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In our latest episode of Rising Tide the Ocean Podcast David heads to Alaska to interview Dune Lankard, a member of the Eagle Clan of the Eyak tribal nation based in Cordova Alaska, on Prince Williams Sound. Dune talks about his life as a commercial fisherman and his response to the 1989 Exxon-Valdez oil spill, the largest U.S. environmental disaster till that time. He talks about his founding of the Native Conservancy and its work with 32 tribes across Alaska, including protecting over a million acres of land. They also talk about his kelp farming to restore the ocean, traditional food sources and provide indigenous people and fishermen a chance to be part of a new regenerative food industry in a time of climate disruption. Check out Dune's spiritual, practical and innovative ideas on the new Rising Tide Ocean podcast. ** Links & Resources ** Native Conservancy: https://www.nativeconservancy.org/ Habitat restoration, indigenous food sovereignty, & cultural revitalization in Alaska Blue Frontier: www.bluefront.org Building the solution-based citizen movement needed to protect our ocean, coasts and communities, both human and wild. Inland Ocean Coalition: www.inlandoceancoalition.org Building land-to-sea stewardship - the inland voice for ocean protection Fluid Studios: www.fluidstudios.org Thinking radically different about the collective good, our planet, & the future.
Skye Steritz is a small business owner, an activist and a teacher. She co-owns Noble Ocean Farms with her husband, Sean, which aims to improve both human health and ocean health through cultivating sugar kelp, ribbon kelp, and bull kelp in a responsible and ethical way.As an activist, she works to protect clean water and is actively involved in habitat preservation and restoration in the Eyak territory of Alaska, where she lives year-round. Following the leadership of dAXuhnyuu (the Eyak People), she supports several key cultural and environmental revitalization initiatives. Additionally, she coordinated the nationally-renowned Stream Watch volunteer program to protect Alaskan salmon and watersheds on the Kenai Peninsula. In this episode, Mark and Skye talk about becoming a kelp farmer, what it takes to start in this new and emerging business, what role and and cooperation does community play in this type of business and what kind of food does kelp actually produce and how do we eat it?Save What You Love with Mark Titus:Produced: Emilie FirnEdited: Patrick TrollMusic: Whiskey ClassInstagram: @savewhatyoulovepodcastWebsite: savewhatyoulove.evaswild.comSupport wild salmon at evaswild.com
One day Richard's brother told him that he was ready to meet the Lord. Richard wondered how this could be. He wanted to be sure that he was ready too. But his brother didn't tell him how he could be. Listen as Richard tells of his quest to be ready to meet his Creator.
Welcome to another episode of Go Fix Yourself! This week, we're diving deep into the world of hip-hop with a dynamic duo who are not only making waves in the Alaskan music scene but also working on preserving their cultural heritage.Join us as we sit down with the talented brothers, Garrett and Jake Swenson, who together form the hip-hop group known as Brother Buffalo. In this episode, we'll explore their journey from the early days of freestyling in the family car to crafting songs that are absolute bangers.We also get a look into the unbreakable bond these siblings have shared since childhood and how a brother taken too soon is the inspiration behind the name of the group. Garrett and Jake take us into their Eyak heritage and reveal how their music serves as a vessel for preserving and celebrating their cultural roots.www.instagram.com/brother_buffalo/New episodes every Monday.Hosted by Kyle Reading & Steven CornfieldContact us…Email Us:hey@gofixyourselfpodcast.comInstagram: https://bit.ly/GFYInstagram@kyleareading@stevencornfieldTwitter:https://bit.ly/GFYTwitterFacebook:https://bit.ly/GFYFacebook
E 2016 'oa marv Marie Smith Jones, hag a oa-hi an hini ziwezhañ a ouie ar mod da safaret "eyak", ul langaj amerindian deus an Alaska. Ha ken buan-se 'vefe aet an eyak da netra ma ne vefe ket bet daou zen o klask soveteiñ anezhañ : an amerikan Mikael Krauss digentañ, ha Guillaume Leduey, ur paotr yaouank deus an Havr-Nevez !
Brothers Garrett and Jake Swenson are part of the hip hop group Brother Buffalo. They're of Eyak heritage, with roots in Cordova, Alaska, but they grew up in Anchorage. As far as their understanding of their heritage goes, they didn't have much to go on because so much of the culture was taken from their people and documentation of it was either destroyed or spread across a number of museums. So, it was hard for them to figure out what being Eyak actually meant. Their connection to their past was limited and their access to generational stories were few. One connection they remember, though, was having traditional headbands that they'd wear to weddings and to special get-togethers. But then, in 2008, after Chief Marie Smith passed away, the language was declared dead. She was the last fluent Eyak language speaker. In the last 5 to 10 years, the Eyak language has made a comeback. For their part, Garrett and Jake are learning the language and using it in their raps. They've been taking language classes for a few years now. The group meets once every two weeks, learning and practicing the language. In these meetings, Garrett and Jake say they're learning more about themselves and their people. For them, the whole thing — understanding their culture and creating their music — is about self-realization and reclamation. They call their sound Inlet Music because that's where they grew up — in Anchorage, surrounded by the Cook Inlet. Except for they don't acknowledge the Captain Cook part of Cook Inlet because of what it represents — colonialism and erasure. That's why they named their most recent album “Our Inlet.” It's a reclamation of what was taken.
In this one, Cody talks to brothers Garrett and Jake Swenson of the hip hop group Brother Buffalo. They're of Eyak heritage, with roots in Cordova, Alaska, but they grew up in Anchorage. As far as their understanding of their heritage goes, they didn't have much to go on because so much of the culture was taken from their people and documentation of it was either destroyed or spread across a number of museums. So, it was hard for them to figure out what being Eyak actually meant. Their connection to their past was limited and their access to generational stories were few. One connection they remember, though, was having traditional headbands that they'd wear to weddings and to special get-togethers. But then, in 2008, after Chief Marie Smith passed away, the language was declared dead. She was the last fluent Eyak language speaker. In the last 5 to 10 years, the Eyak language has made a comeback. For their part, Garrett and Jake are learning the language and using it in their raps. They've been taking language classes for a few years now. The group meets once every two weeks, learning and practicing the language. In these meetings, Garrett and Jake say they're learning more about themselves and their people. For them, the whole thing — understanding their culture and creating their music — is about self-realization and reclamation. They call their sound Inlet Music because that's where they grew up — in Anchorage, surrounded by the Cook Inlet. Except for they don't acknowledge the Captain Cook part of Cook Inlet because of what it represents — colonialism and erasure. That's why they named their most recent album “Our Inlet.” It's a reclamation of what was taken.
When people think of ice climbing in North America, the first places that might come to mind are Ouray, Colorado, Hyalite Canyon outside Bozeman, Montana - or the vast alpine region of the Canadian Rockies, just to name a few. But perhaps the ultimate mecca for pure frozen waterfall climbing, is in and around Valdez, Alaska. This temperate region, which encompasses the shared traditional land of the Ahtna, Athabaskan, Alutiq and Eyak cultures, averages around 300 inches of snow each year, making it a perfect environment for forming fat, blue ice routesThere's a rich climbing history in Valdez, starting when Jeff Lowe and John Weiland made the first ascent of the ultra-classic Keystone Greensteps in 1975. Then, in the late 70's, a couple of young hotspot climbers from Fairbanks, Carl Tobin and Roman Dial, started ticking of dozens of first ascents, raising the standard of what was being done at the time. In the 80's, climber's like Andy Embick, Chuck Comstock and Brian Teale, all Valdez locals, continued the tradition, establishing hundreds of classic first ascents. And the old school merged with the new, when In February 1987, Steve Garvey and Jim Sweeney climbed Sans Amis, a grade 6 snow and rock line on the Keystone Wall - ushering in modern mixed climbing techniques to the Valdez area. Although Valdez has remained popular over the years, it's continued to somehow stay under the radar to the mainstream climbing world. But that hasn't stopped a new generation of Alaskans from continuing the tradition of adventure, exploration, and first ascents in the magnificent arena. One of these ascents happened in Feb, 2021, during the annual Valdez Ice Festival, when Sam Volk, Ryan Sims, August Franzen, and Sam Johnson, headed back toward the remote Wartmanns Glacier. Assisted by snow machines, and a boot pack put in a few day before by Sims and Johnson, the 200 meter, WI 6 climb was an instant classic. Here's Sam Volk's trip report of that memorable outing.This Trip Report is made possible with the gracious support of The Firn Line Patreon backers. To learn more about how you can become a Patreon subscriber, go to The Firn Line Patreon.••••••••••••••••••••••••••••••••••••••••••••••••••••••••NotesWritten & Produced by Evan PhillipsEditing & Sound Design by Pod PeakOriginal Music by Evan PhillipsSupport The Firn LinePatreonPayPalMerchSponsorsAlaska Rock GymThe Hoarding Marmot
Mary Smith Jones, geboren am 14. Mai 1918, war die letzte Sprecherin des Eyak, der Sprache des gleichnamigen Indianerstammes im Süden Alaskas. Eigentlich hieß sie "Klang, der die Menschen von weit her ruft".
Mary Smith Jones, geboren am 14. Mai 1918, war die letzte Sprecherin des Eyak, der Sprache des gleichnamigen Indianerstammes im Süden Alaskas. Eigentlich hieß sie "Klang, der die Menschen von weit her ruft". Zusammen mit einem Linguisten schrieb sie ihre Sprache auf.
Mary Smith Jones, geboren am 14. Mai 1918, war die letzte Sprecherin des Eyak, der Sprache des gleichnamigen Indianerstammes im Süden Alaskas. Eigentlich hieß sie "Klang, der die Menschen von weit her ruft". Autorin: Christiane Neukirch