Podcasts about brothers

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Journalist and writer Elizabeth Bisland was sent on a trip around the world in 1889, in a sort of race against Nellie Bly. But that was not something she wanted to be known for. Research: Bisland, Elisabeth. “At the Sign of the Hobby Horse.” Houghton, Mifflin and Co. Riverside Press. 1910. https://archive.org/details/atsignofhobbyhor0000eliz/page/n12/mode/1up Bisland, Elizabeth, 1861-1929. “A Candle of Understanding: a Novel.” New York and London: Harper & brothers, 1903. Bisland, Elizabeth. “In Seven Stages: A Flying Trip Around the World.” New York. Harper & Brothers. 1891. https://digital.library.upenn.edu/women/bisland/stages/stages.html Bisland, Elizabeth. “Societies for Minding One's Own Business.” The North American Review. 11/1/1910. Bisland, Elizabeth. “The Art of Travel.” From The woman's book, dealing practically with the modern conditions of home-life, self-support, education, opportunities, and every-day problems. 1894. https://archive.org/details/bub_gb_LBEhBEGmUq4C/ Bisland, Elizabeth. “The Truth About Men and Other Matters.” New York. Avondale Press. 1927. Britannica Editors. "Lafcadio Hearn". Encyclopedia Britannica, 22 Sep. 2025, https://www.britannica.com/biography/Lafcadio-Hearn. Accessed 18 February 2026. Codrescu, Andrei. “The Many Lives of Lafcadio Hearn.” The Paris Review. 7/2/2019. https://www.theparisreview.org/blog/2019/07/02/the-many-lives-of-lafcadio-hearn/ “Foley, Alethea "Mattie",” Notable Kentucky African Americans Database, accessed February 19, 2026, https://nkaa.uky.edu/nkaa/items/show/300004770. Goodman, Matthew. “Elizabeth Bisland’s Race Around the World.” Public Domain Review. 10/16/2013. https://publicdomainreview.org/essay/elizabeth-bislands-race-around-the-world/ Harrison-Kahan, Lori and Karen E. H. Skinazi. “The Girl Reporter in Fact and Fiction: Miriam Michelson's New Women and Periodical Culture in the Progressive Era.” American Quarterly , Jun., 2002, Vol. 54, No. 2 (Jun., 2002). https://www.jstor.org/stable/30041927 Heitman, Danny. “Lafcadio Hearn in New Orleans.” HUMANITIES, May/June 2012, Volume 33, Number 3. https://www.neh.gov/humanities/2012/mayjune/feature/lafcadio-hearn-in-new-orleans New York Times. “MRS. E.B. WETMORE, AUTHOR, DIES IN SOUTH; Former Elizabeth Bisland of This City to Be Buried in Woodlawn Today.” 1/19/1929. https://www.nytimes.com/1929/01/09/archives/mrs-eb-wetmore-author-dies-in-south-former-elizabeth-bisland-of.html Christopher Goodwin & Associates, Inc. “Historical and Archaeological Investigations of Fort Bisland and Lower Bayou Teche, St. Mary Parish, Louisiana.” June 1991. https://apps.dtic.mil/sti/tr/pdf/ADA242489.pdf Roggenkamp, Karen. “Dignified Sensationalism: ‘Cosmopolitan,’ Elizabeth Bisland, and Trips around the World.” American Periodicals , 2007, Vol. 17, No. 1 (2007). Via JSTOR. https://www.jstor.org/stable/20770967 Rose, Alex. “Elizabeth Bisland: Around the World in 76 Days.” Science Museum Group. 1/30/2023. https://blog.sciencemuseumgroup.org.uk/rare-globe-celebrates-elizabeth-bislands-voyage-around-the-world/ Science Museum Group. “Elizabeth Bisland 1861-1929.” https://collection.sciencemuseumgroup.org.uk/people/cp172999/elizabeth-bisland Tutwiler, Julia R. “The Southern Woman in New York.” The Bookman: A Magazine of Literature and Life. February, 1904. https://archive.org/details/the-bookman-1895-1933/1900-1909/1904/The%20Bookman%20v18n06%20%281904-02%29%20%28unz%29/page/624/mode/1up Tutwiler, Julia R. “The Southern Woman in New York: Part 2.” The Bookman: A Magazine of Literature and Life. March, 1904. https://archive.org/details/bookmanareviewb05unkngoog/page/50/mode/1up Vatican Apostolic Library. “Elizabeth Bisland.” En Route Project. https://enrouteproject.com/en/the-research/the-female-travelers/elizabeth-bisland/ Williams, Susan Millar. “L’enfant Terrible: Elizabeth Bisland and the South.” The Southern Review; Oct 1, 1986; 22, 4; ProQuest pg. 680. See omnystudio.com/listener for privacy information.

Garret Caldwell and Tim Farrell from Mack Brothers drop by the studio to chat everything Mack Brothers — including sneak peeks at new products. Suppressors, actions, complete guns, history and more, this is a fun, in-depth interview with a couple great guys who know what they are talking about.  As always, we want to hear your feedback! Let us know if there are any topics you'd like covered on the Vortex Nation™ podcast by asking us on Instagram @vortexnationpodcast

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

In this powerful and deeply personal episode of Domestic Dad: Cleaning Up The Mess, host Nick Barnett sits down with Keith Jeffries to unpack a story marked by addiction, heartbreak, spiritual awakening, and the life-changing power of surrendering to God.   Keith shares openly about growing up in a loving home that lacked a spiritual foundation, and how his desire for acceptance and belonging led him down a destructive path at an early age. What began with drinking as a teenager quickly escalated into marijuana, prescription pills, heroin, and eventually years of meth addiction. Through his brutally honest reflection, Keith reveals how addiction slowly eroded his relationships, fueled selfish choices, and left him feeling empty despite outward success.   Nick and Keith explore the deep wounds that often live beneath addiction—including father wounds, unresolved anger, and the quiet shame that lingers long after the chaos of substance abuse fades. Keith reflects on the painful realization that the scars addicts leave on others can be some of the hardest burdens to carry in sobriety.   The turning point in Keith's story came during one of the darkest moments of his life. After years of addiction and the loss of his father, Keith found himself sitting alone with a gun in his hand, ready to end everything. Instead, in a moment he still struggles to fully explain, he fired the gun into the floor—an act that became a permanent reminder of the life he almost lost.   Soon after, Keith attended a men's event called The Launching Pad in Dallas, Texas, where he experienced a powerful encounter with God that would change everything. In that moment of surrender, the addictions that once controlled him were broken, and Keith began a new journey of faith, obedience, and purpose.   But the journey wasn't without heartbreak. After five years of infertility, Keith and his wife Kayla experienced the joy of discovering they were pregnant with twins—only to lose both babies to miscarriage weeks later. In one of the most painful seasons of their lives, they made the difficult decision to remain faithful and obedient to God, trusting that He still had a plan for their family.   Today, Keith lives a completely transformed life—devoted to his faith, his marriage, and helping other men find freedom from addiction and hopelessness. His story is a powerful reminder that no matter how far someone believes they have fallen, redemption is always possible.   Through honest conversation, Nick and Keith discuss the role of obedience, the importance of brotherhood and accountability, and the incredible ways God reveals Himself when people choose faith over fear.   This episode is a raw and inspiring testimony that no one is too far gone for grace—and that sometimes the greatest miracles come after the darkest moments.    

Rob, Nico and Nick discuss the ides of March, Pompeii, Jim Carrey’s clone, the 2026 Oscar nominees, Survivor 50, the Paramount-Warner Bros merger, the limits… The post Two Cents Radio: Episode #424 – Et Tu, Robert? appeared first on Too Many Thoughts.

S.O.W, Too Much Information Pussycat, The Spitvalve Saxophonist, Smother a Brother, CPR Billions, Sued By the BeeGees, Xibit A, Sunday Night Bed Rest, Studio Notes, Truly Ugly, Missing Child Impersonator, P.U.N, The Thing Lost Kid, We Adopt Kids For CashYou can now purchase A Listener hats by emailing twointhethinktank@gmail.comCatch up on the 500th episode hereCheck out the sketch spreadsheet by Will Runt hereAnd visit the Think Tank Institute website:Check out our comics on instagram with Peader Thomas at Pants IllustratedOrder Gustav & Henri from Andy and Pete's very own online shopYou can support the pod by chipping in to our patreon here (thank you!)Join the other TITTT scholars on the TITTT discord server hereHey, why not listen to Al's meditation/comedy podcast ShusherAlasdair Tremblay-Birchall: @alasdairtb and instaAnd you can find us on the Facebook right here(Oh, and we love you) Hosted on Acast. See acast.com/privacy for more information.

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsOn Saturday, April 25th, 2026, the 2026 Southeastern Masonic Symposium is happening in person at the Asheville Masonic Temple (80 Broadway St., Asheville, NC)I'll be there in person, so, come down and meet me and the rest of the crew.John Michael Greer — prolific occult and esoteric historian with 70+ books, including Circles of Power and the award-winning New Encyclopedia of the Occult; an initiate across Hermetic, Masonic, and Druidic lineages, and former Grand Archdruid (AODA).Collin Conkwright (American Esoteric) — creator behind American Esoteric, focused on ancient philosophy & comparative religion and serious work around universalism and the Western tradition; also publicly listed as a Master Mason and writer.Ike Baker — independent scholar & esoteric instructor, a practicing ceremonialist and initiatic Mason (Blue Lodge + York Rite), also connected with Martinism and the Hermetic Order of the Golden Dawn; host of the ARCANVM podcast; author of A Formless Fire and Aetheric Magic.Thom Carter — a Brother out of Mt. Hermon Lodge No. 118 (Asheville, NC) and part of the presenting lineup for the symposium.https://www.eventbrite.com/e/2026-asheville-masonic-symposium-tickets-1980822909645?aff=ebdssbdestsearch

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsOn Saturday, April 25th, 2026, the 2026 Southeastern Masonic Symposium is happening in person at the Asheville Masonic Temple (80 Broadway St., Asheville, NC)I'll be there in person, so, come down and meet me and the rest of the crew.John Michael Greer — prolific occult and esoteric historian with 70+ books, including Circles of Power and the award-winning New Encyclopedia of the Occult; an initiate across Hermetic, Masonic, and Druidic lineages, and former Grand Archdruid (AODA).Collin Conkwright (American Esoteric) — creator behind American Esoteric, focused on ancient philosophy & comparative religion and serious work around universalism and the Western tradition; also publicly listed as a Master Mason and writer.Ike Baker — independent scholar & esoteric instructor, a practicing ceremonialist and initiatic Mason (Blue Lodge + York Rite), also connected with Martinism and the Hermetic Order of the Golden Dawn; host of the ARCANVM podcast; author of A Formless Fire and Aetheric Magic.Thom Carter — a Brother out of Mt. Hermon Lodge No. 118 (Asheville, NC) and part of the presenting lineup for the symposium.https://www.eventbrite.com/e/2026-asheville-masonic-symposium-tickets-1980822909645?aff=ebdssbdestsearch

Ok, damn, this Shinto "religion" (it's not a religion) is the shit. Honestly, where has Shinto been all our life? Well, it has been in Japan but it's never too late to start bringing some of the good stuff into our lives.

The Brother of Jared tells his story of his early years in the church and his mission to Argentina.

Pastor opens with a prayer for God to build unity among believers especially in the areas where we have differing opinions, that we would show grace to one another and humility before God. Pastor begins with the "rapture" passage in 1 Thessalonians 4:17, "After that, we who are still alive and are left will be caught up together with them in the clouds to meet the Lord in the air and so we will be with the Lord forever." "Will be caught up." This caught up is the rapture. "Will be caught up" is one word in Greek: harpazō (Latin was used to translate the Greek work and in Latin the word is rapiemur from which we get "rapture") Let's check out 1 Thessalonians 4:13-16 where Paul answers the question about Christian believers who have died, "Brothers and sisters, we do not want you to be uninformed about those who sleep in death, so that you do not grieve like the rest of mankind, who have no hope. For we believe that Jesus died and rose again, and so we believe that God will bring with Jesus those who have fallen asleep in Him. According to the Lord's word we tell you that we who are still alive, who are left until the coming of the Lord, will certainly not precede those who have fallen asleep. For the Lord himself will come down from heaven, with a loud command, with the voice of the archangel and with the trumpet call of God and the dead in Christ will rise first."   These are encouraging words for believers, giving them the assurance of Jesus' Second Coming and the assurance of the resurrection of the dead, the gathering of the living and all going with Jesus in the air and of being with Him forever. If we take Paul's powerful words of summary of the Second Coming in these verses - it seems to be saying that the rapture occurs when Jesus returns, when the dead are raised and when we are all caught up in the air with Him. Paul goes on to say in verse 18: "Therefore encourage one another with these words." In 1 Thessalonians 5:1-3 we read that Christ comes at a time no one knows, and He comes not only to bring His people to Himself, but to bring judgement. Verses 4-6 goes on to tell us that we belong to the Light and not to the darkness and Paul calls us to understanding that Jesus can come anytime and that we should be ready and looking forward to His return.  Common questions:         What is all this talk about the Rapture - its referring to believers who have died in Christ and those who are alive when He returns and the risen dead and the alive will be united with Christ         Will there be a rapture - Yes!!!         Where is the rapture found in the Bible - In 1 Thessalonians 4         When will the rapture take place - at the Second Coming of Christ         Will Christians go through the Tribulation - The word for tribulation is the Greek word thlipsis. It is used 45 time in the New Testament. (Suffering, persecution, tribulation) Pastor takes us on an exploration of the ways thlipsis is used in the New Testament by looking at:         John 16:33         Matthew 24:21-22         Romans 5:3         1 Thessalonians 3:7         2 Thessalonians 1:4         Revelation 7:14 We see in these verses that tribulation is a reality, we read of the tribulation of others, of Jesus saying that in this world we will have tribulation, that there will be tribulation, and we read about glorying in our tribulations.  Pastor shares the tribulation of the apostles, disciples, and early believers, and that throughout the centuries there has been tribulation of Christian people and in our day the tribulation that is attacking many believers around the world (kidnapped, raped, captured, hunted down, killed, ridiculed, put down, in fear of losing jobs, etc). Tribulation is real, it's a reality. the Bible doesn't say we will escape it, instead it says we will be persecuted. Our hope is not based on being taken out of tribulation, our hope is on the second coming of Christ. And the assurance that we will be raised on the last day and will live with Him forever. Believers have differing opinions - Pastor encourages us with what the Bible says:         to maintain the peace of the Holy Spirit.          To search the scripture         to not get caught up in details that cause controversy          to focus on the mission of bringing others to Christ Jesus is the only message of reconciliation and eternal life. That is our focus, labor, prayer and service. Bottom line …. The entire New Testament points to the Second Coming of Christ and urges us to live in such a way as to be always ready for His return. Pastor's closing prayer speaks of thanks to God for the Scriptures, while in them we don't find everything we want to know, the Scriptures do provide ALL that we need to know. Now What? Learn about God at https://www.awakeusnow.com EVERYTHING we offer is FREE. Check out this video series from our website: https://www.awakeusnow.com/whats-the-answer Join us Sundays  https://www.awakeusnow.com/sunday-service

Prisoner of Jesus the Messiah Ephesians 3:1-13 by  William Klock Ask yourself what happens when the church is being faithful in its gospel calling and life. As we've worked through the first two chapter of Ephesians, Paul has explained that the church is God's new temple. It's a people purified by the blood of Jesus so that God can draw near in the person of his Spirit to dwell with us. That's always been God's plan for humanity and for creation. The garden was his temple and he placed us there to steward it well, on the one hand, and on the other, to dwell with him and to enjoy his presence—life with him.  And ever since we rejected that calling, God has been working to restore us to it.  And so the church, this people washed clean of sin and death by Jesus, and then filled with his Spirit, this new temple, we're the working model of God's coming new creation in the here and now. And if we're faithful in being that working model, what happens? The ideal, the hope is that people hear our proclamation of the kingdom and they see the first beginning of God's new creation when they look at the church. In the midst of the darkness, the church should be light.  In the midst of death, the church should be life.  The church should be here to show a better way through the cross.  To prophetically wipe away the tears of the hurt and mourning and to confront the principalities and powers, the false lords and the corrupt systems of the world with the truth of the gospel and the lordship of Jesus.  And people do hear and see and experience the faithfulness of the church.  In us they meet the living God and the Lord who died for them and they encounter his glory and they kneel in faith and are, themselves washed by Jesus and filled with the Spirit. But our idea of the faithful church often stops there. Maybe that's because we think of the church, not in terms of faithfulness, but in terms of success.  Butts in the pews. Money in the plate. Acclaim by the world.  And yet for the first Christians the opposite was true.  They were small.  They were poor.  They were persecuted and imprisoned and martyred by the world around them. And that's because, when the church is faithful in living and proclaiming and witnessing the presence of God's new creation and the Lordship of Jesus, the principalities and powers—that was how Jews like Paul thought of the unseen powers, once placed by God to oversee peoples and nations, but now in rebellion against him—those principalities and powers, earthly kings, and the powerful people invested in those kingdoms and the corrupt systems that run them—Brothers and Sisters, if we're doing our job showing that God's new world is breaking in and that Jesus is setting things to rights, those powers will fight back.  They will try to shut us up or shut us down. They will throw us in prison.  They will kill us.  Or they will try to corrupt us. They'll divide our loyalties: Sure you can worship Jesus, but you'll also need to kneel to Caesar.  They'll get us to adulterate the gospel with materialism and commercialism or politics.  They'll convince us we can have one set of values in the church and another in business or in government. With that in mind, look at Ephesians 3. Paul rites, “It is because of all this that I, Paul, the prisoner of Messiah Jesus on behalf of you gnetiles…”  Paul sort of interrupts himself there for rhetorical purposes, but we should pause here too.  Paul was in prison. Probably this is when he was in prison in Rome, but it could have been in Ephesus.  And for a lot of people in his word, that meant that Paul was out of favour with God.  How often do we hear that sort of thing today? There are parts of the church that have been corrupted and compromised by the idea that faith means health and wealth, happiness and prosperity.  That you can name it and, by faith, claim it.  And if you don't get it, well, then you don't have enough faith or you're out of favour with God.  If we were to turn over to Second Corinthians we'd see that that's how the Corinthians interpreted Paul's imprisonment.  But this is pagan thinking. But Paul knew better. In verse 13 he tells them, “Don't lose heart because of my sufferings on your behalf. That's your glory!”  In other words, he's imprisoned because he's been faithful to the calling God gave him.  He's imprisoned because of his great faith.  He wants the Ephesians to understand the paradox of the cross: God's power is made perfect in weakness.  We're prone to forgetting this.  When we bail on a church because we think it's too small, when we start adopting sales tactics as if the gospel is something to sell, when we cozy up to corrupt leaders and rulers looking for favour, when we think we have to project or pursue strength in order to win, we've lost the plot that is centred on the cross of Jesus.  You can't adulterate God's new creation with the old.  If we do, we lose our witness and we stop challenging the principalities and power of the old with the lordship of Jesus and the glory of the kingdom. So Paul was in prison because he was being faithful, because he was establishing, just as God had called him to do, these little communities that were breaking the rules of the old order: bringing Jews and gentiles, men and women, slave and free together into a single family.  This was the family through which God will make his glory known throughout the earth.  Remember the priests mocking Jesus on the cross, to come down if he was really the son of God, then they would believe. But Paul knew—and the people in those little churches in Ephesus knew—it was because Jesus is the son of God that he had to stay on the cross.  It was through his weakness, through his death that the great enemy, death itself, would be defeated and the battle won.  Weakness is the powerful way of the cross. Paul had got the attention of the powers of the present evil age and it landed him in prison, but instead of thinking that God had failed, Paul knew that this was actually the sign, the proof that the gospel and the Spirit were doing their work, that they were truly rising to challenge the old gods and kings.  So he goes on in verse 3, “I'm assuming, by the way, that you've heard about the plan of Gods' grace that was given to me to pass on to you?  You know, the mystery that God revealed to me, as I wrote briefly just now.  Anyway…  When you read this you'll be able to understand the special insight I have into the Messiah's mystery.  This wasn't made known to human beings in previous generations, but now it's been revealed by the Spirit to God's holy apostles and prophets.  The mystery is this, that, through the gospel, the gentiles are to share Israel's inheritance.  They are to become fellow members of the body, along with them, and fellow sharers of the promise of Jesus the Messiah.”   God's great mystery, his secret purpose that was there all along, promised to Abraham and to Moses, to David and to the Prophets, but missed by so many people in Israel—and of course totally unknown to the gentiles who did know about those promises—that mystery hit Paul like a ton of bricks the day he met the risen Jesus on the road to Damascus—or maybe it was three days later when Ananias prayed for him and his eyes were opened.  Paul started to rethink everything his Jewish Pharisee brain knew—and it knew the whole story—but suddenly he was looking it at through a new lens, through the reality that this Jesus who was crucified as a false Messiah had been raised and was, in fact, the Messiah after all.  And if that were true—well, that wall outside the temple, the one carved with the warning that gentile must not pass on pain of death—that wall was now irrelevant.  In fact, that whole temple had become irrelevant because of Jesus.  He's said this back in 2:19 and now he says pretty much the same thing again, “The mystery is this, that through the gospel, the gentiles are to share in Israel's inheritance.  They are to become fellow members of the body…fellow sharers of the promise in Messiah Jesus.”  In Greek he drives this point home with real force using three words that all begin with the prefix syn that means “with”.  The gentiles are with-inheritors, with-body, and with-partakers—to put it very literally in English.  For those in the Messiah, the distinction between the Jews and the rest of the world is gone.  And we often read right past it, but this was absolutely key, heart of the gospel stuff for Paul. Israel's story reached its climax and the promises were fulfilled in the Messiah and in his death for the sins of the whole world.  In that moment the whole sacrificial system, the whole system of purity and impurity, the temple itself became irrelevant for everyone—whether or Jew or gentile—for anyone who throws himself or herself at the feet of Jesus in faith and love to be purified once and for all and forever by his blood, to be filled by God's Spirit, and thereby to become a part of God's new temple. When the scales fell from Paul's eyes, he was the first to really grasp all this.  The other apostles back in Jerusalem were still debating whether gentile believers had to be circumcised or not.  So Jesus sent Paul to go announce to the gentiles that it's not necessary.  There's now a single people defined by faith in the risen Messiah.  Of course, Paul first went back to Jerusalem to make sure his fellow apostles understood this, too.  But his mission was to proclaim the good news to the nations.  I expect most of the his first converts were those gentiles who were already on the fringe.  The “god fearers” as the Jews called them.  Greeks and Romans who encountered Jewish society and saw something they'd never seen before.  In a world of moral filth, they saw in Israel a passion for holiness, a desire for justice, a hope of God setting the world to rights—a hope few in the gentile world had.  And they couldn't go to the temple, but they could sit in the synagogues and hear the scriptures read and there they heard about the faithfulness of Israel's God.  And so they hung around, on the fringe, longing for what this family had, but knowing it was not theirs and thinking it never could belong to them.  Hoping that maybe there could be a place for them, even if on the fringe, in this story of hope.  And Paul came to them excited, to announce that in Jesus, they were co-inheritors, fellow body-members, and fellow partakers of all those promises God had made to his people.  That in Jesus and the Spirit, the could actually become the temple of the living God…not on the fringe, but actually the temple in which he dwells. Imagine the excitement those first gentile believers felt. Like children in an orphanage, waiting and longing for years to have a place in and the love of a family, now they were part of the family.  They'd escaped from the fickle gods and moral filth and hopelessness of paganism and were now sons and daughters of God. So having made clear this point that is so central to everything, Paul goes on in verse 7: “This is the gospel that I was appointed to serve, in line with the free gift of God's grace that was given to me.  It was backed up with the power through which God accomplishes his work.”  I have to think that Paul never ceased to marvel at this.  The guy who made it his career to round up Christians so they could be brought before the Jewish council—and stoned like Stephen—that evil guy was called and chosen by God to proclaim this good news.  Washed clean by the blood of Jesus and made an apostle.  If anyone understood grace, it was Paul.  If anyone knew the power of God made perfect in weakness, it was Paul.  And so he goes on in verse 8: “I am the very least of all God's people.  However, he gave me this task as a gift: that I should be the one to tell the gentiles the good news of the Messiah's riches, riches no one could begin to count. My job is to make clear to everyone just what the mystery is, the purpose that's been hidden from the very beginning of the world in God who created all things.” Paul, the least deserving of anyone having been such a great persecutor of Jesus and his church, has been given the grace to proclaim the riches of God, his immense wealth.  The riches of the Messiah.  Sonship in God's family.  The inheritance of the word.  And one day that world set to rights and fellowship with the living God forever.  This is good news.  Not good advice, like, “Hey, let me tell you about Jesus. Try him out and see if he works for you and if not, oh well.”  No this is good news.  Sin and death are defeated, the corrupt principalities and powers are on borrowed time, God's kingdom has come.  And those powers have heard the proclamation of Paul and his churches and they're angry.  Maybe if it had just been all talk, maybe if they'd just proclaimed it as good advice, maybe if they'd let themselves be corrupted by the desire for strength and power, but no…the principalities and powers, the king and gods of the present age are angry, because they've seen this good news at work.  Caesar was the great peacemaker who had forged all the peoples of his vast empire into one with his sword and his armies.  But this crucified Messiah who came out of a weak and conquered people, whose missionaries had gathered a bunch of largely poor people, women, and slaves—their unity across all their difference brought about by a message of grace—that was a real threat to the order of the old world.  The Lord Jesus was the real deal.  Caesar was a cheap copy.  And while the Caesars of the world will one day be brought down, they won't go down easily.  And yet, it's in just this that the church has its greatest witness the power of God, the power of the cross, the power of the good news.  God's power is made most manifest when we are at our weakest—laughed at, imprisoned, martyred.  Those things are proof of the power of the gospel. And now Paul brings the first part of the chapter to its climax in verse 10: “This is it: that God's wisdom, in all its rich variety, was to be made known to the principalities and powers in the heavenly places—through the church! This is God's eternal purpose, and he's accomplished it in Messiah Jesus our Lord.  We have confidence and access to God in him, in full assurance, through his faithfulness.” I've heard and read Tom Wright say that if you want to understand what Paul is really getting at in this first half of Ephesians, look at the 10s: 1:10, 2:10, and 3:10.  In 1:10 we see God's purpose to bring all things together in heaven and on earth in the Messiah. In 2:10 we see the church today, justified by grace through faith, called to have the vital role to play in God's plan to bring everything together in the Messiah.  And here in 3:10 Paul reminds us that when the church is faithfully the church—that fellowship of people from every nation, tribe, and tongue who have given their allegiance to the Messiah, then the principalities and powers are put on notice and called to account.  As Paul says here: “God's wisdom, in all its rich variety, was to be made known to the principalities and powers in the heavenly places—through the church!”  For two thousand years God's promises to set creation and humanity rights was out there, but how was it going to happen?  Brothers and Sisters, it's through the church being the church, with uncompromising allegiance to Jesus, living in the power of the Spirit, refusing to compromise, refusing to give an inch to evil men, to wicked systems, to the gods of the present age.  Not one inch.  Because, the resurrection and ascension of Jesus tell us, in those famous words of Abrham Kuyper, “there is not one inch in the whole domain of human existence over which Christ, who is sovereign over all, does not cry, Mine!” And knowing that with full assurance, uncompromisingly living that out, we the church are, as Paul put it in Chapter 2, we're God's poiema, his beautiful, finely crafted handywork.  We put on display God's wisdom in all its polypoikilos, the ESV translates it “manifold”.  I'm tempted to translate it a little more freely as something like “all the colours of the rainbow”.  Think of the vision of the church in Revelation 7—an uncountable multitude from every nation, tribe and tongue.  The church is meant to display the polychromed, Technicolor glory of God's new creation and, in doing so, to reveal the shabby drabness of this wicked old age and its gods and kings.  But what the church has done instead is to fracture.  This colour here and that colour over there.  It's to our shame.  And perhaps it's because we ourselves have lost the glory of that Technicolor world the church is meant to represent, we seem to be perpetually drawn back to the shabby drabness of the present age and it's cheap attempts to do what only Jesus and the Spirit can do.  Again, we treat the church and the gospel like commodities to marketed and to be bought and sold.  We try to divide our loyalty between Jesus and mammon or sex or power.  We become captivated by the ugliness of violence and war.  Or we sell our souls for a mess of political pottage, losing our vision of new creation and our passion for goodness, truth, and beauty and instead of trusting in the God who will bring it about, we trust in horses and chariots and chase after lesser evils instead of the good.  Brothers and Sisters, that what the principalities and powers, that's what the devils want.  They want us to think that we can bring God's kingdom by using the world's ways.  But it won't, it can't work.  Because doing so simply paints the church with the same shabby drabnesss of their world and casts a veil over the glory of God and the goodness of the gospel.  It removes us as a threat to those powers. But when we are faithful to being the church.  When we are uncompromising in our loyalty to Jesus.  When love one another and are truly one, instead of fracturing our witness to the unity of the people of God, that's when the world and its rulers take notice.  They recognise that, as Paul wrote back in 2:6, we are already seated with God in the heavenly places in the Messiah.  That doesn't mean we're somehow above the mess.  Instead it means we're right here in the midst of the mess, taking on the corrupt and evil powers of this age with power of the cross of Jesus for the sake of the people around us.  We're here, with the authority of heaven, to shine the light of the gospel and to put on full display the Technicolor glory of God.  Even as the powers fight back. We've all seen it.  It's not always as obvious as Paul being in prison.  More often than not, it seems that when a church being faithful to preach God's word and to live out the gospel and the life of the Spirit, all hell comes at us out of nowhere.  People start grumbling and creating divisions.  People leave over stupid things.  World or national events distract us from the gospel. or divisions become obstacles to faithfulness.  Those are times for prayer and to double-down on faithfulness to Jesus and the gospel when we're tempted to give up or tempted to compromise.  But Paul would tell us to be prepared.  When you're being faithful, when a church is putting on display the manifold wisdom of God—new creation—the enemies of the gospel will see, they'll feel the threat, they will strike back.  That's why Paul was in prison.  And he tells them, “That's your glory.” Think again back to the Solomon's dedication of the temple.  That stunningly grand and beautiful building, skilfully and purposefully crafted so that the glorious presence of God could dwell with in it.  So that God could shine forth from it.  That was the glory of his people on display for the sake of the whole world.  And Solomon and all Israel watched as the cloud of glory descended and filled the temple.  I always struggle to visualize just how amazing that must have been.  But the key takeaway here is this, Brothers and Sisters: that glory now indwells us.  We are now God's temple, his skilfully and purposefully crafted handiwork, purified by the blood of Jesus, so that he can dwell in us.  And if we, by his grace and sure of promises, are faithful to be what he has made, we will shine forth that glory: life in the midst of death, light in the midst of darkness, hope in the midst of despair, glorious Technicolour in the midst of dreary mud puddles, new creation in the midst of the hold. Let's pray: Almighty God, consider the heartfelt desires of your servants, we pray,  and stretch out the right hand of your majesty to defend us against all our enemies, through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever.  Amen.

17 Brothers, join in imitating me, and keep your eyes on those who walk according to the example you have in us. 18 For many, of whom I have often told you and now tell you even with tears, walk as enemies of the cross of Christ. 19 Their end is destruction, their god is their belly, and they glory in their shame, with minds set on […]

Come Worship the Lord with us. Pastor V. Jesse Smith shares an awe inspiring message on Foolishness and Usefulness to God. Soulful Gospel music for your Spirit from your favorite BlackGospel Artists Bro. Mel & Pastor V. Jesse Smith The Way Center of Truth 950 East Palmdale Blvd. Pamdale, CA 93550 Services at 10 AM

When a multimillion-dollar mansion went up in flames in New Jersey, investigators discovered a horrific crime scene: four members of the same family murdered. As the case unfolded, suspicion turned toward someone they trusted most — a brother who claimed the mafia was to blame...

Hey Jimi, hey what‘s up? Genau diese Frage stellt man sich zurecht, wenn man in den letzten Monaten irgendein windiges Klatschblatt Deutschland geöffnet hat. Eins ist sicher: Jimi Blue Ochsenknecht ist immernoch der WILDESTE ALLER WILDEN! Auf Platz 2 der wildesten Deutschen hat es auch diese Woche wieder Freddy Merz geschafft. Germanys Most Wanted war in China um sich dort mal kurz die heißesten Technik-Trends reinzufahren. Das Fazit der Reise: Ich denke wir sind am Arsch. Doch bevor uns Kung Fu kämpfende Hightech-Roboter eines Tages über den Haufen ballern, gibt es zum Glück noch Orte des Friedens und der puren Magie. Ihr wisst wovon wir reden: Genau, die Ehrlich Brothers! Niklas war daher aus Recherche-Gründen LIVE vor Ort und hat sich verzaubern lassen. Wie das so war?… Das und sehr viel mehr erfahrt ihr nur hier, bei den wirklich echten und einzigen Siegfried & Roy. Abonniere den Kanal von Niklas & David auf WhatsApp: https://whatsapp.com/channel/0029VauTmUt4Y9leCYgJFh3D Instaram: https://www.instagram.com/niklasunddavid/?hl=de dudes. Der Podcast: https://www.instagram.com/dudesderpodcast/ TikTok: https://www.tiktok.com/@niklasunddavid Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte!: https://linktr.ee/dudes_podcast Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Am I the Jerk? is the show where you can confess your deepest darkest secrets and be part of the conversation.

Everything old is new again! 

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsOn Saturday, April 25th, 2026, the 2026 Southeastern Masonic Symposium is happening in person at the Asheville Masonic Temple (80 Broadway St., Asheville, NC)I'll be there in person, so, come down and meet me and the rest of the crew.John Michael Greer — prolific occult and esoteric historian with 70+ books, including Circles of Power and the award-winning New Encyclopedia of the Occult; an initiate across Hermetic, Masonic, and Druidic lineages, and former Grand Archdruid (AODA).Collin Conkwright (American Esoteric) — creator behind American Esoteric, focused on ancient philosophy & comparative religion and serious work around universalism and the Western tradition; also publicly listed as a Master Mason and writer.Ike Baker — independent scholar & esoteric instructor, a practicing ceremonialist and initiatic Mason (Blue Lodge + York Rite), also connected with Martinism and the Hermetic Order of the Golden Dawn; host of the ARCANVM podcast; author of A Formless Fire and Aetheric Magic.Thom Carter — a Brother out of Mt. Hermon Lodge No. 118 (Asheville, NC) and part of the presenting lineup for the symposium.https://www.eventbrite.com/e/2026-asheville-masonic-symposium-tickets-1980822909645?aff=ebdssbdestsearch

Hello my friends and welcome to another edition of my vinyl show. This installment revolves around my Frank Sinatra 45 collection. Some of my favorite old pieces and live performances. Sure, some of them sound terrible but get over it. I really enjoy them and it's what I wanted to do ova hea now for this episode. It did run a little short this week but I didn't want to play every Sinatra record or dig too deep into the Tony Bennett bag. Once I get to a certain spot in the Bennett bag you know Dean Martin and Jerry Vale's greatest hits will enter the chat and by that point it's all over. The Close To You mashup I expanded this episode to contain the Sinatra, Stevie Wonder talkbox live, Frank Ocean on vinyl and one of Ocean's live performances of the song from a few years back. As much as I like Burt Bacharach, the original version of the song is absolute garbage and will never see the light of day in my mashup. Sorry, Burt. The poor unassuming people have no idea that I'm publishing this podcast, putting on a sick hoochie daddy fit and I plan on kicking the door down at this card show. Taking the place by storm. No prisoners no mercy. Today I happily expand my Pokemon portfolio as a 33 year old man with no friends and absolutely no hint of a love life. Getting ready for this card show all I hear in my head is Russell Crowe. "Three weeks from now, I will be harvesting my crops. Imagine where you will be, and it will be so. Hold the line. Stay with me. If you find yourself alone, riding in green fields with the sun on your face, do not be troubled. For you are in Elysium and you are already dead. Brothers.. What we do in life.. Echoes in eternity." Maybe I'll be a super sick internet disc jockey forever in Elysium's comparative platforms to the interwebs. Maybe I'll forever be a super sick bro that totally crushes the local card scene of the Everafter. Not selling, but I am bringing some old stuff from my childhood to show the Brodie that works at the store. Just showing up to gloat my KD, Harden and Steph rookies. Some Jordan inserts. Whatever. I couldn't be more fired up about it. Hope you enjoyed the Frank The Tank installment, your favorite internet disc jockey will be here next timeThe Captain Kirk of this Enterprise,Throbert Duvall

Exactly one year ago today we did this podcast - and it was so I could invite my older brother Jeff to have a chat with us (he'd passed some years earlier).  It's fun to listen to because Jennifer didn't realize it was him at first until he reveals it to her. Also a conversation with a friend's mom who had recently passed - Lois Tracey - whose husband we had spoken to while he was in hospice care with dementia.  Spoken to, meaning we spoke to the "higher self" that was already "back home" - he said that 90% of his conscious energy was already home, but it was "like leaving a leg in the pool." When asked why, he said it was to wait until his grandchildren said goodbye. And later, I confirmed with his family that's what had happened.  So this is a conversation with a friend's mother who had recently passed and she confirmed a number of details that only I knew - as well as revealed some new information about the journey. But most of all, a shout out to my older brother - ten years apart - but born only six days apart on the calendar.  We had a pal pass away recently - and she knew all the folks in this podcast, so it's also for her benefit, or those pals of hers who may tune in. Jennifer is off visiting with Dr. Joe Dispensa (which she mentions the study she's involved in during the podcast).  We'll catch you next week! Oh and Bill Paxton stopped by as well.  Hey Bill!

Prince William is reportedly weighing legal and institutional moves to derail a proposed Netflix documentary marking 30 years since Princess Diana's death, with insiders saying he finds the idea “deeply distressing.” Harry is said to believe he has every right to tell his mother's story — palace permission not required — while Meghan's reported involvement and Netflix's backing have only inflamed tensions. Paul Burrell claims William has deliberately widened the gap as he prepares for the throne, and Deep Crown argues Harry traded a powerful royal role for California branding. As Diana's memory resurfaces, so does the brothers' war over who controls her legacy.Get episodes of Palace Intrigue by becommming a paid subscriber on Apple Podcasts. Click the button that says uninterrupted listening.  Just $5 a month, and that includes many ofther shows on the Caloroga Shark network.Royal Books:William and Catherine: The Monarchy's New Era: The Inside StoryThe Royal Insider: My Life with the Queen, the King and Princess Diana

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Welcome to Channel Nine. This week Paul Rodriguez sits in with us to talk about the NB Numeric's "Running Numbers" US Tour 2025 video, Rick Kosick breaks down his iconic photo of Daewon Song for the cover of Big Brother magazine in our new segment "Frame By Frame", The Retail Report featuring 808 Skateshop in Hawaii and much more! Become a Channel Member & Receive Perks: https://www.youtube.com/TheNineClub/join Nine Club Merch: https://thenineclub.com Sponsored By: AG1: Get a FREE Welcome Kit worth $76 when you subscribe, including 5 AG1Travel Packs, a shaker, canister, scoop & bottle of AG Vitamin D3+K2. https://drinkag1.com/nineclub LMNT: Grab a free Sample Pack with 8 flavors when you buy any drink mix or Sparkling. https://drinklmnt.com/nineclub Woodward: Purchase camp with code NINECLUB and receive a $150 discount off of summer camp. https://www.woodwardpa.com Monster Energy: Monster Energy's got the punch you need to stay focused and fired up. https://www.monsterenergy.com Yeti: Built for the wild, Yeti keeps you ready for any adventure. https://www.yeti.com Richardson: Custom headwear for teams, brands, and businesses crafted with quality in every stitch. https://richardsonsports.com Etnies: Get 20% off your purchase using our code NINECLUB or use our custom link. https://etnies.com/NINECLUB éS Footwear: Get 20% off your purchase using our code NINECLUB or use our custom link. https://esskateboarding.com/NINECLUB Emerica: Get 20% off your purchase using our code NINECLUB or use our custom link. https://emerica.com/NINECLUB Find The Nine Club: Website: https://thenineclub.com Instagram: https://www.instagram.com/thenineclub X: https://www.twitter.com/thenineclub Facebook: https://www.facebook.com/thenineclub Discord: https://discord.gg/thenineclub Twitch: https://www.twitch.tv/nineclub Nine Club Clips: https://www.youtube.com/nineclubclips More Nine Club: https://www.youtube.com/morenineclub I'm Glad I'm Not Me: https://www.youtube.com/chrisroberts Chris Roberts: https://linktr.ee/Chrisroberts Links We Talked About: NB Numeric's "Running Numbers" US Tour 2025: https://www.youtube.com/watch?v=z-DUIGBsjkw Rick Kosick Instagram: https://www.instagram.com/rickkosick Rick Kosick Website: https://www.rickkosickfilms.com Rick Kosick YouTube: https://www.youtube.com/RickKosickFilms 808 Skateshop Website: https://www.808skate.com 808 Skateshop Instagram: https://instagram.com/808skate Timestamps (00:00:00) Channel Nine (00:00:10) P-Rod is in the building (00:07:00) Paul talks PSL (00:13:50) Frame by Frame featuring Rick Kosick (00:32:00) New Balance Running Numbers Tour video (00:48:00) The Retail Report featuring 808 Skate in Hawaii (01:17:00) More PSL talk, evolution (01:31:00) Signing off and Thank You! Learn more about your ad choices. Visit megaphone.fm/adchoices

Am I the Jerk? is the show where you can confess your deepest darkest secrets and be part of the conversation.

YurnBro Talks All: Brother & Mom's Passing, Grief, Streaming, Relationship, CHISME & MORE! Download Cash App Today: https://capl.onelink.me/vFut/pru5vyi5 #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. •Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/NochedePendejadasPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ •If you like the show, telling a friend about it would be helpful! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/NochedePendejadasPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Alannized on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Alannized on TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Alannized on Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Papa Lawrence is back on Da Pod, and Andy has questions!You'll laugh and you'll cry as the Bros dig into Mignonga family history. Where in Italy are we actually from? Why is our name pronounced like that? What was life like for your grandparents? Did your parents ever give you relationship advice? Did you ever get in big trouble as a kid?A very special and heartwarming conversation with the man that started it all. A proud father, surrounded by his wonderful sons. What else do you need this Friday?!Plus, this one goes into extra innings! Enjoy this extended pod with the Brothers!Support our pod with our official merch!https://bropodmerch.bigcartel.com

Paul lives a quiet, tightly controlled life, dividing his time between the gym and his local pub. A former boxer, he keeps his distance from the world. Then he meets Duncan. Charismatic, reckless and impossible to ignore, Duncan draws Paul into an unlikely friendship that begins to change everything.As their bond deepens, Paul finds himself pulled towards excitement, risk and a sense of belonging he thought he'd lost. But beneath the humour and warmth of their connection lies a growing unease, as trust is tested and lines begin to blur. Told through shifting perspectives, Like A Brother is a tense psychological crime drama about friendship, loyalty and the danger of letting the wrong person too close.Paul ..... Felix Scott Duncan ..... Tayla Kovacevic-Ebong Jennifer ..... Ayesha Antoine Tommy ..... Tom Cawte Conor ..... Jason BarnettDirected by Tracey NealeWriter: Philip Palmer, an experienced and talented writer, is incredibly good at writing these types of stories and characters as seen in his previous work for Radio 4 - Keeping The Wolf Out, Hatton Garden Heist and Precious Blood.Produced and Directed by Tracey Neale Sound Design, Keith Graham and Andrew Garrett Production Co-Ordinator, Kate Gray Casting Manger, Alex CurranA BBC Studios Production

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejects and The Spiritual Gangsters https://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsOn Saturday, April 25th, 2026, the 2026 Southeastern Masonic Symposium is happening in person at the Asheville Masonic Temple (80 Broadway St., Asheville, NC)I'll be there in person, so, come down and meet me and the rest of the crew.John Michael Greer — prolific occult and esoteric historian with 70+ books, including Circles of Power and the award-winning New Encyclopedia of the Occult; an initiate across Hermetic, Masonic, and Druidic lineages, and former Grand Archdruid (AODA).Collin Conkwright (American Esoteric) — creator behind American Esoteric, focused on ancient philosophy & comparative religion and serious work around universalism and the Western tradition; also publicly listed as a Master Mason and writer.Ike Baker — independent scholar & esoteric instructor, a practicing ceremonialist and initiatic Mason (Blue Lodge + York Rite), also connected with Martinism and the Hermetic Order of the Golden Dawn; host of the ARCANVM podcast; author of A Formless Fire and Aetheric Magic.Thom Carter — a Brother out of Mt. Hermon Lodge No. 118 (Asheville, NC) and part of the presenting lineup for the symposium.https://www.eventbrite.com/e/2026-asheville-masonic-symposium-tickets-1980822909645?aff=ebdssbdestsearch

Just as every marathon runner sets goals and works to meet them, we must meet our goals to achieve what God has for us. He does not want us to be stuck in the past. Instead, he wants us to forget what is behind, completely heal from it, and move forward so that we can move toward heaven. When we move toward heaven, we help others do the same. As people admire us and watch us straining through the ups and downs of life with joy and contentment, others are drawn to Christ, too. When we run the race that has been marked out for us, we in turn help others run the race as well. This episode is sponsored by Trinity Debt Management. If you are struggling with debt call Trinity today. Trinity's counselors have the knowledge and resources to make a difference. Our intention is to help people become debt-free, and most importantly, remain debt-free for keeps!" If your debt has you down, we should talk. Call us at 1-800-793-8548 | https://trinitycredit.org TrinityCredit – Call us at 1-800-793-8548. Whether we're helping people pay off their unsecured debt or offering assistance to those behind in their mortgage payments. https://trinitycredit.org Full Transcript Below: Strain Forward Towards the GoalBy: Michelle Lazurek Bible Reading:“Brothers and sisters, I do not consider myself yet to have taken hold of it. But one thing I do: Forgetting what is behind and straining toward what is ahead, I press on toward the goal to win the prize for which God has called me heavenward in Christ Jesus.” - Philippians 3:13-14 After waiting many months for the Lord's direction, I have begun the ordination process with my denomination. Although it is a long, complicated process, I know I am up for the challenge. But first, I wanted to pray and make sure that my decision was not simply my decision, but one that the Lord was calling me to make. After many months of silence, God finally used somebody in my life to confirm what I needed to know. As I've gone through the process, God has recalled many emotional wounds I've needed to heal. Due to past church hurt and bad exchanges with brothers and sisters in Christ, I became nervous about whether I could do the job. I wasn't sure I wanted to go back into a situation that could be toxic or harmful to my mental or emotional state. One day, I was reading the Word and came across the above verses. It was interesting for me to note the phrase, “forgetting what is behind, and straining toward what's ahead.” The word “strain” implies that it's not easy to move. For instance, people with physical injuries who want to run a marathon will find it quite tricky. The pain of that injury will impede them from running the race fully with a healthy body. Although we may never completely forget the hurts and difficulties of our past, God wants us to forget what they are and continue toward the goal he has for us. God doesn't want us to ignore the pain. Instead, knowing it's there, we should take steps to care for ourselves and also to achieve the goal he has set for us. With proper rest, nutrition, and healthy water intake, a person who runs a marathon with an injury can do so, albeit slowly. It is the same with us. God wants us to strive toward the goal that he has for us. In these verses, the price is heaven. Through many seasons of life, we may be straining toward heaven. We may be going through challenging health crises, financial woes, church, or relationship struggles. Yet through all of it, God wants us to keep moving forward. Even when we are stuck in those emotional wounds, God wants us to heal so we can move forward and reach the prize. Just as every marathon runner sets goals and works to meet them, we must meet our goals to achieve what God has for us. He does not want us to be stuck in the past. Instead, he wants us to forget what is behind, completely heal from it, and move forward so that we can move toward heaven. When we move toward heaven, we help others do the same. As people admire us and watch us straining through the ups and downs of life with joy and contentment, others are drawn to Christ, too. When we run the race that has been marked out for us, we in turn help others run the race as well. Don't become stuck in the past. Instead, heal from what has ailed you. Seek the help of a professional, get medication, or do whatever you need to take to forget what's behind you completely. Then, when you are ready, move toward heaven, no matter what pace you are at. Strive toward the goal, move toward heaven, and inspire others to reach heaven's goals as well. Father, let us be people who strain toward the goal. Let us always keep our eyes on the prize: heaven. Let us remember, then, that the ultimate prize is being solidified in our identity with you and in our intimate relationship with you. Help us get the resources and time we need to completely heal from the past so we may move forward toward the goal you have set for us. Amen. Intersecting Faith & Life: In what way are you stuck in the past? In what ways can you heal from the past so that you can move forward to your future goals? Further Reading:Hebrews 12:1 Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

On this episode of The Hollywood Outsider podcast, it is time for our own brand of March Madness! Everything is coming up brackets this time of year, so we decided to do our own HO March Madness and determine the Most Rewatchable Movie of the 2000s! This means the first decade, 2000-2009, and we take the Top 16 films as decided by HO HQ, and then break it down, bracket by bracket, until only one movie remains! It's a lot of fun, and please share with us your thoughts on the most rewatchable movie of the 2000s. That's not all! Also on this episode, we dive into another topic from a listener and Patreon supporter revolving around our own personal inspiration for our love of the creative arts (including movies, TV, and music). As well as our spoiler-free review of The Bride!, the Paramount / Warner Brothers merger is a go, and recommendations.  We hope you enjoy this entertaining and packed episode of The Hollywood Outsider! Listen to our Inspired by a True Story episode on SCREAM! Discussed on this episode (0:00 – 15:10) Opening | Paramount and Warner Brothers Discovery Merger Pros and Cons (15:11 – 1:02:13) From the Outside In: Most Rewatchable Movies of the 2000s (1:02:14 – 1:21:41) Our Personal Artistic Inspirations (1:21:42– 1:30:40) Spoiler-free Review: The Bride (1:30:41 – 1:48:01) Recommendations: DTF St. Louis, Scrubs, Famous Last Words: Eric Dane, The Bluff Click here for more info on our 2026 Alaskan Cruise! Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group Subscribe on Apple Subscribe on Spotify Subscribe via RSS

Ailish Forfar and Justin Cuthbert kick things off with Jen Botterill (4:52) as the NHL Trade Deadline approaches the final hour. They discuss Nick Foligno joining his brother Marcus with the Minnesota Wild and what he brings to his new club on and off the ice. Next, they discuss what the Tampa Bay Lightning should expect bringing back Corey Perry to the fold, how she expects the rest of the deadline to unfold, and much more. Then, Ailish and Justin discuss the biggest names that could still be moved, which teams need a goaltender most, and more.  The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Welcome to Episode #174 of Everything Under the Sun! Welcome back! Brother Guy Consolmango, observer for the Vatican, joins us to explain what the Moon has to offer with Earth's tides! We work out what causes a blood moon! And to finish the episode off we talk about the lack of air on our Moon and why the atmosphere is so thin up there! Don't forget, if three questions just aren't enough for you, there are 366 more in Everything Under the Sun: All Around the World! Check it out at www.mollyoldfield.co.uk! It makes the perfect pressie do buy one now : ) If you want more Everything Under The Sun, here is the Everything Under The Sun: Quiz Book. Available on Amazon here, or through independent UK bookshops here. On top of that the original book Everything Under the Sun: a curious question for every day of the year is available on Amazon and in independent bookshops here. Instagram: @itseverythingunderthesun and @mollyoldfieldwritesTiktok: @itseverythingunderthesunX/Twitter: @eutsworldSee omnystudio.com/listener for privacy information.

They marched peacefully. They were fired on. They sang anyway. This week on the Irish & Celtic Music Podcast #749, sixteen artists remind us that protest songs aren't history — they're a mirror. Dropkick Murphys, Wild Colonial Bhoys, Medusa's Wake, House of Hamill and more. From Diggers of 1649, to Bloody Sunday 1972, to Minneapolis 2026. Some songs don't age. They just find new reasons to matter. -- Subscribe now at CelticMusicPodcast.com! Amelia Hogan, Dropkick Murphys, Bealtaine, Ed Miller, Black 47, David Rovics, Wild Colonial Bhoys, Eddie Biggins, The Haar, Marc Gunn & The Dubliners' Tabby Cats, The Secret Commonwealth, Redhill Rats, Scythian, House Of Hamill, Medusa's Wake, Melanie Gruben GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2-3 weeks. THIS WEEK IN CELTIC MUSIC 0:09 - Amelia Hogan "No Irish Need Apply" from Transplants: From the Old to the New 5:02 - WELCOME 8:14 - Dropkick Murphys "Who'll Stand With Us?" from For The People (Expanded Edition) 12:03 - Bealtaine "Worker's Song" from Factories & Mills, Shipyards & Mines Written by Ed Pickford in the mid-1970s as a direct response to arguments blaming Britain's economic woes on workers rather than the wealthy. That's a typical tactic that continues today. If we want free and fair elections, we will stop letting billionaires buy our politicians. The was first recorded by Scottish legend Dick Gaughan in 1981, it's been taken up by everyone from the Dropkick Murphys to The Longest Johns. 16:22 - Ed Miller "Blood upon the Grass" from Generations of Change In 1977, Scotland traveled to Chile to play a friendly match at the very stadium where, just four years earlier, Pinochet's regime had tortured and killed political prisoners after the 1973 coup. Back in Scotland, a powerful solidarity campaign urged the Scottish Football Association to pull their team from what would become known as the 'Match of Shame.' Folk singer Adam McNaughtan captured that outrage in his song 'Blood Upon the Grass,' and Edinburgh-born singer Ed Miller later recorded it on his album Generations of Change — keeping this powerful story alive for new generations. 19:16 - Black 47 "San Patricio Brigade" from Rise Up and The Secret World of Celtic Rock 24:18 - FEEDBACK The Great Hunger in Ireland took place from 1845 to 1852. Irish immigrants migrated to the U.S. They were treated as second-class citizens. There are still newspapers that refer to them as lazy and criminals, thus the "No Irish Need Apply" song at the start of the show. These were hungry people. They were just looking for opportunities in a new land. Much like the immigrants of today. But they too were treated inhumanely. They were demonized. So when the Mexican-American War broke out from 1846-1848, many Irish looked at how poorly they were treated in America. They found greater kinship to their Catholic cousins in Mexico. That's why the Saint Patrick's Battalion was formed. Interestingly, it wasn't just Irish Catholics. There were Catholics from throughout Europe in the battalion including: German, Canadian, English, French, Italian, Polish, Scottish, Spanish, Swiss and Mexican. These were people who were attacked and belittled for their culture and their faith. It should serve as a warning and a reminder for all of us today. 30:04 - David Rovics "St. Patrick Battalion" from Historic Times 32:58 - Wild Colonial Bhoys "Dying Rebel" from Century A song that reflects on the human cost of rebellion rather than the glorification of the conflict and the martyrdom of its leaders. Here's what history keeps teaching us. People don't start out wanting to fight. They start out wanting to be heard. On January 30, 1972, in Derry, Northern Ireland, somewhere between ten and fifteen thousand people joined a peaceful civil rights march. They weren't armed. They were protesting the British government's policy of locking people up without trial. Sort of like what's happening in America now. British paratroopers opened fire. Thirteen people were killed. Fourteen others were wounded. The incident caused widespread anger and led to a surge in IRA recruitment. The argument was simple and devastating: peaceful protest could no longer achieve change. I hope to God America never comes to that. But peaceful protesters were murdered in Minneapolis. I lost a fan because I took my kids to a peaceful No Kings Protest last summer. When the state fires on and demonizes its own people, it doesn't end the resistance. It just changes its shape. That's the lesson history keeps trying to teach us. I hope we don't need to learn that the hard way. So please keep peacefully protesting 37:46 - BREAK 39:10 - Eddie Biggins "The Rising of the Moon" from Hey, I'm Singing Over Here! 41:29 - The Haar "Óró Sé Do Bheatha' Bhaile" from The Lost Day "Óró sé do bheatha abhaile" sounds like a joyful welcome song — and once, it was. The original Irish tune dates back centuries, used to greet returning chieftains and even Bonnie Prince Charlie. But the version we know today is something altogether fiercer. Around 1910, Patrick Pearse — poet, teacher, and revolutionary — rewrote the lyrics. He replaced the old imagery with a new vision: Gráinne Mhaol, the legendary 16th century pirate queen, sailing home with soldiers to drive the English from Ireland. Pearse was executed after the 1916 Easter Rising. And his words lived on. The song became a rallying cry, a promise that resistance wasn't finished, that Ireland would be free. That's why it's still sung today. Not as nostalgia, but as defiance. Every generation that lifts their voice in this song is answering Pearse's call across more than a hundred years. 48:04 - Marc Gunn & The Dubliners' Tabby Cats "Patriot Game" from Irish Drinking Songs: The Cat Lover's Companion In my opinion, "Patriot Game" is one of the best Irish rebel songs ever written. It cuts deeper than most rebel songs because it doesn't glorify. It questions. It was written by Dominic Behan in 1961. The song is based on the true story of Fergal O'Hanlon, an IRA volunteer killed during a 1957 border raid in County Fermanagh. He was just nineteen years old. But Behan wasn't writing a hero's ballad. He was writing a warning. The song is sung in the voice of a young man who died for a cause he barely understood. Seduced by romantic notions of patriotism before he had the wisdom to weigh the cost. That's the same as putting the party over the country. Our politicians have fallen into that trap. So I want to ask you to reach out to your representatives. Tell them you've had enough of this insanity. 51:12 - THANKS Back in December, I got an email from Troy of The Secret Commonwealth. He was letting me know about a man who's been part of his community for over 40 years. His friend is being held by ICE for nearly a year. His friend is hospitalized with a serious infection and awaiting heart surgery, all while being denied adequate medical care and due process. He suffers from a cracked vertebra and a history of cardiac issues, yet remains in unsanitary conditions with limited access to clean water or medical attention. My friend said, 'I'm feeling pretty damn rebellious right now,' and honestly, I am too. I'm also sad that I didn't bring this to your attention sooner, especially in the wake of the murders of Renee Good and Alex Pretti by ICE agents in Minneapolis back in Janaury. These are not abstract political issues. These are real people, real families, real communities torn apart. This next song feels like the right response. 'Till Jamie Comes Hame' features traditional words sometimes credited to Robert Burns, with music written by Rob Campbell of the band. And today, it's for everyone waiting for someone to come home. 58:35 - The Secret Commonwealth "Til Jamie Comes Hame" from Last Call 1:02:45 - Redhill Rats "White, Orange and Green" from Some Heroes 1:06:37 - Scythian "Follow Me Up to Carlow" from Immigrant Road Show 1:10:06 - House Of Hamill "Pound A Week Rise" from MARCH THROUGH STORMS 1:14:12 - Medusa's Wake "War of Independence" from War of Independence 1:17:37 - CLOSING "The World Turned Upside Down" was written in 1975, but it reaches back to 1649 — and maybe even further than that. Leon Rosselson based the song on the Diggers, a radical movement in England led by Gerrard Winstanley. After the English Civil War, they began farming common land, declaring simply that the earth belonged to everyone. Not to kings. Not to landlords. Not to those who had seized it by force and called it theirs. They were destroyed for that idea. But here's something worth sitting with. The Irish language doesn't have a word for "to have." You cannot own anything in Irish. Instead, things exist in relationship with you. A book is at you. Hunger is on you. Joy is on you. Even land. Not mine. Just... with me for now. That's not just a quirk of grammar. It's a completely different way of seeing the world. One where ownership itself is the strange idea. The foreign concept. This the idea that declaring land your private property is an act of violence against everyone else. The Diggers lost. The language nearly did too. But both survived. And this song is proof that the idea refuses to die. 1:20:18 - Melanie Gruben "The World Turned Upside Down" from Like a Tide Upon the Land 1:22:37 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Executive Producer for St Patrick's Month is John Sharkey White, II. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra-rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. This podcast is for fans of Celtic music. It's about diversity of thoughts and beliefs and about helping indie celtic musicians. So if you find music you love, support the artists financially. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. IRISH & CELTIC MUSIC PODFEST AND ARTS MARKET Join us Sunday, March 8, 2026, from 12 to 6 PM at The Lost Druid Brewery in Avondale Estates, Georgia. Enjoy an afternoon of Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Bring your family. Grab a pint. Enjoy the music, and share the energy of a true Celtic gathering. It is free to attend. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

William chats about Reddit rabbit holes, meditation walnuts, scary video games, freight shipping disasters, puzzle competitions, Nashville landscaping, casino trips in Tunica. It's The William Montgomery Show!

Not every farm starts with generational wealth.  Not every farmer gets to farm full-time. In this episode of Farm4Profit, we sit down with Jesse and Alex — the Lampley Brothers, Middle Tennessee farmers who are building their operation the hard way. They raise: • Beef cattle • Hay • Row crops And they do it while maintaining full-time off-farm careers. What started in 2021 as funny, relatable farm memes quickly grew into a serious social media presence across Facebook, Instagram, and YouTube — connecting with tens of thousands of farmers who see themselves in the grind.

Celebrate Hollywood and the movies as the Lodgecast presents our Oscar Extravaganza & 2025 Movie Favorites! Host Brother Bischke leads a hard-charging examination of the Academy Award nominations as five prestigious Lodge members lay down their picks for what should win and what will win in twenty-four Oscar categories in under 30 minutes! Then it's onto our special award, where we'll all give our pick for The Salad Dragon of the Year! Then we charge forward to the very serious business of picking our 2025 movie favorites as we all count down from #10 to #1 of our very favorite films of 2025. Some Lodgecast movies make the cut of our best films, but there are many surprises. Have a listen, and let us know what you think!

Ro and Brad come together in episode 241 to discuss the apprentice of Sidious, until he's not. But then, what is he? Maul searches for identity even after he's found, surprisingly alive in Rebels episode Brothers. His multi-tiered life to exact revenge on the Jedi that left him for dead and stole every opportunity given to him, according to Maul himself. This discussion goes back to Maul's history, character and subsequent motivations as it leads to his ultimate demise, but first, we have the new Disney animated series Maul, Shadow Lord to contend with. Join us in this discussion and prepare to be consumed by the dark side. Remember to share this episode and tell your other Star Wars friends about it. Consider leaving us a nice written review on the podcast app of your choice. We are proud founding members of the Red5Network, and that's the scuttlebutt.

Send a textThis was ALMOST an emergency pod: Angelo, Rhea, and Jay discuss the implications of the huge mega-merger of Paramount/Skydance and Warner Bros/Discovery, a union that will leave the new entity with EIGHTY BILLION WITH A B dollars in debt.  Can it survive?  Should it survive?  And what does it mean for all our favorite shows?THEN, Scrubs is back, and it's good, actually.  The gang discusses other successful reboots, and of course, Jay's choice is one that Rhea and Angelo would've NEVER considered.ALL THAT PLUS: British Corner, A new Gordon Ramsay Doc, and much MUCH More!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

We go over the SAR scans of the Giza Plateau again in light of Biondi's appearance on the Joe Rogan Experience. We discuss what we see as the promising aspects of the technology and our concerns over the analysis of the data.Support us through Patreon and get special episodes, early access, and bumper tunes! You can also donate directly through Paypal.Thank you all so much for the support!https://www.brothersoftheserpent.com/support

We are back with a brand new episode featuring the return of Black Santa himself! He brings along his elf Mia, as she comes on answers our horny questions and tells us about her not so long relationship history. Plus Gee tells us about some Mia Mishaps at HQ The Lounge. Follow us on social media @AaronScenesAfterParty

Anna Kepner was an 18-year-old from Florida found dead aboard a Carnival cruise ship in November 2025. Her death was ruled a homicide, and her 16-year-old stepbrother has now been charged in connection with her death. Authorities have not publicly released full details of the charges or evidence, and the case remains under seal as legal proceedings continue.Try our coffee!! - www.CriminalCoffeeCo.comBecome a Patreon member -- > https://www.patreon.com/CrimeWeeklyShop for your Crime Weekly gear here --> https://crimeweeklypodcast.com/shopYoutube: https://www.youtube.com/c/CrimeWeeklyPodcastWebsite: CrimeWeeklyPodcast.comInstagram: @CrimeWeeklyPodTwitter: @CrimeWeeklyPodFacebook: @CrimeWeeklyPod

Why do I have the desire to rebel against my parents? Why does pen on paper fade over time? Do we make new water? What is the scent of soaps and why do I want to eat it? How should I reveal that I can do the splits? Has there been any updates regarding Stars on Mars? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

E24 - Today on Vapid Response Wednesday: the story of a wealthy family that lost everything and the one son who had no choice but to try to defend his sister after she was convicted of abusing and trafficking minors with (and for) Jeffrey Epstein. For this special episode we read through Ian Maxwell's entire body of published work for The Spectator and unseriously consider some of the many questions the tabloid heir raises about the arrest and conviction of his sister Ghislaine, the evils of the First Amendment, and of course a lengthy digression about some people named Todd.  Watch this episode on YouTube! Nobody's Girl, Virginia Roberts Giuffre (2025) Virginia Giuffre's full 2019 interview on 60 Minutes Australia Ian Maxwell's video interview with The Telegraph, Feb. 20, 2026 Ian Maxwell's author page at The Spectator “The truth about my sister, Ghislaine Maxwell,” Ian Maxwell, The Spectator, 12/16/2021 “My sister Ghislaine was denied justice,” Ian Maxwell, The Spectator (UK edition), 7/1/2022 “Don't take Virginia Giuffre's memoir at face value,” Ian Maxwell, The Spectator, 11/5/2025 “How my sister Ghislaine beat the Epstein conspiracy theories,” Ian Maxwell, The Spectator, 9/9/2025 “My sister Ghislaine became a prop in the theater of global online outrage,” Ian Maxwell, The Spectator, 2/25/26 Full Department of Trade and Industry report regarding the investigation into Robert Maxwell's pension fund embezzlement and corporate fraud (2001) Check out the OA Linktree for all the places to go and things to do!

Alejandro Peña Esclusa and Ernesto Araújo report that Secretary of State Rubio discusses a transition for the cash-strapped Cuban regime, while Venezuela's Rodriguez brothers continue to stall on releasing political prisoners. 15.1843 RUSSIA DIPLOMATS IN PERSIA

Am I the Jerk? is the show where you can confess your deepest darkest secrets and be part of the conversation.

https://www.patreon.com/AdeptusRidiculoushttps://www.adeptusridiculous.com/https://twitter.com/AdRidiculoushttps://shop.orchideight.com/collections/adeptus-ridiculousToday, Bricky and DK are diving headfirst into the new narrative campaign, "500 Worlds: Titus". The events of Space Marine II are in the rearview mirror, and our boy Demetrian Titus has officially secured the bag: getting promoted to Captain and Master of the Watch. Bobby G has tasked him with an incredibly ambitious (and maybe impossible) goal: reclaiming the lost 500 Worlds of Ultramar.​Titus heads out to the Vespator Front to secure a spooky planet called Novamagnor, a world so cursed that even Hive Fleet Leviathan actively avoided it. What Titus thought would be a "poggers" little speedrun to drop a vortex bomb in a sleeping Necron tomb immediately goes completely off the rails. We're talking Hexmark Destroyer ambushes, a literal Necron civil war spilling onto the surface, and the arrival of Nekrosor Ammenthar, the horrifying Patient Zero for the Destroyer Curse.​To make matters worse, Titus has to deal with Archmagos Wytbor Oct, a massive C'tan cultist who literally holds the door open for the Necrons because he wants to free a Nightbringer Shard from a massive Tesseract Vault. It's a pyrrhic victory of epic proportions, capped off by The Rock pulling up to the outskirts of Ultramar with a cryptic text message that simply reads: "Brother. We need to talk".Support the show

Two people told Ciara that they liked the ranker episodes so naturally, what she heard was "everyone wants you to look up a list to react to." Our lists of choice this week? What presidents are most likely to win in a fist fight and which president would be the best bender buddy. If we're real, we don't want politicians near anything we do, but imagining some of them getting their asses kicked healed something in us. THANKS SPONSORS- Feel like your best self again—visit https://forhers.com/ladies to get a personalized, affordable weight loss plan with promo code LADIES. Head to https://www.tryfum.com/LADIES to get your free gift with purchase, and start The Good Habit today! Find furniture, decor, and essentials that fit your unique style and budget at https://wayfair.com right now to shop all things home. RESOURCE- https://www.ranker.com/list/hard-drinking-ex-presidents/elise https://www.ranker.com/list/which-president-would-win-in-a-fight/stephanroget WE'RE GOING ON TOUR - https://www.ladiesandtangents.com/live-show WE'RE ON PATREON - patreon.com/ladiesandtangents MERCH - https://ladiesandtangents.kingsroadmerch.com/ NEW SUBMIT YOUR STORIES - landtstories@gmail.com FOLLOW ALONG WITH US ON SOCIAL MEDIA - @ladiesandtangents Learn more about your ad choices. Visit podcastchoices.com/adchoices