Podcast appearances and mentions of bobby jameson

Ep177, How To Have Gods Life Living In You, Part 75 Title: How to Have God's Life Living in You, Part 75: Zion's Testimony, Church Hypocrisy, and Abiding in Christ Six-Paragraph Summary A Program Framed Around Testimony and Correction This episode begins with Pastor Tony Alamo introducing part 75 of How to Have God's Life Living in You, identified as program 177. He explains that the program will include listener letters and a testimony from his son, Zion, which some church members reportedly criticized. Alamo presents the testimony as honest and spiritually important, while arguing that churches often contain hypocrites and insincere believers. His opening remarks establish the episode's central focus: distinguishing what he views as genuine Christian faith from outward religious pretense. Zion's Childhood and Crisis of Belief A large portion of the episode centers on Zion's testimony, which is read aloud and then interpreted by Alamo. Zion describes growing up around church people whom he perceived as insincere, saying this led him to doubt God and look down on others. Alamo repeatedly explains Zion's doubts by saying that he himself was imprisoned during part of Zion's childhood and that other church members failed to properly teach him the Bible, ministry literature, and Christian discipline. The testimony is presented as a turning point in which Zion begins to question his earlier disbelief. Los Angeles as a Turning Point Zion's testimony describes a major change after he went to the Los Angeles church and encountered newer believers praying openly and intensely. He says that seeing people who appeared sincere convicted him and led him to begin reading the Bible in the morning and before sleep. Alamo emphasizes this part of the testimony as proof that Zion encountered genuine Christian zeal there, unlike what he says Zion had seen earlier. The episode portrays this experience as the beginning of Zion's decision to make a firm spiritual stand. Criticism of Church Members and Failed Instruction Alamo uses Zion's testimony to criticize specific church members and broader patterns he sees in the church, including hypocrisy, gossip, negligence, lack of Bible teaching, and failure to discipline children. He states that many children in the church were not properly taught the Bible, did not hear his messages, and were not trained in the way he believes they should have gone. These claims are presented as Alamo's interpretation of the church's internal problems, and his tone is forceful and accusatory. He also discusses people being removed from the church when, according to him, the Lord directed it. Letters from Listeners Seeking Literature and Guidance The program also includes letters from listeners in Omaha, Nebraska, and Brickeys, Arkansas. The Omaha letter praises Alamo's Mass Suicide article and requests many copies for distribution. Alamo uses the letter to emphasize evangelism, saying that a true believer desires to spread the message after being saved. The Arkansas letter comes from an imprisoned former Missionary Baptist preacher who says he is seeking truth, asks for Christian materials, and requests an autographed ministry letterhead. Alamo agrees to send the requested material. Abiding in Christ and Closing Prayer Near the end, the episode returns to the series theme of abiding in Christ. The reader states that believers begin to abide in Christ in a practical way through fellowship, enjoyment, and experience of Jesus. Alamo says that if the Lord is truly abiding in someone, God will teach others through that person rather than leave them consumed by worldly distractions. He closes with a salvation prayer, inviting listeners to ask Jesus into their hearts, receive forgiveness, and thank the Lord for saving their souls. The program ends with ordering information for tape or CD copies and a preview of the next installment. Transcription Quirks and Corrections That Matter “Tony Alonzo” was corrected to Tony Alamo. “Part on messages” was corrected to part in the messages. “Ponies” was corrected to phonies. “One year's zone” was corrected to one or two years old, with the later transcript reference supporting two years old. “Brian Broadbrake” is uncertain but was retained as the likely name from the transcript. “Debbie Andresak” was corrected to Debbie Andrassac, though the spelling remains somewhat uncertain. “Sally Jamillin / Denlin / Demelan” appears to refer to Sally Jamellin, but the exact spelling is unclear. “Chieni Orlando” appears likely to be a person's name, but the transcript is unclear. “Bobby Chameison” was corrected to Bobby Jameson, based on the likely intended name in context. “Oh, Mohan Nebraska” was corrected to Omaha, Nebraska. “Brickies, Arkansas” was corrected to Brickeys, Arkansas. “Morleton, Arkansas” was corrected to Morrilton, Arkansas. “Friday will get you nowhere” was corrected to flattery will get you nowhere. “Texas, Texas” was corrected to Texarkana, Texas. Keywords Tony Alamo, How to Have God's Life Living in You, Zion testimony, abiding in Christ, church hypocrisy, Christian testimony, salvation prayer, Bible teaching, Omaha Nebraska letter, Brickeys Arkansas letter, Christian radio program, spiritual consecration

Why can’t we be friends? Why can’t we be friends? Why can’t we be friends? Wretched Radio | Air Date: December 26, 2023 https://media-wretched.org/Radio/Podcast/WR2023-1226.mp3 Segment 1 How do we disagree biblically, not socially? How to be a biblical man. Segment 2 Bobby Jameson “How to master the art of disagreement in the Church” Segment 3 […] The post CAN WE HUG IT OUT THEOLOGICALLY? appeared first on Wretched.

Veteran hypnagogic pioneer Ariel Pink stirs up ghosts of our cultural past while recording in isolation to create the lo-fi masterpiece Dedicated to Bobby Jameson - a sonic celebration of individuality that actually benefits from lack of focus.

How are we supposed to disagree biblically, not socially? Wretched Radio | Air Date: April 25, 2023 https://media-wretched.org/Radio/Podcast/WR2023-0425.mp3 Segment 1 Wanna get a black belt in disagreement? How do we disagree biblically, not socially? Dr. Greg Gifford on biblical manhood from most recent Transformed Podcast. Segment 2 Bobby Jameson “How to master the art of […] The post A DISAGREEMENT BLACK BELT appeared first on Wretched.

In an episode first aired August 10, 2020: DJ Andrew Sandoval brings you a scintillating mix of sixties singles by: The Nichols; Teenagers; J.J. Cale; Our Future Feelings; The Seeds; The Griffin; Six Mile Chase; Sandy; Summers Children; Bobby Jameson; The Applejacks; The Lancastrians; The Roulettes; The Goodthings; The Shillings; The Sidekicks; The Purple Gang; The Waphphle and The Third Booth. In our album spotlight The Appletree Theatre's March 1968 conceptual long player, Playback, in MONO! Plus more of John Boylan & Terry Boylan's great productions & songwriting for Rick Nelson, Gary Lewis, The Epic Splendor, Bear, The Association & the Dillards.

L Ron Hubbard (Amanda Ambrose) - The Worried Being (1986) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard/Yvonne Giliham Jentzch - The Golden Dawn (1972) The Church of Scientology - We Stand Tall (1990) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) The Golden Era Musicians (Edgar Winter on vocals) - Drum Drummer Drum (1998) The Golden Era Musicians (Billy Sheehan on bass) - A Clever Man (1998) Soundtrack from “Battlefield Earth” - Windsplitter (1982) The Apollo Stars - We’re Movin’ In (1974) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) Edgar Winter - Just A Kid (1986) L Ron Hubbard (Michael Roberts, Pam Roberts, Margie Nelson) - Laugh A Little (1986) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard (John Travolta, Leif Garrett, Frank Stallone, Lee Purcell) - The Road To Freedom (1986) L Ron Hubbard (John Travolta, Karen Black, Jeff Pomerantz, Frank Stallone, Lee Purcell, Gloria Rusch) - The ARC Song (1986)   Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard - L’envoi, Thank You For Listening (1986)   American Iron & Steel Institute (?) Armageddon Experience - People In Motion (1970) Armageddon was one of the music ministries from Campus Crusade For Christ during the late 1960s into the 1970s. Sometimes incorrectly referred to as "The Armageddon Experience" because of the title of their album, the album was produced by a new, young arrival to Hollywood, Michael Omartian, who wrote many of the songs for the group. He went on to produce records for Christopher Cross, Michael Bolton, Whitney Houston, Rod Stewart, Donna Summer and many more. As I type this, I can just hear the cheesy synths.  Avon - Music To Order Inches By (?) Balsara & His Singing Sitars - Strawberry Fields Forever (1969) Bobby Jameson - Please Little Girl Take This Lollipop (1963)  Bobby Jameson - Gotta Find My Roogalator (1966) Arranged by Frank Zappa.  Bobby Jameson - Know Yourself (1967) Songs of Protest and Anti-Protest Jameson was approached by Mira Records... They had recorded an album, Songs of Protest and Anti-Protest, with another singer-songwriter, Chris Ducey, for release on their mid-price subsidiary Surrey label. The album sleeves had already been printed, with Ducey's name and the track titles, but with a photo showing Brian Jones. However, in the meantime Ducey had entered into another contract with a different company, which meant that Mira were unable to release Ducey's record. The label asked Jameson — who at the time was "broke, homeless, and sleeping on people's couches" — to write and record new songs to match Ducey's song titles, and arranged to have the record sleeves overprinted so that the name "Ducey" would appear as "Lucey". Within two weeks, Jameson wrote the songs, and recorded them with producer Marshall Leib (previously a member of The Teddy Bears with his friend Phil Spector). The record was released without fanfare, with Jameson credited as songwriter, but without any agreement over his legal rights to the recordings. It was later issued on the Joy label in the UK under Jameson's own name, and the title Too Many Mornings. Although Songs of Protest and Anti-Protest was not promoted commercially, and was ignored when first released in late 1965, over the years it acquired a strong reputation. According to Dean McFarlane at Allmusic: This sought after psychedelic pop gem... [is] often compared to Love's Forever Changes, in that it is an intricate exploration of sophisticated arrangements and bleak and twisted lyricism... [It] may have been a little too courageous for its time, tackling blues, exotic - almost lounge arrangements and pure pop psychedelia. Its beauty is in its absolute fracture and collage of a million and one ideas. Richie Unterberger wrote: There aren't many albums of the time that bear an unmistakable Love similarity, but Songs of Protest and Anti-Protest is one of them. Both the vocals and songwriting bear strong recollections of early Arthur Lee, with the melodic but wistful folk-rock chord changes, occasional Latin jazz tempos, occasional gruff folk-blues downbeat atmosphere, probing yet vague lyrics, and oddball production. Part of its appeal to record collectors was its obscurity and that little was known about its creator. Jameson himself commented: "[The album] was a throw away album when it was created. Like it or not, that is a fact. It has, in recent years, taken on a life of its own and for that I am grateful, but it needs to be viewed in real context, to see how it has risen on its own merit to a position it never held when it was created." Bobby Jameson and Jesse Ed Davis - Junkie Jesus (1971) Scritti Politti - Skank Bloc Bologna (1978) Scritti Politti - P.A.s (1979) Scritti Politti - The Sweetest Girl (1982) Scritti Politti - Wood Beez (1985)   Ray Conniff - Theme From “Midnight Cowboy” (1970)

On this weeks show Brian go's in on the mysterious life of musician, Bobby Jameson. From being a musical genius, to getting people rich, to being insane. Bobby has done it all. Become a BIWO member by subscribing! To become a patreon member go to www.patreon.com/tbproduction

La Mélodie du Bonheur, c'est un podcast hebdomadaire consacré à la musique. Chaque semaine, un album passe dans notre viseur, dans un cycle trois actus, un hors-actu. L'album de la semaine : Cette semaine, Cater, Flavien, Loik et Wazoo vous parlent de Dedicated to Bobby Jameson, album d'Ariel Pink sorti le 15 septembre 2017 et de Screen Memories, album de John Maus sorti le 27 octobre 2017. Les recommandations : • Cater : Phantom Brickworks, album de Bibio• Flavien : Getting Over It with Bennett Fody, jeu vidéo développé par Bennett Fody• Loik : Songs of Protest and Anti-Protest, album de Bobby Jameson sous le nom Chris Lucey• Wazoo : la saison 3 de Twin Peaks, série créée par Mark Frost et David Lynch. La critique de toitouvrant sur The Doldrums. Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : John Maus - Hey Moon / Ariel Pink's Haunted Graffiti -Bright Lit Blue Skies ; Ariel Pink - Another Weekend ; John Maus - Teenage Witch• Quizz : Ariel Pink's Haunted Graffiti - Round and Round / John Maus - And the Rain... ; Ariel Pink's Haunted Graffiti - The Doldrums / John Maus - Rights for Gays ; Ariel Pink's Haunted Graffiti - The Ballad of Bobby / John Maus - Time to Die ; Ariel Pink's Haunted Graffiti - Can't Hear My Eyes / John Maus - The Combine ; Ariel Pink's Hautned Graffiti - Is This the Best Spot ? / John Maus - Cop Killer ; Ariel Pink - Time to Live / John Maus - Maniac ; Ariel Pink - Tiume to Meet Your God / John Maus - Do Your Best ; Ariel Pink - Witchhunt for World War III / John Maus - Keep Pushing On ; Ariel Pink - Dedicated to Bobby Jameson / John Maus - Pets ; Ariel Pink - Put Your Number in My Phone / John Maus - Streetlight ; Ariel Pink's Hautned Graffiti - Jesus Christ Came to Me in a Dream / John Maus - Touchdown ; Ariel Pink's Hautned Graffiti - Butt House Blondies / John Maus - Pur Rockets• Morceau de fin : Brendan Byrnes - Siolas• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

This week, against my will, we’re making fun of Actually Good Song “Ironic” by Alanis Morrisette. My guest Shaina Turian and I share memories about growing up with Jagged Little Pill, and Cohost Emma scoffs from the sidelines.  We generally try to avoid the tired, “this isn't ironic” observation and focus on what’s truly worth talking about: the disproportionate degrees of misfortune in the lyrics and their occasional similarities to a Mentos commercial, how it’s actually pretty good and cool that Alanis didn't care about the definition of “irony” when writing this song, and whether the characters in the music video are figments of her imagination or degenerative clones. Also: How Futurama struck back against this song, the “massive amount of scatting” going on in 90’s fem rock, and smoking weed out of Bugles Music We Like: Jagged Little Pill, Ariel Pink's "Dedicated to Bobby Jameson," and Cass McCombs' "Mangy Love"

Der Avantgarde-Musiker Ariel Pink gilt als Godfather des Chillwave und wichtige Figur der LoFi-Szene. Jetzt hat er ein Konzeptalbum aufgenommen und es einem anderen Outsider-Typen gewidmet: dem chronisch erfolglosen Songwriter Bobby Jameson. >> Artikel zum Nachlesen: https://detektor.fm/musik/album-der-woche-ariel-pink-dedicated-to-bobby-jameson

This edition features a healthy dose of psychedelic pop and folk before veering into more experimental directions. There are obscure gems from Bobby Jameson, Red Television, as well as new music from Hope Sandoval and the Warm Inventions, and some avant-garde pieces from Anthony Braxton, Raymond Scott and more. Thanks for listening. Artist/Song/Release/Year 01. Ron Geesin … Continue reading →