Podcasts about frames

8/28-9/3: “32 Frames: A 9/11 Mystery”, a new documentary film, is in theaters for one week only, in NYC and LA. A journalist (Jon Walczak) receives 32 new photos of 9/11 from a camera found in the rubble of the World Trade Center — and uses clues in each frame to ID the photographer. For more information, go to 32frames.comSee omnystudio.com/listener for privacy information.

#263This is episode 8 in my 2026 summer headspace series. This is a chance to revisit episodes from the previous school year during the summer months when you may have a little extra time. Beginning next week on August 31st, you will have new episodes with exciting new topics every Monday. For today we take a look back at writing in the language classroom in episodes 239 and 240.Topics in this Episode: 239: Short Writing Tasks that Build Confidence240: Improve Student Writing with Frames & ScaffoldsReady For Tomorrow Quick Win PD for Individual TeachersA Few Ways We Can Work Together:On-Site or Virtual Workshops for Language DepartmentsSelf-Paced Program for For Language DepartmentsConnect With Me & The World Language Classroom Community:Website: wlclassrom.comInstagram:  @wlclassroomFacebook Group: World Language ClassroomFacebook:  /wlclassroomLinkedIn: Joshua CabralBluesky: /wlclassroom.bsky.sociaX (Twitter):  @wlclassroomThreads: @wlclassroomSend me a text and let me know your thoughts on this episode or the podcast.

In today's episode, W. Scott Olsen speaks with Jeroen Van Nieuvenhove, an award-winning Belgian-Icelandic photographer based in Reykjavík, known for his dramatic landscape, wildlife, aerial, and especially volcanic photography from Iceland and other remote regions.You can visit Jeroen's website here.Find out more and join FRAMES here.Send us Fan Mail

Tod Field's Tár (2022) is one of the best ghost stories we've discussed on the show. The story of a troiubled genius, the film is also a wonderfully ambiguous portrat of a person persued by her past in the form of an unseen and vengerful force. Lydia Tár is by turns charismatic, repulsive, fascinating, and frightening. She's a real person and demands a compicated response, just like the film as a whole. Part Amadeus and part Lolita, Tár is a high-water mark for anyone intrested in a portrat of the artist. Bumper music: Gustav Mahler's Symphony No. 5 - Trauermarsch by Jason Weinberger & WCF Symphony. Licensed under Creative Commons: By Attribution 3.0 If, like Lydia Tár, you're fascinated by Mahler, check out Stephen Downes' 2025 biography. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler's Almanac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Tod Field's Tár (2022) is one of the best ghost stories we've discussed on the show. The story of a troiubled genius, the film is also a wonderfully ambiguous portrat of a person persued by her past in the form of an unseen and vengerful force. Lydia Tár is by turns charismatic, repulsive, fascinating, and frightening. She's a real person and demands a compicated response, just like the film as a whole. Part Amadeus and part Lolita, Tár is a high-water mark for anyone intrested in a portrat of the artist. Bumper music: Gustav Mahler's Symphony No. 5 - Trauermarsch by Jason Weinberger & WCF Symphony. Licensed under Creative Commons: By Attribution 3.0 If, like Lydia Tár, you're fascinated by Mahler, check out Stephen Downes' 2025 biography. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Mike Takla is on substack at The Grumbler's Almanac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Mark Selby hat die China Open insgesamt zum vierten Mal gewonnen. Der Engländer avancierte mit neuem Queue zum klar besten Spieler der Woche und setzte sich souverän mit 10:6 gegen Noppon Saengkham durch. Schon zuvor hatte er im Turnierverlauf nur 7 Frames abgegeben. Selby bringt sich damit außerdem in gute Position im Kampf um die Nummer 1 in der Weltrangliste. Andreas Thies und Christian Oehmicke fassen zusammen. Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

In today's episode, W. Scott Olsen speaks with Tine Poppe, a Norwegian fine-art photographer known for her expressive use of flowers and the natural world to explore beauty, fragility, and mortality, while also addressing broader social, political, existential, and environmental concerns.You can visit Tine's website here.Find out more and join FRAMES here.Send us Fan Mail

Flexible frames outperform hard plastic for kids' baseball sunglasses in safety, comfort, and durability. Discover the key features every parent should prioritize to keep young athletes protected on the field. To learn more, visit https://allstarshady.com/products/kids-uv400-sports-sunglasses-flexible-soft-frame-anti-scratch-lenses-baseball-cycling-tennis-zypex All Star Shady City: Portland Address: 7337 SE 28th Ave Website: https://allstarshady.com/ Phone: +1 503 213 9578 Email: support@allstarshady.com

Seth and George go head-to-head to see who is better at recognizing movies from just 3 still images. Who will win? Could you have done better?#movietrivia #guessthemovie #moviegame Join the ReelTok Patreon for weekly exclusive podcasts, the Patron Discord, early access to episodes, merch discounts, giveaways, & so much more: https://www.patreon.com/reeltokpodcastGrab some new ReelTok merch: https://reeltokpodcast.comFollow ReelTok everywhere:YouTube: https://www.youtube.com/@reeltokpodcastTikTok: https://www.tiktok.com/@reeltokpodcastInstagram: https://www.instagram.com/reeltokpodcastTwitter: https://twitter.com/reeltokpodcastLetterboxd: https://letterboxd.com/reeltokpodcastPatreon: https://www.patreon.com/reeltokpodcastListen and Rate Us 5 Stars on Spotify and Apple Podcasts:Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrOApple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412George CarmiLetterboxd: https://letterboxd.com/georgecarmiTikTok: https://www.tiktok.com/@moviesandstuff14YouTube: https://www.youtube.com/@moviesandstuff14Instagram: https://www.instagram.com/georgecarmiTwitter: https://twitter.com/georgecarmiTyler WhitmoreLetterboxd: https://letterboxd.com/TylerCWhitmoreTikTok: https://www.tiktok.com/@tylercwhitmoreYouTube: https://www.youtube.com/@tylercwhitmoreInstagram: https://www.instagram.com/tylercwhitmoreTwitter: https://twitter.com/TylerCWhitmoreSeth's Film ReviewsLetterboxd: https://letterboxd.com/sethsreviewsTikTok: https://www.tiktok.com/@sethsfilmreviewsYouTube: https://www.youtube.com/@SethsfilmreviewsInstagram: https://www.instagram.com/sethsfilmreviewsTwitter: https://twitter.com/sethsfilmreviewCam WalshLetterboxd: https://letterboxd.com/cjwalsh27TikTok: https://www.tiktok.com/@camwalsh27YouTube: https://www.youtube.com/@camwalsh27Instagram: https://www.instagram.com/camwalshTwitter: https://twitter.com/CamWalsh27All of our podcast and channel graphics are done by Nalbis. Reach out to him for any and all of your graphic design needs:https://x.com/nalbis Shoutout to Mateo Bekick for editing social media clips and the ReelTok Awards footage: https://www.instagram.com/mateobekichNew episodes every Monday, Wednesday, & Friday reviewing the latest releases, covering the latest trailers and movie news, talking Oscars and awards season, as well as plenty of film drafts, rankings, & games. Every Saturday, an exclusive movie review is released on Patreon and Patreon only.Our one and only goal is to become your favorite movie podcast.#moviepodcast #podcast #moviereviews

Story of the Week (DR):Uber's Strategy for Fighting Sexual Assault Suits: ‘What Were You Wearing?'An aggressive defense strategy is being used in response to an avalanche of litigation, with over 4,000 lawsuits filed by passengers accusing Uber of failing to protect them from sexual assaultWhile Uber publicly champions itself as a "survivor-centric" ally and trains support staff against victim-blaming, its defense lawyers ruthlessly contradict this to protect the $145 billion company.Uber's attorneys aggressively interrogate survivors about their clothing (e.g., asking if they wore underwear or heels), drug and alcohol consumption, and sexual history.The legal team weaponizes past trauma by scouring private medical records and therapy notes, even petitioning courts to force survivors to undergo psychiatric exams or reveal details of childhood abuse to paint them as "unreliable narrators".Legal experts warn these scorched-earth tactics are deliberately designed to re-traumatize victims, discouraging lawsuits and intimidating survivors into settling.Chief Legal Officer Tony West: “Why safety is personal to me”Cites his public service career to cover for ruthless corporate tactics, like drafting Prop 22 to strip driver protections.Frames survivor trauma as a flaw of the "adversarial legal system," deflecting from Uber's own attorneys using aggressive, victim-blaming tactics to minimize payouts.Uses a single favorable quote from one trial judge to dismiss widespread litigation abuse.Touts ending forced arbitration while continuing to block class-action lawsuits, trapping survivors in isolated 1-on-1 fights.Brags about transparent reporting despite Uber burying 400,000+ assault complaints (2017–2022) under labels like "unaudited."TikTok Withheld a Safety Feature From Millions. One Died by SuicideWhen TikTok tweaked its algorithm in 2021 to stop users from being overwhelmed with harmful content, the company didn't roll out the safer version to everyone, a confidential internal document shows.Instead, to see if the change might reduce the app's stickiness, the company conducted an experiment. It created a control group of 10% of US users — at the time, that would have been about 15 million people — who kept the old version of the app.This group, according to the document, included 16-year-old Chase Nasca. TikTok's algorithm pushed him thousands of videos about suicide, sadness, hopelessness and loneliness, right up until he killed himself.TikTok says moderator error delayed removal of Perez Hilton's livestream showing acts of self-harmGAO finds Elon Musk's DOGE inflated claims of $110 billion in savings for federal governmentThe GAO found that 96% of the savings DOGE claimed from grant cancellations lacked supporting evidence or methodology to verify.DOGE claimed $27.4 billion in savings across 2,503 contracts—including a $1.7 billion Pentagon IT deal—that were never actually terminated or reduced.Over 40% of the lease cancellations listed on DOGE's "Wall of Receipts" were already in progress before the agency was created.GAO uncovered widespread data errors, such as overstating total lease savings by nearly $60 million and failing to report baseline limitations.DOGE failed to disclose how it calculated its metrics and completely ignored GAO requests for interviews and supporting data.Where are Elon Musk's former DOGE staffers now?Edward “Big Balls” Coristine: a whistleblower alleged that Coristine planned to upload sensitive Social Security Administration data to an unsecured server. He also helped dismantle the U.S. Agency for International Development, or USAID.Coristine now appears to work at the National Design Studio, an office created to overhaul federal websites and other public-facing services, making them more usable, visually consistent and less expensive to build.Jeremy Lewin: helped oversee the dismantling of USAIDLewin later became the State Department's senior official for foreign assistance, humanitarian affairs and religious freedom, giving a former DOGE operative authority over the programs his old team had helped slash.He was subsequently reported to be moving to the White House National Security Council.Nate Cavanaugh and Justin FoxFounded a holding company called Special, which promises to do for private businesses what DOGE did for the federal government.“To achieve this, Special is building an operating system to transform critical American industries with AI. We call it SpecialOS.”Gavin Kliger, Luke Farritor, Marko Elez and Jack SteinFounded Cathedral, a startup that plans to use AI to expand U.S. military cyber capabilities, including defenses against adversaries such as China.Reuters reported that the company raised $160 million at a $1.4 billion valuation.Ethan Shaotran: helped move thousands of immigrants into the government's “Master Death File,” effectively deactivating their Social Security numbers.Founded Blitz Industries, which he described to Wired as “a defense company backed by big names.”Elon Musk: SpaceX Achieves Its First Moon Landing by Accidentally Crashing Into It at 5,400 Miles Per Hour, Causing Huge Explosion and 60-Foot CraterWhy companies that call themselves meritocracies don't always pay equally AND Meritocracy claims make managers pay men more than equally qualified women MMExplicitly branding an organization a "meritocracy" lowers managers' vigilance against bias, ironically making them more likely to discriminate.Given identical job titles and performance ratings, managers in self-proclaimed meritocracies systematically award higher bonuses and raises to men over equally qualified women.The meritocracy illusion compounds wage gaps across demographics, yielding lower financial rewards for women, racial minorities, and immigrants with identical output.Vague definitions of "merit" allow supervisors to act on personal favorability and affinity bias while genuinely believing their choices are purely objective.Trusting the "meritocracy" label creates false complacency, leading companies to eliminate or skip active pay-equity audits that would otherwise catch these disparities.Goodliest of the Week (MM/DR):DR: Google Scraps AI Satellite Images Within 24 Hours: Why 'Deepfakes in the Sky' Alarmed ResearchersThis happened after facing fierce backlash from journalists, researchers, and open-source intelligence experts who warned that it could accelerate the spread of misinformation.The feature allowed users to generate AI-created satellite images by zooming into any location in Google Earth and entering a text prompt.MM: Courts: MM DRCourt rules against Trump EPA's freeze of $20B in ‘green bank' fundsUBS fined record $125 million for money laundering violationsMeta fined $567m in largest child safety ruling against social media giantJudge says Nexstar can't appoint its executives to TEGNA's Board of DirectorsAssholiest of the Week (MM):Everything's a publicity stunt:Jealously Watching OpenAI and Anthropic, Meta Suddenly Claims That Its AI Went on a Hacking Spree TooZuckerberg conveys ‘apologies' for child sex abuse material, errors in operating the platform, government sources say‘Pure insanity'—Elon Musk details SpaceX's plan to turn the moon into its newest manufacturing siteAnthropic's Mythos created fake identities to fool humans in new cyber incidentGAO finds Elon Musk's DOGE inflated claims of $110 billion in savings for federal governmentEverything's a vanity projectJeff Bezos Says He's Selling $1 Billion In Amazon Stock Every Year to Fund Blue Origin — ‘It's The Most Important Work I'm Doing'SpaceX Achieves Its First Moon Landing by Accidentally Crashing Into It at 5,400 Miles Per Hour, Causing Huge Explosion and 60-Foot CraterJudge Sets Paramount-Warner Bros. Merger Trial for MarchEveryone's a victimThe AI bros are lonelyPalantir CEO Alex Karp Says Frontier AI Labs Will Steal Your IP, Your Know-How, and Your Expertise — ‘You Deserve To Be Colonized'‘Socialism is a disaster': Bill Ackman says Zohran Mamdani's bad left-wing housing policy is worsening New York's affordability crisisNo one is accountable DRBobby Kotick, former CEO of Activision, may join Paramount's board of directorsJefferies analyst calls out ‘simple-minded' criticism of SpaceX's governanceABC, CBS, and NBC aired nearly 200 segments about three U.S. heat events without mentioning climate changeDisney (Iger, still), Ellison family, and Roberts family - one cowed exec, two dictators!Headliniest of the WeekDR: Pepsi is launching soda-scented body wash and scrub in a beauty collaborationPwC U.S. CEO [Paul Griggs] advises young workers to say yes a lot, even if it means working on the weekends—‘That person climbs into the next role'Top Consulting Group PwC Caught Using AI on “Thought Leadership” Report About AI, Resulting in Corporate Document Filled With Bizarre HallucinationsDoorDash CEO Tony Xu once thought his $87 billion company would only make $100 million. He tells founders to be ‘greedy' and dream biggerClass A = 1 vote; Class B = 20 votes; CEO Tony Xu personally owns roughly 3% of actual shares but controls 55% of voting power via a “binding agreement” with the other co-foundersMisleading proxy shows he got paid $432k (they cited a 12:1 pay ratio) but he actually made $343M from shares and stocksDoorDash excludes Dashers from SEC disclosures by classifying them as 1099 independent contractors.Factoring drivers into the worker pool expands the headcount from 20,000 to over 7 million, moving the median worker from corporate offices directly onto the delivery platform.Dasher: while gross pay averages ~$15–$22/hour, net driver earnings sink further after deducting out-of-pocket expenses like fuel, vehicle wear, and self-employment taxes, pulling true net median compensation closer to $400–$900 annuallyAnthropic CEO reportedly worried new hires only care about money: reportedly expressed concern about new talent coming to the company for the money rather than the missionMM: Stripe CEO says his ‘urgency' to drop out of MIT ‘was a bit unnecessary'Who Won the Week?DR: Harvard Business School graduates TikTok CEO Shou Zi Chew and TikTok US CEO Adam Presser, because nobody ever talks about you or knows who you areMM: Meat. After seeing Salad and Go files for Chapter 11 bankruptcy after cyclospora fears worsened its challenges, you can't help but wonder if RFK Jr orchestrated a parasite to get people to buy more meat.PredictionsDR: Tony Xu introduces Class F stock where shareholders' children enter indentured servitude and must deliver 1000 Cheesy Gordita Crunches from Taco Bell before they are set free ; they will then get 0.0002 shares per voteMM: Boards are calling retired CEOs back as succession pipelines run dry: Boards run out of ex-CEOs to re-king and begin looking for different, egalitarian, integrated professionals to fill new roles. They call it DEI.

Episode 35 of On The Record begins where last week's conversation left off: with Glen Hansard.  Brian Wise and Michael Mackenzie watch the Irish singer-songwriter's funeral, a ceremony that made plain the depth of affection held for the Frames frontman, Once star and inveterate musical collaborator. Mackenzie was especially struck by the accounts of Hansard's generosity, the presence of his battered, road-worn guitars in the church band, and the closing performance of Bob Dylan's “Forever Young”.  From there, the mood shifts to the Espy, where Mackenzie joined the winning team at the latest live Rock Quiz. Show Notes Funeral of Glen Hansard in Dublin | RTÉ News  Sunnyboys My Only Friend (2014 Remaster)  Ted Lasso Season 4 - Official Trailer (2026)  George Costanza's Greatest hits  PouredOver: Patrick Radden Keefe on London Falling  Gary Stewart: I Am From The Honky-Tonks  Gary Stewart She's Actin' Single (I'm Drinkin' Doubles)

A TV studio worker wakes up to the same day he already lived — and he's the only person in the building who knows it.IN THIS EPISODE: “Frame By Frame” by Keith ConradMORE Stories Like This: https://www.auditoryanthology.comLook for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://pod.link/1078714736Originally aired: August 06, 2026EPISODE PAGE (includes sources): https://weirddarkness.com/framebyframe

Paying tribute to a great singer/songwriter/actor we lost last week at the age of 56. Glen Hansard, Irish musician who was with The Frames and Swell Season, as well as co-starring in the film Once, was killed in a motorcycle accident last week. Let’s listen to covers of songs of and by Mr. Hansard. (61 […]

Paying tribute to a great singer/songwriter/actor we lost last week at the age of 56. Glen Hansard, Irish musician who was with The Frames and Swell Season, as well as co-starring in the film Once, was killed in a motorcycle accident last week. Let’s listen to covers of songs of and by Mr. Hansard. (61 […]

Welcome back to Kissing Lips and Breaking Hearts with the Garden Tarts! In this episode, Jenny and Hillary return after a short break to talk about two big music stories: the loss of Irish legend Glen Hansard (The Frames, Once) and U2's new collaboration with Martin Garrix, “Fireflies.”We dive deep into:Glen Hansard's legacy, from The Frames and Swell Season to Once and The CommitmentsU2 x Martin Garrix “Fireflies” – first reactions, lyrics, production, and how it fits into U2's soundFan theories: “Electrical Storm” vibes, “City of Blinding Lights” connections, and what this means for the next U2 albumWhy some listeners say it “doesn't sound like classic U2” (and why we disagree)Our favorite moments in the track, including Edge's guitar work and Bono's vocalsIf you love U2, Martin Garrix, or just great music conversation, this one's for you.Help us grow: If you enjoy this episode, please send it to two YouTube friends who don't know about the podcast yet. Your shares help more fans find us every week.Subscribe for weekly U2 talk, deep dives, and fan perspectives:www.youtube.com/@thegardentarts#U2 #MartinGarrix #Fireflies #TheGardenTarts #KissingLipsAndBreakingHearts #U2Podcast #MusicPodcast #GlennHansard #TheFrames #OnceMovie #NewMusic2026

We'll dive into a few things. It is Election Day so we'll kick off the show with the amazing song, "Get On The Bus" from Una and Bob Walkenhorst about getting out and doing your civic duty today. It's from their 2018 album, For Tomorrow, that was as voted on by Bridge listeners as their favorite album of the year, when it came out back in 2018.We'll take a moment to give thanks and look back on the Irish troubadour, Glen Hansard's tour history through Kansas City with The Frames, The Swell Season, and otherwise. Glen loved this station and he loved Jon Hart, personally giving him accolades from the stage during a show years ago.After that we'll see where we are and dive into a stack of new releases. We'll hear brand new music from Brent Windler, Flora from Kansas, Of a Feather, Markcus Sanders, Jacquelyn Michele, and The DeLazers.We'll also hear music from the 10-years in the making, the debut release from Copper Threading who are playing a free show on Wednesday at Boulevard Beer Hall and this Saturday you can see them at Independence Roots Music Fest. We'll also hear a new one from Danny McGaw who is part of the lineup for Kansas City Irish Fest next month, and has gigs at Buffalo State Pizza in The Crossroads on Aug 21 and Strang Hall on Aug 29. And we'll hear a remix version of a Kat King song, you can catch her and her band on Thursday at The Greenwood Social Hall.

In today's episode, W. Scott Olsen speaks with Giulio d'Ercole, an Italian photographer, documentary filmmaker, and educator whose human-centered work explores social realities, landscapes, and the deeper relationship between people and the world around them.You can Giulio's Rome Photo Fun Tours website here.Find out more and join FRAMES here.Send us Fan Mail

Episode 072 Nervous Before A Talk? Advice To A Friend The Influence Every Day Show with Dr. Ed Tori Several months ago a colleague and friend reached out. She was about to appear as a guest speaker on a webinar and she was, in her words, incredibly anxious. Her email said something close to this: "You always say if you can ever serve me to let you know. Well, I'm letting you know." So I did two things. I offered her a practice run where she could present to me first. And I recorded her a video... ten points, off a single index card, no script. Over the next couple of months, a few other people asked me some version of the same question. I removed her name and every reference to her situation, and sent them the same video with one line: "I recorded this for someone else. Perhaps you'll find it helpful." Every one of them came back to say it helped. This episode is that video. If you have something coming up (a webinar, a panel, a podcast guest slot, a keynote, a board presentation) this is what I'd tell you if you emailed me the night before. Inside this episode: Why the feeling you're calling panic is closer to excitement than you think Why your years of experience are the reason you were asked in the first place... and why time away from the work can be an advantage rather than a gap The reframe that changes a speaker's whole nervous system: you're not performing, you're serving What my mentor said to me in a hallway outside a room full of strategy chiefs, four seconds before I walked in The part of state management I usually leave out of my influence talks: that your state runs on four different clocks, and three of them are already finished by the time you start panicking The two index cards that go under your camera (and why nobody has ever known they were there) How every one of these tips maps onto the Core Influence Framework™ - States, Frames, Patterns, Contexts KEY TAKEAWAYS You were brought in. Somebody looked at an agenda, found a gap, and decided the gap was the thing you do. That vote happened weeks ago, in a meeting you weren't in. You're the only one still counting. Performance and service send your body in opposite directions. Performance points your attention back at yourself. Service points all of it at them. Same room, same slides, different nervous system. Your state runs on four clocks, not one. Minutes (the tea, the walk, the song). Days (preparation). Years (experience). Decades (character). The five minutes before get all the attention and they're the smallest of the four. They don't know what you were going to say. They only know what you said. Every nervous speaker grieves the sentence they skipped. Nobody in the audience grieves with them. Points, not a script. Two index cards under the camera. One headed TAKE-HOME POINTS, one headed STORIES. Points you can glance at and elaborate... never sentences you'd read. Give them one thing to keep. When they ask for parting words, offer one. Maybe two. Never more than three. QUOTES "Ed. Ed. Ed. They need you more than you need them."- Dr. Mark Smith "You're not performing. You're serving." "They don't know what you were going to say. They only know what you said." "Nobody needs to know that you have notes right in front of your face." MENTIONED IN THIS EPISODE Dr. Mark Smith - mentor and former boss; the hallway conversation before the strategy retreat 101 Ways to Manage Your State - the handout referenced in the original email The Core Influence Framework™ (SFPC) - States, Frames, Patterns, Contexts Rule 1 of the 7 Simple Rules of Influence - Manage Your State On anxiety and excitement: the research behind this from Allison Woods Brooks that pre-performance anxiety and excitement are high-arousal states; what changes is how you read the arousal. Here's the citation and link: Brooks, A. W. (2014). Get excited: Reappraising pre-performance anxiety as excitement. Journal of Experimental Psychology: General, 143(3), 1144–1158. https://doi.org/10.1037/a0035325 LINKS Talk to my AI clone → DrTori.ai How well do you actually listen? Take the quiz → listening.scoreapp.com TING - the deep listening framework → DrTori.com/ting Influence immersion, 1-on-1 with Dr. Tori → drtori.com/coaching-application-1on1 Everything else → DrTori.com TAGS / KEYWORDS public speaking anxiety · nervous before a presentation · webinar tips · guest speaker preparation · state management · manage your state · influence · communication · presentation nerves · podcast guest tips · Core Influence Framework™ · SFPC · 7 Simple Rules of Influence · Dr. Ed Tori · Influence Every Day

What happens when a beekeeper with a zoology background, a manufacturing business, and a tendency to question conventional wisdom starts redesigning beekeeping equipment? In this episode, Jeff Ott and Becky Masterman welcome Michael Mahar of 21st Bee, an Arkansas beekeeper and manufacturer who has spent years developing his own approach to bees, equipment, and even value-added honey. Michael explains how frustration with assembling and repairing conventional frames led him to design an injection-molded plastic frame intended to withstand years of abuse. He discusses communication passages built into the frames, multiple cell sizes, drone foundation, small-cell foundation, and the practical considerations behind his designs. The conversation then moves into more controversial territory: Michael's small-cell, treatment-free approach to Varroa management. Michael describes the selection process behind his locally adapted colonies, his unusual use of drone brood, and why he believes small-cell comb is only one component of a much larger management system. Becky adds important perspective on the research surrounding cell size and Varroa, while the group emphasizes that management strategies must account for location, colony genetics, neighboring beekeepers, and individual goals. Then things take a completely different turn. Michael reveals his painstaking process for producing bourbon-infused honey using carefully selected bourbon-soaked oak, different char and toast levels, temperature cycling, and months of tasting and adjustment. Frames, Varroa, genetics, bourbon and honey—this conversation covers a remarkable amount of ground. Websites from the episode and others we recommend: 21st Bee Website: https://www.21stbee.com Honey Bee Health Coalition: https://honeybeehealthcoalition.org Project Apis m. (PAm): https://www.projectapism.org The National Honey Board: https://honey.com Honey Bee Obscura Podcast: https://honeybeeobscura.com   Copyright © 2026 by Growing Planet Media, LLC     ______________ Betterbee is the presenting sponsor of Beekeeping Today Podcast. Betterbee's mission is to support every beekeeper with excellent customer service, continued education and quality equipment. From their colorful and informative catalog to their support of beekeeper educational activities, including this podcast series, Betterbee truly is Beekeepers Serving Beekeepers. See for yourself at www.betterbee.com This episode is brought to you by Global Patties! Global offers a variety of standard and custom patties. Visit them today at http://globalpatties.com and let them know you appreciate them sponsoring this episode!  As a beekeeper, you want products that benefit you and your bees. When you choose Premier Bee Products, you choose hive components that are healthier for bees and more productive for you. Because we believe that in beekeeping, details make all the difference. Premier Bee Products: Better for bees. Better for beekeepers. Use promo code PODCAST for 10% off your next online order. Thanks to Strong Microbials for their support of Beekeeping Today Podcast. Find out more about their line of probiotics in our Season 3, Episode 12 episode and from their website: https://www.strongmicrobials.com HiveIQ is revolutionizing the way beekeepers manage their colonies with innovative, insulated hive systems designed for maximum colony health and efficiency. Their hives maintain stable temperatures year-round, reduce stress on the bees, and are built to last using durable, lightweight materials. Whether you're managing two hives or two hundred, HiveIQ's smart design helps your bees thrive while saving you time and effort. Learn more at HiveIQ.com. We'd like to thank Vita Bee Health for supporting the podcast. Vita provides proven tools for controlling Varroa—from Apistan and Apiguard to the new VarroxSan extended-release oxalic acid strips—helping beekeepers keep stronger, healthier colonies. Thanks for Northern Bee Books for their support. Northern Bee Books is the publisher of bee books available worldwide from their website or from Amazon and bookstores everywhere. They are also the publishers of The Beekeepers Quarterly and Natural Bee Husbandry. _______________ We hope you enjoy this podcast and welcome your questions and comments in the show notes of this episode or: questions@beekeepingtodaypodcast.com Thank you for listening!  Podcast music: Be Strong by Young Presidents; Epilogue by Musicalman; Faraday by BeGun; Walking in Paris by Studio Le Bus; A Fresh New Start by Pete Morse; Wedding Day by Boomer; Christmas Avenue by Immersive Music; Red Jack Blues by Daniel Hart; Bolero de la Fontero  by Rimsky Music; Perfect Sky by Graceful Movement; I'm Not Running Away This Time by Max Brodie; Original guitar background instrumental by Jeff Ott. Beekeeping Today Podcast is an audio production of Growing Planet Media, LLC ** As an Amazon Associate, we may earn a commission from qualifying purchases Copyright © 2026 by Growing Planet Media, LLC

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Will and David discuss new releases by Inland Years, Death Cab For Cutie, and Atmos Bloom, plus a live report, bonus songs, and the passing of Glen Hansard.

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Nuacht Mhall. Príomhscéalta na seachtaine, léite go mall.*Inniu an chéad lá de mhí Lúnasa. Is mise Gwyneth Nic Aidicín Ní Loingsigh.Tar éis seachtó cúig bliain briseadh an mhallacht a bhí ar fhoireann peile Chontae Mhaigh Eo. Tá ceiliúradh fós ar siúl ar fud an chontae beagnach seachtain ón mbua mothúchánach i gCluiche Ceannais Peile na hÉireann Dé Domhnaigh seo caite. D'imir an fhoireann in aghaidh na gcuradh, Ciarraí, a bhí ag tnúth leis an gcorn a bhuachaint don daicheadú huair.. Ag tús an chluiche bhí cuma láidir ar Chiarraí ach tháinig Maigh Eo ar ais ag troid agus lean cluiche sceitimíneach, lán le teannas. Ar deireadh bhuaigh Maigh Eo le cúl amháin agus fiche cúilín in aghaidh cúl amháin agus seacht gcúilín déag ag Ciarraí. Ag imirt ar an lá bhí roinnt imreoirí óga a raibh aird mór orthu, go háirithe Kobe McDonald, mac le Ciarán McDonald a d'imir i gceithre chluiche ceannais gan an bua a fháil i rith a ghairme féin, trí cheann díobh i gcoinne Chiarrai. Lá speisialta a bhí ann don iar-imreoir Andy Moran a thóg Corn Mhig Uidhir abhaile ina chéad bhliain mar bhainisteoir. Beidh deis eile ag Ciarraí an bua a bhaint amach i gCluiche Ceannais Peile na mBan, a bheidh á imirt i bPáirc an Chrócaigh amárach, an dara lá de mí Lúnasa, idir Ciarraí agu Gaillimh.Tá ómós á thabhairt ó gach cearn den domhan tar éis bhás tragóideach an cheoltóra Glen Hansard maidin Dé Céadaoin ag aois 56. Basaíodh é i dtimpiste gluaisrothair agus é ag taisteal abhaile ó theach tábhairne darb ainm The Wren's Nest sna Ceapóga Sú Talún, áit a raibh sé ag seinnt níos luaithe san oíche. Tá cáil ar Hansard as a mbanna ceoil The Frames, a bhunaigh sé in 1990, as a chuid saothar mar cheoltóir aonair agus as rólanna sna scannáin The Commitments agus Once. Bhuaigh sé Oscar le Markéta Irglová don amhrán nuachumtha is fearr dá amhrán “Falling Slowly” ar fhuaimrian Once. Bhí clú air freisin as a chuid gníomhaíochais agus daonchairdis. Tháinig na mílte daoine le chéile i mBaile Átha Cliath sna laethanta tar éis a bháis ag buscáil ina onóir. Beidh tórramh poiblí dó i mBaile Átha Cliath Dé Luain agus sochraid phríobháideach Dé Máirt. Beidh sé i gcuimhne go háirithe ag a bhean chéíle Maire Saaritsa agus a mhac óg.Tá brú mór ar Uachtarán FIFA Gianna Infantino tar éis dó plean a fhógairt chun chuid de chomhlacht Chorn an Domhain a dhíol le hinfheisteoirí príobháideacha. Dhiúltaigh roinnt cumann an plean, lena n-áirítear cumainn ón Eoraip, ón Áis, ó Mheiriceá Thuaidh agus Láir, agus ó réigiún Mhuir Chairib. Dúirt UEFA nach n-imreoidh aon fhoireann Eorpach i gcluichí FIFA go dtí go bhfuil stop iomplán curtha leis an bplean. D'éirigh comhairleoir Infantino Carlos Cordeiro as a ról mar agóid freisin. Seans mór go gcaillfidh Infantino a phost mar Uachtarán FIFA mar thoradh air seo, agus stair chonspóideach aige cheana sa ról. Beidh foireann na mban na hEireann ag tnúth le réiteach go háirithe, agus deis acu cáiliú do Chorn an Domhain ag teacht go luath.mallacht - cursebua mothúchánach - emotional victoryna Ceapóga Sú Talún - Strawberry Beds infheisteoirí - investors

Irish musician Glen Hansard, best-known for his band The Frames and his part in the 2007 film ‘Once,' died July 29 in a motorcycle crash. He was 56. Hansard got his start busking in the streets of Dublin. Ironically, it was his headmaster who urged him to drop out of school to pursue music. He spoke with Terry Gross in 2008, with his ‘Once' co-star Markéta Irglová. Their song from the film, “Falling Slowly,” won an Oscar for Best Original Song. Also, Kevin Whitehead pays tribute to Tony Bennett, who would have been 100 next week, and film critic Justin Chang reviews ‘I Want Your Sex.' Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today, we pay tribute to singer-songwriter Glen Hansard (1970-2026), frontman for the Frames and Swell Season.  In 2009, Fretboard Journal publisher Jason Verlinde sat down with Glen at Seattle's Kells Irish Restaurant & Pub for an hour-long chat about guitars (including his famously worn Takamine), meeting your heroes, busking, and more. Today, we're sharing the audio from that conversation for the very first time.  This interview ended up serving as the cover story for our 17th issue, which we published in 2010. As you'll hear, this was recorded 16 years ago in a busy pub and was not meant to be a podcast. There is plenty of background restaurant noise and the occasional interruption from fans and waitstaff. But we think it paints a nice portrait of a truly unique artist. We hope you enjoy it.  The article that came out of this interview can be found here. We also filmed Glen busking in front of Pike Place Market minutes after this interview. Watch that here. Register for our 2026 Summit: https://fretboardsummit.org/tickets Subscribe to the Fretboard Journal's quarterly print magazine. Issue 60 is just a few weeks away:  https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription We are brought to you by Peghead Nation: https://www.pegheadnation.com  (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com

KC chats about the loss of Irish music icon Glen Hansard.From his early days cutting his teeth busking on Grafton Street and fronting the legendary The Frames, to his unforgettable film appearances in The Commitments and his Oscar-winning magic in Once, Glen's voice has been the soundtrack to generations of Irish lives.

Episode 34 of On The Record opens in sombre territory, with Brian Wise and Michael Mackenzie remembering Glen Hansard, the Irish singer-songwriter, Frames frontman and Once star who died aged 56 following a motorcycle accident outside Dublin. Hansard's career stretched back to the formation of The Frames in 1990, before his work with Markéta Irglová as The Swell Season, and a substantial solo catalogue. But it is the memory of his live shows that looms largest here.  Wise recalls a performer who gave audiences everything, including the habit of leading crowds from the venue and into the street for impromptu singalongs. Hansard's concerts, he says, had the uncommon ability to turn a room full of strangers into a temporary community. Show Links Glen Hansard meets Van Morrison in Glen's words  Flamin' Groovies Shake Some Action  Mick Jagger Can't Name One Good Thing About Getting Older | The Interview  Sir Tom Jones & Peter Donegan's 'I'll Never Fall In Love Again' |Blind Auditions| The Voice UK 2019 Fiona Apple – "Horns of a Bull" from the Apple TV show 'Lucky'  The Rapture Trailer  Believe Me Trailer 

Irish musician Glen Hansard, best-known for his band The Frames and his part in the 2007 film ‘Once,' died July 29 in a motorcycle crash. He was 56. Hansard got his start busking in the streets of Dublin. Ironically, it was his headmaster who urged him to drop out of school to pursue music. He spoke with Terry Gross in 2008, with his ‘Once' co-star Markéta Irglová. Their song from the film, “Falling Slowly,” won an Oscar for Best Original Song. Also, Kevin Whitehead pays tribute to Tony Bennett, who would have been 100 next week, and film critic Justin Chang reviews ‘I Want Your Sex.' Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Pat Byrne, former owner of the Purty Loft bar in Dun Laoghaire in Dublin, speaks about giving the late Glen Hansard and The Frames a residency in their early days.

Inné, go tragóideach i dtimpiste bóthair bhásaigh an t-amhránaí agus an cumadóir iomráiteach Glen Hansard. Deir a chomh bhunaitheoir sna Frames nach mbeidh a leithid arís ann.

July 29, 2026 was a heartbreaking day for music lovers, as we learned of the sudden and tragic death of Irish singer/songwriter Glen Hansard.  His breakthrough performances in the 2007 film 'Once' are always front of mind for movie lovers, but Emilio was fortunate enough to have a core musical memory care of Hansard himself.  That moment turned into a casual friendship for several years, where Hansard and his musician friends became a great source of encouragement to pursue a career in music.  Even this podcast has its roots in the presence Glen played in Emilio's life.  Though he is no longer with us, Hansard's music and his huge heart live on, and will continue humbling and inspiring us for years to come.  If you enjoy our podcast, please rate and review us on your podcast platform of choice. This really helps us find new listeners and grow!We have a monthly newsletter!  Subscribe at sleeplesscinematicpod.substack.comFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats     

The music world, and, indeed, Ireland is coming to terms with the death of Glen Hansard.     The 56-year-old singer-songwriter passed away in a crash in Lucan in Dublin in the early hours of Wednesday morning.    The frontman of the Frames since the 1990s, the Dublin native also acted in Bafta winning movie "The Commitments" and "Once".     The romantic musical drama earned Hansard an Oscar for the song "Falling Slowly" in 2008. Huge international music stars are among those paying tribute to the Frames frontman, with Bruce Springsteen describing him as 'a generous and gracious man' while Ed Sheeran called him 'an incredible force'.    Taoiseach Micheal Martin described him as a talented musician and actor who made a significant contribution to Ireland's cultural landscape over many years.     Former President Michael D Higgins says Glen was a wonderful musician and performer, a troubadour whose gift for storytelling brought so much joy to audiences across the world.    Joining Alan Morrissey to remember Glen and his immense musical talent was Clare FM's Eoin O'Neill.  Photo (c) Niccolò Caranti

Irish singer-songwriter Glen Hansard died today in a motorcycle crash in Ireland at the age of 56. We sat down with him in April to talk about his storied career and his final album, "Don+t Settle – Transmissions East and West." Here's what we wrote about that conversation at the time.–The song “Falling Slowly” first debuted in the 2007 indie romance film “Once” starring Irish singer-songwriter Glen Hansard and Czech-Islandic singer-songwriter Markéta Irglová. It tells the story of a dramatized version of their own musical partnership.That song won an Oscar for best original song and the musical duo became a hit in the U.S. when they recorded and toured as The Swell Season.But long before any success stateside, Hansard was a fixture of the Irish music scene, first busking on Dublin streets at age 13. And in 1990 he formed the Irish rock group The Frames.Today, Hansard is reflecting on his decades of music-making and looking ahead. His new two-part album is called “Don+t Settle – Transmissions East and West.” He sits down with us to talk about the first part.Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

    Thaddeus McCotter notes Dr. Abdul El-Sayed denies being a socialist, claiming he merely wants to regulate "capitalism run amok." However, his platform includes radical proposals such as abolishing ICE. Haley Stevens frames him as a "celebrity candidate" and questions his appeal to women voters. McCotter notes that while the DSA lacks a ground model, identity politics may drive a high turnout among Michigan's large Muslim population. (16)1701

Academy Award-winning artist and leader of The Frames, Glen Hansard, has died at the age of 56. The renowned singer-songwriter was killed in a motorcycle crash in Dublin in the early hours of Wednesday morning. Once the news broke, tributes quickly followed – Hansard was a hugely popular figure, not just in the Irish music scene, but also on the international stage. On this Extra episode of The Indo Daily, host Fionnán Sheahan is joined by senior features writer and music critic at the Irish independent John Meagher to look back on the life of Glen Hansard. The Indo Daily is part of the Trust Project. You can see our ethics policies at independent.ie/ourjournalismSee omnystudio.com/listener for privacy information.

Oscar-winning songwriter and The Frames frontman Glen Hansard aged 56 has died tragically in a road crash in Dublin. Rachael was joined by Glen's friend Liam Ó Maonlaí from the Hothouse Flowers and Irish Independent music journalist, John Meagher.

Glen Hansard died in the early hours of Wednesday morning in a motorcycle crash in the Strawberry Beds area of Dublin. He was 56. He was one of Ireland's most well-known musicians who leaves behind an incredible musical legacy from a career that took him from being a teenage busker on Grafton Street to winning an Oscar for the song Falling Slowly. A lifelong activist, he was also a husband to Finnish poet Maire Saaritsa and a father to three-year-old Christy.Irish Times writer Patrick Freyne once played in a band and they supported Hansard's first band The Frames in the early 1990s.Freyne traces Hansard's career; talks about his ability to bring musicians together, his deep well of charisma and why he thinks the Dublin man had become the unofficial national bard.Presented by Bernice Harrison. Produced by Aideen Finnegan. Hosted on Acast. See acast.com/privacy for more information.

Philip King, founder of Other Voices; Jack Lukeman, singer; Martina Niland, Port Pictures who produced 'Once'; Declan O'Rourke, singer-songwriter; Colm Mac Con Iomaire, founding member of The Frames; and Aoife Scott, singer and fan

Oscar winner Glen Hansard, who found fame after starring in ‘The Commitments' and with his band The Frames, has been killed in a motorcycle crash in County Dublin…To pay tribute to Glen, Shane and Ciara are joined by Singer Mary Coughlan, long time friend of Glen's, Sparkie, Stuart Clarke, Deputy Editor of Hot Press Magazine and Senator Frances Black. Newstalk's Henry McKean also went out to Ballymun in Dublin to speak with his friends and neighbours.

It has been reported that acclaimed Irish singer songwriter and guitarist Glen Hansard has passed away…Known for being the frontman of The Frames, Outspan Foster in ‘The Commitments' and winning the Academy Award for Best Original Song at the 80th Academy Awards in 2008 for ‘Falling Slowly' from the musical ‘Once', which he co-wrote.Andrea is joined by Singer-Songwriter Kiera Dignam, Danny McElhinney from the Irish Mail on Sunday, Musician Ryan O'Shaughnessy and more to look back on his life and legacy.

[This episode originally aired on Sept. 19, 2023]  In Buddhist psychology, a lot of emphasis is placed on the process of perception because the way we perceive —and misperceive — has tremendous consequences  •  in grade school we are taught an oversimplified view of what it means to have a sense perception: there's an object out there, and there's the eyeball, and the brain, and boom, just like that, a perception  •  you might say, I saw an apple, but of course you never just see an apple — you see everything around the apple as well  •  all of that came into your little eyeball, and you just decided to say, I saw an apple  •  you made a choice; that's an example of a filter  •  in addition to filtering, we engage in framing: we place things within a particular frame — a frame of assumptions, a frame of agendas, biases, and prejudices, simple associations, or memories  •  and finally there are blind spots, which is when we just don't see things at all, and we don't realize we don't see them  •  as we look into patterns of perception and misperception, we can see how many of our troubles start out just on a simple level of how we first see things  •  by recognizing and seeing through such patterns, there's a chance that our perceptions might begin to be a bit more free and open.

In today's episode, W. Scott Olsen speaks with Melissa Farlow, a Pulitzer Prize-winning documentary photographer whose deeply human storytelling for National Geographic has explored the landscapes, cultures, and environmental challenges of the American West and beyond. You can visit Melissa's website here.Find out more and join FRAMES here.Send us Fan Mail

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

In Episode 213 of the Equipping ELLs podcast, Beth Vaucher goes deep on the one scaffold that makes almost every speaking and writing activity she has ever shared actually work: sentence frames. Most ELL teachers use them in some form, but there is a significant gap between having frames in a classroom and using them intentionally — knowing how to write them, how to differentiate them by level, and how to phase them out so they produce real language acquisition rather than just getting students through an activity.Beth opens by clarifying something most teachers have never had clearly defined for them: the difference between a sentence frame, a sentence starter, and a word bank. A sentence frame provides grammatical structure and key academic language with the content left for the student to fill in. A sentence starter gives only the opening. A word bank gives vocabulary without structure. All three have their place — but sentence frames are the most powerful scaffold for students who have ideas but not yet the language to express them in academic English. They are also, Beth notes, no-prep — one of the most immediately deployable tools in any ELL teacher's toolkit.The research connection is direct and well-grounded. Krashen's i-plus-one principle — comprehensible output just one step beyond the student's current level — is exactly what a well-designed sentence frame provides. Without the frame, a task may be so far above a student's production level that they shut down. With it, the brain engages and acquisition begins. The affective filter connection matters equally: when students know they have a language structure ready, anxiety drops and acquisition accelerates.The episode's most important insight is about language functions — and why sentence frames tied to language functions are worth ten vocabulary lists. Beth draws on Jim Cummins' BICS and CALP research to explain that conversational language cannot carry the academic demands students face every day. What they need is not more vocabulary but the ability to use language for specific purposes: explaining, comparing, justifying, evaluating, predicting. When a sentence frame is tied to one of these functions, students are not just filling in blanks — they are practicing an academic language move that internalizes over time until the frame is no longer needed.Beth then covers what makes a strong frame versus a weak one — tied to a function, using lesson vocabulary, slightly beyond what the student can produce independently — and walks through a detailed example of differentiating the same frame across four language levels for a single task: explaining a character's decision in a text. Same prompt. Same learning objective. Four different entry points, each one matched to a specific language stage.She addresses frames across all three domains: in speaking they reduce cognitive load so students can focus on the idea rather than the language structure; in writing they provide a model that students eventually internalize and produce independently; in reading they scaffold comprehension responses so students can show what they actually understood. She closes with the phase-out progression — complete frame to partial frame to prompt word to nothing — and a practical week-by-week picture of what consistent sentence frame use looks like in a real classroom, including the honest warning that the first weeks will be messy and students will push back, and the encouragement to push through.FREE RESOURCE: Comment the word FRAMES on the Episode 213 post at @EquippingELLs on Instagram for the free scaffolded language frame templates — organized by language function and editable for any content area or grade level.

In today's episode, W. Scott Olsen speaks with Jody MacDonald, an award-winning adventure and documentary photographer whose powerful images combine breathtaking exploration with deeply human storytelling, capturing remote cultures, wild landscapes, and inspiring stories of resilience from around the world. You can visit Jody's website here.Find out more and join FRAMES here.Send us Fan Mail

Welcome back to Crawlspace. In this new episode, Tim Pilleri & Lance Reenstierna are joined by old friend, Aaron Habel. Aaron is best known for his work on the wildly popular podcast, The Generation Why w/Justin Evans. He is the producer, host and investigator of Framed: An Investigative Story. Season 3 of Frames takes on the hotly debated case of Temujin Kensu, a man who was incarcerated in 1987 for the 1986 murder of Scott Macklem. Listen to Framed: https://framedpod.com/ https://framedpod.com/pages/where-to-listen Follow Aaron: https://www.instagram.com/popular/aaron-habel/ The music for Crawlspace was produced by David Flajnik. 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The Experimental Haunting of Wuthering Heights. Guest: Deborah Lutz. Lutz explores the Gothic structure and experimental narrative frames of Wuthering Heights. She suggests Heathcliff is an extension of Emily's own fierce imagination. The segment concludes with the tragic deaths of Branwell, Emily, and Anne from tuberculosis, leaving Patrick as the family's sole survivor. 111825 BRUSSELS