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From 1949 until his death in 1997, Murray Kempton was a distinct presence in New York City journalism. Peddling around town on a three-speed bicycle wearing a three-piece suit, he wrote about everything from politics to jazz to the Mafia. His writing was eloquent, his perspective unique, and his moral judgements driven by a profound sympathy for losers, dissenters and underdogs. His best-known work was written for the New York Post, New York Newsday, and later the New York Review of Books. Kempton could find a good story in a criminal trial or a bureaucratic report, and he peppered his columns with references to history and literature to set stories in context. He enjoyed the respect of people as different as the conservative writer William F. Buckley and members of the Black Panther Party. Going Around: Selected Journalism / Murray Kempton (Seven Stories Press, 2025), edited by Andrew Holter, brings Kempton's work to old admirers and a new generation of readers. The book includes a biographical introduction by Holter and a foreword by Darryl Pinckney. Holter is a writer and historian who has written for the Times Literary Supplement, the Los Angeles Review of Books, and the Brooklyn Rail. He edited Going Around while he was completing his doctorate in history at Northwestern University. His dissertation explores the history of photography and American policing in the middle decades of the 20th century, especially the use of cameras by municipal "Red Squads" to monitor political dissent and social movements. Robert Snyder is Manhattan Borough Historian and professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell UP, 2025.) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

From 1949 until his death in 1997, Murray Kempton was a distinct presence in New York City journalism. Peddling around town on a three-speed bicycle wearing a three-piece suit, he wrote about everything from politics to jazz to the Mafia. His writing was eloquent, his perspective unique, and his moral judgements driven by a profound sympathy for losers, dissenters and underdogs. His best-known work was written for the New York Post, New York Newsday, and later the New York Review of Books. Kempton could find a good story in a criminal trial or a bureaucratic report, and he peppered his columns with references to history and literature to set stories in context. He enjoyed the respect of people as different as the conservative writer William F. Buckley and members of the Black Panther Party. Going Around: Selected Journalism / Murray Kempton (Seven Stories Press, 2025), edited by Andrew Holter, brings Kempton's work to old admirers and a new generation of readers. The book includes a biographical introduction by Holter and a foreword by Darryl Pinckney. Holter is a writer and historian who has written for the Times Literary Supplement, the Los Angeles Review of Books, and the Brooklyn Rail. He edited Going Around while he was completing his doctorate in history at Northwestern University. His dissertation explores the history of photography and American policing in the middle decades of the 20th century, especially the use of cameras by municipal "Red Squads" to monitor political dissent and social movements. Robert Snyder is Manhattan Borough Historian and professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell UP, 2025.) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Notes and Links to Vanessa Saunders' Work       Vanessa Saunders is a writer living in New Orleans. She teaches as a Professor of Practice at Loyola University New Orleans. She was the editor-in-chief of Helium Journal from 2013 to 2016. Her writing has appeared in Writer's Digest, Writer's Chronicle, Seneca Review, Sycamore Review, Los Angeles Review,  Nat. Brut, Entropy, PANK, Passages North, Stockholm Review of Literature and other journals.​​ She is at work on a novel of magical realism about whiteness and a book-length prose poem about the ethics of authorship.  Buy The Flat Woman   Vanessa's Website At about 1:45, Vanessa recommends places to buy her book, including Baldwin Books At about 2:55, Vanessa responds to Pete's question about her expectations for the Pub Day and beyond versus the realities At about 5:20, the two discuss Kafka's Metamorphosis and his parables and connections to Vanessa's The Flat Woman, as well as absurdities and allegory At about 9:30, Vanessa gives background on her early reading and writing, including her grandfather's and Sylvia Plath's influences, and Anne Carson's influence on The Flat Woman At about 13:30, Vanessa explains the unique British library system At about 15:25, Vanessa responds to Pete's questions about At about 16:35, Vanessa mentions Kelly Link, Sarah Rose Etter, Aimee Bender, and Hadriana in my Dreams as contemporary writers and writing that inspires him At about 18:20, Pete and Vanessa shout out the generosity and greatness of Aimee Bender, and Vanessa talks about meetings with inspiring writers At about 19:20, Pete shouts out Antonya Nelson's “In the Land of Men” for the 1,987,231 time in Chills at Will history At about 19:55, The two discuss the book's epigraph and seeds for the book At about 22:40, Vanessa expands upon stewardship and community and the environment in the formulation of her book At about 24:20, Pete wonders about Vanessa's decision to avoid naming her characters At about 26:40, Pete asks Vanessa  At about 29:10, the two discuss the lengthy “setups” that are chapter titles, or “headlines” At about 32:20, “leaky boundaries” and the family dynamic, including the absent father, are discussed At about 33:35, “Terrorism” and government cover-up in the book and its couching is discussed; Vanessa talks about birds as “indicator species,” as she learned from a group of “elite ornithologists” (!!!) with whom she lived At about 36:40, Vanessa talks about perpetual archetypes and storylines for “female villainy” At about 37:40, Bird grief and research and animals as stand-ins for humans as discussed in the book is explored by Vanessa At about 41:10, Vanessa, in explaining her views of animals and things and dominion, references a wonderful Louise Gluck line  At about 42:35, Pete and Vanessa discuss Bay Area history, anthropology. and its effects on their mindsets and writing At about 44:00, The two talk about the “patriarch[al]” POPS Cola, and the protagonist's early life after her mother is arrested and convicted  At about 45:45, Vanessa expands on the patriarchal society and the 2024 election's connections to the systemic misogyny on display in the book At about  49:50, The protagonist, depicted 10 years as “The woman,” and Part II are described, as well as the “chaotic aunt” and more ugly realities that confront the woman At about 51:45, Vanessa cites inspiration from an interview with Toni Morrison regarding family alienation  At about 53:10, Vanessa explores connections between humor and speculative fiction At about 54:10, The woman's earliest interactions with and attractions to the man are discussed At about 55:10, Vanessa responds to Pete's question about the man being drawn to Elvis, with a trip down memory lane of a San Francisco that may no longer exist  At about 59:20, Vanessa talks about setting the woman as working at the very company that has imprisoned her mother  At about 1:01:25, Vanessa responds to Pete's question about the grisly displays of hurt and dead animals, and the two discuss ideas of entertainment and willful (or not) ignorance about the brutality in Gaza and climate change At about 1:05:00, Pete complements Vanessa for humor on the page and asks if the man has “discovered the manosphere”  At about 1:08:35, Vanessa talks about social justice being “commodified” At about 1:10:40, Vanessa talks about initial hesitat[ion] in depicting the man as having some assorted wisdom, along with many horrible traits At about 1:11:40, Vanessa discusses a famous writer, who is not related to her :(  At about 1:13:00, Another Maurice Carlos Ruffin shoutout At about 1:14:20, Movie actors for the book's characters! At about 1:16:10, “You are hearing me talk”-Al Gore You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 270 guest Jason De León is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 285 with The Philharmonik, Episode 58 guest, vocalist, multi-instrumentalist, lyricist, music producer and genre defining artist. Recently, he has been nationally and globally recognized after winning the 2023 American Song writer contest and NPR's 2024 Tiny Desk Contest for his song “What's It All Mean?” The episode marks the one-year anniversary of his NPR Tiny Desk Contest win. This will be released on May 16.  

  Notes and Links to Jason Bailey's Work        Jason Bailey is a film critic, author, and podcaster. His work has appeared in The Playlist, The New York Times, Vulture, Vice, Rolling Stone, and Slate, among others. He is the editor-in-chief of Crooked Marquee, the former film editor at Flavorwire, and the author of six books-the most recent is Gandolfini: Jim, Tony, and the Life of a Legend. He lives in the Bronx with his wife and two daughters. Buy Gandolfini: Jim, Tony, and the Life of a Legend   Jason's Website   NPR Interview Re: Gandolfini     At about 2:25, Jason talks about book events and good places to buy his book, included Matt Zoller Seitz's dynamic website  At about 4:00, Jason talks about the incomparable Edoardo Ballerini as his audiobook narrator At about 7:05, Jason talks about his cinematic and reading influences since childhood; he tells a story of seeing “At the Movies” and becoming a cinephile and movie criticism fan At about 12:10, Jason responds to Pete's question about career thoughts in his adolescent years revolving around moviemaking/writing about movies At about 15:10, Jason talks about his approach in watching movies and whether or not he can watch a movie while “cleansing his mind” and not watching for “work” At about 16:40, Pete asks Jason about him going to movie theaters often At about 19:15, Jason responds to Pete's question about favorite movie(s)/movies that explain his aesthetic, and the two discuss The Godfather Part I and Part II (and Part III!) At about 23:35, Jason talks about being “sympathetic and empathetic and complex” in his depiction of James Gandolfini At about 27:30, Jason shares feedback he received from Sopranos crew members and Drea DeMatteo in particular about James Gandolfini's complicated legacy At about 29:50, Jason talks about how his moviemaking history makes him more sympathetic in reviewing movies   At about 33:45, Jason explains his background as a fan of James Gandolfini in connection to his earlier roles and his Sopranos role At about 38:50, Jason and Pete talk about post-Sopranos roles for James Gandolfini, typecasting, and delivery for iconic and moving lines At about 40:35, Jason gives background on James Gandolfini's view of the acting life and the importance of actors At about 43:30, Jason responds to Pete's questions about James Gandolfini's Italian identity At about 44:40, Pete and Jason discuss James Gandolfini's real-life and lack of real-life organized crime connections and Tony Soprano-esque accent At about 46:10, Jason tells an interesting, seemingly untold, story about James Gandolfini and dropping out of a Mafia movie At about 47:50, Pete shares a Sammy “The Bull” Gravano story and Jason talks about James Gandolfini choosing roles to “put the last nail in that Tony Soprano coffin” At about 50:15, The two discuss the haunting of James Gandolfini balanced with the great role of Tony Soprano At about 53:20, Pete uses a supposed “jump the shark” moment to ask Jason about James Gandolfini being incredibly hard on himself  At about 55:25, Jason comments on the dichotomy between James Gandolfini's incredibly selfless, and sometimes selfish, behavior At about 58:00, The two reflect on a sense of seeming-contentment and fading health At about 1:00:00, Jason responds to Pete's questions about “treading lightly” regarding revelations and sympathetic coverage of such a beloved figure At about 1:02:00, The two discuss revisiting The Sopranos dream scenes and the famous last scene after James Gandolfini's death At about 1:03:00, the two discuss the last scene(s) shot for The Sopranos At about 1:04:00, Enough Said and its poignancy is discussed in terms of the potential of James Gandolfini's acting range At about 1:07:15, Jason describes the “gift” that is the final quote in the book, from Robert Iler At about 1:08:00, Jason shares contact info and buying info for his book, from Abrams Books        You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he's @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting his one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 284 with Vanessa Saunders, a Professor of Practice at Loyola University New Orleans. Her writing has appeared in Sycamore Review, Los Angeles Review, Stockholm Review of Literature and other journals. Her novel, The Flat Woman, won FC2's Ronald Sukenick Innovative Fiction Prize.    The episode airs on May 6.

Today Dr. Scott Spillman joins in to talk about how historians have conceptualized slavery and its role in the development of the United States. Get ready for a history of the history of slavery.About our guest:Scott Spillman is an American historian and the author of the book Making Sense of Slavery: America's Long Reckoning, from the Founding Era to Today (2025). His essays and reviews have appeared in The Point, Liberties, The New Yorker, The New Republic, n+1, the Chronicle Review, and the Los Angeles Review of Books, and he has published academic articles in Reviews in American History, History of Education Quarterly, and North Carolina Historical Review.Scott has a PhD in history from Stanford University, and before that he studied history, English, and political philosophy at the University of North Carolina (and Duke University) as a Robertson Scholar. Originally from Atlanta, he now lives in Denver with his partner and their twin daughters. He also spends part of his time in Leadville, where he serves as chair of the city's historic preservation commission. When he is not reading and writing, he enjoys running in the mountains.

Award-winning author, founder, and editor-in-chief of the Los Angeles Review of Books, Tom Lutz, took a timeout to talk with me about his early years as a literary ne'er-do-well, what it's like to hang out with your heroes, and why you can assume every writer is faking it just a little bit. "Writing has never felt like a chore to me. It always feels like the space of freedom, and that I'm stealing the time from my job to do something I love." – Tom Lutz In addition to editing the Los Angeles Review of Books, "... a nonprofit organization dedicated to promoting and disseminating ... engaging writing on every aspect of literature, culture, and the arts," Tom also founded The LARB Radio Hour, The LARB Quarterly Journal, The LARB/USC Publishing Workshop, and LARB Books. He's a Distinguished Professor of Creative Writing at UC Riverside, and the author of multiple bestselling and award-winning nonfiction titles – translated into dozens of languages – including Doing Nothing (American Book Award winner), Crying, and American Nervousness, 1903 (both New York Times Notables). His fiction debut is, “A literary thriller that wanders the globe,” novel Born Slippy is described as part "... literary thriller, noir and political satire ... a darkly comic and honest meditation on modern life under global capitalism.” Bestselling novelist James Ellroy said of the book, "Lutz has the seven deadly sins nailed and rethought for our 2020 world. You've got to dig this book!" Tom's writing has appeared in The New York Times, Los Angeles Times, New Republic, Chicago Tribune, ZYZZYVA, and many other newspapers and literary venues, as well as in dozens of books and academic journals. He previously taught at Stanford University, University of Iowa, CalArts, and the University of Copenhagen. [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Tom Lutz and I discussed: His early years as a juvenile delinquent and the teacher that duped him into becoming a writer Why "... if you want something done, ask a busy person to do it." How he's happiest (and most creative) when playing hooky On impostor syndrome and sneaking in the back door of an exclusive club of writers What it's like to hang out with Salman Rushdie and Margaret Atwood And why you may not be the type of writer you think you are Show Notes: TomLutzWriter.com All things LARB Born Slippy by Tom Lutz [Amazon] Tom Lutz's Amazon Author Page Tom Lutz on Facebook Tom Lutz on Instagram Tom Lutz on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Weekly shoutout: Check out Lynchpins at the coalition, our ongoing David Lynch tribute series! -- Hi there, Today I am delighted to be arts calling novelist Nancy Kricorian! (https://nancykricorian.net) About our guest: Nancy Kricorian, who was born and raised in the Armenian community of Watertown, Massachusetts, is the author of four novels about post-genocide Armenian diaspora experience, including Zabelle, which was translated into seven languages, was adapted as a play, and has been continuously in print since 1998. Her new novel, The Burning Heart of the World, about Armenians in Beirut during the Lebanese Civil War, will be published in April 2025. Her essays and poems have appeared in The Los Angeles Review of Books Quarterly, Guernica, Parnassus, Minnesota Review, The Mississippi Review, and other journals. She has taught at Barnard, Columbia, Yale, and New York University, as well as with Teachers & Writers Collaborative in the New York City Public Schools, and has been a mentor with We Are Not Numbers since 2015. She has been the recipient of a New York Foundation for the Arts Fellowship, a Gold Medal from the Writers Union of Armenia, and the Anahid Literary Award, among other honors. She lives in New York. THE BURNING HEART OF THE WORLD, now available from Red Hen Press! Bookshop | Barnes & Noble | Amazon Nancy Kricorian's The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes readers on an epic journey from the mountains of Cilicia to contemporary New York City. > Like colorful miniatures–from a childhood of elders haunted by the Armenian genocide, to girlhood and adolescence amidst war in Beirut, to marriage and children in New York at the time of 9/11—Nancy Kricorian finds just the right scale to bring her heroine's passage to vivid, reverberating life. > — Aram Saroyan > An arrestingly beautiful novel of how families draw us together, but also push us apart. Set amidst the backdrop of displacement and war, The Burning Heart of the World illuminates how we carry history deep into even the most forgotten corners of ourselves. Once you start reading about Vera and her family you won't be able to put this book down. > — Marie Myung-Ok Lee, Author of The Evening Hero Thanks for this amazing conversation, Nancy! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND THANK YOU FOR TAKING THE TIME TO LISTEN. Much love, j artscalling.com

In Part 2 of our discussion on Edith Wharton's The Age of Innocence, editor Sheila Liming returns to discuss challenges for first-time readers, the correlation between fluctuations in Wharton's reputation and historical literary (and political) trends, and whether or not The Age of Innocence is truly a love story. Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney's, and The Chronicle Review.To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

So what, exactly, was “The Enlightenment”? According to the Princeton historian David A. Bell, it was an intellectual movement roughly spanning the early 18th century through to the French Revolution. In his Spring 2025 Liberties Quarterly piece “The Enlightenment, Then and Now”, Bell charts the Enlightenment as a complex intellectual movement centered in Paris but with hubs across Europe and America. He highlights key figures like Montesquieu, Voltaire, Kant, and Franklin, discussing their contributions to concepts of religious tolerance, free speech, and rationality. In our conversation, Bell addresses criticisms of the Enlightenment, including its complicated relationship with colonialism and slavery, while arguing that its principles of freedom and reason remain relevant today. 5 Key Takeaways* The Enlightenment emerged in the early 18th century (around 1720s) and was characterized by intellectual inquiry, skepticism toward religion, and a growing sense among thinkers that they were living in an "enlightened century."* While Paris was the central hub, the Enlightenment had multiple centers including Scotland, Germany, and America, with thinkers like Voltaire, Rousseau, Kant, Hume, and Franklin contributing to its development.* The Enlightenment introduced the concept of "society" as a sphere of human existence separate from religion and politics, forming the basis of modern social sciences.* The movement had a complex relationship with colonialism and slavery - many Enlightenment thinkers criticized slavery, but some of their ideas about human progress were later used to justify imperialism.* According to Bell, rather than trying to "return to the Enlightenment," modern society should selectively adopt and adapt its valuable principles of free speech, religious tolerance, and education to create our "own Enlightenment."David Avrom Bell is a historian of early modern and modern Europe at Princeton University. His most recent book, published in 2020 by Farrar, Straus and Giroux, is Men on Horseback: The Power of Charisma in the Age of Revolution. Described in the Journal of Modern History as an "instant classic," it is available in paperback from Picador, in French translation from Fayard, and in Italian translation from Viella. A study of how new forms of political charisma arose in the eighteenth and early nineteenth centuries, the book shows that charismatic authoritarianism is as modern a political form as liberal democracy, and shares many of the same origins. Based on exhaustive research in original sources, the book includes case studies of the careers of George Washington, Napoleon Bonaparte, Toussaint Louverture and Simon Bolivar. The book's Introduction can be read here. An online conversation about the book with Annette Gordon-Reed, hosted by the Cullman Center of the New York Public Library, can be viewed here. Links to material about the book, including reviews in The New York Review of Books, The Guardian, Harper's, The New Republic, The Nation, Le Monde, The Los Angeles Review of Books and other venues can be found here. Bell is also the author of six previous books. He has published academic articles in both English and French and contributes regularly to general interest publications on a variety of subjects, ranging from modern warfare, to contemporary French politics, to the impact of digital technology on learning and scholarship, and of course French history. A list of his publications from 2023 and 2024 can be found here. His Substack newsletter can be found here. His writings have been translated into French, Spanish, Portuguese, Chinese, Hebrew, Swedish, Polish, Russian, German, Croatian, Italian, Turkish and Japanese. At the History Department at Princeton University, he holds the Sidney and Ruth Lapidus Chair in the Era of North Atlantic Revolutions, and offers courses on early modern Europe, on military history, and on the early modern French empire. Previously, he spent fourteen years at Johns Hopkins University, including three as Dean of Faculty in its School of Arts and Sciences. From 2020 to 2024 he served as Director of the Shelby Cullom Davis Center for Historical Studies at Princeton. He is a member of the American Academy of Arts and Sciences, and a corresponding fellow of the British Academy. Bell's new project is a history of the Enlightenment. A preliminary article from the project was published in early 2022 by Modern Intellectual History. Another is now out in French History.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. FULL TRANSCRIPTAndrew Keen: Hello everybody, in these supposedly dark times, the E word comes up a lot, the Enlightenment. Are we at the end of the Enlightenment or the beginning? Was there even an Enlightenment? My guest today, David Bell, a professor of history, very distinguished professor of history at Princeton University, has an interesting piece in the spring issue of It is One of our, our favorite quarterlies here on Keen on America, Bell's piece is The Enlightenment Then and Now, and David is joining us from the home of the Enlightenment, perhaps Paris in France, where he's on sabbatical hard life. David being an academic these days, isn't it?David Bell: Very difficult. I'm having to suffer the Parisian bread and croissant. It's terrible.Andrew Keen: Yeah. Well, I won't keep you too long. Is Paris then, or France? Is it the home of the Enlightenment? I know there are many Enlightenments, the French, the Scottish, maybe even the English, perhaps even the American.David Bell: It's certainly one of the homes of the Enlightenment, and it's probably the closest that the Enlightened had to a center, absolutely. But as you say, there were Edinburgh, Glasgow, plenty of places in Germany, Philadelphia, all those places have good claims to being centers of the enlightenment as well.Andrew Keen: All the same David, is it like one of those sports games in California where everyone gets a medal?David Bell: Well, they're different metals, right, but I think certainly Paris is where everybody went. I mean, if you look at the figures from the German Enlightenment, from the Scottish Enlightenment from the American Enlightenment they all tended to congregate in Paris and the Parisians didn't tend to go anywhere else unless they were forced to. So that gives you a pretty good sense of where the most important center was.Andrew Keen: So David, before we get to specifics, map out for us, because everyone is perhaps as familiar or comfortable with the history of the Enlightenment, and certainly as you are. When did it happen? What years? And who are the leaders of this thing called the Enlightenment?David Bell: Well, that's a big question. And I'm afraid, of course, that if you ask 10 historians, you'll get 10 different answers.Andrew Keen: Well, I'm only asking you, so I only want one answer.David Bell: So I would say that the Enlightenment really gets going around the first couple of decades of the 18th century. And that's when people really start to think that they are actually living in what they start to call an Enlightenment century. There are a lot of reasons for this. They are seeing what we now call the scientific revolution. They're looking at the progress that has been made with that. They are experiencing the changes in the religious sphere, including the end of religious wars, coming with a great deal of skepticism about religion. They are living in a relative period of peace where they're able to speculate much more broadly and daringly than before. But it's really in those first couple of decades that they start thinking of themselves as living in an enlightened century. They start defining themselves as something that would later be called the enlightenment. So I would say that it's, really, really there between maybe the end of the 17th century and 1720s that it really gets started.Andrew Keen: So let's have some names, David, of philosophers, I guess. I mean, if those are the right words. I know that there was a term in French. There is a term called philosoph. Were they the founders, the leaders of the Enlightenment?David Bell: Well, there is a... Again, I don't want to descend into academic quibbling here, but there were lots of leaders. Let me give an example, though. So the year 1721 is a remarkable year. So in the year, 1721, two amazing events happened within a couple of months of each other. So in May, Montesquieu, one of the great philosophers by any definition, publishes his novel called Persian Letters. And this is an incredible novel. Still, I think one of greatest novels ever written, and it's very daring. It is the account, it is supposedly a an account written by two Persian travelers to Europe who are writing back to people in Isfahan about what they're seeing. And it is very critical of French society. It is very of religion. It is, as I said, very daring philosophically. It is a product in part of the increasing contact between Europe and the rest of the world that is also very central to the Enlightenment. So that novel comes out. So it's immediately, you know, the police try to suppress it. But they don't have much success because it's incredibly popular and Montesquieu doesn't suffer any particular problems because...Andrew Keen: And the French police have never been the most efficient police force in the world, have they?David Bell: Oh, they could be, but not in this case. And then two months later, after Montesquieu published this novel, there's a German philosopher much less well-known than Montesqiu, than Christian Bolz, who is a professor at the Universität Haller in Prussia, and he gives an oration in Latin, a very typical university oration for the time, about Chinese philosophy, in which he says that the Chinese have sort of proved to the world, particularly through the writings of Confucius and others, that you can have a virtuous society without religion. Obviously very controversial. Statement for the time it actually gets him fired from his job, he has to leave the Kingdom of Prussia within 48 hours on penalty of death, starts an enormous controversy. But here are two events, both of which involving non-European people, involving the way in which Europeans are starting to look out at the rest of the world and starting to imagine Europe as just one part of a larger humanity, and at the same time they are starting to speculate very daringly about whether you can have. You know, what it means to have a society, do you need to have religion in order to have morality in society? Do you need the proper, what kind of government do you need to to have virtuous conduct and a proper society? So all of these things get, you know, really crystallize, I think, around these two incidents as much as anything. So if I had to pick a single date for when the enlightenment starts, I'd probably pick that 1721.Andrew Keen: And when was, David, I thought you were going to tell me about the earthquake in Lisbon, when was that earthquake?David Bell: That earthquake comes quite a bit later. That comes, and now historians should be better with dates than I am. It's in the 1750s, I think it's the late 1750's. Again, this historian is proving he's getting a very bad grade for forgetting the exact date, but it's in 1750. So that's a different kind of event, which sparks off a great deal of commentary, because it's a terrible earthquake. It destroys most of the city of Lisbon, it destroys other cities throughout Portugal, and it leads a lot of the philosophy to philosophers at the time to be speculating very daringly again on whether there is any kind of real purpose to the universe and whether there's any kind divine purpose. Why would such a terrible thing happen? Why would God do such a thing to his followers? And certainly VoltaireAndrew Keen: Yeah, Votav, of course, comes to mind of questioning.David Bell: And Condit, Voltaire's novel Condit gives a very good description of the earthquake in Lisbon and uses that as a centerpiece. Voltair also read other things about the earthquake, a poem about Lisbon earthquake. But in Condit he gives a lasting, very scathing portrait of the Catholic Church in general and then of what happens in Portugal. And so the Lisbon Earthquake is certainly another one of the events, but it happens considerably later. Really in the middle of the end of life.Andrew Keen: So, David, you believe in this idea of the Enlightenment. I take your point that there are more than one Enlightenment in more than one center, but in broad historical terms, the 18th century could be defined at least in Western and Northern Europe as the period of the Enlightenment, would that be a fair generalization?David Bell: I think it's perfectly fair generalization. Of course, there are historians who say that it never happened. There's a conservative British historian, J.C.D. Clark, who published a book last summer, saying that the Enlightenment is a kind of myth, that there was a lot of intellectual activity in Europe, obviously, but that the idea that it formed a coherent Enlightenment was really invented in the 20th century by a bunch of progressive reformers who wanted to claim a kind of venerable and august pedigree for their own reform, liberal reform plans. I think that's an exaggeration. People in the 18th century defined very clearly what was going on, both people who were in favor of it and people who are against it. And while you can, if you look very closely at it, of course it gets a bit fuzzy. Of course it's gets, there's no single, you can't define a single enlightenment project or a single enlightened ideology. But then, I think people would be hard pressed to define any intellectual movement. You know, in perfect, incoherent terms. So the enlightenment is, you know by compared with almost any other intellectual movement certainly existed.Andrew Keen: In terms of a philosophy of the Enlightenment, the German thinker, Immanuel Kant, seems to be often, and when you describe him as the conscience or the brain or a mixture of the conscience and brain of the enlightenment, why is Kant and Kantian thinking so important in the development of the Enlightenment.David Bell: Well, that's a really interesting question. And one reason is because most of the Enlightenment was not very rigorously philosophical. A lot of the major figures of the enlightenment before Kant tended to be writing for a general public. And they often were writing with a very specific agenda. We look at Voltaire, Diderot, Rousseau. Now you look at Adam Smith in Scotland. We look David Hume or Adam Ferguson. You look at Benjamin Franklin in the United States. These people wrote in all sorts of different genres. They wrote in, they wrote all sorts of different kinds of books. They have many different purposes and very few of them did a lot of what we would call rigorous academic philosophy. And Kant was different. Kant was very much an academic philosopher. Kant was nothing if not rigorous. He came at the end of the enlightenment by most people's measure. He wrote these very, very difficult, very rigorous, very brilliant works, such as The Creek of Pure Reason. And so, it's certainly been the case that people who wanted to describe the Enlightenment as a philosophy have tended to look to Kant. So for example, there's a great German philosopher and intellectual historian of the early 20th century named Ernst Kassirer, who had to leave Germany because of the Nazis. And he wrote a great book called The Philosophy of the Enlightened. And that leads directly to Immanuel Kant. And of course, Casir himself was a Kantian, identified with Kant. And so he wanted to make Kant, in a sense, the telos, the end point, the culmination, the fulfillment of the Enlightenment. But so I think that's why Kant has such a particularly important position. You're defining it both ways.Andrew Keen: I've always struggled to understand what Kant was trying to say. I'm certainly not alone there. Might it be fair to say that he was trying to transform the universe and certainly traditional Christian notions into the Enlightenment, so the entire universe, the world, God, whatever that means, that they were all somehow according to Kant enlightened.David Bell: Well, I think that I'm certainly no expert on Immanuel Kant. And I would say that he is trying to, I mean, his major philosophical works are trying to put together a system of philosophical thinking which will justify why people have to act morally, why people act rationally, without the need for Christian revelation to bolster them. That's a very, very crude and reductionist way of putting it, but that's essentially at the heart of it. At the same time, Kant was very much aware of his own place in history. So Kant didn't simply write these very difficult, thick, dense philosophical works. He also wrote things that were more like journalism or like tablets. He wrote a famous essay called What is Enlightenment? And in that, he said that the 18th century was the period in which humankind was simply beginning to. Reach a period of enlightenment. And he said, he starts the essay by saying, this is the period when humankind is being released from its self-imposed tutelage. And we are still, and he said we do not yet live in the midst of a completely enlightened century, but we are getting there. We are living in a century that is enlightening.Andrew Keen: So the seeds, the seeds of Hegel and maybe even Marx are incant in that German thinking, that historical thinking.David Bell: In some ways, in some ways of course Hegel very much reacts against Kant and so and then Marx reacts against Hegel. So it's not exactly.Andrew Keen: Well, that's the dialectic, isn't it, David?David Bell: A simple easy path from one to the other, no, but Hegel is unimaginable without Kant of course and Marx is unimagineable without Hegel.Andrew Keen: You note that Kant represents a shift in some ways into the university and the walls of the universities were going up, and that some of the other figures associated with the the Enlightenment and Scottish Enlightenment, human and Smith and the French Enlightenment Voltaire and the others, they were more generalist writers. Should we be nostalgic for the pre-university period in the Enlightenment, or? Did things start getting serious once the heavyweights, the academic heavyweighs like Emmanuel Kant got into this thing?David Bell: I think it depends on where we're talking about. I mean, Adam Smith was a professor at Glasgow in Edinburgh, so Smith, the Scottish Enlightenment was definitely at least partly in the universities. The German Enlightenment took place very heavily in universities. Christian Vodafoy I just mentioned was the most important German philosopher of the 18th century before Kant, and he had positions in university. Even the French university system, for a while, what's interesting about the French University system, particularly the Sorbonne, which was the theology faculty, It was that. Throughout the first half of the 18th century, there were very vigorous, very interesting philosophical debates going on there, in which the people there, particularly even Jesuits there, were very open to a lot of the ideas we now call enlightenment. They were reading John Locke, they were reading Mel Pench, they were read Dekalb. What happened though in the French universities was that as more daring stuff was getting published elsewhere. Church, the Catholic Church, started to say, all right, these philosophers, these philosophies, these are our enemies, these are people we have to get at. And so at that point, anybody who was in the university, who was still in dialog with these people was basically purged. And the universities became much less interesting after that. But to come back to your question, I do think that I am very nostalgic for that period. I think that the Enlightenment was an extraordinary period, because if you look between. In the 17th century, not all, but a great deal of the most interesting intellectual work is happening in the so-called Republic of Letters. It's happening in Latin language. It is happening on a very small circle of RUD, of scholars. By the 19th century following Kant and Hegel and then the birth of the research university in Germany, which is copied everywhere, philosophy and the most advanced thinking goes back into the university. And the 18th century, particularly in France, I will say, is a time when the most advanced thought is being written for a general public. It is being in the form of novels, of dialogs, of stories, of reference works, and it is very, very accessible. The most profound thought of the West has never been as accessible overall as in the 18 century.Andrew Keen: Again, excuse this question, it might seem a bit naive, but there's a lot of pre-Enlightenment work, books, thinking that we read now that's very accessible from Erasmus and Thomas More to Machiavelli. Why weren't characters like, or are characters like Erasmuus, More's Utopia, Machiavell's prints and discourses, why aren't they considered part of the Enlightenment? What's the difference between? Enlightened thinkers or the supposedly enlightened thinkers of the 18th century and thinkers and writers of the 16th and 17th centuries.David Bell: That's a good question, you know, I think you have to, you, you know, again, one has to draw a line somewhere. That's not a very good answer, of course. All these people that you just mentioned are, in one way or another, predecessors to the Enlightenment. And of course, there were lots of people. I don't mean to say that nobody wrote in an accessible way before 1700. Obviously, lots of the people you mentioned did. Although a lot of them originally wrote in Latin, Erasmus, also Thomas More. But I think what makes the Enlightened different is that you have, again, you have a sense. These people have have a sense that they are themselves engaged in a collective project, that it is a collective project of enlightenment, of enlightening the world. They believe that they live in a century of progress. And there are certain principles. They don't agree on everything by any means. The philosophy of enlightenment is like nothing more than ripping each other to shreds, like any decent group of intellectuals. But that said, they generally did believe That people needed to have freedom of speech. They believed that you needed to have toleration of different religions. They believed in education and the need for a broadly educated public that could be as broad as possible. They generally believed in keeping religion out of the public sphere as much as possible, so all those principles came together into a program that we can consider at least a kind of... You know, not that everybody read it at every moment by any means, but there is an identifiable enlightenment program there, and in this case an identifiable enlightenment mindset. One other thing, I think, which is crucial to the Enlightenment, is that it was the attention they started to pay to something that we now take almost entirely for granted, which is the idea of society. The word society is so entirely ubiquitous, we assume it's always been there, and in one sense it has, because the word societas is a Latin word. But until... The 18th century, the word society generally had a much narrower meaning. It referred to, you know, particular institution most often, like when we talk about the society of, you know, the American philosophical society or something like that. And the idea that there exists something called society, which is the general sphere of human existence that is separate from religion and is separate from the political sphere, that's actually something which only really emerged at the end of the 1600s. And it became really the focus of you know, much, if not most, of enlightenment thinking. When you look at someone like Montesquieu and you look something, somebody like Rousseau or Voltaire or Adam Smith, probably above all, they were concerned with understanding how society works, not how government works only, but how society, what social interactions are like beginning of what we would now call social science. So that's yet another thing that distinguishes the enlightened from people like Machiavelli, often people like Thomas More, and people like bonuses.Andrew Keen: You noted earlier that the idea of progress is somehow baked in, in part, and certainly when it comes to Kant, certainly the French Enlightenment, although, of course, Rousseau challenged that. I'm not sure whether Rousseaut, as always, is both in and out of the Enlightenment and he seems to be in and out of everything. How did the Enlightement, though, make sense of itself in the context of antiquity, as it was, of Terms, it was the Renaissance that supposedly discovered or rediscovered antiquity. How did many of the leading Enlightenment thinkers, writers, how did they think of their own society in the context of not just antiquity, but even the idea of a European or Western society?David Bell: Well, there was a great book, one of the great histories of the Enlightenment was written about more than 50 years ago by the Yale professor named Peter Gay, and the first part of that book was called The Modern Paganism. So it was about the, you know, it was very much about the relationship between the Enlightenment and the ancient Greek synonyms. And certainly the writers of the enlightenment felt a great deal of kinship with the ancient Greek synonymous. They felt a common bond, particularly in the posing. Christianity and opposing what they believed the Christian Church had wrought on Europe in suppressing freedom and suppressing free thought and suppassing free inquiry. And so they felt that they were both recovering but also going beyond antiquity at the same time. And of course they were all, I mean everybody at the time, every single major figure of the Enlightenment, their education consisted in large part of what we would now call classics, right? I mean, there was an educational reformer in France in the 1760s who said, you know, our educational system is great if the purpose is to train Roman centurions, if it's to train modern people who are not doing both so well. And it's true. I mean they would spend, certainly, you know in Germany, in much of Europe, in the Netherlands, even in France, I mean people were trained not simply to read Latin, but to write in Latin. In Germany, university courses took part in the Latin language. So there's an enormous, you know, so they're certainly very, very conversant with the Greek and Roman classics, and they identify with them to a very great extent. Someone like Rousseau, I mean, and many others, and what's his first reading? How did he learn to read by reading Plutarch? In translation, but he learns to read reading Plutach. He sees from the beginning by this enormous admiration for the ancients that we get from Bhutan.Andrew Keen: Was Socrates relevant here? Was the Enlightenment somehow replacing Aristotle with Socrates and making him and his spirit of Enlightenment, of asking questions rather than answering questions, the symbol of a new way of thinking?David Bell: I would say to a certain extent, so I mean, much of the Enlightenment criticizes scholasticism, medieval scholastic, very, very sharply, and medieval scholasticism is founded philosophically very heavily upon Aristotle, so to that extent. And the spirit of skepticism that Socrates embodied, the idea of taking nothing for granted and asking questions about everything, including questions of oneself, yes, absolutely. That said, while the great figures of the Red Plato, you know, Socrates was generally I mean, it was not all that present as they come. But certainly have people with people with red play-doh in the entire virus.Andrew Keen: You mentioned Benjamin Franklin earlier, David. Most of the Enlightenment, of course, seems to be centered in France and Scotland, Germany, England. But America, many Europeans went to America then as a, what some people would call a settler colonial society, or certainly an offshoot of the European world. Was the settling of America and the American Revolution Was it the quintessential Enlightenment project?David Bell: Another very good question, and again, it depends a bit on who you talk to. I just mentioned this book by Peter Gay, and the last part of his book is called The Science of Freedom, and it's all about the American Revolution. So certainly a lot of interpreters of the Enlightenment have said that, yes, the American revolution represents in a sense the best possible outcome of the American Revolution, it was the best, possible outcome of the enlightened. Certainly there you look at the founding fathers of the United States and there's a great deal that they took from me like Certainly, they took a great great number of political ideas from Obviously Madison was very much inspired and drafting the edifice of the Constitution by Montesquieu to see himself Was happy to admit in addition most of the founding Fathers of the united states were you know had kind of you know We still had we were still definitely Christians, but we're also but we were also very much influenced by deism were very much against the idea of making the United States a kind of confessional country where Christianity was dominant. They wanted to believe in the enlightenment principles of free speech, religious toleration and so on and so forth. So in all those senses and very much the gun was probably more inspired than Franklin was somebody who was very conversant with the European Enlightenment. He spent a large part of his life in London. Where he was in contact with figures of the Enlightenment. He also, during the American Revolution, of course, he was mostly in France, where he is vetted by some of the surviving fellows and were very much in contact for them as well. So yes, I would say the American revolution is certainly... And then the American revolutionary scene, of course by the Europeans, very much as a kind of offshoot of the enlightenment. So one of the great books of the late Enlightenment is by Condor Say, which he wrote while he was hiding actually in the future evolution of the chariot. It's called a historical sketch of the progress of the human spirit, or the human mind, and you know he writes about the American Revolution as being, basically owing its existence to being like...Andrew Keen: Franklin is of course an example of your pre-academic enlightenment, a generalist, inventor, scientist, entrepreneur, political thinker. What about the role of science and indeed economics in the Enlightenment? David, we're going to talk of course about the Marxist interpretation, perhaps the Marxist interpretation which sees The Enlightenment is just a euphemism, perhaps, for exploitative capitalism. How central was the growth and development of the market, of economics, and innovation, and capitalism in your reading of The Enlightened?David Bell: Well, in my reading, it was very important, but not in the way that the Marxists used to say. So Friedrich Engels once said that the Enlightenment was basically the idealized kingdom of the bourgeoisie, and there was whole strain of Marxist thinking that followed the assumption that, and then Karl Marx himself argued that the documents like the Declaration of the Rights of Man and Citizen, which obviously were inspired by the Enlightment, were simply kind of the near, or kind of. Way that the bourgeoisie was able to advance itself ideologically, and I don't think that holds much water, which is very little indication that any particular economic class motivated the Enlightenment or was using the Enlightment in any way. That said, I think it's very difficult to imagine the Enlightement without the social and economic changes that come in with the 18th century. To begin with globalization. If you read the great works of the Enlightenment, it's remarkable just how open they are to talking about humanity in general. So one of Voltaire's largest works, one of his most important works, is something called Essay on Customs and the Spirit of Nations, which is actually History of the World, where he talks learnedly not simply about Europe, but about the Americas, about China, about Africa, about India. Montesquieu writes Persian letters. Christian Volpe writes about Chinese philosophy. You know, Rousseau writes about... You know, the earliest days of humankind talks about Africa. All the great figures of the Enlightenment are writing about the rest of the world, and this is a period in which contacts between Europe and the rest the world are exploding along with international trade. So by the end of the 18th century, there are 4,000 to 5,000 ships a year crossing the Atlantic. It's an enormous number. And that's one context in which the enlightenment takes place. Another is what we call the consumer revolution. So in the 18th century, certainly in the major cities of Western Europe, people of a wide range of social classes, including even artisans, sort of somewhat wealthy artisians, shopkeepers, are suddenly able to buy a much larger range of products than they were before. They're able to choose how to basically furnish their own lives, if you will, how they're gonna dress, what they're going to eat, what they gonna put on the walls of their apartments and so on and so forth. And so they become accustomed to exercising a great deal more personal choice than their ancestors have done. And the Enlightenment really develops in tandem with this. Most of the great works of the Enlightment, they're not really written to, they're treatises, they're like Kant, they're written to persuade you to think in a single way. Really written to make you ask questions yourself, to force you to ponder things. They're written in the form of puzzles and riddles. Voltaire had a great line there, he wrote that the best kind of books are the books that readers write half of themselves as they read, and that's sort of the quintessence of the Enlightenment as far as I'm concerned.Andrew Keen: Yeah, Voltaire might have been comfortable on YouTube or Facebook. David, you mentioned all those ships going from Europe across the Atlantic. Of course, many of those ships were filled with African slaves. You mentioned this in your piece. I mean, this is no secret, of course. You also mentioned a couple of times Montesquieu's Persian letters. To what extent is... The enlightenment then perhaps the birth of Western power, of Western colonialism, of going to Africa, seizing people, selling them in North America, the French, the English, Dutch colonization of the rest of the world. Of course, later more sophisticated Marxist thinkers from the Frankfurt School, you mentioned these in your essay, Odorno and Horkheimer in particular, See the Enlightenment as... A project, if you like, of Western domination. I remember reading many years ago when I was in graduate school, Edward Said, his analysis of books like The Persian Letters, which is a form of cultural Western power. How much of this is simply bound up in the profound, perhaps, injustice of the Western achievement? And of course, some of the justice as well. We haven't talked about Jefferson, but perhaps in Jefferson's life and his thinking and his enlightened principles and his... Life as a slave owner, these contradictions are most self-evident.David Bell: Well, there are certainly contradictions, and there's certainly... I think what's remarkable, if you think about it, is that if you read through works of the Enlightenment, you would be hard-pressed to find a justification for slavery. You do find a lot of critiques of slavery, and I think that's something very important to keep in mind. Obviously, the chattel slavery of Africans in the Americas began well before the Enlightment, it began in 1500. The Enlightenment doesn't have the credit for being the first movement to oppose slavery. That really goes back to various religious groups, especially the Fakers. But that said, you have in France, you had in Britain, in America even, you'd have a lot of figures associated with the Enlightenment who were pretty sure of becoming very forceful opponents of slavery very early. Now, when it comes to imperialism, that's a tricky issue. What I think you'd find in these light bulbs, you'd different sorts of tendencies and different sorts of writings. So there are certainly a lot of writers of the Enlightenment who are deeply opposed to European authorities. One of the most popular works of the late Enlightenment was a collective work edited by the man named the Abbe Rinal, which is called The History of the Two Indies. And that is a book which is deeply, deeply critical of European imperialism. At the same time, at the same of the enlightenment, a lot the works of history written during the Enlightment. Tended, such as Voltaire's essay on customs, which I just mentioned, tend to give a kind of very linear version of history. They suggest that all societies follow the same path, from sort of primitive savagery, hunter-gatherers, through early agriculture, feudal stages, and on into sort of modern commercial society and civilization. And so they're basically saying, okay, we, the Europeans, are the most advanced. People like the Africans and the Native Americans are the least advanced, and so perhaps we're justified in going and quote, bringing our civilization to them, what later generations would call the civilizing missions, or possibly just, you know, going over and exploiting them because we are stronger and we are more, and again, we are the best. And then there's another thing that the Enlightenment did. The Enlightenment tended to destroy an older Christian view of humankind, which in some ways militated against modern racism. Christians believed, of course, that everyone was the same from Adam and Eve, which meant that there was an essential similarity in the world. And the Enlightenment challenged this by challenging the biblical kind of creation. The Enlightenment challenges this. Voltaire, for instance, believed that there had actually been several different human species that had different origins, and that can very easily become a justification for racism. Buffon, one of the most Figures of the French Enlightenment, one of the early naturalists, was crucial for trying to show that in fact nature is not static, that nature is always changing, that species are changing, including human beings. And so again, that allowed people to think in terms of human beings at different stages of evolution, and perhaps this would be a justification for privileging the more advanced humans over the less advanced. In the 18th century itself, most of these things remain potential, rather than really being acted upon. But in the 19th century, figures of writers who would draw upon these things certainly went much further, and these became justifications for slavery, imperialism, and other things. So again, the Enlightenment is the source of a great deal of stuff here, and you can't simply put it into one box or more.Andrew Keen: You mentioned earlier, David, that Concorda wrote one of the later classics of the... Condorcet? Sorry, Condorcets, excuse my French. Condorcès wrote one the later Classics of the Enlightenment when he was hiding from the French Revolution. In your mind, was the revolution itself the natural conclusion, climax? Perhaps anti-climax of the Enlightenment. Certainly, it seems as if a lot of the critiques of the French Revolution, particularly the more conservative ones, Burke comes to mind, suggested that perhaps the principles of in the Enlightment inevitably led to the guillotine, or is that an unfair way of thinking of it?David Bell: Well, there are a lot of people who have thought like that. Edmund Burke already, writing in 1790, in his reflections on the revolution in France, he said that everything which was great in the old regime is being dissolved and, quoting, dissolved by this new conquering empire of light and reason. And then he said about the French that in the groves of their academy at the end of every vista, you see nothing but the gallows. Nothing but the Gallows. So there, in 1780, he already seemed to be predicting the reign of terror and blaming it. A certain extent from the Enlightenment. That said, I think, you know, again, the French Revolution is incredibly complicated event. I mean, you certainly have, you know, an explosion of what we could call Enlightenment thinking all over the place. In France, it happened in France. What happened there was that you had a, you know, the collapse of an extraordinarily inefficient government and a very, you know, in a very antiquated, paralyzed system of government kind of collapsed, created a kind of political vacuum. Into that vacuum stepped a lot of figures who were definitely readers of the Enlightenment. Oh so um but again the Enlightment had I said I don't think you can call the Enlightement a single thing so to say that the Enlightiment inspired the French Revolution rather than the There you go.Andrew Keen: Although your essay on liberties is the Enlightenment then and now you probably didn't write is always these lazy editors who come up with inaccurate and inaccurate titles. So for you, there is no such thing as the Enlighten.David Bell: No, there is. There is. But still, it's a complex thing. It contains multitudes.Andrew Keen: So it's the Enlightenment rather than the United States.David Bell: Conflicting tendencies, it has contradictions within it. There's enough unity to refer to it as a singular noun, but it doesn't mean that it all went in one single direction.Andrew Keen: But in historical terms, did the failure of the French Revolution, its descent into Robespierre and then Bonaparte, did it mark the end in historical terms a kind of bookend of history? You began in 1720 by 1820. Was the age of the Enlightenment pretty much over?David Bell: I would say yes. I think that, again, one of the things about the French Revolution is that people who are reading these books and they're reading these ideas and they are discussing things really start to act on them in a very different way from what it did before the French revolution. You have a lot of absolute monarchs who are trying to bring certain enlightenment principles to bear in their form of government, but they're not. But it's difficult to talk about a full-fledged attempt to enact a kind of enlightenment program. Certainly a lot of the people in the French Revolution saw themselves as doing that. But as they did it, they ran into reality, I would say. I mean, now Tocqueville, when he writes his old regime in the revolution, talks about how the French philosophes were full of these abstract ideas that were divorced from reality. And while that's an exaggeration, there was a certain truth to them. And as soon as you start having the age of revolutions, as soon you start people having to devise systems of government that will actually last, and as you have people, democratic representative systems that will last, and as they start revising these systems under the pressure of actual events, then you're not simply talking about an intellectual movement anymore, you're talking about something very different. And so I would say that, well, obviously the ideas of the Enlightenment continue to inspire people, the books continue to be read, debated. They lead on to figures like Kant, and as we talked about earlier, Kant leads to Hegel, Hegel leads to Marx in a certain sense. Nonetheless, by the time you're getting into the 19th century, what you have, you know, has connections to the Enlightenment, but can we really still call it the Enlightment? I would sayAndrew Keen: And Tocqueville, of course, found democracy in America. Is democracy itself? I know it's a big question. But is it? Bound up in the Enlightenment. You've written extensively, David, both for liberties and elsewhere on liberalism. Is the promise of democracy, democratic systems, the one born in the American Revolution, promised in the French Revolution, not realized? Are they products of the Enlightment, or is the 19th century and the democratic systems that in the 19th century, is that just a separate historical track?David Bell: Again, I would say there are certain things in the Enlightenment that do lead in that direction. Certainly, I think most figures in the enlightenment in one general sense or another accepted the idea of a kind of general notion of popular sovereignty. It didn't mean that they always felt that this was going to be something that could necessarily be acted upon or implemented in their own day. And they didn't necessarily associate generalized popular sovereignty with what we would now call democracy with people being able to actually govern themselves. Would be certain figures, certainly Diderot and some of his essays, what we saw very much in the social contract, you know, were sketching out, you knows, models for possible democratic system. Condorcet, who actually lived into the French Revolution, wrote one of the most draft constitutions for France, that's one of most democratic documents ever proposed. But of course there were lots of figures in the Enlightenment, Voltaire, and others who actually believed much more in absolute monarchy, who believed that you just, you know, you should have. Freedom of speech and freedom of discussion, out of which the best ideas would emerge, but then you had to give those ideas to the prince who imposed them by poor sicknesses.Andrew Keen: And of course, Rousseau himself, his social contract, some historians have seen that as the foundations of totalitarian, modern totalitarianism. Finally, David, your wonderful essay in Liberties in the spring quarterly 2025 is The Enlightenment, Then and Now. What about now? You work at Princeton, your president has very bravely stood up to the new presidential regime in the United States, in defense of academic intellectual freedom. Does the word and the movement, does it have any relevance in the 2020s, particularly in an age of neo-authoritarianism around the world?David Bell: I think it does. I think we have to be careful about it. I always get a little nervous when people say, well, we should simply go back to the Enlightenment, because the Enlightenments is history. We don't go back the 18th century. I think what we need to do is to recover certain principles, certain ideals from the 18 century, the ones that matter to us, the ones we think are right, and make our own Enlightenment better. I don't think we need be governed by the 18 century. Thomas Paine once said that no generation should necessarily rule over every generation to come, and I think that's probably right. Unfortunately in the United States, we have a constitution which is now essentially unamendable, so we're doomed to live by a constitution largely from the 18th century. But are there many things in the Enlightenment that we should look back to, absolutely?Andrew Keen: Well, David, I am going to free you for your own French Enlightenment. You can go and have some croissant now in your local cafe in Paris. Thank you so much for a very, I excuse the pun, enlightening conversation on the Enlightenment then and now, Essential Essay in Liberties. I'd love to get you back on the show. Talk more history. Thank you. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Abby and Patrick welcome returning guest Hannah Zeavin – scholar, write, editor, co-founder of the Psychosocial Foundation and Founding Editor of Parapraxis magazine – to talk about her brand-new book, Mother Media: Hot and Cool Parenting in the 20th Century. It's an exploration of the complex relationships that have tied together the figure of the mother as an abstraction, the work of mothering as a practical matter, and academic and popular discourses about what mothers should be and how they should go about doing it. What does it mean to think about the mother as a “medium” for containing, nurturing, and shepherding the development of a child, and why do debates about mothering pivot so invariably around questions of media consumption and technological mediation? The conversation spans the history of academic research into parenting from behaviorism to attachment theory; clinical and popular discourses about mothers from Freud to Dr. Spock; the profusion of tools that promise to “help” mothers with their kids; “good-enough” mothering, mother-blaming, and vicious double binds; moral, political, and legal debates about nannies, “helicopter mothers,” incarcerated mothers, Sudden Infant Death Syndrome; and much, much more. Read and subscribe to Parapraxis here: https://www.parapraxismagazine.com/Learn more about the Psychosocial Foundation here: https://www.thepsychosocialfoundation.org/Mother Media is available here: https://mitpress.mit.edu/9780262049559/mother-media/An excerpt from Mother Media in the Los Angeles Review of Books: https://lareviewofbooks.org/article/the-heir-conditioner/Zeavin, “Composite Case: The Fate of the Children of Psychoanalysis”: https://www.parapraxismagazine.com/articles/composite-caseZeavin, “Unfree Associations”: https://www.nplusonemag.com/issue-42/essays/unfree-associations/Zeavin, “Parallel Processes”: https://www.nplusonemag.com/issue-49/politics/parallel-processes/A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:Linktree: https://linktr.ee/OrdinaryUnhappinessTwitter: @UnhappinessPodInstagram: @OrdinaryUnhappinessPatreon: patreon.com/OrdinaryUnhappinessTheme song:Formal Chicken - Gnossienne No. 1https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxOProvided by Fruits Music

Nancy Kricorian, who was born and raised in the Armenian community of Watertown, Massachusetts, is the author of four novels about post- genocide Armenian diaspora experience, including Zabelle, which was translated into seven languages, was adapted as a play, and has been continuously in print since 1998. Her essays and poems have appeared in The Los Angeles Review of Books Quarterly, Guernica, Parnassus, Minnesota Review, The Mississippi Review, and other journals. She has taught at Barnard, Columbia, Yale, and New York University, as well as for Teacher & Writers Collaborative in the New York City Public Schools and for the Palestine Writing Workshop in Birzeit. She has been the recipient of a New York Foundation for the Arts Fellowship, a Gold Medal from the Writers Union of Armenia, and the Anahid Literary Award. She lives in New York City. 

In Part 1 of our discussion on Edith Wharton's The Age of Innocence, we welcome editor Sheila Liming to discuss the author's friendship with Henry James, a culture of elitism in New York, and the ironic meaning of "innocence" in the novel. Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney's, and The Chronicle Review. To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

In this episode of The Poetry Vlog (TPV), author and artist Jessica Tanck reads from her book Winter Here (UGA Press, 2024) to lead a discussion on the beauty of contrast, the battle to resist conformity, and the importance of queer community.Jessica Tanck is the author of Winter Here (UGA Press, 2024), winner of the 2022 Georgia Poetry Prize. She holds degrees from the University of Wisconsin-Madison and the University of Illinois at Urbana-Champaign, where she completed a B.A. in English Literature - Creative Writing and Comparative Literature and an M.F.A. in Creative Writing - Poetry. Her work appears or is forthcoming in The Adroit Journal, Alaska Quarterly Review, Beloit Poetry Journal, Blackbird, Colorado Review, DIAGRAM, Gulf Coast, Kenyon Review, The Los Angeles Review, Meridian, New England Review, New Ohio Review, Ninth Letter, Waxwing, and others. Jess was born in Chicago, IL, but grew up in Sheboygan, WI, on the shores of Lake Michigan. The recipient of a Vice Presidential Fellowship and a Clarence Snow Memorial Fellowship, Jess lives and writes in Salt Lake City, where she is a Ph.D. candidate in English Literature and Creative Writing at the University of Utah. She served as the 2022-2023 Editor of Quarterly West, where she is currently guest-editing a special issue on “Extreme Environments”— a central concern of hers, as well as the focus of her doctoral dissertation and the reading for her qualifying exams.Learn more about Jess at:✔︎ https://www.jessicatanck.com/

Interview with a Debut Author  This January, we spoke with the author of Dear Miss Perkins: A Story of Frances Perkins's Efforts to Aid Refugees from Nazi Germany. Released on January 21, 2025, this new book is a fascinating portrait of the progressive female trailblazer and US Secretary for Labor who navigated the foreboding rise of Nazism in her battle to make America a safer place for refugees. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the Immigration and Naturalization Service—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” This outstanding, inspiring new narrative of the first woman to serve in a president's cabinet reveals the full, never-before-told story of her role in saving Jewish refugees during the Nazi regime. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Dr. Rebecca Brenner Graham is a postdoctoral research associate at Brown University who has a PhD in history from American University. She previously taught at the Madeira School and American University. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere.  Interviewer Jennie B. Ziegler, Assistant Chair of English at the University of North Florida, completed her M.F.A. in Nonfiction at the University of Arizona. Her work has been published in the University of Texas' Bat City Review, New York University's The Washington Square Review, Bending Genres, Roanoke Review, Squawk Back, MAYDAY Magazine, The Normal School, Essay Daily, and the Appalachian Review, among other outlets. She often focuses on history, the body, folklore, region, science, and identity in her lyric essays. Currently, she is working on Still-Wilds, a collaborative collection of photography and essays that document the preserved areas of Northeast Florida. Find more of her work at jennieziegler.com. Read the book Check out Rebecca's debut novel from the Library: https://jaxpl.na4.iiivega.com/search?query=Rebecca%20Brenner%20Graham&searchType=agent&pageSize=10  Did you know that all of our Lit Chat authors' books count toward your Jax Stacks Reading Challenge completion? Find out what authors we're hosting this month and join in on the fun! Rebecca Recommends Never Caught by Erica Armstrong Dunbar Red Comet by Heather Clark Dolls of Our Lives by Mary Mahoney and Allison Horrocks --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

CELEBRATING JACK COLWELLSydney-based singer songwriter Jack Colwell was an accomplished artist and musician who worked extensively within the music industry. He released one studio album, Swan Dream, in 2020 - five years after his single, Don't Cry Those Tears, was produced by Sarah Blasko and lauded as one of the best Australian releases of the year. Jack died at the age of 34 in 2024 after struggling for a long time with his mental health.Celebrating Jack's far too short life is his dear friend Sam Twyford-Moore who was with him for much of that time. Sam is a writer who has contributed to a wide range of publications, including the Monthly, and the Los Angeles Review of Books. Sam's also the author of The Rapids: Ways of Looking at Mania and Cast Mates: Australian Actors in Hollywood and at Home.TW: Suicide, mental health.Instagram (IG @JvckColwell)Instagram (IG @SamTwyfordMoore)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Camilla McKewen (IG @CamillaLucyLucy)and Rhys Graham (IG @RhysJGraham)Drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ Hosted on Acast. See acast.com/privacy for more information.

Diverse Voices Book Review host Hopeton Hay interviewed Fernando A. Flores, author of the novel Brother Brontë. Set in Texas in 2038, it is a dark tale of a future where books are burned, the libraries are closed, and your neighbor may turn you in for having books. In the interview, Flores said, "...for those of us who have traveled to the valley by car, we've been through Three Rivers many times. And it's frightening because you posit an authoritarian police city-state with people that are coopted by the city-state, with people that resist the city-state, and with people that are just trying to get by, like our protagonist, Naftali, who's just trying to get by. And I say it's, it's a little bit frightening because of, you know, if, if you look at where we are today and where we could be in 13 years...I'm hoping it's not...prescient..."Fernando A. Flores was born in Reynosa, Tamaulipas, Mexico, and grew up in South Texas. He is the author of the collections Death to the Bullshit Artists of South Texas and Valleyesque and the novel Tears of the Trufflepig, which was long-listed for the Center for Fiction First Novel Prize and named a best book of 2019 by Tor.com. His fiction has appeared in the Los Angeles Review of Books Quarterly, American Short Fiction, Ploughshares, Frieze, Porter House Review, and elsewhere. He lives in Austin, Texas.  Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Twitter - @diversebookshay Email: hbh@diversevoicesbookreview.com 

In Dirty Dancing, Baby Houseman heads to the Catskills for some good old-fashioned family bonding and accidentally ends up in the arms of a sexy dance instructor—and in the middle of a very real conversation about class, abortion, and rebellion. This week, we had the time of our LIFE with Steph Herold—repro researcher, cultural critic, and abortion advocate—talking class politics, Penny's storyline, and why Dirty Dancing is secretly a movie about choosing community over cool guys (even if the cool guy looks like Patrick Swayze ;). GUEST DETAILS Steph Herold is a researcher at Advancing New Standards in Reproductive Health, where she leads the Abortion Onscreen project, studying how abortion is depicted on U.S. television and film. Steph has worked at abortion clinics, abortion funds, and in abortion policy, and has co-authored both peer-reviewed papers grey literature papers on abortion stigma, abortion storytelling, and abortion in popular culture. Her writing has appeared in the New York Times, The American Prospect, the Los Angeles Review of Books, and many other outlets.  CONNECT WITH US Instagram: @sexedwithdbpodcast TikTok: @sexedwithdbTwitter: @sexedwithdb Threads: @sexedwithdbpodcast YouTube: Sex Ed with DB ROM-COM VOM SEASON 11 SPONSORS: Lion's Den, Uberlube, Magic Wand, & Arya. carafem offers expert abortion care that's personalized to you, whether you are currently pregnant or want to have pills on hand in case of an unexpected pregnancy in the future. With abortion pills by mail, video visits, or in-office options, they'll show you that not only is great abortion care available, but you deserve it without question. Learn more about carafem and get care here: https://carafem.org/ Get discounts on all of DB's favorite things here! GET IN TOUCH Email: sexedwithdb@gmail.comSubscribe to our newsletter for behind-the-scenes content and answers to your sexual health questions! FOR SEXUAL HEALTH PROFESSIONALS Check out DB's workshop: "Building A Profitable Online Sexual Health Brand" ABOUT THE SHOW Sex Ed with DB is your go-to podcast for smart, science-backed sex education—delivering trusted insights from top experts on sex, sexuality, and pleasure. Empowering, inclusive, and grounded in real science, it's the sex ed you've always wanted. SEASON 11 TEAM Creator, Host & Executive Producer: Danielle Bezalel (DB) Producer: Sadie Lidji Communications Lead: Cathren Cohen Logo Design: Evie Plumb (@cliterallythebest)

Host Jason Blitman talks to Sameer Pandya (Our Beautiful Boys) about his affinity for textiles and half-sleeve shirts, the surprising phase Sameer went through in school, and the best time in a party to play Butt Darts. Jason is then joined by Guest Gay Reader, prolific author Emma Donoghue who shares what she's been reading and talks about her new book, The Paris Express.Our Beautiful Boys and The Paris Express are both on sale now. Sameer Pandya is the author of the novel Members Only, a finalist for the California Book Award and an NPR “Books We Love” of 2020, and the story collection The Blind Writer, longlisted for the PEN/Open Book Award. His cultural criticism has appeared in a range of publications, including the Los Angeles Review of Books, The Atlantic, Salon, and Sports Illustrated. A recipient of the PEN/Civitella Fellowship, he is currently an associate professor of Asian American studies at the University of California, Santa Barbara.Emma Donoghue is the author of sixteen novels, including the award-winning national bestseller Room, the basis for the acclaimed film of the same name. Her latest novel is The Paris Express. She has also written the screenplays for Room and The Wonder and nine stage plays. Her next film (adapted with Philippa Lowthorpe from Helen Macdonald's memoir) is H Is for Hawk. Born in Dublin, she lives in Ontario with her family. Find out more at EmmaDonoghue.com.BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com SUBSTACK!https://gaysreading.substack.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

On Thursday, we featured a conversation with Red Scare author Clay Risen about Joe McCarthy, Donald Trump and the Paranoid Style of American History. Today our subject is one of the best known victims of McCarthyism - the German writer Thomas Mann. In His Liberties essay “Mannhood: The Coming Revival of Democracy,” Morten Hoi Jensen writes about how Mann, as an exile from Nazi Germany, toured the United States in the spring of 1938 lecturing in support of New Deal democracy. Thomas Mann's brave defense of American democracy might now appear as a model for dissenting intellectuals in Trump's America. Especially since Mann himself became a victim of the anti communist witch hunt after the War. Here are the five KEEN ON takeways in our conversation with Morten Hoi Jensen about Thomas Mann:* Thomas Mann was initially a conservative artist who became an advocate for democracy as he witnessed the rise of fascism in Germany. His political views evolved significantly from his earlier "apolitical" stance to becoming an outspoken critic of Nazism.* Mann's 1938 book and lecture tour "The Coming Victory of Democracy" warned Americans that democracy was vulnerable even in the United States. He saw parallels between pre-Nazi Germany and aspects of American society, which later contributed to his decision to leave the US during the McCarthy era.* Mann became a victim of McCarthyism in the 1950s. He was labeled as a "premature anti-fascist" by American reactionaries despite his prominence as a Nobel Prize-winning author who had been welcomed to America and had even visited the White House during the Roosevelt administration.* Throughout his life and work, Mann engaged in intense self-criticism and introspection about Germany's descent into fascism. Unlike many other political commentators, he looked inward and questioned his own early nationalistic writings, wondering if he had inadvertently contributed to Nazi ideology.* Mann's approach to politics was always that of an artist rather than a political analyst. His views were complex and often contradictory, yet his willingness to engage with difficult political questions through both his fiction (particularly in "Doctor Faustus") and his public speaking made him an important moral voice during a tumultuous period in history.Morten Hoi Jensen is the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen, which was published by Yale University Press in 2017 with a foreword by James Wood. His writing has appeared in The Washington Post, The New York Review of Books, Liberties: A Journal of Culture and Politics, The Literary Review, The Los Angeles Review of Books, The Point, The New Republic, The Wall Street Journal, and Commonweal, among other publications. He is represented by Max Moorhead at Massie & McQuilkin.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Sarah Chihaya is the author of the memoir Bibliophobia, available from Random House. It is the official March 2025 pick of the Otherppl Book Club. Chihaya is a book critic, essayist, and editor. Her work has appeared in The New Yorker, The New York Review of Books, The Nation, New York magazine, The Atlantic, andThe Yale Review, among other places, and she is the co-author of The Ferrante Letters: An Experiment in Collective Criticism. She has taught at Princeton University, New York University, and UC Berkeley. She is currently a contributing editor at Los Angeles Review of Books and lives in Brooklyn. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram  TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Long-time views of the show know that I've always been skeptical of equating Trump/MAGA with European fascism. I've always thought it historically facile and misleading. But I'm beginning to change my mind. Take, for example, David Masciotra's thoughts on Trump's “ravenous bigotry” toward the trans community. As Masciotra warns, this is the kind of organized, willful persecution of powerless minorities that fascist parties openly pursued while in power. Meanwhile, as Masciotra notes, prominent Dems like Gavin Newsom are staging a “shameful retreat” on trans rights and inviting neo-fascists like Steve Bannon onto their podcast shows. And then there's Schumer. Oy.Here are the five KEEN ON AMERICA takeaways with our conversation with Masciotra* Democrats' retreat on trans rights: Masciotra argues that Democrats, including figures like Gavin Newsom and Rahm Emanuel, are retreating from defending transgender rights after the election loss, which he views as both a moral failure and a strategic mistake.* Targeted anti-trans rhetoric: According to Masciotra, 41% of Trump's campaign ads specifically targeted transgender Americans, demonstrating how the issue has been deliberately weaponized for political purposes despite transgender people making up less than 1% of the population.* Trans rights as the "first course": Masciotra warns that "bigotry is ravenous," suggesting that abandoning transgender rights opens the door to attacks on other minority groups, comparing it to a restaurant menu where "trans people are the first course."* Democratic leadership criticism: David Masciotra is highly critical of Democratic leadership, particularly Chuck Schumer, whom he describes as "pathetic" and "inert" in his response to Trump's policies, with Masciotra noting a generational divide in the party's approach to resistance.* Authoritarian tactics and erasure: Masciotra discusses concerning developments like the National Park Service removing transgender references from Stonewall Rebellion information, which he characterizes as a "totalitarian termination of knowledge" mirroring authoritarian tactics described in Orwell's 1984.David Masciotra is an author, lecturer, and journalist. He is the author of Exurbia Now: The Battleground of American Democracy (Melville House Publishing, 2024) I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese and Greek. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

A Book About Motherhood and The Love That Binds a Family  Dorothy Moy breaks her own heart for a living. As Washington's former poet laureate, that's how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has truly come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help. The Many Daughters of Afong Moy was an instant New York Times bestseller and a Read with Jenna Today Show Book Club Pick. About the Author Jamie Ford is a New York Times bestselling novelist and award-winning writer most widely known for his Seattle-based novels.  His debut, Hotel on the Corner of Bitter and Sweet, spent two years on the New York Times bestseller list and won the Asian/Pacific American Award for Literature. This multi-cultural tale was adapted by Book-It Repertory Theatre, and has recently been optioned for a stage musical, and also for film, with George Takei serving as Executive Producer.  His short story work has been published in multiple anthologies, from Asian-themed steampunk set in Seattle in the "Apocalypse Triptych," to stories exploring the universe of masked marvels and caped crusaders from an Asian American perspective in "Secret Identities: The first Asian American Superhero Anthology," and "Shattered: The Asian American Comics Anthology."  His essays on race, identity, love, heroes, and complex families have been published nationwide and his work has been translated into 35 languages. He says he's holding out for Klingon, because that's when you know you've made it. Read His Books Check out Jamie's books from the Library: https://jaxpl.na4.iiivega.com/search?query=Jamie%20Ford&searchType=agent&pageSize=10  Interviewer C.H. Hooks is the author of the novels Can't Shake the Dust and Alligator Zoo-Park Magic. His work has appeared in publications including: "The Los Angeles Review," "American Short Fiction," "Four Way Review," "The Tampa Review," "The Bitter Southerner," "Writer's Digest," and "Craft Literary." He was a Tennessee Williams Scholar at Sewanee Writers' Conference and attended DISQUIET: Dzanc Books International Literary Program in Lisbon. He teaches at Flagler College in St. Augustine, Florida. Did you know that all of our Lit Chat authors' books count toward your Jax Stacks Reading Challenge completion? Find out what authors we're hosting this month and join in on the fun: https://jaxpubliclibrary.libnet.info/events?term=lit+chat&n=180&r=days  --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

Americans have come to assume that heavy medical debt, unaffordable housing and lack of quality child care are normal features of life. Is there another way?Journalist Natasha Hakimi Zapata traveled the world to find out how other countries are solving problems that plague the United States. From housing, climate change and public education, to addiction and health care, Hakimi Zapata found innovative and affordable approaches that do better. She reports on her globetrotting investigation in her new book, “Another World Is Possible: Lessons for America from Around the Globe.”Natasha Hakimi Zapata is an award-winning journalist, university lecturer and translator. She is the former foreign editor of Truthdig, and her work has appeared in The Nation, Los Angeles Review of Books, In These Times and elsewhere.Hakimi Zapata said she “took a crib-to-crypt approach to policy,” including a look at universal healthcare in the UK, family friendly policies in Norway, "public-housing-for-all in Singapore, universal public education in Finland, drug decriminalization in Portugal, ...internet as a human right policies in Estonia, renewable energy transition in Uruguay, biodiversity protections in Costa Rica, and then finally, sort of the end of a lifetime, with universal non-contributory pensions in New Zealand.”Hakimi Zapata spoke about Portugal's decision in 2000 to decriminalize personal drug possession. “Not only did addiction rates fall — overdose deaths fell, HIV/AIDS rates fell, but so did drug use.”Portugal has demonstrated that “if you treat this as a public health issue … you allow people to reach out for help without the fear of incarceration.”Hakimi Zapata noted, “There's this myth at the core of American society that somehow places like Norway can afford these great policies because everyone pays more taxes. And the truth is they have a more progressive stepped tax system than we do. They do not have off ramps for the wealthiest Americans or corporations to pay less, or nothing, like we do in the US.”Hakimi Zapata insisted that progressive social policies often take root in difficult times. The National Health Service in the UK came “out of the ashes of World War II. You have Uruguay's renewable grid transition coming out of long periods of literal darkness in which they couldn't keep the lights on in their own country.”“At this moment, remember that things can change for the better nearly as quickly as they can change for the worse, and we can still make things better.”

Tom Zoellner, award-winning writer and Chapman University professor, joins AMSEcast to discuss his book Uranium: War, Energy and the Rock that Shaped the World. He and Alan discuss the discovery of uranium, its radioactive nature, and its historical impact. Once dismissed as worthless by miners, uranium became vital to energy and warfare. The U.S. uranium rush peaked in the 1950s but has since declined. Today, uranium enrichment is expanding in the U.S., with major players like Orano investing in Oak Ridge.     Guest Bio Tom Zoellner is an award-winning writer and the author of nine books, including Uranium: War, Energy and the Rock that Shaped the World. His work has appeared in The Atlantic, Time, and Scientific American, among other publications. A former staff writer for The Arizona Republic and The San Francisco Chronicle, Tom brings deep expertise in history, science, and investigative journalism. He currently teaches at Chapman University and serves as editor at large for the Los Angeles Review of Books.       Show Highlights (1:28) Why is uranium radioactive and what does that mean? (3:09) How uranium was discovered (5:51) The American uranium rush (9:13) Where the uranium used in the Manhattan Project came from (11:17) How uranium supplies and facilities that use them around the world are controlled (13:35) How the nation of Georgia became the crossroads for uranium smuggling (15:29) Where uranium is currently being enriched and how it affects national security (18:02) What's next for Tom Zoellner     Links Referenced Uranium: War, Energy and the Rock that Shaped the World: https://www.amazon.com/Uranium-Energy-Rock-Shaped-World/dp/0670020648

Is who we are shaped more by nature or nurture? It's a question science has grappled with for years. In this week's episode, both of our storytellers dive into their family histories to explore how the people and experiences that came before them continue to shape who they are today. Part 1: As a teenager, Mark Pagan worries that having an old dad is affecting his social development. Part 2: Curious about his DNA, Christopher Rivas takes his father on a journey to the Dominican Republic to learn about his family history. Mark Pagán is an award-winning producer, writer, and editor for non-fiction podcasts and film. He is the creator and host of the critically acclaimed show Other Men Need Help. His work has been featured on Latino USA, Radiotopia, On the Media, 99 Percent Invisible, Code Switch, among others. His films and performances have been shown at dozens of festivals and shows worldwide including Slamdance Film Festival, Maryland Film Festival, RISK!, The Moth, and Story Collider. Mark's work has been nominated for a Peabody, has made The Atlantic, The New York Times, The New Yorker annual “best of” lists, and has been recognized by Vulture, TIME Magazine, CBC, Los Angeles Review of Books, and The Financial Times. Before working in digital media, Mark was a teacher, social worker, comedian, part-time mascot, and bboy. He currently lives in NYC with his wife and an emo pit bull named Soca. Christopher Rivas is quickly becoming one of the most sought after multi-hyphenates as an actor, author, podcaster, and storyteller. His book Brown Enough, explores what it means to be Brown in a Black/white world. The book is part memoir and part social commentary. He also hosts two podcast series with SiriusXM's Stitcher: Brown Enough, which explores the parallel themes of this book through interview-style episodes; and Rubirosa, a 10-episode documentary-style investigation of Porfirio Rubirosa, a Dominican diplomat, race car driver, soldier and polo player who is believed to be the inspiration for the famous character ‘James Bond'. On screen, Rivas is known for his work on the Fox series, Call Me Kat, opposite Mayim Bialik, Leslie Jordan, Kyla Pratt and Cheyenne Jackson. Learn more about your ad choices. Visit megaphone.fm/adchoices

  Navigating Grief as Venus descends into the Underworld, and we with her, to bring back skookum leadership to the 2 leggeds…. Caroline welcomes part 2 Eiren Caffall, and “All the Water in the World,” a novel that makes its way into our dreams, navigating the grief of a collapsing world…. resonant – pertinent to us all now…. “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. EirenCaffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, and other publications. https://www.eirencaffall.com/the-weight-of-all-the-water-in-the-world/     *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief Part II appeared first on KPFA.

  Navigating Grief May collapse make us all kinder and kinned…. Caroline welcomes the return of Eiren Caffall, author of “the Mourner's Bestiary,” And now, her novel, “All the Water in the World,' “The World As it Was” “The World As It Is” And the World that is coming for all of us…. Eiren Caffall is a writer and musician. Her work on loss, oceans, and extinction has appeared in Orion, Writer's Digest, Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and the anthology Elementals: Volume IV. Fire, (The Center for Humans and Nature, 2024). She received a 2023 Whiting Creative Nonfiction Grant, a Social Justice News Nexus fellowship, and residencies at the Banff Centre, Millay Colony, Hedgebrook, and Ragdale. Her books include her memoir The Mourner's Bestiary (Row House Publishing, 2024) and her novel All the Water in the World (St. Martin's Press, 2025).       *Woof*Woof*Wanna*Play?!?* · www.CoyoteNetworkNews.com · The Visionary Activist Show on Patreon The post The Visionary Activist Show – Navigating Grief appeared first on KPFA.

The Academy Awards take place on Sunday, March 2, bringing a strange and wonderful year in cinema—and an awards race filled with surprises and scandals—to an end. Will Emilia Perez win prizes despite the controversy surrounding its lead actress? Will Timothée Chalamet as Bob Dylan beat Adrien Brody as a brutalist architect in the Best Actor category? Will Oscar voters penalize films for using too much AI? We don't have all the answers to these pressing questions but, as usual, we do have a lot of opinions and (probably inaccurate) predictions. To sound those out, Film Comment editors Devika Girish and Clinton Krute joined Los Angeles Review of Books editors Eric Newman and Paul Thompson on their Radio Hour program to hotly debate the relative merits of Anora, Nickel Boys, Conclave, A Complete Unknown, The Brutalist, and other films vying for a statuette or two on Sunday.

******Support the channel****** Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao   ******Follow me on****** Website: https://www.thedissenter.net/ The Dissenter Goodreads list: https://shorturl.at/7BMoB Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://x.com/TheDissenterYT   This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/   Dr. Costica Bradatan is a Professor of Humanities in the Honors College at Texas Tech University, USA, and an Honorary Research Professor of Philosophy at University of Queensland, Australia. Dr. Bradatan is the author and editor of more than a dozen books, among which In Praise of Failure: Four Lessons in Humility (2023). He is currently at work on two new book projects: Against Conformity and The Prince and the Hermit. He is the Philosophy/Religion Editor for the Los Angeles Review of Books, and the founding editor of two book series: “Philosophical Filmmakers” (Bloomsbury) and “No Limits” (Columbia University Press).   In this episode, we focus on In Praise of Failure. We discuss what failure is, and then go through four different kinds of failure: physical failure, political failure, social failure, and biological failure. We discuss what we can learn from failure. Finally, we talk about a failure-based therapy. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, NIKLAS CARLSSON, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, ALEXANDER HUBBARD, BR, MASOUD ALIMOHAMMADI, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, ERIK ENGMAN, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, STARRY, MAURO JÚNIOR, 航 豊川, TONY BARRETT, BENJAMIN GELBART, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, AND TED FARRIS! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!

In this episode of Words on a Wire, host Will Rose sits down with author Luis Jaramillo to discuss his novel The Witches of El Paso. Jaramillo delves into his connection to El Paso, a city that has inspired his storytelling through family history, cultural richness, and a sense of magic woven into everyday life. He shares insights into his writing process, the influence of the region's bicultural and historical landscape, and how the supernatural elements in his book reflect the blurred borders—both literal and figurative—that define the city.Luis Jaramillo is also the author of the award-winning short story collection The Doctor's Wife. His writing has appeared in LitHub, BOMB Magazine, Los Angeles Review of Books, and other publications. He is an assistant professor of creative writing at The New School. He received an undergraduate degree from Stanford University and an MFA from The New School.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We're back talking about the recently-released Babygirl, directed by Dutch actor-turned-director Halina Reijn. Despite some initial apprehensions based on the discourse and reviews from trusted sources, we both found the film to be a stylish, funny, and intelligent examination of desire, kink, and the ways that the patriarchy suppresses and rejects expressions of female pleasure that are incongruent with the capitalist guardrails of our culture.We begin by discussing the film's nimble balancing of aesthetic impulses which heighten the proceeding's with a sense of hyperreality without sacrificing the story's emotional core. Then, we praise the magnetic work of Nicole Kidman, and the nuances of her performance and character: a high-powered woman caught in the ideological trap of patriarchy that grants her material success while demanding that she stifle her corporeal desires, judging them as aberrant, even wicked. Finally, we explore the film's thoughtful approach to the nature of sexuality and erotic experience, finding compelling layers of meaning and understanding often missing from today's films.Read Justine Peres Smith on Babygirl for Cult MTL.Read Jourdain Searles on Babygirl for the Los Angeles Review of Books.Pre-Order Xuanlin Tham's Revolutionary Desires from 404Ink.....Our theme song is "Mirror" by Chris Fish.

Notes and Links to Lamya H's Work        Lamya H (she/they) is a queer Muslim writer and organizer living in New York City. Their memoir HIJAB BUTCH BLUES (February, 2023 from Dial Press/Penguin Randomhouse) won the Brooklyn Public Library Book Prize and a Stonewall Non-fiction Book Award, and was a finalist for Lambda Literary and Publishing Triangle Awards. Lamya's work has appeared in Los Angeles Review of Books, Salon, Autostraddle, Vice, and others. She has received fellowships from Lambda Literary and Queer|Arts.      Lamya's organizing work centers around creating spaces for LGBTQ+ Muslims, fighting Islamophobia, Palestine and prison abolition. In her free time, she eats lots of desserts baked by her partner, plays board games with whoever she can corral, and works on her goal of traveling to every subway stop in the city. She has never run a marathon.    Find her on Twitter and IG: @lamyaisangry Buy Hijab Butch Blues   Lamya H's Website   Book Review for Hijab Butch Blues from NPR   At about 2:20: Lamya shouts out Dominion as a top-tier board game and talks about flickering hopes of running a marathon  At about 5:35, Lamya talks about reading and writing and speaking in multiple languages growing up, as well as reading a lot of colonial texts from the British Empire At about 7:30, Lamya talks about beijing “flabbergasted” by the great White Teeth at age 15  At about 9:30, Lamya uses the evocative image of “fish not understanding that they're in water” in responding to Pete's questions about how she recognized representation and colonial tropes in lit At about 11:10, Lamya cites formative and transformative texts and authors in her adolescent year  At about 13:55, Lamya discusses early sparks for activism through a friend's introduction of Audre Lorde, Angela Davis, and more At about 15:15, Lamya responds to Pete's questions about her current reading, including her love for Huda F's work At about 18:45, Lamya responds to Pete's questions about her usage of “queer” and the titular “butch” At about 22:30, The two discuss a meaningful Quranic verse that starts off the book-Lamya explains ideas of “faith in flux” At about 25:00, Lamya gives background on surahs and a significant part of her book discussing Maryam's life and trials At about 26:45, Lamya discusses boredom in the high school years and how she felt connections to Maryam At about 29:45, Lamya responds to Pete's questions about feeling like life “is out of your control” as a teenager/high schooler At about 30:45, Lamya explains feelings of internalizing queerness upon experiencing a crush at age 14 At about 34:50, Lamya describes the importance of Quranic verses involving Maryam and “intentionality” and taqwa At about 38:00, Lamya responds to Pete's questions about the “Arab hierarchy” that she experienced as a kid, and the ways in which she and her family were targets of racism At about 41:40, Lamya details many meanings of “jinn” and describes its usage in her memoir At about 43:40, Lamya describes a friend “jumpstarting” a repudiation of internalized racism  At about 45:15, Lamya gives background on Allah and ideas of “transcending” gender  At about 49:00, The two discuss “rigid gender roles” as featured in the memoir, as well as connections to the Biblical Adam At about 50:00, Lamya outlines a offbeat “outing” experience  At about 51:30, Pete describe Musa's connections to Lamya's “coming out slowly process” and asks Lamya to comment-she talks about “reframing the negative” At about 53:45, Lamya cites “inviting in” as a way of reframing the “coming out” trope At about 55:35, Pete shouts out Christina Cooke's quote of queerness as “divine” At about 56:25, The two discuss empathetic and sensitive friends  At about 57:10, The Prophet Muhammed and connections to fealty and openness of fath and individuality are discussed At about 59:50, The two discuss “being “comfortable” in one's own skin and finding community At about 1:00:45, Lamya responds to Pete's questions about Asiya and those who encourage and perpetuate victimizers, including about ideas of citizenship in a country that has so often victimized  At about 1:03:40, Pete shouts out great “plot” in the book and a dizzying scene painted so well by Lamya At about 1:05:30: Lamya talks about hopes that her book and story can be universal while it is quite specific   At about 1:07:00, Lamya encourages people to “buy local”          You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, my conversation with Episode 265 guest Carvell Wallace is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 273 with Raúl Perez. He is an Associate Professor of Sociology at University of La Verne and the author of The Souls of White Jokes: How Racist Humor Fuels White Supremacy. His work has been published in American Behavioral Scientist, Discourse and Society, Ethnicities, and Sociological Perspectives, and featured in Time, The Grio, Latino Rebels, and Zócalo Public Square.    The episode airs on February 25.

Hang onto your slipcases because Blake Howard (One Heat Minute Productions) and special guest Scout Tafoya (author of The Black Book: An Anthony Mann Reader) collaborate to dissect CRITERION COLLECTION physical media releases.Winchester '73Noirish shadows spread across the frontier in this landmark western, the first of the celebrated collaborations between director Anthony Mann and actor James Stewart that redefined the genre with their moral and psychological intensity. Beginning his midcareer transition into increasingly edgy roles, Stewart portrays an avenging sharpshooter whose stolen rifle becomes a harbinger of death as it is passed from one doomed hand to the next. Featuring a stellar cast that includes a touching Shelley Winters, a sensationally sleazy Dan Duryea, and a pre-stardom Rock Hudson, this elemental tale of violence begetting violence broke new ground with its evocation of the West as a no-man's-land of antiheroes and villains.4K UHD + BLU-RAY SPECIAL EDITION FEATURESNew 4K digital restoration, undertaken by Universal Pictures in collaboration with The Film Foundation, with uncompressed monaural soundtrackOne 4K UHD disc of the film and one Blu-ray with the film and special featuresAudio commentary featuring actor James Stewart and film historian Paul LindenschmidtNew interview with film programmer Adam Piron on the portrayal of Native Americans in the western genreForces of Nature: Anthony Mann at Universal, a program on a key chapter in the director's careerLux Radio Theatre adaptation of the film from 1951TrailerEnglish subtitles for the deaf and hard of hearingPlus: An essay by critic Imogen Sara SmithNew cover by Gregory ManchessScout Tafoya - Buy THE BLACK BOOK hereScout Tafoya is a film critic, video essayist, filmmaker, and author of Cinemaphagy: On The Psychedelic Classical Form of Tobe Hooper, the first book-length critical study of the director of "The Texas Chain Saw Massacre." Originally from Doylestown, PA, he is the creator of RogerEbert.com's The Unloved, the longest-running video essay series on the web, about movies in need of a second look. His writing has appeared in the Village Voice, Film Comment, Nylon Magazine, the Los Angeles Review of Books, and The Film Stage, among others. He is the director of over 25 feature films, including "Eyam," "House of Little Deaths," and "Beata Virgo Viscera," which debuted on RogerEbert.com. His features and his extensive video essay work can be found at Patreon.com/honorszombie.Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, “Trump L'Oeil,” here at the Los Angeles Review of Books.

Anita Felicelli's short stories have appeared in The Massachusetts Review, Midnight Breakfast, Air/Light, The Normal School, and elsewhere. She has contributed essays and criticism to the Washington Post, the Los Angeles Times, Alta Journal, Slate, San Francisco Chronicle, Los Angeles Review of Books, and the New York Times Modern Love column, among other places. Her short stories and poems have been anthologized and in 2023, one of her short stories was performed as part of Symphony Space's Selected Shorts. Her books include Chimerica: A Novel, the award-winning Love Songs for a Lost Continent and her new short story collection, How We Know Our Time Travelers, published by WTAW Press. Listen in as we discuss the benefit as a writer to being able to write across forms. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, “Trump L'Oeil,” at the Los Angeles Review of Books.

This is a free preview of a paid episode. To hear more, visit rethinkingwellness.substack.comNovelist, editor, and longtime friend of the pod Jonathan Vatner joins us to discuss his experience with a chronic autoimmune digestive condition, his ups and downs with diets and alternative medicine, nuances in the research on probiotics and acupuncture, the mind-body connection and how it's helped in his healing, and more. Behind the paywall, we get into how he came to develop acceptance for his chronic illness, how he's been able to take pleasure in food despite his digestive troubles, his appearance on Christy's first podcast way back in 2014, how his relationship with food has evolved, the new novel he's working on, and how he's rethought wellness after everything he's been through.Paid subscribers can hear the full interview, and the first half is available to all listeners. To upgrade to paid, go to rethinkingwellness.substack.com.Jonathan Vatner is the author of THE BRIDESMAIDS UNION (St. Martin's Press, 2022) and CARNEGIE HILL (Thomas Dunne Books, 2019). His fiction has earned praise from People, Town & Country, The New York Post, and the Los Angeles Review of Books. He is the managing editor of Hue, the magazine of the Fashion Institute of Technology, and teaches fiction writing at New York University and the Hudson Valley Writers Center. Learn more about his work at jonathanvatner.com.If you like this conversation, subscribe to hear lots more like it! Support the podcast by becoming a paid subscriber, and unlock great perks like extended interviews, subscriber-only Q&As, full access to our archives, commenting privileges and subscriber threads where you can connect with other listeners, and more. Learn more and sign up at rethinkingwellness.substack.com.Christy's second book, The Wellness Trap, is available wherever books are sold! Order it here, or ask for it in your favorite local bookstore. If you're looking to make peace with food and break free from diet and wellness culture, come check out Christy's Intuitive Eating Fundamentals online course.

In this week's episode, we are talking about the wildfires that have ravaged L.A. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA here. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery. 

Download my FREE 'Dick Magnet Subliminal Affirmations' at ⁠⁠⁠⁠⁠⁠⁠https://georgelizos.com/dickmagnet⁠⁠⁠In this episode of Can't Host, we dive deep into the labyrinth of modern queer intimacy with Manuel Betancourt, author of Hello Stranger. From fleeting connections in steamy bathhouses to poetic sexts and longing glances, we explore how ephemeral encounters teach us about ourselves in ways long-term relationships cannot. Manuel shares his insights on the evolution of liminal queer spaces in the age of apps, the intoxicating possibilities of strangers, and the surprising discoveries of embracing our inner “stranger.” Whether you're navigating throuples, redefining monogamy, or just curious about the magic of cuddle puddles, this conversation will leave you questioning what intimacy truly means in a digital world.ABOUT MANUEL BETANCOURTMANUEL BETANCOURT is a queer Colombian culture writer and film critic. His work has been featured in The New York Times, BuzzFeed Reader, Los Angeles Times, Film Quarterly, Los Angeles Review of Books and GQ Style, among others. Manuel is the author of The Male Gazed (Catapult, 2023), Judy Garland's Judy at Carnegie Hall (Bloomsbury Press, 2020), and a contributing writer to the Eisner Award-nominated graphic novel series, The Cardboard Kingdom (Knopf Books for Young Readers, 2018 & 2021).Hello Stranger book: https://a.co/d/6DR2Fh6Manuel's website: https://mbetancourtcom.wordpress.com/Manuel's Instagram: https://www.instagram.com/bmanuel/Manuel's first episode on the podcast (Toxic Masculinity Pop Culture Stereotypes): https://podcasts.apple.com/gb/podcast/cant-host-gay-bisexual-and-queer-mens-sex-and-relationships/id1653398819?i=1000632854071CONNECT WITH ME Instagram: ⁠⁠⁠⁠⁠⁠https://instagram.com/georgelizos/⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠https://georgelizos.com/⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@iamgeorgelizos⁠⁠⁠⁠⁠⁠Facebook Group: ⁠⁠⁠⁠⁠⁠http://www.yourspiritualtoolkit.com/⁠⁠⁠⁠⁠⁠ MY BOOKS Be The Guru: ⁠⁠⁠https://l.linklyhq.com/l/1TtCjLightworkers Gotta Work: ⁠⁠⁠https://l.linklyhq.com/l/1TmKfProtect Your Light: ⁠⁠⁠https://l.linklyhq.com/l/1TmJdSecrets of Greek Mysticism: ⁠⁠⁠https://l.linklyhq.com/l/1uPvrAncient Manifestation Secrets: https://2ly.link/1zCVg Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, we are talking about the wildfires that have ravaged LA. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA on lareviewofbooks.org. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery.

In light of the recent fires in Los Angeles, we're re-airing an episode featuring a panel discussion titled "Writing Climate Futures" with David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake. They discuss the role and efficacy of environmental writing, education, and the public discourse around climate change. The panel was hosted by the Los Angeles Review of Books in partnership with the Berggruen Institute.

Our book is: Dear Miss Perkins: A Story of Frances Perkins's Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president's cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins's early experiences working in Chicago's famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Secret Harvests Who Gets Believed Women's Activism and Sophonisba Breckinridge The House on Henry Street Leading from the Margins Hope for the Humanities PhD Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our book is: Dear Miss Perkins: A Story of Frances Perkins's Efforts To Aid Refugees from Nazi Germany (Citadel Press, 2025)  by Dr. Rebecca Brenner Graham, which is an inspiring new narrative of the first woman to serve in a president's cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. In March 1933, at the height of the Great Depression, Frances Perkins was appointed Secretary of Labor by FDR. As Hitler rose to power, thousands of German-Jewish refugees and their loved ones reached out to the INS—then part of the Department of Labor—applying for immigration to the United States, writing letters that began “Dear Miss Perkins . . .” Perkins's early experiences working in Chicago's famed Hull House and as a firsthand witness to the horrific Triangle Shirtwaist fire shaped her determination to advocate for immigrants and refugees. As Secretary of Labor, she wrestled widespread antisemitism and isolationism, finding creative ways to work around quotas and restrictive immigration laws. Diligent, resilient, empathetic, yet steadfast, she persisted on behalf of the desperate when others refused to act. Our guest is: Dr Rebecca Brenner Graham who is a postdoctoral research associate at Brown University. Previously, she taught at the Madeira School and American University. She has a PhD in history and an MA in public history from American University, and a BA in history and philosophy from Mount Holyoke College. In 2023, she was awarded a Cokie Roberts Fellowship from the National Archives Foundation and a Rubenstein Center Research Fellowship from the White House Historical Association. Her writing has been published in The Washington Post, Time, Slate, the Los Angeles Review of Books, and elsewhere. Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Secret Harvests Who Gets Believed Women's Activism and Sophonisba Breckinridge The House on Henry Street Leading from the Margins Hope for the Humanities PhD Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Eiren Caffall joins Let's Talk Memoir for a conversation about her generational experience of loss, coming out of the shadows about having an ill body, how polycystic kidney disease (PKD) has shaped her and her family's life, writing about the collapse of ecosystems in the Atlantic ocean, seamlessly weaving in narrative, historical, lyrical, scientific, and metaphorical threads, allowing our children to weigh in on stories that involve them, feeling all the places we're still wounded, depicting mother-daughter relationships with complexity, the umpteenth draft, form as key, holding two things in mind at once, reframing and understanding family dynamics, and her new memoir The Mourner's Bestiary.   Also in this episode: -remembering wonder and beauty in the face of destruction  -idosyncratic craft structures  -where we are in our stories   Books mentioned in this episode: -Shapes of Native Nonfiction Edited by Elissa Washuta and Theresa Warbuton -Meander Spiral Explode: Design and Pattern in Narrative by Jane Allison -Landmarks by Robert Mcfarlane   Eiren Caffall is a writer and musician. Her award-winning memoir, The Mourner's Bestiary, will be published by Row House Publishing in October 2024. Her novel, All the Water in the World will be published by Saint Martin's Press in 2025. An excerpt of her memoir will appear in Elementals: Volume IV. Fire forthcoming in 2024 from The Center for Humans and Nature. Her work on loss and nature, oceans and extinction has appeared in Guernica, The Los Angeles Review of Books, Literary Hub, Al Jazeera, The Rumpus, and three record albums. She received a Whiting Foundation Creative Nonfiction Grant in 2023 for The Mourner's Bestiary, a Social Justice News Nexus fellowship in environmental journalism at Northwestern University's Medill School of Journalism, and a Frontline: Environmental Reportage residency at the Banff Centre for the Arts. She has been awarded residencies at Millay Colony for the Arts, MacDowell Colony (waitlisted), Hedgebrook, and Ragdale. She has guest lectured at UCLA, University of Chicago, and other universities across America, taught creative writing for The Chicago Humanities Festival, taught a memoir body and place week-long masterclass for Story Studio in Chicago, and mentored graduate students at The School of the Art Institute of Chicago. Her work has been adapted into the award-winning short film Becoming Ocean, which screened at film festivals across the United States and in Amsterdam and Morocco.   Connect with Eiren: Website: www.eirencaffall.com Instagram: https://www.instagram.com/eirencaffall/ X: www.x.com/eirencaffall Substack: https://eirencaffall.substack.com Ronit's Upcoming Online 10-week Memoir Course with the University of Washington: https://www.pce.uw.edu/courses/memoir-writing-finding-your-story   Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson's anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts. Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur. Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments. Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house." Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Cities are fraught sites in the national imagination, turned into identity markers when “urban” and “rural” indicate tastes rather than places. Cities bring chaos, draining the lifeblood of the nation like a tick draws blood from its host, to paraphrase Thomas Jefferson's anti-urban polemics, which might have been written during any election year—centuries or months ago. Racism and anti-urbanism were born conjoined during the Revolution. Like their Atlantic coastal counterparts in the US North, Southern cities —similarly polyglot and cosmopolitan—resist the dominant, mutually inclusive prejudices of the nation that fails to contain them on its eroding, flooding coasts. Captive City: Meditations on Slavery in the Urban South (University of Pennsylvania Press, 2024) explores the paths of slavery in coastal cities, arguing that captivity haunts the “hospitality” cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the “post” in postindustrial and the “neo” in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur. Lightweis-Goff reveals how the preserved yet fragile landscapes of these cities are haunted—not simply by the ghost tours that are signature stops for travelers in their historic districts—but by the echoes of slavery in their economies and built environments. Jennie Lightweis-Goff is a scholar, lyric essayist, and, most essentially, a New Orleans flâneur. She is the author of two scholarly books, Blood at the Root and Captive City. Her essays have appeared in the major journals of U.S. literature, including Signs, American Literature, Mississippi Quarterly, minnesota review, and south. Her creative nonfiction has appeared in The Los Angeles Review of Books, The Point, Liberties, and at her Substack, The Butcher's Darling, where she writes on grief, precarious labor, sobriety, and intellectual work that was "born in the back of the house." Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nadia Colburn joins Let's Talk Memoir for a conversation about by tuning into our bodies to discover what we need to say, creating different cultural conversations about surviving trauma, tapping into our subconscious, coming out of secrets, how poetry can help us access material, not needing to share work until we're ready, what we learn from being in community with other writers, and her signature online course Align Your Story for Women.   Also in this episode: -mitigating shame  -how our bodies remember -meditation and dreamwork    Books mentioned in this episode: -The Diary of Anne Frank by Anne Frank -The Body Keeps the Score by Bessel van der Kolk  -Trauma and Recovery by Judith Lewis Herman -Educated by Tara Westover -Nothing Holds Back the Night by Delphine de Vigan  -The work of Annie Ernaux   Nadia Colburn is the author of the poetry books "I Say the Sky" and "The High Shelf", and her poetry and prose have appeared in more than eighty publications, including The New Yorker, American Poetry Review, The Kenyon Review, Spirituality & Health, Lion's Roar, Los Angeles Review of Books, and The Yale Review. She holds a Ph.D. in English from Columbia University, is a yoga teacher and serious student of Thich Nhat Hanh and is the founder of Align Your Story Writing School, which brings traditional literary and creative writing studies together with mindfulness, embodied practices, and social and environmental engagement. The school has a community of over 30,000 mindful writers. Nadia is passionate about helping her students reclaim their stories, come out of secrets, listen to their bodies, and embrace and step into their full creative voices, on and off the page. Nadia lives in Cambridge, Massachusetts, with her husband and two children. She is currently at work on a full-length memoir on pregnancy and early motherhood. Find her at nadiacolburn.com, where she offers meditations and free resources for writers. Connect with Nadia: Website: https://nadiacolburn.com/ Facebook: https://www.facebook.com/alignyourstory Instagram: https://www.instagram.com/nadia.colburn/ Free 5-Day Meditation & Writing Challenge: https://nadiacolburn.com/free-mindful-writing-challenge/ Free Resource Library for Writers: https://nadiacolburn.com/free-resources/ "I Say the Sky" on Amazon: https://www.amazon.com/Say-Sky-Poems-Contemporary-Poetry/dp/081319864X "I Say the Sky" from Kentucky Press: https://www.kentuckypress.com/9780813198637/i-say-the-sky/ 7-Day "I Say the Sky" Companion Meditation and Writing Challenge (free with book order -- just input book order number): https://nadiacolburn.com/7-day-new-year-practice/ Align Your Story for Women (Nadia's signature online course): https://nadiacolburn.com/align-your-story/   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches and edits memoir and is working on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

On Sunday, December 15th, a crowd of 50 people gathered at Zibby's Bookshop to listen to an intimate conversation between Elisa Albert and Zibby Owens. They discussed Elisa's book HUMAN BLUES, her writing process, Zibby's anthology ON BEING JEWISH NOW, and the controversy at the Albany Book Festival about which Elisa wrote a powerful essay entitled, "An Invitation to the Anti-Zionists: You refused to sit on a literary panel with me. I invite you to my Shabbes table instead, so we can actually talk to each other and face her fears." Spoiler: no one accepted her invitation. Bio:Elisa Albert is the author of the novels Human Blues, After Birth, The Book of Dahlia, the story collection How This Night is Different, and the essay collection The Snarling Girl. Her work has been published in n+1, Tin House, Bennington Review, The New York Times, Michigan Quarterly Review, The Literary Review, Philip Roth Studies, Paris Review, Los Angeles Review of Books, Longreads, The Cut, Time Magazine, Post Road, Gulf Coast, Commentary, Salon, Tablet, Washington Square, The Rumpus, The Believer and in many anthologies. She has taught creative writing at Columbia University's School of the Arts, The College of Saint Rose, Bennington College, Texas State University, University of Maine, and the Fine Arts Work Center in Provincetown. A Pushcart Prize nominee, finalist for the Sami Rohr Prize and Paterson Fiction Prize, winner of the Moment Magazine debut fiction prize, and Literary Death Match champion, Albert has served as Writer-in-Residence at the Netherlands Institute for Advanced Study in Holland and at the Hanse-Wissenschaftkolleg in Germany. Now there's more! Subscribe to Moms Don't Have Time to Read Books on Acast+ and get ad-free episodes. https://plus.acast.com/s/moms-dont-have-time-to-read-books. Hosted on Acast. See acast.com/privacy for more information.

Shane Harris makes no secret about his love for the film version of this Cold War submarine thriller, based on the Tom Clancy novel. It's his favorite movie. So he was delighted to welcome fellow obsessive Katherine Voyles to the podcast. A PhD in English, Voyles writes about national security in culture, as well as the culture of national security. She and Shane talked about why they love the movie, their favorite scenes and characters, and how the story influenced--maybe even created--an entire genre of fiction. They also discussed why it is, actually, a Christmas movie, and their mutual admiration for the martini. Voyles's writing has appeared in in the Los Angeles Review of Books, Foreign Policy, Task &Purpose, Small Wars Journal, and War on the Rocks. She also works for the Department of Defense. In addition to the greatest movie of all time, essays, TV shows, books, and restaurants discussed in this episode include: Colson Whitehead's “The Way We Live Now” https://www.nytimes.com/2001/11/11/magazine/the-way-we-live-now-11-11-01-lost-and-found.html Deutschland 83 https://www.imdb.com/title/tt4445154/ Garrett Graff's The Only Plane in the Sky https://www.simonandschuster.com/books/Only-Plane-in-the-Sky/Garrett-M-Graff/9781501182211 Lauren Wilkinson's American Spy https://www.penguinrandomhouse.com/books/253471/american-spy-by-lauren-wilkinson/ Saltie Girl https://www.saltiegirl.com/ Chatter is a production of Lawfare and Goat Rodeo. This episode was produced and edited by Cara Shillenn of Goat Rodeo. Podcast theme by David Priess, featuring music created using Groovepad.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

All of this week's episodes of It Could Happen Here put together in one large file.  Trump's Cabinet of Curiosities Anatomy of the Great Replacement Panic feat. Steven Monacelli & Dr. Michael Phillips The Death of Public Health Under RFK Jr. Delete Your Account? Safe Gun Ownership You can now listen to all Cool Zone Media shows, 100% ad-free through the Cooler Zone Media subscription, available exclusively on Apple Podcasts. So, open your Apple Podcasts app, search for “Cooler Zone Media” and subscribe today! http://apple.co/coolerzone  Sources: Trump's Cabinet of Curiosities https://meidasnews.com/news/trump-secretary-of-defense-nominee-pete-hegseth-called-for-a-righteous-holy-war https://www.nytimes.com/2024/11/13/us/politics/trump-defense-pete-hegseth.html https://www.politico.com/news/2024/11/13/kristi-noem-dhs-trump-policy-00189513 https://www.kenklippenstein.com/p/read-the-leaked-rubio-dossier?utm_source=post-email-title&publication_id=7677&post_id=151561577&utm_campaign=email-post-title&isFreemail=true&r=1aiy5i&triedRedirect=true&utm_medium=email https://bylinetimes.com/2019/10/03/islamophobic-world-view-of-tulsi-gabbards-guru-revealed-in-unearthed-recordings-can-she-still-run-for-president/  https://www.motherjones.com/politics/2024/11/tulsi-gabbard-dni-intelligence-trump-appointment/ https://www.nbcnews.com/politics/national-security/trumps-pick-top-intel-job-accused-traitorous-parroting-russian-propaga-rcna180073      https://decider.com/2020/08/04/the-swamp-matt-gaetz-truman-show-house/  https://abcnews.go.com/US/woman-testified-house-ethics-committee-gaetz-sex-17/story?id=115867555      https://www.forbes.com/sites/saradorn/2024/11/13/trumps-cabinet-picks-could-diminish-gops-already-thin-edge-in-congress-heres-what-to-know/  https://www.pbs.org/newshour/politics/trump-picks-john-ratcliffe-for-cia-director-heres-what-to-know https://newrepublic.com/post/188369/lee-zeldin-epa-trump https://newrepublic.com/post/188246/trump-border-czar-tom-homan?utm_campaign=SF_TNR&utm_medium=social&utm_source=Twitter  https://www.theatlantic.com/international/archive/2024/11/west-bank-annexation-evangelical/680658/  https://www.aljazeera.com/news/2024/11/12/trump-picks-pro-settlement-mike-huckabee-as-us-ambassador-to-israel  https://www.nbcnews.com/news/amp/rcna179826 https://www.politico.com/live-updates/2024/11/07/congress/donald-trump-transition-team-00186912  https://thehill.com/regulation/court-battles/4951768-linda-mcmahon-sued-wwe/ Anatomy of the Great Replacement Panic feat. Steven Monacelli & Dr. Michael Phillips Richard Wolin, "'The Leprosy of the Soul in Our Time': On The European Origins of the 'Great Replacement Theory," Los Angeles Review of Books, August 4, 2022, https://lareviewofbooks.org/article/the-leprosy-of-the-soul-in-our-time-on-the-european-origins-of-the-great-replacement-theory/ Richard Slotkin, Gunfighter Nation: The Myth of the Frontier in Twentieth Century America (University of Oklahoma Press, 1998), https://www.amazon.com/Gunfighter-Nation-Frontier-Twentieth-Century-America/dp/0806130318 The Death of Public Health Under RFK Jr. https://www.cnn.com/2023/07/13/politics/robert-kennedy-jr-chemicals-water-children-frogs/index.html https://time.com/7177027/rfk-jr-hhs-secretary-trump-public-health/ https://www.additudemag.com/adderall-shortage-dea-stimulants-adhd-medication/ https://futurism.com/neoscope/rfk-jr-adderall-labor-camps https://thehill.com/homenews/4993660-robert-f-kennedy-trump-health-human-services/ https://www.reuters.com/world/us/woman-who-accused-rfk-jr-sexual-assault-says-he-apologized-by-text-2024-07-12/ https://www.yahoo.com/news/rfk-jr-war-vaccines-could-213751533.html?guccounter=1 https://archive.is/QIIY7 https://www.npr.org/sections/shots-health-news/2024/11/15/nx-s1-5191947/trump-rfk-health-hhs https://www.nbcnews.com/politics/politics-news/rfk-jr-comes-home-anti-vaccine-group-commits-break-us-infectious-disea-rcna123551 https://thegrayzone.com/2021/12/03/flattening-curve-global-poor-covid-lockdowns-human-rights-vulnerable/ Delete Your Account? https://www.wired.com/story/the-wired-guide-to-protecting-yourself-from-government-surveillance/ https://digitaldefensefund.org/ddf-artwork-zines/cybersecurity-with-pigeon-know-your-cyber-civil-rights  https://open.nytimes.com/how-to-dox-yourself-on-the-internet-d2892b4c5954  https://www.aclu.org/news/free-speech/some-steps-to-defend-against-online-doxxing-and-harassment  https://crimethinc.com/2020/08/26/doxcare-prevention-and-aftercare-for-those-targeted-by-doxxing-and-political-harassment  Safe Gun Ownership inrange.tv https://theliberalgunclub.com/ https://www.instagram.com/armedequality/See omnystudio.com/listener for privacy information.