Podcasts about scientologists

In this episode of the Get Obsessed podcast, hosts Julie Lokun and Mika Altidor speak with Anne Gollert Hill about Scientology, her years in the Sea Org, and her eventual escape from Scientology after nearly two decades inside the organization.  Anne is a Canadian writer, survivor, and creator of the blog My Scientology Story, where she shares her experiences inside one of Scientology's highest-ranking divisions and her journey toward rebuilding her life after leaving. Anne shares how a search for purpose led her into Scientology and eventually into the Sea Org, where she signed the Billion-year contract and spent years inside the organization's inner ranks. She discusses life under David Miscavige, the influence of celebrity Scientologists, including Tom Cruise, John Travolta, Kirstie Alley, and Leah Remini, and her journey toward freedom after leaving. In this episode, we discuss: Anne's background and how she became involved with Scientology How Scientology recruited her through emotional vulnerability What Scientology is and how it presents itself publicly The path to joining the Sea Organization and signing the billion-year contract Recruitment to international management and life inside Scientology leadership David Miscavige's leadership and the atmosphere of fear inside the Sea Org Community inside the Sea Org and the policy prohibiting children   ABOUT THE GUEST: Anne Gollert Hill is a Canadian writer, survivor, and creator of the blog My Scientology Story, where she shares her experiences inside Scientology and her journey toward freedom. After joining Scientology in 1988 during a difficult chapter in her life, she became deeply involved in the organization and was eventually recruited into the Sea Org's international communications division, serving at some of Scientology's highest-level facilities, including Gold Base. After nearly two decades inside the organization, Anne left Scientology on August 3, 2007, walking out of the Flag Land Base in Clearwater, Florida, with only the clothes on her back. Today, she speaks openly about coercive influence, recovery, personal freedom, and the lasting impact of life inside a high-control organization. Through her writing and advocacy, she helps others better understand the realities of indoctrination, escape, and rebuilding life after leaving Scientology.   MENTIONED IN THE EPISODE: (Book) Troublemaker by Leah Remini - https://www.amazon.com/Troublemaker-Surviving-Scientology-Leah-Remini/dp/1101886986 (Video) Leah Remini: Scientology and the Aftermath (Netflix) - https://www.netflix.com/title/81229101 (Reference) BITE Model of Authoritarian Control - https://freedomofmind.com/cult-mind-control/bite-model-pdf-download/ CONNECT WITH ANNE GOLLERT HILL: Website: My Scientology Story: http://agollerthill.wordpress.com/ Instagram: https://www.instagram.com/annehillwriter/ Facebook: https://www.facebook.com/agollerthill  Tiktok: https://www.tiktok.com/@annegollerthill    ABOUT GET OBSESSED Website: www.getobsessedpodcast.com Be a Guest! http://www.getobsessedguest.com  Reach Out To Us! hello@getobsessedmedia.com  The Get Obsessed podcast is dedicated to exploring the passions, mindsets, and habits that drive high performers. We believe that what you obsess over defines your future. LISTEN, RATE, REVIEW AND SUBSCRIBE - Get Obsessed : With Living Your Best Life - Podcast - Apple Podcasts Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.   LEGAL DISCLAIMER:  The views, personal accounts, and opinions expressed in this episode are solely those of the guest, Anne Gollert Hill, based on her own lived experiences and recollections. This podcast makes no independent factual claims regarding the Church of Scientology or any of its members, leaders, or affiliated individuals. All statements reflect the guest's personal perspective and memory and should not be construed as established legal fact. The Church of Scientology denies many of the claims made by former members. Neither this podcast, its hosts, its production team, nor its parent company endorses, verifies, or assumes legal responsibility for the guest's account. This episode is produced for informational and entertainment purposes only. Listeners are encouraged to seek out multiple sources when forming their own conclusions. Nothing in this episode constitutes legal advice. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We have a very special guest on Mormon Stories today, who some of our live audience may know as "TrevAnon" on YouTube. He has helped out for many years as a moderator for Mormon Stories livestreams, and he is here today to tell us why a Never-Mormon from the Netherlands would find interest in Mormonism. This episode will begin with Trev's story, and how he developed his interest in cults and other high-demand religions--especially Scientology. Additionally, he has prepared a presentation that will compare and contrast Scientology to Mormonism. Join along as we hash out all the similarities and differences point by point. We are grateful to TrevAnon (Corry) for sharing his story and expertise with our audience, and hope you find it as interesting as we did. ___________________YouTubeAt Mormon Stories we explore, celebrate, and challenge Mormon culture through in-depth stories told by members and former members of The Church of Jesus Christ of Latter-day Saints as well as scholars, authors, LDS apologists, and other professionals.  Our overall mission is to: 1. Facilitate informed consent amongst LDS Church members, investigators, and non-members regarding Mormon history, doctrine, and theology2. Support Mormons (and members of other high-demand religions) who are experiencing a religious faith crisis3. Promote healing, growth and community for those who choose to leave the LDS Church or other high demand religions

The Decoders wrap up cult season by dissecting a titan of the cult scene, the founder of Scientology, Lafayette Ronald Hubbard or L. Ron for short. A prolific science fiction author, L. Ron founded an alternative self-help movement and then developed it into his cosmic self-help 'religion' of Scientology.Scientology has now been the subject of multiple documentaries and even a fairly detailed South Park parody episode, so it feels like many are aware of the general 'deal' of Scientology. But how about L. Rob Hubbard as a guru... how many people have actually taken the time to sit down and just hear the guy out? Here at DTG HQ, we are all about the good-faith deep dives, so we decided to devote some time to analysing a 1966 Rhodesian TV interview with L. Ron Hubbard, in which a friendly Scientologist interviewer (not identified as such) politely tees up Hubbard to explain Scientology.So join us to find out how L. Ron invented a “workable science,” a “religion of religions,” and a self-help machine that raises IQ, fixes life problems, and proves life after death. By modern standards L. Ron can seem a bit quaint, but because of that, he serves as a useful primer in the core techniques of Guru manipulation, including narcissistic invented biographies, disdain for materialism, a persecution complex, flattery of followers, and anti-establishment disparagement. All of the classics are on display!So get ready to wake up to your true potential, process your engrams, and so forth.LinksSource Material Interview: Interview with L. Ron Hubbard in ZimbabweBehind the Bastards: L. Ron Hubbard SeriesGoing Clear: Scientology & the Prison of Belief (Documentary)My Scientology Movie: Louie Theroux

The Munsons welcome back our favorite bald guest Munson, Chip Hessenflow, to dive into the strange, fascinating, and deeply anxious world of Giovanni Ribisi. From the jump, we're captivated by Ribisi's obsession with cinematography, vintage cameras, and filmmaking technology—so much so that he literally loans equipment out to legendary directors like Paul Thomas Anderson. Naturally, this leads us into discussing one of the more unusual distinctions in Munson's history: Giovanni becomes the first practicing Scientologist we've covered in 136 episodes. We spend a shocking amount of time talking about Boiler Room (seriously, keep count at home), while James takes a passionate detour into why the Avatar franchise actually rules and continues to hold up better than people want to admit. Along the way, we explore how Ribisi essentially cornered the market in Hollywood on playing “the weird guy,” weaponizing his nervous, twitchy, anxious energy into one of the most unique character actor careers of his era. We revisit his endless string of early television appearances, uncover just how many massive Friends fans are apparently on this podcast, and celebrate his memorable run on the series. The deeper we go, the more impressed we become by the absolutely loaded list of directors and co-stars Ribisi worked with throughout the late 90s and early 2000s—a résumé that quietly stacks up against almost anyone from that generation. How does he rank on the Munson Meter? Listen to find out.

Donate for World Hunger Day! Dr. Eric Berg has built one of the biggest nutrition empires on the internet. With millions of YouTube subscribers and billions of views, his videos on keto, fasting, “hidden toxins,” and miracle health hacks reach an audience larger than many major media outlets. To his fans, he's the calm, trustworthy doctor explaining the “real truth” about health that mainstream medicine doesn't want you to hear. But the deeper we dug into the world of Dr. Berg, the stranger the story became. What starts as nutrition advice quickly turns into an Alice in Wonderland-style rabbit hole filled with anti-establishment wellness messaging, controversial medical claims, and eventually… Scientology. So join us, two registered dietitians, as we unravel the bizarre overlap between influencer wellness culture, algorithm-driven health misinformation, and one of the most controversial organizations in modern history.Want to support the show and get bonus episodes? Join our Patreon! https://www.patreon.com/nutritionformortalsLeave us a voicemail that may be featured on a future episode! Call us at (562)-N4M-POD1 (562-646-7631).We've got MERCH! Check it out HEREDon't want to miss any episodes in the future? Make sure to subscribe wherever you listen to podcasts!For feedback or to suggest a show topic email us at nutritionformortals@gmail.comFeel free to contact our real, live nutrition counseling practice**This podcast is for information purposes only, is not a substitute for individual medical or mental health advice, and does not constitute a patient-provider relationship**

This week on Sibling Rivalry, Bob and Monét question who the real Harry Potter fan is, whether Mormons are Christians, and if either of them would ever become Mormon or Scientologist. Bob explains sour mash, they see who can correctly spell “contiguous,” and wonder if Texas could ever turn blue. They revisit the Scary Movie franchise, search their text history for words like “sorry,” “thank you,” and “busted,” and role-play how Monét would interact with Sebastian Bach. Plus, Houdini's accidental death, the butterfly effect, bending elements, dream superpowers, bees vs. mosquitoes, and what animals they'd be. Thanks to our sponsors: Book your next stay with Airbnb! If you're struggling with OCD or unrelenting intrusive thoughts, NOCD can help. Book a free 15 minute call to get started: https://learn.nocd.com/rivalry  Join the millions who are already banking fee free today. Head to chime.com/rivalry Go to HomeChef.com/RIVALRY for 50% OFF your first box and free dessert for life! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Scheana is joined by astrologer, reality TV personality, and fellow cat mom Ally Lewber. The two unpack Ally's experience filming Netflix's “Perfect Match” — from the surprising item production confiscated and potential match Jimmy's “glow-up bangs,” to sharing her most intimate moments on camera and why she's hesitant to consider doing a dating show again. They also dive into the complicated reality of supporting friends caught in toxic relationship cycles, using the recent SLOMW fallout between Taylor Frankie Paul and Mikayla Matthews as a jumping-off point for a surprisingly raw and emotional conversation about boundaries, enabling, and what actually helps someone leave for good. Ally opens up about why she's now grateful certain moments from her past relationship played out so publicly, the support system that helped her through it, and her honest reaction to seeing headlines about her ex's baby news. Elsewhere, Scheana and Ally debate open relationships vs. throuples, whether they'd rather know WHEN or HOW they die, and why Brock once referred to Ally as a “Scientologist to the stars.” Plus, Scheana is not here for the Bravo blogger slander — in fact, she's giving them their flowers this week. Tune in to find out why! Domestic Violence ResourcesNational Domestic Violence Hotline: https://www.thehotline.org/Peace Over Violence: https://www.peaceoverviolence.org/Live Your Dream: https://www.liveyourdream.org/ Follow us: @scheana @scheananigans Guest: @allylewber Purchase your very own copy of the NYT Best-selling book/audiobook MY GOOD SIDE at www.mygoodsidebook.com!Episode Sponsors:Wake up with clearer skin, smoother hair, and cooler sleep. Use code GOODASGOLD for an extra 30% off at blissy.com/GOODASGOLD.Shop at REVOLVE.com/GOODASGOLD and use code GOODASGOLD for 15% off your first order. #REVOLVEpartnerPlease note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The most sophisticated sales funnel ever built isn't from a tech startup. It's not Amazon, it's not Apple, it's not from any business-school case study you've ever read. It's a religion. The man who built it wasn't a theologian or a prophet - he was a science fiction writer who held four Guinness World Records, published 65 million words on a custom typewriter with extra keys for common words like “and” and “the” so he could write faster, and engineered a customer journey that starts with a free personality test and ends with a $380,000 offer delivered on a cruise ship in the middle of the Caribbean. This isn't an episode about what Scientology believes. I'm a Mormon, I've got friends who are Scientologists, and I'm not here to debate theology. This is about the architecture of one of the most sophisticated value ladders ever built in human history - and I walk you through every step in the language every entrepreneur in this audience actually speaks. Free lead magnet, $35 tripwire, $11,200-per-grade core offer, $30,000-a-year high ticket back end, a premium tier only deliverable on a boat, and an “unreleased” next level that's been “coming soon” since 1986. Then I trace their closing technique back to my mentor Dan Kennedy's “find the bleeding neck” framework, and I show you why all of it actually works using a 1951 book by a longshoreman named Eric Hoffer called The True Believer. Key Highlights: ◼️The complete value-ladder breakdown - the free Oxford Capacity Analysis as the lead magnet, the $35 “throwaway” intro courses as the tripwire, the $11,200-per-grade core offers, OT levels that top out on the Freewinds cruise ship, and OT 9 and OT 10 - the “next level” that's been coming soon since 1986 ◼️The Jeff Hawkins direct-response case study every entrepreneur should study - $2,000 in production cost that generated $200 million over 35 years, and the Sigmund Freud unconscious-mind trick L. Ron Hubbard built right into the Dianetics cover art ◼️The “Dissemination Drill” - the 4-step closing technique Scientology recruiters are trained on (contact, handle, salvage, bring to understanding) - and why it's the exact same psychology Dan Kennedy taught me as “find the bleeding neck” ◼️Eric Hoffer's three insights from The True Believer that explain why intelligent, successful people stay in any movement for decades - people join for refuge not doctrine, every movement needs a devil more than a god, and conviction beats content every single time ◼️The single line that separates a movement from a cult - the techniques are identical, the architecture is identical, the psychology is identical, and the only difference is what happens to the person at the end At the end of the day, this episode isn't really about Scientology. It's about the fact that the same architecture that built a $380,000 funnel on a cruise ship is the same architecture I teach entrepreneurs to use every single day. The value ladder works. The bleeding-neck close works. The “us vs. the gatekeepers” enemy works. The conviction that makes people follow you works. The tools are neutral - the only difference between a movement and a trap is what you actually do with the person who walks in the door. So the real question I ask myself every single day - and the one I want you to sit with after you hear this - is: are you building something that genuinely helps the person at the end of your funnel, or are you building a system that uses their pain to keep them paying for forty years? ◼️If you've got a product, offer, service… or idea… I'll show you how to sell it (the RIGHT way) Register for my next event → https://sellingonline.com/podcast ◼️Still don't have a funnel? ClickFunnels gives you the exact tools (and templates) to launch TODAY → https://clickfunnels.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailYou're told the Scientology e-meter is a “religious artifact” and a precision guide for spiritual counseling, but nobody ever wants you to look inside it. So we do the one thing Scientologists are NOT allowed to do: we open an e-meter on camera, read Scientology's own technical definitions, and then compare the mythology to the wiring, boards, connectors, and the policies that keep members paying and compliant.We talk through how the e-meter is used in Scientology auditing and confessionals, how needle reactions steer questioning, and why certain reads like a “rock slam” can have terrifying consequences inside the Sea Org. We also explain why the FDA disclaimer plate exists, what “silver certification” is, and how the whole “high-tech” narrative holds up when you factor in rushed production, calibration backlogs, and the reality of off-the-shelf components. If you've ever wondered how an electropsychometer becomes a tool of control, this is the practical breakdown that makes it click.Then we pivot to the newer Mark VIII era: online check-ins, bricking, tracking, and the way hardware and surveillance can merge into a closed system. Along the way we answer live questions, cover the infamous pinch test, and share behind-the-scenes stories from Golden Era Productions that put the meter's price tag in a totally different light.If this helped you understand Scientology's e-meter and auditing culture more clearly, subscribe, share the show with someone who's curious, and leave a review so more people can find it.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503RSS: https://feeds.buzzsprout.com/2131160.rssYOUTUBE PLAYLISTS:Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-eBNXD...

Happy Hump Day, yo! Not bad today with a high in the low 60's expected before cooling off the next few days. If you already bought some outdoor plants, you may want to keep an eye on the forecast the next few nights and bring those plants inside! In the news this morning, more from the White House Correspondents' Dinner shooting…including a teacher in Kaukauna who is on leave after a post on social media about the assassination attempt, the guy who was seen calmly eating his food while the shooting occurred has been identified…while people are still trying to figure out who was the woman "stealing" wine bottles…plus, a conspiracy theory about the shooter that's gaining traction on the internet. Also in the news, the FBI is executing search warrants at a bunch of Minneapolis daycare centers accused of fraud. In sports, the Brewers beat the brakes off the Diamondbacks last night, a recap of last night's NBA & NHL Playoff action along with a look at tonight's schedule of games. The Phillies become the 2nd MLB team to fire their manager this season, and the NCAA March Madness tournament is going to officially expand next year. We let you know what's on TV today/tonight and check out the staggering amount of money the cast of "Friends" makes in residuals from the show. The La Crosse River Clean-up is next Saturday, and you can sign up to help online at rivercleanuplacrosse.com. The one in Milwaukee just happened and they officially set a Guinness World Record for the largest multi-location river clean-up! Also, check out these students who saved a bunch of lives when their bus driver suffered a medical emergency! Elsewhere in sports, Damon Jones pleads guilty in that basketball gambling case, an NCAA QB could be in big trouble for gambling on games, and the Steelers have made a move to keep Aaron Rodgers with the team for next season. Today is "One Gotta Go Wednesday" - Condiment edition! Ketchup, mustard, mayo, or relish? We talked about the latest credit card scam, and also jammed out to this pop-punk song a guy made using his pregnant wife's text messages. It's a banger! Plus, a poll about our favorite uses for A.I., and a Cleveland Guardians fan who stole a baseball from a little girl is getting absolutely dragged online. And in today's edition of "Bad News with Happy Music", we had stories about a Confederate Memorial Day celebration in Alabama is NOT well-received, five dead bald eagles in Michigan, a woman in Massachusetts who attacked police with bees, and the Scientologists are locking down their buildings to prevent the recent spate of speed-runs.See omnystudio.com/listener for privacy information.

Send us Fan MailOne email. Three weeks. A lawsuit. That's the timeline Debbie Cook triggered when she quietly hit “send” to a list of high-level Scientologists on New Year's Eve 2011. Debbie wasn't a random critic. She spent decades inside the Sea Org, ran Scientology's Flag operation in Clearwater for years, and knew exactly how to write in a way that Scientologists would actually keep reading.We walk you through her message line by line, translating the Scientology jargon into plain English and pulling out the core claims: nonstop fundraising that isn't supported by L. Ron Hubbard policy, IAS donation pressure and ballooning reserves, Ideal Org building projects that prioritize optics over auditing and training, and “tech changes” that push OTs into expensive redo programs. Along the way, we talk about why quoting Hubbard matters inside the belief system, how “eligibility” threats keep OT7 members compliant, and why telling people to withdraw donations is one of the fastest ways to provoke retaliation.Then we contrast the careful tone of the email with what Debbie later describes under oath in her court testimony: allegations of physical intimidation, violence, and the Hole at Scientology's international base. We also connect the money story to a bigger financial reality former executives describe: massive undelivered services liabilities that incentivize more fundraising, more events, and more pay-to-stay control.If you care about Scientology exposed reporting, cult recovery, and how high-control groups weaponize money and fear, this one will stick with you. Subscribe, share, and leave a review, then tell us: what part of Debbie's email would have scared you most to send?Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503RSS: https://feeds.buzzsprout.com/2131160.rssYOUTUBE PLAYLISTS:Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-eBNXD...

The Gary & Shannon Show Hour 1 (04.15) – A mix of dark laughs, weird turns, and a Governor’s race getting messy.• Shannon recaps a night of very dark comedy → seeing Anthony Jeselnik and Chelsea Handler, and realizing her husband might be just as twisted as she is• A bizarre detour → fan mail, Jehovah’s Witnesses, and a surprise Scientologist art teacher• Jackie Robinson Day sparks a quick history lesson before shifting to the latest on Iran and the Strait of Hormuz• New details in the “Baby Jessica” case → probable cause affidavit adds context to the arrest• The Governor’s race reshuffles → Swalwell fallout, special election talk, and questions about what we expect from politicians• Tom Steyer emerges → and resurfaces for… very questionable campaign trail karaokeSee omnystudio.com/listener for privacy information.

July 22, 2008KAREN PRESSLEY, a convert from the Church of Scientology to Biblical Christianity and Founder of Wings of Love Ministries will give her personal testimony: “ESCAPING SCIENTOLOGY: AN INSIDER'S TRUE STORY.” Prior to her 16-year involvement with the Church of Scientology, Karen worked as a Hollywood fashion designer, as well as a music publisher with her (then) husband Peter Schless. Their work included hit songs like “On the Wings of Love.” Their careers took a turn (early 1980's) when they fell prey to the deception of Scientology. After 16 years in Scientology, God's grace removed the veil of deception from Karen's eyes. After two prior unsuccessful attempts to escape (1990 and 1993), her third attempt in 1998 led to final disentanglement from the group, but resulted in ex-communication from her friends and divorce from her husband of 20 years. Grace also enabled her escape and miraculous freedom from the cult's entrapment—including her eventual discovery of the power of prayer and faith in Christ. Since Karen began her “new life” in 1998, she has traveled from coast to coast sharing the amazing story of her experiences within the Church of Scientology (1982-1998), her three escapes (final in 1998), and the challenges of rebuilding a new life after losing everything she had. Hers is a story of courage, hope, and building character through trials and perseverance. Reunited with her family in Atlanta, she has a new life: new career, resumed her college education, new marriage, and counts her losses as gain through her new found faith in God.With a passion to communicate and with boldness to share this story, she has been invited to speak around the country. Her story has touched the hearts of thousands at women's conferences, church and ministry events, youth groups, colleges and universities. Pieces of Karen's personal story as an ex-Scientologist who escaped and and found faith in Jesus Christ have aired on NBC Dateline, CNN (Paula Zahn segment), “Secrets d'Actualite” on M6 Network in Paris, and local Atlanta shows, as well as local and national radio shows. She's been interviewed by the Los Angeles Times, St. Petersburg Times, Atlanta's Sunday Paper, and many Christian publications including Baptist Press News, The Christian Index, Missions Mosaic, On Mission Magazine, LifeWay's Open Windows and more. Subscribe: iTunes TuneIn Android RSS Feed Listen:

Håkan left Scientology in the early '80s - at around the same time as Jon - and followed a similar course, seeking to understand the deeply manipulative methods sold as therapy by Ron Hubbard. Håkan qualified as a psychologist and spent three years touring Swedish schools with a mentalist, showing teenagers how easily we can be tricked. It is surprising how few former Scientologists have reached an understanding of Hubbard's implanting methods, so they continue to behave within the confines of Scientology's confused and often anti-social ideas. This talk should help! Links: Håkan's book, RadicalizationRead Jon's paper, Never Believe a Hypnotistor watch the videoMike Rinder joins Jon in a deconstruction of Hubbard's History of ManPhil Zimbardo's Heroic Imagination ProjectJane Elliott's Blue-eyed / Brown-eyed experimentThe Robbers Cave ExperimentThe real-life "Lord of the Flies," the Tongan CastawaysYuval Laor's presentation, Belief and fervor - part one part two part threeFor more of Yuval's work, check out our complete playlist of his videosbuy Jon's latest book, If Scientology Ruled the WorldAnd listen to a free sampleFREE download of our "human predator" poster

Talking with Michelle Horsley, autistic researcher, artist, and writer of the Aut Naught Aut, mapping the parapolitical architecture of the autism industrial complex… From her personal experiences growing up autistic to her extensive research into the historical and current narratives surrounding autism.Her insights challenge mainstream as well as alternative perceptions and reveal layers of political and social complexities. She advocates for a more informed and empathetic understanding of autism that truly centers the voices of those within the community.On being five and nearly institutionalized, on cousins who disappeared into care and were never spoken of, on the mercy of small schools and open fields, on learning to speak through rote phrases like operating systems, on meaning blindness, on writing poetry to break the blocks, on internet relay chat in 1992 and the joy of text-only communion, on autistic people discovering each other online for the first time, on the flowering of recognition, on the anti-vax people arriving in autistic spaces and tearing it all down, on being told your identity is a disease, on Scientologists using communication tech as a weapon, on the split between autistic adults and parents of autistic children that became unbridgeable, on Leo Kanner, on childhood schizophrenia, on post-immunization encephalopathy, on Bernard Rimland wearing two hats — hero to the parent community and career naval psychologist directing future technologies, on the 1958 National Defense Education Act and the state's interest in gifted minors, on gifted and talented programs, on MKUltra, on Kim Peek, on the military search for savants, on Scientology level OT VIII, on Operation Snow White, on RFK Jr., on Generation Rescue, on Bob Wright, on ARPA-H, on the after-party to TED Talks, on Andrew Wakefield's very small study that said nothing about the MMR, on overstimulation and the mind whiting out, on the map that is always provisional, on following the hacktivists. on the state being hostile to ordinary people, on questioning everything, on c self-expression, on being less autistic than she used to be, on identifying plants intuitively, on tending a vineyard and making wine and losing goats to wolves, on the techno-utopian dystopia not working, on the return to non-technological ways of living, on failure as liberation…ExcerptsOn Hyper Associational Autism we have hyper associational kind of minds, … so I do make links between things that seem unrelated… I've been building this map. And as the map comes together and informs, I can start to make predictions. And if it's accurate, then I know my map is pretty close to what's really going on.On Autism and ScientologistsThis battle between autistics and Scientologists has been going on for decades.Bernard Rimland completely took over the perception of what autism is. On one hand , in the autism parent community, he was Mr. Hero. But on the other side, he was a career naval psychologist, a research psychologist, director of future technologies and recruit enhancement.Scientologists don't just, they're very careful about who they associate with. So for a Scientologist to be an in-house lawyer at Children's Health Defense means that organization is affiliated with Scientology strongly.” “It's not even a cult. It's more what is it. You could say it's a cult that's that's operationalized in terms of it's intelligence work.On Vaccines and AutismVaccines don't cause autism, but vaccines are not good. In fact, vaccines probably are injuring children, but the two things got all mixed up together and he's (RFK JR) part of that. I just want to really encourage listeners to question, recognize that the Health Freedom movement is full of Scientologists and they're not your friends. Not everybody who's communicating with you is telling you the truth, especially, online.Aut Naught AutAspie Quizhttps://rdos.net/eng/Aspie-quiz.phpArtwork by Michelle Horsley Get full access to Leafbox at leafbox.substack.com/subscribe

What if the roots of modern cults, extremist politics, and even today's “wellness” movements trace back to Nazi occultism, hypnotic manipulation, and one of the most controversial religions in the world? In this explosive episode of Mayim Bialik's Breakdown, Jon Atack — the world's leading expert on authoritarian cults and a former Scientologist who has spent over 40 years investigating its origins — reveals the shocking connections no one talks about. Drawing from his groundbreaking book If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming, Jon uncovers how occult beliefs influenced the Nazi Party… and how those same ideas shaped Scientology. Jon Atack breaks down: - How L. Ron Hubbard repackaged occult practices (including hypnotic techniques, repetition, fixation, and mimicry) and sold them as revolutionary “science” - Outlandish promises that hooked followers: supernatural powers, immunity to illness, genius-level IQ, emotional mastery - How Hubbard's early interest in psychology morphed into the darker techniques behind Dianetics - Hidden factors in Hubbard's personal life (addiction, PTSD, and legal trouble for practicing medicine without a license) that shaped what Scientology would become - Allegations of how followers were treated, including psychological and physical abuse - Frightening recourse Jon himself faced for speaking out Jon also shares his deeply personal story of joining, and ultimately escaping, Scientology. He reveals the major red flags he ignored at first… and the first warning sign you should always look for before joining any movement or ideology. But this conversation goes far beyond Scientology. We also cover: - What actually defines a cult or authoritarian group - How recruitment tactics are now supercharged by the internet and social media - Where dangerous occult practices are still hiding in plain sight - Surprising benefits and dangers of hypnotherapy - How to distinguish modern spirituality from manipulative occult systems - Why today's political climate often mirrors cult dynamics - Why healthy skepticism might be the most important survival skill of the digital age This isn't about throwing away all ideology or spirituality. It's about learning how to extract the good without falling for manipulation. If you care about psychology, cults, spirituality, politics, authoritarian movements, mind control, or the hidden forces shaping modern society…this is a conversation you cannot afford to miss. Jon Atack's latest book, If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming: ⁠https://jonatack.co.uk/if-scientology-ruled-the-world/⁠ If Scientology Ruled the World - Chapter 3: ⁠https://www.youtube.com/watch?v=2E4rI-5z_0s⁠ Jon Atack's Art: ⁠https://jonatack.com/⁠ Jon Atack's book, Voodoo Child: A Jimi Hendrix Novel: ⁠https://a.co/d/0axlU7yA⁠ Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if the roots of modern cults, extremist politics, and even today's “wellness” movements trace back to Nazi occultism, hypnotic manipulation, and one of the most controversial religions in the world? In this explosive episode of Mayim Bialik's Breakdown, Jon Atack — the world's leading expert on authoritarian cults and a former Scientologist who has spent over 40 years investigating its origins — reveals the shocking connections no one talks about. Drawing from his groundbreaking book If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming, Jon uncovers how occult beliefs influenced the Nazi Party… and how those same ideas shaped Scientology. Jon Atack breaks down: - How L. Ron Hubbard repackaged occult practices (including hypnotic techniques, repetition, fixation, and mimicry) and sold them as revolutionary “science” - Outlandish promises that hooked followers: supernatural powers, immunity to illness, genius-level IQ, emotional mastery - How Hubbard's early interest in psychology morphed into the darker techniques behind Dianetics - Hidden factors in Hubbard's personal life (addiction, PTSD, and legal trouble for practicing medicine without a license) that shaped what Scientology would become - Allegations of how followers were treated, including psychological and physical abuse - Frightening recourse Jon himself faced for speaking out Jon also shares his deeply personal story of joining, and ultimately escaping, Scientology. He reveals the major red flags he ignored at first… and the first warning sign you should always look for before joining any movement or ideology. But this conversation goes far beyond Scientology. We also cover: - What actually defines a cult or authoritarian group - How recruitment tactics are now supercharged by the internet and social media - Where dangerous occult practices are still hiding in plain sight - Surprising benefits and dangers of hypnotherapy - How to distinguish modern spirituality from manipulative occult systems - Why today's political climate often mirrors cult dynamics - Why healthy skepticism might be the most important survival skill of the digital age This isn't about throwing away all ideology or spirituality. It's about learning how to extract the good without falling for manipulation. If you care about psychology, cults, spirituality, politics, authoritarian movements, mind control, or the hidden forces shaping modern society…this is a conversation you cannot afford to miss. Jon Atack's latest book, If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming: ⁠https://jonatack.co.uk/if-scientology-ruled-the-world/⁠ If Scientology Ruled the World - Chapter 3: ⁠https://www.youtube.com/watch?v=2E4rI-5z_0s⁠ Jon Atack's Art: ⁠https://jonatack.com/⁠ Jon Atack's book, Voodoo Child: A Jimi Hendrix Novel: ⁠https://a.co/d/0axlU7yA⁠ Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What if the roots of modern cults, extremist politics, and even today's “wellness” movements trace back to Nazi occultism, hypnotic manipulation, and one of the most controversial religions in the world? In this explosive episode of Mayim Bialik's Breakdown, Jon Atack — the world's leading expert on authoritarian cults and a former Scientologist who has spent over 40 years investigating its origins — reveals the shocking connections no one talks about. Drawing from his groundbreaking book If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming, Jon uncovers how occult beliefs influenced the Nazi Party… and how those same ideas shaped Scientology. Jon Atack breaks down: - How L. Ron Hubbard repackaged occult practices (including hypnotic techniques, repetition, fixation, and mimicry) and sold them as revolutionary “science” - Outlandish promises that hooked followers: supernatural powers, immunity to illness, genius-level IQ, emotional mastery - How Hubbard's early interest in psychology morphed into the darker techniques behind Dianetics - Hidden factors in Hubbard's personal life (addiction, PTSD, and legal trouble for practicing medicine without a license) that shaped what Scientology would become - Allegations of how followers were treated, including psychological and physical abuse - Frightening recourse Jon himself faced for speaking out Jon also shares his deeply personal story of joining, and ultimately escaping, Scientology. He reveals the major red flags he ignored at first… and the first warning sign you should always look for before joining any movement or ideology. But this conversation goes far beyond Scientology. We also cover: - What actually defines a cult or authoritarian group - How recruitment tactics are now supercharged by the internet and social media - Where dangerous occult practices are still hiding in plain sight - Surprising benefits and dangers of hypnotherapy - How to distinguish modern spirituality from manipulative occult systems - Why today's political climate often mirrors cult dynamics - Why healthy skepticism might be the most important survival skill of the digital age This isn't about throwing away all ideology or spirituality. It's about learning how to extract the good without falling for manipulation. If you care about psychology, cults, spirituality, politics, authoritarian movements, mind control, or the hidden forces shaping modern society…this is a conversation you cannot afford to miss. Head to https://impact.ourritual.com/c/4792730/2005678/24744 , take a quick quiz, and use code BREAKER20 for 20% off your first month. Stick with your wellness goals with Ka'chava and visit https://kachava.com and use the code BREAKDOWN for 15% off of your first order. Get 20% off all IQ Bar products - plus free shipping by texting BREAKDOWN to 64000. Jon Atack's latest book, If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming: https://jonatack.co.uk/if-scientology-ruled-the-world/ If Scientology Ruled the World - Chapter 3: https://www.youtube.com/watch?v=2E4rI-5z_0s Jon Atack's Art: https://jonatack.com/ Jon Atack's book, Voodoo Child: A Jimi Hendrix Novel: https://a.co/d/0axlU7yA Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if the roots of modern cults, extremist politics, and even today's “wellness” movements trace back to Nazi occultism, hypnotic manipulation, and one of the most controversial religions in the world? In this explosive episode of Mayim Bialik's Breakdown, Jon Atack — the world's leading expert on authoritarian cults and a former Scientologist who has spent over 40 years investigating its origins — reveals the shocking connections no one talks about. Drawing from his groundbreaking book If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming, Jon uncovers how occult beliefs influenced the Nazi Party… and how those same ideas shaped Scientology. Jon Atack breaks down: - How L. Ron Hubbard repackaged occult practices (including hypnotic techniques, repetition, fixation, and mimicry) and sold them as revolutionary “science” - Outlandish promises that hooked followers: supernatural powers, immunity to illness, genius-level IQ, emotional mastery - How Hubbard's early interest in psychology morphed into the darker techniques behind Dianetics - Hidden factors in Hubbard's personal life (addiction, PTSD, and legal trouble for practicing medicine without a license) that shaped what Scientology would become - Allegations of how followers were treated, including psychological and physical abuse - Frightening recourse Jon himself faced for speaking out Jon also shares his deeply personal story of joining, and ultimately escaping, Scientology. He reveals the major red flags he ignored at first… and the first warning sign you should always look for before joining any movement or ideology. But this conversation goes far beyond Scientology. We also cover: - What actually defines a cult or authoritarian group - How recruitment tactics are now supercharged by the internet and social media - Where dangerous occult practices are still hiding in plain sight - Surprising benefits and dangers of hypnotherapy - How to distinguish modern spirituality from manipulative occult systems - Why today's political climate often mirrors cult dynamics - Why healthy skepticism might be the most important survival skill of the digital age This isn't about throwing away all ideology or spirituality. It's about learning how to extract the good without falling for manipulation. If you care about psychology, cults, spirituality, politics, authoritarian movements, mind control, or the hidden forces shaping modern society…this is a conversation you cannot afford to miss. Head to https://impact.ourritual.com/c/4792730/2005678/24744 , take a quick quiz, and use code BREAKER20 for 20% off your first month. Stick with your wellness goals with Ka'chava and visit https://kachava.com and use the code BREAKDOWN for 15% off of your first order. Get 20% off all IQ Bar products - plus free shipping by texting BREAKDOWN to 64000. Jon Atack's latest book, If Scientology Ruled the World: Nazi Occultists, Sex Magick, Space Aliens, and the Second Coming: https://jonatack.co.uk/if-scientology-ruled-the-world/ If Scientology Ruled the World - Chapter 3: https://www.youtube.com/watch?v=2E4rI-5z_0s Jon Atack's Art: https://jonatack.com/ Jon Atack's book, Voodoo Child: A Jimi Hendrix Novel: https://a.co/d/0axlU7yA Follow us on Substack for Exclusive Bonus Content: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bialikbreakdown.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BialikBreakdown.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/mayimbialik⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Romey Beliles became obsessed with Scientology in High School. He spent 35 years trying to achieve the promises made in Dianetics: The Modern Science of Mental Health, but was thwarted at every step by Scientology officials. Eventually, he took his own life in Clearwater, Florida, in the hope that he would be reborn in a Scientology family. Tony Ortega talks about the months he spent meticulously piecing together this tragic story. Jon talks about his own investigation into 38 Scientologists who tragically ended their lives, and one who survived a head-on impact from an express train despite the death wish instilled in him by Scientologists.IMPORTANT NOTE: If you or someone you know is considering ending it all, LIFE IS WORTH LIVING AND THERE IS HELP.In the US, dial 988, or visit their websiteIn the UK, dial 111, or visit their websiteAnd here is the global suicide hotline listLinks:Read Tony's article on Romey Belilesand his article on Paul KrassnerCheck out his book, The Unbreakable Miss Lovely and visit Tony's Underground Bunkerand his substackRead back copies of the AberreeRead Jon's paper, Never believe a hypnotistor watch the videoBuy Jon's latest book, If Scientology Ruled the WorldAnd listen to a free sample

Emily Armstrong's relationship with Scientology is complicated, but she IS a Scientologist.Refrences:https://www.thedailybeast.com/emily-armstrong-new-linkin-park-singers-secret-years-at-the-heart-of-the-church-of-scientology-revealed/https://www.thedailybeast.com/new-linkin-park-singer-emily-armstrong-sorry-for-supporting-danny-masterson/https://tonyortega.substack.com/https://tonyortega.substack.com/p/mike-rinder-i-was-in-scientologys?utm_source=publication-searchhttps://tonyortega.substack.com/p/marc-headley-more-scientology-craziness?utm_source=publication-searchhttps://tonyortega.substack.com/p/emily-armstrongs-tepid-response-to?utm_source=publication-searchlinktr.ee/thecassiemarieStickers, bookmarks and more here- https://www.etsy.com/shop/shopcassiemarieartCulty Books- https://www.amazon.com/shop/the.cassiemarie?ref_=cm_sw_r_apin_aipsfshop_Z3S6VNSJT94MSGFR724X&language=en-USFollow Cassie on TikTok- www.TikTok.com/@the.cassiemarieInstagram- www.instagram.com/the.cassiemarieYouTube- ​⁠ @nocultyvibesListen to No Culty Vibes with Cassie Marie-https://podcasts.apple.com/us/podcast...https://open.spotify.com/show/7HHbJMl...Or wherever you get your podcasts

When I got the chance to cast for the eventual October release of a video on Jubilee featuring former Jehovah's Witnesses and former Scientologists I was very excited. Jubilee is a huge channel on YouTube that hosts a wide variety of conversations. So as an ExJW myself, as an activist, as a cult recovery coach helping people to work through that former life as one of Jehovah's Witnesses and the way that it manifests today, this was in my wheelhouse. I immediately applied, went through casting, and was chosen to participate. While the experience was amazing, there were also things left unsaid. Whether it was because they had to edit hours and hours of studio time into a one hour episode or because there simply could never be enough time, the prompts brought up topics that we couldn't even come close to fleshing out. In this episode I flesh those things out. I take the time that we didn't have, and the opportunity that in one prompt I never had because I wasn't given a chance to speak up. I want to help you to understand what it was like to be there and to participate with some behind the scenes experience. And I want to address comments and concerns that I've seen regarding the things expressed in studio. I also take a little time to bring up some points not mentioned during the studio interviews that hit me afterward regarding our two groups of cult survivors. So I hope that you may find this episode entertaining, educational, or at least thought provoking in some way. Here's a link to the original episode of Jubilee: https://youtu.be/592sOIePWpc?si=Ju8-XiQ6ebMh3T7x Support the show and get bonuses as well by donating to the cause on our Patreon page, Patreon.com/shunned Are you struggling in some area of life? Feeling stuck? Need an accountability partner or some encouragement? Need to talk to someone that understands cult life? Reach out and let's talk. I have affordable programs to help as a certified life coach with a focus on cult recovery. Click HERE for more information. Want more resources? Go to my other website exjwHelp.com Leave us a review on iTunes Find shunned podcast on Youtube, including new VIDcasts here. Follow us on Twitter and Instagram. You can listen to the Shunned Podcast Spotify playlist here for all of the songs chosen by guests of the show. This podcast was made possible by my original podcast This JW Life. You can find it on any podcast app. It is a 9 part series about life as Jehovah's Witnesses designed to help you understand how it worked in one comprehensive story and to help you process your own if you came from that environment. Read my FREE online book, based on This JW Life, called Becoming Jehovah, in both English and Spanish by clicking here An ExJW podcast and ExJW YouTube Channel

Aaron Smith-Levin, a former Scientologist turned YouTuber, recounts his journey from growing up in the church to becoming a vocal critic, leading to a dramatic confrontation that lands him in jail.⁣ ⁣ Aaron's links - ⁣ https://www.youtube.com/@UCD8AAvA3_JDFeOps-HzPPHg ⁣ ⁣ Do you want to be a guest? Fill out the form https://www.insidetruecrimepodcast.com/apply-to-be-a-guest⁣ ⁣ Get 10% sitewide for a limited time. Just visit https://GhostBed.com/cox and use code COX at checkout. ⁣ ⁣ Send me an email here: insidetruecrime@gmail.com⁣ ⁣ Do you extra clips and behind the scenes content?⁣ Subscribe to my Patreon: https://patreon.com/InsideTrueCrime ⁣ ⁣ ⁣ Follow me on all socials!⁣ Instagram: https://www.instagram.com/insidetruecrime/⁣ TikTok: https://www.tiktok.com/@matthewcoxtruecrime⁣ ⁣ ⁣ Do you want a custom painting done by me? Check out my Etsy Store: https://www.etsy.com/shop/coxpopart⁣ ⁣ Listen to my True Crime Podcasts anywhere: https://anchor.fm/mattcox ⁣ ⁣ Check out my true crime books! ⁣ Shark in the Housing Pool: https://www.amazon.com/dp/B0851KBYCF⁣ Bent: https://www.amazon.com/dp/B0BV4GC7TM⁣ It's Insanity: https://www.amazon.com/dp/B08KFYXKK8⁣ Devil Exposed: https://www.amazon.com/dp/B08TH1WT5G⁣ Devil Exposed (The Abridgment): https://www.amazon.com/dp/1070682438⁣ The Program: https://www.amazon.com/dp/B0858W4G3K⁣ Bailout: https://www.barnesandnoble.com/w/bailout-matthew-cox/1142275402⁣ Dude, Where's My Hand-Grenade?: https://www.amazon.com/dp/B0BXNFHBDF/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1678623676&sr=1-1⁣ ⁣ Checkout my disturbingly twisted satiric novel!⁣ Stranger Danger: https://www.amazon.com/dp/B0BSWQP3WX⁣ ⁣ If you would like to support me directly, I accept donations here:⁣ Paypal: https://www.paypal.me/MattCox69⁣ Cashapp: $coxcon69 Learn more about your ad choices. Visit megaphone.fm/adchoices

Mormonism, hypocephalus, Egypt, Joseph Smith, Egypt's influence on Mormonism, Ahmehstrahans, Salamander letters, Mark Hoffman, David Lynch, caves, bees, reiki, reiki's influence in Utah, the Goddess in Mormonism, Luxor Hotel & Casino, the Luxor's links to Mormonism, the high weirdness around the Luxor, fly-agaric mushrooms, did Joseph Smith take magic mushrooms?, N. Meade Layne, ether ships, Dessert alphabet, William S. Burroughs, Snow Crash, the metaphysical properties of memory, the Art of Memory, reality creation, Gnosticism, Gnosticism' influence on Mormonism, Scientologists as wannabe Mormons, Twin PeaksMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

The deal is done. Netflix will purchase Warner Bros. Discovery for $82 billion. Yet another corporate monopoly drives a nail through Hollywood's coffin. It was bad enough when Disney bought Fox, Star Wars, and Marvel. Now, Netflix will be among the most powerful corporate monopolies, replacing what Hollywood used to be.America gave up on Hollywood because Hollywood gave up on America. The result is empty movie theaters all over the country—one bomb after another. Of course, Warner Bros. knew. You'd have to be an idiot not to know. Does anyone think Netflix is sweating the online memes accusing it of being too woke? No, they aren't. They are making too much money to care. With streaming, there is no free market pressure, no quality control. You don't have to motivate people to leave their homes. You don't need big stars to drive box office, and best of all, you can ignore the silent majority that has tuned you out long ago. Hate the trans agenda being shoved down everyone's throat? Too bad. Your boycotts are a drop in the bucket at Netflix. It's the perfect solution to Hollywood's problem. They can have everything they want — a virtue signaling paradise — and never have to worry about big budgets or low box office ever again. That's the easy way out. The truth is harder to swallow. They destroyed themselves. They wrecked their brand and alienated their audience. Hollywood built a ship of failure when it split into two divergent paths around 2003, after the Harry Potter and Lord of the Rings franchises brought in ungodly profits not just here but around the world. The branding was the key, the IPs. For years, they dominated the global box office and brought people to movie theaters across the country.Meanwhile, in the other Hollywood, in the “prestige” niche lane where the Oscars live, things began to get smaller, more isolated, more aligned with politics, especially under Barack Obama. His win influenced almost everything, as he loves to put out his top-ten lists every year and even has a deal with Netflix. These two Hollywoods existed side by side like the First Class section of the airplane vs. Coach, where they “let them eat Marvel.” You can see the rise and fall in one image, from Box Office Mojo:This year might mean that, for the first time since 2020, China will dominate the Worldwide box office rather than Hollywood, unless Jim Cameron can bring Avatar: Fire and Ash over the 2 billion mark.In 2019, Hollywood put out over 900 movies. Last year, just 624, and many of them bombed. So what happened? 2020 happened. The one-two punch of COVID and the Great Awokening brought Hollywood to its knees. The Oscar race this year is loaded with unwatchable movies that swirl around things almost no one outside the bubble of Hollywood cares about, identity mainly. Mothers' caterwauling their oppression, like Die, My Love, If I had Legs I'd Kick You, and even One Battle After Another feature women who seem to hate their children. The people who run Hollywood are still mostly rich white men, but they must always genuflect, with women or people of color as shields to protect them from accusations of sexism or racism by the mob online. The rise of female directors who get these jobs for no other reason except that they're female has transformed a once-great industry into a DEI film school. Every couple is interracial. Every movie must have significant actors of color. The GLAAD lobby demands representation everywhere. Why would anyone want to pay money to have them shove their ideology down our throats?Success doesn't even matter to them. That they project “goodness” is all they care about now, their status inside utopia. The EndAs I drive across this country, I sometimes see a multiplex in a mall. It looks as deserted to me as the old drive-ins once did, and I can't help but think this really is the end for movie theaters. They'll go the way of the record store, limited to enthusiasts in the big cities. Everyone else will numbly scroll through Netflix for whatever they can find, but it will never have the same cultural impact as a great movie when we're all under one roof, sharing a story.It's yet more separation, more isolation, more internet, more social media, less of what we all need as a society.“The Future is Coming, and You Aren't In It”After COVID ended for rational Americans, we all wondered whether people would return to the movies. The paranoid mask-wearing Liberals did not. Even Peggy Noonan noticed.In 2022, a miracle arrived in the form of Tom Cruise starring in Top Gun: Maverick. It made so much money that it wiped clean the argument that Hollywood was over and movie theaters were dying. Although it was nominated for Best Picture, it lost to the woke screed, Everything Everywhere All At Once. That was a sign that Hollywood was not ready for the iceberg right ahead.The following year showed promise, with “Barbenheimer,” “Oppenheimer,” and “Barbie” becoming cultural sensations on TikTok. The Oscars did the right thing and gave their awards to Oppenheimer. Though things seem to be moving in the right direction, it's too little, too late. Audiences don't trust Hollywood anymore, and I can't blame them. Of all the Warner Bros. movies that were successful this year, the Oscar will likely go to the anti-ICE, pro-ANTIFA, anti-Trump rallying cry, One Battle After Another. No film in recent memory has better captured the singular worldview of the progressive Left.As Curtis Yarvin wrote for The Spectator:Fundamentally, One Battle is a religious film. It is entirely set in the fantasy landscape of the great American religion, progressivism, the 20th-century evolution of our ancient Puritan tradition. If you are a true believer, imagine watching Battlefield Earth without being a Scientologist. For non-progressives, One Battle may be necessary viewing. It displays the interior landscape of the narcissistic narrative of our world's dominant cult of power. We seldom get to strap a GoPro to the inside of a lib's forehead. And he continues:So this film is out there – recruiting damaged people by presenting them as romantic heroes in a propaganda fantasy. Few will kill. But many will clap. When bad movies succeed, as One Battle will, they diagnose something bad in the audiences they entertain. Corrupt art is the pathognomonic mark of a corrupt society. Shitty people will watch this shitty film, and love it. Shitty journalists have already given it a standing ovation – the politics makes them hard, like Lockjaw. This evil is at the very heart of our culture.As Leonard Cohen noted: “I have seen the future, brother. It is murder.” Murder is as old as Cain. The anonymous internet is young. Nobody asked for the combination. But they'll get it.So, of course, the critics have gone nuts for it. It IS religious for them. It's already won many awards and is on track to win Best Picture. Trust me, Hollywood has no desire to save itself. One Battle After Another cost upwards of $140 million and only made $70 million in the US, with the bulk of its profits made overseas on Leonardo DiCaprio's name, which is why it's assumed he demanded his usual fee of $20 million. Old Hollywood understood that you don't reward failure with film awards. New Hollywood cares less about the money and more about the message. The public used to matter because the box office did. No wonder WB is selling out after watching one bomb after another this past year. Why wait for bankruptcy? Why not cash out now on a high note?This is the kind of thing Hollywood pumps out now:And therein lies the problem. They forgot it wasn't about them. They believed their own publicity. They fell in love with their own image, like Narcissus. They began to believe they were important. We loved movies and celebrities for what they gave us, not for who they are. We don't care. We don't need them to fix us. Or teach us. Or lecture us. Or scold us. We just need them to entertain us. Well, now the billionaires have arrived to prove to them how little they matter when it comes to the bottom line. And if you think that's bad, wait until the AI tsunami wipes out half the industry. The audience was always their best hope for survival. As long as we showed up, Hollywood and its stars had power. Now that audiences have vanished, well, the ship is made of iron, and it will sink.Who knows, maybe Congress or Trump can stop the merger. That still won't fix the fundamental problem of what Hollywood has become and why the public turned away. On the upside, the giant hole Hollywood leaves behind, like the asteroid that killed the dinosaurs, might open up movie theaters to a new breed of filmmaker. Maybe they can make movies Hollywood or Netflix never would - trashy comedies, cheap horror, romantic comedies, Dirty Harry movies. Who knows, maybe we can Make Hollywood Great Again. What better way to rebuild a counterculture?Altamont, Illinois, 8:42AM. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Monday Headlines: More than 100 arrested at major port protest, death toll rises in Hong Kong apartment blaze, Benjamin Netanyahu asks for pardon in corruption case, Gen Z Australians are attempting suicide more than previous generations and what we’ve learnt about Albo’s wedding. Deep Dive: Scientology is turning to TikTok in Australia as a way to advertise to and recruit young people. Mirriam Francis spent 26 years of her life as a member of the Church of Scientology in Australia, the US and UK. At just 15 years old, she was working in the Department of Promotion and Marketing of Scientology in LA, a division of the church which looks to find the best ways to sell the religion to potential members. Mirriam has since left the church and has recently been giving evidence at a Victorian inquiry into high control religious groups. In this episode of The Briefing, she’s joining Sacha Barbour Gatt to reveal why she’s deeply concerned at the church’s recent foray into TikTok. Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastFacebook: @LiSTNR Newsroom See omnystudio.com/listener for privacy information.

Send us a textA holiday shouldn't require a stopwatch. We open up about what Thanksgiving and Christmas looked like inside Scientology's Sea Org—15-minute meals stretched to 45, staged fireplace photos mailed home as “proof of life,” and a steady drumbeat that family time was off-purpose. While most people are baking pies and booking flights, we were filing petitions, dodging “PTS” labels, and watching “important” church holidays turn into sales marathons dressed up as celebrations.We break down the difference between civilian Scientologists and Sea Org life, from catalog-driven “gifting” and CD Walkmans to the annual wave of winter illness used to justify investigations and denied leave. You'll hear how “beer and cheese parties” shrank into warm soda and crackers, why big events like Hubbard's birthday and the IAS anniversary outranked Thanksgiving and Christmas by design, and what it does to your sense of money when a $100 bonus feels like oxygen and disappears in a single sweater at an outlet mall.Then we pivot to rebuilding: hosting sprawling Thanksgivings, creating photo books full of candid chaos, teaching our kids that dinner together is normal, and finding joy in small traditions that don't need permission. We also share practical, low-drama ways to reach relatives still inside—letters that avoid triggers, steady updates, standing invitations—plus why consistency matters even when you get no reply. If you're navigating disconnection or planning your own exit, you're not alone. The Aftermath Foundation and survivor networks have your back.Listen to reflect, learn, and maybe rethink what you want your holidays to mean. If this resonated, subscribe, share with a friend who needs it, and leave a review to help more people find the show. Your support helps us keep telling the stories others try to hide.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

⁠PLANE & BEER HATS HERE⁠⁠⁠⁠⁠ ROT O'CLOCK: Lawyer John explains the do's & dont's when it comes to performing a citizens arrest. Giorgio puts us all to sleep with some weather chat. Josh's formal request to the team. Yappers: Entrepreneurs, Auctioneers, & Scientologists. Ripper Joke Rewind: HAWK TUAH! Schemes: Free shoes + Country Road Gift cards. Email us: hello@kickitforwardclub.com This podcast is rated 11/10 by the hardest most ratedest brand to ever exist in human history. Hard Rated. Born Cheeky. 18+ only. Drink responsibly.

What do Scientologists believe? Where did their system come from? Is it a religion? How did it get formed?

autism, vaccines, Health Advanced Research Projects Agency (HARPA), Bernard Rimland, US Navy, the problems with the notion vaccines cause autism, H. Hugh Fudenberg, Bob Wright, Robert F. Kennedy Jr. (RFK), RFK's Department of Health and Human Services, mRNA vaccines, the push to eliminate mRNA research, Scientology, RFK's links to Scientology, Scientologists and MAHAMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

Daily Dad Jokes (01 Oct 2025) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Interested in Business and Finance news? Then listen to our sister show: The Daily Business and Finance Show. Check out the website here or search "Daily Business and Finance Show" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Glass-Tale299, Decided-2-Try, Joel_Boyens, Bbew_Mot, Spam_A_Lottamus, Carterpan, CorrodedLollypop, ArgumentSpiritual, darcys_beard, hacksawjim89, in_kent, charlie2135, Masselein, , Ahmed_Almaddah, IEnjoyDadJokes, ilikesidehugs, AmethystMonkey, EdWinches Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (01 Oct 2025) The official Daily Dad Jokes Podcast electronic button now available on Amazon. The perfect gift for dad! Click here here to view! Email Newsletter: Looking for more dad joke humor to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. Interested in Business and Finance news? Then listen to our sister show: The Daily Business and Finance Show. Check out the website here or search "Daily Business and Finance Show" in your podcast app. Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: Glass-Tale299, Decided-2-Try, Joel_Boyens, Bbew_Mot, Spam_A_Lottamus, Carterpan, CorrodedLollypop, ArgumentSpiritual, darcys_beard, hacksawjim89, in_kent, charlie2135, Masselein, , Ahmed_Almaddah, IEnjoyDadJokes, ilikesidehugs, AmethystMonkey, EdWinches Subscribe to this podcast via: iHeartMedia Spotify iTunes Google Podcasts YouTube Channel Social media: Instagram Facebook Twitter TikTok Discord Interested in advertising or sponsoring our show? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) Learn more about your ad choices. Visit megaphone.fm/adchoices

Jon was a tad surprised when Steve Moffic shared his interest in a fellow psychiatrist's book about past life therapy. Jon came to believe in reincarnation through Buddhism, so when he joined Scientology, aged 19, he readily accepted the idea. However, after speaking with more than a thousand sometime Scientologists, Jon is highly sceptical, leading to a fascinating conversation with Steve, a former professor of psychiatry.Links:The complete essays of Michel de MontaigneSteve Moffic's articles in Psychiatric TimesJon's new book on Kindle and in Print

This week we're all about educating you about the important things, like electrical sockets, and pose the questions people most want the answers to; Raven has a new excuse to get out of doing things he doesn't want to do; Kevin Smith movies aren't what they used to be; What happens to a Scientologist when they die? Raven sets the record straight about the duck that shit percocets; The prestigious Ig Nobel Prize Awards were handed out this week, and Raven shares the winners; Jimmy Kimmel's suspension was an inside job?   Household pets and their relationships with humans; Fanmail, and of course, all the usual perversions. Check out where you can see Nevermore: The Raven Effect, Raven's documentary with Raven in person: http://bit.ly/46BmkaEThe show now has a Facebook page, so go CHECK IT OUTFollow the guys on social mediaRaven - @theRavenEffectFeeney - @jffeeney3rdBuy yourself some Raven shirts: https://www.prowrestlingtees.com/ravenOr even some Feeney shirts: https://www.prowrestlingtees.com/ccwithjoefeeneyHave Raven say things that you want him to say, either for yourself or for someone you want to talk big-game shit to by going to http://www.cameo.com/ravenprime1Sign up for Patreon by going to http://www.patreon.com/TheRavenEffect it's only $5 a month! Get extra content AND watch the show!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-raven-effect--5166640/support.

Send us a textHello and welcome! This week, Janey is going waayyyyy off topic to talk about something that freaked her out so bad, she felt the need to make a legal disclaimer at the top!  DISCLAIMER: This podcast is for entertainment purposes only. Please check out the sources below for more information. SOURCES: “Going Clear: Scientology and the Prison of Belief”, directed by Alex Gibney Jenna Miscavige, former Scientologist (on Tiktok)How much Scientology costs, according to members (For Business Insider) "What allegedly happens inside Scientology's notorious 'prison camp' called 'The Hole'” By Jethro Nededog for Business Insider  Headley vs. The Church of Scientology  "Scientology's Vanished Queen” by Ned Zeman for Vanity Fair “Bridge to Total Freedom” chart  “Understanding Scientology” by Margery Wakefield— Chapter 1: From Dianetics to Scientology   and Chapter 5: Dianetics L. Ron Hubbard's Wikipedia  Support the showCheck out our books (and support local bookstores!) on our Bookshop.org affiliate account!Starting your own podcast with your very cool best friend? Try hosting on Buzzsprout (and get a $20 Amazon gift card!)Want more??Visit our website!Join our Patreon!Shop the merch at TeePublic!If you liked these stories, let us know on our various socials!InstagramTiktokGoodreadsAnd email us at sortofthestory@gmail.com

Pamela Nickel Williams - Scientology: When Lies Are TrueDIVORCED: ScientologyTW: Incest Pamela Nickel Williams was born into Scientology. Her parents were early Scientologists who worked closely with L. Ron Hubbard, Scientology's founder, at the first Church of Scientology in the late 1950s. Pamela and her parents were practicing members of the church until the late 1970s. After years of burying her childhood memories, Pamela began writing and documenting her experiences, seeking to acknowledge the abuse she suffered, and to try and understand the dysfunction that existed within her family due to Scientology's beliefs and practices. Her memoir, Clearly Lies Are True, is a powerful and compelling first-hand narrative account of her experiences as a child during the early inception of Scientology. As both a cult survivor, and a survivor of sexual abuse, her book chronicles her parents' search for “Total Freedom,” her sexual abuse at the hands of her father, and her mother's psychosis, which was brought about by Scientology.FIND PAMELA, HER SOCIALS, AND HER BOOK https://linktr.ee/clearlyliesaretrue *A portion of the proceeds from the sale of her book will be donated to theMichael J. Rinder Aftermath Foundation, a non-profit organization that provides resources, support, and advocacy to those who leave Scientology and the Sea Org.FIND JANICE SELBIEJanice Selbie's Best-selling book, Divorcing Religion: A Memoir and Survival Handbook, is now available in the USA https://www.amazon.com/dp/B0DP78TZZF and CANADA https://www.amazon.ca/dp/B0DP78TZZFRecordings are now available for the Shameless Sexuality: Life After Purity Culture conference 2025! Get your Resource Ticket: https://www.shamelesssexuality.org/Religious Trauma Survivor Support Group is happening on Tuesdays at 5pm Pacific/8 Eastern and Thursdays at 3pm Pacific/6pm Eastern. Don't miss this opportunity to connect with others for healing and support: https://www.divorcing-religion.com/servicesNeed help on your journey of healing from Religious Trauma? Book a free 20-minute consultation with Janice here: https://www.divorcing-religion.com/servicesFollow Janice and Divorcing Religion on Social Media:Threads: https://www.threads.com/@divorcingreligionBlueSky: @janiceselbie.bsky.socialFacebook: https://www.facebook.com/DivorcingReligionTikTok: https://www.tiktok.com/@janiceselbieInstagram: https://www.instagram.com/divorcingreligion/ Subscribe to the audio-only version of the Divorcing Religion Podcast here: https://www.divorcing-religion.com/religious-trauma-podcast The Divorcing Religion Podcast is for entertainment purposes only. If you need help with your mental health, please consult a qualified, secular, mental health clinician. The views expressed by guests are not necessarily held by the host.Support the show

TAKEAWAYSIn Scientology, those who leave or embarrass the church are considered “suppressives” or “enemies”Actress Elisabeth Moss may be the next up-and-coming Scientologist face of HollywoodLeah Remini released a documentary series about her escape from Scientology called Leah Remini: Scientology and the AftermathHardcore Scientologists truly believe that L. Ron Hubbard is the greatest human being who ever lived

Send us a textWe delve into the most important policy letter in Scientology, "Keeping Scientology Working," which forms the foundation of every Scientologist's mindset and is especially evident in Tom Cruise's infamous 2004 turtleneck video. This document reveals why Scientologists act with such intensity and how the organization uses it to extract millions in donations.• Explaining how the International Association of Scientologists (IAS) events function as major fundraising opportunities• Revealing how Tom Cruise influenced Scientology to create the "Ideal Org" program despite contradicting L. Ron Hubbard's policies• Detailing how Scientology shifted from selling services to straight fundraising despite Hubbard's prohibitions• Breaking down the 10 points of Keeping Scientology Working that every Scientologist must memorize• Sharing the behind-the-scenes story of Tom Cruise's Freedom Medal video that triggered Anonymous to target Scientology• Exposing how David Miscavige micromanaged the production of Battlefield Earth before disavowing it when it floppedVisit blownforgood.com to support the channel and check out our merchandise including Xenu and the Body Thetans concert tees.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

In Episode 17 of Quite Frankly, Frankie Val welcomes guest Chris Shelton for a deep dive into the psychology of cults, starting with Shelton's personal experience as a former Scientologist. Together, they explore how authoritarian control structures are built, maintained, and disguised, whether in religious movements or broader societal institutions. Shelton breaks down the emotional manipulation and coercive tactics used within Scientology and explains how those same patterns appear in politics, media, and culture today. The conversation touches on mass formation, psychological warfare, and the challenge of helping others recognize when they're trapped in a system designed to think for them. With sharp insight and mutual respect, Frankie and Chris unpack what it means to truly deprogram, and how awakening starts with asking the right questions.

Hello Seekers! Ben here, today Jacques, Hesse and I take a look at a possible fecal transplant for Jacques, conduct a Scientologist auditing session on him, and finally submit ourselves to a personality quiz related to everyone's favorite show.

Send us a textJoy Villa shares her harrowing journey from growing up in a Christian household to spending a decade in Scientology before finding her way to freedom through faith. Her story reveals how vulnerabilities from childhood trauma and artistic ambitions made her susceptible to Scientology's recruitment at Celebrity Center.• Raised Christian with a minister father and gospel singer mother who suffered from paranoid schizophrenia• Experienced sexual abuse between ages 3-5 and significant trauma when her mother kidnapped her at age 8• Moved to Hollywood at 22 to pursue artistic dreams but encountered exploitation and abuse• Recruited at Celebrity Center International through promises of spiritual technology and community• Joined the Sea Organization but left after a month due to her psychiatric history• Married a wealthy Scientologist and donated over $1 million to the organization• Experienced fame after wearing a Trump dress at the Grammy Awards while doing Scientology's "Superpower" rundown• Endured increasingly controlling behavior when she attempted to maintain her Christian faith• Reached breaking point during COVID-19 while training at Saint Hill Manor in England• Found freedom through prayer when Scientology offered no help for her depression• Released her book "From Scientology to Christ: The Escape They Never Wanted Me to Make"If you're struggling with similar issues or know someone trapped in a high-control group, reach out for support. Freedom is possible.An article about Joy leaving:https://libertyaffair.com/2025/06/06/exclusive-i-wasnt-just-in-a-cult-scientology-bewitched-me/ Pre-Order Joy's Book:https://a.co/d/deExAE2Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

Send us a textTwenty years after escaping Scientology's Sea Organization, we continue to experience the cult's relentless "Fair Game" policy firsthand. Last Thursday, we received a threatening email from Freedom Magazine—Scientology's propaganda arm—attempting to intimidate us over a business we closed in 2014. This intrusion marks just the latest chapter in their decades-long campaign to silence former members who speak truth about David Miscavige's abusive regime.The email exemplifies how Scientology operates: they monitor former members indefinitely, collect information through sophisticated skip-tracing software, and deploy intimidation tactics targeting livelihoods and relationships. We've witnessed friends being shown "dossiers" about us and given ultimatums—cut ties with the Headleys or lose access to Scientologist family members. This emotional blackmail keeps many former members silent, while others like us continue documenting these harassment campaigns.During our combined 29 years inside, we observed how Scientology transforms members into productive "machines" while isolating them within an ecosystem of control. Upon leaving, we discovered how the organization plants spies, dispatches private investigators to follow former members, and interferes with businesses to create economic hardship. Most chillingly, we've confirmed that nothing happens within the Office of Special Affairs without David Miscavige's direct approval—making him personally responsible for these ongoing tactics.Despite their efforts to discredit and silence us, we continue speaking out because the truth matters. Their desperation reveals their vulnerability—a multi-billion dollar organization still threatened by former members simply telling their stories. If you're considering Scientology, know that your family relationships, privacy, and freedom will become leverage should you ever wish to leave. For those already trapped inside, organizations like the Aftermath Foundation offer resources and support when you're ready to escape.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

Aaron Smith-Levin is a former Scientologist, Vice President of the Aftermath Foundation, and host of the Growing Up In Scientology YouTube channel.https://www.youtube.com/@GrowingUpInScientology Get your Free Credit Lettershttps://www.mattcoxcourses.com/signupFollow me on all socials!Instagram: https://www.instagram.com/insidetruecrime/TikTok: https://www.tiktok.com/@matthewcoxtruecrimeDo you want to be a guest? Fill out the form https://forms.gle/5H7FnhvMHKtUnq7k7Send me an email here: insidetruecrime@gmail.comDo you want a custom "con man" painting to shown up at your doorstep every month? Subscribe to my Patreon: https: //www.patreon.com/insidetruecrimeDo you want a custom painting done by me? Check out my Etsy Store: https://www.etsy.com/shop/coxpopartListen to my True Crime Podcasts anywhere: https://anchor.fm/mattcox Check out my true crime books! Shark in the Housing Pool: https://www.amazon.com/dp/B0851KBYCFBent: https://www.amazon.com/dp/B0BV4GC7TMIt's Insanity: https://www.amazon.com/dp/B08KFYXKK8Devil Exposed: https://www.amazon.com/dp/B08TH1WT5GDevil Exposed (The Abridgment): https://www.amazon.com/dp/1070682438The Program: https://www.amazon.com/dp/B0858W4G3KBailout: https://www.barnesandnoble.com/w/bailout-matthew-cox/1142275402Dude, Where's My Hand-Grenade?: https://www.amazon.com/dp/B0BXNFHBDF/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1678623676&sr=1-1Checkout my disturbingly twisted satiric novel!Stranger Danger: https://www.amazon.com/dp/B0BSWQP3WXIf you would like to support me directly, I accept donations here:Paypal: https://www.paypal.me/MattCox69Cashapp: $coxcon69

Send us a textMarc and Claire Headley host a Friday evening Q&A session to answer viewer questions about Scientology while sharing insider experiences from their years in the Sea Organization.• Clearing up misconceptions about the state of "Clear" in Scientology and its marketing as a solution to life's problems• Revealing how Sea Org members were prevented from interacting with non-Scientologists in Clearwater• Explaining that Scientology has never "cleared" even a single city block despite decades of operation• Discussing L. Ron Hubbard's Mission Earth books and their inappropriate, explicit content• Analyzing how David Miscavige contradicts Hubbard's instructions while maintaining control• Estimating current Scientology membership at approximately 10,000 active members worldwide• Sharing respect for former members who speak out publicly about abuses• Breaking down why the "superhuman abilities" promised by OT levels fail to materializeJoin us next Sunday, June 8th, for a special episode. Support our channel through the merch store featuring Xenu-themed items, or pick up Marc's book "Blown for Good: Behind the Iron Curtain of Scientology."Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Send us a textMarc and Claire Headley host an impromptu Q&A session addressing audience questions about their experiences in Scientology's Sea Organization and life after leaving the cult.• Marc shares the infamous "Theta Potato" story about Scientologists using "postulates" to disable a parking enforcement officer's vehicle• Claire reveals she was removed from her position and put in "the hole" for refusing to divorce Marc at David Miscavige's insistence• Discussion of Miscavige's abusive leadership style and creation of "Pie Face" badges to humiliate staff members• Explanation of how Scientology financially exploits members by charging full retail prices for items that cost pennies to produce• Details about the Freewinds ship being a financial burden that has never been profitable• Information about how police corruption investigations regarding Scientology are underway• Personal reflections on adjusting to normal life after escaping Scientology, with freedom of time and food choices being most surprising• Clarification of how L. Ron Hubbard Way in Los Angeles was renamed through financial influenceSupport the Aftermath Foundation at theaftermathfoundation.org and find merchandise at spshop.com that supports former Scientologists escaping the cult.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

Send us a textMarc and Claire Headley expose the systematic financial scams Scientology perpetrates against its own members, revealing internal secrets from their combined 28 years at Scientology's International Headquarters.• The "Bridge to Total Freedom" prominently displays OT levels 9-15, but these levels don't actually exist• L. Ron Hubbard died after only completing materials up to OT8, yet Scientology continues selling the promise of these non-existent levels• Scientology constantly moves the goalposts for releasing these levels (first all orgs reaching "St. Hill size," then becoming "Ideal Orgs")• The L. Ron Hubbard Hall in Clearwater has been fundraised for over 20 years but never built, while donations generate investment returns• Multiple Scientologists were told they exclusively funded the same architectural elements, like crosses on buildings• The "Outer Org Trainee" program forces smaller Scientology organizations to send staff to Florida for "training" at exorbitant costs• These staff members become cheap labor for Florida facilities and get poached for the Sea Organization• The World Institute of Scientology Enterprises (WISE) prevents Scientologists from using the legal system for business disputes• Reed Slatkin, a Scientology minister, ran a massive Ponzi scheme, primarily defrauding fellow Scientologists• Scientology has perfected binding contracts that prevent members from seeking legal recourse for any harm experiencedIf you've experienced financial fraud by Scientology, such as unauthorized credit card charges, contact the Aftermath Foundation through their website. Many victims have successfully recovered their money with proper assistance.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

Send us a textScientology infiltrates government by creating seemingly benign front groups and securing official proclamations that hide their connection to the controversial organization.• Operation Snow White was Scientology's 1970s program to infiltrate government offices and remove damaging information about the organization• 12 Scientology officials, including L. Ron Hubbard's wife, were imprisoned following FBI raids that uncovered their illegal activities• After arrests, Scientology simply rebranded the Guardian's Office as the Office of Special Affairs without changing personnel or practices• Modern Scientology uses front groups like The Way to Happiness, Narconon, and Dianetics to approach government officials without mentioning Scientology• Brighton, Colorado mayor rescinded a Dianetics Day proclamation after learning it was connected to Scientology• Scientology uses government proclamations both for external legitimacy and internal propaganda, showing them at events to convince members the organization is expanding• Email campaigns to government officials deliberately avoid mentioning Scientology, focusing instead on mental health or community improvement• Former Scientologists are developing resource kits for local officials to recognize and avoid unwitting endorsement of Scientology front groups• Mother's Day is particularly difficult for former Scientologists whose families have disconnected from them under organization pressureIf you're facing disconnection or know someone trapped in Scientology, the Michael J. Rinder Aftermath Foundation has resources to help, including a dedicated law enforcement crisis line.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...

The founder of the biggest YouTube skateboarding channel is a Scientologist. Has that fact become public, explaining the channel's drop in popularity over the past few years? Was it the money he spent climbing the rungs of this cult (and not on his skaters and staff)? Or was it just the normal life cycle of a YouTube channel?Rather than reviewing a documentary, this time we're examining the handling of this story through several YouTube explainers and exposes. What do these have in common with real docs? Do we get any closer to understanding what happened with Aaron Kyro and Braille Skateboarding?Videos discussed during this episode:https://youtu.be/uEk_pc0xVYc?si=hdfiZY6W_hF2aMuEhttps://youtu.be/V-GIyKIlL9g?si=7aOy3qXiK4Vzf55hhttps://youtu.be/ZF0p1aXqm8M?si=gmCxuRmGNznwSQzWJoin our Discord for free at goodcompanydiscord.com!Check out our gym (Third Street Barbell) at ThirdStreetBarbell.com https://www.thirdstreetbarbell.com/ and subscribe for updates about our apparel line at goodcompanyapparel.com https://3sb.co/! Local memberships and international fresh fits! Get early access to our NEXT DROP!Check out our podcast website: 50percentfacts.com https://www.50percentfacts.com/50% Facts is a Spreaker Prime podcast on OCN – the Obscure Celebrity Network.____Hosted by Mike Farr (@silentmikke) https://www.instagram.com/silentmikke/ and Jim McDonald (@thejimmcd). https://www.instagram.com/thejimmcd/Produced by Jim McDonaldProduction assistance by Sam McDonald and Sebastian Brambila.Theme by Aaron Moore. Show art by Joseph Manzo (@jmanzo523)Become a supporter of this podcast: https://www.spreaker.com/podcast/50-facts-with-silent-mike-jim-mcd--5538735/support.

Send us a textFormer high-ranking Scientology executives reveal the true origins and deceptive practices of the International Association of Scientologists, exposing how David Miscavige maintains control through intimidation, manipulation, and fabricated success stories.• IAS was created to shield money from IRS scrutiny through offshore accounts in Cyprus, not as a "war chest" for defending Scientology• Wealthy Scientology donors called "whales" donate millions for status recognition and ceremonial trophies• Videos shown at IAS events are routinely fabricated, with empty locations temporarily filled with people pretending to be students• Freedom Medal winners are sometimes selected despite minimal accomplishments, with staff creating false narratives around them• David Miscavige's micromanagement extends to controlling urinal mats at the base and requiring 24/7 monitoring of exhausted staff• Former insider accounts reveal Miscavige's paranoia about travel security after 9/11, requiring private jets at organizational expense• November 3-4 IAS event in the UK will be Miscavige's first public appearance in years, carefully orchestrated to minimize public exposureJoin us on November 4th for a special Aftermath Foundation fundraiser coinciding with the IAS event to support those leaving Scientology.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160 Apple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 RSS: https://feeds.buzzsprout.com/2131160.rss YOUTUBE PLAYLISTS: Spy Files Playlist: https://www.youtube.com/playlist?list=PLWtJfniWLwq4cA-e...