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What happens when physics meets the big questions of philosophy? Neil deGrasse Tyson and comic co-host Chuck Nice sit down with Elise Crull, philosopher of physics at CUNY and author of The Einstein Paradox, to explore physics, philosophy, and how thought experiments shape real science. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/the-philosophy-of-physics-with-elise-crull/Thanks to our Patrons Jason Dobbins, Robert Egoroff, Steven Rodby, David Miller, BiologyBob, Charles William McDonald, kara lockmiller, Cade Solsbery, Cakery, Eugene Swimmer, Andrew Di Bello, Bob Patterson, Melissa Buchter, Mathew, Mike Dockins, A Wade, Harrison Netherway, Padraic Hagerty, Bryan Nusbaum, Jorge Daniel, Samir Banerjeesh, Chad Salter, Helix, Mohammad Imrul Kayes, Bryson Taylor, Mickey Kellam, Susan Pingree, ThatStratosPlayer!?, Sam Tuttle, Henock Taddese, Rosemarie Boll, Alex Pilon, Trevor Carpenter, Max Laarmann, Melissa Hannah, Donna Van Benschoten, David Quilloy, John Kordyback, Tony S, Francisco Rubiolo, Mallory Boyd, Briana Green, Laurie Smith, Grey Gorman, Mark Bentley, Joseph Formisano, Velovinovicci, tosha ristoff, Isaac Woosley, Lucas Legey, and Carl Dalby for supporting us this week. Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“I'm hopeful for revolution. I'm optimistic. I want radical change. I think there's such a disinterest in education in America that it is sickening. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Wie setzt man ein erfolgreiches Softwareprojekt in der Organisation auf, treibt es voran und sichert nachhaltigen Unternehmenserfolg? In dieser Bonusepisode von Behind the C spricht Franz Kubbillum mit Atreus Direktor Christian Wagner und Frederic Cuny über die Herausforderungen und Erfolgsfaktoren moderner Softwareprojekte. Frederic Cuny, ehemaliger Unternehmensberater, Gründer und heutiger CTO bei Pegasystems, bringt dabei umfassende Praxiserfahrung im Bereich digitale Transformation mit. Im Gespräch beleuchtet er die Bedeutung skalierbarer Plattformen für KI-geschützte Entscheidungsfindung und Workflow-Automatisierung als strategischen Hebel für Effizienzsteigerung und Geschäftswert. Als Brücke zwischen Technologie und Vertrieb erklärt Cuny, wie er messbaren Business Value generiert und welche strategischen Schlüsselaufgaben er bei Pegasystems verantwortet. Zudem analysieren die Gesprächspartner die Rolle des C-Levels bei der erfolgreichen Steuerung digitaler Transformationsprozesse und dem Umgang mit Change-Management. Zudem beantwortet er folgende Fragen: - Wie funktioniert die KI-gestützte Entscheidungsfindung und Workflow-Automatisierung bei Pegasystems? - Bei welcher Situation – etwa während der COVID-19-Krise – hat Pegasystems geholfen? - Was sind die größten Herausforderungen im Change-Management? Insights zur unternehmerischen Realität von Gründungsprozessen, zur Gestaltung nachhaltiger Transformationen und zur Rolle im Kundenmanagement runden die Episode ab. Hören Sie rein! Themen: - C-Level - Tech - Software - Cloud Technology --- Über Atreus – A Heidrick & Struggles Company Atreus garantiert die perfekte Interim-Ressource (m/w/d) für Missionen, die nur eine einzige Option erlauben: nachhaltigen Erfolg! Unser globales Netzwerk aus erfahrenen Managern auf Zeit zählt weltweit zu den besten. In engem Schulterschluss mit den Atreus Direktoren setzen unsere Interim Manager vor Ort Kräfte frei, die Ihr Unternehmen zukunftssicher auf das nächste Level katapultieren. ▶️ Besuchen Sie unsere Website: https://www.atreus.de/ ▶️ Interim Management: https://www.atreus.de/kompetenzen/service/interim-management/ ▶️ Für Interim Manager: https://www.atreus.de/interim-manager/ ▶️ Profil von Fred Cuny: https://www.linkedin.com/in/fredcuny/ ▶️ Profil von Franz Kubbillum: https://www.atreus.de/team/franz-kubbillum/
This podcast episodes me and the guest discuss post graduation, plans for summer, and favorite things to do in summer.
We speak with a participant in the rolling hunger strike by students and faculty at the City University of New York. The hunger strikers want CUNY to cut all ties with Israel and companies that do business with Israel.
In our first segment, co-host Amba Guerguerian joins us live from Foley Square, where immigrant rights groups and their allies are rallying today to protest the Trump administration's mass deportation program and the increasingly brazen tactics used by Immigration and Customs Enforcement, or ICE, to detain and deport immigrants. Then we speak with a participant in the rolling hunger strike by students and faculty at the City University of New York. The hunger strikers want CUNY to cut all ties with Israel and companies that do business with Israel. And in the final part of the show, we catch up on the mayor's race with Indy Contributing Editor Nicholas Powers. A new poll out shows former Gov. Andrew Cuomo's lead over his top challenger, Zohran Mamdani, shrinking to a mere two points.
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?”Irvin Weathersby Jr. is a Brooklyn-based writer and professor from New Orleans. He is the author of In Open Contempt: Confronting White Supremacy in Art and Public Space. His writing has been featured in LitHub, Guernica, Esquire, The Atlantic, EBONY, and elsewhere. He has earned an MFA from The New School, an MA from Morgan State University, and a BA from Morehouse College. He has received fellowships and awards from the Voices of Our Nations Arts Foundation, the Research Foundation of CUNY, the Bread Loaf Writers' Conference, the American Council of Learned Societies, and the Mellon Foundation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
This podcast episodes me and the guest discuss post graduation, plans for summer, and favorite things to do in summer.
Cianne Fragione (b. 1952) is a multidisciplinary artist. With roots in the San Francisco Bay Area Beat and Funk art milieus, she has developed her own process-oriented artistic vocabulary over the past four decades that crosses boundaries between abstract painting and sculpture, and between object and image. A striking combination of oil paint, mixed-media materials, found objects, and textiles characterizes her signature style. Each piece, whether two- or three-dimensional, is built slowly over lengthy periods, becoming a dense synthesis of influences and personal perspectives, including mid-century gestural abstraction and the physical fluency of her early training as a professional dancer. While a sense of space and movement dominates her two-dimensional works, her assemblage pieces tend to be denser and more corporeal. Her most recent works respond to two collections of poems by Italian poet and writer Eugenio Montale: Mediterraneo and Ossi di Seppia. Fragione has exhibited extensively in solo and group exhibitions nationally and internationally, including at St. Mary's College Museum of Art, Moraga, CA; Georgetown College, KY; Anya and Andrew Shiva Gallery, New York, NY; American University Museum, Washington, D.C.; John D. Calandra Italian American Institute of Queens College, CUNY, New York, NY; Associazione di Museo D'Arte Contemporaneo Italiano, Catanzaro, Italy; Harmony Hall Regional Center, Washington, MD; University of Scranton Art Museum, Scranton, PA; The Textile Museum, Washington, D.C.; Art in Embassies, Geneva, Sofia, Bulgaria, and Vilnius, Lithuania; Indianapolis Art Center, IN; and San Francisco Museum of Modern Art Gallery, CA. Her works are held in numerous public collections, including the Baltimore Museum of Art MD; DC Commission Art Bank Collection; Art in Embassies Permanent Collection, U.S. State Department, Guadalajara, Mexico; St. Mary's College Museum of Art, CA; Italian American Museum, D.C; Department of Special Collections, Cecil H. Green Library, Stanford University, CA; Comune di Monasterace, Calabria, IT; among other museum and private collections. Motetti: Flowers Grow/ Salty Breath, 2024, oil-based paint, pigment, walnut and black ink, graphite, oil pencils,on paper, 42.5 x 35 in (107.95 x 88.9 cm), Image by Martin Seck Bundles: Seacoasts / Among Fragrances / Winds / Decoy, 2024, oil-based paint, pigment, string, lace, fishing lures, and bone on canvas panel, 8 x 5 x 2 in (20.3 x 12.7 x 5.1 cm), Image by Martin Seck The Clouds Travel like White Handkerchiefs of Goodbye, 2020 oil-based pigment, collage, graphite, on mylar 54 x 65 in (137.16 x 165.1 cm) Image by Martin Seck
Angela is one of the hunger strikers
The three episodes of this podcast involve me and my friend/ classmate reflecting back on our first years and college and how far we have came. What the experience was like attending a CUNY college in NYC.
In 1932, along with a group of African American activists and writers including novelist Dorothy West, Langston Hughes journeyed to the Soviet Union. Veering off from the “official” trip, Hughes met Arthur Koestler before venturing on to an extended journey through the newly formed republics of Central Asia. While Hughes' readers may be familiar with his A Negro Looks at Soviet Central Asia, this chapbook makes available previously unpublished material drawn from Hughes' notebooks, photographs, and collaborative translation projects with Uzbek poets. Just as his own work is being translated into Uzbek, Hughes—ever the participant—collaborates with his peer poets in the region to produce texts published in this collection for the first time. Cholpon Ramizova is a London-based creator and researcher. She holds a Master's in Migration, Mobility and Development from SOAS, University of London. Her thematic interests are in migration, displacement, identity, gender, and nationalism - and more specifically on how and which ways these intersect within the Central Asia context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/central-asian-studies
As famine and starvation spreads across Gaza, CUNY students and veterans here in New York have launched separate hunger strikes in opposition to the U.S.-backed genocide. We speak with a hunger-striking veteran and a hunger-striking grad student. Then we take a look at the latest news from New York City's mayoral race. A new poll shows socialist state legislator Zohran Mamdani rapidly gaining ground on former Gov. Andrew Cuomo.
As famine and starvation spreads across Gaza, CUNY students and veterans here in New York have launched separate hunger strikes in opposition to the U.S.-backed genocide. We speak with a hunger-striking veteran and a hunger-striking grad student.
CUNY recently lost federal funding for more than 70 research grants. Denis Nash, professor of epidemiology at the CUNY Graduate School of Public Health and Health Policy and executive director of CUNY's Institute for Implementation Science in Population Health, talks about the funding he recently lost on research related to COVID vaccine uptake, plus comments on the changes coming to how the COVID vaccine is rolled out for the next season.
New York City's CUNY system recently lost federal funding for more than 70 research grants.On Today's Show:Denis Nash, professor of epidemiology at the CUNY Graduate School of Public Health and Health Policy and executive director of CUNY's Institute for Implementation Science in Population Health, talks about the funding he recently lost on research related to COVID vaccine uptake, plus comments on the changes coming to how the COVID vaccine is rolled out for the next season.
The three episodes of this podcast involve me and my friend/ classmate reflecting back on our first years and college and how far we have came. What the experience was like attending a CUNY college in NYC.
The fight for multicultural education and antiracist curricula is not new, as evidenced by the courageous actions of Brooklyn College students and faculty in the 1960s and 1970s, who paved the way for today's struggles against book banning and right-wing pushback.This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donateStay informed and engaged! Don't miss out on our captivating weekly episodes that dive deep into the heart of our economy, culture, and politics from the past to the present. Please hit the podcast subscribe button if you've yet to subscribe.Description [Rewind origin date: September 10, 2023] :: Join us for this discussion on multicultural education as a fundamental human right. In these times it is crucial to reflect on the state of education. From right-wing attacks on higher education, pushback against critical thinking and comprehensive history to challenges in class size, teacher compensation, book bannings and the very foundation of quality public education — our conversation aims to shed light on the progress we've made toward multicultural education and the paths we've taken to get here including student demonstrations that led to incarceration of students and teachers exercising their first amendment rights back then in the late 1960's to 1970's.
What does it mean to keep showing up when life changes your body, your voice, your sense of self? Dr. Phil Schneider has spent a lifetime helping people find their voice. But when he was diagnosed with Parkinson's, he found himself on the other side of the therapeutic relationship, learning how to live with a tremor, navigate shame, and reclaim agency in a body that no longer behaved the way it used to. In this episode, Uri sits down with his father, mentor, master clinician, and co-founder of Schneider Speech, for one of the most personal and moving conversations on the podcast to date. Together, they explore Phil's decades of work helping people find their voice, and how his understanding of communication deepened through his own health journey. What helped him move forward wasn't hiding. It was naming the tremor, talking about it with family, and choosing connection over shame. Opening up was the moment he began reclaiming agency. Resilience didn't come from isolation. It came from letting people in. This episode is full of warmth, story, and hard-earned wisdom on voice, vulnerability, and what it really means to be present with another human being. In this episode on connection and resilience, you'll discover: How a nonverbal girl found her voice on stage and transformed Phil's career What Parkinson's taught Phil about stuttering, shame, and self-acceptance Why communication is about connection, not correction How being seen is more healing than being “fixed” The hidden cost of hiding, and the freedom of naming what's hard How moments of presence can shape the course of a life And more invaluable insights TIMESTAMPS 01:10 Meet Dr. Phil Schneider: A Legacy in Communication 03:03 How His Career in Speech Therapy Began 08:54 Learning from a Student: A First Encounter with Stuttering 13:38 The Power of Belief: How Gladys Found Her Voice 17:09 Connecting Through Communication 26:22 Teaching, Mentorship, and Shaping Future Therapists 29:29 Why Emotions Matter in the Therapy Room 30:39 Transformative Voice Therapy 34:35 Shame, Parkinson's, and the Cost of Hiding 36:54 Openness, Vulnerability, and Reclaiming Agency 48:29 The Heart of Therapy: Growth Through Honest Connection 53:57 What Parents and Young Adults Need to Hear 57:06 Final Thoughts and Reflections ABOUT THE GUEST Phil Schneider, Ed.D. CCC-SLP is the founding partner of Schneider Speech Pathology. Recognized as a master clinician and teacher, he has been practicing and teaching for over 40 years. He holds the title of Professor Emeritus of Communication Disorders at Queens College, CUNY. Phil has been honored with the New York State Speech-Language-Hearing Association Distinguished Clinician Award, the New York City Speech-Language-Hearing Association Professional Achievement Award, and the Queens College Award for Excellence in Teaching. In 2004 he was named the Speech Pathologist of the Year by the National Stuttering Association; in 2006 he was awarded the highest Honors of the New York State Speech-Language-Hearing Association, and in 2013 he was given the Advocacy Award by the Stuttering Association of the Young (SAY). Phil is a spokesperson for the Stuttering Foundation of America and has appeared on NBC, ABC and WOR-TV; he has presented more than 200 inspirational and innovative seminars across the United States and around the world. His first documentary, “Transcending Stuttering: The Inside Story” aired on PBS in 2004, and has been viewed (free) online by tens of thousands of people worldwide. It is viewed and studied in universities around the country. His second documentary, “Going with the Flow: A Guide to Transcending Stuttering” featured the process of therapy, including real footage of Dr. Schneider engaging two young adults who stutter. His other publications include basic vocal physiology as well as applied clinical topics related to voice disorders, stuttering and principles of therapeutic change. He enjoys roller-blading, hiking and spending time with his family. QUOTES “ You don't really know what a person needs or wants, and the only thing you can do is really listen and try to care and try to understand.” - Dr. Phil Schneider “ I realized this sense of being diminished by being out of control of your body in front of other people, and even without other people, was intrinsically shaming. It didn't require any other people.” - Dr. Phil Schneider “ Challenge can be an invitation to growth, and it can lead to intimacy, to being really open with people.” - Dr. Phil Schneider “ So long as there's life and there's breath, there's possibility.” - Dr. Phil Schneider “ Parenting is scary because it'll always feel like it's your fault” - Dr. Phil Schneider ABOUT THE HOST Uri Schneider, M.A. CCC -SLP is co-founder and leader at Schneider Speech; creator and host of Transcending Stuttering; and former faculty at the University of California, Riverside School of Medicine. SEE ALL SHOW NOTES http://www.transcendingx.com/podcast LEARN MORE at http://www.transcendingx.com and http://www.schneiderspeech.com
Co-hosts John Tarleton and Amba Guerguerian look at the pro-Palestine activism that continues roiling New York City college campuses from CUNY to Columbia. We speak with Naomi Schiller of CUNY Faculty & Staff for Justice in Palestine and Josh Dubnau and Lillian Udell, two Columbia alumni who plan to burn their diplomas outside the campus gates Wednesday morning before the university holds its graduation ceremony. In the second half of the show, we speak with Nicholas Powers, longtime Indy contributor and African-American Literature Professor at SUNY-Old Westbury, about how Black America is generally responding to Trump's second presidency. His latest article is titled "Under Trump 2.0, Most Black Americans Have Nowhere to Turn."
We look at the pro-Palestine activism that continues roiling New York City college campuses from CUNY to Columbia. We speak with Naomi Schiller of CUNY Faculty & Staff for Justice in Palestine and Josh Dubnau and Lillian Udell, two Columbia alumni who will burn their diplomas outside the campus gates on the morning of May 21 before the university holds its graduation ceremony.
Jeff Lax, CUNY Professor and pro-Israel advocate, joins Sid to discuss the issue of college graduation commencement speeches turning into hate-filled anti-Israel and anti-Semitic rants, and why in many instances these speeches are not protected by the First Amendment. Learn more about your ad choices. Visit megaphone.fm/adchoices
Raise your hand if you've been to therapy before. My first time, if I'm remembering correctly, is a few months after my Dad died when I was in my mid-twenties, and my college roommate set me up with her aunt, who was a renowned psychoanalyst. She also happened to be Asian. Now that it's been decades and I've had so many more experiences with so many more therapists, all of whom have been white, I realize how rare and fortunate it was for me to have had that experience of a therapist who culturally understood me, which then played a formative role in my own understanding of my relationship with myself, my parents, self care and success and my place in the world. If you've never had the experience of having therapists who are the same race as you, you might really get this visceral sense of relief that we are talking about. This unspoken understanding that can-not always, but often, exist in those spaces of similarity. I think it's played a huge part in the relationship we have had, as multi-ethnic daughters of one Japanese immigrant parent and one white American parent each - there were just some things we didn't have to explain to each other. Which is why when we learned about a whole mental health support system - one we've come to learn doesn't have to just include therapists, but a whole system of community support - that is centered on Asian Americans, we wanted to seize the opportunity to talk about culturally responsive care, about what it means to work on ourselves to be better people, and more. What to listen for: What it means to be a better person Therapy 101 - what challenges people go to therapy for, what types of therapists are out there What culturally responsive care means, and how this applies to the Asian American community How we can support our own mental health, and that of others About our guests: Soo Jin Lee, a licensed therapist, executive director of Yellow Chair Collective, and co-founder of Entwine Community, has made a profound impact in mental health advocacy, shaped by her own experiences as an Asian immigrant. Her work focuses on culturally responsive mental health care, addressing the unique challenges faced by immigrant and Asian American communities. She co-authored the influential book Where I Belong: Healing Trauma and Embracing Asian American Identity, which explores identity and healing through a culturally informed lens. Recognized by NPR, PBS, CBS, and CUNY, Soo Jin is dedicated to fostering community support and advancing culturally sensitive mental health services. Linda Yoon is the founder of Yellow Chair Collective and co-founder of Entwine Community, organizations dedicated to addressing mental health education and service gaps in services for BIPOC communities, with a special focus on Asian Americans. She is recognized as a co-author of the book "Where I Belong: Healing Trauma and Embracing Asian American Identity," which delves deeply into themes of Asian American identity and resilience, alongside the racial, cultural, and intergenerational dynamics present within Asian American communities. Linda's work has been recognized and featured in media outlets including NPR, PBS, CBS, LA Times, and Buzzfeed. With a heartfelt commitment to well-being and community empowerment, Linda drives changes through mental health programs and advocacy initiatives. Brief synopsis of the book: Soo Jin Lee and Linda Yoon have personally observed the frequent neglect of mental health issues in their own immigrant families and within Asian and Asian American communities. Their book "Where I Belong" illuminates how trauma perpetuates through generations and impacts relationships, emphasizing the Asian American experience for better understanding and healing of racial and intergenerational trauma. “Where I Belong” offers crucial therapeutic techniques, reflective questions, journaling prompts, and grounding exercises, empowering readers to recognize their intergenerational strengths and resilience and to fully embrace their identity and cultural heritage. About Yellow Chair Collective: Yellow Chair Collective is a psychotherapist group with a special focus on Asian and Asian American identity based in California, Oregon, Washington, and New York. Asian Americans and the multicultural population struggle with unique pain points. Much of what Asian American and multicultural therapy identifies as intergenerational trauma or racial discrimination has been neglected and dismissed throughout American history. As a Collective, we are dedicated to bridging cultural identity as a huge part of everyone's mental struggles. The Yellow Chair Collective
They will learn about The Viscardi Center's transformative work in education and workforce development. Also they will understand the role of disability in diversity, equity, and inclusion.
Gabrielle Bendiner-Viani is an accomplished artist with 2 books, Contested City and a new book, The Cities We Need. Gabrielle makes work about how people connect to their neighborhoods in a communal emotional way by touring and photographing the neighborhood with individuals that live there. Dr. Lisa wants to know haw an artist as accomplished as Gabrielle is hasn't put the regular amount of navel gazing that most artists put into their work—what connects Gabrielle to these stories made personal by the people that tell them? After much discussion it seems as if Gabrielle is maybe just grounded and fulfilled on her own that she is able to be generous and connect with her neighbors by making them the stars of her art and photographs. Thinking later, after the session, I thought maybe since she got along so well and felt understood by her parents, so perhaps instead of a typical adolescent rebellion to the authority of her parents, her rebellion manifested in reaction, as a professor, to the authority of academia. About The Cities We Need Gabrielle Bendiner-Viani is an urbanist, curator, and artist practicing new modes of public arts, design, and urban research for community engagement, and is author of Contested City: Art and Public History as Mediation at New York's Seward Park Urban Renewal Area (University of Iowa Press, 2018). She is principal of the design and research studio Buscada and teaches urban studies and public art at the New School. She was a post-doctoral fellow in visual culture at the International Center of Photography and holds a PhD in environmental psychology from the Graduate Center, CUNY. She regularly consults with arts and culture organizations on community and art engagements and strategic visioning. Her creative practice has been shown at institutions including MIT, the Brooklyn Public Library, the Center for Architecture, Artists Alliance/Cuchifritos Gallery & Project Space, the Sheila C. Johnson Design Center, and Tate Britain. Her work on cities, culture, and photography has appeared in journals, including Visual Studies, Urban Omnibus, Space and Culture, Society & Space, and Buildings & Landscapes. She lives in New York City.
John Jay College of Criminal Justice colleagues, Dr. Nathan Lents (Biology) and Dr. Olivera Jokić (English and Gender Studies), discuss Dr. Lents's new book, The Sexual Evolution: How 500 million years of sex, gender and mating shape modern relationships. Visit IndoorVoicesPodcast.com for more info.
In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print. You can read more about poetry at the end of print culture in Jason's new book, entitled Nothingism (Michigan UP, 2025). In the episode Jaason refers to M.B. Parkes's book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali. Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY's BMCC and in the MFA Program for Writers at Warren Wilson College. The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print. You can read more about poetry at the end of print culture in Jason's new book, entitled Nothingism (Michigan UP, 2025). In the episode Jaason refers to M.B. Parkes's book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali. Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY's BMCC and in the MFA Program for Writers at Warren Wilson College. The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this episode of High Theory, Jason Schneiderman talks about Nothingism. A term of his own coinage, a tongue-in-cheek manifesto, nothingism is an invitation to refuse the values of digital culture in favor of the values of print. You can read more about poetry at the end of print culture in Jason's new book, entitled Nothingism (Michigan UP, 2025). In the episode Jaason refers to M.B. Parkes's book Pause and Effect An Introduction to the History of Punctuation in the West and the poetry of his teacher Agha Shahid Ali. Jason Schneiderman is a poet and teacher. He is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024). He also edited an anthology of queer theory for first year writing courses called Queer: A Reader for Writers (Oxford, 2016). He works as a Professor of English at CUNY's BMCC and in the MFA Program for Writers at Warren Wilson College. The image for this episode was made by Saronik Bosu. It shows a blue blur on a pink floral print background. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
durée : 00:59:57 - Les Nuits de France Culture - par : Albane Penaranda - Le poème "Eviradnus" de Victor Hugo est lu par Alain Cuny sur une musique originale de Maurice Jarre. Ce programme du "Club d'Essai de la Radiodiffusion française" a été diffusé pour la première fois en août 1957 sur la Chaîne Nationale. - réalisation : Virginie Mourthé - invités : Alain Cuny Acteur français
April 30, 2025 - Frederick Kowal, president of United University Professions, argues that SUNY and CUNY leaders should be part of a vocal, coordinated rebuttal to President Donald Trump's effort to disrupt the status quo on college campuses, including stifling academic freedom.
In collaboration with the John Jay College Office for the Advancement of Research, Kathleen moderates a conversation about the value of the humanities with colleagues David Munns (History), Allison Pease (Provost & Senior Vice President of Academic Affairs), Belinda Rincon (Latin American and Latinx Studies and English), and Dean Ringel (History). A bonus segment includes a conversation with Dr. Charissa Che, English department faculty at John Jay. Visit IndoorVoicesPodcast.com for more information.
In this episode of Spill the Tea, host Jason Blitman is joined by professor Nathan H. Lents (The Sexual Evolution) to understand the sexual history of humans to better understand how we got here. They talk about the expansive relationship to sex and sexulaity that humans used to have, how our approach to sex and gender comes from hundreds of millions of years of sexual evolution, social and economic monogamy vs sexual monogamy, and the importance of learning and communicating. Nathan H. Lents is a professor of biology at John Jay College, CUNY, and the author of Not So Different: Finding Human Nature in Animals. He has appeared as a scientific expert in a range of national media, including The TODAY Show, NPR, Access Hollywood, 48 Hours, and Al Jazeera America. He lives in Queens, NY.SUBSTACK!https://gaysreading.substack.com/ BOOK CLUB!Use code GAYSREADING at checkout to get first book for only $4 + free shipping! Restrictions apply.http://aardvarkbookclub.com WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com
After struggling to raise her siblings and start an art career, Wanda Gág’s life changed almost instantly with the publication of her first children’s book. Part two of her story looks at how her books sustained her financially so she could also make the art she wanted. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.
Mackenzie Calle is a freelance documentary photographer and National Geographic Explorer based in Brooklyn. In 2024, she was awarded first prize in the World Press Photo Open Format category award (North & Central America) for her project the Gay Space Agency, and was a finalist for the Sony World Photography Awards.She was selected as a Magnum Foundation Counter Histories Fellow in 2022. That same year, she was named one of the Lenscratch 25 to Watch and was shortlisted for the PhMuseum Women Photographers Grant. In 2023, she was named as a Lens Culture Emerging Talent Award winner and received the Dear Dave Fellowship.Mackenzie is a graduate of NYU's Tisch School of the Arts with a degree in Cinema Studies and was awarded the Director's Fellowship to attend ICP's Documentary Practice and Visual Journalism Program. She was selected to Eddie Adams Workshop class XXXV. She is an Adjunct Lecturer at CUNY's College of Staten Island. Prior to her freelance career, she was a photo producer at NBC Universal. Her work has been exhibited at Fotografiska Stockholm, Photoville, Pride Photo Festival, and Noorderlicht International Photo Festival. Clients include National Geographic, The Washington Post, GAYLETTER, Discovery, MSNBC, and The Wall Street Journal. In episode 255, Mackenzie discusses, among other things:Winning the WPP open categoryTangible and intagible benefits of winningHer journey to photographyHow the idea for the Gay Space Agency came aboutHow she set about making images to tell the storyThe goal to disseminate the story as widely as possibleHer experience of doing the Eddie Adams WorkshopLetting the story tell her what it wantsExperimentation being the fun partHer love of sport......and TV Referenced:Sally RideFrancis FrenchBillie Jean KingChristina De MiddelErika Larson Website | Instagram“For me, it's letting the story tell me what it needs. So it's not so much going in with a preconceived notion. You obviously go into most stories with some idea of what you're going to do, but every idea I have, that work in itself almost reveals or tells me kind of what it should be. So sometimes that means fiction, sometimes that does mean straight photojournalism, sometimes that means entirely imagined and staged projects…” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
We speak with James Davis, President of the Professional Staff Congress—the union that represents over 30,000 faculty and staff at the City University of New York—about the struggle to defend the City University of New York and other American colleges and universities from President Trump's authoritarian takeover.
Are you overwhelmed by the rapid rise of AI in the workplace?AI tools are already being used by managers and teams in various forms. But what are the risks that come with using them? Today's guest believes that clear guidelines and educational training can help everyone use AI wisely without feeling restricted.Meet Theresa Fesinstine. Theresa is a 25-year HR executive turned AI educator. She has been certified for AI and Business Strategy through MIT in 2023, and has been focused on flattening the AI learning curve for HR and other non-technical functions for almost 3 years. In addition to her company, peoplepower.ai, she is an adjunct professor of both AI in Business and HR Management for City College of NY - a CUNY institution, and volunteers as a mentor through All Tech is Human.Today, Theresa shares smart, actionable ways to use AI without risking company data or personal privacy.From educating your team to building clear, adaptable AI guidelines, she breaks down how to make AI a powerful tool for managers and their teams.Join the conversation now!Get FREE mini-episode guides with the big idea from the week's episode delivered to your inbox when you subscribe to my weekly email.Conversation Topics(00:00) Introduction(01:52) The truth about AI in the workplace(08:58) How to set AI policies that actually work(11:16) Using AI to enhance your management skills(21:30) How to avoid biases when using AI tools for team management(23:26) A great manager Theresa has worked for(25:35) Keep up with Theresa (26:28) [Extended Episode Only] How to talk to your team about what AI tools they're already using(32:03) [Extended Episode Only] Is using AI at work considered cheating?Additional Resources:- Get the extended episode by joining The Modern Manager Podcast+ Community for just $15 per month- Read the full transcript here- Follow me on Instagram here - Visit my website for more here- Upskill your team here- Subscribe to my YouTube Channel here Keep up with Theresa Fesinstine- Follow Theresa on LinkedIn here- Visit People Power AI for more information here FREE PDF People Powered by AI: A Playbook for HR Leaders Ready to Shape the New World of WorkTheresa is giving members of Podcast+ a copy of her People Powered by AI: A Playbook for HR Leaders Ready to Shape the New World of Work for free.In this practical and forward-thinking guide, Theresa draws on decades of People & Culture expertise to help HR leaders confidently integrate AI into their everyday work. With real-world use cases, accessible frameworks, and a human-first lens, this book empowers HR professionals to unlock the potential of AI while staying grounded in empathy, ethics, and strategy.To get this bonus and many other member benefits, become a member of The Modern Manager Podcast+ Community.---------------------The Modern Manager is a leadership podcast for rockstar managers who want to create a working environment where people thrive, and great work gets done.Follow The Modern Manager on your favorite podcast platform so you won't miss an episode!
As an artist and writer Wanda Gág is well known for her children’s books. But this first of two parts about her life covers her own unusual childhood, which went from quirky fun to intense hardship when her father died. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.
Hamilton Craig is a Compact columnist and a doctoral student at CUNY researching farmers' movements in the United States. In this episode of Diet Soap, he discusses his recent essay for Compact entitled "The Democratic Promise of Manifest Destiny" with Douglas Lain and tries to consider just how seriously to take Trump's effort to revitalize and reinvent our Manifest Destiny and discuss Cutrone's essay "The Future Belongs to America. So Should Greenland."Support Sublation Media:https://patreon.com/dietsoap"The Democratic Promise of Manifest Destiny" - Hamilton Craighttps://www.compactmag.com/article/the-democratic-promise-of-manifest-destiny/
Allan Wernick, legal advisor to CUNY Citizenship Now! - CUNY's free immigration law service program, offers guidance to tourists, visa-holders and permanent residents with green cards on their rights at the U.S. border.
CUNY professor and local pro-Israel activist, Jeff Lax, joins Sid to discuss a column he drafted in Jewish News Syndicate, run by good friend of the program Alex Traiman, detailing how Sid's alma mater in Kingsborough Community College is trying to erase Sid and any record of him attending the school at all. Learn more about your ad choices. Visit megaphone.fm/adchoices