Podcast appearances and mentions of frank serafine

PEG Interviews Composer Producer Inventor Podcaster Kevin Stratton The man behind “Definitive Music” Unique abilities have given Kevin a reputation for creating a definitive sound that allows artists and productions to stand apart. His commitment for developing sound that is fresh and innovative has made him a sought-after producer and composer in today's music. This passion has driven him through four Grammy-winning albums developing the unique sounds for such artists as Chicago, Toto, Stevie Wonder, Thomas Dolby, Van Halen and many others. Recently, Kevin has written and produced music for HBO Productions, Netflix, Amazon Studios and has played on numerous tracks for Guitar Hero and Rock Revolution. Currently he is engaged with a number of national symphony orchestras for scoring and film work. His work with mobile entertainment productions and his background in 3D animation has also afforded him work as a producer with such clients as; Pixar, Electronic Arts (EA) and Disney. Kevin began his film and television work on a number of film projects with Frank Serafine of Serafine FX (Santa Monica, CA.) including the development and design for the movie soundtrack of the motion picture “Nightfall” ( based on the novel by Isaac Asimov ) and sound design on films such as “Short Circuit II” and “Star Trek IV The Voyage Home” in which he received screen and production credits.. Today, Kevin is active in numerous TV, Film and Special Media projects. Kevin is a published author for a number of trade magazines and technical writings. Including; Audio Engineering Society, Electronic Musician and Keyboard Magazine. Kevin studied sound synthesis and acoustic physics under the tutelage of Stanford University's Dr. John Chowning and others, at the University of Chicago, and was awarded a scholarship to the prestigious Berkeley School of Music in Boston. Mr. Stratton was also honored to teach music composition and sound design at the Aspen Music Festival. Kevin's work also supports Charities including The Cancer Society, The Grammy Foundation and Music Cares Foundation. Building off of his work over the past three decades, Kevin has brought his skills to fruition through artist management, successful albums, sound design, as well as music supervision and placement in TV and film. In the end…those he works with say more than anything else… https://kevinstratton.com/ Watch the Podcast on YouTube here: https://www.youtube.com/watch?v=r2pqwok3fZo Watch on Twitch https://www.twitch.tv/videos/1053468290 --- Send in a voice message: https://anchor.fm/phantom-electric/message Support this podcast: https://anchor.fm/phantom-electric/support

PEG Interviews Composer Producer Inventor Podcaster Kevin Stratton The man behind “Definitive Music” Unique abilities have given Kevin a reputation for creating a definitive sound that allows artists and productions to stand apart. His commitment for developing sound that is fresh and innovative has made him a sought-after producer and composer in today's music. This passion has driven him through four Grammy-winning albums developing the unique sounds for such artists as Chicago, Toto, Stevie Wonder, Thomas Dolby, Van Halen and many others. Recently, Kevin has written and produced music for HBO Productions, Netflix, Amazon Studios and has played on numerous tracks for Guitar Hero and Rock Revolution. Currently he is engaged with a number of national symphony orchestras for scoring and film work. His work with mobile entertainment productions and his background in 3D animation has also afforded him work as a producer with such clients as; Pixar, Electronic Arts (EA) and Disney. Kevin began his film and television work on a number of film projects with Frank Serafine of Serafine FX (Santa Monica, CA.) including the development and design for the movie soundtrack of the motion picture “Nightfall” ( based on the novel by Isaac Asimov ) and sound design on films such as “Short Circuit II” and “Star Trek IV The Voyage Home” in which he received screen and production credits.. Today, Kevin is active in numerous TV, Film and Special Media projects. Kevin is a published author for a number of trade magazines and technical writings. Including; Audio Engineering Society, Electronic Musician and Keyboard Magazine. Kevin studied sound synthesis and acoustic physics under the tutelage of Stanford University's Dr. John Chowning and others, at the University of Chicago, and was awarded a scholarship to the prestigious Berkeley School of Music in Boston. Mr. Stratton was also honored to teach music composition and sound design at the Aspen Music Festival. Kevin's work also supports Charities including The Cancer Society, The Grammy Foundation and Music Cares Foundation. Building off of his work over the past three decades, Kevin has brought his skills to fruition through artist management, successful albums, sound design, as well as music supervision and placement in TV and film. In the end…those he works with say more than anything else… https://kevinstratton.com/ Watch the Podcast on YouTube here: https://www.youtube.com/watch?v=r2pqwok3fZo Watch on Twitch https://www.twitch.tv/videos/1053468290 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/josephine-electric/message Support this podcast: https://anchor.fm/josephine-electric/support

Thomas takes a look at new from DC, Marvel, Star Trek Star Wars and more. In this episode, Thomas looks at an inflatable Han Solo in Carbonite, why there will be no Solo 2, The Short Treks before Discovery is back, Henry Cavill flys away, The Martian Manhunter returns to manhunting, The Fantastic Four return to Comics and much much more!Support the show (https://ko-fi.com/multiverse)

Worlds collide as Justin and Matt from the 2 Broke Geeks podcast join us to talk about getting Jason out of the lake, The Rocket City Trash Pandas, Cavill done with Superman(?), You Might Be The Killer, Prophet and Image, Frank Serafine, Peter Donat, Beetlejuice the Musical, Bond 25 finds old writers, and a little Red Light/Green Light with Stargirl: The Series, Creepshow, and Daybreak. So drink that Beverly, it's time for a (2 Broke) Geek Shock!

Frank Serafine is a motion picture sound designer, sound editor and composer. Working on Hollywood blockbusters you will certainly have heard of including Hunt for Red October, Tron and got started back in 1979 with sound design for Star Trek. He's also sound producer designer and installer of the Disney Avengers station now featuring at Treasure Island in Las Vegas and is an advanced educator and trainer for Pluralsight on the Sound for Film course series. The post Frank Serafine: Motion Picture Sound Design, Synthesizers and Sound Effects appeared first on the Music Radio Creative.

Frank Serafine is a motion picture sound designer, sound editor and composer. Working on Hollywood blockbusters you will certainly have heard of including Hunt for Red October, Tron and got started back in 1979 with sound design for Star Trek. He's also sound producer designer and installer of the Disney Avengers station now featuring at Treasure Island in Las Vegas and is an advanced educator and trainer for Pluralsight on the Sound for Film course series. The post Frank Serafine: Motion Picture Sound Design, Synthesizers and Sound Effects appeared first on the Music Radio Creative.

Want to know what it takes to be a pro at sound design? To say that Frank Serafine might know what he's talking about is probably a huge understatement. Frank has been around doing sound design since before many of you were born. He's seen technology change they way that things are done, not just in audio, but in film also. In this epic chat, Frank and Joey geek out over how he developed sounds such as the Light Cycles in Tron, massive Spacecraft in the Star Trek movie, and many others... all without the benefit of ProTools or other modern bells-and-whistles. He has a TON of great tips on how to become a sound designer, whether you just want to add sounds to make your animations stand out or maybe even do it as a pro. Take a listen. http://www.schoolofmotion.com/frank-serafine/

The Sound Design of Prelude to Axanar. Spectacular visuals and captivating acting are two of the most noticeable elements of a film, but take away the sound and what are you left with? In the absence of sound effects, even the greatest story doesn't feel quite right. Weapons fire, starships zipping by, footsteps, and the gentle ambient hum of the engines are all critical to making the visuals believable. But how are they created? The sources of many sounds Star Trek fans find familiar may surprise you. In this episode of the official Star Trek: Axanar podcast we're joined by Mark Edward Lewis, Jesse Akins, and Academy Award-winner Frank Serafine to learn more about how they bring Axanar to life through sound. In our news segment we get a first-hand account of the San Diego Comic-Con premiere of Prelude to Axanar, some of the behind-the-scenes excitement that led up to the screening, the launch of the Kickstarter for the full Axanar film, and Axanar activities on slate for Star Trek Las Vegas.   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact   News Recapping the Prelude to Axanar premiere (1:08) Kickstarter for the full Star Trek: Axanar film underway (5:42) Axanar activities at Star Trek Las Vegas (14:10)   Feature: The Sound Design of Prelude to Axanar Frank's Background (17:30) Mark's Background (21:08) Jesse's Background (23:29) What Is Sound Design? (24:25) Bringing Axanar to Life Through Sound (30:24) Things to Watch For (42:17) Closing and Feedback (46:03)