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4 episodes with leigh claire la berge
4 episodes with leigh claire la berge
2 episodes with leigh claire la berge
2 episodes with leigh claire la berge
3 episodes with leigh claire la berge
Leigh Claire La Berge joins us to discuss her new book published today by Haymarket, "Fake Work: How I Began to Suspect Capitalism is a Joke." "Rotten History" by Renaldo Migaldi follows the interview. Check out Leigh's book here: https://www.haymarketbooks.org/books/2534-fake-work Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell
Archives, physical and digital, are suffering from austerity, enshittification, and censorship. In this episode scholars discuss the ambivalent impacts of digitization, what information matters in the data economy [8:30], an analogy involving European colonialism [23:00], the competition to document between corporations and universities [46:00], the duty to tell the truth freely [73:30], preserving the counternarratives to empire [81:00], and managing an archive through Orbanization [95:30]. Cast (in order of appearance): Laura Heffernan, Rachel Sagnar Buurma, Matt Seybold, Kelly Grotke, Asheesh Kapur Siddique, Leigh Claire La Berge, Crystal Sanders, Jared Loggins, Andrew Douglas, Timothy Barber Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/ArchiveOfEmpire, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Leigh Claire La Berge is Professor in City University of New York's English Department. Her work focuses on aesthetics and political economy. Her first book, "Scandals and Abstraction: Financial Fiction of the Long 1980s", tracked the convergences of finance, realism and postmodernism in literature and culture throughout the 1980s in the United States. Her second book, "Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art" explored the twin rise of new forms of socially engaged art alongside what she called "decommodified labor," or labor that is not recompensed. Along with Alison Shonkwiler, Leigh Claire is the co-editor of the collection, "Reading Capitalist Realism". She recently published a book about animality and economy entitled "Marx for Cats: A Radical Bestiary". She is working on a new book called "Fake Work: How I Began to Suspect that Capitalism is a Joke" about her experience with corporate labor, Y2K, and management consultants. In Sentientist Conversations we talk about the most important questions: “what's real?”, “who matters?” and "how can we make a better world?" Sentientism answers those questions with "evidence, reason & compassion for all sentient beings." The video of our conversation is here on YouTube. 00:00 Clips! 00:58 Welcome 02:32 Leigh Claire's Intro - "In an English department you don't just find people who read novels or who write novels... but also who do philosophy, critical theory..." - "Relationship between economic forms and the constitution of reality" - "... different cultural objects... artworks or films or TV shows or novels... mediate between what we perceive as economically real and what might be economically possible" #economics - #philosophy major, working for a management consultant in Manhattan - Seeing the corporate world... accounting... profiteering... record-keeping "I was genuinely surprised... this cannot be the way that capitalism works... but it is!" - Studying #politicaleconomy "manifestly politicised understanding of economic forms and economic structures" - "Scandals and Abstraction" on financial scandals represented in film & literature - "Wages against artwork" on art, economy and also animals (e.g. an exhibit of live birds) - Thinking about animals' presence in the economy - Explaining political economy to artists "What if you were talking to cats?" - The Marx For Cats video series "The cats loved it!" - Writing "Marx for Cats" - "A history of the capitalist world system... as told through cats, with cats and for cats" - "Cats are also amazing anti-work creatures... anti-authoritarian creatures" - "Cats have been understood to be anti-authority for at least 1200 years" - Royal lions, wildcat strikes, sabotabbies... - Animals that can be companion and work animals because "capitalism... it both structures our external reality and our most intimate, internal, familial realities." 12:03 What's Real? - "By the time I was 6 or 7 it was clear that church was not going to be for me" ... and much more (see sentientism.info for full show notes) 29:15 What Matters? 33:57 Who Matters? 58:11 A Better World? 01:13:22 Follow Leigh Claire - @marxforcats on Twitter - @marxforcats on Instagram- Marx for Cats book - Leigh Claire at CUNY - Marx for Cats video series - Watch out for “Fake Work” Sentientism is “Evidence, reason & compassion for all sentient beings.” More at Sentientism.info. Join our "I'm a Sentientist" wall via this simple form. Everyone, Sentientist or not, is welcome in our groups. The biggest so far is here on FaceBook. Come join us there!
Should Marxism be rooted in inter-species liberation? Or is it already, unbeknownst to most of us? Leigh Claire La Berge has delved into what she considers an unrecognized trove of evidence for Marxism's deep engagement with the feline, as a way of making sense of class society — and what would be necessary to leap beyond it. She argues that the history of inter-species solidarity between radicals and cats (among other animals) is only now starting to be recuperated. Resources: Leigh Claire La Berge, Marx for Cats: A Radical Bestiary Duke University Press, 2023 The post Cats and Marxism appeared first on KPFA.
At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration. Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration. Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration. Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration. Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
At the outset of Marx for Cats: A Radical Bestiary (Duke UP, 2023), Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism's feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration. Arya Rani is a PhD candidate in Film Studies at the University of Texas at Dallas. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies
Leigh Claire La Berge, author of Marx for Cats, talks about political economy and the human–feline relationship. Then an interview with Michael Zweig, author of Class, Race, and Gender, on understanding capitalism in order to transform it.Behind the News, hosted by Doug Henwood, covers the worlds of economics and politics and their complex interactions, from the local to the global. Find the archive online. Hosted on Acast. See acast.com/privacy for more information.
Leigh Claire La Berge, author of Marx for Cats, on political economy and the human–feline relationship • Michael Zweig, author of Class, Race, and Gender, on understanding capitalism in order to transform it The post Cats and capitalism, understanding capitalism in order to fight it appeared first on KPFA.
Danny and Derek speak with Leigh Claire La Berge, author of Marx for Cats: A Radical Bestiary. They discuss Leigh Claire's unique approach to Marxist critique through the lens of cats, feline usage in the lexicon from the royal (Richard the Lionheart) to the proletarian (“wildcat strike”), how our feline friends help illuminate watershed moments in the advent and development of capitalism, and more.Be sure to pounce on a copy of the book! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.americanprestigepod.com/subscribe
Kasia and Dan address their toughest question yet: are cats left wing? Springing from a shared love of feline friends, they trace the history of cat-obsessed activists and intellectuals through Kasia's cat The Professor's very gross lost claw. Why did the left choose to welcome these ruthless killers into their homes? Are cats incapable of love, or is that a myth spread by 'Big Bird'? And they trawl the digital recesses of blog sites (so you don't have to) to test if cat memes will turn you into a libertarian or communist. They also read Leigh Claire La Berge's brilliant book Marx for Cats: A Radical Bestiary. FULL-LENGTH BONUS EPISODE AND MANY OTHERS HERE >> FOR ONLY £4 A MONTH: https://www.patreon.com/posts/81738158?pr=true Theme music and production: Mr Beatnick Artwork: Archie Bashford
In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In this episode of High Theory, Leigh Claire La Berge talks about red cats: communist cats, revolutionary tigers, radical felines of all stripes. The red cat is a provocation, and an invitation to think differently about economic history. Leigh Claire continues our spooky theory of cat concepts for Halloween 2022. Her book Marx for Cats: A Radical Bestiary will be published by Duke University Press this coming summer. It takes seriously the premise that you can tell the history of capitalism through the figure of the cat. As a bestiary, it has a hundred pictures of cats, from a vast archive that spans the ninth century to the present. It began as a series of filmed conversations with cats on Marxist theory. You can watch them at marxforcats.com In the episode she references The Social Contract by Jean Jacques Rousseau. Each of the two cover images from the initial publication depict cats. One of them forms the cover image for this episode. In the longer conversation, she referenced Kate Evans's Red Rosa: A Graphic Biography of Rosa Luxemburg (Verso 2015) and Drew Pendergrass and Troy Vettese's Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). Leigh Claire La Berge is an Associate Professor of English at BMCC CUNY, where she studies the intersection of contemporary cultural production and economic forms. Her prior books include Scandals and Abstraction: Financial Fiction of the Long 1980s (Oxford, 2014) and Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies
How do we explain the Great Resignation? Or, for that matter, other mysteries of the contemporary economy, like the high price of culture work and the low wages of culture workers? Two scholars of Post45 literature and culture discuss the work of art and the art of work. For more about this episode, visit MarkTwainStudies.com/GreatResignation
Three scholars of finance and literature join to talk about the ongoing story of the "Reddit Revolution," members of the r/WallStreetBets forum who organized a run on several stocks, notably GameStop, using the retail trading app, Robinhood. How is this speculative mania interconnected with the 2008 financial crisis, the current economic recession, and the new U.S. Treasury Secretary, Janet Yellen? For more about this episode, please visit MarkTwainStudies.com/Robinhood
The Cultural Life of Money and Finance podcast explores money and finance through the arts and humanities – asking new questions about finance, the global financial system, and financial behaviour in the twenty-first century. In a series of conversations with researchers and practitioners, we look at how money is being, and has been, thought about in different contexts – across historical, cultural, ethical, religious, social, and material settings. The Cultural Life of Money and Finance project is based at the University of Leeds, and is led by Matthew Treherne, Rachel Muers and Mark Davis. The project is supported by the Leeds Arts and Humanities Research Institute, and by the Leeds Creative Labs scheme at the Cultural Institute at the University of Leeds. In this episode, Mark is joined by Leigh Claire La Berge, Assistant Professor of English at Borough of Manhattan Community College, City University of New York, about opportunities for arts and humanities to engage with money and finance through ideas of performativity and language, in particular how they have been utilised in social studies of finance. They also explore themes of temporality and invisibility, and how these are captured in the financial fiction writing of the 1980s and TV serials of the mid-2000s. Their conversation also touches on the importance of how money and finance are narrated, and the deeper political questions these narratives lay down, and why the arts and humanities might best serve utopian projects for a better financial system by empowering a literary studies of finance. Leigh Claire is the author of Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (2019) (available at https://www.dukeupress.edu/wages-against-artwork), Scandals and Abstraction: Financial Fiction of the Long 1980s (2015) (available at https://global.oup.com/academic/product/scandals-and-abstraction-9780199372874?cc=ca&lang=en&), and co-editor of Reading Capitalist Realism (2014) (available at https://www.uipress.uiowa.edu/books/9781609382346/reading-capitalist-realism). For more information on the Culture Life of Money and Finance Project, please visit https://culturallifeofmoney.leeds.ac.uk, and follow us on Twitter @CulturalMoney. The podcast was edited by Lisa Trischler.
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d'Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/animal-studies
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Leigh Claire La Berge, Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art (Duke UP, 2019), speaks with Pierre d'Alancaisez about what she calls decommodified labor — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labor. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky. La Berge's discusses the proliferation of animals in contemporary art starting 45 minutes in the episode. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices
Wages Against Artwork Decommodified Labor and the Claims of Socially Engaged Art Leigh Claire La Berge Published by Duke University Press, 2019 ISBN 9781478004233 The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. Leigh Claire La Berge, author of Wages Against Artwork, speaks with Pierre d'Alancaisez about what she calls decommodified labour — the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which artists relate to work, La Berge examines how artists and organizers create institutions to address their own precarity and why the increasing presence of animals and children in contemporary art points to the turn away from paid labour. Leigh Claire La Berge is Assistant Professor of English at Borough of Manhattan Community College, City University of New York. She's the author of Scandals and Abstraction (about which she spoke on an earlier episode), and co-editor of Reading Capitalist Realism. She's currently working on expanding her project Marx for Cats, initiated with Caroline Woolard and Or Zubalsky.
Andreas Petrossiants speaks with author Leigh Claire La Berge about Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art, published in November 2019 by Duke University Press. “The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.” Read more Leigh Claire La Berge is associate professor of English at BMCC CUNY and author of Scandals and Abstraction: Financial Fiction of the Long 1980s as well as co-editor of Reading Capitalist Realism. Her writing and journalism has appeared in South Atlantic Quarterly, Post-45, the Los Angeles REview of Books and the Chronicle of Higher Education. She is also a member of the Marx for Cats collective
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press.
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices
What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance—that it is abstract and exceedingly complicated—took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at BMCC CUNY. Her book Scandals and Abstraction: Financial Fiction of the Long 1980s was recently published by Oxford University Press. You can read more about her work here.
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