Podcasts about Raymond Scott

Ob witzige Jazz-Charakterstücke, Trickfilm-Soundtracks oder frühe Versuche mit elektronischer Musik - seit den 30ern war Raymond Scott immer der Mann für das Besondere. Götz Alsmann präsentiert eine seltene Lp mit Material der frühen 40er Jahre. Von Götz Alsmann.

Today on an encore edition of the Rarified Heir Podcast, we are talking to siblings Deb Scott Studebaker & Stan Warnow about their musician/inventor Raymond Scott. Like our good friend Ernie Kovacs, some of you might have heard the name Raymond Scott but don't really know who he was or what he did. Others however, might be salivating knowing that one of the 20thCenturies musical geniuses is the subject of this episode. Either way, both Deb and Stan graciously sat down together to do this interview & wowed us with tales of their complex genius dad. Vintage cartoon fans might know Scott from his songs “Powerhouse” and “Toy Trumpet,” classic television and radio fans may know him and his orchestra from the show “Your Hit Parade” and others may know him as the Godfather of the modern synthesizer & inventor of the Clavinex & Electronium. A performer, a demanding band leader, a composer and the Director of Motown's electronic and research department, Raymond Scott was nothing if not prolific. In addition, we discuss Deb's mother, entertainer Dorothy Collins who was a Broadway star, a nightclub performer and a television star on shows like The Hollywood Palace. We get the lowdown on a father so driven by his creations he gave up performing for tinkering in his office and being one of the founders of electronic music as well as fax machine – decades before it became a reality. It's positively Looney Tunes on this episode of the Rarified Heir Podcast. Everyone has a story.

Features vintage music by Woody Herman, The International Sweethearts of Rhythm and Raymond Scott .  Listen to the very end of the podcast for a newsreel from February of 1945. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Features vintage music by Raymond Scott, Gene Krupa and Louis Prima.  Ronnaldo plays tracks with strange, colorful titles.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

At 4:45PM on Independence Day 1944, The Raymond Scott Orchestra took to the air for fifteen minutes of music on CBS' WABC in New York. Born Harry Warnow on September 10th, 1908 in Brooklyn to Ukrainian Jewish parents, his older brother Mark, also a musician, encouraged Harry's career. He graduated from the Juilliard School of Music in 1931 where he studied piano, theory, and composition. He began his professional career as a pianist for the CBS Radio house band under his birth name. Mark, older by eight years, conducted the orchestra. Harry adopted the pseudonym "Raymond Scott" to spare his brother charges of nepotism when the orchestra began performing the pianist's unique compositions. In late 1936, Scott assembled a band from among his CBS colleagues. Although it was a six-piece group, he called it the Raymond Scott Quintette, joking with a reporter that calling at a sextet might take one's mind off the music. Scott believed in composing and playing by ear. He composed not on paper, but "on his band"—by humming phrases to his sidemen or by demonstrating riffs and rhythms on the keyboard, instructing players to interpret his cues. Also a sound engineer, he recorded the band's rehearsals, using them as references to develop his compositions. Scott reworked, re-sequenced, and deleted passages, and added themes from other discs to construct finished pieces. While he controlled the band's repertoire and style, he rarely took piano solos, preferring to direct the band from the keyboard and leave solos and leads to his sidemen. He also had a penchant for adapting classical motifs into his work. Independence Day 1944 was celebrated with remembrance, prayer, and War Bond drives. Norman Rockwell's July 1st Saturday Evening Post cover featured a wounded veteran holding up a $100 war bond. The July 3rd cover of LIFE Magazine featured a G.I with a leg wound being helped by a compatriot. There was a prominent sticker on top that said “buy war bonds.” Meanwhile in Bedford, New Hampshire, an unexpected explosion at the John P. Bedricks powder works sent nearly seventy-miles of New England into a panic as windows as far away as Worchester, Massachusetts were destroyed. Despite this, there were no fatalities. At 4PM, NBC celebrated the Treasury Department's “Salute To the Navy” from Philadelphia's Navy Yard. Speakers included Secretary of the Treasury Henry Morgenthaur Jr., and Secretary of the Navy James Forrestal. In New York, Edward J. Nathan, Manhattan's Borough President, addressed a rally of Jewish war veterans at the Soldiers and Sailors Monument in Riverside Drive, while the Knights of Columbus and sixty-seven affiliated councils, sponsored a parade and band concert in Prospect Park, Brooklyn. That evening, a Special Fifth War Bond Rally was held at Lewisohn Stadium in City College.

Features vintage music by Raymond Scott, The Dinning Sisters and Billy May.  We learn a little bit about the show Dance Time U.S.A. and Ronnaldo reads some listener mail. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

We're bringing you an episode of The Last Archive from our friends at Pushkin Industries. In this episode: an exploration of early artificial intelligence, the story of the composer Raymond Scott's lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zack and Nate discuss the art they've been experiencing recently: The Jingle Workshop by Raymond Scott and the movie Father Stu.

Episode 122 Electronic Music for Babies Playlist   Track Time Start Time Introduction –Thom Holmes 09:56 00:00 1.     Raymond Scott, “Lullaby” (14:06) and “Sleepy Time” (4:25) from Soothing Sounds For Baby Volume I: 1 To 6 Months (1964 Epic). Monophonic recording. Mine includes the insert. 18:30 09:56 2.     Raymond Scott, “Tempo Block” (3:15) and “The Happy Whistler” (10:45) from Soothing Sounds For Baby Volume II: 6 To 12 Months (1964 Epic). Monophonic recording. Mine includes the insert. 14:12 28:22 3.     Raymond Scott, “Little Tin Soldier” (9:24) and “Little Miss Echo” (7:23) from Soothing Sounds For Baby Volume III: 12 To 18 Months (1964 Epic). Monophonic recording. Insert is missing. 17:10 42:17 4.     Rosemary, “Undiscovered Island” from Rosemary And Little Andy, Lullaby From "Rosemary's Baby" (Sleep Safe And Warm) (45 RPM) (1968 Columbia). Written by, arranged and conducted by Stan Applebaum; Producer, Wally Gold. This single was not from the movie soundtrack to Rosemary's Baby, but was inspired by the movie and featured an alternative version of the lullaby from the film. I found that track to be a little too unsettling for a podcast about music for babies, but I did find that the B side, “Undiscovered Island” had a much more calming effect. I believe the instrument heard is a Moog Modular keyboard with the glide feature. Wally Gold, who produced this album, is known to have use the Moog Modular on other recordings. Monophonic recording. 02:57 59:17 5.     Steven Halpern, “Brahams Lullaby Part 3” from Lullabies & Sweet Dreams (1984 Halpern Sounds). Grand Piano, String Synthesizer, Steven Halpern; Violin, Daniel Kobialka. I couldn't help but include a track from Steven Halpern, one of the founding fathers of new age music. As for electronics on this one, there is a string synthesizer. 02:25 01:02:21 6.     Luke Slater, “Dreams of Children” from X-Tront Vol. 2 (1993 Peacefrog Records). This track is a little bit manic for relaxing babies, but it has a minimalist repetition that becomes trance-inducing. And one could find solace in that sound. 07:50 01:04:44 7.     Howie B., “Music for Babies” from Music For Babies (1996 Polydor). Keyboards and treatments, Howie B. 05:27 01:12:24 8.     N., Tracks 12, 19, 22, 23” from Memories From Before Being Born (2005 + Belligeranza). This is a solo work of one Davide Tozzoli, who lives in Italy. An unusual disc of glitch sounds, processed two empty tape recorders an echo machine, and minimal synthetic filters. I selected four of the more mesmerizing tracks and strung them together. “Two empty tape-recorders, one connected to the other, no sound if not the distortion produced by the tape-recorders themselves in play/rec. On this recording of Nothing the modulations of vintage analogic effects: emptied frequencies, prenatal sounds without any sonic grain, audio for a flat electroencephalogram. Memories from before being born," a possible conceptual-noize manifesto.” 05:41 01:17:41 9.     Pete Namlook, Music for Babies (excerpt) from Music for Babies (2009 Fax +49-69/450464). On Christmas 2011 "Music For Babies" CD release without cover or catalog# was sent out as a give-away with orders directly from the label. All tracks written, mixed, and produced by Pete Namlook. We have hear prenatal heartbeats mixed with electronic music. Perfect! 15:39 01:23:18 10.  Chris Kimbell, “Sleepwave” from Ultrasound / Sleep (2007 Pause). A mellow ambient tune but without any detectable prenatal ultrasounds, as the title might indicate to some. 11:04 01:38:50 11.  Lee Rosevere, “Dreaming” from The Ambient Baby (2009 Kazoomzoom). Composed, performed, produced by Lee Rosevere. All original material designed specifically for infants from birth to about two years of age. “Little ones are engaged early on by rhythmic sounds at the start. The sounds then weave into a gentle and soothing environment to help babies fall asleep.” 05:59 01:49:50 12.  Lullaby Movement, “Ru-Ru (Sleep Little Baby)” from David Holmes – LateNightTales (2016 LateNightTales). An eclectic mix of tracks from DJ David Holmes, includes this muted little lullaby with a haunting vocal. 03:55 01:55:42 13.  Dana Falconberry, “Sea Stones” from Dreamland (Songs For Lulling) (2017 Not on label). Falconberry explains why she created the private recording: “Years ago, I made an album of lullabies for a friend of mine who had just had her first baby. She encouraged me to release a lullaby album to the public, since it helped her with her child so much, which was the main inspiration for this album (thanks Lisa!!). . . . People have been telling me for as long as I can remember that my voice puts them to sleep. Even more common has been fans approaching me at the merch table after a show and telling me that they use my albums to put their babies to sleep. Now, I can say that is a complicated thing for a songwriter to digest, but ok babies, I hear you, let's go. Here's a full album of songs to take you off to Dreamland.” 04:39 01:59:30   Opening background music: Pete Namlook, “Attracting Attention” and “The Womb” from Music for Babies (2009 Fax +49-69/450464). Excerpt (12:57) Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations.

Raymond Scott - JMU LB 4/18 by ESPN Harrisonburg

Features vintage music by Woody Herman, Raymond Scott and Freddy Martin.  Ronnaldo also talks a little bit about an old show called "Call For Music". Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

A quel point est-ce qu'une musique peut rester graver dans nos têtes ? Pour cette huitième boisson, je vous raconte l'histoire d'un morceau qu'on a entendu dans des dizaines de dessins animés. Bonne dégustation !Les extraits musicaux : How High the Moon - Raymond Scott QuintettePowerhouse - Raymond Scott QuintetteDinner Music for a Pack of Hungry Cannibals - Raymond Scott QuintetteLes sources : https://looneytunes.fandom.com/wiki/Powerhousehttps://en.wikipedia.org/wiki/Powerhouse_(instrumental)https://www.raymondscott.net/cartoons/warner-bros-cartoons/https://www.raymondscott.net/wb-audio/https://youtu.be/r3FLN0iQ9SQ Use of Powerhouse in Looney Tuneshttps://secondhandsongs.com/work/113973/versions#nav-entity https://www.youtube.com/watch?v=2WmOLulesnM&list=OLAK5uy_lU_Wr7rz2C3bTLGTMV6j8GbtYVfAXDd6M Playlist Best of Raymond ScottLes recos de la semaine :This Curtis Mayfield Song DOESN'T ACTUALLY EXISTThe Search for The Most Mysterious Song on the Internet // La Chanson qui OBSÈDE Internet (Like The Wind)Le Raï, une histoire algérienne-Le son du générique (Hell N Back - Bakar)In the Dark Flashes - Jess StacyLes autres sons sont faits maison.Rejoignez nous sur Instagram et Threads, notre salon Discord, BlueSky, Facebook, pour discuter de l'épisode et du podcast !Et si voulez soutenir la production de tartines, retrouvez-nous sur Patreon ! Get bonus content on Patreon Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Stan Warnow

Whatever  Gordon Goodwin touches, whether it's in his role as pianist, saxophonist, composer, arranger, conductor - or any combination of these gifts - it's all about his love of music. That love, and prodigious talent has brought him 25 Grammy® nominations, including three this year: Best Jazz Vocal Album: Patti Austin Featuring Gordon Goodwin's  Big Phat Band - For Ella 2. Best Instrumental Composition: Quartet San Francisco Featuring Gordon Goodwin's Big Phat Band - Cutey and The Dragon, Composed by Raymond Scott and Gordon Goodwin. Best Arrangement, Instruments, and Vocals: Patti Austin ft. Gordon Goodwin's Big Phat Band - April in Paris, Arranged by Gordon Goodwin.   Gordon's collection already includes a Grammy® for ‘Best Instrumental Arrangement' for “Incredits” in the film The Incredibles and has been honored with 3 Emmy awards for his work on the Steven Spielberg-produced shows Animaniacs and Pinky and the Brain. His work has been featured/utilized in more than 80 film & TV productions spanning the gamut of pop culture, amplifying the likes of National Treasure, Star Trek: Nemesis, Snakes on a Plane, Get Smart, Remember the Titans, The Sorcerer's Apprentice, The Majestic (starring Jim Carrey), The Lion King, The Incredibles and Ratatouille.   “I look at that number and it shocks me every time. I still find it difficult to believe that the members of the Recording Academy have given me 25 Grammy® nominations for my work. I don't think you ever get used to it and the three most recent nominations seem somehow more precious than ever. I had the good fortune to be involved in two projects that were close to my heart in the past year, and happily, both were acknowledged by the Recording Academy.”   While this episode focuses primarily on the nominations for the current Grammy® season, we cover a lot of ground with Gordon in our conversation. 

In this episode we examine and listen to Disc #733 of the V-Disc Collection.  This V-Disc features vintage recordings by Raymond Scott's Orchestra and Dick Style an His Orchestra. (E031) * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Listen to some of Ronnaldo's favorite songs he played this year!  This special show features vintage Big Band recordings by The Andrews Sisters, Alvino Rey, Raymond Scott and many more. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Episode 110 Before and After Ambient, Part 1 Playlist Erik Satie, “Vexations” (1893-94), First, we will hear two piano versions (1 and 4) of this short work that was intended to be played repeatedly in one sitting 840 times in succession. The piano version was performed by Jeroen van Veen on the album Satie, Complete Piano Music (2016 Brilliant Classics). Then, we will hear an electronic version by Bhutan from Vexations (2016 Venado). Argentinean group Bhutan realized this electronic version of the Erik Satie piece in 2016. I thought it would be fitting to open the program with this because Satie's was one of the first works to be recognized in recent times as a kind of proto ambient composition. Satie preferred the term “furniture music” and thought that it would be suitable for background sound during a dinner party. The Bhutan version, realized in electronic instrumentation, is a fitting bridge of the old and the new when it comes to ambient compositions. John Cage, “In A Landscape” (1948) from In A Landscape played by Victoria Jordanova (2007 Arpaviva Recordings). This early Cage work was originally arranged either for piano or harp. It is very much the interpretation that makes this akin to ambient music. I selected this version for electric harp because it maintains the original's sense of suspended time and energy. I also like William Orbit's version but he took the orchestration to greater lengths and transforming it into something not so ambient. There is also a really quiet piano version by Stephen Drury which remains true to Cage's original intent of being “soft and meditative” with “resonances” being sustained by depressing both pedals throughout the performance. But I included this version for electric harp by Jordanova because it is more in tune with the electronic nature of the music we feature in this program. Morton Feldman, “Projection 1” (1950) from Arne Deforce, Yutaka Oya, Patterns In A Chromatic Field (2009 Aeon). Cello, Arne Deforce; Piano, Yutaka Oya; composed by, Morton Feldman. This is an acoustic work by Feldman (I couldn't find any electronic renditions) but I include it to draw similarities to the work of Harold Budd, also a pianist. In fact, Feldman was a long-standing favorite of Budd. Raymond Scott, “Sleepy Time” from Soothing Sounds for Baby, Volume 1 (1964 Epic). This legendary work is from a set of electronic and ambient records that Scott produced in the early 1960s as background music to help babies go to sleep. The electronic music was produced with his own creation, the Electronium, a from-scratch built custom synthesizer that combines electronic sequencing with tone generation and various filters. Eliane Radigue, “Vice - Versa, Etc. (Mix 1)” (1970) from (2013 Vice - Versa, Etc.). Processed tape reorder feedback. Realized at the composer's studio in Paris. Premiered in 1970 at Galerie Lara Vincy in Paris, on the occasion of a group exhibition. The stereo synthesis presented here was made in Lyon at Studio Fluorescent between 2010 and 2011 by Emmanuel Holterbach. Produced, composed, recorded using feedback by Eliane Radigue. Originally conceived as a sound installation, using several reel-to-reel tape players controlled through a mixing desk. The tapes could be played at different speeds, either forward or backward, right channel only, left channel only or simultaneously. The audience could create their own mix. Teresa Rampazzi (N.P.S.), “Environ” (1970) from Musica Endoscopica (2008 Die Schachtel). Created in 1970, this work represents a kind of reproduction in electronic sound of an ambient environment, peppered with noise and even voice. Rampazzi was a pioneering female composer of electronic music who founded the N.P.S. (Nuove Proposte Sonore) group and studio, where this was realized. Harmonia, “Hausmusik” from Harmonia (1974 Brain). Recorded and produced June - November '73 in the Harmonia home studio. Guitar, Piano, Organ, electronic percussion, Michael Rother; Organ, Keyboards, Guitar, electronic percussion, J. Roedelius; Synthesizer, Guitar, electronic percussion, D. Moebius. Brian Eno, “Discreet Music” (excerpt) from Discreet Music (1976 Obscure). Synthesizer with Digital Recall System, Graphic Equalizer, Echo Unit, Delay, Tape, Brian Eno. Brian Eno (b. 1948) worked with tape delay much in the manner defined by Oliveros for I of However, he expressed a somewhat indifferent attitude toward the outcome. He described the realization of Discreet Music (1975): “Since I have always preferred making plans to executing them, I have gravitated toward situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend toward the roles of planner and programmer, and then become an audience to the results.” Eno's composition consisted of a diagram of the devices used to generate the music. His approach was identical to that of Oliveros except that the sound material was specifically melodic and he did not modify or interact with the sound once the process was set in motion. The result in Discreet Music is the gradual transformation of a recognizable musical phrase. These 10 minutes are excerpted from the beginning of the extended work lasting 31 minutes. Brian Eno, “Through Hollow Lands (For Harold Budd)” from Before and After Science (1977 Island). Bass, Paul Rudolph; Vocals, Bell, Mini-Moog, CS80, AKS synthesizers, piano, guitar, Brian Eno. This is one of the only tracks that I would consider to be ambient from this album. Robert Ashley, “Automatic Writing” (excerpt) (1974–79) from Automatic Writing (1979 Lovely Music). This work was much talked about when it was released on record by Lovely Music Ltd. in 1979. Ashley wrote it over a five-year period after having just come back from his self-imposed exile from composing in the early 1970s. He performed it many times in various formative stages with the Sonic Arts Union before finally committing it to disc. It does indeed have a vocal, but it is also imbued with quiet, ASMR kinds of sounds that mesmerize. The basic musical material of Automatic Writing was the spoken voice, closely miked, uttering what Ashley characterized as “involuntary speech”: random, seemingly rational comments that might not make sense at all, depending on the context in which they were heard. These 10 minutes are excerpted from the beginning of the extended work lasting 46 minutes. Sri Dinesh, “Le Chant Des Étoiles” from Para Symphonie (1978 Alain Grima). French album of music to accompany meditation. It consists largely of short, repeated organ patterns and falls within the frame of mind for which ambient music was intended. Brian Eno, “2/2” from Ambient 1: Music for Airports (1978). Engineer, Conny Plank (yes, the producer of Kraftwerk). Composed, conceptualized, produced and engineered by Brian Eno. Theresa Rampazzi, “Atmen Noch” (1980) from from Musica Endoscopica (2008 Die Schachtel). Conrad Schnitzler, “Control B” from Control (1981 Dys). Edition of 1000 copies. An electronic work by Schnitzler, who played the devices, produced, and recorded the music. Opening background music: Brian Eno and Peter Chilvers, Bloom 3.2 (10) (2014 Opal Ltd.). Bloom is a generative music application that composes ambient music. This recording was made using Bloom running in “Classic” mode on a Macbook Pro running Ventura 13.5.2. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

This week, Eric and Josh discuss: working the candy bar, pre-show trailers and ads, Dumb Industries, Friday The 13th Part VI, Greg Sestero, The Rocky Horror Picture Show, Giallo movies, backhanded compliments, Noir-vember, Stop Making Sense, Purple Rain, House of 1000 Corpses, leftover pizza, Raymond Scott, and more! They also mention the movies screening the week of Friday November 3 - Thursday November 9: She Came To Me, The Killer, Opera, The Hands Of Orlac with Live Music by VOC Silent Film Harmonic, The Maltese Falcon, and Divinity!

Good News: Onshore wind turbine power got a boost this week in the UK, Link HERE. The Good Word: A brilliant quote from humorist Robert Benchley! Good To Know: Some amazing historical trivia about chocolate… Good News: School children in the US and UK get free lunches, regardless of means! Link HERE. Wonderful World: Get […]

Here's a question you probably don't get asked very often: How would you describe your social class? Working class…middle class…upper class — or maybe something else? If thinking about this question makes you feel kind of uncomfortable, well, that's pretty normal. Especially if you're in a different class now than the one you grew up in. Jonathan Menjivar grew up working class, but now that he's an adult, that label doesn't really apply anymore. He likes eating oysters and wearing cashmere. He owns a house. And he feels kind of guilty about it. Jonathan took his mixed feelings and turned them into a podcast about all the ways class shows up in our daily lives. It's called Classy. Then, the story of the composer Raymond Scott. Raymond journeyed on a lifelong quest to build an automatic songwriting machine. The podcast The Last Archive explores where the songwriting machine fits in our present AI-addled, ChatGPT world. All that and more, this week on Podcast Playlist. Featuring: Classy with Jonathan Menjivar - "Jonathan has some hangups about class. In the first episode of this series, he takes us from a nightclub outside LA to the halls of a fancy Manhattan prep school, and asks sociologist Rachel Sherman 'are rich people bad?'" The Banned Teacher - "He says it was consensual sex. She says it was rape. He was her music teacher. She was a teen. And it wasn't just once, with one girl. He had sex with students in closets, classrooms, and cars. The Banned Teacher begins with one victim's search for justice but turns into a full investigation by host Julie Ireton." The Last Archive - "The story of the composer Raymond Scott's lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT world." The Headwaters - "Before our insatiable addiction to the almighty car, getting around B.C.'s Columbia River Basin was a much different affair. We were transported on trains and paddle-wheelers, a mode of travel that was often an adventure in itself." Without - "People love coffee, but climate change is fundamentally altering where and how coffee is grown. Because of the damage being done to the planet, coffee is in trouble. And so are the farmers who grow it."

Today we're sharing an episode from another Pushkin podcast we love called The Last Archive. The fourth season of The Last Archive just dropped and it's full of truly unexpected stories and big ideas. The episode you will hear today, "Player Piano," is an audio biography of one of the most famous composers of the 20th century who most people have never heard of: Raymond Scott. He wrote tons of hits in the '30s and since then his music has been sampled by Lizzo, J. Dilla and the Gorillaz. Aside from being an avid composer, Scott was also an inventor. And later in his life, he was hired by Motown Records to create a machine that could help people write songs. He called it The Electronium. Today's episode is a crazy piece of musical history, and just a wild story. Be sure to subscribe to The Last Archive to hear other episodes about time travel, invasive species panics, freelance wiretappers-turned-evangelists, and secret science fiction family histories, and more.See omnystudio.com/listener for privacy information.

You may not know the name Raymond Scott, but you've probably heard his music. Many of his compositions have been used, over and over, in the Warner Brothers' Looney Tunes cartoons over the years. Raymond Scott Reimagined is a collaboration between the Quartet San Francisco, Gordon Goodwin's Big Phat Band, and the acapella group, Take Six.Gordon Goodwin did new arrangements of Scott classics like “Powerhouse,” and “Toy Trumpet.” In addition, with the help of the Raymond Scott estate, an unfinished composition, “Cutey and the Dragon,” was completed by Goodwin, and included on this set. Goodwin has won four Grammy's, including Best Instrumental Arrangement for Disney's The Incredibles.He talks about how he went about retooling these great compositions for the modern age, working with all the great musicians. We also chat about a recent collaboration with Patti Austin on For Ella 2, and a forthcoming piano duets album where Goodwin plays both parts himself.

This week we're featuring an episode of The Last ArchiveThe Last Archive is a history show. Our evidence is the evidence of history, the evidence of archives. Manuscripts, photographs, letters and diaries, government documents. Facebook posts, Youtube videos, DVDs. Oral histories. This stuff is known as the “historical record,” but of course it's not a record, in the sense of an audio recording: It's everything.On this episode of The Last Archive, the story of the composer Raymond Scott's lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT world.

This week on The Last Archive, the story of the composer Raymond Scott's lifelong quest to build an automatic songwriting machine, and what it means for our own AI-addled, ChatGPT world.See omnystudio.com/listener for privacy information.

On this episode, Marc talks with Dan Le Roy, author of “Dancing to the Drum Machine: How Electronic Percussion Conquered the World,” published by Bloomsbury in November of 2022. It's a fascinating look at the winding, surprising history of drum machines, and it covers so many musicians and styles of music, from Raymond Scott to RUN-DMC. As Dan writes in his introduction, "The story of the most high-tech endeavor is still the story of people.” Hope you enjoy Marc's chat with Dan!By the way, if you have any feedback, suggestions, questions, or anything you'd like to say about the Podcast, you can email us at MusicBookPodcast@gmail.com. Thanks!

Features music by Kay Kyser, Raymond Scott and Charlie Spivak. We also listen to select tracks from an old radio show starring The Andrews Sisters and some PSA's about the U.S. Savings Bond Payroll Plan. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Esta noche contaremos con la presencia de Raymond Scott, músico, inventor de instrumentos electrónicos raros y visionario, así como responsable de la banda sonora de muchos de los dibujos animados de la Warner de Bugs Bunny y el Pato Lucas. Y además de este genio tendremos a Cab Calloway, Bob Dunn's Vagabonds, The Carter Family, Mahalia Jackson, Blind Boy Fuller, Orquesta Hermanos Palau... A partir de las 23.00 horas en la sintonía de Radio 3. Escuchar audio

Features music by Vaughn Monroe, Raymond Scott, Artie Shaw and The Sportsmen Quartet.  We also listen to clips from an old radio program that tackles the marijuana problem. You know, those Reefer Cigarettes.  The Dope! Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Ronnaldo plays his favorite songs that were featured on the podcast this year.  Includes vintage recordings by Cab Calloway, Kay Starr, Raymond Scott and Glenn Miller. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Speelgoedtrompet' Over Raymond Scott Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/e06afacf-c9d1-427c-beda-7a7b7277454f/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-52-26-t-m-30-december) Raymond Scott General Motors: Futurama Raymond Scott (album: Manhattan Research, Inc.) Raymond Scott Baltimore Gas & Electric Co. Raymond Scott (album: Manhattan Research, Inc.) Raymond Scott New Years Eve in a Haunted House The Raymond Scott Quintette (album: The Music of Raymond Scott, Reckless Nights and Turkish Twilights) Raymond Scott The Toy Trumpet The Raymond Scott Quintette (album: The Music of Raymond Scott, Reckless Nights and Turkish Twilights) Raymond Scott The Toy Trumpet Raymond Scott (album: Manhattan Research, Inc) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Today on the Rarified Heir Podcast we are talking to siblings Stan Warnow and Deborah Scott Studebaker whose father was the composer, musician, innovator, band leader and inventor Raymond Scott. While you may not know the name Raymond Scott, you absolutely know his music. That's because while he may not have composed for cartoons, his music is the DNA of most if not all, Looney Toons & Merry Melodies Warner Bros. cartoons. Believe me, you know the song “Powerhouse” & “The Toy Trumpet”.Now if that's all Raymond Scott was known for, that would be a pretty great legacy. But he also composed for big bands, recorded jingles for the likes of Proctor & Gamble and Hamm's Beer, was the orchestra leader on the radio and television show “Your Hit Parade”,  invented the Clavinex & Electronium (precursors to the modern synthesizer) and much more. He was a man more comfortable with “the work”, than the fame or celebrity that came along with it. He was happier in his workroom than he was on camera. So exacting was his vision that he often alienated musicians and singers with his demanding ways. Yet his genius was hard to overlook as none other than Barry Gordy of Motown hired him in 1971 after seeing the Electronium in action to become the Director of Motown's electronic music and research department in Los Angeles. The man had ten careers or perhaps only two, as Deb explains. We also talk about to Deb about her mother, entertainer Dorothy Collins who was a nightclub performer, starred on Broadway in Steven Sondheim's Follies and on television on Candid Camera & Hollywood Palace among others. It's a wild ride discussing the very earliest electronic music, the music that defined all of our youth, and a man so driven by his passion, he essentially invented the fax machine decades before it became a reality. Enjoy, the latest episode of Rarified Heir Podcast. Everyone has a story.

From dinosaurs dancing to The Rite of Spring in Disney's Fantasia to a tuxedoed Bugs Bunny performing Liszt's Second Hungarian Rhapsody, classic cartoons have long been a delightful entry point for kids of all ages to get to know classical music. That's a tradition composer and jazz pianist Joel Pierson is breathing new life into as artistic director of The Queen's Cartoonists. Working at the crossroads of classical music, jazz, and the golden age of animation, The Queen's Cartoonists perform the scores of classic animated films from around the world, perfectly synchronizing their brilliant jazz-band arrangements with the films projected on stage. Winning audiences over with their madcap humor and a musical palette that mixes Rossini and Strauss with Carl Stalling and Raymond Scott, the ensemble has sold out venues from the Blue Note Jazz Club to the Konzerthaus Berlin. For Pierson, the group's mission is simply to show that anyone can discover a love for classical music and jazz, given the right introduction. "I always say we're essentially tricking people into liking classical music and jazz," Pierson says on the latest episode of the Classical Post podcast. "Of course we're playing a lot of [that] music, but that's not really how you get people in. The hook is that this is a bunch of animated films with a highly synchronized live performance by some excellent New York musicians, and people really like that." In this episode, we talk more about Pierson's process for arranging the wide variety of music The Queen's Cartoonists performs, and he gives us a sneak peek at the group's latest project — a wildly inventive reimagining of Mozart's Requiem. Plus, he shares how travel fuels his creativity, his favorite basement beer bar in New York City, and why a bidet attachment is truly, in his words, "a life-changer." — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

How much can you analyze a song with no lyrics? In this episode, we cover the first instrumental Rush recorded, “La Villa Strangiato” from the Hemispheres album. La Villa Strangiato How often is Tim Right? “An Exercise in Self-Indulgence?” An instrumental from 1978's Hemispheres album Several time signature changes Remember “Powerhouse” by Raymond Scott from the Looney Tunes cartoons? Rush did the right thing! Tim details the 12 segments How do you pronounce “Kubla Khan?” Geddy, Neil, and Alex's nicknames La Villa Strangiato trivia What does Geddy Lee sing at the end of “La Villa Strangiato” on Exit Stage, Left? How often did Tim use Neil's ride cymbal pattern in our bands? What happens when Tim's Bluetooth runs out of juice? Click the link to send us a voicemail via Anchor.fm Connect with us on social media. We are EveryRushSong on every social media platform! --- Send in a voice message: https://podcasters.spotify.com/pod/show/everyrushsong/message Support this podcast: https://podcasters.spotify.com/pod/show/everyrushsong/support

O episódio desta semana conta com Swirlies, Raymond Scott, Klein, METZ, The Psychedelic Fucks, Sam Gendel, entre outros.   Com Gonçalo Formiga & Zé Maldito dos Cave Story      

Episode 80   Electronic Music for Astral Tripping Or, Better Music Through Pharmacology  Playlist Hal Blaine, “Flashes” from Psychedelic Percussion (1967 Dunhill). Drums, Hal Blaine; Electronics (Moog), Paul Beaver; Keyboards, Organ, Electric Piano, Mike Lang; Percussion, Emil Richards, Gary Coleman. 2:22 Raymond Scott, “LSD”public service announcement for the film, The Trip (1967), plus some electronic music snippets from Electronium (2007 Electronium). I'm not sure who the voice of the announcer is but the recording was produced by Raymond Scott and and I sandwiched the PSA between two snippets of Scott's electronic music. Let this be a warning to you. 1:58 Mort Garson, “Astral Projection” from Ataraxia–The Unexplained (Electronic Musical Impressions Of The Occult) (1975 RCA). Composed with an electronic music score (Moog Modular) by Mort Garson. 5:12 Pierre Henry, “Electro-Genèse” from Mise En Musique Du Corticalart De Roger Lafosse (1971 Philips). Live improvisations recorded Feb. 15-21, 1971 by Pierre Henry using Roger Lafosse's Corticalart device, allowing one to transform brainwaves into electronic signals for further raw manipulations. Technical realization by Groupe Artec (Bordeaux) with electroacoustic equipment from Apsome and J. Heuze. I thought that we needed at least one piece that tapped directly into brain waves. 7:39 Ron Jacobs, “Eating Food” and “Listening to Music” from A Child's Garden Of Grass (A Pre-Legalization Comedy) (1971 Elektra). Timely yet instantly dated, this relic capitalized on explaining marijuana to squares. The Electronic Music was by Alex Hassilev, which probably means that Paul Beaver did the synthesizer patchwork (both were involved in 1967 on the Zodiac Cosmic Sounds by Garson). 3:31 Nik Raicevik, “Methedrine” from Numbers (1970 Narco). Although Raicevik went by the name 107-34-8933 for the initial release of this record on his Narco label, it was re-released by Buddha Records under the title Head by Nik Raicevik. Buddha dropped him and Raicevik went on to create several more crazy electronic albums for his Narco label. This was primarily a Moog Modular album. 5:59 Steve Hillage, “Hurdy Gurdy Glissando” from L (1976 Atlantic). This album was produced by Todd Rundgren and featured some of his Utopia bandmates, Kasim Sulton (bass) and the mind-blowing Roger Powell on synthesizers (R.M.I. Keyboard Computer, Minimoog). But the star is guitarist Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is an extrapolation of the Donovan Leitch song, “Hurdy Gurdy Man,” also featured on the album. 8:54 Eberhard Schoener and the Secret Society, “Trance-Formation” from Trance-Formation (1977 Harvest). Bass Guitar, Hansi Ströer; Choir, Members Of The Tölzer Knabenchor; Guitar, Andy Summers; Keyboards, Raimund Elleder; Orchestra, Orchestra of the Munich Chamber-Opera; Percussion, Nippi; Moog Synthesizer, Organ, Piano, Mellotron, Conductor Orchestra Conducted By, Composed By, Arranged By, Produced By, Sleeve Notes, Eberhard Schoener; Vocals, Mary Gregoriy, Monks Of The Monastery of Sama. 11:42 Kitaro, “Astral Trip” from 天界 = Ten Kai / Astral Trip (1978 Wergo). Shakuhachi, Biwa, Ryusuke Seto; Sitar, Lavi; Moog, Korg, ARP, and Roland synthesizers, Koto, Mandolin, Acoustic Guitar, Drums, Percussion, Bass, Kitaro. Written and Arranged by Kitaro. 7:40 Ozric Tentacles, “Lull Your Skull” from There Is Nothing (1986 Self-Released). Bass, Adam Mace; Drums, Nick Van Gelder; Guitar, Keyboards, Ed Wynne; Keyboards, Joie Hinton. 3:00 Bill Nelson, “Opium” from Sounding The Ritual Echo (Atmospheres For Dreaming) (1985 Cocteau Records). "Sounding the Ritual Echo was recorded in the privacy of my own home on broken or faulty tape machines & speakers, each track possessing its own technological deformity. For this I offer no apology as the music owes its existence to a very personal & selfish obsession. As a direct result, some pieces will require a little patience.” Bill Nelson. 1:44 Michael Magne, “Trip Psychiatrique” from Elements Nº 1 "La Terre" (1978 Egg). Bongos, Percussion, Grégori Czerkinsky; R.M.I. Keyboard Computer, ARP Odyssey, ARP Omni Polyphonique, ARP 2600, and Minimoog synthesizers, Clavinet D6, Electric Piano (Fender and Yamaha, composed, adapted, arranged by Michel Magne; Drums, Syn-drums, Jean-Paul Batailley. 4:35 Pure Energy, “Spaced Out” from Spaced Out (12” vinyl) (1983 Say What!? Records). From the Netherlands. Need I say more? I'm not sure if this was about space or being spaced-out but it is definitely psychologically disorienting. This is the long version. 7:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “Stone Stoner” from Absolutely Freak Out (Zap Your Mind!!). Bass Monster Bass, Acoustic Guitar, Vocals, Other Cosmic Joker, Tsuyama Atsushi; Drums, Ichiraku Yoshimitsu; Drums, Percussion, Other Sleeping Monk, Koizumi Hajime; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Violin, Tambura, Effects Cosmic Ringmodulator, Rds900, Synthesizer, Organ, Electric Harpsichord, Vocals, Other Speed Guru, Producer, Engineer, Kawabata Makoto; Jew's Harp, Electric Guitar, Other Erotic Underground, Magic Aum Gigi; Narrator Cosmic Narration, Other Freak Power, Wellens Johan; Saxophone, Mano Kazuhiko; Vocals, Suzuki Chisen; Vocals, Synthesizer, Acoustic Guitar, Other Beer and Cigarettes, Cotton CasinoVoice, Other Cosmos, Ginestet Audrey; Recorded at Acid Mothers Temple and FTF Studio, May to July, 2000. Yes, this is what psychedelic music should sound like. I promise to do an entire podcast around Japanese psychedelic music soon. 16:19 Opening background music: Steve Hillage, “Hurdy Gurdy Man” (edit) from L (1976 Atlantic). Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is a cover version of the Donovan Leitch song, “Hurdy Gurdy Man.” Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Features vintage music by Raymond Scott, Will Bradley, Ralph Flanagan and Cootie Williams.  Ronnaldo thanks some new supporters and also plays a Soundie. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Agatha Christie is the best-selling novelist of all time, whose books have been outsold only by the Bible and Shakespeare. You can probably name several of her books and recurring characters, but how much do you know about Agatha Christie herself? In our final British History episode, we look at Agatha Christie's life, in the hospital dispensary, at home with her daughter, abroad on archeological digs, and behind the typewriter. Joining me in this episode to help us learn more about Agatha Christie is historian Dr. Lucy Worsley, OBE, Chief Curator at Historic Royal Palaces and BBC presenter and author of the new book, Agatha Christie: An Elusive Woman, which will be published in the United States on September 6, 2022. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode image is Agatha Christie as a young woman, circa 1910. It is in the public domain and available via Wikimedia Commons. The audio interlude is “Mystery Waltz,” written by Raymond Scott and performed by Raymond Scott and His Orchestra in 1953. The audio is in the public domain and available via Archive.org. Additional Sources: AgathaChristie.com: The home of Agatha Christie “A Very British Murder with Lucy Worsley,” BBC Select TV Mini Series, 2013. “When the World's Most Famous Mystery Writer Vanished,” by Tina Jordan, The New York Times, June 11, 2019. “The Essential Agatha Christie,” by Tina Jordan, The New York Times, October 25, 2020.  “Why Agatha Christie is even more awesome than you thought,” by Margaret Sessa-Hawkins, PBS NewsHouse, September 15, 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Irwin Chusid is to outsider music as Irving Azoff was to Atlantic Records. This is to say that Chusid is the outsider music mogul. He's the guy behind the guy behind the artist… that you've probably never heard of. However, you're familiar with Chusid and some of the artist's work he champions. You may not know who Raymond Scott is, but if you're above a certain age, you may recall the animated series The Ren & Stimpy Show. Well, it's Chusid's dogged championing of Scott's music and push for its re-release that found its way into the earholes of The Ren & Stimpy Show Creator John Kricfalusi and Creative Director Bob Camp. Links  Outsider Music Harry Smith  Songs in the Key of Z by Irwin Chusid Sun Ra: Art on Saturn: The Album Cover Art of Sun Ra's Saturn Label (October 2022) Sun Ra, Irwin Chusid, Chris Reisman The Carl Stalling Project That's All Folks by Steve Schneider Raymond Scott The Ren & Stimpy Show Juan Garcia Esquivel (Esquivel!) The Langly School Music Project WFMU Lucia Pamela The Shaggs Wesley Willis  Jandak  

Raymond Scott is a Certified Management Accountant (CMA) who has worked in finance in several industries at large and small organizations. When it comes to Institutional and department budgets, it Is easy to be intimidated or overwhelmed, but take a walk to the finance office, and you'll probably be surprised to discover that they are happy that you visited. Learning about budgets, serving on Institutional budget committees, and collaborating with the Office of Finance provide excellent opportunities to engage with the Institution's strategic plan and elevate your visibility. Raymond discusses the importance of learning more about Institutional finance and budget processes. To learn more about Raymond Scott, visit https://www.linkedin.com/in/raymond-scott/ www.TheAcclivity.comhttps://www.linkedin.com/indrlorenmhill/https://twitter.com/drlorenmhillhttps://www.youtube.com/channel/UCc7Pj53_iGc2M9GcZN1AgLAwww.TheAcclivity.com https://www.linkedin.com/indrlorenmhill/ https://twitter.com/drlorenmhill https://www.youtube.com/channel/UCc7Pj53_iGc2M9GcZN1AgLA

The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network previews the upcoming 2022 college football season for the Fresno State Bulldogs. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down each and every game on the Fresno State schedule and take a deep dive into the Fresno State Bulldogs roster and project just how the Bulldogs will do this year? Is the Jeff Tedford hiring by Fresno State the best possible hire Fresno State could have done? Is Jeff Tedford one of the most underrated coaches in America?Will Fresno State be the front runners to win the Mountain West with 15 returning starters? Is Jake Haener one of the top quarterbacks in the nation? Will this be a breakout season for running back Jordan Mims? Will the return of Jalen Cropper, Josh Kelly with the addition of Nikko Remigio give Fresno State one of the best passing attacks in all of America?Does the return of defensive end David Perales mean the Defensive Line will be okay despite losing two starters from a season ago? Did Fresno State win the transfer portal? Will USC transfer Raymond Scott be a instant impact player for Fresno State?We talk it all on this Fresno State Bulldogs edition of The College Football Experience.Fresno State Bulldogs 2022 ScheduleWin Total O/U: 8.5vs Cal Polyvs Oregon State@ USCBYE@ UConn@ Boise Statevs San Jose State@ New Mexicovs San Diego Statevs Hawaii@ UNLV@ Nevadavs Wyoming Download The Free SGPN App - https://sgpn.appWynnBET - Bet $50 Get $200 In Free Bets - https://sg.pn/WynnBETJoin Sleeper and get a 100% deposit bonus up to $100 - http://sleeper.com/sgpSupport for this episode - AthleticGreens.com/SGP | IPVanish.com/sgpFollow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNTwitter - http://www.twitter.com/gamblingpodcastInstagram - http://www.instagram.com/sportsgamblingpodcastTikTok - https://www.tiktok.com/@gamblingpodcastFacebook - http://www.facebook.com/sportsgamblingpodcast Follow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicK Learn more about your ad choices. Visit podcastchoices.com/adchoices

The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network previews the upcoming 2022 college football season for the Fresno State Bulldogs. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down each and every game on the Fresno State schedule and take a deep dive into the Fresno State Bulldogs roster and project just how the Bulldogs will do this year? Is the Jeff Tedford hiring by Fresno State the best possible hire Fresno State could have done? Is Jeff Tedford one of the most underrated coaches in America? Will Fresno State be the front runners to win the Mountain West with 15 returning starters? Is Jake Haener one of the top quarterbacks in the nation? Will this be a breakout season for running back Jordan Mims? Will the return of Jalen Cropper, Josh Kelly with the addition of Nikko Remigio give Fresno State one of the best passing attacks in all of America? Does the return of defensive end David Perales mean the Defensive Line will be okay despite losing two starters from a season ago? Did Fresno State win the transfer portal? Will USC transfer Raymond Scott be a instant impact player for Fresno State?We talk it all on this Fresno State Bulldogs edition of The College Football Experience. Fresno State Bulldogs 2022 Schedule Win Total O/U: 8.5 vs Cal Poly vs Oregon State @ USC BYE @ UConn @ Boise State vs San Jose State @ New Mexico vs San Diego State vs Hawaii @ UNLV @ Nevada vs Wyoming Download The Free SGPN App - https://sgpn.app WynnBET - Bet $50 Get $200 In Free Bets - https://sg.pn/WynnBET Join Sleeper and get a 100% deposit bonus up to $100 - http://sleeper.com/sgp Support for this episode - AthleticGreens.com/SGP | IPVanish.com/sgp Follow The College Experience & SGPN On Social Media Twitter - https://twitter.com/TCEonSGPN Twitter - http://www.twitter.com/gamblingpodcast Instagram - http://www.instagram.com/sportsgamblingpodcast TikTok - https://www.tiktok.com/@gamblingpodcast Facebook - http://www.facebook.com/sportsgamblingpodcast   Follow The Hosts On Social Media Colby Dant - http://www.twitter.com/thecolbyd Patty C - https://twitter.com/PattyC831 NC Nick - https://twitter.com/NC__NicK Learn more about your ad choices. Visit podcastchoices.com/adchoices

The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network previews the upcoming 2022 college football season for the Fresno State Bulldogs. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down each and every game on the Fresno State schedule and take a deep dive into the Fresno State Bulldogs roster and project just how the Bulldogs will do this year? Is the Jeff Tedford hiring by Fresno State the best possible hire Fresno State could have done? Is Jeff Tedford one of the most underrated coaches in America? Will Fresno State be the front runners to win the Mountain West with 15 returning starters? Is Jake Haener one of the top quarterbacks in the nation? Will this be a breakout season for running back Jordan Mims? Will the return of Jalen Cropper, Josh Kelly with the addition of Nikko Remigio give Fresno State one of the best passing attacks in all of America? Does the return of defensive end David Perales mean the Defensive Line will be okay despite losing two starters from a season ago? Did Fresno State win the transfer portal? Will USC transfer Raymond Scott be a instant impact player for Fresno State?We talk it all on this Fresno State Bulldogs edition of The College Football Experience. Fresno State Bulldogs 2022 Schedule Win Total O/U: 8.5 vs Cal Poly vs Oregon State @ USC BYE @ UConn @ Boise State vs San Jose State @ New Mexico vs San Diego State vs Hawaii @ UNLV @ Nevada vs Wyoming Download The Free SGPN App - https://sgpn.app WynnBET - Bet $50 Get $200 In Free Bets - https://sg.pn/WynnBET Join Sleeper and get a 100% deposit bonus up to $100 - http://sleeper.com/sgp Support for this episode - AthleticGreens.com/SGP | IPVanish.com/sgp Follow The College Experience & SGPN On Social Media Twitter - https://twitter.com/TCEonSGPN Twitter - http://www.twitter.com/gamblingpodcast Instagram - http://www.instagram.com/sportsgamblingpodcast TikTok - https://www.tiktok.com/@gamblingpodcast Facebook - http://www.facebook.com/sportsgamblingpodcast   Follow The Hosts On Social Media Colby Dant - http://www.twitter.com/thecolbyd Patty C - https://twitter.com/PattyC831 NC Nick - https://twitter.com/NC__NicK Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today on WPMT, “Lute Song,” starring Mimi Benzell and Gordon MacRae with William Conrad, Marvin Miller and Alvina Temple, with book by Sidney Howard and Will Irwin and music by Raymond Scott and lyrics by Bernard Hanighen, will premiere at 1 PM CT on all major podcast platforms. This is the broadcast originally heard on The Railroad Hour, March 23, 1953.

1 - Wayfaring Stranger - Burl Ives – 19492 - Stranger - Lloyd Glenn and his Orchestra - 19473 - Stranger – Clyde Burke with Raymond Scott and his New Orchestra – 19404 - Sweet Stranger – Kitty Lane with Glenn Miller and his Orchestra - 19375 - Sweet Stranger - Manhattan Dance Makers – 19276 - Song of the Wanderer - Helen Humes with Harry James and his Orchestra - 19387 - Song of the Wanderer - Chicago Rhythm Kings – 19498 - Welcome Stranger - Ruby Newman and his Orchestra - 19369 - Wanderer - Ray Noble and his Orchestra – 193310 - Stranger in Town - Jimmy Saunders with Charlie Spivak and his Orchestra - 194511 - Stranger in Town - Martha Tilton – 194412 - A Stranger in Paree - Johnny Russel with Vincent Lopez and his Orchestra - 193813 - Chant of the Wanderer - Sons of the Pioneers – 194814 - The Wanderer - Paul Robeson - 193715 - Sweethearts or Strangers - Bill Boyd and his Cowboy Ramblers – 194116 - Strangers in the Dark - Shirley Lloyd with Ozzie Nelson and his Orchestra - 193717 - Don't Worry 'Bout Strangers - Mildred Bailey – 194718 - The Quiet Stranger – Episodes 1 through 4 – Post WWII Australian Radio Drama19 - Why Fall in Love with a Stranger - Two Ton Baker - 194920 – Handsome Stranger – Sons of the Pioneers – 195121 – Sweet Stranger - Pops Carol with Reggie Childs and his Orchestra - 1937

Ersa Lowly's topics here on Clairaudience tend toward the lofty, the paranormal, and the mystical, as above, so below. We often imagine there's a dividing line between high and low experiences, but it's all, pardon our French, composed of the same shit. Our lowest moment is connected to our highest; our most embarrassing story says as much about us as our most laudable. So we're engaging in a bathroom story tonight from the 1-877-WASTOIDS hotline. Plus, far out tunes from the Science Fiction Corporation, Scott Blair from Eugene's Electronic Music Collective, and Raymond Scott. 

Grant Godwin is a good man who always tries to do the right thing; that's why he became a cop, after all. But recently? Grant doesn't feel like being an officer of the law is making a difference in the world. One fateful night, after lamenting to a stranger about his desire to do more, he is granted the mantle and title of the Torchbearer, the ever-burning lantern of hope and justice! With his powers to shape pure light to his will, Torchbearer embarks on a mission to bring inspiration to the people of the world! Cast: David (he/him; @MrBananaSocks) as the Editor in Chief, Phil Montgomery (he/them; @BMCPHILANTHROPY) as Torchbearer (he/him) Join our Discord: https://discord.gg/kDFN36npSP Support us on Patreon: https://www.patreon.com/mistconceptionspod Music in this episode: Sad, Sad Story by Raymond Scott and His Orchestra, The Moment I Saw You by Ray Noble and His Orchestra, Saint-Saëns by Bigot Eugène, Marcia funebre: Adagio assai by Bruno Walter

From Bugs Bunny to Motown to Moog synthesizers, Raymond Scott was a 20th century music innovator who got his weirdo compositions into American living rooms. A playlist of this and other songs relevant to the episode can be found here: https://open.spotify.com/playlist/6DJg4CFkgVdwmk2nhaFadE?si=553b149e4ec84002

Hace más de diez años, en El Abrazo del Oso, hablamos Raymond Scott, un extravagante personaje que protagonizó los antecedentes de la música electrónica. Un FlashBack de El Abrazo del Oso en el que os contamos, precisamente con mucha música, y con guion de Pedro José Pérez, quién fue este curioso personaje. Os dejamos con su historia y os adelantamos el tema del programa del próximo domingo. Si te gusta el Abrazo del Oso y quieres acceder a más contenidos extra, puedes ayudarnos pinchando en el botón 'apoyar' aquí en iVoox. O pásate por www.patreon.com/elabrazodeloso ¡GRACIAS! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Features vintage tracks by Raymond Scott, Charlie Barnet, Sam Donahue and Guy Lombardo.  We also listen to an old Chesterfield ad. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Ep-32 Minifuse, Ableton 11.1, Raymond Scott Podcast de Tecnología Musical- https://youtu.be/_bIscoTqjh0