Podcasts about Milford Graves

THIS WEEK's BIRDS: cante jondo (pop) from Love y Manuel as well as Naike Ponce and pianist Melodie Gimard w. El Chozas de Jerez (vocalist)  Abdel Karim Alkabli from Sudan; Maryam Saleh, Maurice Louca & Tamer Abu Ghazaleh; Jason Moran (piano) w. Milford Graves (percussion); Patricia Brennan Sextet; Nicole Mitchell w. Ballaké Sissoko; from Mali: Papa & Kandia Kouyaté; Hawa Dramé; Warda in duet w. Abade al Johar; Fado from Carlos do Carmo, Lucilia do Carmo, Amalia Rodrigues; Sally Gates w. Steve Hirsch & Daniel Carter; from Côte d'Ivoire: Pierre Sandwidi; Philly Joe Jones reprises Gershwin; vintage Congolese music from Kwamy et son Orchestre; Petranka Kostadinova, as well as Ilieva Glogovac Vaska (Roma song);  of course, so much, much more...   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20294697/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

La puntata di aprile esce a maggio, ma appena iniziato. In ogni caso Emiliano e Daniele parlano di due album che non sono nemmeno su Spotify, per farvi capire la qualità. Se volete ascoltarli, li trovate su Youtube: "Bäbi" di Milford Graves   "Diamond Jubilee" di Cindy Lee Learn more about your ad choices. Visit megaphone.fm/adchoices

Brìghde Chaimbeul, Rhodri Davies, Sam Amidon and Linda Buckley discuss the roles of tradition and place in music, and what they might think about when performing.Brìghde Chaimbeul is a Gaelic musician, composer and bagpipe player. Her music stems from traditional Gaelic material, particularly sourced from archival recordings, of songs, stories and music from the Highlands and islands of Scotland. It also explores wider musical influences, such as a variety of global piping traditions from eastern Europe, Cape Breton and Ireland. She has collaborated with artists including Ross Ainslie, Gruff Rhys, Martin Green, Carlos Nunez and Allan MacDonald. Last year she released the album Carry Them With Us in collaboration with Colin Stetson, weaving together textural drones, trance atmospheres and instrumental folk traditions.Rhodri Davies is a Welsh musician who plays harp, electric harp and live electronics, as well as building harp installations. He started playing the harp at the age of 7 and is classically trained on the orchestral pedal harp; he also plays harps from a range of different cultures, modifying their sounds with different techniques and pushing the boundaries of how the instrument can sound. He's released seven solo albums and regularly works with groups such as Hen Ogledd, Cranc, the Sealed Knot and Common Objects. Sam Amidon is an American singer, songwriter, and multi-instrumentalist from Vermont. He plays the fiddle, guitar and banjo, and is a member of the Icelandic music collective/record label Bedroom Community. He has released a string of acclaimed albums, ranging in theme from interpretations of traditional Irish fiddle pieces to old-time melodies and tales from traditional American folk history. His collaborators include classical composer Nico Muhly, experimental composer/producer Ben Frost, composer/violinist Eyvind Kang, guitar legend Bill Frisell and veteran jazz drummer Milford Graves.Linda Buckley is an Irish composer and musician who creates electronic and acoustic music working across many disciplines, most notably film, and drone and dark ambient music. She's worked in many collaborative contexts, including scoring films such as Nothing Compares by Kathryn Ferguson and To The Moon by Tadhg O'Sullivan. Recent collaborators include Liam Byrne and Crash Ensemble, Gudrun Gut and Andrew Zolinsky.

Jairus Sharif, Aaron Leaney, Greenhouse Ensemble, Melissa Pipe, Ally Fiola, Jeff Coffin, Milford Graves, Devin Gray, Eva Novoa, Ralph Alessi, Michael Sarian & Matthew Putman, Jaimie Branch, Rob Mazurek & Exploding Star Orchestra, Tammy McCannPlaylist: Jairus Sharif - Earth IIIAaron Leaney, featuring Guy Thouin - Turtle IslandGreenhouse Ensemble - MedinaMelissa Pipe Sextet - ApotheciumAlly Fiola, featuring Jeff Coffin - UndergroundJeff Coffin, featuring Johnny Vidacovich - MilfordMilford Graves - February 2, 1976 IDevin Gray - Soldier On, MilfordEva Novoa, featuring Masa Kamaguchi and Gerald Cleaver - RectanglesRalph Alessi - Hanging by a ThreadMichael Sarian, Matthew Putman - Rough WatersJaimie Branch - Take Over the WorldRob Mazurek & Exploding Star Orchestra - Future ShamanTammy McCann - Feeling Good

Getting back to the podcast with a music-only show. Something old, something new... Including some brand new Carbon Records releases! Tracklist: Ian Middleton - Static On The Line (from Embyronic - Early Recordings 1991-1996 CD on Slippy Town)Rudolph Grey - 4 Hands Is Better Than None (from the 7" on Foreign Frequency)Milford Graves, Arthur Doyle, Hugh Glover - Jan 24, 1976 IV (from Children Of The Forest 2LP on Black Editions Archive)The Whip - Freelance Liaison (from 7" on Wantage USA, KARP related)The Jesus Lizard - 7 vs 8 (from 7" on Touch and Go)Roy Montgomery - Zabriskie part 1 (from 7" on Gyttja)Lame & Sorry - Minus Eleven (from Le Jazz Non CD compilation on Corpus Hermeticum. Alastair Galbraith and Shayne Carter) John Krausbauer and Patrick Shiroishi - Swing Low (from the High Life 7" on Carbon Records)Alan Licht and John Krausbauer - Superstizione (from the 7" on Carbon Records)Jack Rose and The Black Twigs - Rappahannock River Rag (from 7" on The Great Pop Supplement)The Fall - My Pharmacist (from 458489 A Sides singles compilation LP on Beggars Banquet)Shirese - Bed The Cactus (from Rose Of Smiling Faces LP on C/Site Recordings and Grapefruit)CIA Debutante - Cabinet Minister (from Down, Willow LP on Siltbreeze)Les Rallizes Denudes - Trampled Tenderness (from Azabu Studio Demo 1985 Vol 2 LP on Take It Acid Is)

Order and disorder, a freeform haze of garbage guitars, shorted electronics, found detritus, collage, linear songs, sounds from strange lands. Contact me at btradio85@gmail.com. Archives at brianturnershow.comDEK - Kein Grunde Bôse Zu Sein - 1981-87 Vol. 1 (Jelodanti, 2023)NAUJAWANAN BAIDAR - Isyan Dorost Ast (Ramble, 2023)SET-TOP BOX - Television - V/A: Goodbye Boozy Sampler Vol. 2 (Goodbye Boozy, 2023)DAVID & THE LYNCHED - Hey-Hee-Hay! - V/A: Your Face Is A Mess (The Best Of Rebels Volume 4) (Raving Pop Blast, 2023)VIETNAM - Game - Unreleased EP 1981ROYSTON ELLIS w/THE SHADOWS - Gone Man Squared - Live 1959CIA DEBUTANTE - The Cutout Cardboard Silhouette of the Castle - Down, Willow (Siltbreeze, 2023)BEASTVIEW MAUL - Gonna Reach out & Stab Ya - Aloha From Beastview Maul (Carbon, 2023)YUNG LEAN - Yung Lean Doer Lucifer Love World - Neal Yung 2003 (NL, 2013)HULUBALANG - Sayat - Bunyi Bunyi Tumbal (Drowned By Locals, 2023)AFRICAN HEAD CHARGE - Microdosing - A Trip To Bolgatanga (On-U Sound, 2023)GANG90 & ABSURDETTES - Luar de Havana - Demo 1982 (1982, re: Nada Nada Discos, 2019)ROXY GORDON - Living Life As a Living Target - Crazy Horse Never Died (1988. re: Paradise of Bachelors, 2023)BORZOI - Can't Resist - Neither The One Nor The Other, But A Mockery Of Both (12XU, 2023)PYREX - Neptune - Pyrex (Total Punk, 2023)SID VICIOUS - Take A Chance On Me - Sid Sings (Virgin, 1979)YFORY - Chwaer Pwy? - Yfory (BC, 2023)BLACK SHAPE - Shit Show - Shit Show (Rat Run, 2023)SHANE EMBURY/DAN MONGRAIN/DAVE WITTE/BRUCE LAMONT & FRIENDS - Tarred and Feathered (YT, Cardiacs Tribute, 2021)JOHN BUTCHER, ANDY MOOR, THOMAS LEHN - Ice In A Hot World - Thermal (Unsounds, 2023)APPLE STORE SESSIONS - Excerpt - GarageBand (cs, Histamine Tapes, 2023)AARKTICA - Celestial Transmission - We Will Find the Light (Darla, 2023)BROKENCHORD - 2 - Sonic Wasteland (cs, NL, 2023)ANGUS MACLISE - ("Tapes 2") Excerpt from Untitled - Tapes (Art Into Life, 2023)MILFORD GRAVES, ARTHUR DOYLE, HUGH GLOVER - March 11, 1976 I - Children of the Forest (1976, re: Black Editions, 2023)OXBOW & PETER BROTZMANN - The Finished Line - An Eternal Reminder of Not Today / Live at Moers (Sleeping Giant Glossolalia, 2023)HANDS UP WHO WANTS TO DIE - Ludger Sylbaris - Nil All (Sleeping Giant Glossolalia, 2023)

Spring Break trips for ice cream? Banana flavored seltzer? Dreams of Gros Michel? It's all getting weird over here on the Daily. Some news about the Milford Graves archive, XKatedral, and Unifactor Tapes before digging into the album of the day. Wednesday episodes are exclusively on Patreon. Album of the Day is: Carla Boregas “Pena Ao Mar” https://idealrecordings.bandcamp.com/album/pena-ao-mar Additional links for the day: https://milfordgraves-blackeditionsarchive.bandcamp.com/album/children-of-the-forest https://xkatedral.bandcamp.com/album/gyttjans-topografi https://unifactor.bandcamp.com/ Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

"Free jazz" as presented in a dozen films collected and presented by the Criterion Channel incorporate unusual ways of telling unusual musical stories, including portraits of Alice Coltrane and Milford Graves; Cecil Taylor, Bill Dixon, Archie Shepp and Paul Bley in Imagine the Sound, and evocative experimental films such as Dream City and Promises: Through Congress. Panelists Kevin Whitehead (author of Play The Way You Feel: The Essential Guide to Jazz Stories on Film, jazz critic on Fresh Air with Terry Gross), Gretchen Carlson (author of Improvising the Score: Rethinking Modern Film Music Through Jazz), and Don Palmer (arts journalist, former grant officer for New York State Council on the Arts) discuss these films and others with host Howard Mandel, JJA president, in the second of a two-part podcast.

"You inspire us to work hard to improve the service we do for the music community." In this episode of MFM Speaks Out, Dawoud Kringle offers a retrospective of the progress of the MFM Speaks Out podcast in 2022. The guests mentioned, and / or whose music was included, include Ken Butler, Ariel Hyatt, Neel Murgai, Banning Eyre, Baba Don Eaton Babatunde, William Parker, Bruce Lee Gallanter, Jeff Slatnick, Hubert Howe, and April Centrone.The progress and accomplishments of MFM as a whole during the year 2022 were also briefly discussed. Topics discussed:Our guest for episode 35 in January was musician, experimental musical instrument builder, and visual artist Ken Butler. He builds hybrid musical instruments and other artworks that explore the interaction and transformation of common and uncommon objects, altered images, sounds and silence.He is internationally recognized as an innovator of experimental musical instruments created from diverse materials including tools, sports equipment, and household objects.February's episode 36 featured Ariel Hyatt. Ariel is a digital marketer, writer, and teacher who assists independent musicians in career development. She is the author of Music Success in 9 Weeks, Cyber PR For Musicians, Crowdstart, and other books. Hyatt worked at New York City's WNEW-FM, and the What Are Records? record label. She moved to Boulder CO, where she managed and handled publicity for the funk band, Lord of Word. She is also the founder and owner of the New York-based public relations firm Cyber PR. Her clients included the Toasters and George Clinton.Neel Murgai was our 37th guest in March. Neel is a sitarist, overtone singer, percussionist, composer, teacher, and Co-Artistic Director of the Brooklyn Raga Massive, a raga inspired musician's collective.Banning Eyre is a writer, guitarist and producer, and the senior editor and producer of the public radio program Afropop Worldwide.  He has traveled and done music research in over 20 African countries, as well as in the Caribbean, South America and Europe. His latest initiative is the launch of Lion Songs Records, an independent label dedicated to uplifting overlooked, mostly acoustic music from the African universe. He is the author of several books, and the co-author of AFROPOP! An Illustrated Guide to Contemporary African Music. Eyre is a contributor to National Public Radio's All Things Considered, and his writing has been published in Billboard, Guitar Player, Salon, the Boston Phoenix, College Music Journal, Option, The Beat, Folk Roots, Global Rhythm, and other publications. He also has a background in technology, and worked for 10 years as a software technical writer. Eyre is also on the Advisory Committee of Musicians for Musicians.  Baba Don Eaton Babatunde. He is a percussionist and master of African Drumming and the rhythms of the African Diaspora in the Americas. Baba Don has performed and recorded with Abidun Oyewole and The Last Poets, Pattie Labelle, Joe Henderson, Donald Brown, Jason Linder, Tyrone Jefferson, Tevin Thomas, James Spaulding, Ron Carter, George Clinton, Pharaoh Sanders, the Metropolitan Orchestra, Bill Laswell, and Philycia Rashadto name a few. His work with dance companies and choreographers includes The Dance Theatre of Harlem, Alvin Ailey Dance Theatre, Maurice Hines, Gregory Hines, Andy Williams, Chuck Davis Dance theatre, Frank Hatchet, Geoffrey Holder, Louis Johnson, and Pyramid Dance Company.Episode 40 featured free jazz bass master William Parker. He has also performed and recorded with Cecil Taylor, Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He was the leader of the Little Huey Creative Music Orchestra and In Order to Survive, a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. Our guest for episode 41 was Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music.Jeff Slatnick was our 42nd guest. Jeff has been an employee and later the owner of Music Inn for over 54 years. Music Inn is one of the oldest music stores in New York City (second in longevity only to Sam Ash). It is a landmark music store in the West Village of NYC specializing in imported world and western instruments, rare and exotic music items, and records. Music Inn has been described as “a museum, rich with music history from around the world.” Music Inn is also the headquarters of Limulus, a company that designs and manufactures unique solid body string instruments. Hubert Howe graced the annals of our podcast as our 43rd guest. Hubert was one of the first researchers in computer music, and became Professor of Music and Director of the Electronic Music studios at Queens College in New York, where he was also Director of the Aaron Copland School of Music from 1989 to 1998, 2001 to 2002, and Autumn 2007. He taught at the Juilliard School from 1974 through 1994. In 1988-89 he held the Endowed Chair in Music at the University of Alabama. He has been a member of the Society of Composers, Inc. , President of the US section of the League of Composers / International Society of Contemporary Music, a member of the International Computer Music Association, and directed the International Computer Music Conference at Queens College, a member of Society for Electro-Acoustic Music, a member of BMI, and the American Composers Alliance since 1974 and served as their President from 2002 to 2011. He is a member of the New York Composer's Circle and has served as Executive Director since 2013. In 2009, he founded the New York City Electroacoustic Music Festival, and he continues as Director.Our final guest for for 2022 was April Centrone. April Centrone is a multi-instrumentalist (specialising in the riqq, darbuka, frame drum, trap drum, and oud), co-founder of the New York Arabic Orchestra, teacher, composer, film producer and director, and music therapist. She is a Carnegie Hall World Explorer musician and educator, business owner and founder of 10PRL, arts/film/event space on the Jersey Shore. Shehas performed in venues such as the United Nations, NYC Opera House, Carnegie Hall and Lincoln Center, and has toured throughout Europe, the Americas, Middle East and Far East.Music on this episode:"Aurora" by Adam Reifsteck / Sonic Fear"Building a Desert Blizzard" by Ken Butler"Bagheshri Unbound" by Neel Murgai"Today is a New Day" by Voyagers"25 Years" by Abiodun Oyewole, featurning Baba Don Eaton"Give Me Back My Drum" by William Parker"Warm Arms to Hold You" by Dawoud the Renegade Sufi (a.k.a. Dawoud Kringle)"Inharmonic Fantasy No. 7" by Hubert Howe"New Moon" by April Centrone"Welcome New Iran" by SoSaLa (a.k.a. Sohrab Saadat Ladjevardi)(All music used by permission)

This week: Peul music from Mali; Taarab from Malika & Party & Agassi Mzee w.Egyptian Musical Club; Milford Graves; Longino; Poly Panou; This Lopes; Jimmy Sabater; Impacto Area; Maria Alice; Nara Leão; Ahmed; Ahmed Abdul Malik; Marika Ninou; Rita Abatzi; Dalinda; Fatia Bent L'houcine; Bnat el Ghiwane; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/16068975/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

"Music is Defined as Anything that is Beautiful, and What Makes Something Beautiful is Music"Our guest for this episode of MFM Speaks Out is free jazz bass master William Parker. Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instruments were the trumpet, trombone and cello. Parker had no formal training as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis and Wilbur Ware.In the 1980s, he first came to public attention playing with Cecil Taylor. He has also performed and recorded with Peter Brotzmann, Derek Bailey, John Zorn, Hamid Drake, Anthony Braxton, Milford Graves, Oliver Lake, Daniel Carter, Billy Bang, Andrew Cyrille, Matthew Shipp, Roy Campbell, Warren Smith, Joe McPhee, Roscoe Mitchell, Jemeel Moondoc, Joe Morris, Steve Swell, David S. Ware, Leena Conquest, and many others. He also led several groups, such as the Little Huey Creative Music Orchestra and In Order to Survive.His discography is extensive, with dozens of albums as a leader and co-leader, and with the aforementioned artists. They received very favorable reviews from publications such as Downbeat, The Village Voice, The Wall Street Journal, Parker is a prominent musician in the New York City experimental jazz scene, where he leads a number of groups and is associated with the Vision Festival, organized by his wife, dancer / choreographer Patricia Nicholson. He is also a member of the Other Dimensions in Music cooperative, and co-founder of the musician's non-profit organization Arts For Art. He has performed at many prestigious venues and music festivals around the world. In addition to double bass, Parker also plays trumpet, tuba, bamboo flutes, shakuhachi, flute, double reeds, Kora, gembri, and donso ngoni.In 2006, Parker was awarded the Resounding Vision Award from Nameless Sound. In March 2007, his book of political thoughts, poems, and musicological essays, Who Owns Music?, was published by Buddy's Knife Jazzedition in Cologne, Germany.  In June 2011, Parker's second book, Conversations, a collection of interviews with notable free jazz musicians and forward thinkers, mainly from the African-American community, was published by RogueArt. Parker is frequently noted for his community dedication, mentorship, and status as "unofficial mayor of the New York improvisational scene." The Village Voice named him "the most consistently brilliant free jazz bassist of all time" and Downbeat has called him "one of the most adventurous and prolific bandleaders in jazz."Topics discussed:His beginnings as a musician and what led him to free jazz, his work with Cecil Taylor, Roy Campbell, Hamid Drake, Jimmy Garrison, and many others, his work and long association with Arts for Art (AFA), the Vision Festival, the Other Dimensions in Music Cooperative, AFA's kinship with other musician's organizations, his thoughts on hip hop, social media, and modern music technology, racism in America, the spiritual essence of music (especially free / improvised music), the future of free jazz, and his experience, thoughts, and advice about the political and economic climate of the the music business.Music on this episode:"Give Me Back My Drum""It's A Great Day to Be Dead""Canyons of Light"All Music by William Parker

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

Número de Junio de Libertad Jazzera que abrimos con los veteranos Peter Brötzmann y Michael Zerang con Live in Beirut, publicado en 2005. De los también veteranos Daniel Carter, Matthew Shipp, William Parker y Gerald Cleaver escuchamos el Volumen 2 de su estupenda serie Welcome Adventure, publicado este 2022 para 577 Records. También de la mano de otro veterano, Ivo Perelman y su Quartet, tuvimos su nuevo trabajo, el estupendo Magic Dust, publicado este 2022. De otro veterano de la escena vanguardista, en este caso de la japonesa, Keiji Haino, escuchamos su nuevo álbum publicado este 2022, My Lord Music. Más novedades de este 2022, esta vez con Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders y su Educated Guess, Vol. 2. Hacia el final del programa nos acercamos al nuevo trabajo del pianista italiano Louis Siciliano, aquí junto a su Mumex Trio en el brillante Folds Of Time. Y cerraremos de vuelta con Peter Brötzmann, en esta ocasión al lado de otros dos grandes, Milford Graves y William Parker, en Historic Music Past Tense Future, publicado este 2022.

A lo largo del año 2021 el trompetista Wadada Leo Smith ha publicado en el sello finlandés TUM Records cuatro grabaciones que se expanden hasta once CD. En HDO 541 escuchamos estas grabaciones: Trumpet (Wadada Leo Smith; 3CD); Sacred Ceremonies (Wadada Leo Smith, Milford Graves, Bill Laswell; 3CD); The Chicago Symphonies (Wadada Leo Smith, Henry Threadgill, Jonathon Haffner, John Lindberg, Jack DeJohnette; 4CD); A Love Sonnet For Billie Holiday (Wadada Leo Smith, Jack DeJohnette, Vijay Iyer; 1CD). Tomajazz:  © Pachi Tapiz, 2022 HDO 541 te gustará… si te gusta el jazz... si te gustan Wadada Leo Smith o sus acompañantes (Milford Graves, Jack DeJohnette, Vijay Iyer, Bill Laswell, Henry Threadgill...) En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos… https://www.tomajazz.com/web/?p=58924 https://www.tomajazz.com/web/?p=58954 Más información sobre Wadada Leo Smith Página oficial de Wadada Leo Smith: https://wadadaleosmith.com/ Wadada Leo Smith en Tomajazz: https://www.tomajazz.com/web/?s=wadada+leo+smith&submit=Search https://www.tomajazz.com/web/?p=60639 Más sobre HDO HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com Todas las entregas de HDO. Hablando de oídas están disponibles en https://www.tomajazz.com/web/?cat=13298 HDO y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Alan Licht is a writer, musician, and curator based in NYC. He is known for his solo guitar work and long-time collaboration with guitarist Loren Connors and rock bands Run On and Love Child and the experimental group Text of Light. He is also the author of several books, including his new book Common Tones: Selected interviews with artists and musicians from 1995-2020. In this in-depth and wide-ranging conversation, we talk about his interview with Lou Reed, the new Velvet Underground documentary by Todd Haynes, Alan's work at the seminal NYC venue Tonic, his collaboration with Loren Connors, and his interviews with Christian Marclay, Michael Snow, Milford Graves, and the late writer/musician Greg Tate., who passed away the day after our conversation.

It's been a tough year for New York. This episode we check in with Geng, the man behind one of our favorite labels, Purple Tape Pedigree, and see how these fine “purveyors of weaponized media and information” are handling the pandemic and the uprisings. With live performance no longer an option, the model of mutual support demonstrated by a crew like PTP is all the more important. Geng tells us about the history of PTP, the benefits of peer-support, community activism, and why it's more important now than ever to understand hip hop as spiritual music. Interview recorded between Montreal and Queens, May 2020 and January 2021 Produced and mixed in Montreal, February 2021 Read more at: http://acloserlisten.com/2021/02/19/sp-episode-17-before-the-internet-with-geng-ptp-podcast TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Milford Graves with Sunny Morgan ‎– – “Nothing 19” (Percussion Ensemble, ESP Disk, 1965) INTRO Raekwon/RZA – “Ice Cream (instrumental)” (Only Built 4 Cuban Linx…, Loud, 1995) Amani + King Vision Ultra – “An Unknown Infinite” (An Unknown Infinite, PTP, 2020) King Vision Ultra – “excerpts from B Side” (Pain of Mind, PTP, 2018) Amani + King Vision Ultra – “Guillotine” (An Unknown Infinite, PTP, 2020) Milford Graves, Marshall Allen, Henry Grimes – “(live excerpt)” (Angel Orensanz Center / Arts for Art – 4 Dec 2012) Geng – “Iron Man (Chopped _ Slowed by Geng)” (Screwing Yourself To Live: A Chopped & Slowed Tribute To Black Sabbath, PTP, 2012) YATTA – “Bliss” (WAHALA, PTP, 2019) Dis Fig – “Excerpt” (An Atypical Brain Damage, PTP, 2018) Moor Mother – “This Week (Feat. Geng)” (The Motionless Present, Fear Anger Love, 2017) King Vision Ultra – “Excerpt” (QUATTRO (death circus), PTP, 2020) Amani + King Vision Ultra – “Scrapes (Feat. ELUCID)” (An Unknown Infinite, PTP, 2020) Monie Love – “Monie in the Middle” (Live at the Apollo, 1990) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Queen Latifah – “Ladies First (Feat. Monie Love)” (All Hail the Queen, Tommy Boy, 1989) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Cannibal Ox – “Stress Rap (instrumental blend)” (The Cold Vein, DefJux, 2001) DREAMCRUSHER – Excerpt from B-side (Panopticon!, PTP, 2020) Kepla & DeForrest Brown Jr – “Reflex and Bone Structure.” (Absent Personae, PTP, 2017) Mobb Deep – “[The Grave Prelude]/Cradle To The Grave (instrumental)” (The Infamous, Loud, 1995) billy woods – “Dirge (Feat. Vordul Mega)” (Camouflage, Backwoodz, 2003) Ennio Morricone – “Paura E Aggressione (Short Version)” (Crime And Dissonance, Ipecac, 2005) Bad Brains – “I Luv I Jah” (I Luv I Jah, Alternative Tentacles, 1982) Moor Mother & billy woods – “Giraffe Hunts” (BRASS, Backwoodz, 2020) Madvillain – “America's Most Blunted (instrumental blend)” (Madvillainy, Stones Throw, 2004) Public Enemy – “Leave This Off Your Fuckin' Charts (instrumental)” (Fear of a Black Planet, Def Jam, 1990) Negativland – “A Nice Place To Live” (Points, Seeland, 1981) Brand Nubian – “Step to the Rear” (One For All, Elektra, 1990) RZA – “Banister Fight” (Kill Bill Vol. 1 OST, Maverick, 2003) Giuseppi Logan Quartet – Bleecker Partita (The Giuseppi Logan Quartet, ESP Disk, 1965) ---- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support

Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

durée : 00:54:04 - Wadada Leo Smith - par : Alex Dutilh - Pour célébrer les 80 ans du trompettiste culte originaire de Chicago, Tum Records (dis. Orkhêstra) publie simultanément deux coffrets de 3 CD chacun. L'un, “Trumpet” en trompette solo, l'autre, “Sacred Ceremonies”, en compagnie alternée de Bill Laswell et Milford Graves. Un monument d'intégrité. - réalisé par : Fabien Fleurat

Noah talks to IIiya Fridman who gives us a tour of his gallery's current solo exhibition by the late artist and musician Milford Graves. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

durée : 00:54:04 - Wadada Leo Smith - par : Alex Dutilh - Pour célébrer les 80 ans du trompettiste culte originaire de Chicago, Tum Records (dis. Orkhêstra) publie simultanément deux coffrets de 3 CD chacun. L'un, “Trumpet” en trompette solo, l'autre, “Sacred Ceremonies”, en compagnie alternée de Bill Laswell et Milford Graves. Un monument d'intégrité. - réalisé par : Fabien Fleurat

Welcome back. Our guest this week on the show is Wadada Leo Smith, trumpeter, music theorist, and composer. Over his many years, he’s pioneered his own musical notation system, helped popularize and contextualize Miles Davis’s electric period, and has played with a wide set of collaborators including Bill Frisell, Pauline Oliveros, John Zorn, Vijay Iyer, Anthony Braxton, and many more. In December, he’s turning 80, and TUM Records is celebrating with a year-long slate of releases. Up first, on May 21st, Sacred Ceremonies, a three volume set, featuring Wadada in a duo setting with Milford Graves, a duo setting with Bill Laswell, and a trio with the both of them. He joined us to discuss his long career, Miles Davis, sacred wanderings, Civil Rights, and much more.    We hope you enjoy this one. If you enjoy Transmissions, please rate, review, subscribe, and spread the word. If you want to take your support a step further, Aquarium Drunkard is on Patreon.    It’s an honor to have a legend of creative music with us—so let’s get into it. You’re listening to Aquarium Drunkard Transmissions. Here’s my conversation with Wadada Leo Smith. 

Remember record stores? Remember the thrill of turning your friends on to new music by swapping vinyl and CDs? Yeah, we do too. That’s why we’re rebooting that tradition for the digital age with our “Crate Digging” podcast series, in which we’ll search through crates of our memories to bring you a handful of album recommendations on a given theme. It’s social media in the truest sense of the term: no algorithms, no computer-generated playlist. Just jazz fans sharing records with other jazz fans. Welcome to the party! For this episode of Crate Digging, we talk about 10 new albums released this month (May 2021) that you need to know about! Albums mentioned in this episode: Joe Lovano & Dave Douglas - Other Worlds (Greenleaf); Mandy Barnett, Every Star Above (Melody Place/BMG); Noah Haidu - Slowly: Song for Keith Jarrett (Sunnyside); Ulysses Owens Jr. Big Band - Soul Conversations (Outside In); Sons of Kemet, Black to the Future (Impulse!); James Francies - Purest Form (Blue Note); Ralph Peterson Jr. - Raise Up Off Me (Onyx); Wadada Leo Smith, Milford Graves, Bill Laswell - Sacred Ceremonies (TUM); Anna Webber, Idiom (Pi); Dave Holland, Another Land (Edition). --- Support this podcast: https://anchor.fm/jazziz/support

Ep #101 with Milford Graves - A Celebration (part 2) Milford Graves was a master drummer, herbalist, acupuncturist, martial artist, teacher, scientist and inspirational force of nature. He was my mentor ever since I met him at Bennington College in 1974. I studied drums and rhythm with him and he instilled in me a passion for World Music and native plants. I owe Milford a debt that I can never repay. He touched so many people so deeply and some of his students and friends share their memories of him on this episode. He passed on Feb 12, 2021 and we all miss him dearly. This episode is Part 2. Part 1 is episode #99. Please share with your friends and people who knew and loved Milford Graves. A Worldsoul Records production derrikjordan.com Facebook: https://www.facebook.com/109866072979176/videos/503604894316529 YouTube: https://youtu.be/nK4_NzN0bDk Podcast: https://soundcloud.com/hilljoy/ep-101-with-milford-graves-a-celebration-part-2

Ep #99 with Milford Graves - A Celebration (part 1) Milford Graves was a master drummer, an herbalist, acupuncturist, martial artist, teacher, scientist and scholar. I was extremely fortunate to meet him at Bennington College in 1974 and soon began to earnestly study drums and rhythm with him. His wide ranging approach to life and learning completely transformed my life. He was truly my mentor. He was also greatly loved and respected by so many people. Milford passed on Feb 12, 2021 and he and I had been planning to do an episode on The World Fusion Show but unfortunately time ran out. Please enjoy this Part 1 of our 2 part Celebration of the life of Milford Graves which contains memories, stories and reflections from many of his friends and students. Feel free to share this episode with anyone who you think would appreciate this tribute. A Worldsoul Records production derrikjordan.com Facebook: https://www.facebook.com/109866072979176/videos/167731951808464 YouTube: https://youtu.be/TL4zY4I44ds Podcast:

Welcome to My Teeth Need Attention. I'm Joe Tunis. This podcast is essentially an extension of my radio show Numbers on WAYOLP Rochester NY 104.3fm and wayofm.org. This platform gives me a little more flexibility on things I'd like to cover, as well as encouraging people to check out music covered, directly supporting artists and labels, and also talk about Carbon, the label I've been running since 1994. In this podcast, I'm going to be featuring new and old music, underground and weirdo, as well as theme-based episodes, label features, and interviews. A Patreon might be coming down the road, as well as a printed zine and more. Here is the playlist: The Dead C - Power (from Clyma Est Mort)The Kiwi Animal - Crusader (from Music Media - Digital Regress reissue)The Fall - Slates, Slags, Etc (from bonus 7" from Live at St. Helens Technical College 1981 on Castle Face)Astute Palate - Dip in the Tussle / No Queen (from s/t cassette on Eternal Soundcheck)Stefan Christensen - Cole / Braille (from IDDB 7")Stefan Christensen - Discreet Hero (from Circular Ruins cassette on Hangover Central Station ‎)No Friends Band - Inifinity Trigger (To All My Friends LP on Baggage Claim)Downer Canada - (on Roundbale / force behind Free Form Freakout)Bardo Pond - Everyman (from On The Ellipse)Sunflare - Black Magic Men (from ON 2LP on FeedingTube and Cardinal Fuzz)Naujawanan Baidar - Aftab Zadagi / Signal Disintegration (from Feeding Tube and Cardinal Fuzz 2LP reissue of cassettes Vol1 and Vol2)Milford Graves and Don Pullen - P.G. I (from The Complete Yale Concert 1966 CD on Corbett vs. Dempsey) Don't forget to subscribe to the podcast, rate and review it, share it, etc. You can also follow us at @myteethneedattention on Instagram and at www.myteethneedattention.com

a cura di Alessandro Achilli. Musiche: Billie Holiday, Doris Day, Mary Halvorson, Susan Alcorn, Sara Serpa, Kurtzman-Malinverni, Ayler, Paul Bley, Nucleus, Milford Graves, Mike Cooper, Scot Ray, Omar Khorshid, McAuley, Revis, Abbasi, Zanotti

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview

a cura di Alessandro Achilli. Musiche: Billie Holiday, Doris Day, Mary Halvorson, Susan Alcorn, Sara Serpa, Kurtzman-Malinverni, Ayler, Paul Bley, Nucleus, Milford Graves, Mike Cooper, Scot Ray, Omar Khorshid, McAuley, Revis, Abbasi, Zanotti

Here for you is a bonus episode.  Since we are remembering Milford Graves, this is an interview that Andy Rotman and I did with him in 1987 on the topic of Albert Ayler.  Thank you for the music, Milford!

Here for you is a bonus episode.  Since we are remembering Milford Graves, this is an interview that Andy Rotman and I did with him in 1987 on the topic of Albert Ayler.  Thank you for the music, Milford!

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff.  Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff. Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Milford Graves-- percussionist, acupuncturist, herbalist, martial artist, programmer, professor and pioneer of improvised music-- left this world on February 12, 2021. Join me in this celebration of his music and his life in a Deep Focus from July of 2019 with the brilliant Pheeroan Aklaff. Splendor! As a special bonus, if I get just one request, I will also post the interview that Andy Rotman and I did with Milford in July of 1987(!). #WKCR #MitchGoldman #DeepFocus #PheeroanakLaff #MilfordGraves #Jazz #JazzRadio #JazzInterview Photo credit: Milford Graves by Andy Newcombe Farnborough, UK, CC BY-SA 2.0 creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons

Sending my best to all who have suffered illness for themselves or death in their families during this pandemic. Special on Chick Corea and Milford Graves who died this February. Thank you for the music, my life was changed because of you.Playlist: Miles Davis/ Chick Corea - Miles Runs The Voodoo DownChick Corea - Return To ForeverChick Corea/ Gary Burton - Children's Song No 6Chick Corea - Solo Continuum 86Giuseppi Logan/ Milford Graves - Table SuiteSonny Sharrock/Milford Graves - Black WomanMilford Graves/ David Murray - Ultimate High PriestMilford Graves - Grand UnificationMilford Graves and Bill Laswell - The StoneAmanda Tosoff - Sonnet 49Dan Fortin - WeltLaplace - DualityFrançois Houle - Recorder

100-ojoje „Kito laiko“ laidoje Domantas Razauskas prisimena unikalų menininką, būgnininką inovatorių, vizualiųjų ir kovos menų atstovą, su muzika susijusių medicininių atradimų autorių Milfordą Gravesą, kuris pasaulį paliko prieš kelias dienas, nors medikai 2018 metais jam buvo prognozavę vos kelis mėnesius gyvenimo. Antroje laidos dalyje – akademinio ir džiazo pasaulių muzikinės leidybinės naujienos, tarp kurių Archie Sheppo, Brighto Shengo leidiniai, o taip pat albumas, įrašytas Holokausto aukų smuikais.Ved. Domantas Razauskas

Jason Moran, Archie Shepp, Joe Chambers, Franck Amsallem, Chick Corea, Milford Graves, Bobby Wiens, Jacob Wutzke, Amanda Tosoff, Dan McCarthy, Patricia Brennan, Susie IbarraPlaylist: Jason Moran - Hum then Sing then SpeakArchie Shepp, Jason Moran - IsfahanJoe Chambers - Samba de MaracatuFranck Amsallem, featuring Irving Acao, Viktor Nyberg & Gautier Garrigue - From Two to FiveChick Corea - Someone to Watch Over MeMilford Graves Percussion Ensemble - Nothing 11-10Bobby Wiens - A La GeorgieJacob Wutzke, featuring Alex Francoeur & Levi Dover - LimpinAmanda Tosoff, featuring Robin Dann - Sonnet 49Dan McCarthy, featuring Thomas Morgan & Rudy Royston - Cloud HoppingPatricia Brennan - Magic SquareSusie Ibarra, featuring Alex Peh - PaniniwalaCameron Graves - FairytalesLisa Hilton, featuring Luques Curtis & Rudy Royston - More Than Another DayJamael Dean - Black Sheep

It’s been a tough year for New York. This episode we check in with Geng, the man behind one of our favorite labels, Purple Tape Pedigree, and see how these fine “purveyors of weaponized media and information” are handling the pandemic and the uprisings. With live performance no longer an option, the model of mutual support demonstrated by a crew like PTP is all the more important. Geng tells us about the history of PTP, the benefits of peer-support, community activism, and why it’s more important now than ever to understand hip hop as spiritual music. Interview recorded between Montreal and Queens, May 2020 and January 2021 Produced and mixed in Montreal, February 2021 Read more at: http://acloserlisten.com/2021/02/19/sp-episode-17-before-the-internet-with-geng-ptp-podcast TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Milford Graves with Sunny Morgan ‎– – “Nothing 19” (Percussion Ensemble, ESP Disk, 1965) INTRO Raekwon/RZA – “Ice Cream (instrumental)” (Only Built 4 Cuban Linx…, Loud, 1995) Amani + King Vision Ultra – “An Unknown Infinite” (An Unknown Infinite, PTP, 2020) King Vision Ultra – “excerpts from B Side” (Pain of Mind, PTP, 2018) Amani + King Vision Ultra – “Guillotine” (An Unknown Infinite, PTP, 2020) Milford Graves, Marshall Allen, Henry Grimes – “(live excerpt)” (Angel Orensanz Center / Arts for Art – 4 Dec 2012) Geng – “Iron Man (Chopped _ Slowed by Geng)” (Screwing Yourself To Live: A Chopped & Slowed Tribute To Black Sabbath, PTP, 2012) YATTA – “Bliss” (WAHALA, PTP, 2019) Dis Fig – “Excerpt” (An Atypical Brain Damage, PTP, 2018) Moor Mother – “This Week (Feat. Geng)” (The Motionless Present, Fear Anger Love, 2017) King Vision Ultra – “Excerpt” (QUATTRO (death circus), PTP, 2020) Amani + King Vision Ultra – “Scrapes (Feat. ELUCID)” (An Unknown Infinite, PTP, 2020) Monie Love – “Monie in the Middle” (Live at the Apollo, 1990) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Queen Latifah – “Ladies First (Feat. Monie Love)” (All Hail the Queen, Tommy Boy, 1989) Amani + King Vision Ultra – “Monie Said So (Prod. Nick Hakim)(Feat. Monie Love)” (An Unknown Infinite, PTP, 2020) Cannibal Ox – “Stress Rap (instrumental blend)” (The Cold Vein, DefJux, 2001) DREAMCRUSHER – Excerpt from B-side (Panopticon!, PTP, 2020) Kepla & DeForrest Brown Jr – “Reflex and Bone Structure.” (Absent Personae, PTP, 2017) Mobb Deep – “[The Grave Prelude]/Cradle To The Grave (instrumental)” (The Infamous, Loud, 1995) billy woods – “Dirge (Feat. Vordul Mega)” (Camouflage, Backwoodz, 2003) Ennio Morricone – “Paura E Aggressione (Short Version)” (Crime And Dissonance, Ipecac, 2005) Bad Brains – “I Luv I Jah” (I Luv I Jah, Alternative Tentacles, 1982) Moor Mother & billy woods – “Giraffe Hunts” (BRASS, Backwoodz, 2020) Madvillain – “America’s Most Blunted (instrumental blend)” (Madvillainy, Stones Throw, 2004) Public Enemy – “Leave This Off Your Fuckin' Charts (instrumental)” (Fear of a Black Planet, Def Jam, 1990) Negativland – “A Nice Place To Live” (Points, Seeland, 1981) Brand Nubian – “Step to the Rear” (One For All, Elektra, 1990) RZA – “Banister Fight” (Kill Bill Vol. 1 OST, Maverick, 2003) Giuseppi Logan Quartet – Bleecker Partita (The Giuseppi Logan Quartet, ESP Disk, 1965) ---- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Tone Bone Kone by Arthur Russell on World of Echo (Audika) 2′24″ Now He Sings, Now He Sobs by Chick Corea on Now He Sings, Now He Sobs (Solid State Records) 9′22″ In A Silent Way/ It's About That Time by Miles Davis on In A Silent Way (Columbia) 30′34″ Speaking to the Spoken by Milford Graves on Stories (Tzadik) 37′41″ Stated With Peace by David Murray and Milford Graves on Real Deal (DIW Records) 44′55″ Memory by Milford Graves on Grand Unification (Tzadik) 53′06″ P.G. IV by Milford Graves and Don Pullen on Nommo (SRP) Check out the full archives on the website.

Frances Chan pays tribute to Phil Asher, Chick Corea and Milford Graves along with a raft of recent releases, and previews jazz at the Auckland Arts Festival.

Ep #95 with Lisa Sokolov, singer, composer and teacher. Lisa Sokolov is a free jazz singer living in NYC, a composer and long-time voice teacher at NYU. She has a unique singing style and brings her wild and expressive sound to her performances in the US and Europe. She talks about her journey of healing herself as a young person and using that experience to develop her Embodied Voice work, about which she has written a recently published book. We are very dear friends and met at Bennington College back in the ‘70s where we were both deeply influenced by some of the same teachers including Milford Graves. A Worldsoul Records production derrikjordan.com Facebook: https://www.facebook.com/109866072979176/videos/437788514039250 YouTube: https://youtu.be/abj0VSgrYz0 Podcast:

"An Alternative (music business) infrastructure is one of the things that helps us keep this sustainable."In this episode of MFM Speaks Out, Dawoud Kringle interviews Oakland, California based guitarist Karl Evangelista is among the new wave of  21st century experimental / improvisational musicians. His work blends contemporary improvised music with popular song, 20th century composition, psychedelic rock, free jazz, and multicultural concepts. The topics discussed include his beginnings and inspiration as a professional improvisational / experimental musician, his work with Oliver Lake, Fred Frith, Eddie Gale, Trevor Watts, Hafiz Modizradeh, Muhal Richard Abrams, Roscoe Mitchell and many others, his involvement in music education (including lecturing at UC Berkeley and directed guitar ensembles at the East Bay Center for the Performing Arts and San Francisco Waldorf High School, and as a licensed instructor in the Kinderguitar method), his prolific recording output, his GREX project with Rei Scampavia, his iconoclastic interpretation of John Coltrane's A Love Supreme, his approach to the music business, the production of four "Lockdown Festivals" during the coronavirus pandemic, music activism, and his involvement with MFM.Visit Karl Evangelista at grexsounds.comThe following music featured in this episode areOpening track: "Apura!" by Karl Evangelista w/Alexander Hawkins, Louis Moholo-Moholo, and Trevor WattsMiddle track: "The Other Mouses: by GrexEnding track: "Acknowledgement: A Love Supreme" by Grex

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

The lineage: you are required to know everything that has come before you but you are also required, when in the act of creation, to let that all go and simply be present in the moment. That is the way Milford Graves does it (and has done it since he played drums with our avatar Albert Ayler in the Sixties) and that is the way drummer William Hooker does it. Rare live recordings, first-hand insights and you.#WilliamHooker #MilfordGraves #WKCR #DeepFocus #Deep_Focus_Podcast #MitchGoldman #Jazz #JazzRadio #LiveJazz #JazzInterview #JazzPodcast

Milford Graves, Anthony Braxton, and William Parker today with 'Beyond Quantum'.  Which has me asking the question:  When is thinking like a scientist annoying?  like, if pseudoscience confirms, and science disconfirms, are people justified in calling the scientist a buzzkill, a marry-mary-quite-contrary? Originally broadcast and recorded 1/3/2018

Drummer and composer Marcus Gilmore looks to the creative openness of his drum elders – like his grandfather, Roy Haynes, tabla master Zakir Hussain, or renaissance man and drummer Milford Graves - and underscores the drum set as melodic instrument – exploiting all of the potential of the components – bending notes, playing with the natural vibrations, or augmenting his set up with Sunhouse Sensory Percussion. (With thanks to Modern Drummer Magazine’s June 2019 issue.) He joins us in-studio to amaze and delight with his percussive sorcery. – Caryn Havlik Watch the session here:      

Phil Freeman talks to drummer Whit Dickey.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Drummer Whit Dickey is a well-known figure on the New York free jazz scene; he came to prominence as a member of the Matthew Shipp Trio and the David S. Ware Quartet in the 1990s, but has made multiple albums as a leader and collaborated with a lot of other musicians, including Joe Morris, Ivo Perelman, and Mat Maneri. His latest releases are a double CD, Tao Quartets, on AUM Fidelity — each CD features a different band — and a duo CD with cornet player Kirk Knuffke, Drone Dream, on NoBusiness. In this interview, we talk about the evolution of his style, the musicians he studied with — including Bill Dixon, Milford Graves, and Andrew Cyrille — and his various bands and projects. We also talk about aspects of his personal life that some listeners and fans may not know about. It's one of the longest episodes I've done, but it's really interesting, and I hope you'll enjoy listening to it. This episode is sponsored by nugs.net - visit nugs.net/burningambulance to get 35% off a year's subscription. Music heard in this episode: Whit Dickey, "Suite for DSW" (Tao Quartets) Whit Dickey/Kirk Knuffke, "Soaring" (Drone Dream) Whit Dickey, "Ethereality" (Tao Quartets)

From the first few blasts of the horn and guitar strums, Dos Santos' album "Logos" will intrigue and possess you with its lovely dark edges–a reverie of reverb bolstered by an ethereal tempo. Their brand of Latin post-rock and psychedelic jazzy textures can both haunt and rock you.    Milford Graves may very well be the ultimate Renaissance Man. As a percussionist, professor, scientist, jazz musician, botanist, and martial artist, there's more than a passing resemblance to the cult sci-fi character Buckaroo Banzai. But in all seriousness, Graves is truly one of the greats. His life, his dynamic, and his artistic accomplishments are all certainly the stuff of movies. Lucky for us, former student of the artist, Jake Meginsky, has put together a brilliant documentary to tell his story. Titled Milford Graves Full Mantis, this film is full on Milford Graves. Meginsky joins in to talk about the film and the man behind the talent.

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Writer John Corbett is from Chicago, and has been spreading the word about obscure and underground music for decades. He's a writer, a critic, a record collector, a presenter of live music, and a producer of both reissues and new albums in the areas of free and avant-garde jazz, free improvisation, noise, modern composition, and things that are simply impossible to pigeonhole or classify in any meaningful way. He's got a new book out, Pick Up the Pieces: Excursions in Seventies Music, which is absolutely worth a read, but I wanted to talk to him about a lot of his other work, including the legendary Unheard Music Series of CDs which he curated for the Atavistic label in the early 2000s, and his current project, Corbett vs. Dempsey, which is an art gallery/publishing house/record label that's putting out incredible music, new and old, right now. In this interview, we talk about a lot of different subjects, including everything I mentioned above, as well as his thoughts on Seventies jazz, punk rock vs. postpunk vs. hardcore, and much, much more. It’s a very interesting conversation, and one of our longer episodes. I hope you’ll enjoy it. Music heard in this episode: Joe McPhee, "Nation Time" (Nation Time) Milford Graves, "Ba" (Bäbi)

Phil Freeman talks to writer/producer John Corbett.

This week's episode of Out There is a little bit of a continuation of the last Wednesday Night Prayer Meeting, focusing on drummer Tony Williams.  Williams started drumming professionally at age 13, and by 19 was a member of Miles Davis' quintet.  His flowing, angular style was something of an avant garde middle ground between conventional bebop drumming and the all-out free style of drummers like Sunny Murray and Milford Graves.  Features music from his solo albums, his albums with Miles Davis, Grachan Moncur III, and Andrew Hill.  If you have any questions or comments, call the WNPM/Out There voicemail box at (424) 704-1666 or email wnpmpod@gmail.com

This week's episode of Out There is about the wonderful free jazz drummer Milford Graves, who started out in the New York free jazz scene in the 1960's.  

Ep #38 with your host Derrik Jordan - World Fusion songs. I began writing songs when I was 15 in 1970 and for the next 30 years spent most of my time learning the art and craft of songwriting. My main influences were The Beatles, Jimi Hendrix, James Taylor and Stevie Wonder. At Bennington College I met my mentor, master drummer Milford Graves, who exposed me to World Music and I began to incorporate World Music elements into my songs. This episode features 8 of my songs in a wide variety of styles from Afro-pop to Reggae and more. A Worldsoul Records production derrikjordan.com You can check out all the previous episodes on Facebook: https://www.facebook.com/The-World-Fusion-Show-109866072979176/ Or on our YouTube channel: https://www.youtube.com/channel/UCl_qGDBJ-IVM28kF68RwM5Q/videos

This week we visit the shady glen where language and music make out with each other, in a field surrounded by phonemes, intonation, and the throw-away vocables of human expression. What's important here isn't what we say, but how we say it. We talk with artists working at the boundary between language and music: the composer Kate Soper, the poet Jeremy Sigler, and the drummer Milford Graves.

又有哪些电影要上映了？微信公众号：Marcast微博：@Marcast邮件：hello@marcastmedia.com

Hear Q&A's from two highlights of this year's Art of the Real series, which continues through May 6th. Co-presented with MUBI, the series offers a survey of the most vital and innovative voices in nonfiction and hybrid filmmaking. In the first half, Neil Young, Jake Meginsky, and Milford Graves discuss MILFORD GRAVES FULL MANTIS. After that, you'll hear Julien Faraut discuss JOHN MCENROE: IN THE REALM OF PERFECTION, which was this year's Opening Night selection. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here.

A discussion of the music of Milford Graves. A short discussion of course..

Episode 4 of the Burning Ambulance podcast features the final interview with trombonist Roswell Rudd before his death in December 2017. Rudd was one of the pioneering figures of the jazz avant-garde; though he started out in a Dixieland band, by 1960, he was working with Archie Shepp, Cecil Taylor, and Steve Lacy. He was a member of the ensemble that recorded the legendary ESP-Disk’ album New York Eye & Ear Control, alongside Albert Ayler, Don Cherry, John Tchicai, Gary Peacock and Sunny Murray; along with Tchicai, drummer Milford Graves, and several different bassists, he formed the New York Art Quartet, whose debut album, also on ESP-Disk’, is a landmark of the free jazz era. He and Lacy collaborated for years, interpreting Thelonious Monk's music without a pianist; he was also on multiple Shepp albums in the ’60s, and appeared on the Jazz Composers Orchestra album Communications. In the 2000s, Rudd explored music beyond jazz, recording albums with Mongolian musicians and with Puerto Rican guitarist and cuatro player Yomo Toro. His latest releases include Strength and Power, a collaboration with keyboardist Jamie Saft , bassist Trevor Dunn , and drummer Balazs Pandi, and Embrace, with singer Fay Victor, pianist Lafayette Harris, and bassist Ken Filiano. Rudd was diagnosed with cancer in 2013, and battled the disease until his death in December 2017, but maintained as busy a recording and performing schedule as he could until the end. It’s easy to tell, in this conversation, that he was in poor health; he spoke softly and slowly. But I think it’s still a very interesting interview, and I hope you’ll enjoy it.

Natural History is host Derrik Jordan's spontaneous World Fusion trio with Jared Shapiro and Barry Hyman. We've been playing and singing together since 1973 when we met at Bennington College and were inspired by our mentor Milford Graves. Our music is created in the moment with no preconceived material. Pure and free improvisation. Enjoy! A Worldsoul Records production Check out the video version on FaceBook: https://www.facebook.com/The-World-Fusion-Show-109866072979176/ Or on YouTube: https://youtu.be/q2MTTluXrlE To support The World Fusion Show and to help make more shows possible go to http://www.derrikjordan.com/ and click on the support page.

Sam Amidon has been playing music as a career for most of his life. He takes us from his days of performing with his parents to a trio called Popcorn Behavior to his recent solo work, reimagining folk music. His latest, a collaboration with Shahzad Ismaily, Milford Graves, and Sam Gendel is “The Following Mountain,” on the Nonesuch label.

Artists discuss how they both add to and draw from from Earth’s vibrations. A conceptual artist presents a chapel he has built for bees, and a free jazz improviser talks about making music with natural biological rhythms. Photo: Terence Koh, by Ross Simonini. Artists featured in this episode: Terence Koh, Milford Graves, Nat Evans.

Joe talks to Milford Graves about exploring uncharted musical territory as an avant-garde pioneer; building a second career in medicine; supporting a family; and cultivating a multi-disciplinary artistic approach.