Podcasts about Surrey

Surrey, BC has already recorded 51 extortions this year. 11 of them ended with shots fired. That might sound surprising until you realise last year there were 133 cases, and 49 related shootings. So what's actually driving this? And how is it possible that after more than a year of this, no level of government (municipal, provincial, federal) and no police force has managed to get it under control? Host Noor speaks with former MP Jinny Sims, who was targeted in these campaigns, and Wade Deisman, a criminologist at the University of the Fraser Valley.Host: Noor AzriehCredits: Aviva Lessard (Senior Producer), Sam Konnert (Host/Producer), Noor Azrieh (Host/Producer), Caleb Thompson (Audio Editor and Technical Producer), Max Collins (Director of Audio) Jesse Brown (Editor), Tony Wang (Artwork)Guests: Jinny Sims, Wade DeismanBackground reading:B.C. politicians call on federal government to get tough on extortion crisis – CBC NewsProtest held against extortion wave in Surrey as 3 foreign nationals charged – CBC NewsShots fired at Surrey radio station believed to be extortion-related – Global NewsExtortion is disrupting B.C. lives and businesses. And there's no end in sight – Vancouver SunExtortion Theatre: Sikh Politicians, Party Scripts, & The Refusal To Name India – Baaz NewsSponsors: Visit fizz.ca to learn more about Fizz mobile and its long list of added-value features and activate a first plan using the referral code CAN25 to get 25$ off and 10GB of free data.Douglas is giving our listeners a FREE Sleep Bundle with each mattress purchase. Get the sheets, pillows, mattress and pillow protectors FREE with your Douglas purchase today at douglas.ca/canadalandEveryone is still finding their way. Find yours and feel lighter. Sign up and get 10% off at Better Help.We have a monthly supporter-exclusive show, Off The Record, where our very own Sam Konnert gets to talk to YOU, fine listeners. We asked you to call in and share interesting stories happening from across the country, and you all delivered, so make sure to tune in to that this Thursday.If you want to hear that (or if you want to catch up on all the great episodes of Off The Record you may have missed!) become a supporter at canadaland.com/join.If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody. Can't get enough Canadaland? Follow @Canadaland_Podcasts on Instagram for clips, announcements, explainers and more. Hosted on Acast. See acast.com/privacy for more information.

Real Talker Brent's still "on the fence" with Alberta separation, Joe from Airdrie has a plan to force Donald Trump's hand on the Gordie Howe bridge, Chevy on Spotify calls out Johnny's pacifism, G Money has a warning about Surrey, BC, and Les wants Alberta separatists to grow up. It's The Flamethrower presented by the DQs of Northwest Edmonton and Sherwood Park! FIRE UP YOUR FLAMETHROWER: talk@ryanjespersen.com WHEN YOU VISIT THE DQs IN PALISADES, NAMAO, NEWCASTLE, WESTMOUNT, or BASELINE ROAD, BE SURE TO TELL 'EM REAL TALK SENT YOU! FOLLOW US ON TIKTOK, X, INSTAGRAM, and LINKEDIN: @realtalkrj & @ryanjespersen JOIN US ON FACEBOOK: @ryanjespersen REAL TALK MERCH: https://ryanjespersen.com/merch RECEIVE EXCLUSIVE PERKS - BECOME A REAL TALK PATRON: patreon.com/ryanjespersen THANK YOU FOR SUPPORTING OUR SPONSORS! https://ryanjespersen.com/sponsors The views and opinions expressed in this show are those of the host and guests and do not necessarily reflect the position of Relay Communications Group Inc. or any affiliates.

In celebration of the 20th anniversary of the debut Bat for Lashes album, Fur and Gold, we take a detailed look at how it was made. Natasha Khan had grown up in Hertfordshire, England and studied art at the University of Brighton. After graduating, she taught as a schoolteacher while writing songs and performing as Bat for Lashes. Her manager, Dick O'Dell, got her a publishing deal and connected her with producer David Kosten to work on some demos. The first Bat for Lashes single, “The Wizard” was released on her own label in early 2006. After signing with Echo, Natasha and David began working on a full-length album together at Jacobs studio in the Surrey countryside. They brought in other musicians, including Abi Fry and Caroline Weeks, who had been playing as a group with Natasha at this time. Fur and Gold was eventually released in 2006. In this episode, Natasha Khan and David Kosten have an in-depth conversation where they revisit their initial collaboration that continued long after this record. David shares how he was first asked to co-write with Natasha until he realized she had no interest in co-writing and already had a fully formed vision for this album. Natasha describes wanting to create the world of the album and use unconventional recording techniques, such as recording in a forest and under blankets, to try to achieve the sound she had imagined. Even though Natasha had a fondness for lo-fi MIDI sounds, she worked with David to craft a unique hybrid of well-recorded acoustic instruments with lower quality digital components. The result was the Mercury Prize-nominated Fur and Gold, which launched Natasha's music into the world. From a cinematic approach of method acting and practical effects, to a shared love of girl groups, to David finding a CD-R meant for another producer, to a memorable tour with Devendra Banhart, to taking inspiration from contemporaries Cat Power, Joanna Newsom and Gwen Stefani, to being averse to anything trip-hop, to having high standards and holding the vision, we'll hear the stories around how the album came together.

We love how Senator Charles Adler tees up this episode - as a "kitchen table conversation" about the things that really matter. If you're looking for real, empathetic insights into the Tumbler Ridge tragedy (5:10), you'll find them from the Emmy Award-winning broadcast legend in our feature interview presented by Mercedes-Benz Edmonton West.  THIS EPISODE IS PRESENTED BY RapidEX FINANCIAL. THE CRYPTO WORLD MOVES FAST, BUT YOUR TRUST IN AN EXCHANGE SHOULDN'T BE A GAMBLE. RapidEX IS SECURE, FINTRAC-REGISTERED, AND NON-CUSTODIAL. SAVE 50% ON FEES ON ONLINE INTERAC E-TRANSFER TRADES WITH PROMO CODE RYAN50 AT https://rapidexfinancial.com/. MBEW: https://www.mercedes-benz-edmontonwest.ca/ WIN BIG. CHANGE LIVES. BUY YOUR FULL HOUSE LOTTERY TICKETS TODAY: https://bit.ly/4sWLHOz 1:20:15 | Adler gives us his take on Donald Trump's threat to block the opening of the Gordie Howe Bridge and Bad Bunny's Super Bowl halftime show.  1:48:00 | Johnny's got a fantastic Instagram/TikTok vid from @gringocorridos featuring Bad Bunny's lyrics delivered in English. Enjoy! 1:55:00 | The Prince of Puns tapped Jespo on the shoulder at Edmonton Opera's Dianne Kipnes Valentine's Gala! Jespo presents an impromptu love letter to Gene Principe. 2:00:30 | Brent's back with more of why he's "on the fence" with Alberta separation, Joe from Airdrie has a plan to force Donald Trump's hand on the Gordie Howe bridge, Chevy on Spotify calls out Johnny's pacifism, G Money has a warning about Surrey, BC, and Les wants Alberta separatists to grow up. It's The Flamethrower presented by the DQs of Northwest Edmonton and Sherwood Park!  FIRE UP YOUR FLAMETHROWER: talk@ryanjespersen.com  WHEN YOU VISIT THE DQs IN PALISADES, NAMAO, NEWCASTLE, WESTMOUNT, or BASELINE ROAD, BE SURE TO TELL 'EM REAL TALK SENT YOU!  FOLLOW US ON TIKTOK, X, INSTAGRAM, and LINKEDIN: @realtalkrj & @ryanjespersen  JOIN US ON FACEBOOK: @ryanjespersen  REAL TALK MERCH: https://ryanjespersen.com/merch RECEIVE EXCLUSIVE PERKS - BECOME A REAL TALK PATRON: patreon.com/ryanjespersen THANK YOU FOR SUPPORTING OUR SPONSORS! https://ryanjespersen.com/sponsors The views and opinions expressed in this show are those of the host and guests and do not necessarily reflect the position of Relay Communications Group Inc. or any affiliates.

Graham Laycock talks to Lesley Kilner winner the Woking and Sam Beare Hospices's Inspiration for Life painting exhibition at theh Lighbox in Woking raising funds for the hospice on until the 22nd February. More details at www.wsbh.org.uk

Graham Laycock introduces Diana Roberts of Destination Toolkit with the essential guide things to see and do in Surrey and South West London over the coming weeks.

Graham Laycock meets those involved in the launch event for the Inspiration For Life art exhibition at The Lightbox in Woking where local artists donate a painting to raise funds for the Woking and Sam Beare Hospice. The exhibition is on till the 22nd February.

Is shaking up SPS board a real solution to extortion situation in Surrey?

The week's local news for Surrey and South West London with Graham Laycock. More in Surrey Live and in the Times South West London series.

Bav Majithia talks with Tim Marsh Managing Director of Lamplight Media about his business and how best to use social media.

Sıcak bir Haziran gecesi…1992 yılı. İngiltere'nin Surrey bölgesi.18 yaşındaki kuaför çırağı Katie Ratcliffe bir gece kulübünden çıkıp her zamanki gibi evine doğru yürümeye başladı. Ailesiyle yaşıyordu. O gece sadece arkadaşlarıyla eğlenmek istemişti. Ama eve hiç varamadı.Gün doğmadan hemen önce, kısmen çıplak bedeni bir mezarlık yakınında bulundu. 32 kez bıçaklanmıştı. Üstelik bunu yapan bir yetişkin bile değildi. Şeytanın kızı Sharon Louise Carr'ın dosyasını inceliyoruz.

Bav Majithia talks with James Scott from PTL – Professional Traders Limited about the business based in Sunbury-on-Thames.

SJ Strum talks to Jill Judd, better known locally as Swan; the empowering leader of Esher District Brownies for over 20 Years. They chat the impact of volunteering in your local community, her lessons on understanding tweens and teens plus her other dream job as a full time doggy day care provider.

Sıcak bir Haziran gecesi…1992 yılı. İngiltere'nin Surrey bölgesi.18 yaşındaki kuaför çırağı Katie Ratcliffe bir gece kulübünden çıkıp her zamanki gibi evine doğru yürümeye başladı. Ailesiyle yaşıyordu. O gece sadece arkadaşlarıyla eğlenmek istemişti. Ama eve hiç varamadı.Gün doğmadan hemen önce, kısmen çıplak bedeni bir mezarlık yakınında bulundu. 32 kez bıçaklanmıştı. Üstelik bunu yapan bir yetişkin bile değildi. Şeytanın kızı Sharon Louise Carr'ın dosyasını inceliyoruz.

I asked county cricket fans to give me their thoughts on how their teams would fare in 2026 and I got a great response! Here we have Evan Gallagher on Kent, Dan Haggar on Essex, Barrie Funnell & David Wright on Surrey, Oliver Hawke on Leicestershire, David Griffin on Derbyshire, Harry Everett on Somerset and a certain "David from York" on Lancashire and Yorkshire.

Nine people were killed and 27 more were injured in a deadly shooting in Tumbler Ridge, B.C. on Tuesday. We begin the program with an RCMP news conference in Surrey with the latest details.We continue our coverage with the CBC's Nicole Oud, who is on the ground in Tumbler Ridge, to hear how the community is doing the day after the tragedy. Guiding us through the program is death educator Christa Ovenell, and B.C. Teachers' Federation president Carole Gordon joins us to talk about the supports available for teachers and students after a tragedy like this. We also take audience calls who share their messages for those struggling in the aftermath of tragedy.

This week: Premier David Eby joins us to talk about Surrey's growing extortion problem, how far he's willing to go to keep the Vancouver Whitecaps in the city long-term, and whether the DRIPA amendment could turn into a confidence issue (1:10) Keith Baldrey walks us through what to expect from the upcoming Throne Speech and the tone of the spring legislative session (17:05) Zack Spencer explains Ottawa's shift on electric vehicle mandates and what the arrival of Chinese-made EVs means for Canadian consumers and industry (32:34) Former Vancouver Canucks and Vancouver Grizzlies owner Arthur Griffiths shares a candid look at the realities of owning a modern professional sports franchise in Vancouver (46:09) Learn more about your ad choices. Visit megaphone.fm/adchoices

An independent forestry panel released its report to the B.C. government this week, saying massive change is required to fix the industry in this province. We ask our political panel what they make of the recommendations, plus the latest political moves to deal with the ongoing extortion crisis in Surrey and beyond and just how austere they think the B.C. budget will be when it's released on February 17. Former Green Party MLA and Tsartlip First Nation member Adam Olsen, former BC Liberal and BC United staffer Andrew Reeve, and former NDP cabinet minister Elizabeth Cull weigh in on the week's top political stories with CBC host Gregor Craigie.

Episode 161: The Legacy of the Trowel  In the summer of '23, a training session in Surrey, BC, brought together some of the best minds in the industry. It was a collaboration with Columbia Tools, but the real magic happened in the quiet moments between the mudding. This episode introduces you to Wes—a man of few words but incredible depth—and honors the memory of his best friend, Kam. What You'll Learn in This Episode: The Journey of a Finisher: We trace Wes's path through the various jobs and specialized skills that led him to his current mastery of the wall. The Impact of Mentorship: How Kam's friendship didn't just shape Wes's technique, but his entire outlook on the drywall community. Carrying the Torch: A deep dive into how Wes is preserving a legacy through his work, ensuring that the standards set by those who came before us are never lowered. A Personal Look: Beyond the technical, you'll get a glimpse into the host's perspective, making this one of the most intimate episodes of The Drywall Podcast to date. Sponsor Shoutout: This episode is proudly brought to you by CanAm Tool. For tools that work as hard as you do, visit www.canamtool.com.

Episode 161: The Legacy of the Trowel  In the summer of '23, a training session in Surrey, BC, brought together some of the best minds in the industry. It was a collaboration with Columbia Tools, but the real magic happened in the quiet moments between the mudding. This episode introduces you to Wes—a man of few words but incredible depth—and honors the memory of his best friend, Kam. What You'll Learn in This Episode: The Journey of a Finisher: We trace Wes's path through the various jobs and specialized skills that led him to his current mastery of the wall. The Impact of Mentorship: How Kam's friendship didn't just shape Wes's technique, but his entire outlook on the drywall community. Carrying the Torch: A deep dive into how Wes is preserving a legacy through his work, ensuring that the standards set by those who came before us are never lowered. A Personal Look: Beyond the technical, you'll get a glimpse into the host's perspective, making this one of the most intimate episodes of The Drywall Podcast to date. Sponsor Shoutout: This episode is proudly brought to you by CanAm Tool. For tools that work as hard as you do, visit www.canamtool.com.

On this episode of Mind the Gap, Tom Sherrington and Emma Turner are joined by Sam Crome, teacher, leader and author of The Power of Teams, to explore what it really takes to build teams that thrive in schools. Sam reflects on why so much leadership development is still overly individualistic, and shares the practical principles behind strong teams - belonging, alignment, purposeful operations, healthy dynamics, and deliberate development - alongside the habits that make meetings genuinely productive rather than performative. The conversation also draws on Sam's recent move from secondary leadership into an interim primary headship, teasing out what changes (and what doesn't) when a “team” becomes a small, agile staff group who can try, refine, and embed improvements at pace. Along the way they discuss cross-phase transition and why primary pupils' appetite for responsibility and leadership is often underused in Key Stage 3, the “tyranny of the first response” in group discussions, and how simple structures (like paired talk) can surface quieter expertise and build trust for honest, high-challenge conversations.Sam Crome is currently Interim Headteacher at a primary school in Surrey. He also serves as Director of Education, Mission and People for Xavier Catholic Education Trust, providing both strategic vision and planning, alongside day-to-day school support, so that all children and staff can flourish. Sam is convinced that teams are the way to improve our workload, productivity, professional learning, performance, and the joy we can experience at work. His interest in teams led him to write the book The Power of Teams. Find Sam at https://samcrome.com/Tom Sherrington has worked in schools as a teacher and leader for 30 years and is now a consultant specialising in teacher development and curriculum & assessment planning. He regularly contributes to conferences and CPD sessions locally and nationally and is busy working in schools and colleges across the UK and around the world. Follow Tom on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@teacherhead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Emma Turner FCCT is a school improvement advisor, education consultant, trainer and author. She has almost three decades of primary teaching, headship and leadership experience across the sector, working and leading in both MATs and LAs. She works nationally and internationally on school improvement including at single school level and at scale. She has a particular interest in research informed practice in the primary phase, early career development, and CPD design. Follow Emma on X ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emma_turner75⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This podcast is sponsored by Teaching WalkThrus and produced in association with Haringey Education Partnership. Find out more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://walkthrus.co.uk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://haringeyeducationpartnership.co.uk/⁠

Lois Miller talks with The Traitors UK 2025 winner Jake Brown about his time on The Traitors and thoughts on the recent celebrity season, his football career, and cerebral palsy awareness.

Graham Laycock introduces Diana Roberts of Destination Toolkit with the essential guide things to see and do in Surrey and South West London over the coming weeks.

After years of loose fiscal policy across multiple levels of government, Surrey's newest public elementary school reflects more moderate construction costs.   Read the full article here: https://www.coastalfront.ca/read/bc-completes-44m-elementary-school-costs-far-more-reasonable   PODCAST INFO:

Michelle Ford is joined by Dame Kelly Holmes to talk about The Athena Effect that she created to empower women through confidence, leadership and community, helping them reach their full potential.

We can't avoid the files so it gets a little dark but we also get into the esoteric and fringe aspect of the latest batch of files.   We also get into the global coup. Agenda 2030, Democracy inevitable falls, Socrates and Democracy, pushback against Alberta separation, the presidential malfunctioning mask, Rabbi's in Jersey way back - when corruption actually seemed to get addressed, the NGO / BC Gov / Resource problem in Canada. The circle jerk is real. Does Canada want to lock away jab injuries?   Surrey in trouble and the risks of immigration from 1988 in Canada....   To gain access to the second half of show and our Plus feed for audio and podcast please clink the link http://www.grimericaoutlawed.ca/support.   For second half of video (when applicable and audio) go to our Substack and Subscribe. https://grimericaoutlawed.substack.com/ or to our Locals  https://grimericaoutlawed.locals.com/ or Rokfin www.Rokfin.com/Grimerica Patreon https://www.patreon.com/grimericaoutlawed   Support the show directly: https://open.spotify.com/show/2punSyd9Cw76ZtvHxMKenI?si=ImKxfMHgQZ-oshl499O4dQ&nd=1&dlsi=4c25fa9c78674de3 Watch or Listen on Spotify https://grimericacbd.com/ CBD / THC Tinctures and Gummies https://grimerica.ca/support-2/ Our Adultbrain Audiobook Podcast and Website: www.adultbrain.ca Our Audiobook Youtube Channel:  https://www.youtube.com/@adultbrainaudiobookpublishing/videos Check out our next trip/conference/meetup - Contact at the Cabin www.contactatthecabin.com Other affiliated shows: www.grimerica.ca The OG Grimerica Show Join the chat / hangout with a bunch of fellow Grimericans  Https://t.me.grimerica grimerica.ca/chats   Discord Chats Darren's book www.acanadianshame.ca Eh-List Podcast and site: https://eh-list.ca/ Eh-List YouTube: https://www.youtube.com/@TheEh-List www.Rokfin.com/Grimerica Our channel on free speech Rokfin Leave a review on iTunes and/or Stitcher: https://itunes.apple.com/ca/podcast/grimerica-outlawed http://www.stitcher.com/podcast/grimerica-outlawed Sign up for our newsletter http://www.grimerica.ca/news SPAM Graham = and send him your synchronicities, feedback, strange experiences and psychedelic trip reports!! graham@grimerica.com InstaGRAM https://www.instagram.com/the_grimerica_show_podcast/  Purchase swag, with partial proceeds donated to the show www.grimerica.ca/swag Send us a postcard or letter http://www.grimerica.ca/contact/ ART - Napolean Duheme's site http://www.lostbreadcomic.com/  MUSIC Tru Northperception, Felix's Site sirfelix.bandcamp.com    See links to the stuff we chatted about: https://x.com/realalexjones/status/2018841058864497043?s=43 https://x.com/byzgeneral/status/2018365991059677453?s=43 https://x.com/TruthFairy131/status/2018135807115288784/photo/1 https://x.com/tpvsean/status/2018407958091010116?s=43 https://x.com/BGatesIsaPyscho/status/2017912289022685327/photo/1 https://x.com/redpillb0t/status/2015951647768555748?s=43 https://x.com/liz_churchill10/status/2018153242782298147?s=43 https://x.com/Heatherc_77/status/2017876540030378153/photo/4 https://x.com/mrsroykeaneo/status/2018243580062564846?s=43 https://x.com/iluminatibot/status/2018565139944112408?s=43 https://x.com/redpillb0t/status/2018385819753713960?s=43 https://x.com/interstellaruap/status/2018157915773792580?s=43 https://www.westernstandard.news/news/health-canada-seals-vaccine-injury-records-for-15-years/70851 https://peaceandquiet.io/ https://x.com/JimFergusonUK/status/1990395227547316324 https://x.com/brandoincognito/status/2018485979921760479?s=43 https://x.com/drawandstrike/status/2018388947353940431?s=43 https://x.com/conspiracyb0t/status/2015878928548983222?s=43 https://x.com/redpillb0t/status/2018157639033925836 https://x.com/info_maiden/status/2018765651935216016?s=20 https://x.com/AFpost/status/2017706377196802340?s=20 https://x.com/AshtonForbes/status/2017473370724372610?s=20 https://x.com/GubbaHomestead/status/2018753205673636241?s=20 https://x.com/KEriksenV2/status/2018722390029832497?s=20 https://x.com/NickHintonn/status/2018182480554275270?s=20 https://x.com/JasonLavigneAB/status/2017793593977794769?s=20 https://x.com/TheReclamare/status/2017630774162321654?s=20 https://x.com/StephenM/status/2017618266290577851?s=20 https://x.com/cosminDZS/status/2016980514922778851?s=20 https://x.com/MAVERIC68078049/status/2016568235546857656?s=20 https://x.com/MJTruthUltra/status/2016717631655432368?s=20 https://x.com/Tablesalt13/status/2016217393517781327?s=20 https://x.com/hollyanndoan/status/2016114548302840137?s=20 https://x.com/SatireSquadHQ/status/2011142499620835528?s=20 https://x.com/ezralevant/status/2011435466034184479?s=20

The province has appointed a new extortion liaison to help build trust with community members in cities hit by the crime. We talk to Surrey resident and anti-extortion rally organizer Rasinder Kaur about what that the community wants to see.

View From Victoria: Demand for action on extortion in Surrey Guest: Vaughn Palmer, Vancouver Sun Columnist Learn more about your ad choices. Visit megaphone.fm/adchoices

Baz Richards and Kate Hobley chat with Mary Hammond and Bea Bircsak from Community Life Magazine.

Stavely, Alta., mourns three junior hockey players killed en route to practice after a car hit a gravel truck; Premier David Eby promises tougher action as police investigate a surge in extortion shootings, with up to 50 cases in Surrey this year; and a new study finds heart disease or stroke claims a Canadian every seven minutes, pointing to lifestyle gaps and what people can do now to reduce the risk.

Premier David Eby met with business leaders in Surrey today to address the ongoing extortion crisis.The Surrey Police Service says so far in 2026, there have been 46 cases of extortion, — of them, 11 shootings, one arson and 29 victims. Eby compared the extortion crisis to a "slow motion terror attack". B.C. Conservative critic for the Attorney General Steve Kooner joins the show to take questions about what impact the extortion crisis on the community.

How can indie authors raise their game through academic-style rigour? How might AI tools fit into a thoughtful research process without replacing the joy of discovery? Melissa Addey explores the intersection of scholarly discipline, creative writing, and the practical realities of building an author career. In the intro, mystery and thriller tropes [Wish I'd Known Then]; The differences between trad and indie in 2026 [Productive Indie Fiction Writer]; Five phases of an author business [Becca Syme]; Bones of the Deep – J.F. Penn; Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Making the leap from a corporate career to full-time writing with a young family Why Melissa pursued a PhD in creative writing and how it fuelled her author business What indie authors can learn from academic rigour when researching historical fiction The problems with academic publishing—pricing, accessibility, and creative restrictions Organising research notes, avoiding accidental plagiarism, and knowing when to stop researching Using AI tools effectively as part of the research process without losing your unique voice You can find Melissa at MelissaAddey.com. Transcript of the interview with Melissa Addey JOANNA: Melissa Addey is an award-winning historical fiction author with a PhD in creative writing from the University of Surrey. She was the Leverhulme Trust Writer in Residence at the British Library, and now works as campaigns lead for the Alliance of Independent Authors. Welcome back to the show, Melissa. MELISSA: Hello. Thank you for having me. JOANNA: It's great to have you back. You were on almost a decade ago, in December 2016, talking about merchandising for authors. That is really a long time ago. So tell us a bit more about you and how you got into writing and self-publishing. MELISSA: I had a regular job in business and I was writing on the side. I did a couple of writing courses, and then I started trying to get published, and that took seven years of jumping through hoops. There didn't seem to be much progress. At some point, I very nearly had a small publisher, but we clashed over the cover because there was a really quite hideous suggestion that was not going to work. I think by that point I was really tired of jumping through hoops, really trying to play the game traditional publishing-wise. I just went, you know what? I've had enough now. I've done everything that was asked of me and it's still not working. I'll just go my own way. I think at the time that would've been 2015-ish. Suddenly, self-publishing was around more. I could see people and hear people talking about it, and I thought, okay, let's read everything there is to know about this. I had a little baby at the time and I would literally print off stuff during the day to read—probably loads of your stuff—and read it at two o'clock in the morning breastfeeding babies. Then I'd go, okay, I think I understand that bit now, I'll understand the next bit, and so on. So I got into self-publishing and I really, really enjoyed it. I've been doing it ever since. I'm now up to 20 books in the last 10 or 11 years. As you say, I did the creative writing PhD along the way, working with ALLi and doing workshops for others—mixing and matching lots of different things. I really enjoy it. JOANNA: You mentioned you had a job before in business. Are you full-time in all these roles that you're doing now, or do you still have that job? MELISSA: No, I'm full-time now. I only do writing-related things. I left that in 2015, so I took a jump. I was on maternity leave and I started applying for jobs to go back to, and I suddenly felt like, oh, I really don't want to. I want to do the writing. I thought, I've got about one year's worth of savings. I could try and do the jump. I remember saying to my husband, “Do you think it would be possible if I tried to do the jump? Would that be okay?” There was this very long pause while he thought about it. But the longer the pause went on, the more I was thinking, ooh, he didn't say no, that is out of the question, financially we can't do that. I thought, ooh, it's going to work. So I did the jump. JOANNA: That's great. I did something similar and took a massive pay cut and downsized and everything back in the day. Having a supportive partner is so important. The other thing I did—and I wonder if you did too—I said to Jonathan, my husband, if within a year this is not going in a positive direction, then I'll get another job. How long did you think you would leave it before you just gave up? And how did that go? Because that beginning is so difficult, especially with a new baby. MELISSA: I thought, well, I'm at home anyway, so I do have more time than if I was in a full-time job. The baby sleeps sometimes—if you're lucky—so there are little gaps where you could really get into it. I had a year of savings/maternity pay going on, so I thought I've got a year. And the funny thing that happened was within a few months, I went back to my husband and I was like, I don't understand. I said, all these doors are opening—they weren't massive, but they were doors opening. I said, but I've wanted to be a writer for a long time and none of these doors have opened before. He said, “Well, it's because you really committed. It's because you jumped. And when you jump, sometimes the universe is on board and goes, yes, all right then, and opens some doors for you.” It really felt like that. Even little things—like Writing Magazine gave me a little slot to do an online writer-in-residence thing. Just little doors opened that felt like you were getting a nod, like, yes, come on then, try. Then the PhD was part of that. I applied to do that and it came with a studentship, which meant I had three years of funding coming in. That was one of the biggest creative gifts that's ever been given to me—three years of knowing you've got enough money coming in that you can just try and make it work. By the time that finished, the royalties had taken over from the studentship. That was such a gift. JOANNA: A couple of things there. I've got to ask about that funding. You're saying it was a gift, but that money didn't just magically appear. You worked really hard to get that funding, I presume. MELISSA: I did, yes. You do have to do the work for it, just to be clear. My sister had done a PhD in an entirely different subject. She said, “You should do a PhD in creative writing.” I said, “That'd be ridiculous. Nobody is going to fund that. Who's going to fund that?” She said, “Oh, they might. Try.” So I tried, and the deadline was something stupid like two weeks away. I tried and I got shortlisted, but I didn't get it. I thought, ah, but I got shortlisted with only two weeks to try. I'll try again next year then. So then I tried again the next year and that's when I got it. It does take work. You have to put in quite a lot of effort to make your case. But it's a very joyful thing if you get one. JOANNA: So let's go to the bigger question: why do a PhD in creative writing? Let's be clear to everyone—you don't need even a bachelor's degree to be a successful author. Stephen King is a great example of someone who isn't particularly educated in terms of degrees. He talks about writing his first book while working at a laundry. You can be very successful with no formal education. So why did you want to do a PhD? What drew you to academic research? MELISSA: Absolutely. I would briefly say, I often meet people who feel they must do a qualification before they're allowed to write. I say, do it if you'd like to, but you don't have to. You could just practise the writing. I fully agree with that. It was a combination of things. I do actually like studying. I do actually enjoy the research—that's why I do historical research. I like that kind of work. So that's one element. Another element was the funding. I thought, if I get that funding, I've got three years to build up a back catalogue of books, to build up the writing. It will give me more time. So that was a very practical financial issue. Also, children. My children were very little. I had a three-year-old and a baby, and everybody went, “Are you insane? Doing a PhD with a three-year-old and a baby?” But the thing about three-year-olds and babies is they're quite intellectually boring. Emotionally, very engaging—on a number of levels, good, bad, whatever—but they're not very intellectually stimulating. You're at home all day with two small children who think that hide and seek is the highlight of intellectual difficulty because they've hidden behind the curtains and they're shuffling and giggling. I felt I needed something else. I needed something for me that would be interesting. I've always enjoyed passing on knowledge. I've always enjoyed teaching people, workshops, in whatever field I was in. I thought, if I want to do that for writing at some point, it will sound more important if I've done a PhD. Not that you need that to explain how to do writing to someone if you do a lot of writing. But there were all these different elements that came together. JOANNA: So to summarise: you enjoy the research, it's an intellectual challenge, you've got the funding, and there is something around authority. In terms of a PhD—and just for listeners, I'm doing a master's at the moment in death, religion, and culture. MELISSA: Your topic sounds fascinating. JOANNA: It is interesting because, same as you, I enjoy research. Both of us love research as part of our fiction process and our nonfiction. I'm also enjoying the intellectual challenge, and I've also considered this idea of authority in an age of AI when it is increasingly easy to generate books—let's just say it, it's easy to generate books. So I was like, well, how do I look at this in a more authoritative way? I wanted to talk to you because even just a few months back into it—and I haven't done an academic qualification for like two decades—it struck me that the academic rigour is so different. What lessons can indie authors learn from this kind of academic rigour? What do you think of in terms of the rigour and what can we learn? MELISSA: I think there are a number of things. First of all, really making sure that you are going to the quality sources for things—the original sources, the high-quality versions of things. Not secondhand, but going back to those primary sources. Not “somebody said that somebody said something.” Well, let's go back to the original. Have a look at that, because you get a lot from that. I think you immerse yourself more deeply. Someone can tell you, “This is how they spoke in the 1800s.” If you go and read something that was written in the 1800s, you get a better sense of that than just reading a dictionary of slang that's been collated for you by somebody else. So I think that immerses you more deeply. Really sticking with that till you've found interesting things that spark creativity in you. I've seen people say, “I used to do all the historical research. Nowadays I just fact-check. I write what I want to write and I fact-check.” I think, well, that's okay, but you won't find the weird little things. I tend to call it “the footnotes of history.” You won't find the weird little things that really make something come alive, that really make a time and a place come alive. I've got a scene in one of my Regency romances—which actually I think are less full of historical emphasis than some of my other work—where a man gives a woman a gift. It's supposed to be a romantic gift and maybe slightly sensual. He could have given her a fan and I could have fact-checked and gone, “Are there fans? Yes, there are fans. Do they have pretty romantic poems on them? Yes, they do. Okay, that'll do.” Actually, if you go round and do more research than that, you discover they had things like ribbons that held up your stockings, on which they wrote quite smutty things in embroidery. That's a much more sexy and interesting gift to give in that scene. But you don't find that unless you go doing a bit of research. If I just fact-check, I'm not going to find that because it would never have occurred to me to fact-check it in the first place. JOANNA: I totally agree with you. One of the wonderful things about research—and I also like going to places—is you might be somewhere and see something that gives you an idea you never, ever would have found in a book or any other way. I used to call it “the serendipity of the stacks” in the physical library. You go looking for a particular book and then you're in that part of the shelf and you find several other books that you never would have looked for. I think it's encouraging people, as you're saying, but I also think you have to love it. MELISSA: Yes. I think some people find it a bit of a grind, or they're frightened by it and they think, “Have I done enough?” JOANNA: Mm-hmm. MELISSA: I get asked that a lot when I talk about writing historical fiction. People go, “But when do I stop? How do I know it's enough? How do I know there wasn't another book that would have been the book? Everyone will go, ‘Oh, how did you not read such-and-such?'” I always say there are two ways of finding out when you can stop. One is when you get to the bibliographies, you look through and you go, “Yep, read that, read that, read that. Nah, I know that one's not really what I wanted.” You're familiar with those bibliographies in a way that at the beginning you're not. At the beginning, every single bibliography, you haven't read any of it. So that's quite a good way of knowing when to stop. The other way is: can you write ordinary, everyday life? I don't start writing a book till I can write everyday life in that historical era without notes. I will obviously have notes if I'm doing a wedding or a funeral or a really specific battle or something. Everyday life, I need to be able to just write that out of my own head. You need to be confident enough to do that. JOANNA: One of the other problems I've heard from academics—people who've really come out of academia and want to write something more pop, even if it's pop nonfiction or fiction—they're also really struggling. It is a different game, isn't it? For people who might be immersed in academia, how can they release themselves into doing something like self-publishing? Because there's still a lot of stigma within academia. MELISSA: You're going to get me on the academic publishing rant now. I think academic publishing is horrendous. Academics are very badly treated. I know quite a lot of academics and they have to do all the work. Nobody's helping them with indexing or anything like that. The publisher will say things like, “Well, could you just cut 10,000 words out of that?” Just because of size. Out of somebody's argument that they're making over a whole work. No consideration for that. The royalties are basically zilch. I've seen people's royalty statements come in, and the way they price the books is insane. They'll price a book at 70 pounds. I actually want that book for my research and I'm hesitating because I can't be buying all of them at that price. That's ridiculous. I've got people who are friends or family who bring out a book, and I'm like, well, I would gladly buy your book and read it. It's priced crazy. It's priced only for institutions. I think actually, if academia was written a little more clearly and open to the lay person—which if you are good at your work, you should be able to do—and priced a bit more in line with other books, that would maybe open up people to reading more academia. You wouldn't have to make it “pop” as you say. I quite like pop nonfiction. But I don't think there would have to be such a gulf between those two. I think you could make academic work more readable generally. I read someone's thesis recently and they'd made a point at the beginning of saying—I can't remember who it was—that so-and-so academic's point of view was that it should be readable and they should be writing accordingly. I thought, wow, I really admired her for doing that. Next time I'm doing something like that, I should be putting that at the front as well. But the fact that she had to explain that at the beginning… It wasn't like words of one syllable throughout the whole thing. I thought it was a very quality piece of writing, but it was perfectly readable to someone who didn't know about the topic. JOANNA: I might have to get that name from you because I've got an essay on the Philosophy of Death. And as you can imagine, there's a heck of a lot of big words. MELISSA: I know. I've done a PhD, but I still used to tense up a little bit thinking they're going to pounce on me. They're going to say that I didn't talk academic enough, I didn't sound fancy enough. That's not what it should be about, really. In a way, you are locking people out of knowledge, and given that most academics are paid for by public funds, that knowledge really ought to be a little more publicly accessible. JOANNA: I agree on the book price. I'm also buying books for my course that aren't in the library. Some of them might be 70 pounds for the ebook, let alone the print book. What that means is that I end up looking for secondhand books, when of course the money doesn't go to the author or the publisher. The other thing that happens is it encourages piracy. There are people who openly talk about using pirate sites for academic works because it's just too expensive. If I'm buying 20 books for my home library, I can't be spending that kind of money. Why is it so bad? Why is it not being reinvented, especially as we have done with indie authors for the wider genres? Has this at all moved into academia? MELISSA: I think within academia there's a fear because there's the peer reviews and it must be proven to be absolutely correct and agreed upon by everybody. I get that. You don't want some complete rubbish in there. I do think there's space to come up with a different system where you could say, “So-and-so is professor of whatever at such-and-such a university. I imagine what they have to say might be interesting and well-researched.” You could have some sort of kite mark. You could have something that then allows for self-publishing to take over a bit. I do just think their system is really, really poor. They get really reined in on what they're allowed to write about. Alison Baverstock, who is a professor now at Kingston University and does stuff about publishing and master's programmes, started writing about self-publishing because she thought it was really interesting. This was way back. JOANNA: I remember. I did one of those surveys. MELISSA: She got told in no uncertain terms, “Do not write about this. You will ruin your career.” She stuck with it. She was right to stick with it. But she was told by senior academics, “Do not write about self-publishing. You're just embarrassing yourself. It's just vanity press.” They weren't even being allowed to write about really quite interesting phenomena that were happening. Just from a historical point of view, that was a really interesting rise of self-publishing, and she was being told not to write about it. JOANNA: It's funny, that delay as well. I'm looking to maybe do my thesis on how AI is impacting death and the death industry. And yet it's such a fast-moving thing. MELISSA: Yes. JOANNA: Sometimes it can take a year, two years or more to get a paper through the process. MELISSA: Oh, yes. It moves really, really fast. Like you say, by the time it comes out, people are going, “Huh? That's really old.” And you'll be going, “No, it's literally two years.” But yes, very, very slow. JOANNA: Let's come back to how we can help other people who might not want to be doing academic-level stuff. One of the things I've found is organising notes, sources, references. How do you manage that? Any tips for people? They might not need to do footnotes for their historical novel, but they might want to organise their research. What are your thoughts? MELISSA: I used to do great big enormous box files and print vast quantities of stuff. Each box file would be labelled according to servant life, or food, or seasons, or whatever. I've tried various different things. I'm moving more and more now towards a combination of books on the shelf, which I do like, and papers and other materials that are stored on my computer. They'll be classified according to different parts of daily life, essentially. Because when you write historical fiction, you have to basically build the whole world again for that era. You have to have everything that happens in daily life, everything that happens on special events, all of those things. So I'll have it organised by those sorts of topics. I'll read it and go through it until I'm comfortable with daily life. Then special things—I'll have special notes on that that can talk me through how you run a funeral or a wedding or whatever, because that's quite complicated to just remember in your head. MELISSA: I always do historical notes at the end. They really matter to me. When I read historical fiction, I really like to read that from the author. I'll say, “Right, these things are true”—especially things that I think people will go, “She made that up. That is not true.” I'll go, “No, no, these are true.” These other things I've fudged a little, or I've moved the timeline a bit to make the story work better. I try to be fairly clear about what I did to make it into a story, but also what is accurate, because I want people to get excited about that timeline. Occasionally if there's been a book that was really important, I'll mention it in there because I don't want to have a proper bibliography, but I do want to highlight certain books. If you got excited by this novel, you could go off and read that book and it would take you into the nonfiction side of it. JOANNA: I'm similar with my author's notes. I've just done the author's note for Bones of the Deep, which has some merfolk in it, and I've got a book on Merpeople. It's awesome. It's just a brilliant book. I'm like, this has to go in. You could question whether that is really nonfiction or something else. But I think that's really important. Just to be more practical: when you're actually writing, what tools do you use? I use Scrivener and I keep all my research there. I'm using EndNote for academic stuff. MELISSA: I've always just stuck to Word. I did get Scrivener and played with it for a while, but I felt like I've already got a way of doing it, so I'll just carry on with that. So I mostly just do Word. I have a lot of notes, so I'll have notepads that have got my notes on specific things, and they'll have page numbers that go back to specific books in case I need to go and double-check that again. You mentioned citations, and that's fascinating to me. Do you know the story about Angle of Repose by Wallace Stegner? It won the Pulitzer. It's a novel, but he used 10% of that novel—and it's a fairly slim novel—10% of it is actually letters written by somebody else, written by a woman before his time. He includes those and works with them in the story. He mentioned her very briefly, like, “Oh, and thanks to the relatives of so-and-so.” Very brief. He got accused of plagiarism for using that much of it by another part of her family who hadn't agreed to it. I've always thought it's because he didn't give enough credence to her. He didn't give her enough importance. If he'd said, “This was the woman who wrote this stuff. It's fascinating. I loved it. I wanted to creatively respond and engage with it”—I think that wouldn't have happened at all. That's why I think it's quite important when there are really big, important elements that you're using to acknowledge those. JOANNA: That's part of the academic rigour too— You can barely have a few of your own thoughts without referring to somebody else's work and crediting them. What's so interesting to me in the research process is, okay, I think this, but in order to say it, I'm going to have to go find someone else who thought this first and wrote a paper on it. MELISSA: I think you would love a PhD. When you've done a master's, go and do a PhD as well. Because it was the first time in academia that I genuinely felt I was allowed my own thoughts and to invent stuff of my own. I could go, “Oh no, I've invented this theory and it's this.” I didn't have to constantly go, “As somebody else said, as somebody else said.” I was like, no, no. This is me. I said this thing. I wasn't allowed to in my master's, and I found it annoying. I remember thinking, but I'm trying to have original thoughts here. I'm trying to bring something new to it. In a PhD, you're allowed to do that because you're supposed to be contributing to knowledge. You're supposed to be bringing a new thing into the world. That was a glorious thing to finally be allowed to do. JOANNA: I must say I couldn't help myself with that. I've definitely put my own opinion. But a part of why I mention it is the academic rigour—it's actually quite good practice to see who else has had these thoughts before. Speed is one of the biggest issues in the indie author community. Some of the stuff you were talking about—finding original sources, going to primary sources, the top-quality stuff, finding the weird little things—all of that takes more time than, for example, just running a deep research report on Gemini or Claude or ChatGPT. You can do both. You can use that as a starting point, which I definitely do. But then the point is to go back and read the original stuff. On this timeframe— Why do you think research is worth doing? It's important for academic reasons, but personal growth as well. MELISSA: Yes, I think there's a joy to be had in the research. When I go and stand in a location, by that point I'm not measuring things and taking photos—I've done all of that online. I'm literally standing there feeling what it is to be there. What does it smell like? What does it feel like? Does it feel very enclosed or very open? Is it a peaceful place or a horrible place? That sensory research becomes very important. All of the book research before that should lead you into the sensory research, which is then also a joy to do. There's great pleasure in it. As you say, it slows things down. What I tend to say to people if they want to speed things up again is: write in a series. Because once you've done all of that research and you just write one book and then walk away, that's a lot. That really slows you down. If you then go, “Okay, well now I'm going to write four books, five books, six books, still in that place and time”—obviously each book will need a little more research, but it won't need that level of starting-from-scratch research. That can help in terms of speeding it back up again. Recently I wrote some Regency romances to see what that was like. I'd done all my basic research, and then I thought, right, now I want to write a historical novel which could have been Victorian or could have been Regency. It had an openness to it. I thought, well, I've just done all the research for Regency, so I'll stick with that era. Why go and do a whole other piece of research when I've only written three books in it so far? I'll just take that era and work with that. So there are places to make up the time again a bit. But I do think there's a joy in it as well. JOANNA: I just want to come back to the plagiarism thing. I discovered that you can plagiarise yourself in academia, which is quite interesting. For example, my books How to Write a Novel and How to Write Nonfiction—they're aimed at different audiences. They have lots of chapters that are different, but there's a chapter on dictation. I thought, why would I need to write the same chapter again? I'm just going to put the same chapter in. It's the same process. Then I only recently learned that you can plagiarise yourself. I did not credit myself for that original chapter. MELISSA: How dare you not credit yourself! JOANNA: But can you talk a bit about that? Where are the lines here? I'm never going to credit myself. I think that's frankly ridiculous. MELISSA: No, that's silly. I mean, it depends what you're doing. In your case, that completely makes sense. It would be really peculiar of you to sit down and write a whole new chapter desperately trying not to copy what you'd said in a chapter about exactly the same topic. That doesn't make any sense. JOANNA: I guess more in the wider sense. Earlier you mentioned you keep notes and you put page numbers by them. I think the point is with research, a lot of people worry about accidental plagiarism. You write a load of notes on a book and then it just goes into your brain. Perhaps you didn't quote people properly. It's definitely more of an issue in nonfiction. You have to keep really careful notes. Sometimes I'm copying out a quote and I'll just naturally maybe rewrite that quote because the way they've put it didn't make sense, or I use a contraction or something. It's just the care in note-taking and then citing people. MELISSA: Yes. When I talk to people about nonfiction, I always say, you're basically joining a conversation. I mean, you are in fiction as well, but not as obviously. I say, well, why don't you read the conversation first? Find out what the conversation is in your area at the moment, and then what is it that you're bringing that's different? The most likely reason for you to end up writing something similar to someone else is that you haven't understood what the conversation was, and you need to be bringing your own thing to it. Then even if you're talking about the same topic, you might talk about it in a different way, and that takes you away from plagiarism because you're bringing your own view to it and your own direction to it. JOANNA: It's an interesting one. I think it's just the care. Taking more care is what I would like people to do. So let's talk about AI because AI tools can be incredible. I do deep research reports with Gemini and Claude and ChatGPT as a sort of “give me an overview and tell me some good places to start.” The university I'm with has a very hard line, which is: AI can be used as part of a research process, but not for writing. What are your thoughts on AI usage and tools? How can people balance that? MELISSA: Well, I'm very much a newbie compared to you. I follow you—the only person that describes how to use it with any sense at all, step by step. I'm very new to it, but I'm going to go back to the olden days. Sometimes I say to people, when I'm talking about how I do historical research, I start with Wikipedia. They look horrified. I'm like, no. That's where you have to get the overview from. I want an overview of how you dress in ancient Rome. I need a quick snapshot of that. Then I can go off and figure out the details of that more accurately and with more detail. I think AI is probably extremely good for that—getting the big picture of something and going, okay, this is what the field's looking like at the moment. These are the areas I'm going to need to burrow down into. It's doing that work for you quickly so that you're then in a position to pick up from that point. It gets you off to a quicker start and perhaps points you in the direction of the right people to start with. I'm trying to write a PhD proposal at the moment because I'm an idiot and want to do a second one. With that, I really did think, actually, AI should write this. Because the original concept is mine. I know nothing about it—why would I know anything about it? I haven't started researching it. This is where AI should go, “Well, in this field, there are these people. They've done these things.” Then you could quickly check that nobody's covered your thing. It would actually speed up all of that bit, which I think would be perfectly reasonable because you don't know anything about it yet. You're not an expert. You have the original idea, and then after that, then you should go off and do your own research and the in-depth quality of it. I think for a lot of things that waste authors' time—if you're applying for a grant or a writer-in-residence or things like that—it's a lot of time wasting filling in long, boring forms. “Could you make an artist statement and a something and a blah?” You're like, yes, yes, I could spend all day at my desk doing that. There's a moment where you start thinking, could you not just allow the AI to do this or much of it? JOANNA: Yes. Or at least, in that case, I'd say one of the very useful things is doing deep searches. As you were mentioning earlier about getting the funding—if I was to consider a PhD, which the thought has crossed my mind—I would use AI tools to do searches for potential sources of funding and that kind of research. In fact, I found this course at Winchester because I asked ChatGPT. It knows a lot about me because I chat with it all the time. I was talking about hitting 50 and these are the things I'm really interested in and what courses might interest me. Then it found it for me. That was quite amazing in itself. I'd encourage people to consider using it for part of the research process. But then all the papers it cites or whatever—then you have to go download those, go read them, do that work yourself. MELISSA: Yes, because that's when you bring your viewpoint to something. You and I could read the exact same paper and choose very different parts of it to write about and think about, because we're coming at it from different points of view and different journeys that we're trying to explore. That's where you need the individual to come in. It wouldn't be good enough to just have a generic overview from AI that we both try and slot into our work, because we would want something different from it. JOANNA: I kind of laugh when people say, “Oh, I can tell when it's AI.” I'm like, you might be able to tell when it's AI writing if nobody has taken that personal spin, but that's not the way we use it. If you're using it that way, that's not how those of us who are independent thinkers are using it. We're strong enough in our thoughts that we're using it as a tool. You're a confident person—intellectually and creatively confident—but I feel like some people maybe don't have that. Some people are not strong enough to resist what an AI might suggest. Any thoughts on that? MELISSA: Yes. When I first tried using AI with very little guidance from anyone, it just felt easy but very wooden and not very related to me. Then I've done webinars with you, and that was really useful—to watch somebody actually live doing the batting back and forth. That became a lot more interesting because I really like bouncing ideas and messing around with things and brainstorming, essentially, but with somebody else involved that's batting stuff back to you. “What does that look like?” “No, I didn't mean that at all.” “How about what does this look like?” “Oh no, no, not like that.” “Oh yes, a bit like that, but a bit more like whatever.” I remember doing that and talking to someone about it, going, “Oh, that's really quite an interesting use of it.” And they said, “Why don't you use a person?” I said, “Well, because who am I going to call at 8:30 in the morning on a Thursday and go, ‘Look, I want to spend two hours batting back and forth ideas, but I don't want you to talk about your stuff at all. Just my stuff. And you have to only think about my stuff for two hours. And you have to be very well versed in my stuff as well. Could you just do that?'” Who's going to do that for you? JOANNA: I totally agree with you. Before Christmas, I was doing a paper. It was an art history thing. We had to pick a piece of art or writing and talk about Christian ideas of hell and how it emerged. I was writing this essay and going back and forth with Claude at the time. My husband came in and saw the fresco I was writing about. He said, “No one's going to talk to you about this. Nobody.” MELISSA: Yes, exactly. JOANNA: Nobody cares. MELISSA: Exactly. Nobody cares as much as you. And they're not prepared to do that at 8:30 on a Thursday morning. They've got other stuff to do. JOANNA: It's great to hear because I feel like we're now at the point where these tools are genuinely super useful for independent work. I hope that more people might try that. JOANNA: Okay, we're almost out of time. Where can people find you and your books online? Also, tell us a bit about the types of books you have. MELISSA: I mostly write historical fiction. As I say, I've wandered my way through history—I'm a travelling minstrel. I've done ancient Rome, medieval Morocco, 18th century China, and I'm into Regency England now. So that's a bit closer to home for once. I'm at MelissaAddey.com and you can go and have a bit of a browse and download a free novel if you want. Try me out. JOANNA: Brilliant. Well, thanks so much for your time, Melissa. MELISSA: That was great. Thank you. It was fun. The post Research Like An Academic, Write Like an Indie With Melissa Addey first appeared on The Creative Penn.

Send us a textAutoimmune conditions & chronic stress ~ Improving your quality of life Dorian Soanes is a nutritionist based in Surrey who helps people reverse the symptoms of autoimmune & chronic conditions.Having been diagnosed with graves disease himself, which is a thyroid condition, he understands first-hand how debilitating these diseases can be.He began to notice symptoms that got progressively worse over time, to the point where he couldn't function in his everyday life. Dorian managed to make changes in his life that reduced his symptoms & caused his condition to go into remission.We discuss how small incremental changes can compound over time to make a big difference to a person's health, and how he uses personalised interventions  for each individual.Dorian shares how your immune system works, the genes that may give you a predisposition to autoimmune conditions, and how stress and cortisol levels have an impact.Connect with Dorian:InstagramFacebook group Hair & Scalp Salon Specialist course Support the showConnect with Hair therapy: Facebook Instagram Twitter Clubhouse- @Hair.Therapy Donate towards the podcast Start your own podcastHair & Scalp Salon Specialist Course ~ Book now to become an expert!

Send us a textWelcome to Guilders-Ford Radio, a Necromunda podcast broadcasting from the East Gate Docks of Hive Primus (via Guildford Games Club, Surrey, UK).In Episode 39 of Guilders-Ford Radio, the team discuss their continued inability to schedule around miniature previews, belatedly discussing the recently revealed minis in the New Year Preview, as well as how close Hive Guys came to becoming canon in the Warhammer 40,000 universe.Over the past month, we reached out to our beloved Patreons for their questions for our benevolent overlord and High Arbitrator Dixie, resulting in a plethora of excellent #DixiesDen questions, covering everything from Venators to Ash Wastes campaigns.As always, the team round out the episode with a hobby round-up, featuring a rare flurry of creativity from Gaz, and Rosco's trading post successes at the recent Entoyment Bring and Buy.We'd like to take the opportunity to thank all our listeners who have chosen to support us on Patreon & Buzzsprout - your contributions help us make a better show!• Flow • Denny Wright • Stefan Sahlin  • Matt Miler  • Matti Puh  • Nick McVett  •Warhammer in the Dark  •From_Somewhere • Alfonso  • The Traitor • Johnny DeVille • Stephan B • Jeff Nelson • Lankydiceroller • Morskul • Beau  • Justin Clark • Dr.Toe • Mikael Livas • Josh Reynolds • StandStab • ChestDrain • Scott Spieker • Tucker Steel • Shaughn • Stewart Young • Goatincoat  • Jason • Joseph Serrani • Billy  • Phil • Stephen Griffiths  • Søren D • Spruewhisperer • Kevin Fowler • Scott Spieker • Andy Tabor  • TheMichaelNimmo • Tucker Steel  • Dave Shearman  • Shaughn  • Stewart Young •Damien Davis • Wayne Jeffrey   •  Frawgenstein • Matthey Mulcahy   • William Payne •Thomas Laycock • Stephen Livingston • Tyler Anderson • McGobbo • Jed Tearle • Gene Archibald • James Marsden • John Haynes • Ryan Taylor • Yuki van Elzelingen  • Dick Linehan • Rhinoxrifter • Shawn Hall  • Eric McKenzie  • Paul Shaw  • Jenifer • Drew Williams  • Greg Miller • Andy Farrell  • Nate Combrink •  Don Johnson • Michael Yule • Joe Roberts • TheRedWolf • Lukasz Jainski • Aaron Vissers • One Punch Orlock (Tom) • Matt Price • ShnubutsSupport the showHelp us make better content, and download free community resources!www.patreon.com/guildersfordradioAny comments, questions or corrections? We'd love to hear from you! Join the Guilders-Ford Radio community over at;https://linktr.ee/guildersfordradiowww.instagram.com/guildersfordradiowww.facebook.com/guildersfordradioGuildersFordRadio@Gmail.com ** Musical Attribution - Socket Rocker by (Freesound - BaDoink) **

Residents of Surrey are protesting the ongoing extortion crisis calling for stronger enforcement. This weekend, 3 men were arrested after another alleged extortion-related shooting in Surrey. The CBC's Sohrab Sandhu joins the show live from the rally to share the concerns of people there.

SJ Strum chats with local illustrator Hannah Cordell Portraits about her pivot from successful architect to turning her passion for drawing into a thriving family portrait business in Surrey. The why, the how and inspiring story of how to get a creative business off the ground from your kitchen table.  

Baz Richards and Leanne Brown talk with Val Nott and Caroline Isaacs about their new charity and app to support people that have had strokes. It's an excellent initiative that they started after their partners suffered. Information at The Stroke Assocation www.stroke.org.uk

Graham Laycock introduces Diana Roberts of Destination Toolkit with the essential guide things to see and do in Surrey and South West London over the coming weeks.

Graham Laycock talks to Felicity Edwards from the Woking and Sam Beare Hospices about forthccoming fund raising events and how you can support and fund raise forthe hospice. More details at www.wsbh.org.uk

Why it's still easier to buy foreign wine than Canadian wine (0:56) Guest: Jeff Guignard, President and CEO of Wine Growers B.C. Surrey's extortion crisis: does Ottawa step in or leave cities to cope? (9:54) Guest: Randeep Sarai, Liberal MP for Surrey Centre, and Secretary of State for International Development Langley Township cuts utility costs for homeowners (25:13) Guest: Eric Woodward, Township of Langley Mayor Free trade on the line: is Canada ready for a world without the old rules? (34:55) Guest: Colin Robertson, former Canadian diplomat, Senior Advisor and Fellow at the Canadian Global Affairs Institute and hosts its regular Global Exchange podcast Children should have a say in divorce proceedings, says Liberal MP (51:27) Guest: Lisa Hepfner, Liberal MP for Hamilton Mountain in Ontario Learn more about your ad choices. Visit megaphone.fm/adchoices

Surrey calls on feds to declare state of emergency over extortion crimes (0:50) Guest: Linda Annis, Surrey First councillor and mayoral candidate Construction delays could spike home prices by 27% in 2032 (9:59) Guest: Brendon Ogmundson, Chief Economist for the B.C Real Estate Association Richmond company's call to reopen Cowichan Tribes case gets hearing date (17:12) Guest: Robin Junger, Counsel specializing in Indigenous Law with McMillan LLP, representing Montrose Properties Should the feds place a limit on LED headlight brightness (23:54) Guest: Jeremy Cato, Automotive Journalist at CatoCarGuy.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest: Linda Annis, Surrey First councillor and mayoral candidate Learn more about your ad choices. Visit megaphone.fm/adchoices

Amazon UK niche leader for nearly 16 years shares how a single mom built a multi-7-figure brand, survived copycats, ditched unprofitable markets, and grew with influencers + smart keyword research. ► Watch The Podcasts On Youtube: https://www.youtube.com/@Helium10SeriousSellersPodcast?sub_confirmation=1 ► Instagram: instagram.com/serioussellerspodcast ► Free Amazon Seller Chrome Extension: https://h10.me/extension ► Sign Up For Helium 10: https://h10.me/signup  (Use SSP10 To Save 10% For Life) ► Learn How To Sell on Amazon: https://h10.me/ft What does it take to dominate a niche for over a decade without building a giant team or becoming a “warehouse CEO”? Bradley Sutton heads to the UK to visit Cara Sayer at her home in Surrey and unpack the real story behind SnoozeShade: a product used by members of the Royal family and a brand that has stayed on top of its Amazon category for nearly 16 years. Cara's journey is a classic “scratch your own itch” case study. She needed a better way to protect her baby in a pram from sun, wind, and cold, so she created a stroller “blackout blind” solution that simply didn't exist at the time. Cara shares her path from working in PR and marketing (including being on the team that helped launch Amazon in the UK back in the early days) to building a physical product business the hard way—trade shows, prototypes, and getting orders before modern Amazon tools even existed. As competition grew, she explains how the brand evolved through distributors, Amazon Vendor Central, and a messy reseller situation (including 37 resellers on her best-selling product) before she took control and moved into Seller Central. Then comes the lesson every seller needs to hear: revenue isn't the goal—profit is. When the US market turned into “shark-infested waters” full of unsafe knockoffs and price attacks, Cara made the tough call to exit, protect margins, and refocus on what actually made the business stronger. This episode is packed with long-game strategy: why being obsessively good at product quality and customer service beats shortcuts, why market focus matters more than “go global fast,” and how Cara uses influencer relationships to build real brand awareness. She also shares how Helium 10 helps her organize keyword research, spot competitor moves, and avoid international keyword mistakes (because US/UK/AU English is not the same). If you want a blueprint for building a durable brand that survives copycats, this one's gold. In episode 732 of the Serious Sellers Podcast, Bradley and Cara discuss: 00:00 - Introduction 00:41 - We're In The UK: Welcome To Cara's Place 04:31 - The Real Reason She Started: A Product Didn't Exist 05:55 - What SnoozeShade Is & Why It Took Off 07:13 - #1 In Category For Nearly 16 Years 10:22 - Copycats Killed Profit: “Turnover Is Vanity, Profit Is Sanity” 12:14 - Her Best Year: Nearly £3M (Now Around £2M) 15:48 - Lean Team Setup: Freelancers + VA In The Philippines 18:00 - Competitor Tracking + Why Competition Calmed Down 21:09 - Royal Family Customers 23:42 - TikTok & AI: Awareness Over Amazon-Only Thinking 25:16 - International Keyword Differences (UK vs US vs AU) 29:25 - Influencers: Relationship-First 34:04 - Helium 10: Time Savings and Smarter Keyword Testing

In this episode of the XS Noize Podcast, Mark Millar sits down with Paul Draper to talk about Mansun Retold — a project shaped by distance, perspective, and the strange experience of meeting your younger self through song. Watch the full video conversation. Releasing on 20 February, Mansun Retold sees Draper revisit and reimagine key songs from the Mansun catalogue, rebuilding them from the ground up as full-band, acoustic unplugged recordings. Rather than revisiting the past for nostalgia's sake, the album is about clarity — hearing familiar songs anew, stripped of urgency, ego, and expectation. Recorded at The Loft Studios in Surrey, the album was co-produced by Paul Draper alongside Paul "PDub" Walton (The Cure, U2, Björk, Massive Attack, Oasis). The sessions feature a string quartet arranged and led by Audrey Riley (Muse, Coldplay, Nick Cave), with drums performed by Julian Fenton — Mansun's original early-era drummer. Draper performs acoustic bass, acoustic lead and rhythm guitar, and piano throughout the record. In this conversation, Draper reflects on the emotional weight of returning to songs so closely tied to his own life, how he decided which tracks felt ready to be retold, and the responsibility he feels toward fans who have lived with this music for decades. He also talks about life beyond music, creative fulfilment, and how Mansun Retold is intended to be experienced — not as a retrospective, but as a living record, rooted firmly in the present. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

It was a quiet morning in Surrey, British  Columbia, on the 10th of December, 2014. A woman living in a quiet cul-se-sac heard a knock on her front door. She opened it up to find a woman there she didn't recognise. She stank of alcohol, and asked her to call 911.SPONSORS -Hero Bread: This year, hit your goals without giving up your favourite bready dishes. Use code "MORBIDOLOGY" to get 10% off at: https://www.hero.co/Rocket Money: Cancel your unwanted subcriptions and reach your financial goals faster at: http://rocketmoney.com/morbidologyAG1: AG1 puts your multivitamin, pre and probiotics, superfoods, and antioxidants into one scoop. Get the best offer at: http://drinkag1.com/morbidologySKIMS: Shop my favorite bras and underwear at http://www.skims.comHelloFresh: Get 10 free meals + a FREE Zwilling Knife on your third box at: http://hellofresh.com/morbidology10fmBecome a supporter of this podcast: https://www.spreaker.com/podcast/morbidology--3527306/support.

Escape the everyday and join The OCD Camp – an empowering 3-day outdoor experience in Surrey designed for adults with OCD to connect, grow and thrive together in nature. Since 2018, this unique camp has brought people living with OCD out of isolation, offering shared adventures, group challenges, reflective moments, and opportunities to build resilience alongside others who truly understand the journey. With all meals, activities and supportive staff included in the price, The OCD Camp blends fun, connection and meaningful community in a beautiful natural setting – giving you space to share stories, build friendships and rediscover strength beyond compulsions. Applications for 12–14 June 2026 are now open; don't miss your chance to be part of something transformative. Applications close on 31st Jan: https://www.integrativecentreforocd.co.uk/the-ocd-camp Open to adults 18 and over globally.

It's quiz time for Barry in London and puzzle fan Mary in Surrey!

British Columbia is delaying changes to the Heritage Conservation Act pending further consultations. Extortion may or may not be a crisis in Surrey. The BC Conservatives will pick their leader by May 30. Mark Carney gets praise for his Davos speech as he inks a new deal with China. Image credit: World Economic Forum Links B.C. postponing changes to heritage act to increase consultation, says minister – Richmond News Heritage Conservation Act changes further delayed over concerns it could halt development Eby says head of extortion task force needs to demonstrate urgency or step aside – BC | Globalnews.ca B.C. anti-extortion chief sorry for disputing blackmail ‘crisis' after criticism from Premier – The Globe and Mail https://globalnews.ca/news/11572311/extortion-suspects-claim-refugee-status-cbsa/ Trudeau's use of Emergencies Act to clear convoy protests unjustified, appeal court rules – The Globe and Mail LEADERSHIP Rules 2026 | Conservative Party of British Columbia  Darrell Jones announces Mark Carney earned a rare standing ovation in Davos. Read the full text of his speech here ‘The old order is not coming back,’ Carney says in provocative speech at Davos | CBC News Poilievre calls Carney's Davos speech ‘well-crafted,' but says action must follow | CBC News Response From The Honourable Pierre Poilievre, Leader of the Official Opposition, to the Prime Minister's Speech in Davos – Conservative Party of Canada Trump says he’s withdrawing invitation for Carney to join his Gaza ‘Board of Peace’ | CBC News Prime Minister Carney forges new strategic partnership with the People's Republic of China focused on energy, agri-food, and trade Federal government asked court to set aside Ottawa's shutdown order for TikTok Canada

H.A. & Pagans Indicted While Black Outlaws Party — Open Biker TalkGood morning friends. Today on Black Dragon Biker TV, we're covering a wide range of developing stories that highlight just how broad the biker world really is — from indictments and court cases to awareness, accountability, and prevention.We begin in Canada, where Hells Angels clubhouse owners in Surrey are pushing back against allegations of illegal activity. The B.C. government is seeking to seize a property allegedly linked to criminal enterprise, while the owner insists they knew nothing of any wrongdoing. We'll talk about civil forfeiture, burden of proof, and how these cases are increasingly being handled.Next, we head stateside.A violent daytime melee on Sunrise Highway in Suffolk County involving Pagans MC and Hells Angels has left multiple victims with life-threatening injuries. Prosecutors say five men used weapons during the clash, and those men have now been indicted. We'll discuss what's been reported, what charges mean, and how public incidents change the legal landscape.From there, we shift continents.A deadly Chinese manjha (glass-coated kite string) incident caught on camera in Varanasi, India, shows a biker narrowly escaping death when the string catches his neck, leaving a severe shoulder injury. We'll talk about the dangers of manjha, why it continues to be a threat, and what riders worldwide should know.We'll also highlight a positive development:Bikers Against Predators strikes again. An Indiana group's investigation has led to the arrest of a Baxter County man charged with sexual solicitation of minors. We'll discuss how these groups operate, why they're controversial to some, and why they continue to get results.And finally, a reminder that danger isn't always criminal:A navigation app led a biker straight into a 15-foot open well, raising serious questions about over-reliance on GPS and rider awareness.No hype.No sugarcoating.Just real conversation.This is one of those shows where:• Indictments get unpacked• Enforcement tactics get examined• Safety issues get highlighted• And the set talks to the set Call in. Drop comments. Join the discussion.Join Black Dragon, Lavish T. Williams, and Logic as we break it all down. Watch on: Black Dragon Biker TV – /blackdragonbikertv Lavish T. Williams – /@lavishtwilliams Keep It Logical – /keepitlogicalBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-dragon-s-lair-motorcycle-chaos--3267493/support.Sponsor the channel by signing up for our channel memberships. You can also support us by signing up for our podcast channel membership for $9.99 per month, where 100% of the membership price goes directly to us at https://www.spreaker.com/podcast/the-.... Follow us on:Instagram: BlackDragonBikerTV TikTok: BlackDragonBikertv Twitter: jbunchiiFacebook: BlackDragonBikerBuy Black Dragon Merchandise, Mugs, Hats, T-Shirts Books: https://blackdragonsgear.comDonate to our cause:Cashapp: $BikerPrezPayPal: jbunchii Zelle: jbunchii@aol.com Patreon: https://www.patreon.com/BlackDragonNPSubscribe to our new discord server https://discord.gg/dshaTSTSubscribe to our online news magazine www.bikerliberty.comGet 20% off Gothic biker rings by using my special discount code: blackdragon go to http://gthic.com?aff=147Join my News Letter to get the latest in MC protocol, biker club content, and my best picks for every day carry. https://johns-newsletter-43af29.beehi... Get my Audio Book Prospect's Bible an Audible: https://adbl.co/3OBsfl5Help us get to 30,000 subscribers on www.instagram.com/BlackDragonBikerTV on Instagram. Thank you!We at Black Dragon Biker TV are dedicated to bringing you the latest news, updates, and analysis from the world of bikers and motorcycle clubs. Our content is created for news reporting, commentary, and discussion purposes. Under Section 107 of the Copyright

Season 19 Episode 21: If you listened to the pod through 2025, Sonny Baker is a name that won't be new to you - Adam spoke about him practically every week after seeing him bowl Surrey out in April He's a young man, at just 22 years of age, who already has very high expectations of him when it comes to the pace he can generate and the skill he does it with. And if you thought a chastening international debut in September might've damaged his ambition, think again. A most engaging guest, brimming with energy and curiosity, he's going to be everyone's favourite player soon enough. Get your copy of Bedtime Tales for Cricket Tragics: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/tfwbook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support the show with a Nerd Pledge at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefinalword⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Australia brings memories that last a lifetime. Visit ⁠⁠Australia.com⁠⁠ Stop snoring with 5% off a Zeus device: use code TFW2025 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zeussleeps.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get yourself some lovely BIG Boots UK, with 10% off at this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bigboots.co.uk/?ref=thefinalword⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try the new Stomping Ground Final Word beer, or join Patreon to win a case: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stompingground.beer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Maurice Blackburn Lawyers - fighting for workers since 1919: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mauriceblackburn.com.au⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get your big NordVPN discount: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nordvpn.com/tfw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get 10% off Glenn Maxwell's sunnies: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠t20vision.com/FINALWORD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find previous episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠finalwordcricket.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Title track by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Urthboy⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices