Podcasts about frames

Sean "Diddy" Combs has strategically framed the federal sex trafficking and racketeering charges against him as racially motivated, asserting that his prosecution is an unjust targeting of a successful Black man. His defense team contends that the government's actions, including the alleged mishandling of confidential materials and purported leaks of sensitive information, exemplify a biased legal pursuit. They argue that these prosecutorial tactics not only infringe upon Combs's constitutional rights but also perpetuate systemic racial disparities within the criminal justice system. This defense narrative aims to shift public perception by highlighting potential prejudices influencing the case.Critically examining this approach reveals potential pitfalls. While raising concerns about racial bias is valid, especially given historical injustices, employing such a defense in this context may be perceived as a diversion from the gravity of the allegations. The charges against Combs are severe, involving multiple accusations of sexual misconduct and exploitation spanning decades. By focusing on claims of racial bias without substantive evidence directly linking prosecutorial actions to discriminatory intent, the defense risks undermining its credibility. Moreover, this strategy could detract from broader efforts to address genuine instances of racial injustice, as it may be viewed as leveraging systemic issues for personal exoneration rather than contributing to meaningful reform.to contact me:bobbycapucci@protonmail.comsource:Diddy claims prosecutors are targeting him with a 'racist' law as he seeks to dismiss prostitution charge | Daily Mail Online

In today's episode, W. Scott Olsen speaks with Deborah Ory and Ken Browar, the Brooklyn-based husband-and-wife duo behind the NYC Dance Project, a celebrated collaboration at the intersection of dance, fashion, and portraiture. You can follow the NYC Dance Project on Instagram here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

This week Laura Rock and Janice Palaganas return to crack the code of team culture, map the blueprint underneath what we're thinking. In the final episode of this chapter, we ask our guests what they've discovered about themselves with a Frames, Actions, Results test. Janice has a glitch with a student where their understandings didn't match, and Laura shares how being honest about her own critical care strengths and weaknesses with a group of trainees helped them focus on learning the most from her and other members of the team. Spotify: https://open.spotify.com/show/72gzzWGegiXd9i2G6UJ0kP Apple Podcasts: https://podcasts.apple.com/us/podcast/the-center-for-medical-simulation/id1279266822 Leadership Coaching from Jenny Rudolph: https://harvardmedsim.org/personal-leadership-coaching-with-jenny-rudolph/

I sound like I'm at the bottom of a well, but Linda sounds great. This time on the podcast, I welcome psychic medium, Wiccan Priestess, Spiritual Minister and teacher Linda Rauch. Since childhood, Linda has sensed spirit, and her path has been shaped by studying various traditions and developing skills to serve as a bridge between spirit and those seeking guidance.  Linda and I had a wonderful conversation about navigating phenomenal experiences, what the world needs now (spoiler, it's love) and so much more. Linda, like me, had an unexpected visitation from what she describes as an ant being, and talks about her work with Outcast Goddesses. And coming soon, Season 2 of Earth: A Love Story -- A 9 Episode series exploring Vessels, Frames, Maps & Containers for the Apocalypse.Linda Rauch, Psychic Medium and WitchListen to my recent appearance on⁠ Gods, Ghosts and UFOs.⁠Become a patron at the EarthLovers $10 tier by visiting ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/robinlassiter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get access to two Community Gatherings per month. ⁠Earth: A Love Story is now an ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AUDIOBOOK!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠My book ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Earth: A Love Story⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠exists as a physical object in the world. Deep forever gratitude to those of you who have purchased the book and left reviews on Amazon. Thank you, thank you, thank you.Our beautiful musical soundscapes are provided by Morgan Jenks. You can support ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠his new album on ⁠bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or find out more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠morganjenks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find me on instagram⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@robin_lassiter_honeyheart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@earth_a_love_story⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠To join my mailing list or book a 1:1 session with me, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠robinlassiter.com⁠⁠⁠

Every so often, you encounter The Perfect Movie: something with a screenplay, cast, and direction that combine in a way that reminds you of what happens when everyone working on a movie gets it exactly right. History is Made at Night (1937) is one of those movies. Join us for a conversation about how a film that accelerates emotions almost to the level of farce and shifts between genres like a bored teenager with a remote control still dramatizes perfectly what it's like to fall in love. Hervé Dumont's 1993 book Frank Borzage: The Life and Films of a Hollywood Romantic offers complete coverage of Borzage's entire career: the more than 100 films he made and the effect of those films on movie audiences, especially between 1920 and 1940. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Every so often, you encounter The Perfect Movie: something with a screenplay, cast, and direction that combine in a way that reminds you of what happens when everyone working on a movie gets it exactly right. History is Made at Night (1937) is one of those movies. Join us for a conversation about how a film that accelerates emotions almost to the level of farce and shifts between genres like a bored teenager with a remote control still dramatizes perfectly what it's like to fall in love. Hervé Dumont's 1993 book Frank Borzage: The Life and Films of a Hollywood Romantic offers complete coverage of Borzage's entire career: the more than 100 films he made and the effect of those films on movie audiences, especially between 1920 and 1940. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

aka The 2025-26 Men's Basketball Preview, Part 1 2 hours and 26 minutes The Sponsors Thank you to Underground Printing for making this all possible. Rishi and Ryan have been our biggest supporters from the beginning. Check out their wide selection of officially licensed Michigan fan gear at their 3 store locations in Ann Arbor or learn about their custom apparel business at undergroundshirts.com. Our associate sponsors are: Peak Wealth Management, Matt Demorest - Realtor and Lender, Ann Arbor Elder Law, Michigan Law Grad, Human Element, Sharon's Heating & Air Conditioning, The Sklars Brothers, Champions Circle, Winewood Organics, Community Pest Solutions, Venue by 4M where record this, and Introducing this season: Radecki Oral Surgery, and Long Road Distillers. 1. The Backcourt Starts at 1:00 Out: Tre Donaldson, In: Elliot Cadeau, who is a much better creator, and that's what this team needs. Cadeau and the general UNC'ness of North Carolina are hard to separate but he was a five-star who plays hot and should benefit from not having to fight for usage with RJ Davis. Defensively his size puts a cap on what he can do but he gets after it: more Xavier Simpson than Eli Brooks. LJ Cason is the backup point, we guess, though he may defer to Gayle as the on-ball player in those sets just because Cason is more of an off-ball threat than Roddy. Cason was a three-star because he was coming in unready, but could take that huge jump. This year is the freshman Jordan Poole year, not the sophomore Jordan Poole year, IE frustratingly forgivable. Gayle isn't going to shoot 9% in the Big Ten again, but he's what he is at this point: a guy who can get to the rim and create fouls/hit his free throws. We kinda want him coming off the bench since he can fill in for a lot of what any given starter leaves, but isn't a great fit with the other projected starting four. The other wild card is their new five-star. Trey McKenney lost 20 pounds in the offseason so he might not as much of a burly 2/3 as he seemed at OLSM. He's still Gayle at this point in his career, though with some big point upside. Not a one-and-done but should be ready by Tournament time. [The rest of the writeup and the player after THE JUMP]  2. Hot Takes, Wings and Frontcourt Starts at 32:15 Starting at the three again will be Nimari Burnett, who is Nimari: a usage soak who is there to end good possessions not start them. He began to show a bit of creation late last season but that only got him from 90% points assisted to 84%. He is very good at what he does, and unlikely to do more. His backups are extra guards, and Winters Grady, who should be Just a Shooter at this stage, and more down the road. Oscar Goodman arrived midseason last year, but he's supposed to need another year of development. Patrick Liburd is the kind of guy we wish was 2 years older right now. At the four is Yaxel Lendeborg, the #1 player in the portal, who is going to be a cross between Danny Wolf and Johni Broome, though not better than either of them. He is very strong and impossible to stop once he has you off your feet, but he's coming from an offense where he had to be the alpha creator every play and he's better as the second option. Can he guard up to three? Probably in the Big Ten; there was some distance at the Combine between him and Wolf in the agility drills, but Yaxel came out like Johni: agile enough to be among the who can play the four in the NBA. Backup to Yax is Will Tschetter, the rarest bird in college basketball these days as a five-year player who stuck around despite the likelihood of less playing time than last year. They were working on making him a shooter on the move. He has to be hidden away defensively, but this lineup has plenty of defenders to do that. Frontcourt is two guys instead of 1.5 now. We are obsessed with the upside of Aday Mara, who is 7'3" with impossible length. He would have had the highest block rate in the country by some distance if he played enough to qualify; he didn't because he got sick (Mono?) but when he returned they had him playing 21 mpg and UCLA got much, much better. Then he got benched. Sometimes he plays soft—was that a sick thing, a Cronin thing? He's also got a soft touch and a good feel for passing. May be as good as Yaxel if he hits his ceiling. Mara's platoonmate, and the probable "starter," is Morez Johnson from Illinois, a crazy rebounder with great ups and shot-blocking ability. Offensively he's a finisher. Defensively there's some hope he can be switchable. Going to make it very hard to go inside and give Michigan an edge from the five that they haven't had since...? 3. How It All Fits Starts at 1:11:34 Can they play the bigs together? Matt D says the NBA is going back to three forwards, and Michigan's best attribute is they're Old North Carolina, where they're just going to out-size everybody. That's doable if they can get Mara to be the player we think he could be, since he can create and so can Yaxel, and you can get away with blow-bys when you have a guy like Mara who blocks shots without leaving the floor. Speaking of floor, this team at worst looks like a four-seed, with considerable upside if a) Mara can play more and maintain his numbers, b) Cadeau cuts down on turnovers, c) Gayle finds his shooting, d) Cason blows up, or e) McKenney blows up. Think they can cut down on turnovers from last year because Wolf just had a bunch that were unforced, and because instead of forcing everything to the rim they can shoot bad twos and rebound them. They also just have more room to pass to. 4. Around the Big Ten with Jamie Mac Starts at 2:02:19 Oregon 30, Penn State 24 Penn State could do nothing on offense until the 4th Q when they had went on an Oregon-is-exhausted march, then hit a great PA shot. The INT that ended it was that pyramid formation Lanning loves. Frames punted from the plus-36.  Ohio State 24, Washington 6 Went about how you might expect a team whose OL/DL are their issues would go against OSU, IE they got six points out of three red zone trips and then it was 17-6 in the 4th Q and they had to go for it on 4th down. OSU did a great job containing the QB run. Indiana 20, Iowa 15 I know that touchdown; that's the Anthony Carter play!  Iowa had chances to win this but lost their QB near the end and also went Cover Zero one too many times.  USC 32, Illinois 34 This felt like two good teams going at it, though USC was short on guys in the secondary and played bend-don't-break until they either broke or Illinois pulled out a Philly Special. Coulda been a blowout but Illinois fumbled in the endzone twice. Minnesota 31, Rutgers 28 Rutgers hits their program high when they have to play a Big Ten West schedule. Good solid quarterbacking until Athan Kaliakmanis had to face pressure, which is like Pedro Serrano trying to hit a curve. Northwestern 17, UCLA 14 Down 17-0 to Northwestern was probably UCLA's best shot at winning a Big Ten game this year. MUSIC: "Surefire"—Wilderado    "See You Again"—Tyler the Creator "I Believe She's Lying"—Jon Brion “Across 110th Street”—JJ Johnson and his Orchestra   

Robbè, ma come ti era venuto in mente? L'immagine e la breve clip sono tratte da “Roma città aperta” di Roberto Rossellini (con Anna Magnani e Aldo Fabrizi, produzione Excelsa Film, 1945 all rights reserved)

This week on Curious Now we're introducing a tool to help us bring the approach of understanding why people did what they did and helping them change the underlying analysis that got them into trouble, called the FAR or Frames, Actions, Results tool. Where has your team gotten stuck or glitchy, and what were the underlying frames that got your team intro trouble or got the job done great? Spotify: https://open.spotify.com/show/72gzzWGegiXd9i2G6UJ0kP Apple Podcasts: https://podcasts.apple.com/us/podcast/the-center-for-medical-simulation/id1279266822 Leadership Coaching from Jenny Rudolph: https://harvardmedsim.org/personal-leadership-coaching-with-jenny-rudolph/ More on the LPG: https://www.aliem.com/improving-debriefing-skills-pathways-grid/

In today's episode, W. Scott Olsen speaks with Nat Ward, a photographer whose work spans bold installations, conceptual projects, and experimental collaborations, merging place, materiality, and identity into immersive visual narratives.You can visit Nat's website here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

Marketing isn't just about ads—it's about positioning, messaging, and action.In this episode, Chris shares practical frameworks and timeless principles that every business owner (and STR host) can use to stand out, attract clients, and scale smarter.• Why marketing and sales matter more than ever• The real difference between content and community• How to build a personal brand the right way• Authentic content vs. performative posting• Head vs. heart: the two frames of content• Why information ≠ transformation in business• How to message to your avatar's pain + desire• Funnels, ads, and what they can't replace• Systems for managing leads without overwhelm• Why investing in belief shifts your identity00:01:27 – Why Listen to Chris (Marketing & Sales Depth)00:03:07 – Community Leverage > Content Alone00:11:38 – “Give Me a Framework” Moment00:12:02 – Starting a Brand the Right Way00:15:05 – Content Resistance, Authenticity, and Output00:16:48 – Frames of Content: Head vs. Heart00:21:26 – Information ≠ Transformation00:26:33 – Avatar, Pain + Desire (Messaging 101)00:28:15 – Ads, Funnels, and Social Avoidance00:34:45 – Investing in Belief and Identity ShiftGet FREE Access to our Community and Weekly Trainings:http://group.strsecrets.com/

On May 10, 2003, 33-year-old Joey Fulgham was found dead in his bed in Columbus, Mississippi. He'd been shot in the head while he slept. His wife, Kristi Fulgham, claimed she'd just returned from a weekend trip to find him.At the center of it all was Kristi's 13-year-old brother, Tyler Edmonds. A boy who loved his sister, trusted her completely, and ended up confessing to helping her pull the trigger. But was it the truth or a story forced out of a terrified child?This case twists through coerced confessions, junk science, a wrongful conviction, and a terrified teenage boy who was put in a position he should never have been in.And it all started with a woman who wanted her husband gone.************************************************************************************************Podcast Promo: And Then They Were Gone*************************************************************************************************Do you have thoughts about this case, or is there a specific true crime case you'd like to hear about? Let me know with an email or a voice message: https://murderandlove.com/contactFind the sources used in this episode and learn more about how to support Love and Murder: Heartbreak to Homicide and gain access to even more cases, including bonus episodes, ad-free and intro-free cases, case files and more at: https://murderandlove.com~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Please take some time to Rate, Share, Subscribe!

Marketing isn't just about ads—it's about positioning, messaging, and action.In this episode, Chris shares practical frameworks and timeless principles that every business owner (and STR host) can use to stand out, attract clients, and scale smarter.• Why marketing and sales matter more than ever• The real difference between content and community• How to build a personal brand the right way• Authentic content vs. performative posting• Head vs. heart: the two frames of content• Why information ≠ transformation in business• How to message to your avatar's pain + desire• Funnels, ads, and what they can't replace• Systems for managing leads without overwhelm• Why investing in belief shifts your identity00:01:27 – Why Listen to Chris (Marketing & Sales Depth)00:03:07 – Community Leverage > Content Alone00:11:38 – “Give Me a Framework” Moment00:12:02 – Starting a Brand the Right Way00:15:05 – Content Resistance, Authenticity, and Output00:16:48 – Frames of Content: Head vs. Heart00:21:26 – Information ≠ Transformation00:26:33 – Avatar, Pain + Desire (Messaging 101)00:28:15 – Ads, Funnels, and Social Avoidance00:34:45 – Investing in Belief and Identity ShiftGet FREE Access to our Community and Weekly Trainings:http://group.strsecrets.com/

Louis N. Scarcella is a retired detective from the New York City Police Department (NYPD) who earned frequent commendations during the "crack epidemic" of the 1980s and 1990s, before many convictions resulting from his investigations were overturned during his retirement.⁣ ⁣ Dax's Podcast⁣ https://podcasts.apple.com/us/podcast/episode-1-the-scoop/id1734312219?i=1000648926695⁣ Dax's Links⁣ https://linktr.ee/daxdev⁣

In this week's mini-episode, we discuss what makes solid frames: relying on bone structure, and minimizing the joints involved. We explain the difference between short-range and long-range frames, and when to use them. Get our Intro to Mechanics audio course, normally $79, FREE:https://bjjmentalmodels.com/freeintroDon't forget to check out BJJ Mental Models Premium!If you love the podcast, you'll definitely love our premium membership offerings. The podcast is truly just the tip of the iceberg – the next steps on your journey are joining our community, downloading our strategy courseware, and working with us to optimize your game. We do all this through memberships that come in at a fraction of the cost of a single private.Sign up here for a free trial:https://bjjmentalmodels.com/Need more BJJ Mental Models?Get tips, tricks, and breakthrough insights from our newsletter:https://bjjmentalmodels.com/newsletter/Get nitty-gritty details on our mental models from the full database:https://bjjmentalmodels.com/database/Follow us on social:https://facebook.com/bjjmentalmodels/https://instagram.com/bjjmentalmodels/Get Jake O'Driscoll's triple threat ankle lock course, FREE:https://bjjmentalmodels.com/jake

Design Empathy and Contextual Awareness: Frames of Reference for the 21st Century Creative by Wayne K. Li https://www.amazon.com/Design-Empathy-Contextual-Awareness-Reference/dp/1529438217 https://id.gatech.edu/people/wayne-li One of the biggest challenges facing designers across all fields is not simply in the design of the product or service itself, but rather how to arrive at a design solution that resonates with a target audience, that will have a higher than likely chance at market adoption, and that will avoid negatively impacting society or the environment. What are the skills that can be employed by a student or young professional creative early on that enable them to identify the issues at work and address them? By understanding design from human-centered perspectives - both from the customer's and the producer's point of view - innovative, resonant designs are possible. Design Empathy and Contextual Awareness demystifies the "fuzzy" front end of the design process, where research methods mix with business trends and marketing. The accessible, authoritative text presents design as neither merely a "trade" skill nor an exercise in personal creative vision, but rather the application of multiple mindsets and practices, built around a process of alternating points of view (or "frames"). As well as covering theory and process, this visually engaging book also provides real-life business examples and applicable templates to help designers hone their empathy and contextual awareness in order to more directly and efficiently achieve successful design outcomes. Chapters cover: Laying a foundation: design as a whole-brain activity Design behaviors: design as a whole-life activity Empathy: cognitive and emotional empathy, and compassionate concern Contextual awareness: cultivating your designer's sixth senseAbout the author Wayne K. Li is the James L. Oliver Professor, holding a joint position between the Colleges of Design and Engineering at Georgia Institute of Technology. He leads joint teaching initiatives and advances interdisciplinary collaboration between mechanical engineering and industrial design through classes and the Innovation and Design Collaborative, also known as the "Design Bloc," while also serving as a principal design consultant at Wayne Li Design. Li's research areas include ethnographic research, multidisciplinary education, and human-machine interaction in transportation design. His career spans industry and academia. Li has led innovation and market expansion for Pottery Barn seasonal home products, taught in Stanford University's design program, led interface development at Volkswagen of America's Electronics Research Laboratory, and developed corporate brand and vehicle differentiation strategies at Ford Motor Company. He has also worked as a product designer at IDEO Product Development. Li holds a Master of Science in Engineering from Stanford University, and undergraduate degrees in Fine Arts (Design) and Mechanical Engineering from the University of Texas at Austin.

Everybody was shocked when, in 1999, David Lynch released a G-rated film with a Norman Rockwell setting that didn't have a dark underbelly or wild reveal; if you have a David Lynch bingo card, The Straight Story is the free space. And while The Straight Story is as wholesome a film as you can find, it's never sentimental or corny. Dan thinks it's Lynch's best. Join him and Mike as they talk about all the ways that the film could have gone wrong and, more importantly, all the things that Lynch gets right about aging, regret, and family. Any fan of David Lynch's work should read Room to Dream, Lynch's memoir that's as unique as the man himself: the book has alternating chapters of Lynch and his official biographer telling the story of his life. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Everybody was shocked when, in 1999, David Lynch released a G-rated film with a Norman Rockwell setting that didn't have a dark underbelly or wild reveal; if you have a David Lynch bingo card, The Straight Story is the free space. And while The Straight Story is as wholesome a film as you can find, it's never sentimental or corny. Dan thinks it's Lynch's best. Join him and Mike as they talk about all the ways that the film could have gone wrong and, more importantly, all the things that Lynch gets right about aging, regret, and family. Any fan of David Lynch's work should read Room to Dream, Lynch's memoir that's as unique as the man himself: the book has alternating chapters of Lynch and his official biographer telling the story of his life. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In today's episode, W. Scott Olsen speaks with Christopher Wharton, an artist-photographer whose passion for movement, born from skateboarding imagery in the late '80s, continues to inform his dynamic visual storytelling—most recently recognized as a 2025 Photo Laureate nominee. You can visit Christopher's Instagram account here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

BMW's new brain, Apple's thin win, Hue's glow-up, Legion's OLED leap, and Premiere in your pocket.   Today we break down:   BMW iX3: the first Neue Klasse EV with 800V charging, Gen6 batteries, and BMW's new “Heart of Joy” computer (The Verge). Apple's Sept 9 “Awe dropping” event: what to expect from iPhone 17 Pro, Pro Max, and the rumored ultra-thin iPhone Air — plus Apple Watch Ultra 3 and AirPods Pro 3 (Bloomberg, The Verge, MacRumors). Philips Hue's mega-refresh: Bridge Pro, cheaper Essentials with Matter-over-Thread, and new brighter strip lights (The Verge). Lenovo Legion Go 2: a pricier handheld PC with OLED VRR down to 30Hz, a bigger battery, and sculpted controllers (The Verge). Adobe Premiere on iPhone: pro-level editing, Firefly AI, and one-tap exports to TikTok, Shorts, and Instagram (Adobe Blog, The Verge).     Context, takeaways, and a dash of context. ⚡️

In today's episode, W. Scott Olsen speaks with Kino Seido, a Japanese documentary photographer whose work explores identity and memory through the intersections of people, places, and time. You can visit Kino's website here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

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Rory and Drew invite creative polymath Marco Isle to do what this show does best: break Midjourney in interesting ways. It's a token binge from shadow play, moonlight, GOBO shadows, datamosh, pixel smear, prismatic rainbow light streaks, and androgynous beauty plus where --exp actually makes images better (and where it ruins them). They also crack open token bashing (smashing words to birth fresh visuals), show why aspect ratio is half the art, and steal moodboard fuel from Cosmos.so.Then it gets dangerous. Nano Banana enters the chat, turning one still into dozens of consistent shots with plain-English tweaks. They compare video stacks and frames workflows (Veo-3, Kling, keyframes), talk Weavy automation, and use a real “Book of Jonah” case study (42 scenes, ~5k images) to show how fast this all moves (and where it still breaks). It's Midjourney's magic, but with receipts.Keywords: Midjourney tokens, token bashing, EXP settings, aspect ratio, mood boards, Cosmos.so, Nano Banana, Weavy, frames, keyframes, Veo-3, Kling, AI image generation, Midjourney video, consistency, creative workflow.---⏱️ Midjourney Fast Hour00:00 — Cold open + guest intro (Marco Isle)00:35 — Marco's background: design → UX/UI → fashion04:48 — Aesthetics vs. mechanics; the cooking/technique mindset10:50 — “Rome Reimagined” + early Frames testing15:59 — Token bashing & Marco's custom GPT flow20:59 — Favorite tokens: shadowplay & moonlight21:32 — New token: gobo shadows (why it works)22:19 — Glitch looks: pixel smear & datamosh23:34 — Prismatic rainbow light streaks (stacking ideas)23:54 — Androgynous beauty as a control aesthetic25:22 — --exp sweet-spots (3, 7, 10, 13)27:17 — “Liturgical drift parade” prompt set30:24 — Why Aspect Ratio is everything34:12 — Idea sources: mood boards + Cosmos.so38:54 — Nano Banana enters the chat (workflow + why it's different)42:15 — Case study: Book of Jonah (42 scenes, ~5k images)43:03 — Video models: Veo-3 notes + start/end frame43:33 — Weavy & automation; setting guardrails50:00 — NanoBanana pros/cons; real-world limitations52:51 — Frames: Kling vs others; aspect-ratio flips55:11 — Aspect-ratio workaround (whitespace expand)57:47 — Keyframes consistency test (the car roll)---LINKS:Nano Banana—Image Gen Documentation: https://ai.google.dev/gemini-api/docs/image-generation#prompt-guideMarco Isle on X: https://x.com/ai_artworkgenMarco Isle on Gumroad: https://markisle.gumroad.comDrew's 1% Midjourney Style Guide: https://dcbruck.gumroad.com/l/Midjourney-Course/ib3nsqs

In this greatest hits episode, we're revisiting one of the most powerful communication tools I teach—one that's both simple and transformative. If you've ever walked away from a conversation feeling misunderstood, reactive, or like your needs weren't truly seen, this episode is for you. It's not just about what you say. It's about the lens you're using to listen. I'm breaking down why the perspective you bring into a conversation—the emotional framing you carry—can change everything. You'll learn how noticing your “lens” helps you shift your energy, change the direction of the dialogue, and respond in ways that bring more clarity, calm, and connection. From the sneaky effects of internalized patriarchy to how we're conditioned to live “leftovers lives,” this episode is packed with both mindset shifts and practical tools you can apply right away. Grab a journal, take a walk, or just listen with curiosity—and let's explore how small shifts in perspective create big changes in communication. ✨ Episode at a Glance Why communication feels so hard (even though we do it every day) What it means to “notice your lens”—and why it matters The connection between your emotions and how you hear your partner A coaching challenge to shift your perspective and improve conversations How internalized patriarchy shapes how we listen, respond, and prioritize our needs An invitation to live a 5-star life instead of a “leftovers life”  

We've seen many attempts at transferring Mallory's Le Morte d'Arthur and its variants onto the screen, but none of them capture the spirit of the original quite like Excalibur, John Boorman's 1981 film that can be called, without insult, “aggressively two-dimensional.” Join us for a conversation about how Boorman makes the experience of watching a film like the experience of reading the legends. We also talk about the two best portrayals of King Arthur: Nigel Terry and Graham Chapman. If the conversation makes you want to read the original material, you can find a great edition of Le Morte d'Arthur here. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In today's episode, W. Scott Olsen speaks with Joyce DiDonato, who, alongside her distinguished career as a Grammy‑winning mezzo‑soprano, curates a richly expressive photo gallery—featuring portraits, backstage scenes, travel snapshots, masterclass moments, and editorial‑style visual storytelling drawn from her artistic journey.You can visit Joyce's website here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

Who shapes Africa's story? Zambia's media offers a rare window into how local voices frame global powers like China, the U.S., Japan, and South Africa. From debates on debt and development to questions of governance and influence, the coverage reveals both common threads and striking differences with other regions. Natsuko Imai Kanayama, a researcher at the JICA Ogata Sadako Research Institute for Peace and Development in Tokyo joins Eric & Géraud to share insights from her comparative study, highlighting how Zambian media narratives can challenge global assumptions about power, partnerships, and agency. JOIN THE DISCUSSION: X: @ChinaGSProject | @eric_olander | @christiangeraud Facebook: www.facebook.com/ChinaAfricaProject YouTube: www.youtube.com/@ChinaGlobalSouth Now on Bluesky! Follow CGSP at @chinagsproject.bsky.social FOLLOW CGSP IN FRENCH AND ARABIC: Français: www.projetafriquechine.com | @AfrikChine Arabic: عربي: www.alsin-alsharqalawsat.com | @SinSharqAwsat JOIN US ON PATREON! Become a CGSP Patreon member and get all sorts of cool stuff, including our Week in Review report, an invitation to join monthly Zoom calls with Eric & Cobus, and even an awesome new CGSP Podcast mug! www.patreon.com/chinaglobalsouth

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In the first major biography of James Baldwin in over three decades, Nicholas Boggs presents an intimate portrait shaped by the people who inspired him. Boggs traces four of Baldwin's transformative relationships that depict him not just as a fearless social critic, but as an emotional, vulnerable man shaped by love. Geoff Bennett spoke with Boggs about his book, "Baldwin: A Love Story." PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The Franchyze Boiz conclude their Superman franchise watch with a long overdue discussion of JAMES GUNN'S SUPERMAN. The eagerly anticipated film has proved a hit with both audiences and critics, but did it live up to the Boiz' hopes and expectations? And how does it rank with the rest of the series? Shawn, Brad, and Aaron share all their thoughts and feelings on this new iteration of the Man of Steel and ponder what the future of the DCU might hold.HOSTSShawn EastridgeBrad GullicksonAaron Prescott

In a film in which the audience buys its tickets knowing who will play the title role, what happens when you don't have him enter the frame until a solid hour has passed? How does the focus shift from the horrific villain to the horror felt by his victims? Richard Fleischer's The Boston Strangler (1968) isn't a faithful retelling of Albert DeSalvo's crimes or an explanation of his compulsion: he's not Raskolnikov or Buffalo Bill. Instead, the film masterfully involves its viewers in the procedure of the hunt before throwing them into what feels like a separate one-act play, a conclusion in which nothing is concluded. Gerold Frank's The Boston Strangler was the basis for the film: you can find the book here. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Check out Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When your idea, recommendation or initiative needs a ‘yes', but you're hitting a block, it's not only about repeating yourself or speaking louder. It's about how you frame your message. In today's podcast episode, I explore a powerful, practical approach for professionals who want to influence more effectively in their organisations. Drawing on my work with leaders navigating complex, multicultural environments, I share 6 key positioning frames that help you communicate your ideas and connect more strategically with your audience, elevate your message and get the buy-in you need. What you'll learn in this episode: The six Influence Frames and when to use them. Why framing is essential for fast-changing, high-stakes environments. How to align your message so it lands and connects. Understanding the value for internal and external stakeholders. Reflection questions to consider: What project or idea do you need support for right now? Which of the six frames resonates most? This is about your leadership communication and I'd love to hear how you apply these frames to your current challenges, message me directly on LinkedIn: https://www.linkedin.com/in/victoriarennoldson/ to let me know. To go deeper and strengthen your Global Leadership communication skills, download Global Leader Impact, my free training resource to accompany this podcast, at https://culturecuppa.com/leader . Resources: Access my free resource: Global Leader Impact: https://culturecuppa.com/leader Sign up to receive future episodes of the podcast as soon as they are released: https://culturecuppa.com/get-free-insights Follow me on LinkedIn for more strategies, skills and tips: https://www.linkedin.com/in/victoria-rennoldson Email me: victoria@culturecuppa.com Website: https://culturecuppa.com

Jeremy Drummond's work has been exhibited in museums, galleries, and festivals worldwide. His films/videos have received awards such as the National Film Board of Canada Award at the Images Festival (Toronto), Best Experimental Video at the Reeling: Chicago Lesbian & Gay International Film Festival, the People's Choice Award at the New Forms Festival (Vancouver), and the No Budget Award at the Cinematexas Festival of International Film & Video (Austin). He has received grants and fellowships from the Canada Council for the Arts, National Film Board of Canada, and Virginia Museum of Fine Arts. His work has been featured and/or reviewed in magazines, journals, and newspapers, including Art Papers, Cabinet, Canadian Architect, Frieze, NRC Handelsblad, Prefix Photo, SEAMUS, The Washington Post, and The Wire: Adventures in Sound & Music.Drummond's films and videos are distributed internationally by LIMA (Amsterdam), Videographe (Montreal), Video Pool Inc. (Winnipeg), Vtape (Toronto), and The Film-maker's Cooperative/The New American Cinema Group (NYC). His printed works are/have been available from Art Metropole (Toronto), Printed Matter Inc. (NYC), and the New Museum of Contemporary Art (NYC). In addition to his solo work, Drummond works extensively with artist David Poolman as Never Met A Stranger -- a collaborative platform for the production of art and experimental media, a publisher of vernacular arts and culture, and an ongoing archive of field recordings, interviews, and documentary resources that collectively explore relationships between perception and representation, industry and the environment, and landscape and culture throughout central Appalachia and the rural North American South.Drummond is the organizer and curator of the Frames of Reference annual program of artists' film and video. With support from the University of Richmond's Department of Art & Art History, University Museums, and School of Arts & Sciences, Frames of Reference showcases some of the most creative, challenging, thoughtful, and visionary artists working in film, video, and alternative media today. Programs feature artists and artworks that resist conventions and ideologies of mainstream media; explore creative, innovative approaches to narrative and experiments in time-based media; and embrace unique viewpoints, perspectives, or frames of reference.

Step back in time with Red on the Keys To The Jet Podcast as we uncover the very first aircraft ever purchased by the U.S. military—the 1909 Wright Military Flyer.

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In today's episode, W. Scott Olsen speaks with Toby Binder, an award-winning documentary photographer with experience in areas of war and crisis.You can visit Toby's website here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We're back from our summer break with an episode about The Hunger Games. Heads up that this episode connects the fictional world of Panem to real-world issues of representation and human rights, drawing parallels between the text and the genocide in Gaza. In this conversation, Hannah and Marcelle dig into representations of violence, resistance movements, and the normalization of child death. They then explore how Suzanne Collins' dystopian series engages with the concept of "grievability" and they consider The Hunger Games' immersive marketing campaigns that cemented the work as a mainstream cultural phenomenon. To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!***Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is interested in the question of why a particular cultural work or practice emerged at a particular moment. Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

In today's episode, W. Scott Olsen speaks with Martin Zweierlein, a physics professor at MIT and a pioneer in quantum gas research. In 2025, his team became the first to photograph individual, freely moving atoms, capturing stunning images of quantum behaviors like fermionic anti-bunching and bosonic clustering. This breakthrough offers rare visual proof of long theorized quantum effects.You can visit Martin's page at the Massachusetts Institute of Technology here.This podcast is brought to you by FRAMES, a high-quality quarterly printed photography magazine, and its accompanying international photography membership.Find out more and join FRAMES here.Send us a text

"Student loan forgiveness is a bribe for young voters," shouted Newsweek in 2022. "Harris's call for price controls on groceries is more pandering than policy," declared The Hill in 2024. "Free for all: Democratic socialist's policy pitches face tough fiscal reality in New York," warned Politico this year. Every time an elected official or political candidate proposes a policy with even the slightest hint of actual populism, U.S. pundits, analysts and alleged experts line up to tell us that it's just a scheme to "buy votes." Offering student-debt relief is just cheating. Lowering grocery costs is simply pandering. Eliminating public-transit fares is merely bribing voters. These initiatives aren't developed in good faith in order to improve the lives of the public; they're cynical ploys to help a given politician get ahead. We know that some policymakers make promises that they'll never fulfill, or chisel away at robust and universal proposals, or backtrack on bold and transformative ideas. This happens all the time. But all too often, media's default position is to assert that even the most modest of economically populist proposals are mere strategies to buy votes, revealing grim truths about what our media class seems to think the responsibilities of lawmakers and governments are. On this episode, we examine the media tendency to assume that anything remotely close to populism is somehow cheating, playing the game on "god mode" or "democracy game genie," and ought to be discouraged by Serious People, putting a sinister spin on what is simply Doing Things People Want. Our guest is FAIR's Janine Jackson.