Podcasts about abstraction financial fiction

Leigh Claire La Berge is Professor in City University of New York's English Department. Her work focuses on aesthetics and political economy. Her first book, "Scandals and Abstraction: Financial Fiction of the Long 1980s", tracked the convergences of finance, realism and postmodernism in literature and culture throughout the 1980s in the United States. Her second book, "Wages Against Artwork:  Decommodified Labor and the Claims of Socially Engaged Art" explored the twin rise of new forms of socially engaged art alongside what she called "decommodified labor," or labor that is not recompensed. Along with Alison Shonkwiler, Leigh Claire is the co-editor of the collection, "Reading Capitalist Realism". She recently published a book about animality and economy entitled "Marx for Cats: A Radical Bestiary". She is working on a new book called "Fake Work: How I Began to Suspect that Capitalism is a Joke" about her experience with corporate labor, Y2K, and management consultants. In Sentientist Conversations we talk about the most important questions: “what's real?”, “who matters?” and "how can we make a better world?" Sentientism answers those questions with "evidence, reason & compassion for all sentient beings." The video of our conversation is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 00:00 Clips! 00:58 Welcome 02:32 Leigh Claire's Intro - "In an English department you don't just find people who read novels or who write novels... but also who do philosophy, critical theory..." - "Relationship between economic forms and the constitution of reality" - "... different cultural objects... artworks or films or TV shows or novels... mediate between what we perceive as economically real and what might be economically possible" #economics - #philosophy major, working for a management consultant in Manhattan - Seeing the corporate world... accounting... profiteering... record-keeping "I was genuinely surprised... this cannot be the way that capitalism works... but it is!" - Studying #politicaleconomy "manifestly politicised understanding of economic forms and economic structures" - "Scandals and Abstraction" on financial scandals represented in film & literature - "Wages against artwork" on art, economy and also animals (e.g. an exhibit of live birds) - Thinking about animals' presence in the economy - Explaining political economy to artists "What if you were talking to cats?" - The  Marx For Cats  video series "The cats loved it!" - Writing "Marx for Cats" - "A history of the capitalist world system... as told through cats, with cats and for cats" - "Cats are also amazing anti-work creatures... anti-authoritarian creatures" - "Cats have been understood to be anti-authority for at least 1200 years" - Royal lions, wildcat strikes, sabotabbies... - Animals that can be companion and work animals because "capitalism... it both structures our external reality and our most intimate, internal, familial realities." 12:03 What's Real? - "By the time I was 6 or 7 it was clear that church was not going to be for me" ... and much more (see sentientism.info for full show notes) 29:15 What Matters? 33:57 Who Matters? 58:11 A Better World? 01:13:22 Follow Leigh Claire - @marxforcats on Twitter - @marxforcats on Instagram- Marx for Cats book - Leigh Claire at CUNY - Marx for Cats video series - Watch out for “Fake Work” Sentientism is “Evidence, reason & compassion for all sentient beings.” More at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sentientism.info⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"I'm a Sentientist" wall⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠this simple form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Everyone, Sentientist or not, is welcome in our groups. The biggest so far is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here on FaceBook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Come join us there!

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies

The Cultural Life of Money and Finance podcast explores money and finance through the arts and humanities – asking new questions about finance, the global financial system, and financial behaviour in the twenty-first century. In a series of conversations with researchers and practitioners, we look at how money is being, and has been, thought about in different contexts – across historical, cultural, ethical, religious, social, and material settings. The Cultural Life of Money and Finance project is based at the University of Leeds, and is led by Matthew Treherne, Rachel Muers and Mark Davis. The project is supported by the Leeds Arts and Humanities Research Institute, and by the Leeds Creative Labs scheme at the Cultural Institute at the University of Leeds. In this episode, Mark is joined by Leigh Claire La Berge, Assistant Professor of English at Borough of Manhattan Community College, City University of New York, about opportunities for arts and humanities to engage with money and finance through ideas of performativity and language, in particular how they have been utilised in social studies of finance. They also explore themes of temporality and invisibility, and how these are captured in the financial fiction writing of the 1980s and TV serials of the mid-2000s. Their conversation also touches on the importance of how money and finance are narrated, and the deeper political questions these narratives lay down, and why the arts and humanities might best serve utopian projects for a better financial system by empowering a literary studies of finance. Leigh Claire is the author of Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (2019) (available at https://www.dukeupress.edu/wages-against-artwork), Scandals and Abstraction: Financial Fiction of the Long 1980s (2015) (available at https://global.oup.com/academic/product/scandals-and-abstraction-9780199372874?cc=ca&lang=en&), and co-editor of Reading Capitalist Realism (2014) (available at https://www.uipress.uiowa.edu/books/9781609382346/reading-capitalist-realism). For more information on the Culture Life of Money and Finance Project, please visit https://culturallifeofmoney.leeds.ac.uk, and follow us on Twitter @CulturalMoney. The podcast was edited by Lisa Trischler.

Andreas Petrossiants speaks with author Leigh Claire La Berge about Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art, published in November 2019 by Duke University Press.  “The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.” Read more Leigh Claire La Berge is associate professor of English at BMCC CUNY and author of Scandals and Abstraction: Financial Fiction of the Long 1980s as well as co-editor of Reading Capitalist Realism. Her writing and journalism has appeared in South Atlantic Quarterly, Post-45, the Los Angeles REview of Books and the Chronicle of Higher Education. She is  also a member of the Marx for Cats collective

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance—that it is abstract and exceedingly complicated—took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at BMCC CUNY. Her book Scandals and Abstraction: Financial Fiction of the Long 1980s was recently published by Oxford University Press. You can read more about her work here.