Podcasts about vectorscope

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/developer-tom-huczek-discusses-nobe-omniscope-the-color-timer-podcast/====Chances are you've heard of Nobe Omniscope, the immensely popular software package used by colorists and finishing editors in suites of all shapes and sizes. Tom is the person behind these tools, and I wanted to get the back story: how on earth do you have the audacity even to consider the idea of making scopes?In this episode, we chat about all things scopes, how they used to be a five-figure item, how some suites didn't even have them, and how software/hardware solutions like Nobe are leading the pack regarding features and utility.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

Hackaday Editors Elliot Williams and Tom Nardi meet up virtually to talk about the week's top stories and hacks, such as the fine art of resistor trimming and lessons learned from doing overseas injection molding. They'll go over circuit bending, self-driving cars, and a solar camera that started as a pandemic project and turned into an obsession. You'll also hear about Linux on the Arduino, classic ICs etched into slate, and an incredible restoration of one of the most interesting Thinkpads ever made. Stay tuned until the end to hear about a custom USB-C power supply and the long-awaited Hackaday Supercon 2023 Vectorscope badge. Check out the links and as always, tell us what you think about this episode in the comments over at Hackaday!

Peti kalandozik, Benedek és Gábor pedig vásárol. Mindketten objektíveket is vásároltak, de egyéb érdekességeket is sikerült beszerezniük a közelmúltban. Felmerül a kérdés, miért nincs több markolat nélküli váz a piacon? Canon 28mm pancake objektív innovatív kialakítása és műanyag lencsetagok. Benedek profibb fényelési technikákra és vele együtt profibb fotós editáló szoftverekre vágyik. Gábor is észrevesz néhány hibát a Lightroomban. Az adás linkje: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tripodcast.hu/106 Műsorvezetők: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Láng Péter⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Lénárt Gábor⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Varga Benedek⁠⁠⁠⁠⁠⁠⁠⁠⁠ Támogass minket Patreonon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tripodcast.hu/patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ Csatlakozz a Tripodcast Community Facebook csoporthoz! ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://tripodcast.hu/community⁠⁠⁠⁠⁠⁠⁠⁠⁠ Küldj nekünk hangüzenetben kérdést! ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://tripodcast.hu/messages⁠⁠⁠⁠⁠⁠⁠⁠⁠ Az adást a ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tripont⁠⁠⁠⁠⁠⁠⁠⁠⁠, és a ⁠⁠⁠⁠⁠⁠⁠⁠⁠Fujifilm⁠⁠⁠⁠⁠⁠⁠⁠⁠ támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tripodcast.hu/oktatas⁠⁠⁠⁠⁠⁠⁠⁠⁠ Kövess minket Instán: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/tripodcast_⁠⁠⁠⁠⁠⁠⁠⁠⁠ Az adásban elhangzott témák, linkek: - Peti Canon előadásáról beszámoló: https://tripodcast.hu/97237c - Peak Design Micro Clutch: ⁠https://www.peakdesign.com/products/microclutch⁠ - Canon RF 50mm f1.8 STM: https://tripodcast.hu/canonrf50mm - Canon RF 28mm f2.8 STM: https://tripodcast.hu/canonrf28f28 - Canon 28mm-es objektív szétszedése, lencse tipusok bemutatása: https://youtu.be/YH5_nVRWHZ0 - Samsung T7 Shield: https://tripodcast.hu/sam2tbshield - USB-C L alakú adapter: https://www.amazon.de/dp/B0BC3D5N8J/ - USB-C hosszabbító adapter: https://www.amazon.de/-/en/40Gbps-Female-Adapter-Extender-Laptop/dp/B0B1X1G6GR/ - Photographing beach life in 80s southern California: https://i-d.vice.com/en/article/7kxx3z/photographing-beach-life-in-80s-southern-california - Vectorscope-ot Lightroomba feature request: https://community.adobe.com/t5/lightroom-classic-ideas/p-rgb-parade-and-vectorscope-in-lightroom/idi-p/7806134

Új Peak Design termék jön a piacra, Benedek pedig megtalálta a tökéletes naplemente appot? Tilt shift-et Leica-ra? Mennyire bonyolult? Meddig hajlandó elmenni a fotós egy kis perspektíva korrekcióért? IMAX mozizás, Oppenheimer, és mozifilm formátumok jelentősége. Az adás linkje: ⁠⁠⁠⁠⁠⁠https://tripodcast.hu/102⁠ Műsorvezetők: ⁠⁠⁠⁠⁠⁠Láng Péter⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Lénárt Gábor⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Varga Benedek⁠⁠⁠⁠⁠⁠ Támogass minket Patreonon: ⁠⁠⁠⁠⁠⁠https://tripodcast.hu/patreon⁠⁠⁠⁠⁠⁠ Csatlakozz a Tripodcast Community Facebook csoporthoz! ⁠⁠⁠⁠⁠⁠http://tripodcast.hu/community⁠⁠⁠⁠⁠⁠ Küldj nekünk hangüzenetben kérdést! ⁠⁠⁠⁠⁠⁠http://tripodcast.hu/messages⁠⁠⁠⁠⁠⁠ Az adást a ⁠⁠⁠⁠⁠⁠Tripont⁠⁠⁠⁠⁠⁠, és a ⁠⁠⁠⁠⁠⁠Fujifilm⁠⁠⁠⁠⁠⁠ támogatta! Egyéni oktatásról az alábbi linken kaphattok információt: ⁠⁠⁠⁠⁠⁠https://tripodcast.hu/oktatas⁠⁠⁠⁠⁠⁠ Kövess minket Instán: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/tripodcast_⁠⁠⁠⁠⁠⁠ Az adásban elhangzott témák, linkek: - Peak Design Micro Clutch: https://www.kickstarter.com/projects/peak-design/micro-clutch-hand-strap-for-mirrorless-cameras - Peak Design Clutch: https://www.peakdesign.com/products/clutch - Skylight app: https://petapixel.com/2023/05/16/new-app-skylight-forecast-predicts-great-sunsets-and-golden-hour-light/ - Vectorscope sajnos csak windows-ra: https://vectorscope.co - Shane Dignum: https://www.youtube.com/@shanedignum - Camera weather testing: https://www.youtube.com/watch?v=c7BG74w0gAw - Canon 7D Hardcore Durability Test: https://youtu.be/RCT-YMgjm9k - Ezért tűnnek el a feliratos filmek a mozikból: https://telex.hu/szorakozas/2022/10/07/szinkron-felirat-forgalmazo-mozi-eredeti-nyelv - 70mm oppenheimer vetítések: https://www.in70mm.com/news/2023/oppenheimer_cinema/index.htm - Loud sound of IMAX 15/70 film cameras rolling https://youtu.be/L27a851-RxY - Why Oppenheimer on IMAX 70mm film is a big deal: https://youtu.be/x-7hHNoU8do - The TRUTH about building a Digital IMAX camera: https://youtu.be/X_YG4tZqJEk

The Reference Monitor in Premiere Pro is perfect for comparing frames from different parts of a sequence. It’s also perfect to show any of the built-in scopes for precision color correction. Find out how you can begin using this powerful tool to be more productive and get accurate color. For more helpful Adobe tutorials, visit Adobe TV,

Learn to locate the Vectorscope and Waveform monitor in Autodesk Smoke.

Come mostrato nella puntata precedente, Final Cut Pro 6 presenta vari strumenti di analisi del colore. Qui Laura ti mostra il waveform e il vettorscopio, due dei principali strumenti per la valutazione delle caratteristiche cromatiche e di contrasto dei contributi importati all'interno di Final Cut Pro 6.Ti sei mai chiesto quali vantaggi potresti trarre da una lettura consapevole di questi indicatori? Scopri attraverso la visione di esempi pratici come interpretarli per lavorare al meglio. Questo episodio corrisponde alla lezione 31.2.0 del Corso Professionale di Apple Final Cut Pro 6. Puoi vedere altre lezioni gratuite dello stesso corso, nonché consultare il programma didattico completo alla pagina: http://www.teacher-in-a-box.it/prodotto-teacher-in-a-box.php?prod=69 Visita il nostro sito: http://www.teacher-in-a-box.it Troverai: -Altre lezioni gratuite -Il catalogo completo e aggiornato dei nostri videocorsi -Potrai acquistare direttamente quello che fa per te! Commenti? Inviaci una mail a podcast@teacher-in-a-box.it

Day 8 Over the past year I have been trying, without success to figure out how to use a calibrated monitor to display  video coming out of the computer, as I color correct. Today we had a color correction class for Final Cut Pro, something that was arranged outside of the program, based on specific requests from our class. I think that speaks volumes about how flexible and generous the school and the instructors are towards meeting the needs of students. Anyway, I'm going to create a screen cast, post it on YouTube and you can link to it to see how it's done. The unfortunate thing is that you can' display HD footage through an SD monitor. So there you are, I have HD footage and I can't monitor my color correction, I have to go solely by the scopes, the Waveform or RGB Parade monitor, VectorScope and Histogram. Of course the trick is making sure you're viewing your results on a calibrated monitor. Of course, that's not nothing, it counts for 90% of the way home, but that last 10% is the difference between a vacant stare and a smile. I've used a monitor for color correction on SD footage shot for a Practicum film back in May. (Show 91) It made a big difference, not only in terms of quality, but also in building my confidence in my own color correction technique. Howard Phillips, a frequent instructor screened my latest revision and gave me a very good critique. There's so little time, so every intelligent comment is greatly appreciated. The big problem is that I'm making the same point over and over again. I couldn't see it myself, but once the scales were removed from my eyes it was embarrassing how obvious it was. That's half the value of having others review your film. And getting that input before you're too attached to the cut is the other half.