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Notes and Links to Julian Randall's Work     Julian Randall is a Living Queer Black author from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, and the Watering Hole. Julian is the recipient of a Pushcart Prize and the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle.   His writing has been published in New York Times Magazine, Ploughshares, and POETRY, and anthologized in Black Boy Joy (which debuted at #1 on the NYT Best Seller list), Wild Tongues Can't Be Tamed, and Furious Flower. Julian has essays in Vibe Magazine, Los Angeles Review of Books, and other venues. They hold an MFA in poetry from University of Mississippi.    Julian is the author of five books across three genres. For adults: Refuse (Pitt, 2018), winner of the 2017 Cave Canem Poetry Prize and a finalist for a 2019 NAACP Image Award and The Dead Don't Need Reminding: In Search of Fugitives, Mississippi and Black TV Nerd Shit (Bold Type Books, 2024) winner of the Mississippi Institute of Arts and Letters award in Life Writing. For middle grade novel readers, he has written the Pilar Ramirez duology, The Chainbreakers and Shook, a middle grade novel in verse, which was published on August 9th, 2026.    Buy Shook   Julian Randall's Website   Review of Shook at BookPage   Support Flourish Community Hub on the Ground in Gary, Indiana     At about 1:45, Julian lays out the sobering situation in Gary, Indiana-support here At about 3:20, Julian talks about feedback he has received on Shook and tour events At about 4:30, Julian talks about favorite bookstores at which to buy his book, including Call and Response At about 5:30, Julian details his reading journey, especially his father's influence on his reading and his language and literature background  At about 7:00, Julian talks about, among others, Artemis Fowl, Langston Hughes, and Van Helsing-influences on his sensibility At about 9:50, Julian riffs on Shawn of the Dead and his reference in the book At about 11:50, Julian responds to Pete's question about his contemporaries and literary influences, including Jason Reynolds and Leah Johnson At about 14:55, Jason expands on the greatness of Leah Johnson At about 16:50, Pete asks Julian about how he “inhabits” his younger characters so well, and Julian adds information about how his writing has been informed by his own experiences  At about 21:20, Julian responds to Pete's question about his basketball player profile  At about 22:20, Julian reflects on the avoidance of moralizing in his writing, and he expands on his admiration for Suzanne Collins, especially her Gregor the Overlander series At about 30:15, Julian talks about seeds for Shook and connections to the pandemic  At about 33:45, Julian responds to Pete;'s asking about the book's sequencing and use of unique “chapters” At about 37:00, Julian connects his writing style in Shook, featuring “beats,” to DVD “scene selection” At about 38:00, Pete lays out some of the book's exposition  At about 39:00, Julian characterizes and compliments his main character, Malik “Shake” Page At about 40:15, Julian talks Malik, backstory, and “My Story” on NBA 2K At about 42:40, Julian talks about a question for his characters, “What is magic for you?” and connections between the calming factor of basketball and anxiety  At about 44:30, Russell Westbrook Love At about 45:40, The two discuss the protagonist's group chat, and the genesis of the book's title and the titular character  At about 47:45, Julian compares the group chat to a “Greek chorus” At about 48:55, The two discuss the book's semifinal game and the importance of trash talking  At about 53:00, Discussion of a damaging injury to Shake leads to discussion of “Up North,” Chicago redlining history, and economic and racial segregation  At about 55:55, At about 57:00, Dr. Betts and real-life inspirations are discussed-Dr. Tara Betts  At about 59:35, Shake and his “widening gulf” with friends discussed At about 1:00:15, Julian talks about a prominent character, Duke, real-life connections, and how he is a quiet “hero” in the book, instructive for Shake  At about 1:04:00, Pete recounts a crushing comparison made by Kaveh Akbar that speaks to the idea of everyone's expansive stories  At about 1:05:20, Dr. Jason Clopton and his fictional doppelganger, Dr. Kendrick J. Drake are lovingly referenced  At about 1:06:40, Julian talks about the “manifestation of the classic middle-school” fear and “anxiety representation” and therapy discussions in his book At about 1:09:50, Pete cites some profound and moving quotes in the book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode is the second episode for Pete's limited podcast series, Rage is a Gift: Evil Empire at 30. Pete reflects on the Importance (and the power of this capital "I") of Rage Against the Machine and their seminal Evil Empire album, which is celebrating 30 years of resistance. The episode focuses on the opening track, “People of the Sun.” The limited podcast series will do a deep exploration of, and reflection on, the lyrics and context of each of the 12 powerful songs on the album.     Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 348 with Daniel Dockery, who has been a Senior Writer and Assistant Editor at Crunchyroll, as well as a Columnist and Assistant Editor at Cracked.com. He's also written for WIRED, Vulture, Polygon, SYFY, Paste Magazine, Roger Ebert, Thrillist, and various other outlets. His first book, Monster Kids: How Pokémon Taught a Generation to Catch Them All, was released by Running Press on October 4, 2022. His upcoming book, I AM THE NIGHT: The Ultimate Unauthorized History of Batman: The Animated Series, is out with St. Martin's Press as of September 1, 2026.      The episode airs on September 8.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

In the early nineteenth century, the French naturalist Jean-Baptiste Lamarck proposed the first evolutionary theory of life and, with it, a new science: biology. Yet for centuries, evolutionary theorists have endeavored to discredit Lamarck and his theory of self-transforming organisms, rejecting the idea that animals play an active role in shaping their own evolution. In his lifetime, he was mocked by his adversaries and personally insulted by Napoleon. In this virtuosic melding of biography, history, politics, and science, Jessica Riskin sets out to correct the record. Riskin tells the story of Lamarck's life and work as an intense struggle between rival forces to answer questions that remain foundational to our modern worldview: What is a living being, and what is science? New findings suggest Lamarck's basic claim was, in many ways, right, and a reconsideration of his life and work is long overdue. Denying the agency of living beings has informed two centuries of eugenic policies and environmental destruction, allowing people to regard the living world as so much raw material to shape and exploit for economic, industrial, and imperial gain. Deeply researched, strikingly original, and beautifully written, ⁠The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck⁠ (Penguin, 2026) shines a much-needed light on an underappreciated biologist whose radical ideas offered a more inclusive, collaborative, and enlightened approach to science. ⁠Jessica Riskin⁠ is the Frances and Charles Field Professor of History at Stanford University, where she teaches modern European history and the history of science. She is the author of The Restless Clock and Science in the Age of Sensibility and is a regular contributor to a number of publications, including Aeon, the Los Angeles Review of Books, and the New York Review of Books. She lives in Berkeley, California. ⁠Anna Olteanu⁠ is a senior in the College of Social Studies at Wesleyan University, where she focuses on intellectual history. Her interests include political ecology, the history of economic thought, and literary criticism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Summon an image of an American home: Odds are there's a green grass lawn in front of it. Was this what Walt Whitman sang of in Leaves of Grass? Or was it the native grassland of the prairies, now disappearing under the onslaught of Poa pratensis, Kentucky bluegrass? In Christopher Kondrich's new collection of poems, Tread Upon, a blade of grass is the beginning of a book-length sequence about the devaluation of the living world, from BP's invention of the concept of the carbon footprint to the tiny bodies of bats exploding near wind turbines, from the coal ash belched into the Cape Fear River to voiceless Western pond turtles searching for water in a drought. “We belittle the grass when we think it grows / everywhere. It doesn't. It grows here and here and here,” Kondrich writes. “Even one blade is a place.”Christopher Kondrich is the author of the previous collections Contrapuntal and Valuing, which won the National Poetry Series and was named a best book of 2019 by Library Journal. His poems have appeared widely in such venues as The Atlantic, The Believer, The Kenyon Review, Los Angeles Review of Books, The New York Review of Books, The Paris Review, Ploughshares, and The Yale Review. He is currently Visiting Poet in Residence for the Creative Writing MFA program at the University of Maryland.Go beyond the episode:Christopher Kondrich's Tread UponWatch Kaneto Shindo's Onibaba (1964)Read selections from the collection: “There are empty spaces we make …”“Floodwaters carry coal ash into the Cape Fear River …”“I side with myself. I touch my face …”“We belittle the grass when we think it grows …”“The fantasy of chaining myself to a redwood …”Tune in every other week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes/Apple • Amazon • Google • Acast • PandoraHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.

In the early nineteenth century, the French naturalist Jean-Baptiste Lamarck proposed the first evolutionary theory of life and, with it, a new science: biology. Yet for centuries, evolutionary theorists have endeavored to discredit Lamarck and his theory of self-transforming organisms, rejecting the idea that animals play an active role in shaping their own evolution. In his lifetime, he was mocked by his adversaries and personally insulted by Napoleon. In this virtuosic melding of biography, history, politics, and science, Jessica Riskin sets out to correct the record. Riskin tells the story of Lamarck's life and work as an intense struggle between rival forces to answer questions that remain foundational to our modern worldview: What is a living being, and what is science? New findings suggest Lamarck's basic claim was, in many ways, right, and a reconsideration of his life and work is long overdue. Denying the agency of living beings has informed two centuries of eugenic policies and environmental destruction, allowing people to regard the living world as so much raw material to shape and exploit for economic, industrial, and imperial gain. Deeply researched, strikingly original, and beautifully written, The Power of Life: The Invention of Biology and the Revolutionary Science of Jean-Baptiste Lamarck (Penguin, 2026) shines a much-needed light on an underappreciated biologist whose radical ideas offered a more inclusive, collaborative, and enlightened approach to science. Jessica Riskin is the Frances and Charles Field Professor of History at Stanford University, where she teaches modern European history and the history of science. She is the author of The Restless Clock and Science in the Age of Sensibility and is a regular contributor to a number of publications, including Aeon, the Los Angeles Review of Books, and the New York Review of Books. She lives in Berkeley, California. Anna Olteanu is a senior in the College of Social Studies at Wesleyan University, where she focuses on intellectual history. Her interests include political ecology, the history of economic thought, and literary criticism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

 Diverse Voices Book Review host Hopeton Hay interviewed Laura B. McGrath, author of MIDDLEMEN: Literary Agents and the Making of American Fiction, a revealing study of how literary agents have shaped American fiction, publishing markets, and the literary canon from the 1950s to today. In the conversation, McGrath explains why agents are far more than behind-the-scenes dealmakers. Drawing on archival research, data analysis, and interviews with more than 75 agents and publishing professionals, she describes agents as advocates, matchmakers, negotiators, tastemakers, and career strategists who help determine which books reach readers—and how writers build sustainable literary lives.  McGrath is an assistant professor of English at Temple University. Her writing has appeared in The Atlantic, The Nation, and the Los Angeles Review of Books. Before joining Temple, she was associate director of the Literary Lab at Stanford University. Follow Laura B. McGrath on Social Media:Instagram - @laurabmcgrathBluesky - @lbmcgrath

Friend of the show (and occasional villain) NATHAN GELGUD returns to the Best Show. Tom and Nathan catch up and discuss the upcoming new collection No Concessions, from his ongoing series Reel Politik (published by Drawn and Quarterly), Nathan's Zoom class How To Think Like A Cartoonist (happening Tuesdays from September 15th through October 20th of this year via Los Angeles Review of Books), the Knicks, and more! Tom kicks off the show with a call from a notorious long-term troll airing his grievances over being "shadow banned" from the chat. Hear the dramatic confrontation play out! Tom also reiterates and spells out his plan to take over the band Smash Mouth (including changing the name of the band)! Otherwise Tom takes a call about Neil Young, a call from an actual US Senate candidate, and more! BEST SHOW GARAGE SALE - NOW ONLINE!Shop classic Best Show merch including shirts, vinyl, CDs & DVDs, posters, stickers, and more!https://bestshowstore.comSUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES!https://www.patreon.com/TheBestShowWATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCHhttps://www.twitch.tv/bestshow4lifeFOLLOW THE BEST SHOW:https://twitter.com/bestshow4lifehttps://instagram.com/bestshow4lifehttps://tiktok.com/@bestshow4lifehttps://www.youtube.com/bestshow4lifeTHE BEST SHOW IS A FOREVER DOG PODCASThttps://thebestshow.nethttps://foreverdogpodcasts.com/podcasts/the-best-showHEARD IT ON THE BEST SHOW PLAYLISThttps://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

My guest on the show today is Len Gutkin, editor of The Chronicle Review, which is the ideas and analysis section of the Chronicle of Higher Education. Len, in his freelance life, is a critic whose essays have appeared in Liberties, The Los Angeles Review of Books, and elsewhere.He got his PhD in English from Yale in 2014, spent some time as a postdoc at Harvard, and has spent the years since largely at Chronicle, writing about the intellectual and institutional life of the American university with, from my perspective, an admirable sense of skin in the game; is somebody who cares about this stuff, and you can sense it in his writing.This episode with Len is something of a throwback for the show. A lot of my early episodes were pretty squarely focused on the culture wars — wokeness, anti-wokeness, what was going on in the academy, in journalism, in politics that kind of thing — and I have definitely drifted away from that territory, I think for good reason, in large part because I, like so many other people, kind of ran out of interesting new things to say about it.But I am coming back to it here because Len's recent [paywalled - email Len for access] essay in Liberties, which he titles “Reading for Sins,” is the kind of piece that can probably only be written in retrospect, with a bit of distance from the hullabaloo. Len takes on what he calls at one point, maybe with a hint of apology, “snowflake hermeneutics”: the tendency, particularly acute in the literary humanities over the last decade or so, to read works of art primarily, or at least substantially, for the sins they contain; to fixate on the morally or politically objectionable aspects of books at the expense of everything else about them.He approaches that less to condemn it, though there's no secret as you're reading it that he's not a fan of this approach to literature, than to give it what I think of as a genuine institutional and intellectual history — to understand it as something other than the thing that gives Chris Rufo too many owie feelings.To do that, Len ranges pretty widely. He gets into the sociology of taboo, the history of literary education, and, among other examples, a 2023 controversy over Merve Emre's New Yorker review of John Guillory's book Professing Criticism. Guillory's book argued that literary scholars as a profession had made a rather grievous conceptual error at some point along the way: they came to think that their work as scholars was justified, at least in part, on the basis of its beneficial political impact on society. In some extreme cases, scholars saw themselves explicitly as activists, but in many cases it was somewhat more indirect. They had constructed a paradigm in which the critical, inquisitive, deconstructive work they did served clear political ends.Guillory was critical of that. Emre, reviewing his book for The New Yorker, lexplored his argument and then added some of her own, drawing on her own experience in academia. In doing so, and this is key to how Len gets into it in his essay, she repeatedly used a phrase that Guillory himself had used to characterize what had happened to his field: “professional deformation.” It is the English translation of what was a originally a French expression used to describe actual physical deformations, like the way coal miners might develop a distinctive slump or hunch.That phrase then provided the spark for an explosion of outrage from members of a public Facebook group called Remaking the University, administered by a former president of the Modern Language Association and populated by tenured and tenure-track faculty at high-prestige institutions. They did not like Emre's use of “professional deformation.” Here is how Len, in his Liberties essay, characterizes what he observed in that Facebook group:I paid more than usual attention to the reception of Professing Criticism, because I had written about it several times myself. I was interested to see what the folks at a popular public Facebook page devoted to “Remaking the University,” hosted by a recent president ofthe Modern Language Association, would make of Emre's review. They didn't like it. And several of them — tenured professors of English, not naïve or overeager freshmen — were appalled by Guillory's use of the phrase “deformation,” as well as by Emre's approving use of it throughout her review. The subject is introduced thus, by a distinguished Victorianist: “I just read this and I'm feeling dismayed” by the “flippant, careless, and damaging work, including the unspeakable use of ‘deformation' here, not to mention the Anglocentrism, elitism, etc.” This professor goes on: “It is horrifying that a person can use ‘deformed'/‘deformation' in 2023 in an article in a major magazine and nobody flagged it.” Then another professor — like the first, a well-known scholar in her field — weighs in: “the ableism was stunning.” And the first professor returns to the charge: “I just did a search for ‘deformed' and felt physically ill. She uses it nine times in the article, starting with ‘hideously deformed.' What the hell? How are disabled scholars supposed to feel when they read that? How is it possible that she could think it was cute to use such a derogatory term and that the editors didn't flag it? I don't even see how one can debate the merits of the idea with slurs like that sitting in the prose.”In a less interesting essay than Len's, we would simply be presented with this as blatant evidence of snowflakes doing their snowflake hermeneutics. Len's approach is more interesting. He is somewhat taking for granted that it's absurd, but he's asking: what is actually going on here? What does it mean to say that one feels physically ill from reading the word “deformation” in this context? What feelings or reactions are being submerged, evaded, or sublimated in this kind of discussion? For what ulterior purpose was the accusation of ableism serving as a stalking horse? And why were people so pissed off in the first place?One answer Len gives has to do with the idea of words themselves as magic, as sacred, as having the power to heal or harm or alter the fabric of the universe. He points out that this is not a novel relationship to words — it is in fact ancient, and it connects in a pretty clear way, once he lays it out, to a much longer and then much more modern history of how literature, and the study of literature and other humanities, has functioned in the modern West as a kind of substitute for religion in the aftermath of the collapse of organized Christianity as a taken-for-granted source of meaning, vessel for sacred energies. The close reading of difficult texts was, within that period, understood as a serious spiritual practice.What Len argues — and what I find genuinely compelling and pretty persuasive — is that snowflake hermeneutics is in part a rearguard response to the loss of that function. The prestige that attached to literary study in that earlier period has drained away, and nobody quite knows how to recover from it. Snowflake hermeneutics is, in this reading, an unconscious attempt to restore some of literature's old sacred charge by treating certain words and representations as sacred but in a negative register, because the positive ones can no longer serve. They've been vanquished from the inside by the contemporary academy, and then more thoroughly vanquished by the macro forces we're all buffeted by — neoliberalism, postmodernity, capital, techno-futurism, whatever you want to call them.That is a much more interesting conversation to have than simply “snowflakes bad,” which isn't really a conversation at all. Also interesting is where Len and I end up when we try to take seriously the role of taboo, the idea that certain words are genuinely destabilizing and that we need protection from them. We talk about whether taboos of some kind are necessary to the functioning of any society, whether any culture can really do entirely without taboos, whether everything should truly be on the table in a scholarly or intellectual context.We go deep on those things and others, and I had a lot of fun.One small production note: Len's dog makes a brief but notable appearance early in the conversation. His barking, though loud, does not last long. He is not a bad dog. He is a good dog. But if you hear him and it feels disruptive, it will pass soon.Eminent Americans is produced in collaboration with the John C. Danforth Center on Religion and Politics at Washington University in St. Louis, and is distributed through its publication, Arc Magazine. You can find all of Arc's podcasts, including this one, and much more online at arcmag.org.It was a real pleasure to have Len on for this semi-throwback episode. Peace.0:00 Intro – Dan introduces guest Len Gutkin, editor of The Chronicle Review0:55 Framing the episode as a “throwback” to earlier culture-war coverage1:19 Len's Liberties essay “Reading for Sins” and “snowflake hermeneutics”2:21 Sociology of taboo, literary education, and the Guillory/Emre controversy4:46 The “professional deformation” Facebook group outrage6:39 Len's real question: why do people feel “physically ill” from a word?7:34 Words as sacred/magical — literature as substitute for religion9:19 Snowflake hermeneutics as grief response to lost prestige of humanities10:24 Preview: taboo, necessity of taboos in any culture10:56 Note on a barking dog early in the interview10:56 Danforth Center/Arc Magazine credits10:14 Interview begins — Len's background and title at The Chronicle11:16 Len summarizes “Reading for Sins”13:20 Len's academic background, PhD at Yale (2014)14:23 State of campus politics circa 2003–2014 (”interregnum”)16:02 2014 Yale grad student “atmospheric concerns” moment17:02 Postdoc years at Harvard, sensing the shift building19:20 The complicated student/faculty dynamic behind the culture wars22:46 Case study #1: the “N-word” podcast and classroom taboo rules26:52 The Michael Warner “faggotry” anecdote28:09 Slurs as concentrated sites of language's power29:22 Workplace-norm slippage into classroom/literary norms32:14 The Odyssey, disturbing content, and professional hypocrisy36:14 Dave Hickey/Mapplethorpe/Jesse Helms tangent on art's power to disturb39:17 Double-edged strategy: aggrandizing vs. vitiating one's subject41:15 Right-wing “manosphere” vs. left-wing academic parallels (Barbara Kruger)46:44 Case study #2: Guillory's “professional deformation,” Emre's New Yorker review, and the Facebook backlash50:53 Is public Facebook commentary fair game as evidence?54:24 Faculty fear of students posting to social media57:00 Christian right's historical claim to being the “OG” trigger-warning enforcers60:34 Hypocrisy on both sides of the free-speech/academic-freedom debate64:29 Buckley's “God and Man at Yale” and academic freedom skepticism65:04 Psychoanalyzing the Facebook group's outrage — displacement theory68:57 What was the actual “betrayal” in Guillory's book and Emre's review?70:42 Timing: 2023, the fraying of “woke consensus,” and October 7th73:15 Case study #3: Paul Moses and the 1960s Huckleberry Finn controversy at U Chicago80:29 Should there be any taboos in arts education? Céline as test case88:19 Circling back: blasphemy, sacralization, and STEM's rising prestige93:52 AI as an accelerant of the loss of literary culture95:53 What a “mature” response to loss/grief might look like97:22 Closing thoughts and outro/credits This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit danieloppenheimer.substack.com/subscribe

Thao Thai returns to Book Gang with The Seekers of Deer Creek—a lush, moving novel about sisters, art, and the inherited secrets that bind and break families. I'm delighted to welcome Thao Thai back to Book Gang as she takes us behind the scenes of The Seekers of Deer Creek. Thao's work is immersive, atmospheric, and deeply tender, and her newest novel is a testament to the power of art and family history. Today, we explore Thao's writing process, the evolution from Banyan Moon to this new work, and her approach to language, research, and the changing landscape of literary fiction. The Seekers of Deer Creek tells the story of two estranged sisters, Calla and Vivi, reunited by their father's passing and an inheritance that could reshape their futures. Their journey is sparked by a mysterious sketch and a journal entry, launching them into a search for family truth that spans Wisconsin, France, and Vietnam. Thao unpacks generational secrets, Vietnamese artistic legacy, and the longing to be seen and understood—inviting us to revisit the stories we inherit and the ones we choose to live. In this week's fascinating episode, we discuss:

Matthew Kirschenbaum delivered Rare Book School's 2026 Sol M. and Mary Ann O'Brian Malkin Endowed Lecture, "From text to .txt: Making Material Messes in a Sloppy World," on 6 July 2026. About the Talk: By the turn of the millennium, the word “text” had become a verb. Three-and-a-half years ago, ChatGPT was released into the wild, decisively severing the link between writing and human expression. In 2025, Merriam-Webster's word of the year was “slop.” This talk will offer an attenuated archaeology of what someone we know once called the textual condition. And not to give away the game, but that condition is not good: today, text functions as something much more like a fossil fuel or other extractable resource than a medium for communication and expression. Nonetheless, the talk also asks how we can still make some good old fashioned material messes in a world of slop. Examples will be provided. Refreshments will be served. There may even be a book or two. About the Speaker: Matthew Kirschenbaum rejoined UVA in 2025 as Commonwealth Professor of Artificial Intelligence and English after 25 years at the University of Maryland, where he finished as a Distinguished University Professor. He considers himself a student of texts and textual technologies in all their social and material forms, and his scholarship and teaching have explored literary intersects with printing and bookmaking, archival science, media archaeology, digital humanities, and now artificial intelligence. He is the author of three books, most recently Bitstreams: The Future of Digital Literary Heritage from the University of Pennsylvania Press (2021). His first book, Mechanisms: New Media and the Forensic Imagination (2008) was the winner of multiple awards, including the MLA Prize for a First Book. Track Changes: A Literary History of Word Processing (2016) enjoyed widespread public media attention. Recent articles have appeared in PMLA, Critical Inquiry, and ELH; and he frequently writes for popular outlets, which have included the Atlantic, the Washington Post, Slate, Los Angeles Review of Books, Public Books, and the Chronicle of Higher Education. Kirschenbaum is an active member of the Modern Language Association's task force on AI in Research and Teaching, and a member of the teaching faculty at Rare Book School. He has been a Guggenheim and an NEH Fellow, and is a practicing letterpress printer. Current projects includes two books, the first on the political economy of text in the present moment and the second on the weaponization of AI in what some have called a full-blown epistemic crisis. You can find him on Bluesky at @mkirschenbaum.bsky.social.

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made.

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In this interview, we speak with Laura B. McGrath, an Assistant Professor of English at Temple University and the author of Middlemen: Literary Agents and the Making of American Fiction (Princeton University Press, 2026). Her writings have appeared in the Los Angeles Review of Books and The Atlantic. Middlemen rewrites literary history from the perspective of one of its most important but least visible figures: the literary agent. Chronicling the story of agents in the United States from the 1950s to today, Laura McGrath uncovers their critical role in the making of American literature. From the famed three-martini lunch to the Frankfurt Book Fair, Middlemen takes readers behind the scenes to show how agents influence what we read. Along the way, it explains why many debut novelists never publish another book, why agents champion short story collections even though they sell poorly, how agents advocate for writers of color in a system that values whiteness, and why there are so many New York novels. Weaving together original archival research, data analysis, and interviews with scores of agents and other publishing professionals, Middlemen demonstrates that agents—eighty percent of whom are in fact women—are much more than “middlemen.” As intermediaries between author and publisher, agents act as advocates, matchmakers, negotiators, and tastemakers, and they must balance artistic values with the commercial imperatives of publishing conglomerates. The book describes the decisive role agents have played in celebrated novels—from Jack Kerouac's On the Road to Colson Whitehead's The Intuitionist—but also in the creation of entire literary categories like the debut novel, the story collection, postmodernism, multiethnic fiction, and world literature. Featuring profiles of agents past and present such as Sterling Lord, Lynn Nesbit, Candida Donadio, Marie Brown, and Andrew Wylie, along with perspectives from agents at all stages of their careers, Middlemen is an entertaining and eye-opening account of how literary fiction—and the literary canon—is made. Learn more about your ad choices. Visit megaphone.fm/adchoices

The leftist cultural critic David Masciotra isn't happy with the state of America in the first half of 2026. His dislike of the MAGA crowd goes without saying. But his anger at the state of progressive politics is more noteworthy. So far, he says, 2026 has been — to borrow from Antonio Gramsci — a time for monsters both on the left and right. With its “Epstein class” vocabulary, knee-jerk Luddism and AIPAC litmus tests, the left, Masciotra argues, is mimicking MAGA in its paranoid bigotry. The year's most disturbing story so far is Graham Platner, the erstwhile Maine Senate candidate who, Masciotra suggests, is either an idiot or a Nazi. Equally disturbing were the “progressives” who blindly defended Platner until the most recent rape accusations. So how to slay these monsters on the left? What's missing, Masciotra argues, is the kind of positively benevolent Jacksonian (Jesse) vision which seizes the moral high ground of American politics. We are still waiting for the next Bill Clinton, Obama, or even Bernie able to imagine a new dawn for the left in America. Maybe we'll see the early shoots of a more optimistic progressivism in the second half of the year. In the manner of a football (soccer) match, let's hope 2026 turns out to be a year of two halves. Five Takeaways •       The Old Gods Return. Masciotra's answer to the what-time-is-it question is that 2026 has seen the old gods stumble back onto the landscape: nationalism, male chauvinism, paranoia and conspiracism. Borrowing from Zygmunt Bauman, he argues that we have moved from a solid age to a liquid one, in which nothing feels stable — and instability inculcates a nostalgia that is usually irrational and ill-informed. People are reaching for the resurrection of manufacturing, the male-headed nuclear family, even a return to religion, with young Americans reportedly turning to Catholicism. Quality of life is objectively better than in our grandparents' era, and yet we live in an age of doom-scrolling and pessimism. •       The Epstein Class and the Left's New Litmus Tests. The criticism of Israeli conduct after October 7 has morphed, for many on the left, into an all-encompassing paranoia in which AIPAC, Zionists, and “the Epstein class” control everything. Graham Platner coupled those terms constantly in his stump speeches — antisemitic conspiracy-mongering 101, in Masciotra's phrase — and declaring Israel genocidal has become a litmus test in Democratic primaries from Maine to Denver to California. Masciotra, who saw Jesse Jackson spend decades atoning for Hymietown, calls this the most important story of 2026 to monitor: the collapse of parts of the progressive left into bigotry, misogyny tolerance, and purity tests. •       Luxury Beliefs and Streamer Politics. Voter turnout used to be organized bottom-up — black churches, the NAACP, Jackson's Rainbow PUSH Coalition — around the issues of actual neighborhoods. Now streamers like Hasan Piker mobilize thousands of calls into districts they know nothing about, amplifying what Masciotra calls luxury beliefs: positions whose consequences never touch the people who hold them, from making every race about Israel to defunding police in neighborhoods the believers don't live in. Whether it's Piker on the left or Nick Fuentes on the right, national streamers will always champion luxury beliefs, because they lack the knowledge to champion local ones. •       Working-Class Drag Doesn't Work. Platner looked like he had just changed a tire and talked like a pro wrestler cutting a promo on Susan Collins — and the polls showed Collins beating him even before he dropped out over credible accusations of rape and domestic violence. White working-class voters, Masciotra argues, are not looking for someone in the right costume with the right gravelly voice; they have real beliefs, and they respond to people who speak directly to their concerns rather than in the nomenclature of consultant firms. Nobody in Maine piecing together a living as a farmer or a home-health aide has AIPAC first and foremost on their mind. •       Waiting for the Benevolent Vision. What the half-year lacks, from Washington to Westminster, is what Jesse Jackson had even for his critics: a benevolent vision. Masciotra finds it today in Bryan Stevenson and the civil rights tradition he calls the moral center of American politics, and in Senator Raphael Warnock, who preaches from King's old church. His policy candidate for the next Clinton-or-Obama moment is a self-employment manifesto — politics for the millions piecing together gig work who appear in nobody's rhetoric, not the manufacturing nostalgia of the right nor the union nostalgia of the left. And on AI, he sees an opening: oppose the secretly-dealt data centers, as presidential hopeful J.B. Pritzker has, but harness the technology for the precariat rather than the moguls. About the Guest David Masciotra is a cultural critic, journalist, and lecturer. He is the author of six books, including Exurbia Now: The Battleground of American Democracy (Melville House, 2024) and I Am Somebody: Why Jesse Jackson Matters (Bloomsbury, 2020), drawn from his many years working alongside the late Reverend Jackson. His writing appears in UnHerd, The New Republic, Washington Monthly, The Progressive, and the Los Angeles Review of Books, and he teaches literature and political science in Indiana. He is a longtime friend of the show. References: •       Exurbia Now: The Battleground of American Democracy by David Masciotra (Melville House, 2024). Booklist, starred review: “Insight and a fresh perspective on the culture wars.” •       I Am Somebody: Why Jesse Jackson Matters (Bloomsbury, 2020) — Masciotra's biography of the Reverend, discussed here for Jackson's decades of recompense after the 1984 Hymietown remark. •       Zygmunt Bauman — the Polish sociologist of liquid modernity, quoted in Exurbia Now, whose move from solidity to liquidity frames the episode's diagnosis of nostalgia. •       Antonio Gramsci — the Prison Notebooks passage on the interregnum, in both its translations: morbid symptoms and monsters. •       Masciotra's recent UnHerd essays — on why Democrats gave Graham Platner a free pass, on the party's luxury belief agenda, and on Stephen Colbert as the emblem of detached establishment liberalism. •       Bryan Stevenson — founder of the Equal Justice Initiative and the legacy sites memorializing slavery and lynching; the subject of Masciotra's forthcoming piece and, in his view, the closest thing 2026 has to a benevolent vision. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brin...

Diverse Voices Book Review contributor Amran Gowani interviewed Kathleen Rooney, bestselling author of the contemporary novel MAN OVERBOARD!. They discussed what's ailing modern men, the “death cult” of capitalism, her unfashionable fascination with clowns, the nourishing power of literature, and why men should read more fiction. Kathleen Rooney is the nationally bestselling author of LILLIAN BOXFISH TAKES A WALK, as well as CHER AMI AND MAJOR WHITTLESEY and FROM DUST TO STARDUST. She has won the Ruth Lilly Poetry Prize from Poetry magazine and the Adam Morgan Literary Citizen Award from the Chicago Review of Books. Kathleen's criticism can be found in The New York Times, Chicago Magazine, the Los Angeles Review of Books, and beyond. She lives in Chicago and teaches English and creative writing at DePaul University.Follow Kathlen Rooney on Social Media Instagram: @poemswhileyouwaitBluesky: @kathleenmrooney.bsky.social Folllow Amran Gowani  on Social Media:Instagram: @amrangowaniLinkedIn: @amrangowaniBluesky: @amrangowani.comFollow Diverse Voices Book Review on Social Media:Facebook - @diversevoicesbookreviewInstagram - @diverse_voices_book_review Bluesky - @diversevoicesbooks

This next guest has been a writer who's work has appeared onlin in The Atlantic, The New Yorker, GQ, Slate, The Washington Post, the Los Angeles Review of Books and other spots, He has a newer book; Moses and the Doctor: Two Men, One Championship and the Birth of Modern Basketball. Let's welcome Luke EpplinLuke EpplinIG: https://www.instagram.com/lepplin/Website: https://lukeepplin.com/Crazy Train RadioFacebook: facebook.com/realctradioInstagram:  @crazytrainradioX/Twitter:  @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube:  youtube.com/crazytrainradio

Send us Fan MailOliver Wang is a professor of sociology at California State University, Long Beach, who specializes in the study of popular culture. He is the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area and Cruising J-Town: Japanese American Car Culture In Los Angeles. In 2025, he served as the project curator for the exhibition Cruising J-Town: Behind the Wheel of the Nikkei Community, which was produced by the Japanese American National Museum and hosted at the ArtCenter College of Design in Pasadena. Additionally, he has co-hosted the podcasts Pop Rocket and Heat Rocks, created the audioblog Soul-Sides.com, and works as a regular culture writer for National Public Radio's All Things Considered, the Los Angeles Times, the Los Angeles Review of Books, and KCET's Artbound. This episode covers Oliver's extensive research into ethnic subcultures and the social impact of music and car ownership. The conversation explores the history of Japanese American car scenes, detailing how vehicles evolved into literal and figurative tools for community self-expression, identity, and social mobility throughout greater Los Angeles and the San Gabriel Valley. The discussion also touches upon his work documenting the Northern California mobile DJ movement, his decades of experience as a music journalist, and his current development of a new podcast project focused on the songs of Asian America. For viewers in the San Gabriel Valley, this conversation highlights a regional history that directly touches local communities, including historic car scenes spanning out to Pasadena. Oliver's audience will appreciate the deeper context behind his curated exhibitions, books, and long-standing multimedia journalism projects. Furthermore, individuals searching for insights into ethnic studies, popular culture sociology, Southern California automotive subcultures, or music history will find clear, academic examples of how diverse communities shape and preserve their own distinct cultural narratives. Subscribe to the MySGV Podcast to stay connected with the cultural histories, thinkers, and innovators of our community. If you found this discussion on subcultures and community identity insightful, please share this episode with a friend or a fellow history enthusiast._______________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

In Other Lives Our Own (Spuyten Duyvil, 2025) Jason Weiss reflects on travel, language, memory, identity, and the stories we inherit and create. This conversation explores how we inhabit each other's stories, tracing how movement across places and languages reshapes our understanding of self and belonging. Drawing on experiences in New York, Paris, Mexico, California and beyond, Weiss reflects on what it means to be a foreigner, the shifting nature of home, and the limits of labels such as "American." Weiss reveals his gift for uncovering meaning in overlooked moments. He reflects on the value of curiosity, attentiveness, and recognizing significance in experiences that often go unnoticed. Whether discussing art, literature, family history, or everyday encounters, he argues that "in all our experiences there is more meaning than we normally give them." This conversation includes Jason Weiss, Jeffrey Herlihy-Mera and Jorge Rodríguez Acevedo. Other episodes of the Nuevos Horizontes podcast with Jason Weiss include discussions of his books Listenings (in English and Spanish) and Lights of Home: A Century of Latin American Literature in Paris. The Instituto Nuevos Horizontes is housed at the Universidad de Puerto Rico-Mayagüez. Topics, scholars, books and quotes mentioned: Susan Beegel Aurora Levins Morales "I think it [home] is a moving perspective." -Jorge Rodríguez Acevedo Heraclitus the Obscure "Where are you from? I think that changes." -Jorge Rodríguez Acevedo "If you say, 'you're from here' - you're too conscious of all that's missing from that answer." -Jason Weiss "Parisian as a temporary designation felt right, as I enjoyed being a foreigner." -Jason Weiss The Paradox of Choice "Most things are like lightbulbs; they burnout and we throw them away" -Jorge Rodríguez Acevedo John Steinbeck, Tortilla Flat Travel Writing "…lack curiosity about the ones who went away" (Other Lives Our Own 63). "Leaving disrupts a shared story, and the return doesn't quite fit the version of you they hold onto." -Jeffrey Herlihy-Mera "They thought [the US] was a land of boundless opportunities, not endless forgetting" (Other Lives our Own 37). "They didn't talk about the old country. The stuff to remember is predominantly not pleasant or they have that attitude that we have to look forward." -Jason Weiss on previous generations of Eastern European Jews "American culture has always been angled toward not remembering." -Jason Weiss "Myself, I find it complicated to work with [the word 'American']. But when you use it, I feel like I'm reading the cheeky, brilliant kid sitting in the back of the class, using it with all this other meaning." -Jeffrey Herlihy-Mera "Travel supercharged my desire to learn it [Spanish]." -Jason Weiss "It should be a requirement for everyone to know at least two languages...I think of it as a toolbox, it gives us the capacity to think in another way." -Jorge Rodríguez Acevedo "Every American should have to study Spanish.” -Jason Weiss Anti-intellectualism in the US "[A title can be] a wink at the reader." -Jason Weiss Juanes, "A dios le pido" "In another place, we are always someone else and maybe also the same. A little disoriented, almost lost, unsure of what we know. We speak another tongue, and our own tongue becomes different too: a secret among strangers, possibly a trap" (Other Lives our Own 21). Louis Leroy Claude Monet, Impression, Sunrise Bringing Back New Concepts to This Mad City, Caroline Hagood. Los Angeles Review of Books "The Gleaners and I," Agnès Varda "In all our experiences there is more meaning than we normally give them." -Jason Weiss "The crowd is at the Mona Lisa but in the room next door you see works that make you say. This is so great, how is no one looking at this? Those types of things are happening in our own lives." -Jason Weiss "UPR as a model for what US universities could do." -Jason Weiss "On the Puertoricanization of US Higher Ed," Jeffrey Herlihy-Mera "…recognizing the otherness in yourself." -Jorge Rodríguez Acevedo Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Matthew applies three interlocking frameworks to the conspirituality phenomenon—and to the podcast itself. Drawing on Jodi Dean's theory of neofeudalism, Yanis Varoufakis's technofeudalism, and McKenzie Wark's vectoralism, he argues that conspirituality is an epistemic crisis—a problem of bad information spreading through inadequately critical communities—but also a structural product of platform capitalism's feudal logic. Dean's four elements (parcellated sovereignty, new lords and serfs, hinterlandization, and catastrophic anxiety) explain why certain populations are rendered susceptible before they encounter any specific piece of misinformation. Varoufakis names the extraction mechanism as  cloud rent. Wark shows what this means for the producer: a hacker class worker who owns every tool except the vector that makes the work valuable.  Matthew then turns the analysis on himself, exploring what it means to have spent six years building critical content inside the infrastructure he is criticising. Show Notes Dean, Jodi. 'Neofeudalism: The End of Capitalism?' Los Angeles Review of Books, May 2020. Dean, Jodi. 'From Neoliberalism to Neofeudalism.' Emancipations, Vol. 3, Iss. 3, 2024. Dean, Jodi. 'Neofeudalism: The Messy Political Economy of Transitioning to Something Worse.' Emancipations, Vol. 4, Iss. 3, 2025. Dean, Jodi. Capital's Grave: Neofeudalism and the New Class Struggle. Verso, 2025. Dean, Jodi. 'Communism or Neo-Feudalism?' New Political Science, Vol. 42, No. 1, 2020. Varoufakis, Yanis. Technofeudalism: What Killed Capitalism. Bodley Head, 2023. Wark, McKenzie. Capital is Dead: Is This Something Worse? Verso, 2019. McIntyre, Lee. How to Talk to a Science Denier. MIT Press, 2021. Heron, Kai. 'Are We Witness to the Disintegration of Capital's Laws of Motion? A Review of Jodi Dean's Capital's Grave.' Emancipations, Vol. 4, Iss. 2, 2025. Gane, Nicholas. 'Capitalism is Capitalism, Not Technofeudalism.' Journal of Classical Sociology, 2024. James W. 'Worse than Dead: A Critical Response to McKenzie Wark.' Cosmonaut Magazine, October 2020. Freedom Socialist Party. 'Book Review: Techno-Feudalism: What Killed Capitalism.' Socialism.com, 2024. Beres, Derek, Matthew Remski, and Julian Walker. Conspirituality: How New Age Conspiracy Theories Became a Health Threat. PublicAffairs, 2023. Wark, McKenzie. A Hacker Manifesto. Harvard University Press, 2004. Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer Katie da Cunha Lewin on how physical spaces shape creative work, why the perfect writing room is a myth, and the rituals and routines that sustain a writing life. We discuss Why the perfect writing space is largely a myth (and why that can set you free). How physical environments quietly shape creative practice and identity. What our fascination with visiting writers' houses reveals. The cultural baggage around “the writer's room,” and who it quietly excludes. The way motherhood compresses time and forces a new kind of creative discipline. A concept of psychological distance between domestic life and creative work. When creative rituals help (and when writers thrive without them). How to begin designing a writing space that actually works for you. What it takes to find the story inside a work of nonfiction. Why putting yourself on the page makes nonfiction stronger. Resources & Links

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 301st episode, our guest is Carol Snow. Carol Snow is an American author of 10 novels, most recently, “The Girl on the Beach,” a psychological thriller set to be published on June 23. Called “an author to watch” by Booklist, recognition for Snow's previous titles includes: Target Bookmarked Breakout Selection, Amazon Editors' Pick: Best Books of the Month, and Readers' Crown Award Finalist. Foreign rights to Snow's books have been sold to publishers in Germany, Norway, Poland, Indonesia and Hungary. A former contributor to Salon's “Mothers Who Think” column, her writing has also appeared in The Los Angeles Review of Books and Park City Magazine. Carol Snow holds a BA in psychology from Brown University and an MA in teaching English from Boston College. A native of New Jersey, she has lived all over the U.S., as well as in Strasbourg, France, and London. Married with two adult children, she now splits her time between Cape Cod and Southern California. To learn more about Carol Snow and her books, please visit www.carolsnow.com. Follow her on Instagram at https://www.instagram.com/ashburgess/ and subscribe to her YouTube channel at https://www.youtube.com/channel/UCl2Bis7mhGmekVi0ZioJFOg?app=desktop Follow me on Bluesky: bsky.app/profile/robaburg.bsky.social Follow me on Mastodon: newsie.social/@therobburgessshow Check out my Linktree: linktr.ee/therobburgessshow Subscribe to my Substack: therobburgessshow.substack.com/

Davin Malasarn is a writer an author whose work has appeared in The Los Angeles Review, Rosebud, Opium Magazine, SmokeLong Quarterly and other journals in print and online. His debut novel, The Outer Country, is just out from One World/Random House. The QWERTY podcast is brought to you by the book The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

What does it mean to honor the reader? In this episode, Rey M. Rodríguez joins Jared to discuss why writing is, at its heart, a sacred act. They explore the profound influence Rey's mother had on his creative life, his journey as a writer, and how the Institute of American Indian Arts helped him deepen his understanding of storytelling, identity, and justice. Along the way, Rey reflects on the recent release of his poetry collection, Todos Somos Sagrados / All Are Sacred, and shares how poetry has taught him to weigh every word with care, collapse time on the page, and approach readers with humility and respect.Rey M. Rodríguez is a writer, advocate, and attorney. He lives in Pasadena, California. He is working on a novel set in Mexico City and his book of poetry, Todos Somos Sagrados - All Are Sacred just came out with El Martillo Press. He has attended the Yale Writers' Workshop multiple times and Palabras de Pueblo workshop once. He participated in Story Studio's Novel in a Year Program. He is a second-year fiction writing MFA student at the Institute of American Indian Arts. His poetry is published in Huizache. His other interviews and book reviews can be found at La Bloga, Chapter House's Storyteller's Corner, Full Stop, Pleiades Magazine, and the Los Angeles Review. He is a graduate of Cornell, Princeton, and U.C. Berkeley Law School.MFA Writers is hosted by Jared McCormack and produced by Jared McCormack, Hanamori Skoblow, and Brié Goumaz. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.BE PART OF THE SHOW— Donate to the show at Buy Me a Coffee.— Leave a rating and review on Apple Podcasts.— Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience.— Apply to be a guest on the show by filling out our application.STAY CONNECTEDTwitter: @MFAwriterspodInstagram: @MFAwriterspodcastFacebook: MFA WritersEmail: mfawriterspodcast@gmail.com 

In this episode we are joined by Rob Arcand to discuss his work on Spotify, streaming, and the financialization of culture. We begin with Spotify's emergence as a supposed democratizing force for working musicians, even as its model relied on surveillance and data-trawling. We explore how this data-driven promise — that listener analytics could be leveraged for touring and merch — reshaped the relationship between artists and audiences, often in ways that reinforced precarity rather than alleviated it. From there, we turn to Arcand's comparison of Spotify's ambitions to Uber and Airbnb, situating streaming within the broader logic of platform capitalism. We discuss how corporate consolidation has shaped the power dynamics of the music industry over the past several decades, and how subscription and ad-supported services emerged from a moment of crisis as neoliberal adaptations to instability. Our conversation also examines how disenfranchisement has paradoxically opened space for new labor struggles within the culture industries, and what a more equitable path forward might look like in an industry dominated by monopoly capitalism. We trace Spotify's shift from search-centric functionality to playlist curation, its "Music for every moment" strategy, and its rebranding from a "celestial jukebox" into lifestyle accessories for individual listeners. Arcand helps us unpack Spotify's editorial logic — from "chill" playlists to hyperpop — and how mood-based categorization blurs the boundaries between artistic expression, consumer mood management, and financialized cultural assets. We consider the assimilation of subcultural genres into profit-seeking structures, the emergence of "Spotifycore," and the recalibration of genre itself for algorithmic infrastructures. Rob is a writer, editor, web developer, and PhD candidate at McGill University in Montreal. He's a former staffer at Pitchfork and SPIN, and has published work on music, visual art, books, film, and technology with outlets like n+1, The Los Angeles Review of Books, Artforum, Art in America, The Nation, The Fader, Rolling Stone, Vice, and more. Twitter: @robarcand If you like what we do and want to support our ability to have more conversations like this. Please consider becoming a Patron. You can do so for as little as a 1 Dollar a month and gain access to our Discord. The Same Stream Twice by Rob Arcand  

Show NotesIn this episode, Simon Western speaks with political theorist and author Professor Brad Evans about the collapse of traditional working-class politics and the growing sense of abandonment across post-industrial communities. Drawing on Brad's experiences growing up in the South Wales Valleys, the conversation explores how solidarity, class identity and community structures have been eroded by deindustrialisation, neoliberalism and the rise of precarious labour. They reflect on why many working-class communities no longer feel represented by progressive politics and why populist movements are gaining traction.Simon and Brad discuss the emotional and political consequences of precarity - from Brexit and nationalism to homelessness, resentment and the rise of the “precariat.” Rather than dismissing people drawn toward nationalist or populist politics, they ask what happens when communities lose dignity, voice and recognition. The conversation challenges simplistic binaries of left and right, arguing instead for deeper listening, political humility, and a renewed understanding of interdependence.The episode also turns toward possibility. Simon introduces ideas from his work on “precarious interdependence,” asking how we might learn to live creatively within uncertainty rather than retreat into fear, certainty, and division. They discuss the role of art, culture, dialogue, and political imagination in creating more humane futures - futures grounded not in nostalgia for the past, but in new forms of solidarity and shared becoming.Key Reflections Working-class communities have not simply lost jobs, but also the social bonds and identities that once gave meaning and solidarity. Populist movements gain power when people feel politically abandoned, unseen and culturally dismissed. Precarity can produce fear and division, but it can also open possibilities for new forms of creativity, mutuality and transformation. Nationalism often emerges in spaces where class consciousness and collective identity have collapsed. Real political dialogue begins when we stop demonising opponents and start listening to the conditions shaping their lives. Art and culture are not luxuries; they are essential for reimagining society and creating empathetic futures. KeywordsPrecarity, Working Class, Nationalism, Populism, Brexit, South Wales, Political Violence, Class Identity, Labour Party,Identity Politics, Mutuality, Interdependence, Neoliberalism, Community, Deindustrialisation, Arts & Politics, Political Agency, Democracy, Social ChangeBrief BioBrad Evans is a Professor of Political Violence & Aesthetics at the University of Bath, United Kingdom. He is the author of 20 books and edited volumes, along with over 150 academic and international media articles. Brad has written extensively on the state of international affairs, while making major theoretical contributions to the understanding of violence. He has previously held positions at the Universities of Bristol and Leeds, and has also taught at Columbia University in New York.Brad is widely known for bringing critical theory into public conversation through projects with The New York Times, Los Angeles Review of Books, and American Book Review. His recent work explores the politics of disappearance, bridging art, academia, and policy through exhibitions, public events, and global collaborations. He is also the founder of the internationally recognised Histories of Violence project, which connects critical research and public dialogue across more than 140 countries.A frequent speaker at institutions including Harvard, NYU, Columbia, UCLA, and the Guggenheim, Brad's work moves between philosophy, politics, art, and lived experience. He is also the author of the acclaimed semi-biographical book How Black Was My Valley, reflecting on growing up in poverty in South Wales. His work and commentary have featured across major global media including the BBC, CNN, The New York Times, The Guardian, and Newsweek.

The Girl on the Beach by Carol Snow“In a world of privilege and pretense, a young girl vanishes. Carol Snow's propulsive and gripping The Girl On The Beach reels you in with a darkly charged love triangle and rich, compelling characters—none of them innocent. Just when you think you understand what happened, a shocking twist upends everything.” —Mary Dixie Carter, author of Marguerite by the Lake and The PhotographerA missing child. A shattered family. And a truth that refuses to stay buried.Acclaimed novelist Carol Snow returns with The Girl on the Beach (Crooked Lane Books; June 23, 2026), a gripping psychological thriller set against the deceptively idyllic coastline of Santa Barbara's “American Riviera.”When four-year-old Roxie Starr disappears into the Pacific Ocean on a perfect summer day, the tragedy destroys her glamorous, high-profile family and leaves their young nanny, Colleen, haunted by guilt. Months later, Colleen returns to the beach house and sees something impossible: a child who looks exactly like Roxie.What follows is a chilling unraveling of memory, grief, and truth as Colleen questions everything she thought she knew about that day and the family she once trusted.With a dual timeline that moves between a sunlit summer and a shadowed aftermath, The Girl on the Beach explores: ● The unreliability of memory ● The psychology of guilt and trauma ● The secrets hidden beneath wealth and privilege Perfect for fans of psychological suspense, the novel builds to a jaw-dropping twist.Carol Snow is an American author of ten novels, most recently THE GIRL ON THE BEACH, a psychological thriller slated for June 2026 publication. Called “an author to watch” by Booklist, recognition for Snow's previous titles includes: Target Bookmarked Breakout Selection, Amazon Editors' Pick: Best Books of the Month, and Readers' Crown Award Finalist.Foreign rights to Snow's books have been sold to publishers in Germany, Norway, Poland, Indonesia, and Hungary. A former contributor to Salon's “Mother's Who Think” column, her writing has also appeared in The Los Angeles Review of Books and Park City Magazine.Carol Snow holds a BA in psychology from Brown University and an MA in teaching English from Boston College. A native of New Jersey, she has lived all over the US, as well as in Strasbourg, France, and London, England. Married with two adult children, she now splits her time between Cape Cod and Southern California.To learn more about Carol Snow and her books, please visit www.carolsnow.com.https://www.amazon.com/Girl-Beach-Thriller-Carol-Snow/dp/B0FSC6XDBNhttps://www.carolsnow.com/https://www.instagram.com/carol_snowhttps://www.goodreads.com/author/show/270463.Carol_Snow

Jacque Gorelick joins Let's Talk Memoir for a conversation about growing up missing a mother, surviving a fractured family and worrying you're broken in unfixable ways, how her husband's medical crisis upended her life as a new mother, letting our inner selves be cared for, protecting a space where a mother should be, owning our story, gathering all the pieces for structure, weaving in backstory to strengthen the stakes, including letters and managing time in memoir, telling the truth as we know it,  taking risks, how we're never finished, and her new memoir Map of a Heart: A Memoir of Love, Loss, and Finding the Way Home. Also in this episode: -coping strategies -letting our guard down -being once mothered, motherless, and unmothered Books mentioned in this episode:  Bird by Bird by Anne Lamott The Art of Memoir by Mary Karr Fast Draft Your Memoir by Rachael Herron  Jacque's essays about family, motherhood, estrangement, education, and health have appeared or are forthcoming in The New York Times, Salon, Los Angeles Review of Books, The Kenyon Review, Pithead Chapel, X-R-A-Y, Healthy Women, The Washington Post, HuffPost and more.  After spending her fractured childhood in search of home and belonging, Jacque spent her adult life working with children and families. She has a degree in psychology and a graduate degree in education with an emphasis in early childhood development. She has always been fascinated with how family shapes and defines us, and how we ultimately choose to define it for ourselves.  A California native, Jacque has lived all over the West Coast from Santa Barbara to Alaska. Now firmly rooted in the San Francisco Bay Area, she lives beside a creek under redwood trees with her husband, two boys, and a mélange of rescues. To find out more about Jacque and her work visit her website at jacquegorelick.com.   Connect with Jacque: Website: https://www.jacquegorelick.com/ Facebook: https://www.facebook.com/jacque.gorelick/ IG @jacgorelick: https://www.instagram.com/jacgorelick/ Threads @jacgorelick: https://www.threads.com/@jacgorelick Substack: Heartmatters https://jacquegorelickheartmatters.substack.com/?utm_campaign=profile_chips Purchase book via Bookshop: https://bookshop.org/p/books/map-of-a-heart-a-memoir-of-love-loss-and-finding-the-way-home-jacque-gorelick/9daeff1a91645131?ean=9783988322265&next=t – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book.   More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

Colin Marshall is a Seoul-based essayist, broadcaster, and public speaker focusing on cities, language, and culture. Through his Substack newsletter, Books on Cities, he writes long-form essay-reviews exploring those very themes. He is the author of the Korean essay collection "한국 요약 금지" (No Summarizing Korea) and "Korean Newtro: Where Youth Meets Tradition". Additionally, he recently contributed a story to the Seoul-set mystery anthology "그날, 서울에서는 무슨 일이." He currently writes a column for the Korean newspaper 동아일보. His essays have appeared in a wide range of outlets, including The New Yorker, Guardian Cities, Open Culture, the Times Literary Supplement, and the Los Angeles Review of Books (where he authored the Korea Blog for six years). Find Him Online Email: colinjmarshall@gmail.com Twitter: https://x.com/colinmarshall Korean Newtro: https://www.amazon.com/Korean-Newtro-Where-Youth-Tradition/dp/156591533X No Summarizing Korea: https://product.kyobobook.co.kr/detail/S000212263515 Discussion Outline 0:00 Introduction 5:30 Writing in Korean for Koreans 13:05 The Korean Language 17:25 Korean Language and Translation 24:30 Park Chan-wook and Spacelessness 34:35 Korean Newtro Book 46:00 Seeing Korean 촌스러워 56:25 The Dabang 1:05:20 Korean Social Taboos 1:19:10 Consumption of Culture 1:25:45 Advice for Korea Thanks to Patreon members: Bhavya, Roxanne Murrell, Sara B Cooper, Anne Brennels, Ell, Johnathan Filbert, Daniela Körppen, Cody Join Patreon: https://www.patreon.com/c/user?u=62047873 David A. Tizzard has a PhD in Korean Studies and lectures at Seoul Women's University and Hanyang University. He writes a weekly column in the Korea Times, is a social-cultural commentator, and a musician who has lived in Korea for nearly two decades. He can be reached at datizzard@swu.ac.kr. ▶ David's Insta: @datizzard ▶ KD Insta: @koreadeconstructed 

Dickens in Brooklyn is a virtuoso collection of unusual, compelling essays in which critically acclaimed and award-winning author Jay Neugeboren explores experiences that have been central to his life: caring long-term for a brother with mental illness; finding and connecting with long-lost family members; a posthumous lunch with Oliver Sacks; his years as single parent to his three children; his decision as a General Motors executive trainee to violate company policy and hang out with "hourlies;" a thwarted kiss at a teenage summer camp where he was a young Jewish man in exile among Jews.Neugeboren is the author most recently of Whatever Happened to Frankie King and twenty-three other prize-winning works of fiction and nonfiction. His essays have been recently published in The New York Review of Books, The New York Times, The American Scholar, Los Angeles Review of Books, Tablet, and Commonweal, and are here collected for the first time.

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac's words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman's “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac's book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period's historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Kate Wolf and Eric Newman are joined by photographer Reynaldo Rivera, whose work is featured on the cover of the LARB's spring issue, which celebrates 15 years of the Los Angeles Review of Books. Rivera discusses his latest photobook, Propiedad Privada, edited by Lauren Mackler and Hedi El Kholti. Along with essays and stories by writers such as Constance Debre, Brontez Purnell, Colm Tóibín, and Justin Torres, it showcases images from Rivera's personal collection, most of which he never intended to show publicly. The photos are intimate and erotic, full of longing, vulnerability, and hope. They capture Rivera's friends, lovers, his longtime partner Bianco, and Rivera himself, in ephemeral moments of lust and physical connection. Utilizing the close spaces of bedrooms, bars and alleys as their setting, they document private performances, intense intimacy, and moments of charged reflection. Together with Rivera's first book, Propiedad Privada offers a complex portrait of Latinx queer life in the U.S., while also taking its place in the timeless archive of desire.

Wendy C. Ortiz joins Let's Talk Memoir for a conversation about the English teacher who preyed on her when she was thirteen, writing about the person we are now when writing about our past, placing the reader in the physical and psychological experience of character-you, how important the opening pages are in setting the stakes, feeling fear and shame, taking care of yourself when writing about traumatic events, reminding ourselves who we were before abuse, growing up feeling comfortable keeping secrets, art as means to recovery, when your press goes out of business, when a predator asks you not to write about them but you do, and her new memoir Excavation.   Also in this episode: -interstitial chapters -university presses vs. small presses -taking care of ourselves when writing about trauma   Books mentioned in this episode: -Firebird by Mark Doty -Truth Serum by Bernard Cooper -The Chronology of Water by Lidia Yuknavitch   Wendy C. Ortiz is the author of Excavation: A Memoir, Hollywood Notebook: Essays, and Bruja: A Dreamoir, all of which were reissued in Spring 2025 by Northwestern University Press. Her work has been featured in the Los Angeles Times, The Rumpus, and the Los Angeles Review of Books. Her writing has appeared in BOMB Magazine online, The New York Times' “Modern Love,” Joyland, FENCE, DIAGRAM, and Pleiades, among others. She was awarded a Tin House residency to continue working on her next book. Her current project is Mommy's El Camino, a weekly online newsletter. Wendy is a psychotherapist in private practice in Los Angeles.    Connect with Wendy: Website: https://www.wendyortiz.com Bluesky: https://bsky.app/profile/wendyortiz.com Instagram: https://www.instagram.com/wendy.c.ortiz Book purchase via Bookshop: https://bookshop.org/p/books/excavation-a-memoir-wendy-c-ortiz/21982167?ean=9780810148604&next=t   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social

In a world of misinformation and uncertainty, we're often tempted to think our way out of our problems. But what if more knowledge isn't the answer? In this episode, I talk with philosopher and author James K.A. Smith about his book Make Your Home in This Luminous Dark and why the pursuit of certainty can easily become an idol. We discuss his personal journey discovering the wisdom of silence, solitude, and surrender after a season of depression forced him to confront problems thinking alone couldn't solve. We explore the insights of the medieval mystics, what it means to let go of the need to win arguments, why our bodies matter in spiritual practice, and how discovering our belovedness reshapes the way we live and engage the world.James K. A. Smith is professor of philosophy at Calvin University and author of Make Your Home in this Luminous Dark: Mysticism, Art, and the Gift of Unknowing (Yale, March 2026). His popular writing has appeared in magazines such as Christianity Today, Christian Century, and the Los Angeles Review of Books, as well as the New York Times, the Wall Street Journal, and USA Today. He lives in Grand Rapids, MI.James' Book:Make Your Home in This Luminous DarkJames' Recommendation:Mussolini Son of the CenturyConnect with Joshua: jjohnson@shiftingculturepodcast.comGo to www.shiftingculturepodcast.com to interact and donate. Every donation helps to produce more podcasts for you to enjoy.Follow on Facebook, Instagram, Twitter, Threads, Bluesky or YouTubeConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link below Let the Art Speak: About Hope conference on April 10 & 11 in Madison, WIJoin artists & creatives at the 5th Let the Art Speak conference — a celebration of hope.Support the show

In Part 2 of our discussion on Virginia Woolf's A Room of One's Own, editor Dora Zhang returns to discuss the original cover and the design of the Norton Library edition, her first encounter with Woolf's writing during college, and a few of her favorite moments in the text. Dora Zhang is Associate Professor of English and Comparative Literature at the University of California, Berkeley. She is the author of Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), which studies the works of Henry James, Marcel Proust, and, centrally, Virginia Woolf in order to reinvigorate our understanding of the ubiquitous but undertheorized category of novelistic description. Her writing has also appeared in the Los Angeles Review of Books, Public Books, The Chronicle Review, and The Point.To learn more or purchase a copy of the Norton Library edition of A Room of One's Own, go to https://wwnorton.com/books/9780393893991. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Jason Crawford is Professor of English at Union University in Jackson, Tennessee, where he teaches and writes about early modern literature and culture, with secondary interests in ancient drama and epic. He's the author of several academic books and articles, and his work has also appeared in such venues as the Los Angeles Review of Books. …

“We read so as not to feel alone.” — C.S. Lewis (possibly)Dan Turello is a cultural historian of medieval Italy, a much published photographer, and the author of the new Connection: How Technology Can Make Us Better Humans. I'm sceptical. Especially the promise (or illusion) of better humans. But Turello's definition of technology goes back further than most — all the way to the original fig leaf. When Adam and Eve were expelled from the Garden, the first thing they did, he reminds us, was cover their bodies. Technology, then, in Turello's framing, is everything that extends beyond the human body. Clothing is technology. Double-entry bookkeeping is technology. The iPhone is just the latest chapter of our technology story that began at the beginning.His most surprising argument is that our current tech anxiety has medieval roots. St. Francis of Assisi was what he calls a trust-fund kid “avant la lettre” — his father being a wealthy 13th century silk merchant at a time when northern Italy was Silicon Valley. Francis sold some of his dad's silk, gave the money away, stripped naked before a bishop, and founded a counterculture movement. The first tech backlash, Turello suggests, wasn't against AI. It was against double-entry bookkeeping. Dante, writing a generation later, idealised an earlier, simpler Florence — what scholars call “paleolithic chic.” No makeup, no ornate clothing, no fleeing to immoral cities. Sound familiar?On AI, Turello goes a bit Saint Francis on us. Large language models, he fears, generate material without lineage — you can't trace where the ideas came from, can't triangulate the sources, can't validate against reality. Technology is about power, Turello argues — about who controls the storyline. Making us better humans, then, requires recovering a sense of agency. Thus he argues that we should stop outsourcing our thinking, our writing, our photography to machines. Dante wrote the entire Divine Comedy without Claude. These days, we can barely write an email without a little help from our friends at ChatGPT. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. But then isn't that a tech solution too? Five Takeaways•       St. Francis Was a Trust-Fund Kid Who Invented Counterculture: His father was a wealthy silk merchant in 13th-century Italy, at the dawn of Europe's commercial revolution. Francis sold his father's silk, gave the money away, stripped naked before a bishop, and founded an order that rejected the mechanisms of early capitalism. The first tech backlash wasn't against AI. It was against double-entry bookkeeping.•       Technology Is Everything Beyond the Naked Human Body: Turello's definition goes back to Genesis. When Adam and Eve were expelled from the Garden, the first thing they did was cover their bodies. Fig leaves are technology. Clothing is technology. The iPhone is just the latest iteration of a metaphysical problem that's been destabilising us since the Fall.•       Dante Wrote the Divine Comedy Without Being Able to Edit: He penned an entire macrocosm of the medieval world from memory, without the ability to rewrite in any meaningful way. Turello thinks Dante would be concerned that we're losing our memories, our ability to tell a coherent narrative for our lives, and that our existence has become too fragmented. We can barely write an email without ChatGPT.•       LLMs Generate Material Without Lineage: Technology is about power — about who controls the storyline. Large language models produce text without traceable sources, without verifiable origins, without lineage. You can't triangulate where the ideas came from. That's not intelligence. That's a crisis of provenance.•       Agency Still Matters: Turello's hope for humanity is that we recover a sense of agency — the belief that our choices, friendships, relationships, and communities are ours to shape. The alternative is technological determinism: the machine decides. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. About the GuestDan Turello is a writer, cultural historian, and photographer. A Technology and Humanity Fellow at Florida Atlantic University's Center for Future of Mind, AI & Society, his work has appeared in the New Yorker, the Washington Post, and the Los Angeles Review of Books. Connection: How Technology Can Make Us Better Humans is published by Columbia University Press.References:•       Connection: How Technology Can Make Us Better Humans by Dan Turello (Columbia University Press, 2026) — the book under discussion.•       Episode 2840: What Came First: Stories or Language? — Kevin Ashton on storytelling preceding language, a natural companion.•       Episode 2839: Have Our iPhones Eaten Our Brains? — Nelson Dellis on memory, cognitive atrophy, and outsourcing our minds.•       Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction — referenced in the conversation on technology and power.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction: has technology made you a better human? (03:22) - The iPhone vs. the decisive moment: Bresson and photography (05:39) - The orange cushion: an ode to imperfection (06:27) - St. Francis of Assisi: the first tech critic (07:22) - 800 years of tech anxiety: from double-entry bookkeeping to AI (11:27) - Žižek, capitalism, and the love-hate relationship with technology (13:50) - Fig leaves to iPhones: technology as everything beyond the naked body (15:00) - Marinetti, Svevo, and the mammoth: technology as relationship (17:54) - Walter Benjamin, The Matrix, and who controls the storyline (20:51) - Bresson's decisive moment vs. Nietzsche's blow it up (22:25) - Agency under attack: reclaiming embodied experience (25:47) - Machiavelli donning the robes of the past (28:44) - Nost...

In Part 1 of our discussion on Virginia Woolf's A Room of One's Own, we welcome editor Dora Zhang to discuss the author's early life in a literary and artistic household, the enduring nature and distinctive prose of Woolf's works, and the argument of certain necessary material conditions for creating art. Dora Zhang is Associate Professor of English and Comparative Literature at the University of California, Berkeley. She is the author of Strange Likeness: Description and the Modernist Novel (University of Chicago Press, 2020), which studies the works of Henry James, Marcel Proust, and, centrally, Virginia Woolf in order to reinvigorate our understanding of the ubiquitous but undertheorized category of novelistic description. Her writing has also appeared in the Los Angeles Review of Books, Public Books, The Chronicle Review, and The Point.To learn more or purchase a copy of the Norton Library edition of A Room of One's Own, go to https://wwnorton.com/books/9780393893991. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Jacque Gorelick looks at life like a pie chart — what's going to fit, and what won't? Don't miss this fabulous conversation on how to rely on yourself as a writer! Jacque Gorelick's essays about family, motherhood, estrangement, education, and health have appeared or are forthcoming in The New York Times, Salon, Los Angeles Review of Books, The Kenyon Review, Pithead Chapel, X-R-A-Y, Healthy Women, The Washington Post, HuffPost and more. Map of a Heart: A Memoir of Love, Loss, and Finding the Way Home is her debut memoir. A California native, Jacque has lived all over the West Coast from Santa Barbara to Alaska. Now firmly rooted in the San Francisco Bay Area, she lives beside a creek under redwood trees with her husband, two boys, and a mélange of rescues. To find out more about Jacque and her work visit her website at www.jacquegorelick.com Cold Turkey Writer: https://getcoldturkey.com/writer/Map of a Heart: https://amzn.to/4arXT1bThe Byline Bible, Susan Shapiro https://amzn.to/4arXT1bNewsweek: https://www.newsweek.com/husband-newborn-hike-stopped-breathing-cpr-11514533

Notes and Links to Luke Epplin's Work   Luke Epplin is the author of Moses and the Doctor: Two Men, One Championship, and the Birth of Modern Basketball, and Our Team: The Epic Story of Four Men and the World Series That Changed Baseball.    His writing has appeared online in The Atlantic, The New Yorker, GQ, Slate, The Washington Post, the Los Angeles Review of Books, and The Paris Review Daily. Born and raised in rural Illinois, Epplin lives outside of New York City with his wife and daughter. Buy Moses and the Doctor   Wall Street Journal Review of Moses and the Doctor   Luke Epplin's Website At about 1:15, Luke highlights Greenlight Books and Astoria Bookshop as places to find signed books, both online and off- At about 2:15, Luke shares an interesting tidbit about fellow Illinois-ian David Foster Wallace At about 4:40, Luke responds to Pete's question about seeds for Moses and the Doctor, and how his first book figured in At about 8:10, Luke and Pete discuss the book's Prologue and an important Julius Erving “speech” At about 11:15, Luke shares Dr. J's thoughts on this consequential speech and further implications for his relationship with future teammate Moses Malone  At about 12:15, Chapter One is discussed, especially Julius Erving's dazzling time at Rucker Park; Luke ruminates on Julius as “two people at once” At about 17:55, The two discuss Moses Malone as a “prodigy” and how his hometown and upbringing shaped him  At about 21:05, Moses Malone's college search and pro basketball signing are discussed  At about 24:00, Luke responds to Pete's comments and question about the ABA/NBA and generalizations about Julius Erving and other players  At about 26:50, Luke reflects on Julius Erving's free agent demands and travails  At about 28:00, the two discuss Moses Malone's “lost year” as the ABA wilts At about 29:20, Luke references Julius Erving's time in the ABA, and how people who watched him and played with him talk about how the NBA Julius Erving wasn't the same At about 30:55, Luke talks about the ways in which the super-successful Sixers were not hyped as much as teams like Magic Johnson's Lakers and Larry Bird's Celtics At about 31:55, Luke pinpoints a pivotal scene in 1982 that he marks as critical in his book's arc At about 33:15, Luke responds to Pete wondering about the criticism towards Julius Erving before he won a NBA Championship  At about 34:15, The 1977 Finals and the competing styles the two teams brought are discussed, along with the New Jersey Nets' impasse with Julius over his signing At about 37:55, Pete shouts out an incredible dunk from Julius Erving on Bill Walton At about 38:30, Luke expands upon the legendary stories told about Julius from his ABA days At about 39:50, Luke responds to Pete's questions about research processes for the book At about 41:45, Luke reflects on his interactions with and memories of Bill Walton At about 43:15, The two discuss Moses Malone's opening season and NBA Finals' Run with the Rockets At about 45:00, Pete notes a transformational experience for Julius Erving/Dr. J at the end of the 1970s and Luke talks about Julius' injury history and a turning point at age 30 At about 47:30, Luke reflects on a sense of “blessing” and introspection by Julius At about 48:10, Luke reflects on racial and racist more of the 70s and 80s in Philadelphia, including the town ethic and Frank Rizzo's oppressive governing, and how Moses Malone and Julius Erving acted in response and how they were received in Philly At about 52:20, Pete references the Fonde Rec Center and its connection to Moses Malone's “superstardom” At about 53:15, Pete and Luke reflect on key moments and key losses that led to the teaming up with Moses Malone and the winning of the 1983 NBA Championship and Julius Erving opening up emotionally At about 56:25, Pete highlights the power of Luke ending the book in 1983 At about 57:50, Luke discusses Moses Malone's post-NBA career and his choice to live in the “shadows” At about 58:40, Pete catalogs some of the post 1983 foibles and missteps of the 76ers players and brass, and Luke expands on why the buildup to the championship was so “dramatically satisfying” At about 1:00:25, Luke talks about Julius Erving's “legend” and legacy At about 1:01:30, Andrew Toney was a bucket!        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 324 with Lillian Li, author of the book out as of today, February 17, Bad Asians.  She is also the author of the novel Number One Chinese Restaurant, which was an NPR Best Book of 2018, and longlisted for the Women's Prize and the Center for Fiction's First Novel Prize. Again, the episode airs on February 17, today, Pub Day for Bad Asians.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.     You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Narrative verse, or poems that tell a story, has existed for millennia, yet the mode of writing has been neglected by literary publishers, editors, and critics in our own time. This anthology reestablishes the vital relationship of narrative verse to a contemporary readership of poetry. It presents a wide range of specimens from twenty-eight poets who were born since World War II and who published their narrative poems over the past fifty years. Featured poets include Rita Dove, Christian Wiman, Alberto Rios, A. E. Stallings, Bob Dylan, Daniel Mark Epstein, David Mason, Mary Jo Salter, and Dana Gioia, and other exemplary practitioners of the form. In these poems, character, plot, and dialogue turn up as readily as in prose fiction. As John Dryden wrote of Chaucer's works, “Here is God's plenty.” Anecdote, fable, myth, biography, thriller, Western, ghost story―these are among the many different genres of tale collected by poet-critic Sunil Iyengar, who introduces each poet and the anthology itself. Sunil Iyengar is the author of a poetry chapbook, A Call from the Shallows (Finishing Line Press). His poems and/or book reviews have appeared in such periodicals as The New Criterion, Literary Matters, New Verse Review, PN Review, Essays in Criticism, The American Scholar, The Hopkins Review, Los Angeles Review of Books, and The Washington Post. He lives outside Washington, D.C., where he works as an arts research director. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this our 293rd episode, our guest is Tom Lutz. Tom Lutz is the author of many books on literature and culture, as well as several books of travel writing and two novels. He is an American Book Award-winning cultural critic, University of California Riverside Distinguished Professor Emeritus, and the founder of Los Angeles Review of Books. In addition to UC Riverside, he also taught at the University of Iowa, CalArts, University of Copenhagen and Stanford. He now lives in the French countryside with his wife, the writer and critic Laurie Winer, and their two expatriate cats. His latest book, “Chagos Archipelago” was published by Red Hen Press in October 2025 and is the follow-up to his novel “Born Slippy,” which was published by Repeater Books in 2020. Follow me on Bluesky: bsky.app/profile/robaburg.bsky.social Follow me on Mastodon: newsie.social/@therobburgessshow Check out my Linktree: linktr.ee/therobburgessshow Subscribe to my Substack: therobburgessshow.substack.com/

José and Dion read "Entrance" by Rainer Maria Rilke and then from José's new book Haunt Me. José Enrique Medina earned his BA in English from Cornell University. His book Haunt Me won the 2025 Rattle Chapbook Prize. His second book, Man Without a Skirt, was selected by Ellen Bass as the runner-up for the 2025 Two Sylvias Press Chapbook Prize. His work has appeared in USA Today Hispanic Living Magazine, Best Microfiction 2019, The Los Angeles Review, Redivider, and other publications. He is a VONA fellow and the founder of the Chickens & Poetry Residency for Writers. You can connect with him on Instagram @MedinaWrites or at www.MedinaWrites.com.

Leah, Melissa, and Kate dive into the raging legal battles over redistricting ahead of next year's midterms, Interim U.S. Attorney Lindsey Halligan's massive oopsies in her prosecution of James Comey, developments with L'Affaire Epstein, and other assorted legal quagmires and outrages from the Trump administration. Then, Kate chats with University of Minnesota Law Professor Jill Hasday about her book We the Men: How Forgetting Women's Struggles for Equality Perpetuates Inequality. Check out Leah's review of Justice Amy Coney Barrett's book, Listening to the Law, for the Los Angeles Review of Books here.Favorite things:Kate: Lux, Rosalía; The Unraveling of the Justice Department, Emily Bazelon and Rachel Poser (NYT); Wild Dark Shore, Charlotte McConaghy; The Gods of New York: Egotists, Idealists, Opportunists, and the Birth of the Modern City: 1986-1990, Jonathan MahlerLeah: Mature, Hilary Duff; The Pop-Tarts Bowl; Cupcakin' Bake Shop in BerkeleyMelissa: Judith Browne Dianis & Alexei Navalny win the inaugural Kettering Democracy Prize; Meghan's Moment, Kaitlyn Greenidge (Harper's Bazaar); Meet the Veteran Who Chases ICE on a Scooter, Isabela Dias (Mother Jones) Get tickets for STRICT SCRUTINY LIVE – The Bad Decisions Tour 2025! 3/6/26 – San Francisco3/7/26 – Los AngelesLearn more: http://crooked.com/eventsOrder your copy of Leah's book, Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad VibesFollow us on Instagram, Threads, and Bluesky Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.