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Come along with us as Tom Atkins gives us the reach-around this time (because he fuuuuuuuucks). Raoul Ethridge comes to our window to publish lies on Penthouse Forum, cocaine disco parties, unclear familial relations possibly due to inbreeding. Then we move on to nameless clerks up the college, chili dog suck lore and we poke it with a stick, why wouldn't ya? Next we go halfway in with Dick Vickers, drown some turkeys and catch up with professor pussy hound and aggressively balding 40 year old college students and finish it off with 2 scoops of roaches! We're wrapping up Anthology October with bonus sequel material that reminds us to not take our tiddies out at the lake, it's Creepshow! This time on Doom Generation.
Anthologies make Andrew uncomfortable. The Rev has a crush on Leslie Nielsen or something. Also Halloween Follow us on Facebook and Instagram @thesharkpod patreon.com/sharksacrosshollywood Music by The Drag
October Horror: #16 out of 31: Revisiting the team-up of George A. Romero and Stephen King! Creepshow (1982) - 4K UHD Blu-Ray Review ROCKFILE Podcast 890 #creepshowmovie #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/ ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.
October Horror: #17 out of 31: Revisiting the second team-up of George A. Romero and Stephen King! Creepshow 2 (1987) - 4K UHD Blu-Ray Review ROCKFILE Podcast 891 #creepshow2movie #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend, Goodpods, Deezer and more. ~ -Social Media Group: https://www.facebook.com/groups/rockfilesroom -Official Website: https://therockfile.com/ -YouTube channel: https://www.youtube.com/@rockfile -Interview Archive: https://therockfile.com/Interviews/ ~ Music from #Uppbeat https://uppbeat.io/t/enrique-molano/ants-carnival License code: IV5M5EGLBEBSNUDV ~ Note: the static pictures in my movie reviews are NOT screen captures. I am not set up to do that yet but one day I hope to be.
In this episode of In-Ear Insights, the Trust Insights podcast, Katie and Chris discuss the stark reality of the future of work presented at the Marketing AI Conference, MAICON 2025. You’ll learn which roles artificial intelligence will consume fastest and why average employees face the highest risk of replacement. You’ll master the critical thinking and contextual skills you must develop now to transform yourself into an indispensable expert. You’ll understand how expanding your intellectual curiosity outside your specific job will unlock creative problem solving essential for survival. You’ll discover the massive global AI blind spot that US companies ignore and how this shifting landscape affects your career trajectory. Watch now to prepare your career for the age of accelerated automation! Watch the video here: Can’t see anything? Watch it on YouTube here. Listen to the audio here: https://traffic.libsyn.com/inearinsights/tipodcast-maicon-2025-generative-ai-for-marketers.mp3 Download the MP3 audio here. Need help with your company’s data and analytics? Let us know! Join our free Slack group for marketers interested in analytics! [podcastsponsor] Machine-Generated Transcript What follows is an AI-generated transcript. The transcript may contain errors and is not a substitute for listening to the episode. Christopher S. Penn – 00:00 In this week’s In Ear Insights, we are at the Marketing AI Conference, Macon 2025 in Cleveland with 1,500 of our best friends. This morning, the CEO of SmartRx, formerly the Marketing AI Institute, Paul Ritzer, was talking about the future of work. Now, before I go down a long rabbit hole, Dave, what was your immediate impressions, takeaways from Paul’s talk? Katie Robbert – 00:23 Paul always brings this really interesting perspective because he’s very much a futurist, much like yourself, but he’s a futurist in a different way. Whereas you’re on the future of the technology, he’s focused on the future of the business and the people. And so his perspective was really, “AI is going to take your job.” If we had to underscore it, that was the bottom line: AI is going to take your job. However, how can you be smarter about it? How can you work with it instead of working against it? Obviously, he didn’t have time to get into every single individual solution. Katie Robbert – 01:01 The goal of his keynote talk was to get us all thinking, “Oh, so if AI is going to take my job, how do I work with AI versus just continuing to fight against it so that I’m never going to get ahead?” I thought that was a really interesting way to introduce the conference as a whole, where every individual session is going to get into their soldiers. Christopher S. Penn – 01:24 The chart that really surprised me was one of those, “Oh, he actually said the quiet part out loud.” He showed the SaaS business chart: SaaS software is $500 billion of economic value. Of course, AI companies are going, “Yeah, we want that money. We want to take all that money.” But then he brought up the labor chart, which is $12 trillion of money, and says, “This is what the AI companies really want. They want to take all $12 trillion and keep it for themselves and fire everybody,” which is the quiet part out loud. Even if they take 20% of that, that’s still, obviously, what is it, $2 trillion, give or take? When we think about what that means for human beings, that’s basically saying, “I want 20% of the workforce to be unemployed.” Katie Robbert – 02:15 And he wasn’t shy about saying that. Unfortunately, that is the message that a lot of the larger companies are promoting right now. So the question then becomes, what does that mean for that 20%? They have to pivot. They have to learn new skills, or—the big thing, and you and I have talked about this quite a bit this year—is you really have to tap into that critical thinking. That was one of the messages that Paul was sharing in the keynote: go to school, get your liberal art degree, and focus on critical thinking. AI is going to do the rest of it. Katie Robbert – 02:46 So when we look at the roles that are up for grabs, a lot of it was in management, a lot of it was in customer service, a lot of it was in analytics—things that already have a lot of automation around them. So why not naturally let agentic AI take over, and then you don’t need human intervention at all? So then, where does that leave the human? Katie Robbert – 03:08 We’re the ones who have to think what’s next. One of the things that Paul did share was that the screenwriter for all of the Scorsese films was saying that ChatGPT gave me better ideas. We don’t know what those exact prompts looked like. We don’t know how much context was given. We don’t know how much background information. But if that was sue and I, his name was Paul. Paul Schrader. Yes, I forgot it for a second. If Paul Schrader can look at Paul Schrader’s work, then he’s the expert. That’s the thing that I think needed to also be underscored: Paul Schrader is the expert in Paul Schrader. Paul Schrader is the expert in screenwriting those particular genre films. Nobody else can do that. Katie Robbert – 03:52 So Paul Schrader is the only one who could have created the contextual information for those large language models. He still has value, and he’s the one who’s going to take the ideas given by the large language models and turn them into something. The large language model might give him an idea, but he needs to be the one to flush it out, start to finish, because he’s the one who understands nuance. He’s the one who understands, “If I give this to a Leonardo DiCaprio, what is he gonna do with the role? How is he gonna think about it?” Because then you’re starting to get into all of the different complexities where no one individual ever truly works alone. You have a lot of other humans. Katie Robbert – 04:29 I think that’s the part that we haven’t quite gotten to, is sure, generative AI can give you a lot of information, give you a lot of ideas, and do a lot of the work. But when you start incorporating more humans into a team, the nuance—it’s very discreet. It’s very hard for an AI to pick up. You still need humans to do those pieces. Christopher S. Penn – 04:49 When you take a look, though, at something like the Tilly Norwood thing from a couple weeks ago, even there, it’s saying, “Let’s take fewer humans in there,” where you have this completely machine generated actor avatar, I guess. It was very clearly made to replace a human there because they’re saying, “This is great. They don’t have to pay union wages. The actor never calls in sick. The actor never takes a vacation. The actor’s not going to be partying at a club unless someone makes it do that.” When we look at that big chart of, “Here’s all the jobs that are up for grabs,” the $12 trillion of economic value, when you look at that, how at risk do you think your average person is? Katie Robbert – 05:39 The key word in there is average. An average person is at risk. Because if an average person isn’t thinking about things creatively, or if they’re just saying, “Oh, this is what I have to do today, let me just do it. Let me just do the bare minimum, get through it.” Yes, that person is at risk. But someone who looks at a problem or a task that’s in front of them and thinks, “What are the five different ways that I could approach this? Let me sit down for a second, really plan it out. What am I not thinking of? What have I not asked? What’s the information I don’t have in front of me? Let me go find that”—that person is less at risk because they are able to think beyond what’s right in front of them. Katie Robbert – 06:17 I think that is going to be harder to replace. So, for example, I do operations, I’m a CEO. I set the vision. You could theoretically give that to an AI to do. I could create CEO Katie GPT. And GPT Katie could set the vision, based on everything I know: “This is the direction that your company should go in.” What that generative AI doesn’t know is what I know—what we’ve tried, what we haven’t tried. I could give it all that information and it could still say, “Okay, it sounds like you’ve tried this.” But then it doesn’t necessarily know conversations that I’ve had with you offline about certain things. Could I give it all that information? Sure. But then now I’m introducing another person into the conversation. And as predictable as humans are, we’re unpredictable. Katie Robbert – 07:13 So you might say, “Katie would absolutely say this to something.” And I’m going to look at it and go, “I would absolutely not say that.” We’ve actually run into that with our account manager where she’s like, “Well, this is how I thought you would respond. This is how I thought you would post something on social media.” I’m like, “Absolutely not. That doesn’t sound like me at all.” She’s like, “But that’s what the GPT gave me that is supposed to sound like you.” I’m like, “Well, it’s wrong because I’m allowed to change my mind. I’m a human.” And GPTs or large language models don’t have that luxury of just changing its mind and just kind of winging it, if that makes sense. Christopher S. Penn – 07:44 It does. What percentage, based on your experience in managing people, what percentage of people are that exceptional person versus the average or the below average? Katie Robbert – 07:55 A small percentage, unfortunately, because it comes down to two things: consistency and motivation. First, you have to be consistent and do your thing well all the time. In order to be consistent, you have to be motivated. So it’s not enough to just show up, check the boxes, and then go about your day, because anybody can do that; AI can do that. You have to be motivated to want to learn more, to want to do more. So the people who are demonstrating a hunger for reaching—what do they call it?—punching above their weight, reaching beyond what they have, those are the people who are going to be less vulnerable because they’re willing to learn, they’re willing to adapt, they’re willing to be agile. Christopher S. Penn – 08:37 For a while now we’ve been saying that either you’re going to manage the machines or the machines are going to manage you. And now of course we are at the point the machine is just going to manage the machines and you are replaced. Given so few people have that intrinsic motivation, is that teachable or is that something that someone has to have—that inner desire to want to better, regardless of training? Katie Robbert – 09:08 “Teachable” I think is the wrong word. It’s more something that you have to tap into with someone. This is something that you’ve talked about before: what motivates people—money, security, blah, blah, whatever, all those different things. You can say, “I’m going to motivate you by dangling money in front of you,” or, “I’m going to motivate you by dangling time off in front of you.” I’m not teaching you anything. I’m just tapping into who you are as a person by understanding your motives, what motivates you, what gets you excited. I feel fairly confident in saying that your motivations, Chris, are to be the smartest person in the room or to have the most knowledge about your given industry so that you can be considered an expert. Katie Robbert – 09:58 That’s something that you’re going to continue to strive for. That’s what motivates you, in addition to financial security, in addition to securing a good home life for your family. That’s what motivates you. So as I, the other human in the company, think about it, I’m like, “What is going to motivate Chris to get his stuff done?” Okay, can I position it as, “If you do this, you’re going to be the smartest person in the room,” or, “If you do this, you’re going to have financial security?” And you’re like, “Oh, great, those are things I care about. Great, now I’m motivated to do them.” Versus if I say, “If you do this, I’ll get off your back.” That’s not enough motivation because you’re like, “Well, you’re going to be on my back anyway.” Katie Robbert – 10:38 Why bother with this thing when it’s just going to be the next thing the next day? So it’s not a matter of teaching people to be motivated. It’s a matter of, if you’re the person who has to do the motivating, finding what motivates someone. And that’s a very human thing. That’s as old as humans are—finding what people are passionate about, what gets them out of bed in the morning. Christopher S. Penn – 11:05 Which is a complex interplay. If you think about the last five years, we’ve had a lot of discussions about things like quiet quitting, where people show up to work to do the bare minimum, where workers have recognized companies don’t have their back at all. Katie Robbert – 11:19 We have culture and pizza on Fridays. Christopher S. Penn – 11:23 At 5:00 PM when everyone wants to just— Katie Robbert – 11:25 Go home and float in that day. Christopher S. Penn – 11:26 Exactly. Given that, does that accelerate the replacement of those workers? Katie Robbert – 11:37 When we talk about change management, we talk about down to the individual level. You have to be explaining to each and every individual, “What’s in it for me?” If you’re working for a company that’s like, “Well, what’s in it for you is free pizza Fridays and funny hack days and Hawaiian shirt day,” that doesn’t put money in their bank account. That doesn’t put a roof over their head; that doesn’t put food on their table, maybe unless they bring home one of the free pizzas. But that’s once a week. What about the other six days a week? That’s not enough motivation for someone to stay. I’ve been in that position, you’ve been in that position. My first thought is, “Well, maybe stop spending money on free pizza and pay me more.” Katie Robbert – 12:19 That would motivate me, that would make me feel valued. If you said, “You can go buy your own pizza because now you can afford it,” that’s a motivator. But companies aren’t thinking about it that way. They’re looking at employees as just expendable cogs that they can rip and replace. Twenty other people would be happy to do the job that you’re unhappy doing. That’s true, but that’s because companies are setting up people to fail, not to succeed. Christopher S. Penn – 12:46 And now with machinery, you’re saying, “Okay, since there’s a failing cog anyway, why don’t we replace it with an actual cog instead?” So where does this lead for companies? Particularly in capitalist markets where there is no strong social welfare net? Yeah, obviously if you go to France, you can work a 30-hour week and be just fine. But we don’t live in France. France, if you’re hiring, we’re available. Where does it lead? Because I can definitely see one road where this leads to basically where France ended up in 1789, which is the Guillotines. These people trot out the Guillotines because after a certain point, income inequality leads to that stuff. Where does this lead for the market as you see it now? Katie Robbert – 13:39 Unfortunately, nowhere good. We have seen time and time again, as much as we want to see the best in people, we’re seeing the worst in people today, as of this podcast recording—not at Macon. These are some of the best people. But when you step outside of this bubble, you’re seeing the worst in people. They’re motivated by money and money only, money and power. They don’t care about humanity as a whole. They’re like, “I don’t care if you’re poor, get poorer, I’m getting richer.” I feel like, unfortunately, that is the message that is being sent. “If you can make a dollar, go ahead and make a dollar. Don’t worry about what that does to anybody else. Go ahead and be in it for yourself.” Katie Robbert – 14:24 And that’s unfortunately where I see a lot of companies going: we’re just in it to make money. We no longer care about the welfare of our people. I’ve talked on previous shows, on previous podcasts. My husband works for a grocery store that was bought out by Amazon a few years ago, and he’s seeing the effects of that daily. Amazon bought this grocery chain and said basically, “We don’t actually care about the people. We’re going to automate things. We’re going to introduce artificial intelligence.” They’ve gotten rid of HR. He still has to bring home a physical check because there is no one to give him paperwork to do direct deposit. Christopher S. Penn – 15:06 He’s been—ironic given the company. Katie Robbert – 15:08 And he’s been at the company for 25 years. But when they change things over, if he has an assurance question, there’s no one to go to. They probably have chatbots and an email distribution list that goes to somebody in an inbox that never. It’s so sad to see the decline based on where the company started and what the mission originally was of that company to where it is today. His suspicion—and this is not confirmed—his suspicion is that they are gearing up to sell this business, this grocery chain, to another grocery chain for profit and get rid of it. Flipping it, basically. Right now, they’re using it as a distribution center, which is not what it’s meant to be. Katie Robbert – 15:56 And now they’re going to flip it to another grocery store chain because they’ve gotten what they needed from it. Who cares about the people? Who cares about the fact that he as an individual has to work 50 hours a week because there’s nobody else? They’ve flattened the company. They’re like, “No, based on our AI scheduler, there’s plenty of people to cover all of these hours seven days a week.” And he’s like, “Yeah, you have me on there for seven of the seven days.” Because the AI is not thinking about work-life balance. It’s like, “Well, this individual is available at these times, so therefore he must be working here.” And it’s not going to do good things for people in services industries, for people in roles that cannot be automated. Katie Robbert – 16:41 So we talk about customer service—that’s picking up the phone, logging a plate—that can be automated. Walking into a brick and mortar, there are absolutely parts of it that can be automated, specifically the end purchase transaction. But the actual ordering and picking of things and preparing it—sure, you could argue that eventually robots could be doing that, but as of today, that’s all humans. And those humans are being treated so poorly. Christopher S. Penn – 17:08 So where does that end for this particular company or any large enterprise? Katie Robbert – 17:14 They really have—they have to make decisions: do they want to put the money first or the people first? And you already know what the answer to that is. That’s really what it comes down to. When it ends, it doesn’t end. Even if they get sold, they’re always going to put the money first. If they have massive turnover, what do they care? They’re going to find somebody else who’s willing to do that work. Think about all of those people who were just laid off from the white-collar jobs who are like, “Oh crap, I still have a mortgage I have to pay, I still have a family I have to feed. Let me go get one of those jobs that nobody else is now willing to do.” Katie Robbert – 17:51 I feel like that’s the way that the future of work for those people who are left behind is going to turn over. Katie Robbert – 17:59 There’s a lot of people who are happy doing those jobs. I love doing more of what’s considered the blue-collar job—doing things manually, getting their hands in it, versus automating everything. But that’s me personally; that’s what motivates me. That I would imagine is very unappealing to you. Not that for almost. But if cooking’s off the table, there’s a lot of other things that you could do, but would you do them? Katie Robbert – 18:29 So when we talk about what’s going to happen to those people who are cut and left behind, those are the choices they’re going to have to make because there’s not going to be more tech jobs for them to choose from. And if you are someone in your career who has only ever focused on one thing, you’re definitely in big trouble. Christopher S. Penn – 18:47 Yeah, I have a friend who’s a lawyer at a nonprofit, and they’re like, “Yeah, we have no funding anymore, so.” But I can’t pick up and go to England because I can’t practice law there. Katie Robbert – 18:59 Right. I think about people. Forever, social media was it. You focus on social media and you are set. Anybody will hire you because they’re trying to learn how to master social media. Guess where there’s no jobs anymore? Social media. So if all you know is social media and you haven’t diversified your skill set, you’re cooked, you’re done. You’re going to have to start at ground zero entry level. If there’s that. And that’s the thing that’s going to be tough because entry-level jobs—exactly. Christopher S. Penn – 19:34 We saw, what was it, the National Labor Relations Board publish something a couple months ago saying that the unemployment rate for new college graduates is something 60% higher than the rest of the workforce because all the entry-level jobs have been consumed. Katie Robbert – 19:46 Right. I did a talk earlier this year at WPI—that’s Worcester Polytech in Massachusetts—through the Women in Data Science organization. We were answering questions basically like this about the future of work for AI. At a technical college, there are a lot of people who are studying engineering, there are a lot of people who are studying software development. That was one of the first questions: “I’m about to get my engineering degree, I’m about to get my software development degree. What am I supposed to do?” My response to that is, you still need to understand how the thing works. We were talking about this in our AI for Analytics workshop yesterday that we gave here at Macon. In order to do coding in generative AI effectively, you have to understand the software development life cycle. Katie Robbert – 20:39 There is still a need for the expertise. People are asking, “What do I do?” Focus on becoming an expert. Focus on really mastering the thing that you’re passionate about, the thing that you want to learn about. You’ll be the one teaching the AI, setting up the AI, consulting with the people who are setting up the AI. There’ll be plenty of practitioners who can push the buttons and set up agents, but they still need the experts to tell them what it’s supposed to do and what the output’s supposed to be. Christopher S. Penn – 21:06 Do you see—this is kind of a trick question—do you see the machines consuming that expertise? Katie Robbert – 21:15 Oh, sure. But this is where we go back to what we were talking about: the more people, the more group think—which I hate that term—but the more group think you introduce, the more nuanced it is. When you and I sit down, for example, when we actually have five minutes to sit down and talk about the future of our business, where we want to go or what we’re working on today, the amount of information we can iterate on because we know each other so well and almost don’t have to speak in complete sentences and just can sort of pick up what the other person is thinking. Or I can look at something you’re writing and say, “Hey, I had an idea about that.” We can do that as humans because we know each other so well. Katie Robbert – 21:58 I don’t think—and you’re going to tell me this is going to happen—unless we can actually plug or forge into our brains and download all of the things. That’s never going to happen. Even if we build Katie GPT and Chris GPT and have them talk to each other, they’re never going to brainstorm the way you and I brainstorm in real life. Especially if you give me a whiteboard. I’m good. I’m going to get so much done. Christopher S. Penn – 22:25 For people who are in their career right now, what do they do? You can tell somebody, “You need to be a good critical thinker, a creative thinker, a contextual thinker. You need to know where your data lives and things like that.” But the technology is advancing at such a fast rate. I talk about this in the workshops that we do—which, by the way, Trust Insights is offering workshops at your company, if we like one. But one of the things to talk about is, say, with the model’s acceleration in terms of growth, they’re growing faster than any technology ever has. They went from face rolling idiot in 2023 right to above PhD level in everything two years later. Christopher S. Penn – 23:13 So the people who, in their career, are looking at this, going, “It’s like a bad Stephen King movie where you see the thing coming across the horizon.” Katie Robbert – 23:22 There is no such thing as a bad Stephen King movie. Sometimes the book is better, but it’s still good. But yes, maybe *Creepshow*. What do you mean in terms of how do they prepare for the inevitable? Christopher S. Penn – 23:44 Prepare for the inevitable. Because to tell somebody, “Yeah, be a critical thinker, be a contextual thinker, be a creative thinker”—that’s good in the abstract. But then you’re like, “Well, my—yeah, my—and my boss says we’re doing a 10% headcount reduction this week.” Katie Robbert – 24:02 This is my personal way of approaching it: you can’t limit yourself to just go, “Okay, think about it. Okay, I’m thinking.” You actually have to educate yourself on a variety of different things. I am a voracious reader. I read all the time when I’m not working. In the past three weeks, I’ve read four books. And they’re not business books; they are fiction books and on a variety of things. But what that does is it keeps my brain active. It keeps my brain thinking. Then I give myself the space and time. When I walk my dog, I sort of process all of it. I think about it, and then I start thinking about, “What are we doing as our company today?” or, “What’s on the task list?” Katie Robbert – 24:50 Because I’ve expanded my personal horizons beyond what’s right in front of me, I can think about it from the perspective of other people, fictional or otherwise, “How would this person approach it?” or, “What would I do in that scenario?” Even as I’m reading these books, I start to think about myself. I’m like, “What would I do in that scenario? What would I do if I was finding myself on a road trip with a cannibal who, at the end of the road trip, was likely going to consume all of me, including my bones?” It was the last book I read, and it was definitely not what I thought I was signing up for. But you start to put yourself in those scenarios. Katie Robbert – 25:32 That’s what I personally think unlocks the critical thinking, because you’re not just stuck in, “Okay, I have a math problem. I have 1 + 1.” That’s where a lot of people think critical thinking starts and ends. They think, “Well, if I can solve that problem, I’m a critical thinker.” No, there’s only one way to solve that problem. That’s it. I personally would encourage people to expand their horizons, and this comes through having hobbies. You like to say that you work 24/7. That’s not true. You have hobbies, but they’re hobbies that help you be creative. They’re hobbies that help you connect with other people so that you can have those shared experiences, but also learn from people from different cultures, different backgrounds, different experiences. Katie Robbert – 26:18 That’s what’s going to help you be a stronger, fitable thinker, because you’re not just thinking about it from your perspective. Christopher S. Penn – 26:25 Switching gears, what was missing, what’s been missing, and what is absent from this show in the AI space? I have an answer, but I want to hear yours. Katie Robbert – 26:36 Oh, boy. Really putting me on the spot here. I know what is missing. I don’t know. I’m going to think about it, and I am going to get back to you. As we all know, I am not someone who can think on my feet as quickly as you can. So I will take time, I will process it, but I will come back to you. What do you think is missing? Christopher S. Penn – 27:07 One of the things that is a giant blind spot in the AI space right now is it is a very Western-centric view. All the companies say OpenAI and Anthropic and Google and Meta and stuff like that. Yet when you look at the leaderboards online of whose models are topping the charts—Cling Wan, Alibaba, Quinn, Deepseek—these are all Chinese-made models. If you look at the chip sets being used, the government of China itself just issued an edict: “No more Nvidia chips. We are going to use Huawei Ascend 920s now,” which are very good at what they do. And the Chinese models themselves, these companies are just giving them away to the world. Christopher S. Penn – 27:54 They’re not trying to lock you in like a ChatGPT is. The premise for them, for basically the rest of the world that is in America, is, “Hey, you could take American AI where you’re locked in and you’re gonna spend more and more money, or here’s a Chinese model for free and you can build your national infrastructure on the free stuff that we’re gonna give you.” I’ve seen none of that here. That is completely absent from any of the discussions about what other nations are doing with AI. The EU has Mistral and Black Forest Labs, Sub-Saharan Africa has Lilapi AI. Singapore has Sea Lion, Korea has LG, the appliance maker, and their models. Of course, China has a massive footprint in the space. I don’t see that reflected anywhere here. Christopher S. Penn – 28:46 It’s not in the conversations, it’s not in the hallways, it’s not on stage. And to me, that is a really big blind spot if you think—as many people do—that that is your number one competitor on the world stage. Katie Robbert – 28:57 Why do you think? Christopher S. Penn – 29:01 That’s a very complicated question. But it involves racism, it involves a substantial language barrier, it involves economics. When your competitor is giving away everything for free, you’re like, “Well, let’s just pretend they’re not there because we don’t want to draw any attention to them.” And it is also a deep, deep-seated fear. When you look at all of the papers that are being submitted by Google and Facebook and all these other different companies and you look at the last names of the principal investigators and stuff, nine out of 10 times it’s a name that’s coded as an ethnic Chinese name. China produces more PhDs than I think America produces students, just by population dynamics alone. You have this massive competitor, and it almost feels like people just want to put their heads in the sand and say they’re not there. Christopher S. Penn – 30:02 It’s like the boogeyman, they’re not there. And yet if we’re talking about the deployment of AI globally, the folks here should be aware that is a thing that is not just the Sam Alton Show. Katie Robbert – 30:18 I think perhaps then, as we’re talking about the future of work and big companies, small companies, mid-sized companies, this goes sort of back to what I was saying: you need to expand your horizons of thinking. “Well, we’re a domestic company. Why do I need to worry about what China’s doing?” Take a look at your tech stack, and where are those software packages created? Who’s maintaining them? It’s probably not all domestic; it’s probably more of a global firm than you think you are. But we think about it in terms of who do we serve as customers, not what we are using internally. We know people like Paul has talked about operating systems, Ginny Dietrich has talked about operating systems. Katie Robbert – 31:02 That’s really sort of where you have to start thinking more globally in terms of, “What am I actually bringing into my organization?” Not just my customer base, not just the markets that I’m going after, not just my sales team territories, but what is actually powering my company. That’s, I think, to your point—that’s where you can start thinking more globally even if your customer base isn’t global. That might theoretically help you with that critical thinking to start expanding beyond your little homogeneous bubble. Christopher S. Penn – 31:35 Even something like this has been a topic in the news recently. Rare earth minerals, which are not rare, they’re actually very commonplace. There’s just not much of them in any one spot. But China is the only economy on the planet that has figured out how to industrialize them safely. They produce 85% of it on the planet. And that powers your smartphone, that powers your refrigerator, your car and, oh by the way, all of the AI chips. Even things like that affect the future of work and the future of AI because you basically have one place that has a monopoly on this. The same for the Netherlands. The Netherlands is the only country on the planet that produces a certain kind of machine that is used to create these chips for AI. Christopher S. Penn – 32:17 If that company goes away or something, the planet as a whole is like, “Well, I figured they need to come up with an alternative.” So to your point, we have a lot of these choke points in the AI value chain that could be blockers. Again, that’s not something that you hear. I’ve not heard that at any conference. Katie Robbert – 32:38 As we’re thinking about the future of work, which is what we’re talking about on today’s podcast at Macon, 1,500 people in Cleveland. I guarantee they’re going to do it again next year. So if you’re not here this year, definitely sign up for next year. Take a look at the Smarter X and their academy. It’s all good stuff, great people. I think—and this was the question Paul was asking in his keynote—”Where do we go from here?” The— Katie Robbert – 33:05 The atmosphere. Yes. We don’t need—we don’t need to start singing. I do not need. With more feeling. I do get that reference. You’re welcome. But one of the key takeaways is there are more questions than answers. You and I are asking each other questions, but there are more questions than answers. And if we think we have all of the answers, we’re wrong. We have the answers that are sufficient enough for today to keep our business moving forward. But we have to keep asking new questions. That also goes into that critical thinking. You need to be comfortable not knowing. You need to be comfortable asking questions, and you need to be comfortable doing that research and seeking it out and maybe getting it wrong, but then continuing to learn from it. Christopher S. Penn – 33:50 And the future of work, I mean, it really is a very cloudy crystal wall. We have no idea. One of the things that Paul pointed out really well was you have different scaling laws depending on where you are in AI. He could have definitely spent some more time on that, but I understand it was a keynote, not a deep dive. There’s more to that than even that. And they do compound each other, which is what’s creating this ridiculously fast pace of AI evolution. There’s at least one more on the way, which means that the ability for these tools to be superhuman across tasks is going to be here sooner than people think. Paul was saying by 2026, 2027, that’s what we’ll start to see. Robotics, depends on where you are. Christopher S. Penn – 34:41 What’s coming out of Chinese labs for robots is jaw dropping. Katie Robbert – 34:45 I don’t want to know. I don’t want to know. I’ve seen *Ex Machina*, and I don’t want to know. Yeah, no. To your point, I think a lot of people bury their head in the sand because of fear. But in order to, again, it sort of goes back to that critical thinking, you have to be comfortable with the uncomfortable. I’m sort of joking: “I don’t want to know. I’ve seen *Ex Machina*.” But I do want to know. I do need to know. I need to understand. Do I want to be the technologist? No. But I need to play with these tools enough that I feel I understand how they work. Yesterday I was playing in Opal. I’m going to play in N8N. Katie Robbert – 35:24 It’s not my primary function, but it helps me better understand where you’re coming from and the questions that our clients are asking. That, in a very simple way to me, is the future of work: that at least I’m willing to stretch myself and keep exploring and be uncomfortable so that I can say I’m not static. Christopher S. Penn – 35:46 I think one of the things that 3M was very well known for in the day was the 20% rule, where an employee, as part of their job, could have 20% of the time just work on side projects related to the company. That’s how Post-it Notes got invented, I think. I think in the AI forward era that we’re in, companies do need to make that commitment again to the 20% rule. Not necessarily just messing around, but specifically saying you should be spending 20% of your time with AI to figure out how to use it, to figure out how to do some of those tasks yourself, so that instead of being replaced by the machine, you’re the one who’s at least running the machine. Because if you don’t do that, then the person in the next cubicle will. Christopher S. Penn – 36:33 And then the company’s like, “Well, we used to have 10 people, we only need two. And you’re not one of the two who has figured out how to use this thing to do that. So out you go.” Katie Robbert – 36:41 I think that was what Paul was doing in his AI for Productivity workshop yesterday, was giving people the opportunity to come up with those creative ideas. Our friend Andy Crestadino was relaying a story yesterday to us of a very similar vein where someone was saying, “I’ll give you $5,000. Create whatever you want.” And the thing that the person created was so mind-blowing and so useful that he was like, “Look what happens when I just let people do something creative.” But if we bring it sort of back whole circle, what’s the motivation? Why are people doing it in the first place? Katie Robbert – 37:14 It has to be something that they’re passionate about, and that’s going to really be what drives the future of work in terms of being able to sustain while working alongside AI, versus, “This is all I know how to do. This is all I ever want to know how to do.” Yes, AI is going over your job. Christopher S. Penn – 37:33 So I guess wrapping up, we definitely want you thinking creatively, critically, contextually. Know where your data is, know where your ideas come from, broaden your horizons so that you have more ideas, and be able to be one of the people who knows how to call BS on the machines and say, “That’s completely wrong, ChatGPT.” Beyond that, everyone has an obligation to try to replace themselves with the machines before someone else does it to you. Katie Robbert – 38:09 I think again, to plug Macon, which is where we are as we’re recording this episode, this is a great starting point for expanding your horizons because the amount of people that you get to network with are from different companies, different experiences, different walks of life. You can go to the sessions, learn it from their point of view. You can listen to Paul’s keynote. If you think you already know everything about your job, you’re failing. Take the time to learn where other people are coming from. It may not be immediately relevant to you, but it could stick with you. Something may resonate, something might spark a new idea. Katie Robbert – 38:46 I feel like we’re pretty far along in our AI journey, but in sitting in Paul’s keynote, I had two things that stuck out to me: “Oh, that’s a great idea. I want to go do that.” That’s great. I wouldn’t have gotten that otherwise if I didn’t step out of my comfort zone and listen to someone else’s point of view. That’s really how people are going to grow, and that’s that critical thinking—getting those shared experiences and getting that brainstorming and just community. Christopher S. Penn – 39:12 Exactly. If you’ve got some thoughts about how you are approaching the future of work, pop on by our free Slack group. Go to trust insights AI analysts for marketers, where you and over 4,500 other marketers are asking and answering each other’s questions every single day. Wherever you watch or listen to the show, if there’s a channel you’d rather have it on instead, go to Trust Insights AI Ti Podcast, where you can find us all the places fine podcasts are served. Thanks for tuning in. I’ll talk to you on the next one. Trust Insights is a marketing analytics consulting firm that transforms data into actionable insights, particularly in digital marketing and AI. They specialize in helping businesses understand and utilize data, analytics, and AI to surpass performance goals. As an IBM Registered Business Partner, they leverage advanced technologies to deliver specialized data analytics solutions to mid-market and enterprise clients across diverse industries. Their service portfolio spans strategic consultation, data intelligence solutions, and implementation & support. Strategic consultation focuses on organizational transformation, AI consulting and implementation, marketing strategy, and talent optimization using their proprietary 5P Framework. Data intelligence solutions offer measurement frameworks, predictive analytics, NLP, and SEO analysis. Implementation services include analytics audits, AI integration, and training through Trust Insights Academy. Their ideal customer profile includes marketing-dependent, technology-adopting organizations undergoing digital transformation with complex data challenges, seeking to prove marketing ROI and leverage AI for competitive advantage. 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There's a whole lot to unpack on this week's revisit of our episode unlocking "The Crate" segment of CREEPSHOW with Scored To Death author and documentarian J. Blake Fichera! Along the way, we consider the coding of Henry and Dexter's relationship, we expound upon the actual nature of boxed Yeti powers, we pour ourselves some Booze Milk, then consider who qualifies as a “sack of wet,” and debate whether The Crate Creature is actually the second half of a Strangers On A Train-like murder swap! All this, plus a fantasy-infused edition of Choose Your Own Deathventure, and Billie introduces the world to the Pittsburgh Laverne! Open up and say AAHHH!!! with us today!! Check out Jacques Granger (and friends) all-new Halloween 3 soundtrack here!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Continuing our Halloween Christmas coverage Dylan had Matt watch the Creepshow Holiday Special on Shudder! This is a real delight and 100% worth your time! Learn more about your ad choices. Visit megaphone.fm/adchoices
Pobierz audycję w pliku mp3 We wrześniu wystartował czwarty tom komiksowego "Creepshow" i już na starcie dostajemy pierwszy tegoroczny zeszyt specjalny, który tym razem łączy makabrę z motywem superbohaterów. W wirtualnym studiu Radia SK spotkaliśmy się w składzie: Hubert "Mando" Spandowski, Michał "Jerry" Rakowicz i Sebastian "Burial" Kubańczyk, aby porozmawiać o komiksie "Super Creepshow". Zapraszamy na szczegółowe omówienie trzech historii, które serwują nam kolejni twórcy. A tym razem są to: "Funeral for a Fiend", "Grave Ghost: Reborn" oraz "Growing Pains". Zapraszamy!Jeżeli podoba ci się to co robię to możesz mnie wesprzeć nahttps://patronite.pl/radiosk
In this solo episode, I'm discussing Creepshow, which has become a very important part of my annual spooky season tradition. I'm discussing the stellar cast, the classic horror vibes, and the masters of horror that make this possibly the best anthology ever created.I'm also giving my thoughts on The Long Walk and Bring Her Back, which have risen to the top of my list of favorites this year.
Frank sits down with Graveyard from Distance Nerding to revisit the cult favorite Trick 'r Treat. They unpack the film's comic-book anthology structure, Michael Dougherty's direction, how lighting and practical effects sell the Halloween vibe, and why “respecting the rules” is the movie's secret engine. The conversation widens into horror's ebb-and-flow trends, gateway recommendations, and a peek at Graveyard's current indie film projects. Timestamps and Topics 00:00 Intro and guest setup 00:10 First watch reactions and why this pick works 02:03 Two-minute plot challenge and interwoven stories overview 04:10 Rewatch factor and Halloween traditions 06:09 Nonlinear storytelling and comic-book anthology DNA 07:56 Michael Dougherty's vision, pacing, and writing credits 09:17 Warm candlelight, menace, and classic horror lighting tricks 10:04 Practical effects vs CGI, werewolf transforms, and Sam's design 12:11 Should Sam's mask ever come off and why he feels like the watcher 14:14 Favorite character: Principal Steven and the vampire misdirect 15:47 Mr. Kreeg, justice by “the rules,” and that doorbell payoff 18:35 Rhonda, lit pumpkins, and surviving by respecting tradition 19:41 Sam as the embodiment of Halloween and who can “see” him 21:21 Horror in the household and YA horror for younger fans 22:52 Family horror traditions, Halloween and IT 24:01 Horror as a time capsule for taboos and fears 24:40 Vampires vs zombies discourse and trend cycles 26:26 Walking Dead as drama and genre fatigue 27:12 Theme spotlight: respect the past and know the why behind traditions 28:23 From overlooked release to cult classic in a torture-porn era 29:02 New French Extremity, Scream waves, and subgenre swings 30:12 Prestige horror, supernatural return, and James Wan's run 31:20 Great directors who cut their teeth on horror 32:34 Daylight horror shoutout to Midsommar 33:47 What to watch next: Krampus, Creepshow, and hidden gem The Burning 36:16 Distance Nerding's The Build, Conversations in the Void, and Mostly Pod at Night Mostly 40:43 Indie projects: Fairfield County, Night Terrors, a werewolf short, and Decades of Horror 42:46 Wrap and how to connect Key Takeaways Trick 'r Treat works because the anthology threads actively interlock, rewarding attention without feeling like separate shorts. The “rules of Halloween” aren't window dressing. They're story fuel that decide who lives, who dies, and why. Lighting sells the tone shift. Warm, cozy frames flip to dread in an instant. Practical effects age better than quick-hit CGI, especially for werewolves and Sam. The movie's cult rise tracks with broader horror cycles moving from torture-focused trends to craft-first “prestige” horror. Horror often mirrors the fears and taboos of its moment, which is why the genre keeps evolving and resurfacing. Want more in this vein? Krampus keeps Dougherty's dark humor, while Creepshow nails the comic-panel anthology spirit. Quotes “He is the embodiment of Halloween. Sam.” — Graveyard “The nonlinear works great because it feels like a comic book adaptation.” — Graveyard “Respect the traditions of the past. If you don't know them, learn them.” — Graveyard “Walking Dead is a drama that happens to have some zombies on it.” — Graveyard “There are so many shots I'm looking for more than I would in a normal movie.” — Frank Call to Action Enjoyed the episode? Follow and rate the show on Apple Podcasts or Spotify, drop a short review, and share this one with a friend using #ChallengeAcceptedPod. Links and Resources GeekFreaksPodcast.com — our home base and the source of all news discussed during our podcast Distance Nerding shows mentioned: The Build, Mostly Pod at Night Mostly, Conversations in the Void Follow Us Instagram: @challengeacceptedlive TikTok: @challengeacceptedlive Twitter: @CAPodcastLive Email: challengeacceptedgfx@gmail.com Listener Questions Send your questions, hot takes, or future topics to challengeacceptedgfx@gmail.com or DM us on Instagram or Twitter. We'll feature our favorites in upcoming episodes. Apple Podcast Tags: Trick r Treat, Michael Dougherty, Anthology Horror, Sam, Halloween, Practical Effects, Anna Paquin, Dylan Baker, Brian Cox, Cult Classics, Horror Movie Discussion, Distance Nerding, Challenge Accepted Podcast
Legendary makeup FX artist, director, and producer Greg Nicotero (The Walking Dead, Creepshow, Day of the Dead) joins host Aaron Sagers on Talking Strange to discuss his new, blood-soaked Shudder horror competition series, Guts & Glory. Nicotero shares behind-the-scenes secrets of the show's creation, the challenges of bringing classic gore to a new generation of fans, and what's next for Creepshow. Plus, he teases his hopes for the future of Universal Monsters, reflecting on why these iconic creatures still haunt our imaginations nearly a century later. Whether you're a horror die-hard, a FX nerd, or a Walking Dead fan, this episode digs into the artistry and legacy of one of the genre's true masters. _______________________________________________________________ The Talking Strange Show with Aaron Sagers is a weekly paranormal pop culture show featuring celebrity and author interviews, as well as experts in all things strange and unexplained. Talking Strange is a creation of Aaron Sagers with production help from Michael Ahr. Host Aaron Sagers is a paranormal TV host and journalist who appears as host of 28 Days Haunted on Netflix, and on Paranormal Caught On Camera on Travel Channel, Discovery+, and MAX streaming service. If you like Talking Strange, please subscribe, leave a nice review, and share with your friends. The Talking Strange Paranormal Show is available on Apple Podcasts, Spotify, YouTube, and wherever you check out spooky content. Connect with the show community on Facebook as well. Email us with episode ideas, guest suggestions, and spooky stories: Contact@TalkingStrange.com Follow Host Aaron Sagers: Twitter/X Blue Sky Instagram Facebook TikTok Patreon (For Q&As, livestreams, cocktail classes, and movie watches) Until Next Time: Be Kind. Stay Spooky. Keep It Weird. Learn more about your ad choices. Visit megaphone.fm/adchoices
The tide is high, but we are holding on as we revisit this classic episode discussing CREEPSHOW's Something To Tide You Over segment with filmmaker, YouTuber, and Returning Champion, Patrick H. Willems!! Along the way, we discuss the artistic merits of fart machines, consider AV snobbery, formulate some sand burial escape plans, fawn over Leslie Nielsen, and discover our secret connection to Ted Danson and the BJ & the Bear Universe! All this, plus as we expand Choose Your Own Deathventure to include near Creepshow-like deaths we encounter in real life, and we finally outline Patrick (Hamilton's) policy on getting naked in front of house plants! It's a very revealing episode of Kill By Kill you've got to soak up immediately!! Watch Patrick Willems fantastic YouTube Channel here!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Celebrate the spooky season with this chilling compilation of Halloween horror stories, featuring vengeful zombies, vampire legends, cursed portals, haunted hospitals, and bloodthirsty creatures. Perfect for fans of dark legends, quick scares, and spooky tales, this episode delivers seven chilling stories designed to haunt your dreams and fuel your Halloween mood.If you love creepy legends, supernatural monsters, and atmospheric horror, these stories are your perfect late-night companion. Brace yourself for suspense, terror, and a few surprises that embody the spirit of Halloween.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSNYCC News!Marvel reveals!Spidery: NYCC 2025: 'Amazing Spider-Man and his Venomous Friends' panel reveals art and story detailsMarvel unleashes 'Death Spiral, a deadly new Spider-Man/Venom crossoverX-Men panel Next Big Thing revealsDC reveals!DC Vertigo and some more detailAbsolute Catwoman: Selina Kyle as the Batman of the Absolute Universe, and SirensWTF DC Comics?!DC KO scoopsFound out about some fights, but also…Next Level and BatwomanLogan's bloodiest stories coming in Marvel's new 'Black, White & Blood' seriesGodzilla takes his rampage to the stars in 'Godzilla: Infinity Roar' out February 2026Post Malone's 'Big Rig' returns in 2026 with 'Book 2: Damned'Jason Aaron brings Thundarr the barbarian to comics for the first time ever in 2026Gargoyles and Darkwing Duck collide in first ever disney comics crossover eventBen 10 comics are back, and the original creators are making it “Ultimate”Thundercats comics head into the future in 2026 with shocking revelations in ‘Lost in Time'Oni Press just dropped a brand-new logo ahead of NYCC 2025Matt Kindt brings Flux House to Oni Press with new comics and full media empireIDW Dark unleashing four chilling new horror series in 2026Jeff Lemire and Dustin Nguyen unleash 'Crowbound', a blood-soaked dark fantasy revenge epicTOP 50 COMICS - SEPTEMBER 2025Our Top Books of the WeekDave:Amazing X-Men (2025) #1 (Jed MacKay, Mahmud Asrar)Creepshow (2022): Super Creepshow Special (Various)Alex:DC KO (Scott Snyder, Javi Fernandez)Binary #1 (Stephanie Phillips, Giada Belviso)Standout KAPOW moment of the week:Alex: DC KO (Scott Snyder, Javi Fernandez)Dave: Batman: The Long Halloween: The Last Halloween (2024) #9 (Chris Samnee)TOP BOOKS FOR NEXT WEEKAlex: Absolute Flash #8 (Lemire, Moore) & New Gods #11 (Ram V, Denys Cowen)Dave: Yuletide (More info)JUDGING BY THE COVER JR.Dave: Sonja Reborn #2 (Stuart Sayge) OR THIS!Alex: Rogue Storm #1 (Ivan Talavera Variant)Interview: Patrick McDonnell - The Gift of Everything out October 7Check out:https://mutts.com/pages/patrickmcdonnellart-superheroWhat inspired you to return to Mooch and Earl's gift-giving adventures 20 years later in The Gift of Everything?The Heart of the StoryAt its core, this book celebrates gratitude and the joy of being alive. Why do you think themes of thankfulness and simplicity resonate so deeply with children — and adults?Crafting in RhymeThis story uses a joyful rhyming style. What draws you to rhyme as a storytelling device, and what challenges or delights come with writing in verse?Holiday SpiritYou've said you've always loved the holiday season. What specific memories or traditions helped shape the spirit of The Gift of Everything?Mooch & Earl's Timeless AppealMooch and Earl have been beloved characters in MUTTS for decades. What do you think it is about their personalities that allows them to connect so effortlessly with readers across generations?From Page to StageSeveral of your works, including The Gift of Nothing and Me…Jane, have been adapted as musicals at the Kennedy Center. How does it feel to see your stories reimagined in another medium?Visual StorytellingYour illustrations have a deceptively simple elegance. How do you balance keeping the art playful for children while also layering in emotion and meaning for older readers?Longevity and LegacyMUTTS has been running for 30 years and has inspired praise from legends like Charles Schulz and Jane Goodall. Looking back, how do you see your evolution as both a cartoonist and a children's book author?Fun/Silly Question: If Mooch and Earl were invited to a holiday gift exchange in real life, what do you think each of them would bring — and what would they secretly hope to get?
VirtualDJ Radio ClubZone - Channel 1 - Recorded Live Sets Podcast
Live Recorded Set from VirtualDJ Radio ClubZone
A revisit of CREEPSHOW just landed right in front of you!! That's right, this week we crack open the second story of the film: The Lonesome Death of Jordy Verrill! Here to help us pry open this meteoric segment of the movie with us is another one of the gang from We Hate Movies and a Returning Champion to Kill By Kill: the one, the only, Eric Szyska!! Along the way, we discuss medical-grade cleavers, imagine a nu-metal Joker, we rank Stephen King's onscreen performances, expose the special relationship between ghosts and aliens, tout the benefit of free-roaming skeletons, and debate the fair market value of broken space rocks. All this, plus we consider good luck Greedos, we pitch ways to rehabilitate the image of everyone's least favorite fortified wine, and examine a version of Choose Your Own Deathventure that's bound to grow on you!! It's a truly evergreen edition of Kill By Kill awaits, dear listener - so check it out!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
It's October, and we're kicking off our month of horror with Creepshow from 1982! This week, Chris and Tony dig into George A. Romero and Stephen King's anthology of terror that brings comic book chills to the big screen. From vengeful fathers and sinister creatures to creeping moss and swarms of cockroaches, each story delivers its own twisted dose of scares. With its mix of camp, horror, and dark humor, does Creepshow still earn its cult classic status, or is it better left buried in the comic pages? We post a new podcast every week. Follow so you don't miss anything!Thank you for listening!!!#movie #horrorpodcast #movie #horror #podcast #moviereview https://www.instagram.com/blood_and_donuts_podcasthttps://www.youtube.com/@BloodandDonutspodcasthttps://blood--donuts-merch.myspreadshop.comEerie Horror Background Music with Ominous Dark Atmosphere by Matio888 -- https://freesound.org/s/793481/ -- License: Attribution 4.0
The name says it All!!! Keith and Chad take a deep dive into this grizzly compilation of 5 tales directed by the Legend George Romero and written by a little know aspiring writer named Stephen King. Here's the imdb link so you can wrap your head around this amazing cast!https://www.imdb.com/title/tt0083767/?ref_=nv_sr_srsg_3_tt_8_nm_0_in_0_q_creepshow
My wife leaned over during the Jordy Verrill segment and inquired: Real talk. How high was he when they shot this? 31 Days of Horror: Day 2 https://www.nickkarner.com/blog
How can we possibly cover Stephen King without talking about CREEPSHOW? Wait. We already did. Who cares?! Let's raise these episodes from the grave and revisit this incredible George A. Romero and Stephen King collab! And here demanding his own slice of the Father's Day segment is one of the gang from We Hate Movies and Returning Champion to Kill By Kill, Stephen Sajdak!! Along the way, we discuss undead reactions at the Oscar ceremonies, investigate the regenerative powers of Jim Beam, consider Ed Harris' many disco faces, evaluate our Renaissance Fair tolerances, wonder what it would be like if everyone were waiting for you to die already, and we make it clear that none of us wants to incorporate a graveyard into our landscaping! All this, plus a zombie-powered edition of Choose Your Own Deathventure, and you've got a confection that even a corpse would want to dig into again!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Pobierz audycję w pliku mp3 Październik puka do drzwi, jesień za oknem, Halloween za pasem, a to sygnał by Radio SK włączyło drugi bieg. We wrześniu wystartował czwarty tom komiksowego "Creepshow". W wirtualnym studiu Radia SK spotkaliśmy się w oryginalnym pełnym składzie. Hubert "Mando" Spandowski, Michał "Jerry" Rakowicz i Sebastian "Burial" Kubańczyk by porozmawiać o pierwszym zeszycie nowej komiksowej serii. Zapraszamy na szczegółowe omówienie obu historii, które serwują nam kolejni twórcy. A tym razem są to: "Tale as Old as Time" oraz "The Little House on the Left". Zapraszamy!Jeżeli podoba ci się to co robię to możesz mnie wesprzeć nahttps://patronite.pl/radiosk
Collections are the thing in this week's look at physical media with Erik Childress and Peter Sobczynski. Criterion has nearly the entire oeuvre of Wes Anderson. Vinegar Syndrome has a pair of Larry Fessenden works while Universal has packaged up a bunch of Draculas in 4K. Kino has a bunch of Dan Curtis and the Airport films while Warner Bros. has Freddy Krueger in a new 4K set. There is also the shorts of Creepshow, the beginning of American Pie and Yorgo Lanthimos plus one of the great action films of the new millennium that you may have missed.3:40 - Criterion (Isle of Dogs (4K), The French Dispatch of the Liberty, Kansas Evening Sun (4K) , The Wes Anderson Archive In 4K (Ten Films, Twenty-Five Years))15:02 - Warner Archive (Black Samson)20:29 - Arrow (The Good, the Bad, the Weird (4K), Creepshow 2 (4K))34:08 - Universal (American Pie (4K), Dracula: Complete Legacy Collection (4K))53:36 - WB (A Nightmare on Elm Street Collection (4K))1:10:01 - Shout Factory (Mama (4K))Kino (Dogtooth (4K), Dan Curtis' Late-Night Mysteries, Airport (4K), Airport 1975 (4K), Airport ‘77 (4K), Airport ‘79: The Concorde (4K))Vinegar Syndrome (Of Monsters and Madness: The Films of Larry Fessenden Vol. 2)TV (Touche Turtle and Dum Dum (The Complete Series))NEW (The Life of Chuck (4K), Becoming Led Zeppelin (4K), Just the Two of Us)CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com
No matter what generation you fall into, everyone has an anthology series or movie they can remember. From The Twilight Zone to Creepshow, The Outer Limits to Electric Dreams…they are iconic. But, can one anthology movie, hosted by an iconic figure of modern pop culture put the izzle in sizzle…or fizzle? Find out as we attempt to see if Snoop Dogg's Hood Of Horror is not that bad. Learn more about your ad choices. Visit megaphone.fm/adchoices
Odds and Ends: The wish for more very well-timed sequels; T.J talks about the new Naked Gun, starring Lesliam NeelsonFeature Film: We talk about a musical biopic about Johnny Cash. He did songs and some other stuff.Next week's movie: Creepshow (1982)You can join the conversation Wednesdays at 7pm EST! Available in podcast form on all your favorite podcatchers!Socials:linktr.ee/ThereWillBeDudsTwitch // ThereWillBeDudsYouTube // There Will Be DudsTwitter // @ThereWillBeDudsFacebook // There Will Be DudsInstagram // ThereWillBeDudsTikTok // @ThereWillBeDuds(0:00) Show start(11:53) Walk the Line(57:51) The Naked Gun(1:07:46) Next week's movie
Mrparka's Weekly Reviews and Update Week 436 (09.19.2025) (Creepshow 2 4K, Proof of Man) www.youtube.com/mrparkahttps://www.instagram.com/mrparka/https://twitter.com/mrparka00http://www.screamingtoilet.com/dvd--blu-rayhttps://www.facebook.com/mrparkahttps://www.facebook.com/screamingpotty/https://letterboxd.com/mrparka/https://www.patreon.com/mrparkahttps://open.spotify.com/show/2oJbmHxOPfYIl92x5g6ogKhttps://anchor.fm/mrparkahttps://podcasts.apple.com/us/podcast/mrparkas-weekly-reviews-and-update-the-secret-top-10/id1615278571 Time Stamps 0:00“Creepshow 2” 4K Review - 0:16“Proof of Man” Blu-Ray Review- 11:26“The Pied Piper” Blu-Ray Review - 17:18“Gore Whore” Blu-Ray Review - 21:57“Dead Silence” Blu-Ray Review - 26:37“The Punishment” Blu-Ray Review - 28:50“The Comeback” Blu-Ray Review - 33:082025 “Friendship” Review - 37:242025 “The Home” Review - 40:35Patreon Pick “The Comfort of Strangers” Review - 42:33Questions/Answers/ Comments- 46:41Patreon Drawing - 53:3022 Shots of Moodz and Horror – https://www.22shotsofmoodzandhorror.com/Podcast Under the Stairs – https://tputscast.com/podcastVideo Version – https://youtu.be/2aeGHTrHHG8Links Arrow Video - Arrow Video - https://www.arrowfilms.com/Creepshow 2 4K - https://mvdshop.com/products/creepshow-2-limited-edition-4k-ultra-hdProof of Man Blu-Ray - https://mvdshop.com/products/proof-of-the-man-limited-edition-blu-rayDeaf Crocodile - https://deafcrocodile.com/The Pied Piper Blu-Ray - https://mvdshop.com/products/the-pied-piper-jiri-barta-shorts-blu-raySRS - https://srscinemastore.com/Gore Trilogy Blu-Ray - https://mvdshop.com/products/the-gore-trilogy-blu-ray88 Films - https://88-films.myshopify.com/Pete Walker 88 Films - https://88-films.myshopify.com/search?q=pete+walker&options%5Bprefix%5D=lastFriendship Blu-Ray - https://www.amazon.com/Friendship-Blu-ray-Andrew-DeYoung/dp/B0FCRKTBWX/The Home Blu-Ray - https://www.amazon.com/HOME-Bluray-DVD-Digital-Blu-ray/dp/B0FBBKQZY8The Comfort of Strangers Blu-Ray - https://www.amazon.com/Comfort-Strangers-Criterion-Collection-Blu-ray/dp/B088PNS1ZPFilm Notes Creepshow 2 - 1987 - Michael Gornick Proof of the Man - 1977 - Junya SatōThe Pied Piper - 1986 - Jiří BartaGore Whore - 1994 - Hugh GallagherDead Silence - 1989 - Hugh GallagherThe Punishment - 1973 - Pierre-Alain JolivetThe Comeback - 1978 - Pete WalkerFriendship - 2025 - Andrew DeYoungThe Home - 2025 - James DeMonacoThe Comfort of Strangers - 1990- Paul Schrader
Episode Notes S6E31 -- Join us as we chat with te amazingly talented Adrienne Barbeau. She'll be in the house talking all things from "Swamp Thing" to Cannonball Run and much much more. Adrienne Jo Barbeau (born June 11, 1945) is an American actress and author. She came to prominence in the 1970s as Broadway's original Rizzo in the musical Grease, and as Carol Traynor, the divorced daughter of Maude Findlay (played by Bea Arthur) on the sitcom Maude (1972–1978). In 1980, she began appearing in horror and science fiction films, including The Fog (1980), Escape from New York (1981), Creepshow (1982), and Swamp Thing (1982). She also provided the voice of Catwoman in the DC Animated Universe. In the 2000s, she appeared on the HBO series Carnivàle (2003–2005) as Ruthie. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://en.wikipedia.org/wiki/Adrienne_Barbeau https://abarbeau.com/adrienne-barbeau/ https://www.instagram.com/adrienne_barbeau/?hl=en Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: Barbeau was born on June 11, 1945, in Sacramento, California, the daughter of Armene (née Nalbandian) and Joseph Barbeau, who was a public relations executive for Mobil Oil. Her mother was of Armenian descent and her father's ancestry was French Canadian, Irish, and German. She has a sister, Jocelyn, and a half brother on her father's side, Robert Barbeau, who still resides in the Sacramento area. She attended Del Mar High School in San Jose, California. After graduating in 1963, she enrolled at Foothill College in Los Altos Hills, California, but dropped out at age 19 to participate in a USO Tour with the San Jose Light Opera. In her autobiography, Barbeau says that she first caught the show business bug while entertaining troops at army bases throughout Southeast Asia, touring with the San Jose Civic Light Opera. In the late 1960s, Barbeau moved to New York City and worked "for the mob"as a go-go dancer. She made her Broadway debut in the chorus of Fiddler on the Roof and later took the role of Hodel, Tevye's daughter; Bette Midler played her character's sister Tzeitel. She left Fiddler in 1971 to play the leading role of Cookie Kovac in the off-Broadway nudie musical Stag Movie. Barbeau, as Cookie Kovac, and Brad Sullivan, as Rip Cord, were "quite jolly and deserve to be congratulated on the lack of embarrassment they show when, on occasion, they have to wander around stark naked. They may not be sexy but they certainly keep cheerful," wrote The New York Times theater critic Clive Barnes in an otherwise negative review. Barbeau went on to star in more than 25 musicals and plays, including Women Behind Bars, The Best Little Whorehouse in Texas, and Grease. She received a Theater World Award and a 1972 Tony Award nomination for her portrayal of tough-girl Rizzo in Grease. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/64babab6-27b1-4442-9c0e-67b0e9906675
This week, Leo and Steven trauma dump on Parker from Dissect That Film as they cover the classic horror anthology Creepshow! They talk about the charm of Tom Atkins, props held up by brooms, incredible performances by Leslie Neilson and Adrienne Barbeau, oversharing family secrets, the history of EC Comics, capturing the feeling of comic books, the connectivity of Creepshow and what happens when Stephen King and George Romero come to make a film that delivers on it's promise: It's the most fun you'll have being SCARED!There's some weird audio in this one. Not sure what happened. It's probably Parkers fault. Watch the trailer here - CreepshowDon't forget to Show The Fuck Up for The Toxic Avenger!Check out Dissect That FilmLike the show? Rate us on Apple or Spotify!Bisexual Lighting is Real!Snake in a Box is real too - Snake in a BoxFollow us on Instagram Follow us on TwitterLike the Ads? Check out our friends at...Give Me Back My Action & Horror Movies100 HorrorsDark AdaptationHorror HouseA Cut Above: Horror ReviewGood Beer Bad Movie NightBucket of Chum PodcastDissect that FilmThe CinemigosNext Week Midsommer (Part 1)Hassle us via text during the show!
1:45 - The News 3:35 - Words Chris Hates 5:00 - Jerks of the Week 13:08 - Big 18:20 - Three Days of the Condor 20:09 - Time Bandits (spoilers) 26:06 - Who Framed Roger Rabbit 27:43 - A Fish Called Wanda 28:34 - The Naked Gun (2025) 40:36 - Akira 41:20 - The Blob (1988) 43:45 - Smiling Friends 46:27 - Creepshow 2 50:33 - War of the Worlds (2025) 1:08:08 - Bill Burr specials 1:09:26 - It's Always Sunny in Philadelphia 1:11:57 - Looney Tunes: The Day the Earth Blew Up 1:15:54 - Zoolander 1:21:10 - Miller's Crossing 1:23:47 - Expect to Die 1:35:21 - Bloodfist VIII: No Way Out
THE LIFE OF CHUCK ist Schuld… dass wir heute über Episodenfilme reden. Oder Anthologiefilme. Und wo die feinen Unterschiede, klaren Grenzen oder dünnen Überschneidungen liegen. Ein Streifzug mit Antje, Andi und Schröck, angefangen bei MAGNOLIA, PULP FICTION, HERE oder FOUR ROOMS, vorbei an berühmten Horror-Anthologien wie CREEPSHOW oder TRICK 'R TREAT – DIE NACHT DER SCHRECKEN, aber auch neuen wie FREAKY TALES und GHOST STORIES, vorbei an eher unter dem Radar Kreisendem wie GOMORRHA – REISE IN DAS REICH DER CAMORRA oder 11:14 und EINSAMKEIT UND SEX UND MITLEID bis hin zu Dauerbrennern wie JACK ASS - DER FILM oder WILD TALES – JEDER DREHT MAL DURCH! Und daneben versuchen die Drei auch noch auf so viele andere schöne Titel zu achten, die ihnen zu dem Thema eingefallen sind. Also so was wie WUNDERSCHÖN, WO IN PARIS DIE SONNE AUFGEHT oder GO, gefolgt von animierten Beispielen wie HEAVY METAL, FANTASIA, ANIMATRIX oder PREDATOR: KILLER OF KILLERS oder eben Modernes wie KINDS OF KINDNESS. Abgerundet durch eine kleine Riege an weiteren Streifen, die unsere Besetzung zuletzt gesehen hat. Zum Beispiel BRING HER BACK, GIRL YOU KNOW IT'S TRUE, ACROSS THE RIVER, passend zum Thema DEUTSCHLAND IM HERBST und BITTER GOLD. Wir hoffen, da sind ein paar schöne Tipps für Euch dabei oder die eine und andere Erinnerung daran, was mal wieder auf dem Bildschirm landen könnte. In diesem Sinne: viel Spaß auf der Couch, im Kino oder mit dieser Folge und bleibt so gesund wie gut drauf. Schönes Wochenende. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices
The latest edition of DJ cypher's PSYCHOBILLY FAMILY POWER HOUR is here to raise (your) spirits with psychobilly, rockabilly, gothabilly, and horror punk! In the mix for show #57 are Demented Are Go, The Misfits, Nim Vind, Hellgreaser, Blitzkid, Zombina & the Skeletones, Screamin' Sins, 38 Coffin, Atomic Leopards, Back Alley Barbers, The Rosedales, Beneath the Cellar, The Good Stuff, Ninja Dolls, The Toreadors Trio, Gamblers Mark, Hellbound Billy, and The Creepshow. Turn it up and let loose! If you like what you hear, I invite you to join the PFPH family at http://www.facebook.com/groups/psychobillyfamilypowerhour and to follow me on your preferred streaming platform. Reposts are particularly appreciated! Promo materials may be directed to darknationradio@gmail.com. DJ CYPHER'S PSYCHOBILLY FAMILY POWER HOUR Broadcast #57 (12 August 2025) Hellbound Billy, “Hot Rod Hearse” Back Alley Barbers, “Secret Society Blues” Hellgreaser, “Hymn of the Dead” The Creepshow, “One Foot in the Grave” Demented Are Go, “Cast a Lonesome Shadow” Nim Vind, “Jacknife” Ninja Dolls, “Night of the Undead” Gamblers Mark, “Long Summer” 38 Coffin, “King County Blues” Zombina & the Skeletones, “Cemetery World” The Toreadors Trio, “Leave Me Alone” The Good Stuff, “Clue of Life” Atomic Leopards, “The Cool, The Mad, and the Fugly” Beneath the Cellar, “The Horror” Blitzkid, “I'm on Fire” The Misfits, “Hollywood Babylon” Screamin' Sins, “Six Feet Under” The Rosedales, “Murder of Crows” Playbacks http://www.mixcloud.com/cypheractive Downloadable http://www.hearthis.at/cypheractive Social Media: http://www.facebook.com/groups/psychobillyfamilypowerhour
Happy Convoy Day! At least, when this was recorded it was Convoy Day, June 6, 2023. Welcome to another BONUS episode of Jay of the Dead's New Horror Movies, which is another one of our ambitious little side projects where we're going through the Exploding Heads Horror Movie Podcast'sTOP 200 HORROR MOVIES OF ALL TIME, one film at a time, from time to time, as we take our sweet time — over time. So, our random pick for this episode, coming from the 200 best Horror films (as designated by 44 Horror fans), was Number 33, Creepshow (1982), which Dr. Shock and Dave Zee both agree is the greatest Horror anthology! You can listen to the three-part Episode 200 of the exceptional Exploding Heads' countdown, which you can access by subscribing to their Patreon feed. Enjoy! Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyDeezer You are welcome to email our show at HauntingYourHeadphones@gmail.com. You can also follow Jay of the Dead'sNew Horror Movies on Twitter: @HorrorAvengers Jay of the Dead'sNew Horror Movies is an audio podcast. Our 10 Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin, Dave Zee and Spawn of the Dead! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead'sNew Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!
Welcome to Out of the Shadows, a series that dives into the world of (mostly) 80s horror movies. Join Chris Chavez and Jim Clark as they explore the best and worst of what made the 80s the golden age of horror. This week, Chris and Jim check out the Creepshow 2, the follow-up to the 1982 Stephen King and George Romero horror anthology hit.
Join Justin as he chats with actor Hannah Fierman about growing up in the deep south, bringing Lily to life in V/H/S, stepping behind the camera in her directorial debut, ghost encounters, and more!Hannah Fierman bio:“Hannah Fierman was born on September 8, 1987 in Trowbridge, Wiltshire, England, UK. She is an actress and producer, known for Creepshow (2021), V/H/S (2012), The Lucid: Hair (2022) and American Hell (2014).”Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.
Better grab something to write with before you hit play on this one. In this extra-long episode, we dive into a variety of horror sub-genres and each pick a title that we think defines that category. Not necessarily the best film, but one that captures the essence of the sub-genre in a meaningful way. To help us take on this ridiculously huge (but fun) challenge, we've brought back Aaron Christensen—aka Dr. AC—to join the conversation. If you're new to the genre, this one's especially for you. If you've been around a few years (or decades) we think the conversation is still worth your time, and we hope that you consider giving a few of these a revisit. Time to start that new watchlist! All set? Notes ready? Coffee or energy drink in hand? Then hit play! Titles mentioned in this episode: 7th Voyage of Sinbad (1958), Abbott & Costello Meet Frankenstein (1948), Abbott & Costello Meet the Mummy (1955), Alien (1979), Army of Darkness (1992), Audition (1999), Bad Taste (1987), Baskin (2015), The Beyond (1981), Black Christmas (1974), Black Sabbath (1963), Blair Witch Project (1999), Braindead aka Dead Alive (1992), Bride of Frankenstein (1934), Bring Her Back (2025), Cannibal Holocaust (1980), Carnival of Souls (1962), Children Shouldn't Play with Dead Things (1972), Creature from the Black Lagoon (1954), Creepshow (1982), Cruel Jaws (1995), Curse of Frankenstein (1957), The Devil's Wedding Night (1973), Dracula (1931), Evil Dead 2 (1987), The Exorcist (1973), Fight Club (1999), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), The French Connection (1971), Gamera vs. Barugon (1966), The Giant Claw (1957), Godzilla (1954), Godzilla vs. Hedorah aka Godzilla vs the Smog Monster (1971), Ju-on: The Grudge (2002), Guinea Pig 2: Flower of Flesh and Blood (1985), The Haunting (1963), Hellraiser (1987), Hereditary (2018), Horror of Dracula (1958), Horror Rises from the Tomb (1973), The Host (2006), The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964), Island of Lost Souls (1932), It Follows (2014), Jacob's Ladder (1990), Jaws (1975), King Kong (1933), Kwaidan (1964), Lair of the White Worm (1988), Let's Scare Jessica to Death (1971), The Monster (2016), Nekromantik (1988), Nightbreed (1990), Night of the Living Dead (1968), One Missed Call (2003), Onibaba (1964), Paranormal Activity (2007), Paranormal Activity 2 (2010), Paranormal Activity 3 (2011), Phantasm (1979), Pieces (1982), Possession (1981), Psycho (1960), Pumpkinhead (1988), The Raven (1963), Re-Animator (1985), Repulsion (1965), Return of the Living Dead (1985), Ringu (1998), The Ritual (2017), Rosemary's Baby (1968), The Sadness (2021), Satan's Sadists (1969), Saw (2004), Scream 5 (2013), Scream VI (2023), Seeding of a Ghost (1983), The Seventh Curse (1986), Shatter Dead (1994), Shaun of the Dead (2004), The Shining (1980), Suspiria (1977), Terrified (2017), Terrifier (2016), Tetsuo (1989), Texas Chain Saw Massacre (1974), The Thing (1982), Things (1989), Tombs of the Blind Dead (1972), Toxic Avenger (1984), Tucker and Dale vs. Evil (2010), The Ugly Stepsister (2025), Uzimaki (2000), Vampyros Lesbos (1971), Viy (1967), What We Do in the Shadows (2014), When Evil Lurks (2023), The Wicker Man (1973), Young Frankenstein (1974)
Episode 88 : Humanist Vampire Seeking Consenting Suicidal Person (7/22/2025) Horror news: Arrow Video is bringing Creepshow 2 to 4K UHD Details Buy or Rent “Bring Her Back” on Digital You can now pre-order Tom Savini's Night of the Living Dead 1990 4K Details Peter Sarsgaard says ‘The Bride': “It's About The Monster In…
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel unleashes Age of Revelation: A radical X-Men future begins October 2025Marvel's AGE OF REVELATION grows with even more new series reveals out October 2025Four more Age of Revelation series announced: Wolverine, Spider-Man, and moreFinal 'Age of Revelation' X-Men series details revealedMarvel reveals the end is near for the Ultimate Universe in 'Endgame' event teaserMore info!Marvel and Gargoyles collide in first-ever crossover October 2025Marvel's next cosmic war begins: Hickman's Imperial finale teases shocking new playersMarvel unveils SDCC 2025 panels, giveaways, and moreIDW reveals massive plans for San Diego Comic-Con 2025 *Dark Horse Comics reveals SDCC 2025 plans: Panels, signings, freebies & more *Image Comics reveals SDCC 2025 exclusive Merch, panels, and signingsDC Comics Solicitations October 2025DC expands the Absolute Universe in October 2025 with milestone issues and two one-shotsThe new ultimate showdown: DC launching cosmic tournament event ‘DC K.O.' for fall 2025'Gotham Academy' returns with new series 'First Year' launching October 2025Oni Press and EC Comics revive western mayhem in 'Outlaw Showdown' #1 *'Paper Girls' gets a bold new format with stylish “Backpack Editions”'Ice Cream Man' ditches pages for playing cards in bold new one-shot experiment'Super Creepshow Special' #1 unleashes twisted superhero horror in October *Peter Cannon: Thunderbolt returns for November 2025 in new series'The Terminator: Metal' launches October 2025 with a deadly new ally and a twistOur Top Books of the WeekDave:Post Malone's Big Rig #1 (Adrian Wassel, Nate Gooden, Post Malone)Absolute Batman #10 (Scott Snyder, Nick Dragotta)Alex:Absolute Flash #5 (Lemire, Kaplan)X-Men: Age of Revelation #0 (Mackay, Ramos)Standout KAPOW moment of the week:Alex: This Ends Tonight #1 (Gerry Duggan, et al., Jae Lee)Runner up: (Duggan, JAVIER GARRÓN)Dave: New Gods #8 (Ram V, Evan Cagle)TOP BOOKS FOR NEXT WEEKAlex: Exquisite Corpses #3 (Tynion, Walsh, Pichetshote, Valentin de Landro) & shoutout to X-Women (Psylocke #9, Storm #10, Phoenix #13)Dave: Doom 2099 #1 (Various)JUDGING BY THE COVER JR.Dave: Absolute Martian Manhunter #5 (all the covers!!!)Alex: Psylocke #9 (Maria Wolf variant)
It's "Stephen King Summer" here at Reviewed to Death, and Marcus and Luke are diving headfirst into the gooey, gory, and sometimes goofy world of 1987's Creepshow 2! Get ready for a wild ride as we dissect George A. Romero's anthology sequel, filled with killer lakes, hitchhiking horrors, and a whole lot of practical effects that still make us smile.Follow us @reviewedtodeathLeave us a review!– it helps new listeners find us!Music:Shine On by creatormix.comReflections by creatormix.comAll additional music provided by Groove Witness - www.groovewitness.usCreepshow 2 clip property of Laurel EntertainmentCreate your podcast today! #madeonzencasterRead our companion written reviews - imgur.com/user/trojaSpaceBandit
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSMarvel reveals the new Age of Apocalypse, and 1 mutant is now in chargeMarvel unleashes the ‘Violent Era' of Ghost Rider this October in Spirits of ViolenceHulk returns to Sakaar this October in a special anniversary one-shotMarvel unleashes 'Black, White & Blood and Guts' Halloween 2025Marvel unveils final 'Imperial War' one-shot starring cosmic dream teamJack Kirby honored with “Jack Kirby Way” on NYC's Lower East SideDC takes over San Diego Comic-Con 2025 with panels, retro vibes, and first-ever collabsSkybound reveals SDCC 2025 panels and moreTed Raimi joins ‘Creepshow Vol. 4' #2 comic for Halloween, and it's creepy AFYour devotion will be tested again: 'Cult of the Lamb' comic returns in October 2025G.I. Joe's loudest adventure yet rocks comic shops this October 2025June sales figures are in!Our Top Books of the WeekDave:Superman Treasury 2025: Hero for All #1 (Dan Jurgens, Bruno Redondo)Beneath the Trees Where Nobody Sees: Rite of Spring #1 (Patrick Horvath)Alex:Predator: Black, White, & Blood #1 (Joe Kelly, Alvaro Lopez, etc)The UnChosen #1 (David Marquez)Standout KAPOW moment of the week:Alex: Uncanny X-Men #17Dave: The Unchosen #1 (David Marquez)TOP BOOKS FOR NEXT WEEKAlex: Absolute Flash #5 (Lemire, AL Kaplan), Marvel Knights: The World To Come #2 (Christopher Priest, Joe Quesada)Dave: Godzilla Destroys the Marvel Universe #1 (Gerry Duggan, Javier Garron)JUDGING BY THE COVER JR.Dave: Detective Comics #1099 (Jae Lee)Alex: Ultimate X-Men #17 (Nic Klein variant)Interview: Christian Ward (Event Horizon: Dark Descent #1 out August 20 - Artist: Tristan Jones):What drew you to Event Horizon as a storyteller? Was there a particular theme or visual that made you say, “Yes, I need to write this”?How closely did you work with the original film's team or studio? Were there any specific mandates or was the universe yours to expand freely?You've described this as taking “big gory swings.” What kind of boundaries were you hoping to push with this prequel that the film only hinted at?Tristan Jones' art and Pip Martin's colors amplify the discomfort and dread on every page. How did your collaboration with them shape the tone and feel of the book?The crew in Dark Descent each seems to be running from something. How did you approach building characters whose inner demons might mirror the horrors they'll face externally?Paimon, the eyeless King of Hell, is a new addition. How did you land on this particular figure as the face of evil? What does he bring thematically to the world of Event Horizon?The first issue builds such thick atmosphere and creeping dread. What's the key to sustaining that across a miniseries without letting the horror peak too early?[Fun/silly question] Let's say you're stuck aboard the Event Horizon with one other comic book character of your choosing. Who would it be and why?FOC July 14
THIS VOYAGE, the Decksperts MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture), ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) and STEVEN MELCHING (The Clone Wars, Rebels) are joined by the legendary GREG NICOTERO who discusses the movies that made him, his incredible career in make-up effects as a founder of KNB Effects along with directing and producing for television for THE WALKING DEAD and CREEPSHOW. They're coming for you this episode, Barbara. Don't miss a freewheeling chat with the great Greg Nicotero. Only on DECK 78**Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: https://discord.gg/7kgmJSExeh SUBSCRIBE TO TREKSPERTS PLUS TODAY... and get every episode of INGLORIOUS TREKSPERTS commercial free and one-week early along with our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed.
A child's comic book brings five tales of terror to life.Retro Reel 2025 rolls on with an anthology movie we enjoy watching every time. Creepshow, directed by George A. Romero, features an all-star cast of Hal Holbrook, Leslie Nielsen, Ted Danson, and Adrienne Barbeau among many others in five horror tales that seem to get better and better as the movie continues. The blend of comedy and horror are done so well and the overarching story of the tales coming from a child's comic book is an excellent touch. The stories are clever, fun, and stand out in a genre that features so many anthology films. Watch the movie and catch our review.Subscribe to our YouTube channel @thefinalpodcast Join the Discord | https://discord.gg/UFtVP243Follow us on Facebook The Final Podcast Follow us on Instagram @thefinalpodcastFollow us on X @thefinalpodeverMusic Credit: Karl Casey @ White Bat Audiohttps://www.youtube.com/channel/UC_6h...What should we review next? Toss us a vibe and send over a recommendation!
Join the Squad as they review the second Stephen King collection of short stories that still hold up to this day. Email us at AllentownPresents@gmail.com
In this episode, we sit down with the legendary John Harrison — a creative force in horror and sci-fi — to trace his incredible journey from a love of film and music to becoming one of the most influential names in genre storytelling.We talk about his early days collaborating with the great George A. Romero, composing unforgettable scores for Creepshow and Day of the Dead, and how that partnership helped launch his career. John takes us deep into his work as both a writer and director on Tales from the Darkside, from the TV series to the now cult-favorite Tales from the Darkside: The Movie.We also revisit the underrated early gem Scary Tales, his contributions to Wes Craven's Nightmare Cafe, and his time working on Tales from the Crypt — all showcasing his lasting impact on anthology horror.The conversation takes a turn into sci-fi as John discusses his major role in bringing Frank Herbert's Dune to the screen — both in the acclaimed early 2000s adaptation and as executive producer on the current hit franchise.We also dive into his work on the modern Creepshow series for Shudder, the potential for more stories to come, and his exciting shift into novel writing with his recent books Destiny Gardens, Passing Through Veils, and Residue — the latter of which was adapted into a Netflix series.John reflects on the past, shares his thoughts on the future of the genre, and offers up some truly unforgettable behind-the-scenes stories.If you're a horror fan, this is one conversation you don't want to miss.Follow John Harrison: John Harrison WebsiteJohn Harrison InstagramIf you enjoyed this - Check out my other content here - https://linktr.ee/FirstClassHorrorBecome a supporter of this podcast: https://www.spreaker.com/podcast/class-horror-cast--4295531/support.
BONE appétit! Prepare for gory and gruesome flights of gastronomic fantasy on this edition of Octoberpod AM classic horror podcast: Edward October's All You Can Eat Culinary Creepshow.Your horror host Edward October is your tour guide through haunted diners, ghoulish greasy spoons, predatory ice cream parlours, and cursed restaurants on a journey into the dark world of kitchen nightmares. First up: Edward October examines the Speciality of the House (starring Vincent Price). Then, we present terrifying true stories from the restaurant industry in IT CAME FROM REDDIT: Culinary Creeps. Plus: ASPIC & OTHER DELIGHTS and CAPTAIN MURDER by Charles Dickens. Featuring special guests Anna (host, Cooking the Books) and Amber Jourdan (Witches Talking Tarot). Don't fill up on the free bread because we're serving up Lamb Amirstan, eggs poached in poison, a razor blade salad, the gelatin delicacies of Psycho, and young virgin brides baked into meat pies. Find out if you ARE what you EAT on this edition of Octoberpod AM: the chilling scary podcast that's always made by a human. // PROMOS 3 Spooked Girls Make It Through The Night by Amy Koto Pitney & Amelia's Bitchen Boutique // FOLLOW Find more true, true-ish & classic horror / paranormal content by following us on social media! Bluesky: @octoberpod.bsky.social // Twitter: @OctoberpodVHS // YouTube: Octoberpod Home Video // Instagram: @OctoberpodVHS // TikTok: @octoberpod // Or follow us on the worldwide web at OctoberpodVHS.com // LINKS & REFERENCES PRICE OF FEAR ARTICLE: https://www.thesoundofvincentprice.com/radio/the-price-of-fear/Become a supporter of this podcast: https://www.spreaker.com/podcast/octoberpod-am--5482497/support.
Searching WebMD for "grass-mouth", questioning the dubious effects of using toilet seat covers, and pining for serious Leslie Nielson - we cover it all and swear our revenge as we flip through 1982's classic horror anthology, "Creepshow"!
In this wild Southern-fried horror tale by David O'Hanlon, a high school couple heads to a legendary swamp for one last unforgettable night—but instead of romance, they meet the horrifying truth behind a town's oldest legend. What follows is a bloody, black-humored, creature-feature ride full of scares, screams, and swampy secrets.From cursed brothels to mutated monsters and dark folklore, Gator Boy of Dead Ore Swamp blends slasher-style thrills with campfire horror in a gruesome coming-of-age nightmare.Featuring:• A terrifying cryptid born of swamp revenge• Carnage, teens, and toothy justice• A showdown deep in the muck with a reptilian legend
Send us a textIn a fairy-tale kingdom where beauty is a brutal business, your fair hosts battle to compete amongst themselves, and will go to any length to catch the listener's ears. On Episode 668 of Trick or Treat Radio we discuss the Norwegian Body Horror Fairy Tale The Ugly Stepsister from director Emilie Blichfeldt! We also discuss Jason Voorhees' new glow up, our excitement over an upcoming 4K release of a cult classic, and the cutthroat business of beauty and expectation! So grab a container to hold all the bodily fluids, make sure you meet all the unfair societal expectations, and strap on for the world's most dangerous podcast!Stuff we talk about: Friday the 13th anniversary, video game glitches, Greg Nicotero, Crystal Lake, the “cock”, Jason Voorhees, the Mask, Michael Myers, it's 8pm somewhere, unibrows, serial killing drifters, Walking Dead, Horror History, Mad Monster, Red Planet Mars, Phantom From Space, The Mysterians, Invisible Invaders, Dr. Blood's Coffin, Peeping Tom, The Black Zoo, Gorath, Battle Beneath the Earth, The Fan, Happy Birthday To Me, The Matrix Reloaded, Creepshow 3, Curse of the Zodiac, Superman, Jurassic Park, Ken Foree, Dr. No, The Wizard of Oz, Alex Winter, Freaked, Jason XXX, Blossom, William Sadler, Ingmar Bergman, The Seventh Seal, Umbrella Entertainment, RIP Joe Don Baker, Umberto Lenzi, Joysticks, Survival of the Film Freaks, The Natural, Deputy Sheriff Thomas Jefferson Geronimo III, Final Justice, Walking Tall, Mitchell, RIP Sabu, ECW, Suicidal Homicidal Genocidal and Spermicidal, Butch Guice, Thick Brothers, RIP Morris the Alligator, RVD, European or Europoopin', Cinderella, Wes Anderson, beauty standards, The Ugly Stepsister, The Substance, Pearl, Mia Goth, Michelle Soavi, the origin of braces, rhinoplasty, Emilie Blichfeldt, Lea Myren, Stanley Kubrick, The Shining, corrupted by the system, practical cocks, Alex Ross of Cocks, The Last Kingdom, Thea Sofie Loch Ness, blue oyster, Dead Mail, getting your U-Tubes tied, Hereditary, My Own Personal Jason, Down With the Thickeness, Norouija Board, The Parlance of Their Times, Domino Effect of Madness, The Prodigal Cock Has Returned, and just a regular Cinderfella.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Send us a textAn evil May Day Troll terrorizes a long running podcast in hopes of unlocking an ancient prophecy, can the hosts survive the episode or will prophecy come to pass? On Episode 666 of Trick or Treat Radio we celebrate this all important milestone and seeing as how we recorded on May Day it was only appropriate that we discuss the 1973 Folk Horror classic The Wicker Man from director Robin Hardy. We also get tortured by an evil troll, talk about the importance of leaving your bias at the door, and the brilliance of Christopher Lee. So grab your copy of The Greasy Strangler, steer clear of the garden troll paywall, and strap on for the world's most dangerous podcast!Stuff we talk about: May Day, Halfway to Halloween, Spirit Halloween, Doc Kevorkian, Episode 666, Knowman, Alienated, Larry Fine, MonkBlood, cooking snacks, Zombies on Broadway, Curse of the Werewolf, The Vengeance of She, Friday the 13th Part 2, Graduation Day, Creepshow 2, Psychos in Love, The Haunted World of Ed Wood, All About Evil, Julie Benz, Bio-Dome, Halloween 3, The Cabinet of Dr. Caligari, Glenn Ford, The Greasy Strangler, Barb Wire, Michael St. Michaels, Ebony and Ivory, Jim Hosking, Sylon Richie, An Evening with Beverly Luff Linn, Diff'rent Strokes, blackcent, Updogged, weird prophecies, Dirty Work, the best of Will Smith, May Day Trolls, Tragedy, The Wicker Man, Robin Hardy, Christopher Lee, pagan rituals, Britt Ekland, Edward Woodward, Night of the Living Dead, Summer Isles in Scotland, Folk Horror, Golf, folk music, sh*tty Pete's Dragon, “I don't want no Dagoba ticks up on me, dog.”, Charlemagne, Frewaka, Aislinn Clarke, Devil's Doorway, 7 Doors of Death, The Beyond, Sir Isaac, Slaygoth, Nick Cave, Preacher, Monkey Dust, Billy Gibbons in a leglock, Sesame Street, Alice Cooper, Morse Day and the Code, Ophelia Bolls, Greasy Strangler vs. The Oily Maniac, conundrum of chaos, release the grease trap, a gurkin on your merkin, Garden Troll Paywall, 70s Bushed, and Consta-Bullshit Artist.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Send us a textWhen New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and the only way he can reclaim what he's lost is by listening to stories about his life from a vulgar radio show. On Episode 665 of Trick or Treat Radio we discuss the film The Actor from director Duke Johnson! We also talk about all the ways you can eat an Uncrustable, the realization that you're not who you were supposed to be, and everything we have planned for the upcoming momentous 666th episode! So grab your VHS of My Demon Lover, write down all your thoughts so you don't forget them, and strap on for the world's most dangerous podcast!Stuff we talk about: Felissa Rose, Sleepaway Camp, The Last Sleepover, Lisa Wilcox, Slaughter High, Sam Adams, Spanish version of Dracula, Cannibal Ferox, My Demon Lover, Scream 2, Creepshow 3, David Hess, Texas Chainsaw Massacre, Eric Balfour, Melinda Clark, Return of the Living Dead Part III, Peter Jason, Ghosts of Mars, Arachnophobia, Planet Terror, Red State, Richard Donner, Goonies, The Omen, Alejandro Cruz, Blue Demon, William Castle, The Tingler, House on Haunted Hill, Rosemary's Baby, all the ways you can eat an Uncrustable, Scott Valentine, McCormick Spices, Christina Applegate, House II: The Second Story, RIP Lar Park-Lincoln, Highway to Heaven, Giovanni Lombardo Radice, Shawn Lewis, Grindhouse Releasing, 7 Doors of Death, Fabio Frizzi, Rotten Cotton, Chunkblow Apocalypse, Zombi, Eibon Press, The Actor, Duke Johnson, Andre Holland, amnesia, Memento, movies shot on a soundstage, dream logic, self-awareness, learning you're not who you're supposed to be, Total Recall, Anything Goes, Cole Porter, Memory, Geddy Lee, William Shakespeare, the new album from Knowman, Alienated, The Wicker Man, May Day, Episode 666, The Number of the Beast, Retroactivate, Total Unrecall, and Thesplaining Your Life.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Matt's kind of a jerk this week, but he also does a big heroism so maybe the scales balance. Should he tell Heather his secret? Could you really kill a dude by spitting a tooth at his eye? This week's episode goes all Creepshow in a very fun way. Before that: some movie talk, the experience of seeing the Fantastic Four trailer and the Superman extended scene back to back on the big screen and audience questions I can barely answer. Next week: the season finale!
This week we chat with filmmaker, producer, composer, writer, author...this guy's done it all...John Harrison. From working with George Romero on everything from Creepshow and Dawn of the Dead to Tales from the Darkside to the Dune miniseries to his Netflix series Residue...he's done it all. He even directed Tales from the Darkside: The Movie, which was Andrew LaSane's Scarred for Life pick, which is one of Terry's favorite movies. We chat about his long history in cinema; about how he started working with Romero to some insights into Tales from the Darkside. And we discuss his latest work, the novel Residue: Paramentals Rising, which is a sequel to the Netflix show. After learning about his horror history--including a memorable viewing of Night of the Living Dead--we find out why The Haunting terrified him as a twelve year old. John references an article written by Anthony McKay in Little Shoppe of Horrors, which can be ordered here. You can find Residue: Paramentals Rising wherever you buy your books or at WordFire Press.You can follow John on his website or Instagram and Facebook.Follow Mary Beth, Terry and the Podcast on Bluesky. We're also on Twitter (sorta) with the same usernames. We also have a Letterboxd HQ account, so follow us there, too! Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
