Podcasts about Abstraction

They tried to impeach Trump, imprison him, bankrupt him, and kill him. And they've always failed. Charlie reacts to Trump's latest Houdini-like victory in his New York civil case. Then, he explains why it's so unsurprising that crime has immediately collapsed in D.C. after sending out the Guard. It all goes back to the nature of Trump himself: He is the anti-abstraction president. Plus, Nate Morris discusses his run to topple the McConnell machine in Kentucky and get an immigration moratorium for America.Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

They tried to impeach Trump, imprison him, bankrupt him, and kill him. And they've always failed. Charlie reacts to Trump's latest Houdini-like victory in his New York civil case. Then, he explains why it's so unsurprising that crime has immediately collapsed in D.C. after sending out the Guard. It all goes back to the nature of Trump himself: He is the anti-abstraction president. Plus, Nate Morris discusses his run to topple the McConnell machine in Kentucky and get an immigration moratorium for America.Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Nous sommes en décembre 1936, à New York. C'est au cour d'une soirée dansante que la peintre Lee Krasner rencontre celui qui deviendra l'une des figures majeurs de l'abstraction au vingtième siècle : Jackson Pollock. Plus tard, la jeune femme se souviendra d'un piètre danseur lui ayant écraser les pieds. Cette rencontre, apparemment sans conséquence, sera, heureusement, suivie d'une autre plus fructueuse faisant entrer celui et celle qui allait unir leur vie sentimentale et professionnelle, dans l'histoire de l'art. Pollock est devenu une légende de son vivant, c'est un fait entendu. Mais qu'en est-il pour Lee Krasner ? Une femme artiste dans la puritaine Amérique ? Une femme d'artiste singeant l'art de son homme ?En 1949, tous deux sont présents dans une exposition intitulée "Artistes: homme et femme". Un critique du magazine ARTnews écrit: "Il y a une tendance chez certaines de ces femmes à se "ranger aux styles de leur mari. Lee Krasner (Mme Jackson Pollock) prend la peinture et les émaux de son mari et transforme ses lignes effilées et balayées en petits carrés et triangles soignés." Plus tard, elle déclarera : «Tout mon travail va comme un pendule; il semble retourner vers une chose dans laquelle j'étais engagée auparavant, ou bien il oscille entre l'horizontalité et la verticalité, la circularité ou un composé d'entre elles. » Alors, Lee Krasner ne vaut-elle pas mieux que l'ombre de Jackson Pollock ? Ne perdons rien pour attendre… Invitée : Anne Hustache, historienne de l'art. Sujets traités : Lee Krasner, Jackson Pollock, art, artiste, peinture, abstraction, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of Hunger for Wholeness, Sr. Ilia Delio engages neuroanthropologist Terrence Deacon. Together, they probe the paradox of presence and absence—how constraint, incompleteness, and time shape mind, language, and the emergence of human meaning. From Charles Sanders Peirce to Claude Shannon, Deacon traces a lineage that reframes form not as what's added, but as what's held back.What happens when we privilege what's present while ignoring the creative force of what's missing? How does constraint give rise to information, and why might Gödel's incompleteness illuminate consciousness more than mechanism alone? Moving through Descartes' split of mind and matter, Deacon proposes that what we call “the mental” is the constraint-aspect of the physical—a shift that dissolves false dualisms and re-roots knowing in embodiment.Later in the episode, Sr. Ilia and Deacon explore symbolic abstraction, culture, and ecology—how our ungrounded representations both empower and endanger us. They close by examining today's so-called “artificial intelligence,” arguing it's better understood as a simulation of intelligence, and asking what a grounded, value-aware future might require of us.ABOUT TERRENCE DEACON“Almost everything we do is with respect to something that doesn't yet exist… All of our actions… are really about that absence. I actually think that this is the essence of what it means for something to be alive.”Professor Terrence Deacon is Distinguished Professor emeritus at the University of California, Berkeley, and has previously held faculty positions at Harvard University, Harvard Medical School, and Boston University. His research in comparative and developmental neuroanatomy has focused on the human brain, using physiological, quantitative, and cross-species methods. He is the author of The Symbolic Species: The Coevolution of Language and the Brain (1997), which explores how language and the human brain evolved together, and Incomplete Nature: How Mind Emerged from Matter (2012), which examines how thermodynamic, self-organizing, semiotic, and evolutionary processes gave rise to life and mind. He is currently working on a new book, Falling Up: How Inverse Darwinism Catalyzes Evolution, which explores how the relaxation of natural selection and subsequent degenerative processes have paradoxically contributed to the evolution of increasing biological complexity.Whether you're enjoying Hunger for Wholeness or see ways we can improve, we'd genuinely value your feedback. Your insights help us serve our listening community with greater depth and clarity. Visit christogenesis.org/feedback to share your thoughts. Thanks for being part of the journey.Support the showA huge thank you to all of you who subscribe and support our show! Support for A Hunger for Wholeness comes from the Fetzer Institute. Fetzer supports a movement of organizations who are applying spiritual solutions to society's toughest problems. Get involved at fetzer.org. Visit the Center for Christogenesis' website at christogenesis.org/podcast to browse all Hunger for Wholeness episodes and read more from Ilia Delio. Follow us on Facebook and Instagram for episode releases and other updates.

For episode 576 of the BlockHash Podcast, host Brandon Zemp is joined by Marvin Bertin, Co-founder & CEO of Maestro.Marvin has been an entrepreneur in crypto since 2020, building blockchain infrastructure and financial products to usher in on-chain global finance. Previously, he was a research engineer in the AI and biotech industry. ⏳ Timestamps: (0:00) Introduction(0:58) Who is Marvin Bertin?(3:31) What is Maestro?(6:27) Infrastructure of Crypto in United States(11:58) Maestro solutions & use-cases(16:03) Future of Bitcoin in Finance(21:00) Abstraction(24:57) Developer Hub(27:36) Maestro Roadmap(29:17) Events & Conferences(29:47) Maestro website, socials & community 

In this episode of Book Overflow, Carter and Nathan discuss 99 Bottles of OOP by Sandi Metz, Katrina Owen, & TJ Stankus. Join them as they critique the coding philosophy, discuss the merits of OOP, and ponder how AI is shaping coding standards!-- Want to talk with Carter or Nathan? Book a coaching session! ------------------------------------------------------------Carterhttps://www.joinleland.com/coach/carter-m-1Nathanhttps://www.joinleland.com/coach/nathan-t-2-- Books Mentioned in this Episode --Note: As an Amazon Associate, we earn from qualifying purchases.----------------------------------------------------------99 Bottles of OOPhttps://sandimetz.com/99bottles----------------0:00 Intro00:53 About the Book and Authors02:10 Initial Thoughts on 99 Bottles of OOP10:03 Diving into the book11:29 Shameless Green Solution16:07 SOLID Principles Overview21:15 Abstraction vs Simplicity Debate38:10 Testing Philosophy and Abstractions45:42 Object-Oriented Programming Critique50:03 Does Any of This Matter Anymore?1:05:43 Final Thoughts----------------Spotify: https://open.spotify.com/show/5kj6DLCEWR5nHShlSYJI5LApple Podcasts: https://podcasts.apple.com/us/podcast/book-overflow/id1745257325X: https://x.com/bookoverflowpodCarter on X: https://x.com/cartermorganNathan's Functionally Imperative: www.functionallyimperative.com----------------Book Overflow is a podcast for software engineers, by software engineers dedicated to improving our craft by reading the best technical books in the world. Join Carter Morgan and Nathan Toups as they read and discuss a new technical book each week!The full book schedule and links to every major podcast player can be found at https://www.bookoverflow.io

Chapters 00:00:00 Welcome and Guest Introduction 00:01:18 Tulu, OVR, and the RLVR Journey 00:03:40 Industry Approaches to Post-Training and Preference Data 00:06:08 Understanding RLVR and Its Impact 00:06:18 Agents, Tool Use, and Training Environments 00:10:34 Open Data, Human Feedback, and Benchmarking 00:12:44 Chatbot Arena, Sycophancy, and Evaluation Platforms 00:15:42 RLHF vs RLVR: Books, Algorithms, and Future Directions 00:17:54 Frontier Models: Reasoning, Hybrid Models, and Data 00:22:11 Search, Retrieval, and Emerging Model Capabilities 00:29:23 Tool Use, Curriculum, and Model Training Challenges 00:38:06 Skills, Planning, and Abstraction in Agent Models 00:46:50 Parallelism, Verifiers, and Scaling Approaches 00:54:33 Overoptimization and Reward Design in RL 01:02:27 Open Models, Personalization, and the Model Spec 01:06:50 Open Model Ecosystem and Infrastructure 01:13:05 Meta, Hardware, and the Future of AI Competition 01:15:42 Building an Open DeepSeek and Closing Thoughts We first had Nathan on to give us his RLHF deep dive when he was joining AI2, and now he's back to help us catch up on the evolution to RLVR (Reinforcement Learning with Verifiable Rewards), first proposed in his Tulu 3 paper. While RLHF remains foundational, RLVR has emerged as a powerful approach for training models on tasks with clear success criteria and using verifiable, objective functions as reward signals—particularly useful in domains like math, code correctness, and instruction-following. Instead of relying solely on subjective human feedback, RLVR leverages deterministic signals to guide optimization, making it more scalable and potentially more reliable across many domains. However, he notes that RLVR is still rapidly evolving, especially regarding how it handles tool use and multi-step reasoning. We also discussed the Tulu model series, a family of instruction-tuned open models developed at AI2. Tulu is designed to be a reproducible, state-of-the-art post-training recipe for the open community. Unlike frontier labs like OpenAI or Anthropic, which rely on vast and often proprietary datasets, Tulu aims to distill and democratize best practices for instruction and preference tuning. We are impressed with how small eval suites, careful task selection, and transparent methodology can rival even the best proprietary models on specific benchmarks. One of the most fascinating threads is the challenge of incorporating tool use into RL frameworks. Lambert highlights that while you can prompt a model to use tools like search or code execution, getting the model to reliably learn when and how to use them through RL is much harder. This is compounded by the difficulty of designing reward functions that avoid overoptimization—where models learn to “game” the reward signal rather than solve the underlying task. This is particularly problematic in code generation, where models might reward hack unit tests by inserting pass statements instead of correct logic. As models become more agentic and are expected to plan, retrieve, and act across multiple tools, reward design becomes a critical bottleneck. Other topics covered: - The evolution from RLHF (Reinforcement Learning from Human Feedback) to RLVR (Reinforcement Learning from Verifiable Rewards) - The goals and technical architecture of the Tulu models, including the motivation to open-source post-training recipes - Challenges of tool use in RL: verifiability, reward design, and scaling across domains - Evaluation frameworks and the role of platforms like Chatbot Arena and emerging “arena”-style benchmarks - The strategic tension between hybrid reasoning models and unified reasoning models at the frontier - Planning, abstraction, and calibration in reasoning agents and why these concepts matter - The future of open-source AI models, including DeepSeek, OLMo, and the potential for an “American DeepSeek” - The importance of model personality, character tuning, and the model spec paradigm - Overoptimization in RL settings and how it manifests in different domains (control tasks, code, math) - Industry trends in inference-time scaling and model parallelism Finally, the episode closes with a vision for the future of open-source AI. Nathan has now written up his ambition to build an “American DeepSeek”—a fully open, end-to-end reasoning-capable model with transparent training data, tools, and infrastructure. He emphasizes that open-source AI is not just about weights; it's about releasing recipes, evaluations, and methods that lower the barrier for everyone to build and understand cutting-edge systems. It would seem the

In this episode, Kevin Aillaud dives deep into the core of our energetic architecture—our spiritual DNA—and how understanding your unique blueprint can bring clarity, purpose, and freedom to your life. Using his own energetic design as an example, Kevin explores three of his defining channels: the Channel of Abstraction, the Channel of Structuring, and the Channel of Perfected Form.Kevin explains how the Channel of Abstraction gives him the gift of mental clarity, allowing him to transform confusion from past experiences into insight for the collective. It's not about logic, but vibration—a knowing that arises beyond mere thought. This inner clarity flows into the Channel of Structuring, which takes those insights and manifests them through teaching, storytelling, and one-on-one transformation. These gifts, Kevin reveals, have shaped his entire life path—from coaching to entrepreneurship to guiding men through the Academy.The conversation then turns to the Channel of Perfected Form, which Kevin describes as a survival-based gift of self-expression. This channel is grounded in self-love and intuitive awareness, driving him to carve his own path and live unapologetically by his own design. Kevin shares how this channel pushed him beyond the confines of societal expectations—away from the traditional workforce and toward a life of freedom, creation, and alignment. His journey exemplifies how living authentically can inspire others to break free from limiting structures and step fully into their own power.But this episode isn't about Kevin—it's about you. Kevin emphasizes that every man has a spiritual blueprint, an energetic map filled with unique gifts and strengths. While you may not share his specific channels, you hold the same potential for transformation. Through understanding your strategy, authority, and energetic design, you can gain clarity on your past and create a more effective path forward.This episode challenges you to see life as both a game and a playground—an opportunity to learn, grow, and enjoy the unfolding journey. Kevin also stresses the importance of addressing weaknesses by reducing buffering and increasing awareness, while simultaneously practicing and applying your innate strengths.For those ready to take the next step, Kevin invites you to explore your own spiritual DNA inside the Academy, where the process of uncovering your energetic blueprint can unlock new levels of clarity, confidence, and alignment.Tune in to discover how to stop fumbling in the dark, reclaim your unique gifts, and elevate your alpha.

Luke Marsden, CEO and Founder, HelixML talks about Private GenAI. What is it? Why do you need it? We also discuss integration into CI/CD pipelines, the layers of a Private GenAI Stack, and why most organizations are opting for RAG over fine-tuning LLMs.SHOW: 943SHOW TRANSCRIPT: The Cloudcast #943 TranscriptSHOW VIDEO: https://youtube.com/@TheCloudcastNET NEW TO CLOUD? CHECK OUT OUR OTHER PODCAST:  "CLOUDCAST BASICS" SPONSORS:[DoIT] Visit doit.com (that's d-o-i-t.com) to unlock intent-aware FinOps at scale with DoiT Cloud Intelligence.[FCTR] Try FCTR.io (that's F-C-T-R dot io) free for 60 days. Modern security demands modern solutions. Check out Fctr's Tako AI, the first AI agent for Okta, on their website[VASION] Vasion Print eliminates the need for print servers by enabling secure, cloud-based printing from any device, anywhere. Get a custom demo to see the difference for yourself.SHOW NOTES:HelixML websiteHelixML GitHubHelix 1.0 Announcement BlogTopic 1 - Welcome to the show Luke. Give everyone a brief intro.Topic 2 - Let's start with Priavte GenAI. What is it? Why should organizations out there consider it? Why not just use OpenAI GPT's and fine tune them?Topic 2a Follow up - Regulatory Compliance - take the opposing forces in the EU for instance to using SaaS based services based in the United States.Topic 3 - Let's break down the layers in a typical Private AI stack. I'm seen various ways to represent this such as infrastructure layer, MLOps layer, models, data layer (typically RAG), etc. How do you break up the stack into individual componentsTopic 4 - My mind immediately jumps to similarities in the DevOps space. Abstraction layers and components like Docker and containers comes to mind, integration into CI/CD pipelines, etc. I feel like MLOps is it's own thing with specific tools and workflows. Does this all come together and if so how?Topic 5 - Also, what does this mean for versioning and lifecycle management of the models and the data?Topic 6 - We are seeing more and more data pipelines with backed by multiple models, sometimes in multiple locations. How do handle this from both a scheduling and interface standpoint? Is everything hidden behind APIs for instance?Topic 7 - If anyone is interested, what's the best way to get started?FEEDBACK?Email: show at the cloudcast dot netBluesky: @cloudcastpod.bsky.socialTwitter/X: @cloudcastpodInstagram: @cloudcastpodTikTok: @cloudcastpod

Reinhardt, Anja www.deutschlandfunk.de, Kultur heute

Cette semaine, je reçois Charles Carmignac, directeur de la Fondation Carmignac et membre du groupe Moriarty. 5 ans nous séparent de notre 1er entretien en 2020. La Fondation Carmignac fêtait alors ses 20 ans. Elle souffle cette année ses 25 bougies et présente sa 8ème exposition à la Villa Carmignac. Le site attire aujourd'hui plus de 60 000 visiteurs chaque année et se distingue par une approche qui fait dialoguer expositions, programmation culturelle riche et variée, nature, et réflexion sur les grands sujets de société, un lieu où toutes les formes d'art s'entremêlent.Apres un cycle d'expositions portant de près ou de loin sur l'insularité, la mer et les mythologies méditerranéennes, la Villa présentait l'année dernière Infinite Woman, une exposition qui questionnait la représentation des féminités, mythiques et contemporaines. Elle propose avec Vertigo, une nouvelle exploration: l'abstraction radicale au service d'un vertige esthétique et sensoriel, sous le commissariat de Matthieu Poirier, historien d'art et spécialiste d'art abstrait.Avec Charles on a parlé de l'exposition en cours à la villa Carmignac, des temps forts de la programmation estivale, des projets et grandes orientations stratégiques de la Fondation, avec beaucoup d'exclus à découvrir en avant-première, de vertige et d'abstraction évidemment, d'états limites, de rêves, de nuit, de cosmos et de mille autres sujets vertigineux. Un entretien pour le moins singulier, profond et intense. Il fallait bien 2 épisodes pour tout ça. Pour écouter la première partie c'est iciEt la 2ème partie làEt pour réécouter l'entretien de 2020, rendez vous iciBon été à tous et bonne écoute!Support the show Me suivre sur instagram : https://www.instagram.com/fragile_porquerolles/ Me soutenir sur Tipeee : https://fr.tipeee.com/fragile-porquerolles-1 Vous pouvez me laisser des étoiles et un avis sur Apple Podcasts et Spotify, ça aide ! Si vous souhaitez m'envoyer un mail: fragileporquerolles@gmail.com

Cette semaine, je reçois Charles Carmignac, directeur de la Fondation Carmignac et membre du groupe Moriarty. 5 ans nous séparent de notre 1er entretien en 2020. La Fondation Carmignac fêtait alors ses 20 ans. Elle souffle cette année ses 25 bougies et présente sa 8ème exposition à la Villa Carmignac. Le site attire aujourd'hui plus de 60 000 visiteurs chaque année et se distingue par une approche qui fait dialoguer expositions, programmation culturelle riche et variée, nature, et réflexion sur les grands sujets de société, un lieu où toutes les formes d'art s'entremêlent.Apres un cycle d'expositions portant de près ou de loin sur l'insularité, la mer et les mythologies méditerranéennes, la Villa présentait l'année dernière Infinite Woman, une exposition qui questionnait la représentation des féminités, mythiques et contemporaines. Elle propose avec Vertigo, une nouvelle exploration: l'abstraction radicale au service d'un vertige esthétique et sensoriel, sous le commissariat de Matthieu Poirier, historien d'art et spécialiste d'art abstrait.Avec Charles on a parlé de l'exposition en cours à la villa Carmignac, des temps forts de la programmation estivale, des projets et grandes orientations stratégiques de la Fondation, avec beaucoup d'exclus à découvrir en avant-première, de vertige et d'abstraction évidemment, d'états limites, de rêves, de nuit, de cosmos et de mille autres sujets vertigineux. Un entretien pour le moins singulier, profond et intense. Il fallait bien 2 épisodes pour tout ça. Pour écouter la première partie c'est ici.Et la 2ème partie là.Et pour réécouter l'entretien de 2020, rendez-vous iciBon été à tous et bonne écoute!Support the show Me suivre sur instagram : https://www.instagram.com/fragile_porquerolles/ Me soutenir sur Tipeee : https://fr.tipeee.com/fragile-porquerolles-1 Vous pouvez me laisser des étoiles et un avis sur Apple Podcasts et Spotify, ça aide ! Si vous souhaitez m'envoyer un mail: fragileporquerolles@gmail.com

In this episode of NeedleXChange, I interview Deborah Simon. Deborah is a Brooklyn-based sculptor and embroiderer known for her hauntingly beautiful bears and rabbits that blend faux fur, taxidermy and anatomy.We talk about her early influences, how she went from painting to sculpture, and why she's so fascinated by the tension between the cuddly teddy bear and the deadly wild bear - plus how camping trips and natural history books shaped her work.Timestamps:00:00:00 - Introduction00:01:30 – The Evolution of Needlework in Contemporary Art00:04:27 – The Intersection of Art and Science00:09:34 – Balancing Accuracy and Aesthetic in Art00:12:10 – The Value of Artistic Process and Rejection00:17:32 – Resistance as a Path to Creativity00:24:55 – Creative Challenges in Sculpture00:26:41 – Audiobooks and Their Influence on Art00:28:54 – Exploring Literature and History00:31:31 – Music Preferences in the Studio00:35:04 – Television and Film Recommendations00:39:45 – The Art of Set DesignLinks:Website: deborahsimon.netInstagram: deborahasimonIntro music is Looking Like Me 1 by David Björk via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comAnd follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers

In this episode of NeedleXChange, I interview Deborah Simon. Deborah is a Brooklyn-based sculptor and embroiderer known for her hauntingly beautiful bears and rabbits that blend faux fur, taxidermy and anatomy.We talk about her early influences, how she went from painting to sculpture, and why she's so fascinated by the tension between the cuddly teddy bear and the deadly wild bear - plus how camping trips and natural history books shaped her work.Timestamps: 00:00:00 - Introduction00:01:30 – Introduction to Artistic Inspirations & Early Influences00:04:12 – The Evolution from Drawing Animals to Sculpting Them00:06:54 – Blending Art and Science — Anatomy Meets Embroidery00:09:44 – Historical Anatomy Illustrations as Creative Reference00:12:38 – The Role of Nature and Camping in Choosing Animal Subjects00:15:22 – Developing the Bear Series — Teddy Bears vs. Trophy Bears00:18:09 – Exploring the Idea of Charismatic Megafauna00:20:50 – Cultural Reflections — How We See Wild Animals00:23:37 – Art School Experiences and Early Influences00:26:31 – Balancing Overthinking with Staying Creative00:36:02 – Knowing When a Piece is Finished & Letting Go00:36:54 – Shifting to Rabbits and Transparent Bodies00:37:50 – Learning Embroidery and Mixing Needlework with Sculpture00:40:07 – Pushing Back on Gender Norms in Textile ArtLinks:Website: deborahsimon.netInstagram: deborahasimonIntro music is Looking Like Me 1 by David Björk via Epidemic Sound.About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Visit the NeedleXChange website: https://www.needl.exchange/Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeNewsIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.com And follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers

Chronic bee paralysis has been in bee populations for thousands of years, but cases are rising in the UK and it's estimated up to two percent are affected. The disease is not notifiable, so doesn't have to be reported, and bees can have the virus and not show symptoms, so it's prevalence is difficult to ascertain. We speak to Professor Giles Budge who's working on the disease at Newcastle University. As part of our week-long look at shellfish we visit Bridlington in East Yorkshire the largest lobster port in Europe, There are no quotas for catching crab and lobster and most of it is exported. After concerns about the rising number of abstraction licences, we speak to a water management expert who advises farmers in on the driest parts of the country.Presenter = Anna Hill Producer = Rebecca Rooney

JAMES BRANDON LEWIS QUARTET “ABSTRACTION IS DELIVERANCE” April 25, 2024 – Winterthur, SwitzerlandPer 7, Even the sparrow, Abstraction is deliveranceJames Brandon Lewis (ts,comp) Aruan Ortiz (p) Brad Jones (b) Chad Taylor (d) DEE DEE BRIDGEWATER & BILL CHARLAP “ELEMENTAL” New York, released June 13, 2025Mood indigo, Love for sale, CaravanDee Dee Bridgewater (vcl) acc by Bill Charlap (p) JOANNE BRACKEEN “FRIDAY, LIVE – JAZZ STANDARD” New York, 2022Jazz standard, Lisa, WaveRavi Coltrane (ts) Joanne Brackeen (p) Ira Coleman (b) Horacio “El Negro” Hernandez (d) ) Continue reading Puro Jazz 02 de julio, 2025 at PuroJazz.

In this Le Random podcast, special Exhibition Discussion edition, our editor in chief Peter Bauman (Monk Antony) speaks to three exhibiting artists of Infinite Images at the Toledo Museum of Art.Those artists are Erick Calderon (Snowfro), founder of Art Blocks, Sofia Crespo from Entangled Others and Tyler Hobbs.Chapters

Wallner, Julia www.deutschlandfunkkultur.de, Fazit

Hello! We are back at it again with a brief history of money. The website no longer exists by the way. Instead, go to my Substack profile or the official Substack Into the Absurd page.Background music is a mixed version of Esperanza and You Were Bigger than Life.

M

Which research methods are better, quantitative or qualitative? What is more important, getting a richer picture of what goes on in organizations, or seeking generalizable insights about causality? This debate has raged at the very least since Glaser and Strauss popularized the grounded theory method in the mid twentieth century. In 2025, we want to put this debate to rest. We asked one of the best econometric scholars we know () and one of the best qualitative scholars we know () to fight this debate on air and come up with their very own end-of-all arguments. The result? It may surprise you: We all ought to get mad.   Episode reading list Chang, H. (2008). Inventing Temperature: Measurement and Scientific Progress. Oxford University Press. Burtch, G., Carnahan, S., & Greenwood, B. N. (2018). Can You Gig It? An Empirical Examination of the Gig Economy and Entrepreneurial Activity. Management Science, 64(12), 5497-5520. Greenwood, B. N., Kobayashi, B. H., & Starr, E. P. (2025). Can You Keep a Secret? Banning Noncompetes Does Not Increase Trade Secret Litigation. SSRN, . Kraemer, K. L., Dickhoven, S., Tierney, S. F., & King, J. L. (1987). Datawars: The Politics of Modeling in Federal Policymaking. Columbia University Press. Roth, J., Sant'Anna, P. H. C., Bilinski, A., & Poe, J. (2023). What's Trending in Difference-in-Differences? A Synthesis of the Recent Econometrics Literature. Journal of Econometrics, 235(2), 2218-2244. Matherly, T., & Greenwood, B. N. (2024). No News is Bad News: The Internet, Corruption, and the Decline of the Fourth Estate. MIS Quarterly, 48(2), 699-714. Levitt, S. D., & Dubner, S. J. (2005). Freakonomics: A Rogue Economist Explores the Hidden Side of Everything. William Morrow. Greenwood, B. N., & Wattal, S. (2017). Show Me the Way to Go Home: An Empirical Investigation of Ride-Sharing and Alcohol Related Motor Vehicle Fatalities. MIS Quarterly, 41(1), 163-187. King, A. A. (2025). Does Corporate Social Responsibility Increase Access to Finance? A Commentary on Cheng, Ioannou, and Serafeim (2014). Strategic Management Journal, forthcoming. . Seidel, S., Frick, C. J., & vom Brocke, J. (2025). Regulating Emerging Technologies: Prospective Sensemaking through Abstraction and Elaboration. MIS Quarterly, 49(1), 179-204. Pentland, B. T. (1999). Building Process Theory with Narrative: From Description to Explanation. Academy of Management Review, 24(4), 711-725. Lee, J., & Berente, N. (2013). The Era of Incremental Change in the Technology Innovation Life Cycle: An Analysis of the Automotive Emission Control Industry. Research Policy, 42(8), 1469-1481. Anderson, P., & Tushman, M. L. (1998). Technological Discontinuities and Dominant Designs: A Cyclical Model of Technological Change. Administrative Science Quarterly, 35(4), 604-633. Brynjolfsson, E., & Hitt, L. M. (1996). Paradox Lost? Firm-Level Evidence on the Returns to Information Systems Spending. Management Science, 42(4), 541-558. Noe, R. (2025). Moral Incoherence During Category Emergence: The Contentious Case of Connected Toys. Harvard Business School Working Paper, 24-071, . 

Episode Notes https://www.sfmoma.org/artwork/1034.43/ This podcast is powered by Pinecast.

This episode is a portion of a recent community guest speaker call with Chris Niebauer. Chris came back to the community to discuss what I love to talk about – imagination versus reality. Chris talked about the complete made-up-ness of words. Words, especially ones like ownership and success, are massive abstractions that are not here in The post EP358: Abstractions and Reality with Chris Niebauer appeared first on Dr. Amy Johnson.

Thank you for tuning in to Episode 299 of the Down Cellar Studio Podcast. Full show notes with photos can be found on my website. This week's segments included: Off the Needles, Hook or Bobbins On the Needles, Hook or Bobbins From the Armchair Crafty Adventures Knitting in Passing In my Travels KAL News Events Life in Focus On a Happy Note Quote of the Week   Thank you to this episode's sponsors: Bella Fio and Wild Violet Fibers   Visit us at wildvioletfibers.com to shop our latest collections and sign up for shop updates. Splash Pad Party participants can use discount code SPLASH25 for 15% off their order.   Off the Needles, Hook or Bobbins   103 Hat Pattern: 103 Hat by Jennifer Lassonde. $5 Knitting Pattern available on  Ravelry & LoveCrafts Yarn: Malabrigo Rios (worsted) in 845 Cirrus Gray Needles: US 5 & US 7 (3.75 & 4.5 mm) Ravelry Project Page 115.2 meters (126.0 yards), 60 grams used.   Ebb & Flow Socks Yarn: Woolens & Nosh SW Targhee Sock in the Ebb & Flow colorway Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page This is the repeatable version of the 2023 Advent, with 16 of the original 24 colors. 259.3 meters (283.5 yards). 70 grams   Granny square top Yarn: MC- Cloudbourn Fibers Wool Fingering Twist in Natural (1 skeins), Advent Mini Skeins from Legacy Fiber Artz (Steel Toes Base) & Fibernymph Dye Works (Bounce Base)- both from 2024. Hook: D (3.25 mm) Pattern: none Ravelry Project Page 3 round granny squares: Round 1= more tonal color, Round 2= speckled, Round 3= natural Yarn organization: I put 2 sets of colors in each mostly clear zippered pouch from my Yarnable Subscription kits. It keeps the yarn from the mini skeins from getting tangled. Check out this Instagram reel which highlights. 60 squares total Cloudborn 371.7 meters (406.5 yards), 101 grams Legacy Fiber Artz- 162.9 meters (178.1 yards), 38 grams Fibernymph Dye Works- 60.4 meters (66.0 yards), 16 grams Total: 595 meters. 155 grams   Ball Band with a Twist Cozy Pattern: Ball Band with a Twist by Jennifer Lassonde. $2 Crochet pattern available on Ravelry & LoveCrafts Hooks: F (3.75 mm) & G (4.25 mm) Yarn: Loops & Thread Classic Cotton in Pewter, Midnight Blue and Bubblegum Ravelry Project Page Stash Dash: 40.3 meters You may also be interested in my more basic jar cozy pattern: Ball Band- Ravelry | LoveCrafts (free)   Stash Dash total for this episode- 1,009.8 meters   On the Needles, Hook or Bobbins   Boss A$$ B|tc# Socks Yarn: Woolens & Nosh Superwash Targhee Fingering in the Boss A$$ B|tc# Colorway (purposely not spelled out here, though it is on the label) Pattern: OMG Heel Socks by Megan Williams ($5 knitting pattern available on Ravelry) Needles: US 1.5 (2.5 mm) Ravelry Project Page 90g of yarn to start About the Yarn: Self striping with yellow, tan, peach, pink, light aqua, teal & navy Progress: All but the toe of sock 2 is done   Miles' Montessori Toy Pattern: Montessori Colour Sorter by Lexie Warren. Free crochet pattern available on Ravelry & on Crochet River) Hook: D (3.25 mm) Yarn: Big Twist Value Solids in Purple, Orange, Teal and Cyan. Knit Picks Brava in Canary, Rouge and White. Ravelry Project Page I've gotten some great ideas in the Toy Cabana chat thread on Ravelry Progress: 6 cups and 4 balls are done. Need to do white for center (basket and ball)- then seam together. Clever pattern.   Felici Granny Stripe Blanket Yarn: Knit Picks Felici in Colorways: Punky, Whatits Galore (50g), Space Disco, Carrot Cake, Base Jump, Game Over, Secret Garden, Fiesta Pattern: Granny Stripe by Attic 24 Hook: I (5.5 mm) Ravelry Project Page 7 colorways with 100g, 1 with 50g. I have another 50g skein I could add in (more of a pain because you have to wind off half). I am matching up stripes so they end at same time or as close as possible. Foundation half-double crochet 101. 1 row of dc (probably could have skipped).   Four Leaf Clover Granny Square Blanket Pattern: Four Leaf Clover Granny Square by by Apinya Roszko Hook: H (5.0 mm) Yarn: Knit Picks Brava 500 in colorway Mint & Loops and Threads Impeccable in Colorway 01808 Size:  6 inch squares. Planning 5x7 blanket (30x42”) before border. Modification- the pattern calls for attaching new yarn (at the end of the square) to make the stem for the clover. I just chain to get to the center, make the stem and cut the yarn. I find it easy to crochet the granny square around it in Mint. No issues and one less end to weave in. I am joining squares as I go. I used this YouTube tutorial to remind me how to do this. Progress: Last time I had seamed 7 full squares. Now I have 14 (of 35) squares done and seamed.   716 Splash Pad Socks Yarn 716 Knit Sock Set  in the 716sock base in the colorway: It needs to be ok with getting on a boat with Levar Burton and never coming back. Ravelry Project Page About the yarn: stripe of black, stripe of bright poolside colors. Cast on June 1 for SPP Kick off. Jenna of 716 also sent me the mini skein set which is part of her SPP Exclusives. What should I do with my minis?? Progress: Leg of first sock nearly finished   From the Armchair   Broken Country by Clare Leslie Hall.  Amazon Affiliate Link. Nine Perfect Strangers by Liane Moriarty. Amazon Affiliate Link. The Rachel Incident by Caroline O'Donoghue. Amazon Affiliate Link.   Crafty Adventures I came home from a massage dying to paint. I pulled out my watercolors and painted the sensations of my pain and the colors I associated with each. I'll be playing with this concept more in the future (hopefully next time on actual watercolor paper and maybe using other media too).   Knitting in Passing A nice gentleman said my crochet was beautiful and that he crochets. I showed him my tank top which was nearly done at the time. We went to a grad party for my SIL and a friend of hers remembered me from Zach's birthday. She wants to crochet so we talked about resources etc. Reconnected with some of Dan's cousins recently. His cousin Melissa and I often talk books, so that was fun but she also said she'd like to learn to knit and/or crochet. Hoping to get together with her for lunch in Boston soon. Thank you to Suzanne- Sew Run It for the beautiful handknit hat and three knit hearts for my birthday. She started it shortly after my mom passed. Her notes say "The colors screamed Diane! The pattern is called Pair of Hearts and it too felt like a connection with her. I know you were and will remain close." Pattern= Pair of Hearts is by Chit Chat Knits and is available on Ravelry for $4.50. Lauren lbeth21 messaged me with Jess from Stitched by Jessalu at Central NY Fiber Fest Susie of The Huckleberry Girl offered to send me a bag. I was thinking of summer and Splash Pad when looking at her shop and she had a bag with Blueberries and Butterflies which made me think of Mom. So special. Thank you, Susie.   KAL News Splash Pad Party Registration is open View Stats and/or Verify Registration here. Check out our Sponsor List Splash Pad Official Rules Enter your FOs using the Summer Celebration Form. Then come over to this Ravelry Thread to share pics and let us ooh and ahh with you! Submit something incorrectly? Need help? Fill out this Support Form & we'll be in touch.   Splash Pad RAVELRY Links Start Here Thread Pro Shop Exclusive Items Thread Coupon Codes Thread Questions Thread   Events Stash Dash hosted by the Knit Girllls- May 29th-August 30th Summer Bingo with the Craft Cook Read Repeat Podcast . Get your Bingo Card on Instagram. Sock Week hosted by Knitty Natty- July 20-27 Goal is to complete 1 adult sock during Sock Week Tour de Fleece: July 5-July 27 . Tour de Fleece Ravelry Group. Rest Days: Tuesday, July 15 and Monday, July 21. Challenge Days: The first one is Stage 10, on Monday, July 14. The second is Stage 15, on Sunday, July 20. Summer Spin In hosted by Marsha & Kelly of Two Ewes Fiber Adventure. May 31- September 1. All spinning and making with handspun yarn counts. Preparing fleeces also counts. Let's go! Flock Fiber Festival in Seattle, WA- August 8-10 Fiber Revival in Newbury, MA- August 16th   Life in Focus   I shared about my Summer Bucket List and the graphic/template I created for my Patrons. Do you have any ideas for me? My Word of the Year for 2025 is Welcome. I recently received a beautiful cross stitched piece with the word Welcome on it from Heidi, Yarnitheidi on Instagram and Ravelry. Thank you, Heidi!   On a Happy Note   The Splash Pad Kick Off Virtual sessions were so much fun! The Waitress at the North Shore Music Theater (closes 6/15) Cellar clean out, using new shelves and bins to organize. We also gathered a lot of items to donate. Playing Five Crowns, totally exhausted, crushing the guys (had a score of 3 then 7 for most of the game) and then going home to sleep. Quality time at the nail salon with Riley Knitting by the pool as Riley, Garret & Millie took their first dip. Will's high school graduation party. Flowers for my birthday Red Sox game with my Dad. A stressful work project really ramped up on my birthday. My friend got yummy pastries for us to share in the office. Celebrating my birthday with Dan, Dad, Riley Garret and Millie. Really funny birthday videos from Gabriella & Zachary. Audible sale. I got a ton of great books and I'm really excited about reading again. Daisies are finally starting to come in. They grow wild in our yard but they're late this year.   Quote of the Week “A well-composed book is a magic carpet on which we are wafted to a world that we cannot enter in any other way.”   ― Caroline Gordon     Thank you for tuning in!   Contact Information: Check out the Down Cellar Studio Patreon! Ravelry: BostonJen & Down Cellar Studio Podcast Ravelry Group Instagram: BostonJen1 YouTube: Down Cellar Studio Facebook: https://www.facebook.com/downcellarstudio Sign up for my email newsletter to get the latest on everything happening in the Down Cellar Studio Check out my Down Cellar Studio YouTube Channel Knit Picks Affiliate Link Bookshop Affiliate Link Yarnable Subscription Box Affiliate Link FearLESS Living Fund to benefit the Blind Center of Nevada Music -"Soft Orange Glow" by Josh Woodward. Free download: http://joshwoodward.com/ Note: Some links are listed as Amazon Affiliate Links. If you click those, please know that I am an Amazon Associate and I earn money from qualifying purchases.  

Episode 179 Chapter 38, Eurorack. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 38, Eurorack from my book Electronic and Experimental music.   Playlist: EURORACK SYNTHESIS   Time Track Time Start Introduction –Thom Holmes 01:26 00:00 1.     Kaitlyn Aurelia Smith, “Abstractions” (2018) from Electronic Series: Vol. 1 – Abstractions. Written, recorded and mixed by Kaitlyn Aurelia Smith. Inspired by Harry Everett Smith's "Early Abstractions" films. 21:49 01:36 2.     Alessandro Cortini & Lawrence English, “Immediate Horizon, Part 1 (2018) from Immediate Horizon. Recorded live at Berlin Atonal, Kraftwerk 2015. 04:59 23:24 3.     Lukas Hermann, “Amphibious” (2022). Improvisation for a Eurorack modular synthesizer. From Tone Science Module No. 6 (Protons And Neutrons). 05:51 28:24 4.     James Bernard, “Prisms” (2022) from Tone Science Module No. 6 (Protons And Neutrons). Composed by James Bernard. Live performance recorded in one take using a small Eurorack modular system. 08:10 34:12 5.     Elin Piel, “Vänta” (2022) Tone Science Module No. 6 (Protons And Neutrons).  Composed by Elin Piel. Recorded live with Lyra 8, a small Eurorack system and Analog Heat. 06:59 42:18 6.     Field Lines Cartographer, “Eddy Currents” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Field Lines Cartographer. Realised on ARP 2600 and Eurorack modular synths. 08:54 49:12 7.     Elinch, “Upward” (2022). Tone Science Module No. 6 (Protons And Neutrons). Composed by Elinch. A live composition with a small modular system (Strega, TTMC, Disting Ex for Loops) and Buchla Easel Command. 07:28 57:58 8.     Steve Roach, “Random Possibilities” (2022). Composed by Steve Roach. Performed and recorded in real time on Large Format Analog and Eurorack Modulars. 06:29 01:05:22 9.     Ewa Justka, “for the gatekeepers” (2023) from don't you want followers? For “handmade synthesisers and contingent rabbit holes.” 07:22 01:11:44 10.   Tunegirl, “Push the Button” (2023) from Eurorack Ruhr: Compilation # 2. Trance music with a Eurorack system. 06:19 01:19:04   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

A conversation from History with Chris Harding.In Mark Vernon's new book "Awake!", he argues that we're missing something from our view of the great visionary artist William Blake.It's that word - ‘visionary.'Mark argues that Blake's extraordinary art reveals an expanded experience of the world that Blake lived with every day: angels, fairies, realms beyond our own. Blake wasn't, in other words, making it all up…Mark says that we shouldn't be afraid of the ‘supernatural Blake.' We should embrace him - and even aspire to live a little as he did.00:00 Introduction to William Blake02:45 Blake's Life and Context04:32 Blake and India08:45 The Nature of Perception13:06 Childhood Experiences and Spirituality19:50 Blake's Relationship with Institutional Christianity24:43 The Role of Forgiveness in Jesus' Teachings26:05 Blake's Vision of the Human Form Divine28:00 The Sacrificial Nature of Spiritual Awakening29:28 Blake as a Social Critic 31:30 Blake and Science35:21 The Dangers of Abstraction 36:19 Blake and consumerism43:06 What does Blake offer us now?

In this episode I discuss how doing everything in a day is almost always an impossibility, but is in fact possible if you learn to categorize your work in a fashion akin to how nature operates.Support the showBecome a Membernontrivialpodcast.com Check out the Video Versionhttps://www.youtube.com/@nontrivialpodcast

Welcome to a fresh season of the Building Better Developers podcast—Building Better Developers with AI. In this AI-assisted episode, Rob Broadhead and Michael Meloche revisit a fan-favorite discussion, now viewed through a modern lens. The focus? The transformation in mindset and skills involved in the journey of coding vs. developing. “We're feeding past seasons into AI—and seeing where it takes us.” – Rob Broadhead Coding vs. Developing: Shifting the Mindset At the heart of becoming a developer, not just a coder, is a shift in mindset—coders complete tasks. Developers solve problems. AI reinforces this by highlighting the importance of outcome ownership rather than task completion. This is one of the most essential transitions from a coder to a developer. “A developer doesn't just solve the problem—they find the best way to solve it.” – Rob Michael notes that while time and budget can constrain developers, understanding the purpose behind the task is what separates coding vs. developing. Problem Framing in Coding vs. Developing Developers don't jump into code. They ask questions, define success criteria, and understand the "why." Michael discusses how reading and challenging ticket requirements upfront is critical to producing valuable outcomes, a significant step in your development journey. “Clarifying requirements early avoids disaster later.” – Michael Pattern Recognition and Abstraction in Software Development Great developers look for patterns they can abstract and reuse. Whether it's a function, a test module, or a reusable page object, this step is a defining trait of developing over coding. Rob links this to product creation, citing examples of tools that evolved from personal needs. Michael adds perspective from testing, showing how modular thinking and reusable components streamline the development lifecycle—another key difference between a developer and a coder. Product Thinking and Collaboration Another significant leap in the evolution of coding versus developing is thinking like a product owner. Developers who consider user interactions, usability, and feedback loops offer far more value. Rob emphasizes that collaboration with non-technical teams is essential. “You can't build a successful product in a silo.” – Rob Michael notes this is one area where AI currently falls short—human empathy and cross-functional understanding still matter. Innovation Through Constraints and Debugging Developers thrive under constraints. Rob encourages listeners to view limitations, such as time and budget, as opportunities for creativity. He also highlights debugging as a learning opportunity—a true hallmark of coding vs. developing. “If you hate debugging, development may not be for you.” – Rob Feedback Loops and Developer Growth Modern developers rely on data and feedback—logs, metrics, user behavior—to iterate and improve. Rob champions a mindset of "release, observe, learn, improve." This continuous loop separates developers from coders, highlighting the core difference between coding and developing. Final Thought: Coding vs. Developing for Business Success The season opener wraps with reminders that technology is just a tool. Developers think critically, adapt, and aim to solve business problems—not just write code. That's the essence of coding vs. developing. “You're solving a problem—not playing with a shiny new tool.” – Rob Stay Connected: Join the Develpreneur Community We invite you to join our community and share your coding journey with us. Whether you're a seasoned developer or just starting, there's always room to learn and grow together. Contact us at info@develpreneur.com with your questions, feedback, or suggestions for future episodes. Together, let's continue exploring the exciting world of software development. Additional Resources Coder or Developer – Learning To Solve Problems Tools to Separate Developers from Coders Start A Developer Career – Interview With Robert Cooke Building Better Developers With AI – With Bonus Content

We see a creature near us, and we describe it as a dog. Why that and not "mammal" or "animal"? And if that dog's a Springer Spaniel, and we know it's a Springer Spaniel, why do we nevertheless call it a "dog"? In an apparent digression, I discuss the idea in cognitive science of a "basic level of categorization" (or abstraction). While we construct hierarchies and taxonomies, we tend to operate at one specific level: one that's not too abstract and not too concrete. SourcesGeorge Lakoff, Women, Fire, and Dangerous Things: What Categories Reveal about the Mind, 1987.Gregory L. Murphy, The Big Book of Concepts, 2002.Daniel Kahneman, Thinking, Fast and Slow, 2024. CreditsThe image of the dog and cat is via https://fondosymas.blogspot.com. It is licensed as Reconocimiento-NoComercial-CompartirIgual 3.0 España.

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Artist Lewinale Havette returns for a conversation on art, spirit, and shedding constraints.Recorded at Palo Gallery during NYC Art Week, Lewinale reflects on her evolution since 2022—from early paintings shaped by language and migration to her latest abstract works rooted in instinct, spirituality, and ancestral memory. We discuss authenticity, pushing limits, and why she's letting go of surface-level meaning in favor of deeper emotional truth.Why she's moved from narrative-driven art to intuitive abstractionUsing linen, ink, and ancestral symbols to honor West African water deitiesHer take on the performative nature of art cultureThe emotional reactions her work sparks—from awe to fearWhat it means to create art for everyone, including herself

In this episode, we dive deep into the evolving relationship between engineering and product with Pranab Krishnan, CTO of Zeal - a payroll and payments platform for staffing companies. We explore how the traditional boundaries between engineering, product management, and customer interaction are dissolving, especially in the age of AI. Pranab shares insights on building a product-centric engineering culture, the concept of "shifting left," and how AI tools are reshaping the skills engineers need to succeed.Key Takeaways

Highlights from this week's conversation include:Pete's Background and Journey in Data (1:36)Evolution of Data Practices (3:02)Integration Challenges with Acquired Companies (5:13)Trust and Safety as a Service (8:12)Transition to Dagster (11:26)Value Creation in Networking (14:42)Observability in Data Pipelines (18:44)The Era of Big Complexity (21:38)Abstraction as a Tool for Complexity (24:41)Composability and Workflow Engines (28:08)The Need for Guardrails (33:13)AI in Development Tools (36:24)Internal Components Marketplace (40:14)Reimagining Data Integration (43:03)Importance of Abstraction in Data Tools (46:17)Parting Advice for Listeners and Closing Thoughts (48:01)The Data Stack Show is a weekly podcast powered by RudderStack, customer data infrastructure that enables you to deliver real-time customer event data everywhere it's needed to power smarter decisions and better customer experiences. Each week, we'll talk to data engineers, analysts, and data scientists about their experience around building and maintaining data infrastructure, delivering data and data products, and driving better outcomes across their businesses with data.RudderStack helps businesses make the most out of their customer data while ensuring data privacy and security. To learn more about RudderStack visit rudderstack.com.

Dr. Jacob Barandes is a professor of Physics at Harvard University who studies the foundations of physics. He has emerged as a leading skeptic of the idea that our universe is somehow fundamentally mathematical in nature, marking a full cycle of more than two thousand years of ink spilled about the nature of the universe. Barandes has found that there is a way of modeling the basement membrane of reality as being made of bodies with location, where everything from superposition to electricity and magnetism are a product of the motions of these bodies. Our conversation spans the basic principles that Barandes has used to arrive at this conclusion, the vital role that confusion over what constitutes a “measurement” plays in producing a highly paradoxical interpretation of nature, and the fact that this debate about the nature of the universe - substance versus mathematics - has been raging for more than two thousand years, with no end in sight. MAKE HISTORY WITH US THIS SUMMER:https://demystifysci.com/demysticon-2025PATREON https://www.patreon.com/c/demystifysciPARADIGM DRIFThttps://demystifysci.com/paradigm-drift-show00:00 Go!00:05:40 – What Are Hilbert Spaces?00:10:14 – Why Complex Numbers Matter in Quantum Mechanics00:12:45 – Abstraction vs. Clarity in Physics00:17:17 – The Particle Misconception in Quantum Theory00:22:10 – What's Missing in Quantum Textbooks00:25:28 – What Is a Measurement in Quantum Mechanics?00:32:08 – The Problem of Self-Reference in Quantum Theory00:35:31 – Understanding the Heisenberg Cut00:39:37 – Decoherence Isn't Collapse00:49:47 – The Quantum Measurement Problem00:52:46 – Competing Interpretations of Quantum Mechanics01:00:00 – Toward a Real Quantum Reality01:06:25 – The Moral Responsibility of Scientists01:12:19 – Free Will and Physical Law01:16:01 – Material Science and Quantum Resonance01:20:01 – Aether, Electromagnetism, and Relativity01:27:21 – Why Scientific Progress Is Messy01:31:42 – The Limits of Scientific Explanation01:33:20 – Plato, Ethics, and the Modern World01:36:06 – Can Physics Define Good?01:39:14 – Why Physics Can't Capture the Human Spirit01:45:04 – Building Community in Physics01:48:22 – Trying Matters More Than Winning#quantumphysics, #philosophyofscience, #quantummechanics, #freewill, #complexnumbers, #decoherence, #metaphysics, #theoreticalphysics, #natureofreality, #philosophypodcast , #sciencepodcast, #longformpodcast ABOUS US: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. PATREON: get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasBMERCH: Rock some DemystifySci gear : https://demystifysci.myspreadshop.com/allAMAZON: Do your shopping through this link: https://amzn.to/3YyoT98DONATE: https://bit.ly/3wkPqaDSUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysciBLOG: http://DemystifySci.com/blog RSS: https://anchor.fm/s/2be66934/podcast/rssMAILING LIST: https://bit.ly/3v3kz2S SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Anthony Anzalone is the CEO and Founder of XION, the first layer 1 blockchain purpose-built for consumer adoption by abstracting away the complexities of crypto. Previously known for his "Burnt Banksy" project that sparked global discourse on NFTs, Anthony has established himself as a pioneering figure in Web3 with his work covered by Bloomberg, BBC, CBS, and other major media outlets.Through his leadership at XION, Anthony focuses on democratizing blockchain technology through chain abstraction, enabling partnerships with global brands like Uber, BMW, and Amazon. His innovations have gained significant institutional validation, with XION becoming the first Title II EU-compliant L1 blockchain and receiving support from Anchorage Digital, the first federally chartered crypto bank in the U.S.In this conversation, we discuss:- The Evolution of Mainstream Blockchain Adoption- Institutional Validation & Market Positioning- Chain Abstraction: From Theory to Implementation- Chain Abstraction is Dead- Enterprise Adoption Success Stories- Securing Partnerships With Major Brands- Regulatory Leadership in a Changing Landscape- Building a Web3 Ecosystem for Everyone- NYSE Live Appearance- Blending the Physical and Digital WorldXIONWebsite: xion.burnt.comX: @burnt_xionDiscord: discord.gg/burntAnthony AnzaloneX: @BurntBanksy ---------------------------------------------------------------------------------  This episode is brought to you by PrimeXBT.  PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.   PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions.  Code: CRYPTONEWS50  This promotion is available for a month after activation. Click the link below:  PrimeXBT x CRYPTONEWS50

Join me for conversation with Dr. Jaleh Mansoor (Associate Professor of Art History in the Department of Art History, Visual Art, and Theory, University of British Columbia) about her book Universal Prostitution and Modernist Abstraction: A Counterhistory (Duke University Press, 2025). Our discussion brought us to topics like the artists' muse, the modern laborer, and other figures precariously suspended between the object/subject dialectic. In Universal Prostitution and Modernist Abstraction, Dr. Mansoor provides a counternarrative of modernism and abstraction and a reexamination of Marxist aesthetics. Mansoor draws on Marx's concept of prostitution—a conceptual device through which Marx allegorized modern labor—to think about the confluences of generalized and gendered labor in modern art. Analyzing works ranging from Édouard Manet's Olympia and Georges Seurat's The Models to contemporary work by Hito Steyerl and Hannah Black, she shows how avant-garde artists can detect changing modes of production and capitalist and biopolitical processes of abstraction that assign identities to subjects in the interest of value's impersonal circulation. She demonstrates that art and abstraction resist modes of production and subjugation at the level of process and form rather than through referential representation. By studying gendered and generalized labor, abstraction, automation, and the worker, Mansoor shifts focus away from ideology, superstructure, and culture toward the ways art indexes crisis and transformation in the political economic base. Ultimately, she traces the outlines of a counterpraxis to capital while demonstrating how artworks give us a way to see through the abstractions of everyday life. This episode was hosted by Asia Adomanis, a PhD student in the Department of History of Art at Ohio State. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A tech insider explains how capitalism and software development make for such a dangerous mix. Software was supposed to radically improve society. Outdated mechanical systems would be easily replaced; programs like PowerPoint would make information flow more freely; social media platforms like Facebook would bring people together; and generative AI would solve the world's greatest ills. Yet in practice, few of the systems we looked to with such high hopes have lived up to their fundamental mandate. In fact, in too many cases they've made things worse, exposing us to immense risk at the societal and the individual levels. How did we get to this point? In Fatal Abstraction: Why the Managerial Class Loses Control of Software (W. W. Norton, 2025), Darryl Campbell shows that the problem is “managerial software”: programs created and overseen not by engineers but by professional managers with only the most superficial knowledge of technology itself. The managerial ethos dominates the modern tech industry, from its globe-spanning giants all the way down to its trendy startups. It demands that corporate leaders should be specialists in business rather than experts in their company's field; that they manage their companies exclusively through the abstractions of finance; and that profit margins must take priority over developing a quality product that is safe for the consumer and beneficial for society. These corporations rush the development process and package cheap, unproven, potentially dangerous software inside sleek and shiny new devices. As Campbell demonstrates, the problem with software is distinct from that of other consumer products, because of how quickly it can scale to the dimensions of the world itself, and because its inner workings resist the efforts of many professional managers to understand it with their limited technical background. A former tech worker himself, Campbell shows how managerial software fails, and when it does what sorts of disastrous consequences ensue, from the Boeing 737 MAX crashes to a deadly self-driving car to PowerPoint propaganda, and beyond. Yet just because the tech industry is currently breaking its core promise does not mean the industry cannot change, or that the risks posed by managerial software should necessarily persist into the future. Campbell argues that the solution is tech workers with actual expertise establishing industry-wide principles of ethics and safety that corporations would be forced to follow. Fatal Abstraction is a stirring rebuke of the tech industry's current managerial excesses, and also a hopeful glimpse of what a world shaped by good software can off. Alfred Marcus is Edson Spencer Professor at the Carlson School of Management, University of Minnesota.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

You know that moment when a painting feels so real you swear the subject might blink? Hyper-realist portraitist Monica Ikegwu returns to reveal the behind-the-scenes rigor—hours of glazing, precise lighting choices, and minimalist backgrounds—that turn a single photograph into a living, breathing canvas. Join Monica as she unpacks her journey from MFA student at the New York Academy of Art to international exhibitions, and how her “Just Say Yes” ethos keeps her pushing creative boundaries. Studio rigor and glazing: how disciplined layers of paint bring depth and life to every portraitFrom fabric backdrops to abstraction: evolving her style by pairing figures with minimalist geometric shapesPhoto-shoot alchemy: capturing a sitter's essence in brief sessions and translating mood into color and formMFA to independent practice: moving from New York Academy of Art to a Baltimore studio and global exhibitions“Just Say Yes” philosophy: saying yes to every opportunity—from museum shows to artist-led residenciesLooking ahead: a new body of unified-color work and an upcoming institutional exhibition featuring her signature abstract motifsCatch Monica Ikegwu's first appearance on the podcast here:  Whether you paint, draw, or simply love a great portrait, Monica's process will give you a fresh appreciation for the craft—and maybe inspire your next creative leap. Photograph by Lia Latty Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Laurent Larcher, grand reporter à La Croix, spécialiste des conflits africains, est l'invité de cet épisode puissant.Je sais bien qu'on n'a pas envie de regarder les massacres de masse et qu'on préfère regarder ailleurs mais vous allez voir que cet épisode va vous permettre avec douceur et lucidité de mieux comprendre un phénomène qu'on arrive pas à saisir autrement.Laurent est également l'auteur du livre La fureur et l'extase, dans lequel il interroge notre rapport collectif à la violence de masse.J'ai reçu Laurent avec une émotion particulière, parce que son regard, affûté par des années de terrain — Rwanda, Soudan, Centrafrique — vient interroger en profondeur ce que nous voyons, ou plutôt, ce que nous choisissons de ne pas voir.Dans cet épisode, nous parlons de l'horreur brute, des massacres de masse dont les victimes deviennent des chiffres, vidées de leur humanité. Pourquoi certains conflits sont-ils invisibles alors qu'ils comptent des centaines de milliers de morts ? Pourquoi cette indifférence crasse quand les victimes sont africaines ? Quel rôle jouent les médias, les réseaux sociaux, ou notre propre confort intellectuel dans ce mécanisme d'abstraction ?J'ai questionné Laurent sur le processus qui mène des citoyens ordinaires à participer à l'indicible. Il m'a parlé du plaisir, parfois de la joie qu'ont certains à tuer, une idée dérangeante mais nécessaire à regarder en face. Nous avons aussi parlé du colonialisme, de la manière dont notre regard est encore structuré par un imaginaire de domination, inconscient mais puissant.C'est un épisode intense, qui dérange, mais que je crois essentiel. Il ne s'agit pas de se flageller, mais de comprendre que ce que nous choisissons de voir — ou non — a un impact direct sur les vies humaines. Je vous invite à l'écouter avec attention, à rester avec l'inconfort, et à vous interroger.5 citations marquantes"Plus le nombre est important, moins on en prend la mesure.""Ce qu'on reproche à Hitler, c'est d'avoir traité les Français comme les Français ont traité leurs colonies.""Eux, c'est nous. Et nous, c'est eux.""On ne voit pas ce qu'on voit, car notre œil est imprégné de nos représentations.""Ne soyons jamais dans l'abstrait : chaque victime mérite un nom, une histoire."10 questions structurées posées dans l'interviewQu'est-ce qui vous a donné la force ou l'envie d'écrire ce livre ?Pourquoi certains massacres attirent-ils toute notre attention, quand d'autres sombrent dans l'indifférence ?Comment peut-on encore humaniser des dizaines de milliers de morts ?Pourquoi les conflits en Afrique reçoivent-ils si peu d'attention médiatique en France ?Est-ce que cette indifférence relève d'un racisme structurel ?Qu'est-ce que ces violences disent de nous, en tant qu'humains ?Quel est le processus psychologique qui pousse des individus ordinaires à devenir des bourreaux ?Comment avez-vous, en tant qu'homme, survécu à tant d'atrocités ?Que peut-on faire, à notre niveau, face à cette violence ?Pourquoi devient-on reporter de guerre ?Timestamps clés pour YouTube00:00 – Introduction par Grégory : comprendre la violence de masse02:00 – Pourquoi Laurent Larcher a écrit La fureur et l'extase07:00 – Abstraction des chiffres, perte d'humanité09:30 – Invisibilisation des massacres africains12:00 – "C'est ça, l'Afrique" : le racisme insidieux dans notre perception17:00 – Le plaisir de tuer, expérience de lynchage22:30 – Le rôle des médias et la désinhibition28:00 – La nuance, ce luxe disparu34:00 – Ce que l'imaginaire colonial nous empêche de voir46:00 – Hommage à Camille Lepage et l'engagement personnel52:00 – Que peut-on faire, concrètement ? Suggestion d'autres épisodes à écouter : #321 (partie 1) Israël-Palestine : Comprendre et décrypter le conflit avec Vincent Lemire (https://audmns.com/FvEjGWR) #159 Casser les idées préconçues sur le continent Africain avec Odile Goerg (https://audmns.com/hXljCUx) #312 Les défis géopolitiques d'un monde hors de contrôle avec Thomas Gomart (https://audmns.com/jscnrns)Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Laurent Larcher, grand reporter à La Croix, spécialiste des conflits africains, est l'invité de cet épisode puissant.Je sais bien qu'on n'a pas envie de regarder les massacres de masse et qu'on préfère regarder ailleurs mais vous allez voir que cet épisode va vous permettre avec douceur et lucidité de mieux comprendre un phénomène qu'on arrive pas à saisir autrement.Laurent est également l'auteur du livre La fureur et l'extase, dans lequel il interroge notre rapport collectif à la violence de masse.J'ai reçu Laurent avec une émotion particulière, parce que son regard, affûté par des années de terrain — Rwanda, Soudan, Centrafrique — vient interroger en profondeur ce que nous voyons, ou plutôt, ce que nous choisissons de ne pas voir.Dans cet épisode, nous parlons de l'horreur brute, des massacres de masse dont les victimes deviennent des chiffres, vidées de leur humanité. Pourquoi certains conflits sont-ils invisibles alors qu'ils comptent des centaines de milliers de morts ? Pourquoi cette indifférence crasse quand les victimes sont africaines ? Quel rôle jouent les médias, les réseaux sociaux, ou notre propre confort intellectuel dans ce mécanisme d'abstraction ?J'ai questionné Laurent sur le processus qui mène des citoyens ordinaires à participer à l'indicible. Il m'a parlé du plaisir, parfois de la joie qu'ont certains à tuer, une idée dérangeante mais nécessaire à regarder en face. Nous avons aussi parlé du colonialisme, de la manière dont notre regard est encore structuré par un imaginaire de domination, inconscient mais puissant.C'est un épisode intense, qui dérange, mais que je crois essentiel. Il ne s'agit pas de se flageller, mais de comprendre que ce que nous choisissons de voir — ou non — a un impact direct sur les vies humaines. Je vous invite à l'écouter avec attention, à rester avec l'inconfort, et à vous interroger.5 citations marquantes"Plus le nombre est important, moins on en prend la mesure.""Ce qu'on reproche à Hitler, c'est d'avoir traité les Français comme les Français ont traité leurs colonies.""Eux, c'est nous. Et nous, c'est eux.""On ne voit pas ce qu'on voit, car notre œil est imprégné de nos représentations.""Ne soyons jamais dans l'abstrait : chaque victime mérite un nom, une histoire."10 questions structurées posées dans l'interviewQu'est-ce qui vous a donné la force ou l'envie d'écrire ce livre ?Pourquoi certains massacres attirent-ils toute notre attention, quand d'autres sombrent dans l'indifférence ?Comment peut-on encore humaniser des dizaines de milliers de morts ?Pourquoi les conflits en Afrique reçoivent-ils si peu d'attention médiatique en France ?Est-ce que cette indifférence relève d'un racisme structurel ?Qu'est-ce que ces violences disent de nous, en tant qu'humains ?Quel est le processus psychologique qui pousse des individus ordinaires à devenir des bourreaux ?Comment avez-vous, en tant qu'homme, survécu à tant d'atrocités ?Que peut-on faire, à notre niveau, face à cette violence ?Pourquoi devient-on reporter de guerre ?Timestamps clés pour YouTube00:00 – Introduction par Grégory : comprendre la violence de masse02:00 – Pourquoi Laurent Larcher a écrit La fureur et l'extase07:00 – Abstraction des chiffres, perte d'humanité09:30 – Invisibilisation des massacres africains12:00 – "C'est ça, l'Afrique" : le racisme insidieux dans notre perception17:00 – Le plaisir de tuer, expérience de lynchage22:30 – Le rôle des médias et la désinhibition28:00 – La nuance, ce luxe disparu34:00 – Ce que l'imaginaire colonial nous empêche de voir46:00 – Hommage à Camille Lepage et l'engagement personnel52:00 – Que peut-on faire, concrètement ?Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A tech insider explains how capitalism and software development make for such a dangerous mix. Software was supposed to radically improve society. Outdated mechanical systems would be easily replaced; programs like PowerPoint would make information flow more freely; social media platforms like Facebook would bring people together; and generative AI would solve the world's greatest ills. Yet in practice, few of the systems we looked to with such high hopes have lived up to their fundamental mandate. In fact, in too many cases they've made things worse, exposing us to immense risk at the societal and the individual levels. How did we get to this point? In Fatal Abstraction: Why the Managerial Class Loses Control of Software (W. W. Norton, 2025), Darryl Campbell shows that the problem is “managerial software”: programs created and overseen not by engineers but by professional managers with only the most superficial knowledge of technology itself. The managerial ethos dominates the modern tech industry, from its globe-spanning giants all the way down to its trendy startups. It demands that corporate leaders should be specialists in business rather than experts in their company's field; that they manage their companies exclusively through the abstractions of finance; and that profit margins must take priority over developing a quality product that is safe for the consumer and beneficial for society. These corporations rush the development process and package cheap, unproven, potentially dangerous software inside sleek and shiny new devices. As Campbell demonstrates, the problem with software is distinct from that of other consumer products, because of how quickly it can scale to the dimensions of the world itself, and because its inner workings resist the efforts of many professional managers to understand it with their limited technical background. A former tech worker himself, Campbell shows how managerial software fails, and when it does what sorts of disastrous consequences ensue, from the Boeing 737 MAX crashes to a deadly self-driving car to PowerPoint propaganda, and beyond. Yet just because the tech industry is currently breaking its core promise does not mean the industry cannot change, or that the risks posed by managerial software should necessarily persist into the future. Campbell argues that the solution is tech workers with actual expertise establishing industry-wide principles of ethics and safety that corporations would be forced to follow. Fatal Abstraction is a stirring rebuke of the tech industry's current managerial excesses, and also a hopeful glimpse of what a world shaped by good software can off. Alfred Marcus is Edson Spencer Professor at the Carlson School of Management, University of Minnesota.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Transcript: rmad.ac/AIAe073Dr. Temple Grandin is an academic inventor and animal behavior scientist. She's a proponent of the humane treatment of livestock for slaughter and the author of more than 60 scientific papers on animal behavior. Dr. Grandin is a consultant to the livestock industry, where she offers advice on animal behavior.As an autistic person, Dr. Grandin did not talk until she was three and a half years old. Eventually, she became one of the first autistic people to document the insights she gained from her personal experiences with autism. Today she's a prominent author and speaker on both autism and animal behavior, and a professor of animal science at Colorado State University. She also has a successful career consulting on both livestock handling, equipment design, and animal welfare. Dr. Grandin has been featured on NPR and BBC and has appeared on national TV shows such as Larry King Live, 20/20, 60 Minutes, Fox and Friends, and she has a 2010 Ted Talk.Articles about Dr. Grandin have appeared in Time Magazine, New York Times, Discover Magazine, Forbes and USA Today. HBO made an Emmy Award-winning movie about her life, and she was inducted into the American Academy of Arts and Sciences in 2016. When Dr. Grandin was young, she was considered weird and teased and bullied in high school. The only place she had friends were activities where there was a shared interest such as horses, electronics, or model rockets. Mr. Carlock, her science teacher, was an important mentor who encouraged her interest in science. When she had a new goal of becoming a scientist, she had a reason for studying. Today, half of the cattle in the United States are handled in facilities she has designed.Connect with Temple: Welcome to Temple Grandin's Official Autism WebsiteTemple Grandin's WebsiteTemple Grandin - Books and DVDsAmazon.com: Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns, and Abstractions: 9780593418369: Grandin PhD, Temple: BooksTemple Grandin | Watch the Movie on HBO | HBO.comConnect with the Rocky Mountain ADA Center at RockyMountainADA.org or find us on social media. Don't forget to subscribe, rate and review us on Apple Podcasts, Stitcher, Spotify, or anywhere else you get your podcasts!

Episode: 1367 Struggling with abstraction in schools and in public.  Today, we think about thinking abstractly.

It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what's happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy's carefully constructed life. As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. Yet for all that threatens their sibling bond, Amy and Ollie cannot escape or deny the inextricable sister knot that binds them. Spanning two decades, Shred Sisters (Grove Press, 2024) is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss and love. If anything is true it's what Amy learns on her road to self-acceptance: No one will love you more or hurt you more than a sister. Betsy Lerner is the author of The Bridge Ladies, The Forest for the Trees, and Food and Loathing. With Temple Grandin, she is the co-author of the New York Times bestseller Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns and Abstractions. She received an MFA from Columbia University in Poetry where she was selected as one of PEN's Emerging Writers. She also received the Tony Godwin Publishing Prize for Editors. After working as an editor for 15 years, she became an agent and is currently a partner with Dunow, Carlson and Lerner Literary Agency. Recommended Books: Suzy Boyt, Loved and Missed Rufi Thorpe, Margo's Got Money Troubles Morning News Tournament of Books (March Madness for Books!) Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is said that when one person in a family is unstable, the whole family is destabilized. Meet the Shreds. Olivia is the sister in the spotlight until her stunning confidence becomes erratic and unpredictable, a hurricane leaving people wrecked in her wake. Younger sister Amy, cautious and studious to the core, believes in facts, proof, and the empirical world. None of that explains what's happening to Ollie, whose physical beauty and charisma mask the mental illness that will shatter Amy's carefully constructed life. As Amy comes of age and seeks to find her place—first in academics, then New York publishing, and through a series of troubled relationships—every step brings collisions with Ollie, who slips in and out of the Shred family without warning. Yet for all that threatens their sibling bond, Amy and Ollie cannot escape or deny the inextricable sister knot that binds them. Spanning two decades, Shred Sisters (Grove Press, 2024) is an intimate and bittersweet story exploring the fierce complexities of sisterhood, mental health, loss and love. If anything is true it's what Amy learns on her road to self-acceptance: No one will love you more or hurt you more than a sister. Betsy Lerner is the author of The Bridge Ladies, The Forest for the Trees, and Food and Loathing. With Temple Grandin, she is the co-author of the New York Times bestseller Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns and Abstractions. She received an MFA from Columbia University in Poetry where she was selected as one of PEN's Emerging Writers. She also received the Tony Godwin Publishing Prize for Editors. After working as an editor for 15 years, she became an agent and is currently a partner with Dunow, Carlson and Lerner Literary Agency. Recommended Books: Suzy Boyt, Loved and Missed Rufi Thorpe, Margo's Got Money Troubles Morning News Tournament of Books (March Madness for Books!) Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Recorded 4/7/2025 On this edition of Parallax Views, Israeli commentator Ori Goldberg returns to the show to discuss the latest development in Gaza and Israel. This conversation came about due to the horrific stories coming of the southern Gaza city Rafah and touches upon that as well as the political turmoil currently bubbling to a fever pitch in Israel. J.G. specifically reached out to interview Ori in the hopes of trying to make sense of what is happening on the ground. Abstractions are often attendant to discussions of Israel/Palestine, but the human cost cannot be forgotten. That is what led to this discussion, and it proved difficult on some level due to the intense nature of the horrors we've seen in the past year and a half whether it be the events of October 7th or the scenes coming out of Rafah. Ori's approach is highly reflective in nature and as such has a certain unique quality. Whether you agree or disagree with Ori's thinking, this is hopefully going to be a powerful discussion.

Kief finishes Annabelle Sacha's harness and just needs the featherweave to get them to safety, but first he must contend with Jonah the Damned alongside Travis and Sinbad. CONTENT NOTE Main Show: Science, Biting sensitive bits, Undead saltiness Dear Uhuru: Estranged family reunions, Abstractions of horrifying violence MAGIC OF SPEIR ZINE Follow the project here! OH CAPTAIN, MY CAPTAIN Order now! Leave a review! THE ULTIMATE RPG PODCAST Listen Here! SKYJOUST FIGHT WITH SPIRIT EXPANSION Get it now! ULTIMATE RPG GAMEMASTER'S GUIDE Pre-order now! SKYJACKS: COURIER'S CALL IS BACK! Listen on Spotify (or any other podcatcher app)! STARWHAL PUBLIC FEED: Listen on Spotify (or any other podcatcher app)! JOIN OUR MAILING LIST Right Here! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're joined by author and journalist Omar El Akkad to discuss his new book, One Day, Everyone Will Have Always Been Against This, which serves as a powerful reckoning with what it means to live in a West that betrays its fundamental values. Omar shares how writing nonfiction compares to his novels, how he anticipates and thinks about potential criticism, and what it means to resist despair in the face of empire.The Stacks Book Club pick for March is They Were Her Property by Stephanie E. Jones-Rogers. We will discuss the book on March 26th with Tembe Denton-Hurst returning as our guest.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2025/3/12/ep-362-omar-el-akkadConnect with Omar: Instagram | TwitterConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.