Podcast appearances and mentions of bobby jameson

Why can’t we be friends? Why can’t we be friends? Why can’t we be friends? Wretched Radio | Air Date: December 26, 2023 https://media-wretched.org/Radio/Podcast/WR2023-1226.mp3 Segment 1 How do we disagree biblically, not socially? How to be a biblical man. Segment 2 Bobby Jameson “How to master the art of disagreement in the Church” Segment 3 […] The post CAN WE HUG IT OUT THEOLOGICALLY? appeared first on Wretched.

Veteran hypnagogic pioneer Ariel Pink stirs up ghosts of our cultural past while recording in isolation to create the lo-fi masterpiece Dedicated to Bobby Jameson - a sonic celebration of individuality that actually benefits from lack of focus.

How are we supposed to disagree biblically, not socially? Wretched Radio | Air Date: April 25, 2023 https://media-wretched.org/Radio/Podcast/WR2023-0425.mp3 Segment 1 Wanna get a black belt in disagreement? How do we disagree biblically, not socially? Dr. Greg Gifford on biblical manhood from most recent Transformed Podcast. Segment 2 Bobby Jameson “How to master the art of […] The post A DISAGREEMENT BLACK BELT appeared first on Wretched.

In an episode first aired August 10, 2020: DJ Andrew Sandoval brings you a scintillating mix of sixties singles by: The Nichols; Teenagers; J.J. Cale; Our Future Feelings; The Seeds; The Griffin; Six Mile Chase; Sandy; Summers Children; Bobby Jameson; The Applejacks; The Lancastrians; The Roulettes; The Goodthings; The Shillings; The Sidekicks; The Purple Gang; The Waphphle and The Third Booth. In our album spotlight The Appletree Theatre's March 1968 conceptual long player, Playback, in MONO! Plus more of John Boylan & Terry Boylan's great productions & songwriting for Rick Nelson, Gary Lewis, The Epic Splendor, Bear, The Association & the Dillards.

L Ron Hubbard (Amanda Ambrose) - The Worried Being (1986) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard/Yvonne Giliham Jentzch - The Golden Dawn (1972) The Church of Scientology - We Stand Tall (1990) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) The Golden Era Musicians (Edgar Winter on vocals) - Drum Drummer Drum (1998) The Golden Era Musicians (Billy Sheehan on bass) - A Clever Man (1998) Soundtrack from “Battlefield Earth” - Windsplitter (1982) The Apollo Stars - We’re Movin’ In (1974) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) Edgar Winter - Just A Kid (1986) L Ron Hubbard (Michael Roberts, Pam Roberts, Margie Nelson) - Laugh A Little (1986) Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard (John Travolta, Leif Garrett, Frank Stallone, Lee Purcell) - The Road To Freedom (1986) L Ron Hubbard (John Travolta, Karen Black, Jeff Pomerantz, Frank Stallone, Lee Purcell, Gloria Rusch) - The ARC Song (1986)   Excerpt from “Scientology” Talk by L Ron Hubbard (1967) L Ron Hubbard - L’envoi, Thank You For Listening (1986)   American Iron & Steel Institute (?) Armageddon Experience - People In Motion (1970) Armageddon was one of the music ministries from Campus Crusade For Christ during the late 1960s into the 1970s. Sometimes incorrectly referred to as "The Armageddon Experience" because of the title of their album, the album was produced by a new, young arrival to Hollywood, Michael Omartian, who wrote many of the songs for the group. He went on to produce records for Christopher Cross, Michael Bolton, Whitney Houston, Rod Stewart, Donna Summer and many more. As I type this, I can just hear the cheesy synths.  Avon - Music To Order Inches By (?) Balsara & His Singing Sitars - Strawberry Fields Forever (1969) Bobby Jameson - Please Little Girl Take This Lollipop (1963)  Bobby Jameson - Gotta Find My Roogalator (1966) Arranged by Frank Zappa.  Bobby Jameson - Know Yourself (1967) Songs of Protest and Anti-Protest Jameson was approached by Mira Records... They had recorded an album, Songs of Protest and Anti-Protest, with another singer-songwriter, Chris Ducey, for release on their mid-price subsidiary Surrey label. The album sleeves had already been printed, with Ducey's name and the track titles, but with a photo showing Brian Jones. However, in the meantime Ducey had entered into another contract with a different company, which meant that Mira were unable to release Ducey's record. The label asked Jameson — who at the time was "broke, homeless, and sleeping on people's couches" — to write and record new songs to match Ducey's song titles, and arranged to have the record sleeves overprinted so that the name "Ducey" would appear as "Lucey". Within two weeks, Jameson wrote the songs, and recorded them with producer Marshall Leib (previously a member of The Teddy Bears with his friend Phil Spector). The record was released without fanfare, with Jameson credited as songwriter, but without any agreement over his legal rights to the recordings. It was later issued on the Joy label in the UK under Jameson's own name, and the title Too Many Mornings. Although Songs of Protest and Anti-Protest was not promoted commercially, and was ignored when first released in late 1965, over the years it acquired a strong reputation. According to Dean McFarlane at Allmusic: This sought after psychedelic pop gem... [is] often compared to Love's Forever Changes, in that it is an intricate exploration of sophisticated arrangements and bleak and twisted lyricism... [It] may have been a little too courageous for its time, tackling blues, exotic - almost lounge arrangements and pure pop psychedelia. Its beauty is in its absolute fracture and collage of a million and one ideas. Richie Unterberger wrote: There aren't many albums of the time that bear an unmistakable Love similarity, but Songs of Protest and Anti-Protest is one of them. Both the vocals and songwriting bear strong recollections of early Arthur Lee, with the melodic but wistful folk-rock chord changes, occasional Latin jazz tempos, occasional gruff folk-blues downbeat atmosphere, probing yet vague lyrics, and oddball production. Part of its appeal to record collectors was its obscurity and that little was known about its creator. Jameson himself commented: "[The album] was a throw away album when it was created. Like it or not, that is a fact. It has, in recent years, taken on a life of its own and for that I am grateful, but it needs to be viewed in real context, to see how it has risen on its own merit to a position it never held when it was created." Bobby Jameson and Jesse Ed Davis - Junkie Jesus (1971) Scritti Politti - Skank Bloc Bologna (1978) Scritti Politti - P.A.s (1979) Scritti Politti - The Sweetest Girl (1982) Scritti Politti - Wood Beez (1985)   Ray Conniff - Theme From “Midnight Cowboy” (1970)

On this weeks show Brian go's in on the mysterious life of musician, Bobby Jameson. From being a musical genius, to getting people rich, to being insane. Bobby has done it all. Become a BIWO member by subscribing! To become a patreon member go to www.patreon.com/tbproduction

La Mélodie du Bonheur, c'est un podcast hebdomadaire consacré à la musique. Chaque semaine, un album passe dans notre viseur, dans un cycle trois actus, un hors-actu. L'album de la semaine : Cette semaine, Cater, Flavien, Loik et Wazoo vous parlent de Dedicated to Bobby Jameson, album d'Ariel Pink sorti le 15 septembre 2017 et de Screen Memories, album de John Maus sorti le 27 octobre 2017. Les recommandations : • Cater : Phantom Brickworks, album de Bibio• Flavien : Getting Over It with Bennett Fody, jeu vidéo développé par Bennett Fody• Loik : Songs of Protest and Anti-Protest, album de Bobby Jameson sous le nom Chris Lucey• Wazoo : la saison 3 de Twin Peaks, série créée par Mark Frost et David Lynch. La critique de toitouvrant sur The Doldrums. Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : John Maus - Hey Moon / Ariel Pink's Haunted Graffiti -Bright Lit Blue Skies ; Ariel Pink - Another Weekend ; John Maus - Teenage Witch• Quizz : Ariel Pink's Haunted Graffiti - Round and Round / John Maus - And the Rain... ; Ariel Pink's Haunted Graffiti - The Doldrums / John Maus - Rights for Gays ; Ariel Pink's Haunted Graffiti - The Ballad of Bobby / John Maus - Time to Die ; Ariel Pink's Haunted Graffiti - Can't Hear My Eyes / John Maus - The Combine ; Ariel Pink's Hautned Graffiti - Is This the Best Spot ? / John Maus - Cop Killer ; Ariel Pink - Time to Live / John Maus - Maniac ; Ariel Pink - Tiume to Meet Your God / John Maus - Do Your Best ; Ariel Pink - Witchhunt for World War III / John Maus - Keep Pushing On ; Ariel Pink - Dedicated to Bobby Jameson / John Maus - Pets ; Ariel Pink - Put Your Number in My Phone / John Maus - Streetlight ; Ariel Pink's Hautned Graffiti - Jesus Christ Came to Me in a Dream / John Maus - Touchdown ; Ariel Pink's Hautned Graffiti - Butt House Blondies / John Maus - Pur Rockets• Morceau de fin : Brendan Byrnes - Siolas• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

This week, against my will, we’re making fun of Actually Good Song “Ironic” by Alanis Morrisette. My guest Shaina Turian and I share memories about growing up with Jagged Little Pill, and Cohost Emma scoffs from the sidelines.  We generally try to avoid the tired, “this isn't ironic” observation and focus on what’s truly worth talking about: the disproportionate degrees of misfortune in the lyrics and their occasional similarities to a Mentos commercial, how it’s actually pretty good and cool that Alanis didn't care about the definition of “irony” when writing this song, and whether the characters in the music video are figments of her imagination or degenerative clones. Also: How Futurama struck back against this song, the “massive amount of scatting” going on in 90’s fem rock, and smoking weed out of Bugles Music We Like: Jagged Little Pill, Ariel Pink's "Dedicated to Bobby Jameson," and Cass McCombs' "Mangy Love"

Der Avantgarde-Musiker Ariel Pink gilt als Godfather des Chillwave und wichtige Figur der LoFi-Szene. Jetzt hat er ein Konzeptalbum aufgenommen und es einem anderen Outsider-Typen gewidmet: dem chronisch erfolglosen Songwriter Bobby Jameson. >> Artikel zum Nachlesen: https://detektor.fm/musik/album-der-woche-ariel-pink-dedicated-to-bobby-jameson

This edition features a healthy dose of psychedelic pop and folk before veering into more experimental directions. There are obscure gems from Bobby Jameson, Red Television, as well as new music from Hope Sandoval and the Warm Inventions, and some avant-garde pieces from Anthony Braxton, Raymond Scott and more. Thanks for listening. Artist/Song/Release/Year 01. Ron Geesin … Continue reading →