of drugs. And honestly, if I went on tour, I probably would have been dead within six months. But I remember thinking, I don’t know if I really want to do that. And a couple of years later, actually really diving into that and going, I like traveling, but I don’t want to sleep on a fucking amp. I don’t want to sleep on a bus. I don’t want to do this. I don’t want to do that. And I think the point that I’m making with that is no matter what situation we’re in right now, Cleous GloWry Young (20:23.235)Thank Cleous GloWry Young (20:34.717)playing. Nick McGowan (20:44.866)business, relationship, whatever it is. To take sort of a pros and cons list as one thing, but to understand what actually fuels you, then actually helps us to understand what’s pulling us from the situation. Like you still wanted to teach, but you were being called to do something else, where it wasn’t a major detriment to what you were doing, but it just wasn’t the right vehicle. Like get out of that and jump into something else. And I don’t want people to take from this to go, yeah, all right, well, fuck it, I’m telling that woman tonight, we’re getting a divorce, or I’m telling my boss, he can eat shit right now. Like, that’s not it at all, but being able to understand why do we feel movement inside of us? So when you feel that movement, when you start to feel like there’s something else there, what sort of advice do you give somebody that’s like, I feel there’s something in there, at least like starting to percolate a bit? what advice would you give them to be able to actually move that onto the next path in a healthy way and not just like, I’m gonna burn the whole place down. Cleous GloWry Young (21:44.924)So it starts paying attention to your, and it’s funny that you mentioned these things earlier, that society says, hey, go to school, go get this job. So it’s like, what you look at is like, hey, these are not the things that I’m really interested in. It’s what society has given to me. So what society has given to us, it’s like, hey, my goodness, this is what I’m gonna formulate into. And I’m gonna formulate into somebody that I’m not interested in. So when you look at it now and it’s like, hey, these little things begin to peek inside of you, it’s like, stop and pay attention. Like, pay attention to these little feelings that you’re having inside because this is where everything starts. Yes, you have the money, but if you feel like, wow, I don’t feel like myself, then pay attention to that because it’s like, how do you have all this money but you don’t feel like yourself? Nick McGowan (22:16.526)Mm-hmm. Cleous GloWry Young (22:44.175)Again, going back to what society has given to us, society has given, and I learned this from psychology, that they have given us what they wanted us to formulate into. So society, if you go to the library, what’s the norm that you have to do? You have to be quiet. Why? Because that’s the norm. If you go to the bar, then you start to rile up. What happened is that society has given us all these norms that they want us to participate in, right? And at that moment, it may not be the things that we’re interested in. People are interested in, no matter who you are, you’re interested in getting love. No matter who you are, you’re interested in getting support. No matter who you are, you need some type of interest in someone attending to what is it that you want to do in life. So when we look at it, it’s like society just says, hey, go do this and get this, right? And you get it. And when you look at it, it’s like you’re not fulfilled. Why? Because your interest is never there. They just told you, go do this and you did it. Just like me, I never understood this, but I grew up in Jamaica and soccer was the predominant thing for our culture. So it’s not like I had any other choice to be interested in something else. It’s like, hey, soccer was always around me. So that’s what I became interested in. When I came to America now, when I sat down, it’s like, yeah, I’m playing soccer. I’m doing well, right? But it’s like something inside of me is like, hey, this is it. So when it started to come now, I started to sit down and I’m like, all right. Nick McGowan (24:21.816)Yeah. Cleous GloWry Young (24:24.883)what’s going on? Then I’m like, all right, what is it gonna be for me to be like the famous soccer player like Pelley? And when I envisioned that and I saw it and I’m like, hey, you have this wealth, you’re popular, you’re famous, all of this. It’s like, hey, that’s not me, that’s not what I want, that’s not what I’m interested in. And I sat down and I was like, hey, I want to do something more meaningful out of life. And that little thing that just came about, I just started to pay attention to it now. What is more meaningful? What is more meaningful? That’s when you started now writing more. Because I started to look at that’s more meaningful than just playing football. It’s like a master now writing. And he’s like, but that’s not it. Let me go into teaching. And I now went into that and it’s like, hey. Nick McGowan (24:51.566)Hmm. Nick McGowan (25:06.402)Yeah. Nick McGowan (25:14.872)Yeah. Cleous GloWry Young (25:17.883)It’s not it. So it’s like when you have these little things and it took me 26 years to find my interest, but it’s like, hey, when you have this little thing inside of you, it’s like start to pay attention to it. And that’s what I could give anyone as good advice. Pay attention to those little things because it will lead to something greater later on. Nick McGowan (25:39.554)Yeah, I mean, the fact that we all notice things. Obviously I only know my own reality and you only know your own reality and whatever we spew to each other. But all the conversations I have with people, the mentoring or the coaching I get or coaching I give or any of that stuff, or even people here on the show, it’s like, we hear different things and we feel different things. And there are times where Cleous GloWry Young (25:49.779)Mm-hmm. Nick McGowan (26:07.598)If we had to put an action to it, we basically go, fuck you, I see you, and just turn the other way and run, like, because we don’t want to deal with it. And I always like to ask again, and like the times when I do think of it, I’m aware of it, I’ll grab it like it’s an intruder in my house. Like you’re not going anywhere. I’m not going to let you leave. Let’s figure out why you’re here and what do we do with it. And I don’t think people need to be that intense with it. And I’ve actually calmed down a little bit because the first… Little while I did that, it was too much where I’d be fucked up for like a day or so, because I’m like working on this thing. But if we are aware of those things and it keeps coming back, do something with it. If you have to have a conversation with somebody and it’s tough, sometimes it’s just a matter of saying, I don’t know how to talk about this, but I feel I need to because it keeps coming back. I think that’s a big thing that you’re pointing out of like, I saw that I was interested in these things. I did these things and then I realized like that’s a step onto the next path and not in like a cheesy leadershipy sort of way like this is a step to success but like you do a thing and go, cool, this is in the end all be all. I feel like this is a part to what happens next but because of that, you’ve made those other decisions that have led to that sort of stuff and I think sometimes like the mindset portion of this is that people will get stuck and like today sucks, sure. Cleous GloWry Young (27:09.01)Mm-hmm. Nick McGowan (27:33.282)Today may suck and like this week or this season or whatever. But for those people that are saying, look, I’m struggling. I can understand that I need to be aware of these things and work through it specifically for the people that are trying to figure out their own version of self mastery. What advice do you give to them? Cleous GloWry Young (27:51.316)So, you know, as I said, 26 years ago, I had this inclination inside of me, right? That I want to do something more meaningful out of life. And I look at that now and I can see it, that has been my, what you would say, compass. So even though I gave up teaching, even though I gave up being a behavioral therapist, even though I gave up soccer and stuff like that, The context was that hey, I had something in the background that was my compass. So no matter what I gave up, it’s like something was still guiding me on that path until I found it now 26 years later. So when you’re on this self-mastery, now I look back, right? And everything that I’ve done, I’ve said thank you because I needed to do it. I needed to give up that teaching otherwise I wouldn’t have been here and I don’t look at it and say that was a bad experience. No. Even when I went through the depression I was blaming some friends. When I sat back and started to look now and it’s like hey this is beyond my friends right? This goes back to my childhood. And when I started to look at that now before I was blaming my friends and like hey they did these things behind my back and Now that I found out I was so old, like I went into a state of now I was high. And then now I went into a low state because I found out that like one of my business partners did this thing behind my back, right? And that’s what led me to this depressional state. But when I looked at it now and started to peel back certain things and go back, it was like, wow, you know what? Thank you. Because if you never did that, then what happened, this black box revelation wouldn’t even come in my journey. Now I’m having this interest in this black box theory, right? So when I look back at it now, I just go back and I’m like, wow, you know, it was bad. Yeah, the depression was bad. But guess what? It was needed. You know, I gave up teaching, but guess what? It was needed. You know, I gave up being a behavioral. All of these steps that I’ve done in the last 26 years, they were needed. Nick McGowan (29:42.478)Yeah. Cleous GloWry Young (30:00.948)Even though at that time they were painful and whatever. But going back to 26 years ago, I had this one little thing inside of me that says, hey, this is the compass. You need something more meaningful out of life. And that became a mindset and it just guided me to where I’m at right now. So anyone that’s looking for like a self mastery stuff like even for me now, yeah. I found my interest but it’s like now I’m working on how do I master it. But I set a vision from 26 years ago that says, this is what I want. I want something more meaningful. And all these things for me was just a trial and error. that’s why I said it wasn’t hard for me to give it up because it was like, hey, this is not what I want. Why am I saying that? Because I know that Nick McGowan (30:30.702)Yeah Cleous GloWry Young (30:51.635)A couple years ago, I said I wanted something more meaningful and when I look at the equation of what I was getting, I was like, this is not meaningful. All right, let me let that go and get to somewhere else. And all of that now I started to know what is called, so I learned about this and going back to this, you remember I said about interest. Now talking to someone from a financial standpoint, right? We talk about what is called compounding interest. And compounding interest is when you make an investment and that starts to compound. The interest starts to compound and it gives you more. So for me, it’s like I started to look at it. I’m like, wow, 26 years ago, everything that I did, it was like a compounding result to get me to this what is called a compound interest. It’s like I made an investment 26 years ago and now I’m seeing the results of all the things. And yes, I didn’t get the results when I was a teacher. Nick McGowan (31:40.172)Hmm. Cleous GloWry Young (31:49.01)I didn’t get the results when I was a soccer All these things I didn’t get the results, right? But it was what is called a compounding effect So the things that I did here, the things that I did there Everything was needed to the point of where am I today? And I know people don’t say this like, my life is perfect And that’s to them For me I could say my life is perfect Why? Because even with the downs, the ups, the left, the right Nick McGowan (31:49.07)you Nick McGowan (31:58.038)Yeah. Nick McGowan (32:08.782)the Cleous GloWry Young (32:17.957)I set out 26 years ago to accumulate something in my life and that’s where I’m at now. Like, perfectly. I’m not one mile off or one decision off. I’m perfect to where I said, hey, this is what I wanted 26 years ago. So it’s like life is perfect. Do I have everything that I need? No. Do I always get everything that I need? No. But guess what? 26 years ago when I said I wanted my life to be meaningful, Nick McGowan (32:33.741)Hmm. Cleous GloWry Young (32:46.771)My life is meaningful today and not only can I figure things out for myself, I help others to figure things out for themselves. And to me, that is what my meaningfulness is all about. How could I make my life better for somebody else? When I look back at soccer, I was like, hey, when I become a celebrity, that’s me. When I make all this money, that’s me. That’s not meaningful to me. I want my life to be relevant to somebody else. Nick McGowan (33:03.49)Yeah. Nick McGowan (33:08.332)Hmm. Cleous GloWry Young (33:15.793)and that’s what I’ve done in the last 26 years. So anyone that’s out there that’s looking for self-mastery, it’s a journey of up, it’s a journey of down, it’s a journey of left. You’re going to cry, you’re going to feel like giving up all of that, but it’s all a part of the process. And I wish I had someone there that could actually give me these advice. Akhiles, when you’re going through that hard times, right? Nick McGowan (33:29.508)Thank Cleous GloWry Young (33:42.844)is not to think about, this is the end of your story. But that’s what’s needed for you to go to the next chapter. And chapter by chapter, your life is like a book in this world. Chapter one, you start out with this. Chapter two, and by the time you finish your life in this, you’re supposed to complete a book. Why? Because that book is gonna be given to somebody else now. So your life is gone. Nick McGowan (33:50.929)Yeah. Cleous GloWry Young (34:09.341)but that book can now be given to somebody else and said, hey, this is what Cleos did. And it made a significant difference for him. You can read this book now about his life. And then now you have some type of path that you can actually go on to discover your path and begin to figure things out. And for me, that’s what I could tell anyone. Nick McGowan (34:32.617)Yeah, what a great way to put that too, especially to think of the legacy component of that. Even if it’s not an actual physical book or digital book or what have you, there’s still lessons and things that I think people that are within our circles see and take from us, even if we’re not freely giving it out, we’re just being who we are. And for us to be able to be aware of that to go, this thing feels off to me, or it feels right to me, or I’ve noticed this, like, I hope that somebody listens to this and goes, damn, I keep hearing these things and now I’m hearing a podcast episode about it. Like there’s something to it, you know, like great, go do something with it. Like here’s your chance, you know? So Cletus, man, I really appreciate you being here today. Before I let you go, where can people find you and where can they connect with you? Cleous GloWry Young (35:04.733)So, Cleous GloWry Young (35:18.353)So I’m on the different social medias. They can go on either say LinkedIn or what is called Facebook or Instagram or TikTok. And you can find me there under my name, Cleus Young or the Airport Adventure or the Mountain of Miracles. Those are things that are used to actually identify me. I’m currently in Philadelphia, but I travel with different. go to different places and stuff like that. So if people are interested in me coming out, I could come to the different locations as well. But Philadelphia is my base and it’s been a journey here. Even that, it’s like learning about who I am in this city called Philadelphia. Like learning how to master yourself in Philadelphia. So anyone that’s interested, if they’re in the Philadelphia area, I do monthly events here. They can reach out to me. through any one of the social medias. You want to contact information as well, like phone number. Cleous GloWry Young (36:26.383)Okay. Yeah. So, and then just to what you just said about the book, right? You know, the Bible is a book. The Bhagavad Gita is a book. The Quran is a book. These are all stories that are put together to show that, this is what others have done. You can learn from it. And it’s like for me, that’s all my life is. It’s like… Yeah, I write books, but I also want my life to be that book that somebody can open up afterwards when I’m gone. And it’s like, hey, this is what I could learn from this person who was here once ago. So that’s life. And to me, that’s what meaning is. Not only when you’re on here on Earth, but when you leave and you go, you can still have meaning here to somebody who is gonna take a new path to life. Nick McGowan (37:20.28)Yeah. Awesome, man. I appreciate you being on today. Thank you so much for your time today. Cleous GloWry Young (37:24.973)And thank you for having me.
It's a Sunday Funday edition of the After Party! And for this one we got the return of Marcy! She comes on as we reminisce on Jaguars Gentlemen's Club, the most she's made in one night as a dancer and dumps some trauma on the podcast. Follow us on social media @AaronScenesAfterParty
This week Erica and Milah are joined by Southern songstress, mom, and soon-to-be-bride Inayah. The ladies chat about retired sugar daddies, meeting her Jamaican fiancé at her baby daddy's house, and the near-death birth story that lives at the heart of her new album Therapy Wasn't Enough. The three chat about what a "soft life" actually feels like in the nervous system once you finally arrive in it, the difference between liking and loving your partner, why you need somebody who can "struggle well," and the work it takes couples to continue to choose each other. Make sure to check out Inayah's debut LP Therapy Wasn't Enough ------------------------- Watch This episode & more on YouTube! Catch up with us over at Patreon and get all our Full visual episodes, bonus content & early episode releases. Join our private Facebook group! Let us help you! Submit your advice questions, anonymous secrets or vent about motherhood anonymously! Submit your questionsSee omnystudio.com/listener for privacy information.
Craig and Evan discuss Craig's unique upbringing involving a Jamaican wet nurse and his unusual spa encounters abroad. They also take calls regarding the New York Knicks' historical struggles and their current impressive winning streak. The conversation concludes with a preview of upcoming interviews with Dana White and John Starks. 01:00 - Sickness And Parenting Stories 05:36 - Unusual International Spa Experiences 09:05 - Knicks Discussion And Guest Lineup
Brent crude just hit $111 a barrel and Jamaica's $4.50 weekly fuel cap is about to shatter. Matthew Preston and Thaon Simms break down how the Strait of Hormuz closure and the $11.8 billion Petrojam crisis are quietly crushing JSE stocks across manufacturing, banking, and energy. From Wisynco's diesel fleet to NCB's bond portfolio to Grace Kennedy's 9% price hike landing May 1, every Jamaican investor needs to know which companies survive this and which ones bleed. Your portfolio's exposure runs deeper than you think.Chapters:00:00 Brent Crude at $111 and the JSE Crisis02:22 The Strait of Hormuz Shutdown Explained06:01 The 14 Million Barrel Production Cut11:07 How Petrojam Pricing Actually Works17:31 The $4.50 Cap and the $11.8 Billion Problem20:21 Why Your JPS Bill Is About to Spike24:52 The $40,000 a Month Bus Commuter Story28:09 Why Trans Jamaica Highway Survives34:33 The Margin Squeeze on FESCO and RPL42:10 Manufacturing Stocks at Risk: WISYNCO, SEPROD, GK49:30 The Bond Trap at NCB and SAGICOR56:28 WIGTON and the Renewables Tailwind
Welcome to the Irreplaceable Dental Team podcast brought to you by DAME - Dental Assisting Made Easy. A safe space to be mentored, empowered, and equipped. We are here to discuss the hot topic of how we as dentists can connect with AI, courtesy of Dr. Howard Farran. Let's learn and stay on the grow! Please remember to subscribe, rate, and share. DAME - Dental Assisting Made Easy. We are better together!A big thank you to local Jamaican artist, Owen Pinnock, for the original music on our podcast.
Welcome to another insightful episode of the Legal Nurse Podcast. Today, Pat Iyer is joined by Karen Woods, a certified nurse midwife and expert witness, to explore the critical and often complex role nurse midwives play in obstetrical care. From the nuances of prenatal screening and managing high-risk pregnancies to the challenges of interpreting fetal heart tracings, this episode dives into real-world issues that both patients and healthcare professionals face during labor and delivery. Together, they break down the responsibilities and autonomy of nurse midwives in the United States, highlighting how their scope of practice can differ by state and clinical setting. Pat Iyer and Karen also discuss the kinds of pregnancy complications that can lead to litigation, and the documentation strategies nurse midwives should use to safeguard both mothers and themselves from legal risk. You'll gain a deeper appreciation for the collaborative relationship between midwives and physicians and the shared goal of safe, healthy outcomes for mothers and babies. Whether you're a legal nurse consultant, healthcare provider, or involved in reviewing obstetrical cases, this episode offers invaluable practical insights and expert commentary on navigating the intersection of clinical practice and legal analysis in perinatal care. What You'll Learn in This Episode on Legal Challenges and Standard of Care Issues for Nurse Midwives Here are 5 discussion questions answered in the podcast: How does the level of autonomy for nurse midwives differ based on practice location and state laws within the United States? What are the most critical prenatal screening tests recommended, and how can missing a test impact maternal or fetal outcomes? In what scenarios is a patient considered high-risk during pregnancy, and how does that influence the approach of a nurse-midwife versus a physician? What are some of the serious complications during pregnancy that can lead to legal scrutiny or litigation? Why is documentation so vital for nurse midwives, especially when complications or adverse events arise? Listen to our podcasts or watch them using our app, Expert.edu, available at legalnursebusiness.com/expertedu. Get the free transcripts and also learn about other ways to subscribe. Go to Legal Nurse Podcasts subscribe options by using this short link: http://LNC.tips/subscribepodcast. https://youtu.be/RgsGS8KEbJ4 Your Presenter for Legal Challenges and Standard of Care Issues for Nurse Midwives Pat Iyer Pat Iyer is a seasoned legal nurse consultant and business coach, renowned for her expertise in guiding new legal nurse consultants to successfully break into the field. As the host of the Legal Nurse Podcast, Pat addresses critical challenges that legal nurse consultants face, such as difficulty in landing clients and a lack of response from attorneys. Through her insightful episodes, she emphasizes the importance of effectively communicating one's value to potential clients. With a wealth of experience, Pat has empowered countless consultants to overcome these hurdles and thrive in their careers. Connect with Pat Iyer by email at patiyer@legalnusebusiness.com Karen Woods Karen Woods is a Certified Nurse Midwife, wife, and mother, and the founder of Expert Midwife Consulting, where she provides expert review and consultation in obstetric and perinatal malpractice cases. A first-generation American with Jamaican roots, Karen lives in the suburbs of Atlanta, Georgia. When she's not on this podcast, she's carpooling her 9-year-old competitive dancer to the studio or unwinding with a good true-crime documentary. Connect with Karen Woods by email at karen@expertmidwifeconsulting.com
Send us a text message and tell us your thoughts.Obeah has been called superstition, “black magic,” and even a crime but those labels have a history, and that history was built to serve colonial power. We sit down with historian Dr. Katharine Gerbner to trace how African-derived spiritual and healing traditions in Jamaica were deliberately stigmatized through slavery, missionary politics, and law.We follow the chain from a rare 1755 archival reference to the shockwaves of 1760, when Tacky's Rebellion prompts British colonial authorities to outlaw Obeah as a threat to control. Along the way, we unpack why defining Obeah is so difficult when most surviving sources come from enslavers and missionaries, and how Gerbner's microhistory method reads the archive for what it tries to hide. One of the most surprising turns is the Moravian missionary Zacharias George Caries being called an “Obeahman,” opening up a “space of correlation” where Afro-Jamaicans do not separate Christianity from Obeah in the rigid way many of us inherit today.We also connect this history to the present: Obeah remains illegal in Jamaica, and the long arc of criminalization still shapes public stigma, community silence, and debates about decriminalization. If you care about Caribbean history, Jamaican culture, African diaspora religion, and the politics of the archive, this conversation offers a new way to see what we have been taught to fear and who benefits from that fear. Katharine Gerbner is a historian of religion, race, and freedom. She examines religious practices that have been excluded from traditional definitions of religion and develops multilingual archival strategies to uncover stories that have been marginalized and forgotten. She is the author of Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica (Duke University Press, 2025) and Christian Slavery: Conversion and Race in the Protestant Atlantic World (University of Pennsylvania Press, 2018). She is Associate Professor of History and Director of Religious Studies at the University of Minnesota.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts?Rate & Leave a Review on your favorite platformShare this episode with someone or online and tag usSend us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and educationProduced by Breadfruit Media
Send us Fan MailA Jamaican patty can take you back in one bite, to lunch money days or some other memory. Franklyn is a Jamaican entrepreneur helping grow to Juici Patties franchises in the United States. We talk about why that nostalgia comes with real responsibility when you're carrying a beloved Jamaican brand into cities like New York and markets across the country. Franklyn shares his journey from Jamaica to school in Tennessee, finishing his degree in Florida, working in software engineering, and then stepping fully into franchise ownership. From there, we dig into the business side of Caribbean food. He explains why consistency is everything, why one average patty can hurt the whole brand, and how a viral moment only matters if the product can back it up. Is it possible to normalize the Caribbean Food category the way Italian and Mexican food have been normalized without losing culture or ownership? Franklin addresses that concern head-on, then closes with what he hopes successful Jamaican brands can do for Jamaica itself through investment, development, and long-term economic lift. If you care about Jamaican patties, Caribbean American identity, or how to scale a food brand without selling out, press play, follow, and share this with a friend then leave a review and tell us your go-to patty and drink pairing.Subscribe to the NewsletterSupport How to Support Carry On FriendsDonate: If you believe in our mission and want to help amplify Caribbean voices, consider making a donation. Get Merch: Support Carry On Friends by purchasing merchandise from our store. Connect with @carryonfriends - Instagram | Facebook | YouTube A Breadfruit Media Production
Welcome to the Ms. Book Club! Join authors as they delve into feminist books exploring topics ranging from the child welfare system to human rights to the intersections of race and the law.Today, we're joined by Professor Dorothy Roberts, author of The Mixed Marriage Project, A Memoir of Love, Race and Family. The Mixed Marriage Project traces Roberts' own childhood as the daughter of a white father and a Black, Jamaican immigrant mother in an era when relationships barely ever crossed the color line. It also follows the work of her anthropologist father, who spent her entire childhood working on a book about interracial marriages—a project he never finished but shaped every aspect of their family life.Joining us this episode is our very special guest:Dorothy Roberts: Dorothy Roberts is a professor at the University of Pennsylvania and a 2024 MacArthur “Genius” Fellow. An internationally acclaimed scholar, activist, and social critic, she has written and lectured extensively on the interplay of gender, race, and class in legal issues concerning reproduction, bioethics, and child welfare. Her latest book is The Mixed Marriage Project. She is also the author of TORN APART, a previous Ms. Book Club pick. Check out this episode's landing page at MsMagazine.com for a full transcript, links to articles referenced in this episode, further reading and ways to take action.
This weeks guest was recommended by more than a few people over the last few years. In that time, I have had the pleasure to meet the man himself and I think we DJ'd a house party somewhere? He's a sweetheart and a PROPER junglist. He got his start at 14 when he discovered turntables and beat machines for the first time. Already a musician playing keys, guitar, trombone, and vocals, he felt right at home behind the decks . Influenced by his Jamaican roots and fully hooked after hearing Roni Size & Reprazent's New Forms, he dove deep into Jungle, Drum & Bass. Now, all these years later, he's still at it and he's sicker than ever. Representing Sarasota Florida, please welcome DJ IMMINENT Please enjoy❤️ back next week -Thomas www.djimminent.com www.instagram.com/djimminent?utm_s…ZDNlZDc0MzIxNw==
LA music singer, songwriter Colin Giles joins us from the show live and direct from LA. He's on the show to chat all about his latest release Colin Giles & the Rip Tidez "Are You Ready." The group is an allstar group consisting of members of The Steady 45ss, The Aggrolites,The Expanders, Matamoska & more. The album has exclusive dub mixes from Brian Wallace aka Dub Robot. Collins talks about supporting various Jamaican legends in LA like Ken Boothe and Alton Ellis. We also talk about the value of creating art, songwriting process, and some of his other art/music projects. Check out Colin's newest release and other music here:Colin Giles BandcampMusic video for "Are you Ready"VideoFollow Colin on social mediahttps://www.instagram.com/colingilesmusic/https://www.instagram.com/urban_disaster/Spotify Playlist for the Episode -> Here
Today's program features extraordinary Berlin-based German feminists Shireen Aga and Barbara Walker who have crossed multiple literal and metaphorical borders together as life partners for 50 years with 30 of those years building and running the Mockingbird Hilll Hotel, the first ecotourist hotel in northeastern Jamaica. Their relationship began with the deep friendship between their Jewish mothers, both holocaust surivors, and their respective Indian and Jamaican fathers, whom the two mothers met in Manchester England. They shared their story of having been the owners of the first ecotourism hotel I NE Jamiaca and their lives in Berlin after their retirement during the covid pandemic. The post Eco Feminism in Practice: German Hoteliers Shireen Aga and Barbara Walker appeared first on KPFA.
We're live on 4/20 from our sponsors Apogee in Sunland Park NM! And on this one we bring on our boy 3am as we catch up with him and he shares some of his most recent projects. Plus he tells us all about his crazy Las Vegas work schedule, doing work for the World Cup and he tells us some of his DJ do's and don'ts! And the OG cohost Marky Mark stops by for a little edible action. Follow us on social media @AaronScenesAfterParty
On this episode, my guest is Dr. Devon Taylor, the President of the Jamaica Beach Birthright Environmental Movement (JaBBEM), an advocacy group founded in 2022 that fights for equitable beach access and environmental justice in Jamaica. He is a Biomedical Research Scientist and environmental and social justice advocate who leads efforts to repeal the colonial-era Beach Control Act of 1956, which he describes as discriminatory and a barrier to public access.JABBEM uses legal tools, including the Prescription Act of 1882, to establish long-standing community rights to beaches and rivers. The group is currently involved in multiple court cases, including those concerning Bob Marley Beach, Little Dunn's River, and Flanker/Providence Beach, to secure public access and prevent privatization by luxury resorts like Sandals.Dr. Taylor emphasizes that beach access is a fundamental human right and reparative justice issue, arguing that Jamaica's beaches—national treasures—should be accessible to all Jamaicans, not just tourists. He calls for government action to replace outdated laws with modern legislation that ensures constitutional protection for public access and sustainable management of coastal resources.Show Notes* The violence and displacement from which JaBBEM emerged* The Beach Control Act of 1956* Coastal colonialism / plantation tourism* Shoreline personhood and the birth of humanity* The medicinal space of the sea* Taking the fight to the courts in Jamaica* Pan-Caribbean solidarity and dilemmas* Critical mass: advice for guests/touristsHomeworkJabbem - Website - Instagram - Facebook - YouTubeStronger Caribbean TogetherTranscriptChris: [00:00:00] Welcome Dr. Taylor, to the End of Tourism Podcast. Thank you for being willing to join me today. And I'm wondering to start, if you could share with our listeners where you're sitting today and what the world looks like there for you where you are.Devon: Yeah. You know, funny enough, I'm sitting just outside of Washington, DC today.Chris: Oh.Devon: You know, I just got back from Jamaica. All right. And I'm just outside the capital of the “free world” today. Yeah, but Jamaica is home, so we just got back from some community service work, advocacy work. And I'm happy to engage the End of Tourism audience and share what the experience and the livity of the Jamaican people is like.Chris: Hmm. Thank you, Dr. Taylor. As far as I understand, you are the president of Jabbem, the Jamaica Beach Birthright [00:01:00] Environmental Movement, which was founded in 2022 as “a grassroots organization acutely aware of the adverse effects of misguided development and environmental injustices to beaches, beach property, and sensitive terrestrial ecosystems” And so I'd like to ask you, Devin, a bit about your story, about how and why Jabbem was created, if I can.Devon: Yeah. So my story is the story of my community - my community of Steer Town, a coastal community that I grew up in, but that's also the story of the descendants of enslaved Africans, really, and a former slave plantation known as Jamaica, right?There's a history that is rooted in displacement, disposition, and disempowerment of a people, you know. [00:02:00] So, Jabbem is a response to continued injustice, injustice not only to black bodies, you know what I mean? And the indigenous ones, the Tainos who were there first, right? But also the desecration of land, right?Land have a relationship with human beings and with indigenous people, and we have a relationship with land. But all that get disturbed, through this “development.” So, you know, myself, my community, experienced that displacement and disposition and disempowerment in 2019, at the heights of COVID.When our childhood beach that our community has been using for more than a hundred years, you know, we were displaced from it. And the displacement. It's around 29 acres of beachfront land that the community... as an extension of our community that we use for everything, everything that Jamaicans use the beach [00:03:00] for, right? You know, recreation, fishing, spirituality, I mean, courtship, artisan work, farming you know all that space that offers a multitude of opportunities, multitude of possibilities, right, which made it that node, that connectivity to the community of Steer Town, to the community of Chalky Hill, to the community of Epworth and Davis Town and, you know, parts of, and tourism mecca of Ocho Rios. You know what I mean? This is what this space represented. It was a community that birthed ideas and continual livity of our people.And we were displaced from it, displaced from it by force. You know, a force that was part of the state, the Jamaican police, private security, the political class. It was violent. It was a very [00:04:00] violent displacement. And so, if you have ever experienced disposition and displacement, it unsettles you. It arms you. You know, I mean, you are rattled, right?And so, we had to figure out how this happened and how we need to move, because we're a resilient people, we never give up. This is where we're able to survive 500 years of chattel slavery. So, it took us a minute to kinda understand what was happening and knowing that we have to move from the grassroots. We have to come together in solidarity and farm something that could push back at our displacement. So Jabbem was born through state-sponsored violence and private violence, the displacement of communities from beach ecosystems, from the sea, in that time.Chris: Thank you for that, Dr. Taylor. You know, you mentioned 2019 as a kind [00:05:00] of watershed moment for your community and for the creation of Jabbem. But of course most people have some understanding that the tourism industry has a long history on the island, in Jamaica. And there's something that arises quite a bit in the work of your organization and in the interviews and in the media that's come out, and specifically around a law that was created or enacted in 1956, The Beach Control Act in Jamaica. And so, I'm wondering if you would be willing to offer up a little bit about this law, why it's so infamous in your country and maybe a little something of what was happening in Jamaica before 2019 and perhaps since that act, that law was created in the fifties.Devon: Yeah. The struggle for beach rights, you know, access to the beaches use of the sea [00:06:00] is historical, right? There are giants before my time who stood in the fight. You know what I mean? We had Dr. Carolyn Cooper, you know what I mean, very instrumental. John Maxwell. We have Kabu Ma'at Kheru. We have Esther Figueroa and many other Jamaicans who lend their voice to a struggle, observing and seeing that, with every new hotel that's built, every new villa that's built, every new guest house that's built, is a loss of the Jamaican people to really continue to enjoy spaces that they have been doing since childhood. Right.You know, as you mentioned, there's a long history of tourism in Jamaica. Yes, there is. I mean, Jamaica is still a colony of England. The King Charles is still the king of Jamaica, right? With all that said, Jamaica does have its prime minister who runs the country, and the king don't really get in his way, so all the experiences of the Jamaican people now is [00:07:00] actually a product of the political class that is running the country.And the tourism model at one point was more integrated, right? There was more a blend of locals and visitors traversing in beaches and enjoying these spaces, walking around in the country, participating in other cultural activities that are not based along the beach, right? You would come into villages, enjoy villages. You know, that was true for, also, my community. My community was close to a couple of these hotels and guest houses at the time. Many members in our community work in these spaces. Some of those tourists would venture up into the village and enjoy all that we offer, you know, in the Jamaican life.I should point out that musical albums, between Keith Richards of the Rolling Stones was made with members of of the Steer Town community. “Wingless Angel” is the name of that album.So this was a time when it was more [00:08:00] of that kind of integration. But the colony that Jamaica is right, and just pre-independence, Jamaica became independent in 1962... a law was passed in 1956 just on the eve of independence, which you alluded to earlier - The Beach Control Act of 1956 - and we're still trying to fully grasp why there was a need to put a law in place that says that no Jamaicans have the right to the foreshore, or the floor of the sea and was translated by the head of the National Environment and Planning A gency (NEPA), that we do not have the right to swim, to bathe, to fish, to walk along the foreshore. All those rights are vested in the government, in what they basically call “the crown,” controls all that kind of things. And the thinking we are trying to understand, is that the [00:09:00] result is very clear, that it's stripped us of any inherent rights to the foreshore. Stripped us.And very important for accessing beaches is the rights, the land. So you cannot get to the beach or the sea without traversing land.Chris: Right.Devon: And so this legislation, really inherently, did not give us any land rights. And that is what you know happened post-emancipation. There was never any reparative justice around the rights of descendants of enslaved Africans to land, where compensation was given to the enslavers. They got millions and millions of dollars when slavery was abolished. There was no compensation to the descendants in any form. No rights to land, no distribution of land, nothing [00:10:00] that was constitutionally put in place, nothing for provisions were made. In fact, the secretary of the islands made sure that they put tariffs so high on government land that the descendants could not afford them.So it kept the Jamaican people, and for that case, most of the Caribbean Islands' peoples, landless, right? So we walk out of slavery as a homeless people, despite the many rebellions and revolutions that were fought by our ancestors to free our people. You know, the powers to be never gave us any of that rights to land.And so, the 1956 Beach Control Act is consistent with colonial logic of dispossession and disempowerment.Chris: Wow.Devon: And that's what that legislation has really done to us.Chris: Wow. Yeah. I mean some of the statistics that have [00:11:00] come up in Jabbem's research is that at least 35% of Jamaica's GDP is tourism, that 25% of all jobs on the island are tourism-based jobs, that 70% of tourism dollars go to foreign investors while only 10% goes to the community and 20% going to the government. Then finally, less than 1% and maybe less of Jamaica's shoreline is accessible to Jamaicans.You refer to this, I think as coastal colonialism. Is that right, Devin?Devon: Yeah, it is coastal colonialism. It's a kind of plantation tourism, right? And the numbers speak, for themselves. I mean, they're very consistent with colonial logic around ownership of land, possession of land, what land is used for, and who the [00:12:00] usage of land benefits. The resources of the land benefit the colonial master. Of course, in this case, it is the government of Jamaica with it's elite. You know, the elites are sometimes Jamaican. Sometimes they're multinational corporations. So all of these kind of things are linked to plantation tourism and the exploitation of labour. Now there's no way that you can have, in 2024, a tourism product made 4.3 billion US dollars, and more than 3 billion of it, did not stay in Jamaica. It may not even enter the country, because of the way all these transactions are done. You could book your tour from overseas, pay for your hotel from overseas, you pay for your flight, you pay all these things. So those dollars does not even enter the country.Even many of the Jamaican tours, their banking companies are in international spaces. Many of these entities are the owners of these hotel, these [00:13:00] corporations, also registered in other countries. You'll have some of them registered in other Caribbean islands, St. Lucia and other tax havens across the planet. So, I mean, all of these things are very similar to the way that the plantation work.And then of course the workers and the exploitations of the worker, being paid very low wages, wages that are not livable wages. I mean, they're overworked. And so, the whole thing is consistent just the way the plantation works, right? And so we have to call it what it is. And at the same time, you work at the hotel and you can't enjoy the beach, right? Not while you're working there. Neither can you go home and say, “I'm taking my family of five to where I work, and I'm gonna put my towel down on the beach and take a swim, or I'm going to go roll out, and I'm going to fish.So I mean, the whole model, as to how it's constructed right now is very [00:14:00] oppressive, and is a continuation of the systems of oppressions that were characteristic of the plantation. So it makes it a plantation tourism model that the Jamaican government is supporting. And it is the government of the country because as you mentioned, you know less than 1% of beaches in the country is accessible by the Jamaicans, right?The country, the island is 494 miles around right now. 150 miles of it is technically sandy, right? Most of it is are rocky terrain, but the rocky terrains are beautiful terrains. You know, these are terrains that we all meditations from. You know what I mean, we go fish at, you find your moment in these spaces and they're becoming far and few, and that is supported by just the way all the legislation is constructed, and no government in the history of [00:15:00] “independent Jamaica” from 62, right... The law will be on the book for 70 years, and none of them changed that law to empower the Jamaican people with inherent rights.Not just to... because I know sometimes the reasoning is that, “well, we just wanna go to the beach to swim.”Well, we are thinking about a new imagination of our relationship with the coastline that we have been having for many, many, many decades.It wasn't just swimming.You know? No, no, no. It's beyond that.So, they may project that that's all we need: is just to go into the water.Right? I mean, absolutely. That's part of it. Absolutely we need to go there where our deads were washed upon the shores from these slave ships, that many were thrown overboard, many jumped overboard.But livity along the coastline for fisher folks, for vendors, for those who harvest [00:16:00] seaweed, right? For those baptisms, for the artists who get their inspiration there, for farmers who farm there, all of these possibilities, that we used to use the space for.We are saying that we should be able to continue doing so. Right? And we are fighting for this kind of a justice in this space.Chris: Wow. I mean, this is a theme, a through line, that that comes up in so many of the conversations I have with people like yourself who are fighting for land and land rights in their homes, in their places.It seems there's so much in common. One of the strange things... I don't know how strange it is really, but I was reading recently on the history of what they call “the enclosure of the commons” in Britain from I think the 13th or 14th century on, and how slowly, little by little, the rich landowner started kind of carving away, the land from the peasants and forcing them into the [00:17:00] towns and cities to work for wages, essentially, and to undermine, not only their ancestral relationships with the land, the places where they're dead were buried for many, many centuries, but also the kind of lived spiritual relationship they have with it. Right.And so, this is something that I've seen on Jabbem's website regarding the organization's principle goals. And that one of them is “the promotion of environmental personhood to beaches, selected rivers and important land formations to protect nature for future generations and to safeguard the intrinsic value of nature by recognizing them [that's the beaches, the selected rivers, and land] as living entities.”Now, I think this is something that's a common understanding, if not something that ecologists and environmentalists today campaign for, which is giving waterways and [00:18:00] land rights, but also legal and judicial protections.And so I'm curious, how do you think giving legally-bound personhood to land and water could change the lives or the relationships that travellers and local people have to those places?You know, when we come to live our lives in the presence of rivers and beaches and land as alive and sentient and as having history, their own personal history, how do you think our relationships to places might change, either as tourists or locals.Devon: Yeah. I mean these ideas are not distant to the human consciousness, because it was like that in the beginning. If we look at the scientific history of earth, right? You know, the sea, oceans are the birthplace of humanity. We crawled out the [00:19:00] sea onto land, and where did we enter first? It was on the shoreline?So, historically, ancient shoreline is the birthplace of humanity. And we just imagine, what happened in that space was the beauty of evolution. Evolution, physically. Evolution, spiritually. Evolution, in all ways and form you could think of. That space was a space of a multitude of births and rebirths. A space of energy, that led to all that we know it right now - plants and animal life, running around and terra firma.So I mean, that recognizes that this space of a right to exist because without it, I mean, I and I would not be in existence in this present formation. So it's not really a kind of thinking that is outside of the grasp of humanity. [00:20:00] It's just that a version of humanity turned its back against nature, you know, to degrade it, to use it without recognizing the relationship that it had with us.And so to really raise these ideas, that the space has its own consciousness, has its own intrinsic value, has its own understanding of I and I, knowing what I needed within such time. Give it to I so that I could thrive and manifest. So it did its work and it continues to do its work. It's just that humanity, a version of humanity, is robbing the space of its ability to continue to serve as a crucible for next generation, even the protection of the planet Earth.And you will hear it all the while that the shoreline is very important to protect us against the fallout of climate change, in terms of [00:21:00] protecting land. You know, we hear those words, but we don't live those words. So I think the recognition of personhood status to these kinds of ecosystem will bring us back to our relationship with the land, whereas we are custodian of it and it is custodian of us. And so that kind of duality, between man and environment can reign again, so the environment can serve its role in the next phase of human consciousness, right? It's not just a space to degrade, but it offers many things. I'm sure you go to the beach and when you go to the beach, you're alive. And you feel more alive when you go to a beach that is rustic, that when you look around you, you hear the sounds of nature. You can feel the beauty of that sun under your foot, and the smell that you are smelling is smell of a natural coastal forest, a natural ocean. You're not smelling [00:22:00] chlorine or suntans, or you're not hearing the bustling of engine mechanizations. You know what I mean? All what we have created in these spaces, right?You're not seeing the beautiful crabs run, the crustaceans in the space. You're not seeing the vibrancy of all the creatures that live in the ocean at near shore, because you take out hectares of grass beds, which is necessary for replenishing life.You know, the ocean produce more oxygen than the land, because earth is more than 70% water. So the importance there of understanding personhood status is for us to understand our livity and our life is critically linked to this space. And that's what we're trying to say.Understand this space for what it meant for human evolution, what it means for our continued survival, [00:23:00] and allow it to do so, but we have to give it that kinda legal protection. We have to make generations coming on board understand what it is in terms of how critical it is for livity.My work is based in the gift economy. To receive new posts and support my work, consider becoming a free or paid subscriber.Chris: Wow. That's beautiful.Yeah. Thank you so much Dr. Taylor. When I think about all the times that I spent on beaches, I mean maybe not as many as other people, but I also think about how much, in our time, in the last few generations that so many people go to the beach to relax. And you know, as far as I know, this wasn't a very common thing around the world before the Industrial Revolution - to go to the beach to relax, at least en masse, at least with so many people. And it makes me wonder, what might be happening mythically or mythologically or mythopoetically, when people go to the beach, they lie down in front of the [00:24:00] sun and in front of the ocean, and in terms of what you were saying, I always wondered, this seems like a kind of devotion that people are almost, in a religious way, devoting their bodies to being in this place with the sun and the ocean.But also in this place, as you mentioned, just between the ocean and the land. Right. The shoreline. And while it seems like a kind of religious devotion, maybe the fact that it's kind of commodified and industrialized and manipulated in such a way so that people don't recognize the life or lives of the shoreline, of the rivers, of the beach, of the ocean, et cetera, that there's something in there that humans are longing to express, but it gets turned into this really, really strange and almost demented form of, you know, “oh, take my picture and let's put it on Instagram” and all that kind of thing, right?So yeah, thank you for that, Devin. It was really beautiful to [00:25:00] hear.And for our listeners who can see some of the work that Jabbem is doing on their website, there are many, many campaigns that your organization is involved in in Jamaica, and some of them involve court cases, but I'm curious if you'd be willing to comment, I guess, on how your organization, how your team has been dealing with the campaigns, what kind of successes or failures, what kind of learning has come your way. What can you tell us about the work that you've been doing with the people on the ground there and what, if any kind of successes you've had so far.Devon: Yeah. Yeah. So, so we have just been around like four years now. This is our fourth year. Right. You know, kinda listening to how you were kinda talking about the reverence when one goes into these spaces, because the sea is medicine. It's a medicine space. And I think that's why a lot of people gravitate towards it. And what we are trying to do [00:26:00] is saying that everyone should be able to experience their birthplace, which is the foreshore, right? And so our fight and our struggle is that, as the United Nation Convention and the Law of the Sea puts it, the sea is the common heritage of humankind. So what we are doing is consistent with what the United Nation goal, that this space, this sea, this ocean, these rivers are common edge heritage of humanity. And so, we must be able to access them, engage them, we must be able to experience them and they must remain protected for all generations.So, Jabbem's campaign on the ground are not campaigns that are just for the liberation of the communities, where these beaches are. But it's for the community of humanity, that when they come into our country, they will experience the ecological heritage of the country, not [00:27:00] restricted by how much money you have in your pocket, by how much you could pay to go to one of these all inclusive hotels. Or one of these high-end villas that are encroaching in the sea, or any of these hotels that they are now building in the sea, is that you could've travelled from another country to experience what the foreshore and the sea - which is your heritage, as a human - in Jamaica.So the campaign, we are fighting for liberation of the coastline, right? So we have five of these cases right now in the Jamaican court system, right? Yeah. We have the case fighting for Bob Marley Beach. I mean, I could speak uniquely to what these spaces symbolize, about what they have been for the Jamaican people. You know, that particular beach has been a space where Rastafari, who are oppressed in Jamaica as a black liberation movement, with its central spiritual nucleus being [00:28:00] Emperor Haile Selassie I. That beach was the cradle of where thoughts and ideas were born in versions of Rastafari, and we had to move into protect that space because ultra-luxury hotels is slated to be built here that was going to displace the community. And so, that fight continues, right?We have the fightof Mammee Bay, which is my childhood space. As we explained to you earlier, you know, more than a hundred years of usage within this space, an extension of our community. It's a space that provide livity for many, right?And we speak to Blue Lagoon, right? Very historical, very beautiful mix of salt and fresh water, which many underground springs being fed from the Blue Mountain, a space that was used by the indigenous Tainos and Africans used this space for spirituality, for food, for all that you could imagine beyond recreation. This space is being commandeered by elite private interests.We have that in the court. We're fighting [00:29:00] our own government for liberation of the Blue Lagoon, which is a national monument, which would means that, “oh, can a national monument be privatized?”But Jamaican laws allow for this to happen. And if we don't fight to protect the space for humanity, then you may not be able to see this majestic space.It is the same that is true for a Little Dunn's River. Again, the intersection of a beautiful waterfalls with the Caribbean Sea, that was occupied by Rastafari from in the fifties. This space is majestic. You know, the rush of the water, the sound that we hear in this space, just brings you to these meditative spaces. You know, feel the blend of sea water meeting fresh water and how that turns into the warmth. Right. It is just beautiful.We are fighting for that and we are fighting... you know, our newest case is in Providence/F lanker in Montego Bay. One of the tours in mecca, which, you know, the hotel [00:30:00] giant, Sandal Resort International, applied to the National Environmental Planning Agency for a permit to build hotel rooms in the sea and to build villas on this land.And so we are in the courts trying to defend that, because when we lose these spaces, right, it's not just Jamaicans lose. It's just not, you know, “we have been ripped from our culture.” I mean, it's that humankind loses. Humankind loses.You know, it's cultural desecration, right? It's exploitation. It's a form of capitalism that see the concentration of wealth in the hands of few people. And the exploitation of labour and, degradation of coastal forests.So we are fighting with communities, so the way we work, every community that we go into expresses their willingness to protect their spaces. I mean, most of the time they reach out, because we're grassroots. You know, we're not a NGO. We don't [00:31:00] operate and move like these spaces. We are truly community-run. You know, as members from the community that leads up those fights. And we collaborate and we build, because we are one people. And the struggle is led by these communities. You know, I mean, we are just networking the struggle across the island, just as the struggle for people across Earth is always finding brotherhood, sisterhood, and connection in the struggle for liberation.Chris: Amen. Amen, brother. I'm curious as well if that solidarity has reached beyond the island's shoreline, if you have any brothers and sisters that you've been working with in other Caribbean islands or other countries to forward the cause.Devon: Yeah, man. Yeah, man. We work very closely with Stronger Caribbean Together Network. It's a network with other Caribbean countries who are undergoing similar things, similar land struggles for coastal spaces all across the [00:32:00] Caribbean. You know, so while Jamaica has this Beach Control Act that gives us no inherent right to access the beaches and to use the sea, most of the other Caribbean islands, you can access the foreshore, and you can use the sea.All right. You know, Jamaica is one of the unique countries that does that. It's not withstanding though that the tourism product across the Caribbean is now where most Caribbean economies are moving towards in terms of investment. So, they are building out these hotels and these overwater bungalows across the Caribbean, which is impacting lives and livelihood as well, because yes, you can go on some of these beaches, but you can't truly enjoy them in their fullness. And they are building on these beaches, as well, which is also causing environmental issue.So, I mean, it's funny that the commonality among Caribbean Islands, since the time of enslavement was plantation [00:33:00] economy, based on sugar and cotton and rum and all these things. And that was not good for us. And the region now is moving towards a very similar tourism model, that doesn't pay its people as much. Seeing these lands, coastal lands, being owned by private interests, that is actually displacing the indigenous population, and the descendants of enslaved Africans from these spaces. So we're not really benefitting at scale to the kind of tourism that is coming into the Caribbean.I mean, I think you are in Mexico, you are seeing it in different parts of Mexico too. I mean, wealthy people come and buy coastal lands or, lease them, I guess in the case of Mexico, of a slightly different kind of law where you, I don't think you can own coastal lands. I mean, you have a right to beach, but there are barriers that are put in place that makes it difficult for you to sometimes traverse these spaces. And they're intentional. [00:34:00] All right. You know, I mean, we have experienced them in Puerto Rico as well. You know, we're seeing them emerging in places like Costa Rica and and in St. Lucia.In spaces, they're wide open, but in spaces you can see the creep is coming, Because there's a thing about capitalism where when it comes in, it takes everything. It swallows everything. It's not a good political economic model, that takes the environment into consideration as to what it gives back to humanity.So it takes, and it takes, and it takes, and that's not the sustainability that you will hear being preached on the planet. If we truly want to be sustainable, then the environment must have as much rights as a moving animal. It was here [00:35:00] before I and I. Earth existed before I and I. So, all I and I come, in the context of Earth, and treated Earth like it's a second class entity in existence. It must be afforded that right.I mean, it's only 3% of the planet that is water, fresh water. So, we know water is a very essential source for life. So we cannot allow this to be controlled. Access to the sea, access to the oceans, must not be controlled by no entity. We must freely move in these spaces. So Jabbem is at the view also that all coastal land must be public land. You know, must be public land.Chris: Yeah. I mean, I completely agree, you know, that offering rights in these regards can definitely change our understanding of how we are with land, of how we [00:36:00] are with other people. And I think that in order for the function of rights to work that we need to undertake a degree of responsibility for how we are with the land, with each other and the way we implement those rights.And you know, it's been a great pleasure to speak with you Dr. Taylor. I know we're just running out of time now. Before we finish off, I'd like to ask in regards to those responsibilities, you know, I'm sure this conversation or question has come up many times for you and your team, your people there on the island.If local people have a responsibility to their homes, to their places, to how they live and even host in those places, then what do you think the responsibilities are of the guest, of what we would otherwise call the tourists in our time? What do you think their responsibilities are when, either coming to your island or just even thinking of planning a vacation, because I've had many guests on the podcast who are [00:37:00] fighting similar fights as you and your people are.Some of them say, “please come, please come, and we'll figure it out.”And some of them say, “please don't come. This is not the time.”So I'm curious what those conversations like look like with Jabbem.Devon: Yeah. Yeah. No, it's a good question, because we know that there are some countries that too much tourists goes there, and it has a critical mass that it can't take anymore. And so there's need to kind of regulate the number of people.You know, Jamaica's not at that point right now. And myself and our team believe in freedom of movement. We see this as a world without borders, despite how politicians, and kings, have drawn artificial borders across the world to limit all your move, and requires visa to go in spaces and validation, that you can afford your stay within spaces. Yeah. We don't have that view still, you know. Those kind of views are colonial logic, because [00:38:00] if that unconsciousness was birthed in humanity, then the migration of I and I outside of Africa would never have happened, and would've never had the multitude of nations that make this planet a very beautiful space. So freedom of movement is something that we cherish. So come to Jamaica.What we would say is that you need to do your homework. You don't want to participate in injustice. You don't want to participate in discrimination. You don't want to participate in displacement and disempowerment of people, so do your homework. Before you come to Jamaica, look where you are staying. And check out whether or not these communities can freely access these beaches, use the sea, whether these fishing communities are thriving, as they were before, whether or not workers are compensated enough, whether the social health of the [00:39:00] community where this hotel is is good, whether or not the space that you are actually coming to is degraded. I think these are question for you to ask yourself.I would say you boycott those spaces, because I think one thing that the capitalists understand is that when his money is in danger, his behaviour changes. He first gets violent. He first gets violent and come after you, which would be we the people, but if we have the protection of the international community who is demanding a more equitable and just product interact with, a product that is fierce. So you can't be charging me $3000-$6,000 to stay in a hotel room or $500 to stay in a hotel room, but you're paying your people minimum wages that are, I think, $15,000 Jamaican dollar might be a hundred US dollars a week. You know, I mean, that is labour exploitation.“ Then I'm not going to go there. I'm gonna participate in some other products across the island.”[00:40:00] I know Airbnb have their own sets of issues, but though that's a growing space in Jamaica. Small mom-and-pop establishments that are there. So it might not be easy, but search them out, you know?And we are getting ready to actually help the international community by importing some of that resources on our page, so you could see places that you could stay. So we are saying, being responsible, be responsible in your travels.And when you come, venture out. You know, come amongst our people, come experience the real Jamaican culture. You know, those things are important because tourism is an educational thing, right? It's idea sharing, right? It is cultural exchange, right? It's getting to feel outside of your normal space and getting to a new mindset to understand how other people are living around the world, and what adjustment you can make in your life. What can you impart? What can you take back? And these things are important for the [00:41:00] growth of humanity, for us to understand each other. I think these things prevent wars and conflicts. But contrary, you know, I mean, what we see world leaders are doing is driving domination of particular cultures, domination of particular economic systems that are unjust.And Jamaica is still growing. We still have a lot to offer to the world. We provide real good, music to the world, but we are beyond music. You know what I mean? We are very creative people of just a lot of goodness and a lot of niceness. So come to Jamaica, but you know what I mean? Be responsible in your travel and seek out the spaces that are equitable and just, and help in our struggle, advocate on our behalf in the international community for the repeal and replacement of the Beach Control Act of 1956, for different tourism models to come into play.Chris: Mm mm mm Thank you, Dr. Taylor. Our listeners can find out more about [00:42:00] the actions and campaigns on the Jabbem website, jabbem.org, if I'm not mistaken.Devon: That's it.Chris: And I believe on Instagram as well.Devon: JabbemJabbem on Instagram. We are also on Facebook and on your Tiktoks, and all your other spaces. You know, I mean, and reach out to us. We have a GoFundMe page where we are trying to raise money for legal struggles.You know, we have many more cases that we need to push forward to protect communities. So if you want to help out, you know check us out on GoFundMe there.And when you come to Jamaica, just link us up and we'll bring it to couple of the spaces and in some of the communities then you'll get the real Jamaica, you know?Chris: So, I'll make sure that all those links are up on the End of Tourism website and Substack page when the episode launches. And on behalf of our listeners, Devin, I'd like to wish you an amazing, amazing day and to your team, to your organization. It seems like you're doing incredible work and with a really grounded and [00:43:00] equally political and spiritual basis or foundation for the way that you and your team walk in the world.I'm very, very grateful for that and for your time today. So, I wish you also the best of luck in the so-called, capital of the free world there, and all the best.Devon: Yeah, man. Give thanks. Give thanks, Chris, and give thanks to you and your team for having us. Give thanks.My work is based in the gift economy. 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In this energizing episode, host Infinite sits down with Brick for an in-depth conversation with reggae artist Tony Prophit, a Montego Bay native who now brings his roots to Ontario, CA. Tony Prophit isn't just an artist—he's a messenger of positive vibes, weaving uplifting vernacular and conscious rhythms that uplift the listener's spirit.From the very first note, the energy is unmistakable. Infinite calls this one his favorite interview to date, praising the raw authenticity and the palpable connection that unfolds when words meet music. The conversation dives into Tony's journey—how his Jamaican roots blend with his Canadian experiences, and how his message of positivity translates into every verse, cadence, and chorus.Brick shares a personal takeaway: a few new perspectives he learned just by listening, noting how Tony's approach to language, culture, and community resonates beyond the microphone. The camaraderie between Infinite and Brick shines through as they explore Tony's creative process, his mission to spread good vibes, and his belief in the power of reggae to unite and uplift.If you're chasing a conversation that fuses culture, rhythm, and inspiration, this episode is a must-listen. Tune in to hear the powerful connection between Infinite, Brick, and Tony Prophit—and feel the positive energy that travels from Montego Bay to Ontario, and straight into your headphones.We would LOVE to hear what you think. Please drop a line.Support the show
Episode 88: Una Marson In this episode, we meet Una Marson, a Jamaican writer, journalist, and radio producer, who shared her talents and voice in poetry, plays, and on the BBC, after her ambition took her to London in the 1930s. She described as the first Black feminist to speak out against racism and sexism in Britain. We know little about her life post-1945, when she returned to Jamaica and continued writing poetry and fighting discrimination – but a recent rediscovery in the UK has led to a TV documentary and a library named in her honor. DLS co-founder Katy Derbyshire tells Una's story, and joins host/producer Susan Stone to set the scene. To find out more about Una, visit our episode notes at https://deadladiesshow.com/podcast/ Katy also mentions her previous talk on another BBC notable, composer Delia Derbyshire (no relation!). You can hear it on Episode 60 here: https://deadladiesshow.com/2023/02/16/podcast-60-delia-derbyshire/ Hey friends in Berlin! Write this date on your calendar — June 7th. We will host our classic bilingual live show on a Sunday night, so save the date. Follow us on social media @deadladiesshow, or sign up to our newsletter at this link: https://deadladiesshowberlin.beehiiv.com/ to stay informed about live events. You can get even more Dead Lady content, and help support us, by becoming a Patreon member at patreon.com/deadladiesshowpodcast ! Our members get access to our premium audio and written content where we talk about Dead Lady books, music, and more, and sometimes we offer a sneak preview of Dead Ladies we're going to feature in the future —we talked about Una Marson there last year. Memberships starting at 2 euros or 2 dollars and it really gives us moral as well as a little financial support. You can also follow our content there for free! Thanks for supporting us and sharing us with others! The Dead Ladies Show was founded by Florian Duijsens and Katy Derbyshire. The podcast is created, produced and edited by Susan Stone. Our theme tune is Little Lily Swing by Tri-Tachyon. We will be back again next month with another fabulous Dead Lady.
Get ready to take a vibrant journey to the islands in this heartwarming episode featuring award-winning author Rachael M. Colby, creator of the beautiful children's picture book Tropical Dreams, releasing April 21!
Tune in to a wonderfully weird and captivating hour of late-night talk! Host Walter Sterling is joined by "known Canadian" and UFO journalist Dave Scott to bridge the gap between extraterrestrial mysteries and everyday absurdities. Discover the surprising truth about what aliens eat (hint: they serve a grey goulash that can magically taste like steak and lobster), and dive deep into modern conspiracies involving missing UFO scientists, secret US anti-gravity technology, and alleged shadow government cover-ups. The duo also explores historical oddities like flying sail ships from the 1500s and a second, lesser-known UFO crash at Roswell. Between the paranormal deep-dives, the conversation takes hilarious detours into the culinary wonders of Jamaican food and eating a "30-pack" of homemade Indian samosas. Plus, Walter shares a laugh-out-loud childhood confession about accidentally destroying his parents' pristine dining room ceiling with an overflowing bathtub while obsessed with a toy radio transmitter, alongside a passionate rant hoping Spirit Airlines goes out of business. Learn more about your ad choices. Visit megaphone.fm/adchoices
Another episode I've been wanting to do: The Big Valley, the Kish Valley! The Big Valley is about 45 minutes southeast of State College, an hour from Harrisburg. It's an idyllic rural paradise of farms, markets, restaurants, and small food producers. And the engine that keeps it running is Kish Bank, a local family-owned bank that's been in the Valley for over 100 years. Kish Bank is named for the Kishocoquillas Creek, which runs down the Big Valley (and is the reason it's also known as The Kish Valley). The vital nature of the bank is why I decided to interview Greg Hayes, the CEO of Kish Bank, and the great-grandson of the founder. Then I toured around the Valley: donuts, Amish stores, butcher shop, winery, and all the friendly people you'll find here. It's a wonderful place, and you should visit soon. But there's not a lot to drink there! What I'm Drinking Today is the Proof & Wood Tumblin' Dice Rye finished in Jamaican rum casks, a fantastic experiment. The Smack Dab In The Centre segment is all about farm experiences in Happy Valley; it seemed appropriate! Next episode will be Part II of The Big Valley, a profile of Reedsville, and an interview with chef Quintin Wicks of Revival Kitchen, an incredibly well-regarded farm-to-table restaurant in this tiny town that draws people from as far away as Pittsburgh and Baltimore. See you in two weeks! Until then? TELL YOUR FRIENDS ABOUT THE PODCAST! Seen Through A Glass is sponsored by the Happy Valley Adventure Bureau. Come visit Centre County! This episode uses these sounds under the following license: Creative Commons CC BY 4.0 https://creativecommons.org/licenses/by/4.0/ "Champ de tournesol" by Komiku at https://www.chosic.com/free-music/all/ arrow-impact-87260 Sound Effect found on Pixabay (https://pixabay.com) "Glow" by Scott Buckley | www.scottbuckley.com.au Music promoted by https: //www.chosic.com/free-music/all/ All sounds sourced by STAG Music Librarian Nora Bryson, with our thanks.
Today we're heading to the lush island nation of Jamaica. While the country is often associated with beaches and resorts, it's also a place with a deep and complex history, a strong sense of identity, and a rhythm of life that you feel the moment you arrive. Joining me today is Kenton Jones, Managing Director of The Tryall Club, a 2,200-acre private villa community just outside Montego Bay. It blends classic Jamaican hospitality with one of the most expansive and personalized resort experiences in the Caribbean. We discuss what makes Jamaica so culturally rich, how the island's geography shapes everything from lifestyle to cuisine, and what it's like to stay in a fully staffed private villa surrounded by golf, beach, and nature. Sit back, relax, and enjoy this episode of Luxury Travel Insider. Looking to book a luxury hotel? Get special perks and support the podcast by booking here: https://www.virtuoso.com/advisor/sarahgroen/travel/luxury-hotels If you want our expert guidance and help planning a luxury trip with experiences you can't find online, tell us more here and we'll reach out: https://bellandblytravel.com/book-a-trip/ Learn more at www.luxtravelinsider.com Connect with me on Social: Instagram LinkedIn
It's a pop up podcast! And on this episode we have our battle of the cohosts! As Gee and Baby M take each other head on on a variety of questions plus they prove whether guys and girls can solely and ONLY be friends. AND the gang tries out some honey packs and give our honest review. Follow us on social media @AaronScenesAfterParty
Send us Fan MailAria Collins is Grenadian-born, Brooklyn-raised, and now based in Charlotte, North Carolina. After moving south and losing easy access to Caribbean food, she started rethinking her relationship with food, health, and culture. She turned that journey into Prep and Ting, a Caribbean-centered approach to meal prep and intentional eating.In this episode, we talk about what it's like to crave the food you grew up on when you can't just run to the Jamaican spot or grab a roti. We dig into the cultural habits around food that Caribbean people carry like cleaning your plate, Sunday cooking rituals, how we prepare meals and how being intentional about those habits can change how you feel in your body without giving up the food you love.We also get Aria's personal experience with Lens 1 and Lens 2 of the Caribbean Diaspora Experience Model. Connect with Aria:Instagram: @prepandtingWebsite: www.prepandting.comSubscribe to the NewsletterSupport How to Support Carry On FriendsDonate: If you believe in our mission and want to help amplify Caribbean voices, consider making a donation. Get Merch: Support Carry On Friends by purchasing merchandise from our store. Connect with @carryonfriends - Instagram | Facebook | YouTube A Breadfruit Media Production
Hurvin Anderson talks to Ben Luke about his influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Anderson was born in Birmingham, UK, in 1965, the youngest of eight siblings, the rest of whom were born in Jamaica. His paintings are a poetic response to place, teeming with personal and cultural resonance. He transforms photographs from his own archive as well as found images into atmospheric worlds of paint, in which details of motifs, including figures, objects, interiors and landscapes pull in and out of focus, suggesting the texture of memory. Much of his work evokes scenes and spaces in Britain, where he was born, but also imagery of Jamaica, from where his parents emigrated to the UK, and the Caribbean more widely. He has stated that his paintings often relate to a feeling of—quote—“being in one place while thinking of another”. They are a profoundly subjective response to diasporic lived experience and a sustained and lyrical engagement with paint as simultaneously a tool of representation and of veiling or disturbance. He discusses for the first time his latest paintings for the survey of his work at Tate Britain, he reflects on how he uses photography in his work and his shift to working with what he calls a “second unit” in recent works. He recalls the early influence of Michael Andrews and Richard Diebenkorn, his enduring fascination with the art of Édouard Manet and Diego Velázquez, and how he responded to the Jamaican artist Carl Abrahams in his painting Passenger Opportunity (2024-25). Plus, he gives insight into his life in the studio and answers our usual questions, including the ultimate: what is art for?Hurvin Anderson, Tate Britain, until 23 August 2026. Hosted on Acast. See acast.com/privacy for more information.
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Still in the GameAfter the emotional journey of Road to Zion, Rootsland takes a quieter turn.A phone call from Kingston leads Henry K back to a forgotten corner of his own past — and a blue suitcase sitting inside a storage locker in South Florida.Inside are decades of recordings — cassette tapes, DATs, rough mixes, and studio sessions from another era.Among them are unreleased recordings from legendary Jamaican saxophonist Deadly Headley Bennett — a musician who helped shape the sound of reggae but, like many session players of his time, never owned a catalogue of his own.In this episode of Rootsland, Henry K begins opening those tapes and starting the long process of bringing some of that music back to life — and inviting the Rootsland family to help finish a story that began in the studios of Kingston many years ago.Support the show:https://rootsland.captivate.fm/support(Opens best in your browse Babylon Blocks it in the Apple/Spotify App)or Donate via PayPalProduced by Henry K in association with Voice Boxx Studios Kingston, JamaicaROOTSLAND NATION Reggae Music, Podcast & MerchandiseClosing Song: Deadly Headley Bennett "Herb 'n Sunset" Henry K mix
Dave makes Jamaican oxtails and "Chicken 66," an amalgamation of Chicken 65 and chilli chicken, for two smart guests: Lester Nare and physicist Krishna Choudhary, cohosts of one of his favorite podcasts, From First Principles. They talk about how they began their journeys in science, formed a friendship, and found a podcast format that works for both them and the layperson listener. They also discuss why science is important overall, Dave's unified theory of deliciousness, fresh spices versus ground, and, of course, MSG. Check out From First Principles: https://www.ffppod.com/ Check out From First Principles' double-slit episode: https://www.ffppod.com/episodes/ep3 Read Dave's "Unified Theory of Deliciousness" article: https://www.wired.com/2016/07/chef-david-chang-on-deliciousness/ Learn more about Diamond Crystal salt: https://www.diamondcrystalsalt.com/kosher-salt Learn more about Ajinomoto MSG: https://www.ajinomoto.com/ Learn more about Accent: https://accentflavor.com/product/flavor-enhancer/ Visit us in stores and online https://Warbyparker.com/CHANG Host: Dave Chang Guests: Lester Nare, Krishna Choudary Majordomo Media Producer: David Meyer Spotify Producer: Felipe Guilhermino Additional Crew: Michael Berger, Abby Zidonis, Marcus Yasui, Michael Delgado, Elizabeth Styles Editor: Jake Loskutoff Learn more about your ad choices. Visit podcastchoices.com/adchoices
Delroy Lindo is Oscar-nominated for his role as Delta Slim in Ryan Coogler's ‘Sinners.' In a wide-ranging conversation with co-host Tonya Mosley, he talks about preparing for the role, growing up in the U.K. as the son of a Jamaican immigrant, and a special phone call from Spike Lee. He also shares what was going through his mind when he was onstage at the BAFTAs when a man shouted a racial slur. To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy