Podcasts about Toto

On today's episode of Have Kids They Said, Rich is in Vegas and experiences Uber road rage. They get into pork chop stories, being a good sport about pictures, the Oura ring taking over Nicole's life, and the Toto toilet. What you can't come back from? Along with some couples-fight homework, and a street tale that goes sideways fast.Hit play now before Rich orders another pork chop. Have Kids, They Said... is a SiriusXM Network Podcast made by Nicole Ryan and Rich Davis.If you'd like to send us a message or ask a question email us at HKTSpod@gmail.comFollow on social media:Instagram @havekidstheysaidpodNicole @mashupnicoleRich @richdavisand @siriusxm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Billy Joel gives his first live performance since brain condition diagnosis, Alex Van Halen is working with Toto guitarist Steve Lukather on a new album, Tony Iommi of Black Sabbath will have a new solo album out this year and more stories in this week's 'Rock News'...

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Is Hollywood retreating from woke to avoid going broke? On this episode of The Federalist Radio Hour, Christian Toto, founder of the Hollywood in Toto website and podcast, joins Federalist Senior Elections Correspondent Matt Kittle to dissect 2025's comedy comeback, explain why Sydney Sweeney's jeans controversy should inform the way conservatives show up for certain pop culture, and review the best and worst movies of the year. The Federalist Foundation is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going

Is Hollywood retreating from woke to avoid going broke? On this episode of The Federalist Radio Hour, Christian Toto, founder of the Hollywood in Toto website and podcast, joins Federalist Senior Elections Correspondent Matt Kittle to dissect 2025's comedy comeback, explain why Sydney Sweeney's jeans controversy should inform the way conservatives show up for certain pop culture, and review […]

Tento díl minutovek patří Janu Sušánkovi. Po letech budování předal roli CEO Lukášovi Krchňákovi a firma Sušánka & partneři vstupuje do nové fáze svého vývoje.

Silvester V Tvojej ruke je môj čas. Žalm 31,16a Rimanom 8,31b-39 Ak je Boh za nás, kto je proti nám? 32 Ako by nám ten, ktorý neušetril vlastného Syna, ale vydal ho za nás všetkých, nedaroval s ním všetko? 33 Kto bude žalovať na Božích vyvolených? Je to Boh, ktorý ospravedlňuje. 34 Kto ich odsúdi? Je to Ježiš Kristus, ktorý zomrel, ba čo viac, bol vzkriesený z mŕtvych, je po Božej pravici a prihovára sa za nás. 35 Kto nás odlúči od Kristovej lásky? Súženie alebo úzkosť, prenasledovanie alebo hlad, nahota, nebezpečenstvo alebo meč? 36 Ako je napísané: Pre teba nás usmrcujú deň čo deň, pokladajú nás za ovce na zabitie. 37 Toto všetko však víťazne prekonávame skrze toho, ktorý si nás zamiloval. 38 Som totiž presvedčený, že ani smrť, ani život, ani anjeli, ani kniežatstvá, ani prítomné, ani budúce veci, ani mocnosti, 39 ani výška, ani hĺbka, ani nijaké iné stvorenie nebude nás môcť odlúčiť od Božej lásky, ktorá je v Ježišovi Kristovi, našom Pánovi. Ľudia často hovoria: „Keď nebude súženie, úzkosť, hlad, nahota, nebezpečenstvo a meč, vtedy začneme veriť, že Boh je. Keby existoval, nedopustil by to!“ Iní síce veria, že Boh je, ale keď príde niečo zlé, nepozvú Ho bližšie k sebe. Neradujú sa z Jeho lásky, ale pochybujú o nej. Ako je to naozaj? Ako učí Duch Svätý? Predsa Svojou láskou, ktorú rozlieva do našich sŕdc. Teda, keď sú otvorené pravou vierou. – – Počas komunizmu boli rumunské väznice obzvlášť kruté. Trpeli v nich hlavne kresťania. Jedného z nich sa opýtali: „Videl si Boha?“ „Áno.“ – odvetil. „Ako?“ „Keď sa postaví medzi mňa a mučiteľov, vnímam ich s láskou.“ – – Aj ja som zažil kus prenasledovania, hoci po skončení komunizmu, a to od okultistov. Práve vtedy mi Boh dal na srdce pieseň: „Ráno vidím slnko, radosť z toho mám.“ – – Nie sme otrokmi tohto sveta. Aj keď na nás útočí, môžeme sa slobodne radovať. Môžeme sa tešiť z Kristovej lásky, ale aj ju dávať tým, čo nás ničia. Páči sa vám táto koncepcia? Je Božia. Ak túžite žiť Jeho láskou, aj keď príde s prenasledovaním, patríte Mu a ste Jeho deťmi. O tom sme čítali v tejto kapitole Listu Rímskym. Prajem nám všetkým takúto vieru a – zjednotení v spoločnej modlitbe – modlime sa: Modlitba: Ďakujem, Bože, za Tvoju lásku, od ktorej nás nemôže odlúčiť nič. Odpusť, že dávam často prednosť časným láskam, ktoré sa strácajú a niekedy prinášajú bolesť. Veď ma Tvojím Duchom, nech nesklamem a prinesiem Tvoju lásku, kde treba. Amen. Pieseň: ES 386 Autor: Peter Dubec Tvojim hraniciam zabezpečuje pokoj. Žalm 147,14 Blahoslavení tvorcovia pokoja, lebo oni sa budú volať Božími synmi. Matúš 5,9 Matúš 13,24-30 • Kazateľ 3,1-15 • Žalm 29 • Modlíme sa za: Evanjelickú a.v. cirkev na Slovensku Otázky na rozjímanie: Ako dnes prežívam, že ak je Boh za mňa, nič nemôže byť proti mne v mojich výzvach? Čo pre mňa znamená víťazne prekonávať súženia skrze Toho, ktorý si nás zamiloval? Ako môžem žiť vedomím, že nič ma neodlúči od Kristovej lásky, a dávať ju aj nepriateľom? Dnes som vďačný za tieto 3 veci: _________________________________ _________________________________ _________________________________ Viac o vďačnosti, čo to je, prečo je dôležité byť vďačný, ako praktizovať vďačnosť nájdeš na blogu

„Nemožno sa ubrániť túžbe, ktorú vám v očiach vyčarujú bublinky perliace sa v pohári a štekliace chute na podnebí. Je to totiž ušľachtilé, tekuté zlato s čarovnou žiarou...“ takýto opis sa v roku 1907 objavil v dobovej tlači, aby priblížil výsledok už vtedy dlhovekej a solídnej tradície, tradície výroby šumivého vína v Bratislave - známeho pod značkou Hubert. Jeho originalitu ocenil aj sám cisár František Jozef, keď po ochutnaní vraj zvolal „Dieser Champagner ist vorzüglich!“, teda „Toto šampanské je vynikajúce“. A práve tento šumivý unikát oslavuje svoje dve storočia. Jeho história sa začala písať v roku 1825, keď sa dvojica dvoch bratislavských mešťanov Johann Fischer a dr. Michal Schönbauer odvážne pustili do výroby šumivých vín, prvej v Európe mimo vlastného Francúzska, ktoré je považované za kolísku šampanského. Dnešným slovníkom by sme ich priekopnícky podnik nazvali úspešným startupovým príbehom, veď napokon už v 30. rokoch sa ich vína pod označením Fischer-Schönbauer ocitali na stoloch najváženejších rodín nielen v starom Prešporku, ale aj vo Viedni a v Pešti. Ešte väčšmi sa pod tento podnikateľský úspech podpísalo meno Pavlíny Hubertovej a jej syna Henrika Huberta, ktorí bratislavský klenot doviedli azda k najväčšej sláve, korunovanej celým radom prestížnych ocenení. Aj napriek turbulenciám, ktoré prinieslo do histórie tejto firmy dramatické 20. storočie, tradícia, chvalabohu, pretrvala a bez Huberta si hádam ani nevieme predstaviť silvestrovské oslavy či dôležité životné jubileá. Skrátka, s bublinkami radi spojíme i našu radosť a náš úspech. O dvestoročnej histórií šumivého vína na Slovensku sa rozprávame s historikom Štefan Hrivňákom. – Ak máte pre nás spätnú väzbu, odkaz alebo nápad, napíšte nám na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠jaroslav.valent@petitpress.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Všetky podcasty denníka SME nájdete na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠See omnystudio.com/listener for privacy information.

Spisovatel Dan Brown po 11 letech znovu přivedl na scénu profesora Roberta Langdona, a tentokrát přímo do Prahy. Právě spojení s českou metropolí a autorův návrat po delší pauze udělaly z románu Tajemství všech tajemství jednu z největších literárních událostí roku. „Toto město je nesmírně inspirativní, máte hlubokou mystickou historii a některé pohledy ve městě, obzvlášť z Karlova mostu směrem k Hradu, působí skoro neskutečně,“ pochvaloval si Brown.

Hosťom relácie Dírerov filter bol bezpečnostný analytik Juraj Zábojník. Vyštudoval Strednú odbornú školu Ministerstva vnútra SSR a Vysokú školu ekonomickú v Bratislave. Profesionálnu kariéru začínal ako radový referent na Správe ochrany ústavných činiteľov, neskôr pôsobil ako riaditeľ Úradu na ochranu ústavných činiteľov a diplomatických misií. V roku 2019 neúspešne kandidoval na prezidenta SR.V relácii Dírerov filter hovoril aj o tom:- prečo sa rozpadajú bezpečnostné zložky,- či je možné prirovnávať Mura z Popradu k Cintulovi,- prečo nemali ísť smerácki vlci s premiérom do Popradu,- prečo sú v politike analfabeti.

Ale mne sa takmer uchýlili nohy; skoro sa pokĺzli moje kroky. (Ž 73,2) Toto hovorí muž, ktorý jedného dňa vložil svoju nádej v Boha, ale ktorý Ho postupne stále ťažšie dokázal vnímať v každodennom živote. Keď je Boh dobrý, kde je Jeho dobrota v mojom živote? Kde je Boh? Zdá sa, že bezbožní, ktorí nie […] Curt Westman

Zabudnite na investorov, ktorí hľadajú len percentá v grafoch. Zabudnite na banky, ktoré vám dovolia stavať, len ak im upíšete dušu. V novej epizóde Dristov do Vetru predstavujem koncept TERRAN TOWER – vertikálnu pevnosť, ktorú nepostavia fondy z Wall Street, ale ľudia, ktorí pochopili, že skutočná hodnota nie je v peniazoch, ale v nezávislosti.V tejto epizóde rozoberáme, prečo systém zlyháva:Koniec diktatúry zisku: Prečo nepotrebujeme „veľkých hráčov“, aby sme vyriešili bývanie a energiu. Ich cieľom je, aby ste platili navždy. Naším cieľom je, aby ste neplatili nikdy viac.Sila úprimnosti: Terran Tower nie je naleštený developerský projekt. Je to technológia, ktorá nesľubuje luxusný mramor, ale energetickú sebestačnosť. Budova ako živý organizmus, ktorý si energiu vyrobí, spracuje a ochráni.Spolupráca bez prostredníkov: Ako by to vyzeralo, keby sa spojili ľudia s jedným jasným cieľom – mať strechu nad hlavou, ktorá je zároveň elektrárňou. Žiadne provízie pre akcionárov, len priama cesta k slobode.TERRAN TOWER je manifestom decentralizácie. Predstavte si 4 760 týchto monolitov rozosiatych po Slovensku. Nepotrebujeme k tomu povolenia od tých, ktorých chceme nahradiť. Potrebujeme technológiu, odvahu priznať si, že súčasný systém je nefunkčný, a odhodlanie vybudovať si vlastné energetické ostrovy.Je čas prestať dristat o tom, čo by urobil štát, keby mal peniaze. Je čas začať stavať to, čo potrebujeme my, aby sme zostali ľuďmi a nie len položkami v databáze dodávateľa elektriny. Toto je projekt, kde hlavným stavebným kameňom nie je betón, ale úprimný úmysel a spoločná vízia.

Этот микс скомпилирован из моих работ, записанных в 2024–2025 годах. 0:00 Silver Nail - Иди за мной [Unreleased] 3:01 Казаки Делают Хиты - Выше (Silver Nail Remix) 6:01 Артем TOTO - Помни (Silver Nail Remix) 9:04 Silver Nail ft. Ksenia Kolbina - Аэробика (Cover Mix) 11:36 ПЕВЧАЯ - Ты заря (Silver Nail Remix) 14:51 ПЕВЧАЯ — Ранешенько (Silver Nail Remix) 17:25 Dabro - Дальше-больше (Silver Nail Remix) 20:28 Dabro - Вечерами (Silver Nail Remix) 23:42 Smash Dj's, Silver Nail - С Новым Годом 26:14 Silver Nail,Aruba Ice,Syntheticsax - Прекрасное далеко (Crazy Sax edit) 28:54 Баста - Урбан (Silver Nail Remix)[Unreleased] 32:11 Артем ТОТО - Джаная (Silver Nail Remix) 34:56 TOTO, the Mate - Ghetta drama vs. Get Low (Dillon Francis, DJ Snake Dipside vs. Silver Nail Mush-Up) 37:51 Subbota - Дым бомбим (Silver Nail Remix) 40:28 SKITLOVSKY ft. Silver Nail - Паруса 43:40 Дарина Росяночка, Silver Nail - Ты цвети моя Россия

Za posledné roky prišli niektorí ľudia o zdravie len preto, že ich agenda a politici nútili urobiť krok, s ktorým nesúhlasili. ( ❤INFO: Podujatia - https://www.40plus.sk/podujatia-odznova/ ❤Info o overených vychytávkach z podcastu LINK - https://www.40plus.sk/vychytavky/ )Avšak, ak chceli chodiť do práce, tak sa podriadili. Téma, ktorá rozdelila ľudí na celom svete. Ale niektorým vzala aj zdravie..Pýtala som sa aj: ☞Prečo ste sa dali?☞Ozývala sa vaša intuícia? Či ste cítili že to nechcete urobiť a teda išli ste proti sebe???☞Aké máte presne vedľajšie zdravotné komplikácie a ako to zmenilo váš život? ☞Súdite sa? Uznal vám niekto, že vám to spôsobilo očkovanie? ☞Neuvažovali ste nad tým, že si ten papier vybavíte alebo kúpite? ☞Ako sa k tomu stavia vaša rodina. Ste všetci očkovaní a len vy máte problémy? ☞Ste v kontakte s ľuďmi, ktorí dopadli podobne ako vy? ☞Vy pripravujete na tému aj knihu.. kedy by ste s ňou chceli ísť von? O čom to bude? ☞Čo by ste odkázali politikom a kvázi doktorom, ktorí hovorili dookola vetu: Vakcína je sloboda? Váš záverečný odkaz? Alebo motto? Ďakujem, že ste tu so mnou a podporujete tento podcast zdieľaním či finančne. Martina Valachová*********************************************************Ďakujem, že ma podporujete na Herohero alebo tu na YouTube. Aj vďaka vám vzniká tento obsah. Chcete ma začať podporovať? Info tu: https://herohero.co/odznova Podpora je možná aj tu na YouTube.. zmysel to pre má od 5,99€ (50% z vášho predplatného mi zoberie YouTube ako províziu. Tak si to viete spočítať...Hero berie len 12,5%) Predplatné 2,99 na YT je bez nároku na obsah vopred. Ide len o sympatizovanie, za čo ďakujem... Ak nechcete platiť kartou, možné je podporovať aj cez číslo účtu o. z. : SK45 8330 0000 0022 0165 1060 - do poznámky uveďte, že ide o DAR ĎAKUJEM a nezabudnite pozrieť info a linky o podujatiach a vychytávkach ... ( ❤INFO: Podujatia - https://www.40plus.sk/podujatia-odznova/ ❤Info o overených vychytávkach z podcastu LINK - https://www.40plus.sk/vychytavky/ ) Buďte zdraví Martina Valachová

Začínajú Vianoce a to je vzácny čas na trochu vianočnej filozofie! Ak mal Nietzsche pravdu a Boh je mŕtvy, máme potom zrušiť Vianoce? Ako by ich oslavoval on? Môžu ich sláviť aj ateisti? Nie sú aj tak len náhradou pohanských sviatkov? A môžete sa v živote riadiť fikciou – teda veľkým, ale stále vymysleným príbehom? O týchto a ďalších otázkach vás aj dnes rozrozmýšľajú Jakub a Andrej.----more----

In this  Loser are Winners episode, Mark takes us through his funny and surprisingly eventful quest to get a fancy Toto bidet toilet installed at home—trust us, it's way more complicated (and entertaining) than you'd think! He chats about family debates, high-tech bathroom features, and some wellness-focused home upgrades coming to his Mysa Hus project. If you've ever battled over a home improvement project with your family or just love a good laugh about everyday life, this one's for you! Support the show - https://www.curiousbuilderpodcast.com/shop See our upcoming live events - https://www.curiousbuilderpodcast.com/events The host of the Curious Builder Podcast is Mark D. Williams, the founder of Mark D. Williams Custom Homes Inc. They are an award-winning Twin Cities-based home builder, creating quality custom homes and remodels — one-of-a-kind dream homes of all styles and scopes. Whether you're looking to reimagine your current space or start fresh with a new construction, we build homes that reflect how you live your everyday life. Sponsors for the Episode:  Lake Society Magazine:  Website: https://www.lakesocietymagazine.com/ Sauna Camp Website: https://www.saunacamps.com/ Where to find the Host:  Website - https://www.mdwilliamshomes.com/  Podcast Website - https://www.curiousbuilderpodcast.com Instagram - https://www.instagram.com/markdwilliams_customhomes/  Facebook - https://www.facebook.com/MarkDWilliamsCustomHomesInc/  LinkedIn - https://www.linkedin.com/in/mark-williams-968a3420/  Houzz - https://www.houzz.com/pro/markdwilliamscustomhomes/mark-d-williams-custom-homes-inc

Lístky na Godzone ženskú konferenciu nájdeš tu: https://nesputana.godzone.sk/V dnešnej epizóde Flešbekov privítal Ivan členky organizačného tímu Godzone Ženskej konferencie 2026 – Terezu Kmotorkovú, Marušku Grexovú a Evu Dohnálovú. Okrem toho, že rozprávajú svoje príbehy o tom, ako spoznali Ježiša, približujú aj zákulisie príprav Ženskej konferencie a hovoria o tom, čo ňou chcú prinášať ženám na Slovensku a v Českej republike. Takisto svedčia o zázrakoch, ktoré Pán Boh vykonal počas minulých ročníkov konferencie, a na záver sa zamýšľajú nad tým, čo by mala počuť každá žena a čo naopak ony potrebujú počuť od mužov.0:00 Úvod a predstavenie1:27 Miska otázok1:55 Chcela by Evka radšej dovolenku v Mexiku alebo na Aljaške?2:15 Maruška: Turistika alebo posilňovňa?2:26 Ako si človek získa Terezu?2:50 Má Tereza čas starať sa sama o seba?3:30 Aká je Maruškina obľúbená rozprávka z detstva?3:59 Ak by si Evka mohla zmeniť meno, aké by to bolo?5:35 Súťaž o knihu OTEC: https://www.godzoneshop.sk/produkt/otec-mark-mary-ames/7:38 Ako sa Maruška, Evka a Tereza dostali k Pánovi?16:53 Prečo je Ženská konferencia taký fenomén medzi ženami?20:50 Autentickosť na Ženskej konferencii26:35 Čo túžia, aby ženy na konferencii zažili?28:17 Svedectvá z konferencie 33:02 Ako Ivan vníma ženskú konferenciu?36:56 Téma konferencie: “…,ale Boh”42:56 Ako bude konferencia vyzerať prakticky?45:36 Budú na konferencii aj muži?47:58 Za čo sa Maruška, Evka a Tereza v tomto období modlia? 54:22 Čo by chceli, aby každá žena na Slovensku a v Českej republike? 55:30 Čo potrebujú počuť od muža? 58:32 Poďakovanie a záver

Daniel Havner, zakladatel značky FIXED, v rozhovoru popisuje nejnáročnější rok v historii firmy, který přinesl propouštění i pokles tržeb kvůli levné zahraniční konkurenci a změnám ve spotřebitelském chování. Mluví o konci kožedělné výroby, důrazu na kvalitu a bezpečnost produktů a o nutnosti budování silné značky jako alternativy k levné spotřebě. Přibližuje také expanzi do zahraničí, důležitost firemní kultury a princip nekonečné hry jako filozofie dlouhodobého podnikání. Video rozhovoru najdete zde: Toto je exkluzivní rozhovor pro moje předplatitele. V případě jakýchkoliv dotazů a připomínek mi neváhejte napsat na info@rostecky.cz. Veškerá doporučení, informace, data, služby, reklamy nebo jakékoliv jiné sdělení zveřejněné na našich stránkách je pouze nezávazného charakteru a nejedná se o odborné rady nebo doporučení z naší strany. Podrobnosti na odkazu https://rostecky.cz/upozorneni.

We're wishing stoners young and old out there a joyous Season's Greetings with our BONKERS HOLIDAZE SPECIAL. Philena still hasn't seen WICKED: FOR GOOD but we got more than enough witches and weirdness for her with THE WONDERFUL WIZARD OF OZ from 1910, a silent wonder which condenses Dorothy's entire journey into just 13 baffling minutes! What this early (but not first) version of THE WIZARD OF OZ lacks in coherence, it more than makes up for with stoniness. Glinda turns Toto into a strange dog-beast, and the flying monkeys are replaced with a bat-winged frog nightmare! We not only tell you what to smoke with this one but also what to put on your playlist while you enjoy the confusion. THE WONDERFUL WIZARD OF OZ is public domain so it's streaming on YouTube, Archive and even TikTok! And speaking of barely coherent, our main feature is SANTA CLAUS, a brain-melting oddity from Mexico in 1959 where Santa Claus and Merlin must stop a pantaloons-clad Devil from wrecking Christmas. If you put this fantasia on at your family holiday gathering instead of LOVE ACTUALLY or whatever the normies watch this time of year, grandma will feel like she's stoned even if she doesn't have a medical marijuana prescription. This psychiatric experiment was directed by René Cardona, who later gave us such gruesome classics as NIGHT OF THE BLOODY APES (1969) and the cannibalism epic SURVIVE! (1976). Another public domain gem, so it's streaming everywhere but the print that's on Tubi is the best. We suggest watching with a crowd, but if the male loneliness epidemic has you down, here's the MYSTERY SCIENCE THEATER 3000 episode that Cory watched: https://www.youtube.com/watch?v=nTWs3zvz1z4 We also talk about the Netflix merger with Warner Bros (but recorded it before the Ellisons got involved), the short-lived CASABLANCA TV series from the 80s, Greg watching BATTLE BEYOND THE STARS (1980) on his new mammoth 4K TV and ZOOTOPIA 2. Happy New Year's everybody and see you back in February 2026! Hosts: Bob Calhoun, Cory Sklar, Greg Franklin, and Philena Franklin OMFYS Theme and "How to Hanukkah" by Chaki the Funk Wizard, used with permission. Joy To The World by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/ Dance of the Sugar Plum Fairy by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100270 Artist: http://incompetech.com/ Auld Lang Syne by E's Jammy Jams courtesy of YouTube Audio Library Trailer audio courtesy of Archive.org Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

V posledných rokoch sa v manažérskom prostredí výrazne zvýšila potreba „byť stále k dispozícii“. Digitálne prostredie vytvorilo systém, v ktorom sa komunikácia nedeje už len v zadefinovanom čase, ale nepretržite a v paralelných kanáloch. Manažéri sa ocitajú v permanentnej reakčnej pohotovosti: emaily, správy, hybridné meetingy, globálne time zóny, interné informačné toky. Toto všetko vedie k chronickému kognitívnemu preťaženiu, poklesu výkonu, únave z rozhodovania a strate pracovného nadšenia.Slovo, ktoré sa v manažérskom prostredí zmenilo zo silnej stránky na permanentný zdroj stresu, je dostupnosť. Hlava je stále v „režime reakcie“, kreatívne myslenie sa stráca a radosť z práce nahrádza frustrácia. Ako vrátiť kontrolu nad svojím kalendárom, mysľou a komunikáciou? Ako nastaviť hranice bez toho, aby líder pôsobil „nedostupne“?Túto kľúčovú tému sme v podcaste Na tému otvorili s Branislavou Očvárovou, uznávanou odborníčkou v oblasti business koučingu.

Bitka v parlamente, alkohol a vulgárne nadávky. Koalícia presadila do novely trestného zákona prílepok o kajúcnikoch, ktorý môže pomôcť Tiborovi Gašparovi a Norbertovi Bödörovi. Bola to jedna z najhorších nocí, ktorú sme za posledné dva roky v parlamente videli. Dušan Kováčik má šancu, že sa nevráti do väzenia, keďže Najvyšší súd po dovolaní ministra Suska vracia jeho prípad na súd a aby to nestačilo, koalícia prelomila prezidentovo veto a definitívne odhlasovala zrušenie úradu na ochranu oznamovateľov korupcie. A Jána Ferenčáka odvolali z postu predsedu európskeho výboru, preto vystúpil z poslaneckého klubu Hlas. Toto všetko stihla koalícia za jeden jediný deň. Sobotným Dobrým ránom vás sprevádzajú Zuzana Kovačič Hanzelová a Jakub Filo. Otázky do nasledujúcej epizódy Dobrého rána sobota nám zasielajte na e-mail dobrerano@sme.sk, ideálne vo forme hlasovej správy. Do predmetu napíšte Otázka do sobotného Dobrého rána. Zdroje zvukov: 360tka, Denník N, TA3, NRSR, YouTube/Hnutie Slovensko, Instagram/rastoiliev – Všetky podcasty denníka SME nájdete na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj audio verziu denného newslettra⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠sme.sk/brifing⁠⁠⁠See omnystudio.com/listener for privacy information.

Šéf NATO Mark Rutte v Německu vyzval spojence v alianci, aby zesílili obranné úsilí a zamezili tak možné válce vedené ze strany Ruska. Prezident republiky Petr Pavel podporuje zavedení tzv. administrativních odvodů do armády. Podle něj by tímto pomohl získat přehled, s kým a na jaké pozice může armáda stát počítat v případě mobilizace. „Toto neznamená, že bude zavedena povinná vojenská služba. Ani to v tuto chvíli není možné,“ vysvětluje bezpečnostní expert Vlastislav Bříza.

As Formula 1 enters an exciting new era of fast, thrilling and sustainable racing in 2026, what can we expect on track? Mercedes Team Principal Toto Wolff, and Managing Director of Mercedes AMG High Performance Powertains, Hywel Thomas, explain how the new power units and advanced sustainable fuels will enhance performance and demand different skills from the drivers and teams. Toto and Hywel tell Tom Clarkson how they feel on the eve of this new rule cycle compared to 2014, when they went on to win eight Constructors' World Championships in a row, and what they make of rumours in the paddock pitching them as pre-season favourites. You'll also hear their thoughts on how George Russell and Kimi Antonelli performed in 2025 and what they can achieve in the coming years. This episode is sponsored by: Truewerk: upgrade your day with workwear built like it matters. Get 15% off your first order at truewerk.com with code GRID.  Indeed: listeners of this show will get a $75 sponsored job credit to help get your job the premium status it deserves at indeed.com/GRID. F1 Store: F1 Store: treat the F1 fan in your life this festive season with exclusive gear from the Official F1 Store. Shop now at F1Store.formula1.com

What would you do if a snake came charging at you while you were tubing on Lake Austin?

Medzinárodný deň boja proti korupcii sme si „uctili“ zrušením Úradu na ochranu oznamovateľov korupcie. Toto si Gašpar za klobúk nedá! Zuzana Mesterová mu poriadne naložila. Ráž by chcel byť primátorom v Bratislave, železnice riadiť nedokáže.

Vypočujte si záznam debaty Ako zachrániť demokraciu, ktorá bola v utorok 9. decembra v Košiciach. Hosťami boli politický analytik a komentátor Marián Leško, spisovateľ a novinár Martin M. Šimečka, karikaturista Martin Shooty Šútovec a šéfredaktor Denníka N Matúš Kostolný. Moderuje Monika Tódová.

V tejto časti Cashflow sme sa rozprávali s analytikom VÚB banky Michalom Lehutom, ktorý v rozhovore hovorí o tom, ako sa presadiť na pracovnom trhu, akých 5 vecí bude definovať slovenský trh práce a čo nás čaká v ekonomike v budúcom roku. Na tieto otázky nájdeš odpovede v novej časti Cashflow.

This week in the Thanking The Greats Series, we want to thank one of the greatest guitar Players / session guys in rock music Steve Lukather. Steve is mostly known for being a singer / guitarist for Toto, but Steve has played and worked with so many huge artists over the years it's incredible. Pick a sampling of songs you loved from the 80's and most likely Steve played on some of them. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: The Tubes, Timothy B. Schmidt, Don Henley, Toto, Steve Lukather, Michael Jackson, Richard Marx, Sainted Sinners, Peter Criss Crank It Up New Music Spotlight Sainted Sinners - “Out Of The Blue” If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

In this theologically rich episode of The Reformed Brotherhood, Jesse and Tony delve into the Parable of the Lost Coin from Luke 15:8-10. They explore how this parable reveals God's passionate pursuit of His elect and the divine joy that erupts when they are found. Building on their previous discussion of the Lost Sheep, the brothers examine how Jesus uses this second parable to further emphasize God's sovereign grace in salvation. The conversation highlights the theological implications of God's ownership of His people even before their redemption, the diligent efforts He undertakes to find them, and the heavenly celebration that follows. This episode offers profound insights into God's relentless love and the true nature of divine joy in redemption. Key Takeaways The Parable of the Lost Coin emphasizes that God actively and diligently searches for those who belong to Him, sparing no effort to recover what is rightfully His. Jesus uses three sequential parables in Luke 15 to progressively reveal different aspects of God's heart toward sinners, with escalating emphasis on divine joy. The coin represents something of significant value that already belonged to the woman, illustrating that God's elect belong to Him even before their redemption. Unlike finding something new, the joy depicted is specifically about recovering something that was already yours but had been lost, highlighting God's eternal claim on His people. The spiritual inability of the sinner is represented by the coin's passivity - it cannot find its own way back and must be sought out by its owner. Angels rejoice over salvation not independently but because they share in God's delight at the effectiveness of His saving power. The parable challenges believers to recover their joy in salvation and to share it with others, much like the woman who called her neighbors to celebrate with her. Expanded Insights God's Determined Pursuit of What Already Belongs to Him The Parable of the Lost Coin reveals a profound theological truth about God's relationship to His elect. As Tony and Jesse discuss, this isn't a story about finding something new, but recovering something that already belongs to the owner. The woman in the parable doesn't rejoice because she discovered unexpected treasure; she rejoices because she recovered what was already hers. This illustrates the Reformed understanding that God's people have eternally belonged to Him. While justification occurs in time, there's a real sense in which God has been considering us as His people in eternity past. The parable therefore supports the doctrines of election and particular redemption - God is not creating conditions people can move into or out of, but is zealously reclaiming a specific people who are already His in His eternal decree. The searching, sweeping, and diligent pursuit represent not a general call, but an effectual calling that accomplishes its purpose. The Divine Joy in Recovering Sinners One of the most striking aspects of this parable is the overwhelming joy that accompanies finding the lost coin. The brothers highlight that this joy isn't reluctant or begrudging, but enthusiastic and overflowing. The woman calls her friends and neighbors to celebrate with her - a seemingly excessive response to finding a coin, unless we understand the theological significance. This reveals that God takes genuine delight in the redemption of sinners, to the extent that Jesus describes it as causing joy "in the presence of the angels of God." As Jesse and Tony note, this challenges our perception that God might save us begrudgingly. Instead, the parable teaches us that God's "alien work" is wrath, while His delight is in mercy. This should profoundly impact how believers view their own salvation and should inspire a contagious joy that spreads to others - a joy that many Christians, by Tony's own admission, need to recover in their daily walk. Memorable Quotes "Christ love is an act of love and it's always being acted upon the sinner, the one who has to be redeemed, his child whom he goes after. So in the same way, we have Christ showing the self-denying love." - Jesse Schwamb "The coin doesn't seek the woman. The woman seeks the coin. And in this way, I think we see God's act of searching grace... The reason why I think it leads to joy, why God is so pleased, is because God has this real pleasure to pluck sinners as brands from the burning fire." - Jesse Schwamb "These parables are calling us to rejoice, right? Christ is using these parables to shame the Pharisees and the scribes who refuse to rejoice over the salvation of sinners. How often do we not rejoice over our own salvation sufficiently?" - Tony Arsenal Full Transcript [00:00:08] Jesse Schwamb: There still is like the sovereign grace of God who's initiating the salvation and there is a kind of effect of calling that God doesn't merely invite, he finds, he goes after he affects the very thing. Yeah, and I think we're seeing that here. The sinner, spiritual inability. There's an utter passivity until found. The coin doesn't seek the woman. The woman seeks the coin. And in this way, I think we see God's act of searching grace. It's all there for us. And the reason why I think it leads to joy, why God is so pleased is because God has this real pleasure. To pluck sinners as brands from the burning fire. Welcome to episode 472 of The Reformed Brotherhood. I'm Jesse. [00:00:57] Tony Arsenal: And I'm Tony. And this is the podcast with ears to hear. Hey brother. [00:01:01] Jesse Schwamb: Hey brother. [00:01:02] Jesus and the Parable of the Lost Coin [00:01:02] Jesse Schwamb: So there was this time, maybe actually more than one time, but at least this one time that we've been looking at where Jesus is hanging out and the religious incumbents, the Pharisees, they come to him and they say, you are a friend of sinners, and. Instead of taking offense to this, Jesus turns this all around. Uses this as a label, appropriates it for himself and his glorious character. And we know this because he gives us this thrice repeated sense of what it means to see his heart, his volition, his passion, his love, his going after his people, and he does it. Three little parables and we looked at one last time and we're coming up to round two of the same and similar, but also different and interesting. And so today we're looking at the parable of the lost coin or the Lost dma, or I suppose, whatever kind of currency you wanna insert in there. But once again, something's lost and we're gonna see how our savior comes to find it by way of explaining it. In metaphor. So there's more things that are lost and more things to be found on this episode. That's how we do it. It's true. It's true. So that's how Jesus does it. So [00:02:12] Tony Arsenal: yeah. So it should be how we do it. [00:02:14] Jesse Schwamb: Yes. Yeah, exactly. I cut to like Montel Jordan now is the only thing going through my head. Tell Jordan. Yeah. Isn't he the one that's like, this is how we do it, that song, this is [00:02:28] Tony Arsenal: how we do it. I, I don't know who sings it. Apparently it's me right now. That was actually really good. That was fantastic. [00:02:36] Jesse Schwamb: Hopefully never auto tuned. Not even once. I'm sure that'll make an appearance now and the rest, somebody [00:02:42] Tony Arsenal: should take that and auto tune it for me. [00:02:44] Jesse Schwamb: That would be fantastic. Listen, it doesn't need it. That was perfect. That was right off the cuff, right off the top. It was beautiful. It was ous. [00:02:50] Tony Arsenal: Yes. Yes. [00:02:51] Affirmations and Denials [00:02:51] Jesse Schwamb: I'm hoping that appearance, [00:02:53] Tony Arsenal: before we jump into our, our favorite segment here in affirmations of Denials, I just wanted to take a second to, uh, thank all of our listeners. Uh, we have the best listeners in the world. That's true, and we've also got a really great place to get together and chat about things. That's also true. Uh, we have a little telegram chat, which is just a little chat, um, program that run on your phone or in a browser. Really any device you have, you can go to t Me slash Reform Brotherhood and join that, uh, little chat group. And there's lots of stuff going on there. We don't need to get into all the details, but it's a friendly little place. Lots of good people, lots of good conversation. And just lots of good digital fellowship, if that's even a thing. I think it is. So please do join us there. It's a great place to discuss, uh, the episodes or what you're learning or what you'd like to learn. There's all sorts of, uh, little nooks and crannies and things to do in there. [00:03:43] Jesse Schwamb: So if you're looking for a little df and you know that you are coming out, we won't get into details, but you definitely should. Take Tony's advice, please. You, you will not be disappointed. It, it's a fun, fun time together. True. Just like you're about to have with us chatting it up and going through a little affirmations and denials. So, as usual, Tony, what are you, are you affirming with something or are you denying again, something? I'm, I'm on the edge of my seat. I'm ready. [00:04:06] Tony Arsenal: Okay. Uh, it is, I thought that was going somewhere else. Uh, I'm, I'm affirming something. [00:04:13] AI and Problem Solving [00:04:13] Tony Arsenal: People are gonna get so sick of me doing like AI affirmations, but I, it's like I learned a new thing to do with AI every couple of weeks. I ran across an article the other day, uh, that I don't remember where the article was. I didn't save it, but I did read it. And one of the things that pointed out is that a lot of times you're not getting the most out of AI because you don't really know how to ask the questions. True. One of the things it was was getting through is a lot of people will ask, they'll have a problem that they're encountering and they'll just ask AI like, how do I fix this problem? And a lot of times what that yields is like very superficial, basic, uh, generic advice or generic kind of, uh, directions for resolving a problem. And the, I don't remember the exact phrasing, 'cause it was a little while ago since I read it, but it basically said something like, I'm encountering X problem. And despite all efforts to the contrary, I have not been able to resolve it. And by using sort of these extra phrases. What it does is it sort of like pushes the AI to ask you questions about what you've already tried to do, and so it's gonna tailor its advice or its directions to your specific situation a little bit more. So, for example, I was doing this today. We, um, we just had the time change, right? Stupidest thing in the world doesn't make any sense and my kids don't understand that the time has changed and we're now like three or four weeks past the, the time change and their, their schedule still have not adjusted. So my son Augie, who is uh, like three and three quarters, uh, I don't know how many months it is. When do you stop? I don't even know. When you stop counting in months. He's three and a quarter, three quarters. And he will regularly wake up between four 30 and five 30. And when we really, what we really want is for him to be sleeping, uh, from uh, until like six or six 30 at the latest. So he's like a full hour, sometimes two hours ahead of time, which then he wakes up, it's a small house. He's noisy 'cause he's a three and a half year old. So he wakes up the baby. The baby wakes up. My wife, and then we're all awake and then we're cranky and it's miserable. So I, I put that little prompt into, um, into Google Gemini, which is right now is my, um, AI of choice, but works very similar. If you use something like chat, GPT or CLO or whatever, you know, grok, whatever AI tool you have access to, put that little prompt in. You know, something like since the time change, my son has been waking up at four 30 in the morning, despite all efforts to the contrary, I have not been able to, uh, adjust his schedule. And so it started asking me questions like, how much light is in the room? What time does he go to bed? How much does he nap? And it, so it's, it's pulling from the internet. This is why I like Google Geminis. It's actually pulling from the internet to identify like common, common. Related issues. And so it starts to probe and ask questions. And by the time it was done, what it came out with was like a step-by-step two week plan. Basically like, do this tonight, do this tomorrow morning. Um, and it was able to identify what it believes is the problem. We'll see if it actually is, but the beauty now is now that I've got a plan that I've got in this ai, I can start, you know, tomorrow morning I'm gonna try to do what it said and I can tell. The ai, how things went, and it can now adjust the plan based on whether or not, you know, this worked or didn't work. So it's a good way to sort of, um, push an ai, uh, chat bot to probe your situation a little bit more. So you could do this really for anything, right. You could do something like I'm having, I'm having trouble losing weight despite all efforts to the contrary. Um, can you help me identify what the, you know, root problem is? So think about different ways that you can use this. It's a pretty cool way to sort of like, push the, the AI to get a little deeper into the specifics without like a lot of extra heavy lifting. I'm sure there's probably other ways you could drive it to do this, but this was just one clever way that I, that this article pointed out to accomplish this. [00:08:07] Jesse Schwamb: It's a great exercise to have AI optimize itself. Yeah. By you turning your prompts around and asking it to ask you a number of questions, sufficient number, until it can provide an optimize answer for you. So lots, almost every bot has some kind of, you can have it analyze your prompts essentially, but some like copilot actually have a prompt agent, which will help you construct the prompt in an optimal way. Yeah, and that again, is kind of question and answer. So I'm with you. I will often turn it around and say. Here's my goal. Ask me sufficient number of questions so that you can provide the right insight to accomplish said goal. Or like you're saying, if you can create this like, massive conversation that keeps all this history. So I, I've heard of people using this for their exercise or running plans. Famously, somebody a, a, um, journalist, the Wall Street Journal, use it, train for a marathon. You can almost have it do anything for you. Of course, you want to test all of that and interact with it reasonably and ably, right? At the same time, what it does best is respond to like natural language interaction. And so by turning it around and basically saying, help me help you do the best job possible, providing the information, it's like the weirdest way of querying stuff because we're so used to providing explicit direction ourselves, right? So to turn it around, it's kind of a new experience, but it's super fun, really interesting, really effective. [00:09:22] Tony Arsenal: And it because you are allowing, in a certain sense, you're sort of asking the AI to drive the conversation. This, this particular prompt, I know the article I read went into details about why this prompt is powerful and the reason this prompt is powerful is not because of anything the AI's doing necessarily, right. It's because you're basically telling the AI. To find what you've missed. And so it's asking you questions. Like if I was to sit down and go like, all right, what are all the things that's wrong, that's causing my son to be awake? Like obviously I didn't figure it out on my own, so it's asking me what I've already tried and what it found out. And then of course when it tells me what it is, it's like the most obvious thing when it figures out what it is. It's identifying something that I already haven't identified because I've told it. I've already tried everything I can think of, and so it's prompting me to try to figure out what it is that I haven't thought of. So those are, like I said, there's lots of ways to sort of get the ais to do that exercise. Um, it's not, it's not just about prompt engineering, although that there's a lot of science now and a lot of like. Specifics on how you do prompt engineering, um, you know, like building a persona for the ai. Like there's all sorts of things you can do and you can add that, like, I could have said something like, um. Uh, you are a pediatric sleep expert, right? And when you tell it that what it's gonna do is it's gonna start to use more technical language, it's gonna, it's gonna speak to you back as though it's a, and this, this is where AI can get a little bit dangerous and really downright scary in some instances. But with that particular prompt, it's gonna start to speak back to you as though it was a clinician of some sort, diagnosing a medical situation, which again. That is definitely not something I would ever endorse. Like, don't let an AI be your doctor. That's just not, like WebMD was already scary enough when you were just telling you what your symptoms were and it was just cross checking it. Um, but you could do something like, and I use these kinds of prompts for our show notes where I'm like, you're an expert at SEO, like at um, podcast show notes. Utilizing SEO search terms, like that's part of the prompt that I use when I use, um, in, in this case, I use notion to generate most of our show notes. Um, it, it starts to change the way that it looks at things and the way that it, I, it responds to you based on different prompts. So I think it, it's a little bit scary, uh, AI. Can be a strange, strange place. And there's some, they're doing some research that is a little bit frightening. They did a study and actually, like, they, they basically like unlocked an AI and gave it access to a pretend company with emails and stuff and said that a particular employee was gonna shut out, was gonna delete the ai. And the first thing it did was try to like blackmail the employee with like a risk, like a scandalous email. It had. Then after that they, they engineered a scenario where the AI actually had the ability to kill the employee. And despite like explicit instructions not to do anything illegal, it still tried to kill the employee. So there's some scary things that are coming up if we're not, you know, if, if the science is not able to get that under control. But right now it's just a lot of fun. Like it's, we're, we're probably not at the point where it's dangerous yet and hopefully. Hopefully it won't get to that point, but we'll see. We'll see. That got dark real fast, fast, fast. Jesse, you gotta get this. And that was an affirmation. I guess I'm affirming killer murder ais that are gonna kill us all, but uh, we're gonna have fun with it until they do at least. [00:12:52] Jesse Schwamb: Thanks for not making that deny against. 'cause I can only imagine the direction that one to taken. [00:12:57] Tony Arsenal: Yeah. At least when the AI hears this, it's gonna know that I'm on its side, so, oh, for sure. I, for one, welcome our new AI overlords. So as do Iye. [00:13:05] Christmas Hymns and Music Recommendations [00:13:05] Tony Arsenal: But Jesse, what are you affirming or denying today to get me out of this pit here? [00:13:09] Jesse Schwamb: So, lemme start with a question. Do you have a favorite Christmas hymn? And if so, what is it? [00:13:16] Tony Arsenal: Ooh, that's a tough one. Um, I think I've always been really partial to Oh, holy Night. But, uh, there's, there's not anything that really jumps to mind my, as I've become older and crankier and more Scottish in spirit, I just, Christmas hymns just aren't as. If they're not as prominent in my mind, but oh, holy night or come coming, Emanuel is probably a really good one too. [00:13:38] Jesse Schwamb: Wow. Those are the, those are like the top in the top three for me. Yeah. So I think [00:13:42] Tony Arsenal: I know where you're going based on the question. [00:13:44] Jesse Schwamb: Yeah, we're very much the same. So, well maybe, so I am affirming with, but it's that time of year and people you, you know and love and maybe yourself, you're gonna listen to Christian music and. That's okay. I put no shade on that, especially because we're talking about the incarnation, celebrate the incarnation. But of course, I think the best version of that is some of these really lovely hymns because they could be sung and worshiped through all year round. We just choose them because they fit in with the calendar particularly well here, and sometimes they're included, their lyrics included in Hallmark cards and, and your local. Cool. Coles. So while that's happening, why not embrace it? But here's my information is why not go with some different versions. I love the hymn as you just said. Oh, come will come Emmanuel. And so I'm gonna give people three versions of it to listen to Now to make my list of this kind of repertoire. The song's gotta maintain that traditional melody. I think to a strong degree, it's gotta be rich and deep and dark, especially Ko Emmanuel. But it's gotta have something in it that's a little bit nuanced. Different creative arrangements, musicality. So let me give two brand new ones that you may not have heard versions and one old one. So the old one is by, these are all Ko Emanuel. So if at some point during this you're like, what song is he talking about? It's Ko. Emmanuel. It's just three times. Th we're keeping it th Rice tonight. So the first is by band called for today. That's gonna be a, a little bit harder if you want something that, uh, gets you kind of pumped up in the midst of this redemption. That's gonna be the version. And then there are two brand new ones. One is by skillet, which is just been making music forever, but the piano melody they bring into this and they do a little something nuanced with the chorus that doesn't pull away too much. From the original, but just gives it a little extra like Tastiness. Yeah. Skill. Great version. And then another one that just came out yesterday. My yesterday, not your yesterday. So actually it doesn't even matter at this point. It's already out is by descriptor. And this would be like the most chill version that is a hardcore band by, I would say tradition, but in this case, their version is very chill. All of them I find are just deeply worshipful. Yeah. And these, the music is very full of impact, but of course the lyrics are glorious. I really love this, this crying out to God for the Savior. This. You know, just, it's really the, the plea that we should have now, which is, you know, maranatha like Lord Jesus, come. And so in some ways we're, we're celebrating that initial plea and cry for redemption as it has been applied onto us by the Holy Spirit. And we're also saying, you know, come and fulfill your kingdom, Lord, come and bring the full promise, which is here, but not yet. So I like all three of these. So for today. Skillet descriptor, which sounds like we're playing like a weird word game when you put those all together. It does, but they're all great bands and their versions I think are, are worthy. So the larger affirmation, I suppose, is like, go out this season and find different versions, like mix it up a little bit. Because it's good to hear this music somewhat afresh, and so I think by coming to it with different versions of it, you'll get a little bit of that sense. It'll make maybe what is, maybe if it's felt rote or mundane or just trivial, like you're saying, kind of revive some of these pieces in our hearts so we can, we, we can really worship through them. We're redeeming them even as they're meant to be expressions of the ultimate redemption. [00:16:55] Tony Arsenal: Yeah. Yeah, I, um, I heard the skillet version and, uh, you know, you know me like I'm not a huge fan of harder music. Yeah. But that, that song Slaps man, it's, yes, [00:17:07] Jesse Schwamb: it does. It's [00:17:07] Tony Arsenal: good. And Al I mean, it, it also ignited this weird firestorm of craziness online. I don't know if you heard anything about this, but Yes, it was, it was, there was like the people who absolutely love it and will. Fight you if you don't. Yes. And then there was like the people who think it's straight from the devil because of somehow demonic rhythms, whatever that means. Um, but yeah, I mean, I'm not a big fan of the heavier music, but there is something about that sort of, uh. I don't know. Is skill, would that be considered like metal at all? [00:17:38] Jesse Schwamb: Oh, that's a loaded question. Probably. [00:17:39] Tony Arsenal: Yeah. So like I found, uh, this is, we're gonna go down to Rabbit Trail here. Let's do it. Here we go. I found a version of Africa by Toto that was labeled as metal on YouTube. So I don't know whether it actually is, and this, this version of skill, it strikes me as very similar, where it's, ah, uh, it, it's like, um. The harmonies are slightly different in terms of like how they resonate than Okay. Other harmonies. Like I get [00:18:05] Jesse Schwamb: that [00:18:06] Tony Arsenal: there's a certain, you know, like when you think about like Western music, there's certain right, there's certain harmonies when, you know, think about like piano chords are framed and my understanding at least this could be way off, and I'm sure you're gonna correct me if I'm wrong, is that um, metal music, heavy metal music uses slightly different. Chord formations that it almost leaves you feeling a little unresolved. Yes, but not quite unresolved. Like it's just, it's, it's more the harmonics are different, so that's fair. Skillet. This skillet song is so good, and I think you're right. It, it retains the sort of like. The same basic melody, the same, the same basic harmonies, actually. Right. And it's, it's almost like the harmonies are just close enough to being put into a different key with the harmonies. Yes, [00:18:52] Jesse Schwamb: that's true [00:18:53] Tony Arsenal: than then. Uh, but not quite actually going into another key. So like, sometimes you'll see online, you'll find YouTube videos where they play like pop songs, but they've changed the, the. Chords a little bit. So now it's in a minor key. It's almost like it's there. It's like one more little note shift and it would be there. Um, and then there's some interesting, uh, like repetition and almost some like anal singing going on, that it's very good. Even if you don't like heavier music. Like, like I don't, um, go listen to it and I think you'll find yourself like hitting repeat a couple times. It was very, very good. [00:19:25] Jesse Schwamb: That's a good way of saying it. A lot of times that style is a little bit dissonant, if that's what you mean in the court. Yeah. Formation. So it gives you this unsettledness, this almost unresolvedness, and that's in there. Yeah. And just so everybody knows, actually, if you listen to that version from Skillet, you'll probably listen to most of it. You'll get about two thirds of the way through it and probably be saying, what are those guys talking about? It's the breakdown. Where it amps up. But before that, I think anybody could listen to it and just enjoy it. It's a really beautiful, almost haunting piano melody. They bring into the intro in that, in the interlude. It's very lovely. So it gives you that sense. Again, I love this kind of music because there's almost something, there is something in this song that's longing for something that is wanting and yet left, unresolved and unfulfilled until the savior comes. There's almost a lament in it, so to speak, especially with like the way it's orchestrated. So I love that this hymn is like deep and rich in that way. It's, that's fine. Like if you want to sing deck the Holes, that's totally fine. This is just, I think, better and rich and deeper and more interesting because it does speak to this life of looking for and waiting for anticipating the advent of the savior. So to get me get put back in that place by music, I think is like a net gain this time of year. It's good to have that perspective. I'm, I'm glad you've heard it. We should just open that debate up whether or not we come hang out in the telegram chat. We'll put it in that debate. Is skillet hardcore or metal? We'll just leave it there 'cause I have my opinions, but I'm, well, I'm sure everybody else does. [00:20:48] Tony Arsenal: I don't even know what those words mean, Jesse. Everything is hardcore in metal compared to what I normally listen to. I don't even listen to music anymore usually, so I, I mean, I'm like mostly all podcasts all the time. Anytime I have time, I don't have a ton of time to listen to. Um, audio stuff, but [00:21:06] Jesse Schwamb: that's totally fair. Well now everybody now join us though. [00:21:08] Tony Arsenal: Educate me [00:21:09] Jesse Schwamb: now. Everybody can properly use, IM prompt whatever AI of their choice, and they can listen to at least three different versions of al comical manual. And then they can tell us which one do you like the best? Or maybe you have your own version. That's what she was saying. What's your favorite Christmas in? [00:21:23] Tony Arsenal: Yeah. And [00:21:24] Jesse Schwamb: what version of it do you like? I mean, it'll be like. [00:21:28] Tony Arsenal: It'll be like, despite my best efforts, I've been un unable to understand what hardcore and medical is. Please help me understand. [00:21:37] Jesse Schwamb: Oh, we're gonna have some, some fun with this at some point. We'll have to get into the whole debate, though. I know you and I have talked about it before. We'll put it before the brothers and sisters about a Christmas Carol and what version everybody else likes. That's also seems like, aside from the, the whole eternal debate, which I'm not sure is really serious about whether or not diehard is a Christmas movie, this idea of like, which version of the Christmas Carol do you subscribe to? Yeah. Which one would you watch if you can only watch one? Which one will you watch? That's, we'll have to save that for another time. [00:22:06] Tony Arsenal: We'll save it for another time. And we get a little closer to midwinter. No reason we just can't [00:22:10] Jesse Schwamb: do it right now because we gotta get to Luke 15. [00:22:12] Discussion on the Parable of the Lost Coin [00:22:12] Tony Arsenal: We do. [00:22:13] Jesse Schwamb: We, we've already been in this place of looking at Jesus' response to the Pharisees when they say to him, listen, this man receives sinners and eats with them. And Jesus is basically like, yeah, that's right. And let me tell you three times what the heart of God is like and what my mission in serving him is like, and what I desire to come to do for my children. And so we spoke in the last conversation about the parable lost sheep. Go check that out. Some are saying, I mean, I'm not saying this, but some are saying in the internet, it's the definitive. Congratulation of that parable. I'm, I'm happy to take that if that's true. Um, but we wanna go on to this parable of the lost coin. So let me read, it's just a couple of verses and you're gonna hear in the text that you're going to understand right away. This is being linked because it starts with or, so this is Jesus speaking and this is Luke 15, chapter 15, starting in verse eight. Jesus says, or a what woman? She has 10 D drachmas and loses. One drachma does not light a lamp and sweep the house and search carefully until she finds it. And when she has found it, she calls together her friend and her neighbors saying, rejoice with me for I found the D Drachma, which I lost in the same way I tell you, there is joy in the presence of the angels of God over one sinner who repents. [00:23:27] Tony Arsenal: Yeah. Yeah. On one level, this is, uh, again, it's not all that complicated of a scenario, right? And we have to kind of go back and relo through some of the stuff we talked about last week because this is a continuation of, you know, when we first talked about the Matthew 13 parables, we commented on like. Christ was coming back to the same themes, right? And in some ways, repeating the parable. This is even stronger than that. It's not just that Christ is teaching the same thing across multiple parables. The sense here, at least the sense I get when I read this parable, the lost sheep, and then the prodigal, um, sun parable or, or the next parable here, um, is actually that Christ is just sort of like hammering home the one point he's making to the tax collectors and or to the tax collectors or to the scribes who are complaining about the fact that Christ was eating with sinners. He's just hammering this point home, right? So it's not, it's not to try to add. A lot of nuance to the point. It's not to try to add a, a shade of meaning. Um. You know, we talked a lot about how parables, um, Christ tells parables in part to condemn the listeners who will not receive him, right? That's right. This is one of those situations where it's not, it's not hiding the meaning of the parable from them. The meaning is so obvious that you couldn't miss it, and he, he appeals, we talked about in the first, in the first part of this, he actually appeals to like what the ordinary response would be. Right? What man of you having a hundred sheep if he loses one, does not. Go and leave the 99. Like it's a scenario that anyone who goes, well, like, I wouldn't do that is, looks like an idiot. Like, that's, that's the point of the why. He phrases it. And so then you're right when he, when he begins with this, he says, or what woman having 10 silver coins if she loses one, does not light a lamp and sweep the house and seek diligently until he, till she finds it. And of course, the, the, the emphasis again is like no one in their right mind would not do this. And I think like we think about a coin and like that's the smallest denomination of money that we have. Like, I wouldn't, like if I lost a, if I had 10 silver coin, 10 coins and I lost one of them, the most that that could be is what? 50 cents? Like the, like if I had a 50 cent piece or a silver dollar, I guess, like I could lose a dollar. We're not really talking about coins the way we think of coins, right? We're talking about, um. Um, you know, like denominations of money that are substantial in that timeframe. Like it, there was, there were small coins, but a silver coin would be a substantial amount of money to lose. So we are not talking about a situation where this is, uh, a trivial kind of thing. She's not looking for, you know, I've, I've heard this parable sort of like unpacked where like, it's almost like a miserly seeking for like this lost coin. Interesting. It's not about, it's not about like. Penny pinching here, right? She's not trying to find a tiny penny that isn't worth anything that's built into the parable, right? It's a silver coin. It's not just any coin. It's a silver coin. So she's, she's looking for this coin, um, because it is a significant amount of money and because she's lost it, she's lost something of her, of her overall wealth. Like there's a real loss. Two, this that needs to be felt before he can really move on with the parable. It's not just like some small piece of property, like there's a [00:26:57] Jesse Schwamb: right. I [00:26:57] Tony Arsenal: don't know if you've ever lost a large amount of money, but I remember one time I was in, um, a. I was like, almost outta high school, and I had taken some money out of, um, out of the bank, some cash to make a purchase. I think I was purchasing a laptop and I don't know why I, I don't, maybe I didn't have a credit card or I didn't have a debit card, but I was purchasing a laptop with cash. Right. And back then, like laptops, like this was not a super expensive laptop, but. It was a substantial amount of cash and I misplaced it and it was like, oh no, like, where is it? And like, I went crazy trying to find it. This is the situation. She's lost a substantial amount of money. Um, this parable, unlike the last one, doesn't give you a relative amount of how many she has. Otherwise. She's just lost a significant amount of money. So she takes all these different steps to try to find it. [00:27:44] Understanding the Parable's Context [00:27:44] Tony Arsenal: We have to feel that loss before we really can grasp what the parable is trying to teach us. [00:27:49] Jesse Schwamb: I like that, so I'm glad you brought that up because I ended up going down a rabbit hole with this whole coined situation. [00:27:56] Tony Arsenal: Well, we're about to, Matt Whitman some of this, aren't we? [00:27:58] Jesse Schwamb: Yes, I think so. But mainly because, and this is not really my own ideas here, there's, there's a lot I was able to kind of just read and kind. Throw, throw something around this because I think you're absolutely right that Jesus is bringing an ES escalation here and it's almost like a little bit easier for us to understand the whole sheep thing. I think the context of the lost coin, like you're already saying, is a little bit less familiar to us, and so I got into this. Rabbit hole over the question, why would this woman have 10 silver coins? I really got stuck on like, so why does she have these? And Jesus specific about that he's giving a particular context. Presumably those within his hearing in earshot understood this context far better than I did. So what I was surprised to see is that a lot of commentators you probably run into this, have stated or I guess promulgated this idea that the woman is young and unmarried and the 10 silver coins could. Could represent a dowry. So in some way here too, like it's not just a lot of money, it's possible that this was her saving up and it was a witness to her availability for marriage. [00:28:57] The Significance of the Lost Coin [00:28:57] Jesse Schwamb: So e either way, if that's true or not, Jesus is really emphasizing to us there's significant and severe loss here. And so just like you said, it would be a fool who would just like say, oh, well that's too bad. The coin is probably in here somewhere, but eh, I'm just gonna go about my normal business. Yeah. And forsake it. Like, let's, let's not worry about it. So. The emphasis then on this one is not so much like the leaving behind presumably can keep the remaining nine coins somewhere safe if you had them. But this effort and this diligence to, to go after and find this lost one. So again, we know it's all about finding what was lost, but this kind of momentum that Jesus is bringing to this, like the severity of this by saying there was this woman, and of course like here we find that part of this parable isn't just in the, the kingdom of God's like this, like we were talking about before. It's more than that because there's this expression of, again, the situation combined with these active verbs. I think we talked about last time that Christ love is an act of love and it's always being acted upon the sinner, the one who has to be redeemed, his child whom he goes after. So in the same way, we have Christ showing the self-denying love. Like in the first case, the shepherd brought his sheep home on his shoulders rather than leave it in the wilderness. And then here. The woman does like everything. She lights the candle, she sweeps the house. She basically turns the thing, the place upside down, searching diligently and spared no pains with this until she found her lost money. And before we get into the whole rejoicing thing, it just strikes me that, you know, in the same way, I think what we have here is Christ affirming that he didn't spare himself. He's not gonna spare himself. When he undertakes to save sinners, he does all the things. He endures the cross scor in shame. He lays down his life for his friends. There's no greater love than that. It cannot be shown, and so Christ's love is deep and mighty. It's like this woman doing all the things, tearing the place apart to ensure that that which she knew she had misplaced comes back to her. That the full value of everything that she knows is hers. Is safe and secure in her possession and so does the Lord Jesus rejoice the safe sinners in the same way. And that's where this is incredibly powerful. It's not just, Hey, let me just say it to you one more time. There is a reemphasis here, but I like where you're going, this re-escalation. I think the first question is, why do the woman have this money? What purpose is it serving? And I think if we can at least try to appreciate some of that, then we see again how Jesus is going after that, which is that he, he wants to save the sinner. He wants to save the soul. And all of the pleasure, then all of the rejoicing comes because, and, and as a result of that context. [00:31:22] Tony Arsenal: Yeah. Yeah. [00:31:23] Theological Implications of God's People [00:31:23] Tony Arsenal: The other thing, um, maybe, and, and I hope I'm not overreading again, we've, we've talked about the dangers of overreading, the parables, but I think there's a, and we'll, we'll come to this too when we get into the, um, prodigal son. Um, there is this sense, I think in some theological traditions that. God is sort of like claiming a people who were not his own. Right. And one of the things that I love about the reform tradition, and, and I love it because this is the picture the Bible teaches, is the emphasis on the fact that God's people have been God's people. As long as God has been pondering and con like contemplating them. So like we deny eternal justification, right? Justification happens in time and there's a real change in our status, in in time when, when the spirit applies, the benefits that Christ has purchased for us in redemption, right? But there's also a very real sense that God has been looking and considering us as his people in eternity past. Like that's always. That's the nature of the Pactum salutes, the, you know, covenant of redemption election. The idea that like God is not saving a nameless, faceless people. He's not creating conditions that people can either move themselves into or take themselves out of. He has a concrete people. Who he is saving, who he has chosen. He, he, you know, prior to our birth, he will redeem us. He now, he has redeemed us and he will preserve us in all of these parables, whether it's the sheep, the coin, or as we'll get to the prodigal sun next week or, or whenever. Um. It's not that God is discovering something new that he didn't have, or it's not that the woman is discovering a coin, right? There's nothing more, uh, I think nothing more like sort of, uh, spontaneously delightful than like when you like buy a, like a jacket at the thrift store. Like you go to Salvation Army and you buy a jacket, you get home, you reach in the pocket and there's like a $10 bill and you're like, oh man, that's so, so great. Or like, you find a, you find a. A $10 bill on the ground, or you find a quarter on the ground, right? Yeah. Or you find your own money. Well, and that that's, there's a different kind of joy, right? That's the point, is like, there's a delight that comes with finding something. And again, like we have to be careful about like, like not stealing, right? But there's a different kind of joy that comes with like finding something that was not yours that now becomes yours. We talked about that with parables a couple weeks ago, right? There's a guy who finds it, he's, he's searching for pearls. He finds a pearl, and so he goes after he sells everything he has and he claims that pearl, but that wasn't his before the delight was in sort of finding something new. These parables. The delight is in reclaiming and refining something that was yours that was once lost. Right? That's a different thing. And it paints a picture, a different picture of God than the other parables where, you know, the man kind of stumbles on treasure in a field or he finds a pearl that he was searching for, but it wasn't his pearl. This is different. This is teaching us that God is, is zealous and jealous to reclaim that which was his, which was lost. Yes. Right. So, you know, we can get, we can, maybe we will next week, maybe we will dig into like super laps area versus infra laps. AIRism probably not, I don't necessarily wanna have that conversation. But there is a reality in the Bible where God has a chosen people and they are his people, even before he redeems them. [00:34:52] Jesse Schwamb: Exactly. [00:34:53] God's Relentless Pursuit of Sinners [00:34:53] Tony Arsenal: These parables all emphasize that in a different way and part of what he's, part of what he's ribbing at with the Pharisees and the, and the scribes, and this is common across all of Christ's teaching in his interactions and we get into true Israel with, with Paul, I mean this is the consistent testimony of the New Testament, is that the people who thought they were God's people. The, the Jewish leaders, especially the Pharisees, the Sadducees, the scribes, the, the sort of elites of, uh, first century Jewish believers, they really were convinced that they were God's people. And those dirty gentiles out there, they, they're not, and even in certain sense, like even the Jewish people out in the country who don't even, you know, they don't know the scriptures that like, even those people were maybe barely God's people. Christ is coming in here and he is going, whoa, whoa, whoa, whoa, whoa. Like you're asking me. You're surprised that I receive sinners and e with them. Well, I'm coming to claim that which is mine, which was lost, and the right response to that is not to turn your nose up at it. The right response is to rejoice with me that I have found my sheep that was lost, that I have reclaimed my coin that was lost. And as we'll see later on, like he really needles them at the end of the, the, uh, parable of the prodigal son. This is something I, I have to be like intentional in my own life because I think sometimes we hear conversion stories and we have this sort of, I, I guess like, we'll call it like the, the Jonah I heresy, I dunno, we won't call it heresy, but like the, the, the like Jonah impulse that we all have to be really thankful for God's mercy in our life. But sort of question whether God is. Merciful or even be a little bit upset when it seems that God is being merciful to those sinners over there. We have to really like, use these parables in our own lives to pound that out of our system because it's, it's ungodly and it's not what God is, is calling us. And these parables really speak against that [00:36:52] Jesse Schwamb: and all of us speak in. In that lost state, but that doesn't, I think like you're saying, mean that we are not God's already. That if he has established that from a trinity past, then we'd expect what others have said about God as the hound of heaven to be true. And that is he comes and he chases down his own. What's interesting to me is exactly what you've said. We often recognize when we do this in reverse and we look at the parable of the lost son, all of these elements, how the father comes after him, how there's a cha singer coming to himself. There's this grand act of repentance. I would argue all of that is in all of these parables. Not, not to a lesser extent, just to a different extent, but it's all there. So in terms of like couching this, and I think what we might use is like traditionally reformed language. And I, I don't want to say I'm overeating this, I hope I'm not at that same risk, but we see some of this like toll depravity and like the sinner is lost, unable to move forward, right? There still is like the sovereign grace of God who's initiating the salvation and there is a kind of effect of calling that God doesn't merely invite, he finds, he goes after he affects the very thing. Yeah, and I think we're seeing that here. There is. The sinner, spiritual inability. There's an utter passivity until found. The coin doesn't seek the woman. The woman seeks the coin. And in this way, I think we see God's act of searching grace. It's all there for us. Yeah, it's in a slightly different way, but I think that's what we're meant to like take away from this. We're meant to lean into that a bit. [00:38:12] Rejoicing in Salvation [00:38:12] Jesse Schwamb: And the reason why I think it leads to joy, why God is so pleased is because God has this real pleasure. Jesus has this real pleasure. The Holy Spirit has this real pleasure. To pluck sinners as brands from the burning fire. You know, it was Jesus, literally his food and drink like not to be too trite, but like his jam went upon the earth to finish the work, which he came to do. And there are many times when he says he ammi of being constrained in the spirit until this was accomplished. And it's still his delight to show mercy like you're saying He is. And even Jonah recognizes that, right. He said like, I knew you were going to be a merciful God. And so he's far more willing to save sinners than sinners are to be saved. But that is the gospel level voice, isn't it? Because we can come kicking and screaming, but in God's great mercy, not because of works and unrighteousness, but because of his great mercy, he comes and he tears everything apart to rescue and to save those whom he's called to himself. [00:39:06] Tony Arsenal: Yeah. Yeah. I love that old, um, Puritan phrase that wrath is God's alien work. And we, you know, like you gotta be careful when you start to talk that way. And the Puritans were definitely careful about everything. I mean, they were very specific when they spoke, but. When we talk about God's alien work and wrath being God's alien work, what we're saying is not, not that like somehow wrath is external to God. Like that's not what we're getting at of Right. But when you look at scripture and, and here's something that I think, um. I, I don't know how I wanna say this. Like, I think we read that the road is narrow and the the, um, you know, few are those who find it. I think we read that and we somehow think like, yeah, God, God, like, really loves that. Not a lot of people are saved. And I, I actually think that like, when we look at it, um, and, and again, like we have to be careful 'cause God, God. God decreed that which he is delighted by, and also that which glorifies him the most. Right? Right. But the picture that we get in scripture, and we have to take this seriously with all of the caveats that it's accommodated, it's anthropopathism that, you know, all of, all of the stuff we've talked about. We did a whole series on systematic theology. We did like six episodes on Divine Simplicity and immutability. Like we we're, we're right in line with the historic tradition on that. All of those caveats, uh, all of those caveats in place, the Bible pic paints a picture of God such that he grieves over. Those who are lost. Right? Right. He takes no delight in the death of the wicked. That's right. He, he, he seeks after the lost and he rejoices when he finds them. Right. He's, his, his Holy Spirit is grieved when we disobey him, his, his anger is kindled even towards his people in a paternal sense. Right. He disciplines us the way an angry father who loves us, would discipline us when we disobey him. That is a real, that's a real thing. What exactly that means, how we can apply that to God is a very complicated conversation. And maybe sometimes it's more complicated than we, like, we make it more complicated than it needs to be for sure. Um, we wanna be careful to preserve God's changeness, his immutability, his simplicity, all of those things. But at the end of the day, at. God grieves over lost sinners, and he rejoices when they come back. He rejoices when they return to him. Just as the shepherd who finds his lost sheep puts that sheep on his shoulders, right? That's not just because that's an easy way to carry a sheep, right? It's also like this picture of this loving. Intimate situation where God pulls us onto himself and he, he wraps literally like wraps us around himself. Like there are times when, um. You know, I have a toddler and there are times where I have to carry that toddler, and it's, it's a fight, right? And I don't really enjoy doing it. He's squirming, he's fighting. Then there are times where he needs me to hold him tight, and he, he snuggles in. When he falls down and hurts his leg, the first thing he does is he runs and he jumps on me, and he wants to be held tight, and there's a f there's a fatherly embrace there that not only brings comfort to my son. But it brings great joy to me to be able to comfort him that that dynamic in a, uh, a infinitely greater sense is at play here in the lost sheep. And then there's this rejoicing. It's not just rejoicing that God is rejoicing, it's the angels that are rejoicing. [00:42:43] The Joy of Redemption [00:42:43] Tony Arsenal: It's the, it's other Christians. It's the great cloud of witnesses that are rejoicing when Aah sinner is returned to God. All of God's kingdom and everything that that includes, all of that is involved in this rejoicing. That's why I think like in the first parable, in the parable of the lost sheep, it's joy in heaven. Right? It's sort of general joy in heaven. It's not specific. Then this one is even more specific. It's not just general joy in heaven. It's the angels of God. That's right. That are rejoicing. And then I think what we're gonna find, and we'll we'll tease this out when we get to the next par, well the figure in the prodigal son that is rejoicing. The one that is leading the rejoicing, the chief rejoice is the one who's the standin for God in that parable. [00:43:26] Jesse Schwamb: Right, exactly right. So, [00:43:27] Tony Arsenal: so we have to, we have to both recognize that there's a true grief. A true sorrow that is appropriate to speak of God, um, as having when a sinner is lost. And there's also an equally appropriate way to speak about God rejoicing and being pleased and delighted when a sinner returns to him. [00:43:53] Jesse Schwamb: That's the real payoff of this whole parable. I think, uh, maybe all three of them altogether, is that it is shocking how good the gospel is, which we're always saying, yeah, but I'm really always being moved, especially these last couple weeks with what Jesus is saying about how good, how truly unbelievable the gospel is. And again, it draws us to the. Old Testament scriptures when even the Israel saying, who is like this? Who is like our God? So what's remarkable about this is that there's an infinite willingness on God's part to receive sinners. [00:44:23] Tony Arsenal: Yeah. [00:44:23] Jesse Schwamb: And however wicked a man may have been, and the day that he really turns from his wickedness and comes to God by Christ, God is well pleased and all of heaven with him, and God has no pleasure in the death of the wicked, like you said, but God has pleasure and true repentance. If all of that's true, then like day to day, here's what I, I think this means for us. [00:44:41] Applying the Parable to Our Lives [00:44:41] Jesse Schwamb: Is when we come to Christ for mercy and love and help and whatever anguish and perplexity and simpleness that we all have, and we all have it, we are going with the flow. If his own deepest wishes, we're not going against them. And so this means that God has for us when we partake in the toning work of Christ, coming to Christ for forgiveness, communing with him despite our sinfulness, that we are laying hold of Christ's own deepest longing and joy. [00:45:10] Tony Arsenal: Yeah. And [00:45:10] Jesse Schwamb: Jesus is comforted when we draw near the riches of his atoning work because as his body, even his own body in a way is being healed in this process. And so we, along with it, that I think is the payoff here. That's what's just so remarkable is that not only, like you're saying, is all heaven kind of paying attention to this. Like they're cognizant of it. It's something worthy of their attention and their energies and their rejoicing. But again, it's showing that God is doing all of this work and so he keeps calling us and calling us and calling us over and over again and just like you said, the elect sinner, those estr belongs to God and his eternal purpose. Even that by itself, we could just say full stop. Shut it down end the podcast. Yeah. That's just worthy to, to rejoice and, and ponder. But this is how strong I think we see like per election in particular, redemption in these passages. Christ died for his chief specifically crisis going after the lost coin, which already belongs to him. So like you were saying, Tony, when you know, or maybe you don't know, but you've misplaced some kind of money and you put your hand in that pocket of that winter coat for the first time that season and out comes the piece of paper, that's whatever, 20 or whatever, you rejoice in that, right. Right. It's like this was mine. I knew it was somewhere, it belonged to me, except that what's even better here is this woman tears her whole place apart to go after this one coin that she knows is hers and yet has been lost. I don't know what more it is to be said. I just cannot under emphasize. Or overemphasize how great God's love is in this like amazing condescension, so that when Jesus describes himself as being gentle and lowly or gentle and humble or gentle and humiliated, that I, I think as we understand the biblical text, it's not necessarily just that he's saying, well, I'm, I'm displaying. Meekness power under control. When he says he's humble, he means put in this incredibly lowly state. Yeah. That the rescue mission, like you're saying, involves not just like, Hey, she lemme call you back. Hey, come over here, says uh. He goes and he picks it up. It's the ultimate rescue, picks it up and takes it back by his own volition, sacrificing everything or to do that and so does this woman in this particular instance, and it should lead us. I think back to there's this virtuous cycle of seeing this, experiencing this. Being compelled by the law of Christ, as Paul says, by the power of the Holy Spirit and being regenerated and then worshiping, and then repenting, and then worshiping, and then repenting, and then worshiping. Because in the midst of that repentance and that beautifulness recognizing, as Isaiah says, all of these idols that we set up, that we run to, the one thing they cannot do for us is they cannot deal with sin. They cannot bring cleanliness and righteousness through confession of sin. They cannot do that. So Christ is saying, come to the one you who are needy, you who have no money. To use another metaphor in the Bible, come and buy. And in doing so, we're saying, Christ, Lord have mercy on me, a sinner. And when he says, come, come, I, I've, I have already run. After you come and be restored, come and be renewed. That which was lost my child. You have been found and I have rescued you. [00:48:04] Tony Arsenal: Yeah. Yeah. And these, these are so, um, these two parables are so. Comfortable. Like, right, like they are there, there are certain passages of scripture that you can just like put on like a big fuzzy warm bathrobe on like sn a cold morning, a snuggy. Yeah. I don't know if I want to go that far, but spirits are snuggy and, and these two are like that, right? Like, I know there are times where I feel like Christ redeemed me sort of begrudgingly, right? Mm-hmm. I think we have, we have this, um, concept in our mind of. Sort of the suffering servant, you know, like he's kind of like, ah, if I have to do it, I will. Right, right. And, and like, I think we, we would, if, if we were the ones who were, were being tasked to redeem something, we might do it. You know, we might do it and we. We might feel a certain sense of satisfaction about it, but I can tell you that if I had a hundred sheep and I had lost one, I would not lay it on my shoulder rejoicing. I would lay it on my shoulder. Frustrated and glad that I finally found it, but like. Right. Right. That's not what Christ did. That's right. Christ lays us on his shoulders rejoicing. Right. I know. Like when you lose something, it's frustrating and it's not just the loss of it that's frustrating. It's the time you have to take to find it. And sometimes like, yeah, you're happy that you found it, but you're like, man, it would've just been nice if I hadn't lost this in [00:49:36] Jesse Schwamb: the That's right. [00:49:37] Tony Arsenal: This woman, there's none of that. There's no, um, there's no regret. There's no. Uh, there's no begrudging this to it. There's nothing. It's just rejoicing. She's so happy. And it's funny, I can imagine, uh, maybe, maybe this is my own, uh, lack of sanctification here. I can imagine being that friend that's like, I gotta come over 'cause you found your coin, right? Like, I can be, I could imagine me that person, but Right. But honestly, like. This is a, this is a situation where she's so overcome with joy. She just has to tell people about it. Yeah. She has to share it with people. It, it reminds me, and I've seen this, I've seen this, um, connection made in the past certainly isn't new to me. I don't, I don't have any specific sorts to say, but like the woman at the well, right. She gets this amazing redemption. She gets this, this Messiah right in front of her. She leaves her buckets at the well, and she goes into a town of people who probably hate her, who think she's just the worst scum of society and she doesn't care. She goes into town to tell everybody about the fact that the Messiah has come, right? And they're so like stunned by the fact that she's doing it. Like they come to see what it is like that's what we need to be like. So there's. There's an element here of not only the rejoicing of God, and again, like, I guess I'm surprised because I've, I've, I've never sort of really read this. Part, I've never read this into it too much or I've never like really pulled this out, but it, now that I'm gonna say it, it just seems logical, like not only is God rejoicing in this, but again, it should be calling us to rejoice, right? Christ is. Christ is using these parables to shame the Pharisees and the scribes who refuse to rejoice over the salvation of sinners. How often do we not rejoice over our own salvation sufficiently? Like when's the last time? And I, I don't want to, this is, this can be a lot of loss. So again, like. God is not calling every single person to stand up on their lunch table at work, or, I don't know if God's calling anybody to stand up on the lunch table at work. Right. To like, like scream about how happy they are that they're sick, happy, happy. But like, when's the last time you were so overcome with joy that in the right opportunity, it just over, like it just overcame you and you had to share it. I don't rem. Putting myself bare here, like I don't remember the last time that happened. I share my faith with people, like my coworkers know that I'm a Christian and, um, my, they know that like, there are gonna be times where like I will bring biblical ethics and biblical concepts into my work. Like I regularly use bible examples to illustrate a principle I'm trying to teach my employees or, or I will regularly sort of. In a meeting where there's some question about what the right, not just like the correct thing to do, but the right thing to do. I will regularly bring biblical morality into those conversations. Nobody is surprised by that. Nobody's really offended by it. 'cause I just do it regularly. But I don't remember the last time where I was so overcome with joy because of my salvation that I just had to tell somebody. Right. And that's a, that's a, that's an indictment on me. That's not an indictment on God. That's not an indictment on anyone else. That's an indictment on me. This parable is calling me to be more joyful about. My salvation. [00:52:52] Jesse Schwamb: Yeah. One of the, I think the best and easiest verses from Psalms to memorize is let the redeemed of the Lord say so. Yes. Like, say something, speak up. There's, there's a great truth in what you're saying. Of course. And I think we mentioned this last time. There's a communal delight of redemption. And here we see that played out maybe a little bit more explicitly because the text says that the joy is before the angels, meaning that still God is the source of the joy. In other words, the angels share in God's delight night, vice versa, and not even just in salvation itself, but the fact that God is delighted in this great salvation, that it shows the effectiveness of his saving power. All that he has designed will come to pass because he super intends his will over all things that all things, again are subservient to our salvation. And here, why would that not bring him great joy? Because that's exactly what he intends and is able to do. And the angels rejoice along with him because his glory is revealed in his mighty power. So I'm, I'm with you. I mean, this reminds me. Of what the author of Hebrew says. This is chapter 12, just the first couple of verses. Therefore, since we have so great a cloud of witnesses in this communal kind of redemption of joy surrounding us. Laying aside every weight and the sin,

In this solo episode, I'm answering your questions! From introducing Toto the other dogs, to why I refuse to engage in toxic political conversations, to the wild, honest truth about how I manifested Davide into my life. I also touch on how this idea of "feminism" can actually preventing you from finding your partner. I discuss how I shifted my mindset, got clear on what I wanted, became rooted in the ground, and was calling him in whie absolutely living my best life. Enjoy!Produced by Dear MediaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Winner of the CTP Cup for IBIT Announcing the participants for the CTP Cup 2025 Calling a Code Red! Sam Altman’s declaration PLUS we are now on Spotify and Amazon Music/Podcasts! Click HERE for Show Notes and Links DHUnplugged is now streaming live - with listener chat. Click on link on the right sidebar. Love the Show? Then how about a Donation? Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter Interactive Brokers  Warm-Up - Winner of the CTP for IBIT - Announcing the participants for the CTP Cup 2025 - Calling a Code Red! Sam Altman's panic - Here come the Tariff lawsuits - - Smart Toilets are a thing (And learning the Bristol Scale) Markets - Horses can smell the barn.... Seasonal Trends - PR Teams - full throttle - (This is their Social Media) - Tax planning over the next couple of weeks may see some selling into year end Impressive Results - India's economy grew at a faster-than-expected pace of 8.2% in the quarter ended September against a forecast of 7.3% in a Reuters poll and 7.8% expansion in the previous quarter, data released last Friday showed. - The Indian government has cut consumer taxes on hundreds of items and implemented long-delayed labour reforms in the last three months as it tries to keep the domestic economy strong in the face of global uncertainties. - Strongest in 6 quarters - Economists said stockpiling for the festive season as well as expedited exports ahead of the 50% tariff deadline on August 27 might have contributed to the quarterly growth figures. - Manufacturing output rose 9.1% in the quarter ending in September from a year earlier against growth of 7.7% a quarter ago, while construction expanded 7.2% year-on-year from 7.6% a quarter ago. NVDA Spreading Out - Nvidia on Monday announced it has purchased $2 billion of Synopsys common stock as part of a strategic partnership to accelerate computing and artificial intelligence engineering solutions. - As part of the multiyear partnership, Nvidia will help Synopsys accelerate its portfolio of compute-intensive applications, advance agentic AI engineering, expand cloud access and develop joint go-to-market initiatives, according to a release. - Nvidia said it purchased Synopsys' stock at $414.79 per share (Now at $445) Amazon Ultra Fast Service - The parent company of Instacart fell nearly 4% after Amazon said it's testing “ultra-fast” delivery of groceries in Seattle and Philadelphia. - These deliveries take about 30 minutes or less, said Amazon. - Doordash and other delivery companies stocks also fell. Microstrategy - Strategy - Stock has been under pressure - Who knows what the company actully does anymore - Leverage Bitcoin play - issuing massive debt and convertibles to but Bitcoin - Stock down 39% this year and 52% 1 -year (Up 400% in the last 5 years) -Bitcoin dropped below $87k this week before staging a recovery bounce. Devil's Metal - Silver has outpaced gold in 2025, with a growth of about 71%, compared to gold's 54%. - Silver mine production has been decreasing for the past ten years, especially in Central and South America, due to mine closures, resource depletion and infrastructure challenges. - While industrial demand for silver is expected to decline slightly in 2025, the metal is increasingly used in electric vehicles, for AI components and in photovoltaics. - Some people are saying that people were having to transport silver by plane rather than on cargo ships to meet delivery demand INTERACTIVE BROKERS Check this out and find out more at: http://www.interactivebrokers.com/ Some Trump Updates: - Reiterates his view that Chair Powell should reduce rates. - Says he's negotiating with Democrats on healthcare. - Plans to give refunds out of collected tariffs. Crying Game - SoftBank Group founder Masayoshi Son on Monday downplayed the decision to offload the conglomerate's entire Nvidia stake, saying he “was crying” over parting with the shares. - Speaking at a forum in Tokyo Monday, Son addressed SoftBank's November disclosure that the firm had sold its holding in the American chip darling for $5.83 billion. - According to Son, SoftBank wouldn't have made the move if it didn't need to bankroll its next artificial intelligence investments, including a big bet on OpenAI and data center projects. Are Stocks Overvalued? CAPE RATIO Consumers... Consumer Confidence CODE RED -  Chief executive Sam Altman reportedly declared a “code red” on Monday, urging staff to improve its flagship product ChatGPT, an indicator that the startup's once-unassailable lead is eroding as competitors like Google and Anthropic close in. - In the memo, reported by the Wall Street Journal and The Information, Altman said the company will be delaying initiatives like ads, shopping and health agents, and a personal assistant, Pulse, to focus on improving ChatGPT. This includes core features like greater speed and reliability, better personalization, and the ability to answer more questions, he said. - Herein lies the problem with this entire tech market - what if ChatGPT fades to the sideline with $1.5Trillion promised over the next 5-7 years? - Remember, Google declared a Code Red after the arrival of ChatGPT. AI Takeover - Massachusetts Institute of Technology on Wednesday released a study that found that artificial intelligence can already replace 11.7% of the U.S. labor market, or as much as $1.2 trillion in wages across finance, health care and professional services. - The study was conducted using a labor simulation tool called the Iceberg Index, which was created by MIT and Oak Ridge National Laboratory. - The index simulates how 151 million U.S. workers interact across the country and how they are affected by AI and corresponding policy. Costco Sues - Costco filed a lawsuit asking for a full refund of tariffs the warehouse club giant has paid since President Donald Trump imposed “reciprocal” and “fentanyl” tariffs earlier this year. - Costco sued the Trump administration to get a full refund of new tariffs it paid so far this year, and to block those import duties from continuing to be collected from the retail warehouse club giant as a Supreme Court case plays out. - Costco is worried that it would lose the money even if the Tariffs were deemed illegal. Fat Cutting -  Eli Lilly said it is lowering the cash prices of single-dose vials of its blockbuster weight loss drug Zepbound on its direct-to-consumer platform, LillyDirect. - Starting Dec. 1, cash-paying patients with a valid prescription can pay $299 to $449 per month for Zepbound vials on LillyDirect, depending on the dose, down from a previous range of $349 to $499 per month. - The announcement comes just weeks after President Donald Trump inked deals with Eli Lilly and Novo Nordisk to make their GLP-1 drugs easier for Americans to access and afford. Smart Toilets - This year industry giants Toto Ltd. and Kohler Co. introduced smart toilets capable of analyzing what is in the bowl - Launched in August, the latest model in the Neorest line starts at roughly $3,200. - It uses an LED light and a sensor to read the shape, color, hardness and volume of stool as it drops, and sends data to a smartphone app in less than a minute. - Each toilet can support as many as six users — enough for most households — while some companies have bought multiple units for their employees. Toto aims to sell 7,300 units annually by 2028. - For now the stool-scanning Neorest is available only in Japan. - The app analyzes bowel movements against the Bristol scale, which is commonly used to diagnose constipation, inflammation or diarrhea, and offers simple recommendations such as eating more fiber and drinking more water, or even menu suggestions, like vegetable soup. Bristol Scale Feel Good - Entrepreneur Michael Dell and his wife, Susan, will deposit $250 in the individual investment accounts of 25 million American children in a $6.25 billion philanthropic pledge as part of the Trump administration's Invest America initiative. - $250 each child born after between 2015 and 2025 - The money will go to the accounts of children who live in ZIP codes where the median family's income is $150,000 or less, according to a spokesperson for the Dells. Love the Show? Then how about a Donation? Announcing the Winner for iShares Bitcoin Trust ETF (IBIT) Winners will be getting great stuff like the new "OFFICIAL" DHUnplugged Shirt! CTP CUP 2025 Here is the list of players: Jim Beaver Mike Kazmierczak Joe Metzger Ken Degel David Martin Dean Wormell Neil Larion Mary Lou Schwarzer Eric Harvey (2024 Winner) FED AND CRYPTO LIMERICKS See this week's stock picks HERE Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter

This episode of The Other Side of the Bell, featuring legendary trumpeter and horn arranger Jerry Hey, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Jerry Hey trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/jerry-hey-trumpet-interview-the-other-side-of-the-bell-146   About Jerry Hey: Jerry Hey is one of the defining trumpet voices and horn arrangers in modern popular music. Born in Dixon, Illinois, into a deeply musical family, he honed his craft with Charlie Geyer and later at Indiana University under legendary pedagogue William Adam. After an early run co-founding the jazz-fusion band Seawind in Hawaii, Hey moved to Los Angeles in the mid-1970s and quickly became a first-call session player and arranger. From there, his sound is heard on a staggering number of iconic recordings. Hey's horn writing and trumpet playing helped shape Michael Jackson's Off the Wall and Thriller albums, and his long association with Quincy Jones produced landmark work for Earth, Wind & Fire, George Benson, Al Jarreau, Patti Austin, Barbra Streisand, Toto, and countless others. A six-time Grammy winner, he has been recognized repeatedly for his instrumental and vocal arrangements, as well as his contributions to major film and television scores, including Flashdance, The Color Purple, the Back to the Future trilogy, Forrest Gump, and Dreamgirls. Most recently, Hey has opened his personal archives in Notes From The Past 50 Years, a 250-page collection of pop excerpts spanning his studio career. The book gathers more than 200 of his favorite licks, along with personal stories and rare photos that trace his path from early days in Los Angeles to his most iconic sessions—including a few lesser-known musical gems. Equally at home leading a horn section, crafting a string chart, or delivering a lyrical flugelhorn solo, Hey remains a benchmark for precision, style, and imagination in the studio, with an influence that continues to shape how artists, arrangers, and producers think about horn sections today.   Episode Links: Website: www.heyhorns.com Instagram (@heyhorns) Jerry Hey playlist The Other Side of the Bell Episode #15 - William "Bill" Adam Tribute The Other Side of the Bell Episode #22 - Jerry Hey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Jerry Hey/Megan Noller Audio Engineer - Ted Cragg

Naša zahraničná politika je paškvilom štátu, ktorý vie, kde je jeho strategicky sever. My nemáme už ani žiadnych spojencov. Čo z takejto politiky máme? Pýta sa Peter Weiss. Podľa neho sa zahraničná politika Ficovej vlády úplne rozpadla. Dôvodom je cynizmus samotného premiéra. A o čo ide v kauze Benešových dekrétov?Dekréty prezidenta Beneša sú späť. Po rokoch hibernácie sa do slovenského politického diskurzu opäť vrátili tzv. Benešove dekréty. Postaralo sa o to Progresívne Slovensko, ktoré sa síce menu Beneš úzkostlivo vyhýbalo, zároveň však verejne žiada aby sa citujem: "Pri posudzovaní žalôb na určenie vlastníctva k nehnuteľnostiam spojeným s konfiškačnými rozhodnutiami, dodržiaval princíp, že dekréty prezidenta Československej republiky sú ako súčasť slovenského práva vyhasnuté a na ich základe nie je možné robiť rozhodnutia zakladajúce nové právne skutočnosti." Benešove dekréty, ktoré sú na jednej strane kostrou povojnového usporiadania Československa a na strane druhej, sú symbolom uplatňovania kolektívnej viny voči vlastným občanom, totiž i naďalej majú na Slovensku právnu váhu. Svedčí o tom aj aktivita Slovenského pozemkového fondu, kde sa čoraz viac obnovujú konfiškácie pôdy so spätnou - a povojnovou, platnosťou.Náš južný sused - na čele s Ficovým spojencom Orbánom, pritom opakovane, cielene a vedome oživuje myšlienky Veľkého Maďarska ako i trianonskej krivdy a snahy o jej revíziu.Ako Orbán, tak i Fico sa pritom stávajú páriami Európskej únie vo vzťahu k Rusku a jeho brutálnej a krvavej agresií na Ukrajine no a zmeniť to zrejme nedokáže ani snaha o resuscitáciu vyhasnutej Vyšehrádskej spolupráce. O čo vlastne ide v zahraničnej politike Roberta Fica, ktorá síce verbálne deklaruje suverenitu na všetky štyri svetové strany, no fakticky sa s politikou našich kľúčových spojencov čoraz viac a principiálne rozchádza? Kde sú limity toho, čo nás v zahraničnej politike tejto vlády ešte dokáže prekvapiť a prečo sa nijako nedá uchopiť jej strategický "Sever"? No a napokon, koho je Robert Fico vlastne premiérom a je to skutočne Slovenská republika - ako člen EÚ a NATO - ktorej Robert Fico premiéruje a premiérovať v budúcnosti aj chce?Toto je absolútne nezodpovedná, avanturistická politika. Je protištátna, protinárodná a je absolútne proti budúcnosti tohto národa. A je to i mravná degradácia národa. Hovorí pre Ráno Nahlas exdiplomat Peter Weiss. Ráno Nahlas s bývalým veľvyslancom v Maďarsku i Česku Petrom Weissom. Pekný deň a pokoj v duši praje Braňo Dobšinský.

Text us about this show.Marc Bonilla has enjoyed one of the most comprehensive careers any musician could wish for. And after close to four decades in the business there is simply no quit in him. He is a world class guitarist, an accomplished teacher of music, a remarkable composer, and simply an appreciator of beauty in art and life. And he's a proud nerd with a deep love of things like superheroes and Star Trek. He allows what has been to inform the possibilities of what can be all the while staying very true to himself and the music he creates. We discuss it all on this very special extended episode of Into The Music. Enjoy!The following selections were provided by Marc Bonilla for use on this show with his permission."Afterburner" written and performed by Marc Bonilla℗ 1991 Reprise Records."Le Tombeau De Couperin – Prelude" performed by Marc Bonilla and Mike Keneallywritten by Maurice Ravel, arr. by Marc Bonilla℗ 2020 Marc Bonilla."Blessings" written and performed by Saville Row℗ 2014 Saville Row, under exclusive license to Varese Sarabande Records."Walking Distance" performed by the Keith Emerson Band with the Munich Radio Orchestra conducted by Maestro Terje Mikkelsenwritten and arranged by Marc Bonilla℗ 2012 Terje Mikkelsen, under exclusive license to Varese Sarabande Records, under exclusive license to Varese Sarabande Records."Marche Train" performed by CTRL+Zwritten by Marc Bonilla and Keith Emerson℗ 2020 Marc Bonilla.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

v dnešnom podcaste si vypočujete aj: Okamura odštartoval v Česku éru nehanebnosti a priniesol ju k nám Progresívne Slovensko neotvára Benešove dekréty. To len tým straší Fico Predá Trump Ukrajinu za výhodné obchody pre jemu blízkych ľudí?

En este nuevo episodio analizamos la lista de Billboard recien publicada de las 50 bandas Rock de la historia. Además noticias de Toto, Peter Criss,Elton John,Oasis.

 NEW YACHT CITY from New York and New Jersey, a tribute to Yacht Rock returns! On this episode we chat with Manish Nag  singer and keyboardist as well as  singer Megan McCafferty about the genre of what Yacht Rock means to it's fans!  If you love Steely Dan, Toto, Christopher Cross, The Doobies, Ambrosia and more you will love this band! Check them out for a fun time you and your friends will always remember!  For more info on shows, ticket info, merch and  the band check out their website! https://www.newyacht.city/#showsTo purchase tickets for WESTPORT click link below! https://www.eventbrite.com/e/new-yacht-city-yacht-rock-at-the-westport-vfw-tickets-1783236541499?aff=oddtdtcreator

En esta edición de nuestro podcast presentamos 'Good to Go', el disco que acaba de publicar el teclista y compositor William Green, en el que incluye una espléndida versión de 'Africa', el tema de Toto.. En el repaso a otras novedades de la música Smooth Jazz reseñamos los recientes trabajos de Julian Vaughn, Michiyo, Lance Ferguson, DS Wilson y Brian Culbertson. En el bloque central rescatamos el disco 'Heavy Vibes', editado en 1983 por Montana Orchestra, uno de los proyectos creados por el vibrafonista Vince Montana.

Episode 95: Simon Phillips. This is the definitive deep dive into the legendary career of Simon Phillips, one of the most influential drummers in the world. In this long form conversation, Simon talks about his work with Toto, The Who, Judas Priest, Hiromi, Protocol, Jeff Beck, Jack Bruce, Pete Townshend, Big Country, Stanley Clarke, Brian Eno, Phil Manzanera, and goes all the way back to his teenage session years in the UK with his dad. This episode covers his technique, sound, gear, studio approach, compositions, touring stories, engineering background, and the experiences that shaped his career. Simon tells the story of stepping into Toto after the passing of Jeff Porcaro and what it took to honor Jeff's legacy while still bringing his own sound, groove, and musical identity to the band. He breaks down his years touring and recording with The Who, including the 1989 anniversary tour and his approach to Keith Moon's parts. We also go deep into his early session years with Judas Priest and the making of Sin After Sin, including the double bass drumming that influenced an entire generation of metal drummers. Simon talks about his long running musical connection with Hiromi and the creation of Hiromi's Trio Project, the interplay that developed between them, and stories of his brotherhood with contrabass guitar legend Anthony Jackson. Simon shares the evolution of his writing and bandleading with Protocol, including how he builds compositions from drum ideas and how he made the project happen. We go into how he records drums and stories of so many of his ensembles. We explore his open handed and ambidextrous technique, his approach to tom and cymbal layouts, drum tuning, how he builds his drum tones in the studio, and his engineering background from his early years working in studios. This episode is ideal for drummers, musicians, audio engineers, producers, and fans of Toto, Jeff Porcaro, The Who, Keith Moon, Judas Priest, heavy metal drumming, Mike Oldfield, progressive rock, fusion, Hiromi, Anthony Jackson, and anyone who wants to understand how a legendary drummer built a world class career. Simon also talks about rebuilding after losing his home and studio in the Thomas Fire, what inspires him today, and how he continues to grow as a drummer and composer. Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. https://www.patreon.com/gowithelmo Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Simon: https://www.instagram.com/simonphillipsofficial/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard https://www.instagram.com/jammcard/ jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us for this exciting episode of Hot Topics on the Edge of Show as host Josh Krieger dives deep into the latest developments in the world of cryptocurrency and blockchain technology. In this episode, we are joined by Jonathan Baha'i from TOTO and Michael Ros from Sleap.io, both of whom were key sponsors at the recent Future of Money, Governance, and Law Summit in Washington, D.C.Episode Highlights: The rise of altcoin ETFs and their potential to reshape the crypto landscape, especially in light of Bitcoin's recent struggles.Polymarket receiving regulatory approval from the CFTC, paving the way for a new era of prediction markets.How TOTO is leveraging blockchain to redefine civic engagement and governance.Impact of the upcoming FIFA World Cup on travel trends and how Sleep.io is revolutionizing travel bookings with crypto.Whether you're a crypto enthusiast, a travel lover, or just curious about the future of governance, this episode is packed with valuable insights and thought-provoking discussions.Support us through our Sponsors! ☕

This week, much to Christopher’s chagrin, we do a deep dive into Yacht Rock! We’ll hear from Toto, Steely Dan, Doobie Bros, Christopher Cross, Kenny Loggins, Boz Scaggs, Seals & Crofts, Little River Band, Orleans and… Earth, Wind & Fire? (That last one leads to a spirited disagreement between Tom & Christopher) Among the highlights of this episode: - Michael McDonald explains the evolution of the Doobie Brothers’ sound - Christopher Cross talks about his debut album, which contained several Yacht Rock classics. - Steve Porcaro explains how a group of session players and friends morphed into Toto - Kenny Loggins remembers working with Stevie Nicks on “Whenever I Call You Friend” - Al Stewart deconstructs the story behind his biggest hit, “Year Of The Cat” - Boz Scaggs breaks down “Lido Shuffle” and “Lowdown” - We also hear from the most reluctant group in the Yacht Rock pantheon, Steely Dan, including a bonus cut from the Dan’s only foray into advertising jingles. (We assure you it’s a weird one!) - Plus, interview clips from Little River Band, Orleans, Marc Jordan, Seals & Crofts and more. It’s an episode chock full of artists who are Yachty by nature! Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

Hopefully, Martin is reading this right now. Consider this a test for him. Martin, please message Jason with "Avocado Banana" if you read the notes. For everyone else, welcome! It's Andrew and Jason this week! We chat about some hardware stuff, the much-anticipated soap update, and toss some thumbs around! Rogue Amoeba 00:00:00 Rogue Amoeba (https://www.rogueamoeba.com/) Audio Hijack (https://www.rogueamoeba.com/audiohijack/)

Do nášho podcastu zavítala OnlyF@ns tvorkyňa https://www.instagram.com/inkeddory/ a odpovedala nám na všetky naše otázky. Zistili sme koľko zarobila za jej najúspešnejší víkend, akú najdivnejšiu fetish požiadavku dostala v správach, ale aj aký život žije mimo kamier a objektívov. POKRAČOVANIE ROZHOVORU NÁJDEŠ NA NAŠOM HERO HERO: https://herohero.co/sexualnavychova Toto všetko aj oveľa viac nájdeš aj vo filme https://www.instagram.com/virtualni_pritelkyne_film/, kde Barbora Chalupová odhaľuje skutočný život troch Sloveniek, ktoré na platforme OnlyF@ns zarábajú milióny erotickým obsahom. Film Virtuálna priateľka je aktuálne v kinách. https://www.instagram.com/superfilm_production/ KTO MAŽE TEN JEDE merch nájdeš na našom webe spolu s našou hrou 69 sekúnd či seksy printami! - https://sexualnavychova.com/obchod/ Pre extra obsah, šteklivé videá, nekresťanské rozhovory a iné špecialitky nás odberaj na našom ⁠⁠HERO HERO⁠⁠ https://herohero.co/sexualnavychova Followuj nás na IG: ⁠⁠⁠⁠⁠⁠⁠⁠ / https://www.instagram.com/sexualnavychova/ Alebo na osobných profiloch: Denis: ⁠⁠⁠⁠⁠⁠⁠⁠ / https://www.instagram.com/denis_kendy/ Miška: ⁠⁠⁠⁠⁠⁠⁠⁠ / https://www.instagram.com/michellegraphy/  

V zdravotníctve sa šetrí na všetkých frontoch. Do systému nové lieky prakticky nevstupujú a na výnimku sa k ním už nedostaneme. Budeme cestovať do zahraničia a platiť si liečbu z vlastného vrecka? Pýta sa predsedníčka Slovenskej aliancie zriedkavých chorôb Tatiana Foltánová. Záleží štátu na našich životoch? Ak áno, prečo to necítia naši najzraniteľnejší?Sú tu, všade medzi nami. Naše mamy, otcovia, sestry, bratia či dokonca i naše vlastné deti. Sú ich státisíce a bojujú o svoj život, o vlastné prežitie či aspoň o akú takú kvalitu ich života. Ľudia zo zriedkavými ochoreniami, či tí, ktorí potrebujú moderné lieky alebo inovatívnu liečbu. A sú ich státisíce.Namiesto toho aby ich problémy riešil náš zdravotnícky systém, do ktorého už i tak nalievame zhruba 10 miliárd - a v ktorom je priestor i na také niečo, ako sú zisky Zdravotných poisťovní, ich dnes ale čoraz častejšie stretávame na charitatívnych internetových zbierkach, kde doslova žobrú o možnosť holého prežitia. I to je Slovensko v roku 2025.Ide totiž o lieky, ktoré môžu zachrániť život, alebo výrazne zlepšiť zdravotný stav – no pacienti sa k nim neraz nedostanú. Minister zdravotníctva totiž tieto lieky prakticky stopol a odôvodňuje to najmä argumentom finančnej neudržateľnosti či netransparentnosti systému. V tejto rovnici tak ide ako o naše životy a zdravie, ako aj o ozaj veľké peniaze, či proste snahu skonsolidovať verejné výdavky.Po prakticky pol roku intenzívnych rokovaní o tejto téme však strešné propracientské a pomáhajúce organizácie dávajú od vyjednávania s ministerstvom zdravotníctva ruky preč a rokovania pozastavujú. To, čo táto vláda pripravuje, rozhodne nie je to, čo by pacientom pomohlo. Pacientom sa pohorší, nielen tým so zriedkavými ochoreniami, ale nám všetkým, varuje T. Foltánová. Už lekári samotní odporúčajú takýmto pacientom aby si zakladali crowdfundingové darovacie výzvy a to i pre pacientov v ozaj vážnych zdravotných peripetiách so zriedkavým či onkologickým ochorením, dodáva Stískalová. Aký bol dôvod rokovania stopnúť a skutočne tejto údajne sociálnodemokratickej a národnej vláde záleží na našich životoch a zdraví? Aká je cena nášho života na dnešnom Slovensku? Ako nastaviť systém liečby zriedkavých ochorení, prístupu k moderným inovatívnym liekom a dá sa na tom ušetriť tak, aby sme zbytočne neumierali? No a prečo sa vlastne musíme na takúto liečbu zbierať na Doniu, keď si i tak platíme zdravotné odvody a do zdravotníctva rok čo rok tečú nemalé miliardy? Témy pre Simonu Stískalovú z Platformy pomáhajúcich organizácií a Tatianu Foltánovú, predsedníčku Slovenskej aliancie zriedkavých chorôb. Počúvate Ráno Nahlas, pekný deň a pokoj v duši praje Braňo Dobšinský.

Ecoutez Le Cave' réveil avec Philippe Caverivière du 24 novembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

-Rob turns up the heat on the Clintons “dodging subpoenas” with a parody song so catchy you'll be humming it all weekend. -Guest Christian Toto from "Hollywood in Toto" bravely reviews Disney's Moana remake and wonders if late-night TV has officially flatlined. Today's podcast is sponsored by :QUINCE : Seasonal clothing and home accessories at discounted prices! Visit http://Quince.com/Newsmax for FREE SHIPPING and 365 day returns… BIRCH GOLD - Protect and grow your retirement savings with gold. Text ROB to 98 98 98 for your FREE information kit! WEBROOT : Live a better digital life with Webroot Total Protection. Rob Carson Show listeners get 60% off at http://webroot.com/Newsmax  To call in and speak with Rob Carson live on the show, dial 1-800-922-6680 between the hours of 12 Noon and 3:00 pm Eastern Time Monday through Friday…E-mail Rob Carson at : RobCarsonShow@gmail.com Musical parodies provided by Jim Gossett (www.patreon.com/JimGossettComedy) Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media:  -Facebook: http://nws.mx/FB  -X/Twitter: http://nws.mx/twitter -Instagram: http://nws.mx/IG -YouTube: https://youtube.com/NewsmaxTV -Rumble: https://rumble.com/c/NewsmaxTV -TRUTH Social: https://truthsocial.com/@NEWSMAX -GETTR: https://gettr.com/user/newsmax -Threads: http://threads.net/@NEWSMAX  -Telegram: http://t.me/newsmax  -BlueSky: https://bsky.app/profile/newsmax.com -Parler: http://app.parler.com/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices

Pat welcomes synth wizard and founding member of Toto, Steve Porcaro, to the "Zoom Room" to promote his new solo album "The Very Day."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

La maîtresse demande à Toto de lui citer les 4 éléments, un homosexuel propose à son ami hétérosexuel d'aller camper, et un curé pense avoir un cancer du pénis... Découvrez les 3 histoires drôles du jour ! Tous les jours, en podcast, retrouvez une compilation des meilleures blagues de vos Grosses Têtes préférées.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on the Rockonteurs podcast, Gary Kemp and Guy Pratt welcome the brilliant Steve Lukather to the podcast. Luke, as we call him, is the very definition of an artist. He's a guitarist, singer, songwriter, and producer. He's recorded on literally 1000's of tracks for 100s of artists from Boz Scaggs to Ringo Starr and Michael Jackson. He is also the last founding member of Toto and he talks to Guy and Gary about his influences, his experiences and his passion for music that continues to drive him daily. Find out more about Steve here: http://www.stevelukather.com/Instagram @rockonteurs @guyprattofficial @garyjkemp @stevelukatherofficial @totothemselves @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

We're not in Kansas anymore Toto, it's getting FREAKY today on the show. Let's play Minute to Win it WINNER and get an update from Kyle on the BEARISTA SITUATION. Also, Payton is in a DILEMMA regarding her WORK FRIEND and she needs advice. Then, Maria is in town with her MOTHER IN LAW and she needs SOMETHING TO DO! All of this and MUCH MORE!See omnystudio.com/listener for privacy information.