Podcasts about Pro Tools

Cut Chemist has been on my list since the day I started this podcast, so getting him on for Episode 85 was a real full-circle moment. He's someone whose records genuinely shaped how I dig and how I think about putting samples together, and across this conversation he traces the whole arc — from kicking along to a Bobby Darin concert in the womb, to a McDonald's straw on a snare drum, to Star Wars soundtracks, to the moment hip hop landed for him in 1983.We get deep into the Hollywood scene that raised him, the Rhino Records parking-lot quarter bins where he and his friends amassed beats nobody had touched, and the Jungle Brothers album that made him realise he could make "a record made out of records."From Unity Committee into Jurassic 5, sharing the production chair with Nu-Mark, the all-45s leap into Brain Freeze with DJ Shadow, the solo tightrope of The Audience's Listening, and right up to his candlelit listening parties now — this one's a masterclass in following the unfamiliar. It's long, it's nerdy in all the right places, and I couldn't have asked for more from a guest who's influenced me this much.In this episode we cover:His earliest musical memories — parents, live drums, Carpenters and a deep sci-fi soundtrack obsessionDiscovering hip hop in 1983 via KDAY, breakdancing, graffiti and the elements one at a timePublic Enemy, Bomb Squad and why Main Source is his production templateThe Jungle Brothers album that turned him into a samplerLearning gear the hard way — reel-to-reel, Roland S10, MPC, the Pro Tools learning curveForming Jurassic 5 out of Unity Committee, and the east-coast heart in a west-coast cityPre-internet sample sleuthing and the legendary Rhino Records quarter binsFirst DJ gigs at 15, learning to cut, and the up-and-down fader style that became his ownQbert and the 1996 X-Men vs Scratch Pickles battleA digging philosophy: is the juice worth the squeeze?Sharing production with Nu-Mark, building Lesson 6, and breaking in Europe with Mr FormatThe Rare Equations mix, the Number Song remix and the all-45s origins of Brain FreezeOzomatli, Brazilian and African digging, and constructing a set like a compositionThe Audience's Listening at 20, The Garden in Brazil, and the Italy trip that changed everythingThe Good Life Cafe education and record shopping with Biz MarkieStable Sound, the Bandcamp subscription, and his candlelit psychedelic sound bathsOn Keb Darge, on Edan, and the Expert of None shows coming next

3:22 minute piano and synth strings Pro Tools piece 6.16 MB

Nuendo hat einen Ruf als "die" Post-Production-DAW – doch ranken sich um Steinbergs Flaggschiff zahlreiche Mythen. Ist es nur ein überteuertes Cubase? Kann man damit wirklich Videos schneiden? Und warum nutzen es Komponisten eigentlich für Filmmusik? In diesem Video gehe ich mit 5 verbreiteten Nuendo-Irrtümern ins Gericht. Wir klären ein für alle Mal, was Nuendo kann, wo seine Grenzen liegen und warum der Vergleich zu Pro Tools oder Cubase oft hinkt. Jetzt den Nuendo Workshop buchen: nuendo.sounth.de Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ 0:00 Intro 0:11 Irrtum 1: Die Videospur-Falle (Videoschnitt vs. Audio-Post) 1:37 Irrtum 2: Nuendo ist nichts für Komponisten 2:14 Irrtum 3: Einfach nur teures Cubase? (Feature-Vergleich) 3:36 Irrtum 4: Der "Pro Tools-Killer" Mythos 5:26 Irrtum 5: Klingt Nuendo besser als Cubase? 6:26 Fazit & Workshop-Hinweis Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/3FREDicAmJg

3:46 minute piano and Pro Tools midi keyboard piece 6.90 MB Grok wrote the melody and harmony for the 32-bar head and chose its length, key, tempo, and title.

From AI-written songs and a controversial commencement speech to trans athletes in girls' sports, Cody Johnson's bear hunt backlash, THC drinks, and a powerful small-town funeral story – the guys cover it all in this episode of the Try That In A Small Town Podcast. They compare Scott Borchetta's AI-heavy, “deal with it” address to Eric Church's inspiring guitar analogy, talk about what AI and streaming are really doing to songwriters, roast a school district for a rained-out graduation, tell wild Bahamas golf and gambling stories, and debate THC drinks, hunting, and new “poly” reality TV. They close with DipShidiot of the Week and a heartfelt look at how small towns still show up for their own. 00:52 Will Levis sex tape rumor and buying stories back from tabloids 02:53 Summer is here, kids out, and notable commencement speeches 03:16 Eric Church's guitar-and-life commencement speech and why it worked 05:09 Scott Borchetta's AI commencement: streaming, socials, and production 05:41 Booed by grads, “I know it, deal with it” and delivery vs message 07:12 Is brutal realism better than inspiration for graduates? 08:02 AI as tool vs replacement and why it hits different when you're already rich 09:18 Comparing AI to Pro Tools, samples, and why fully AI songs lose listeners 11:09 Streaming's impact on publishing, who actually makes money now 12:25 Big label buildings, tiny publishing floors, and small pub company struggles 13:54 Local high school graduations drenched in rain, no backup venue 14:45 Rain-or-shine policies, lightning concerns, and rushing the ceremony 15:43 What the soaked kids and grandparents went through that night 16:48 Superintendent named Dipshit of the Week for no backup plan 17:34 Road managers, “bad calls,” and transition to Bahamas trip 18:01 Bahamas: golf, fishing, tequila-fueled NHL-on-PS5 money games 19:57 High-dollar putter on the line: live call to Jake for Scotty Cameron details 20:58 Aldean wins the putter in overtime and pulls it from Jake's bag at the airport 22:10 Telly's golf swing, overconfidence, and getting mocked online 23:06 Baker's Bay, Morgan Wallen, and stories that stay behind the paywall 24:36 Charles Barkley's swing yips and getting a little better over time 25:03 Tax deadlines pushed back again in Tennessee and IRS jokes 25:38 Teasing next guest and Kayla's upcoming shoulder surgery 26:16 Pain meds, “no days off,” and the idea of a post-op podcast 26:54 The blue bottle “herbal” drink heading toward felony status in Tennessee 27:35 How it became a pre-show hype drink and what it actually looks like 28:26 Why the state is banning it and links to opioid recovery concerns 29:10 If that's illegal, what about THC drinks and Delta beverages? 29:54 THC drinks as golf “swing juice” and health vs alcohol debate 30:32 Listeners' THC drink stories and whether it really helps putting 31:20 Prebiotic Pepsi “health” marketing and chemical overload 31:56 Predicting THC drinks at sporting events and stadiums 32:07 Super Bowl 2030 coming to Nashville and halftime show speculation 32:30 Taylor Swift, “real” country, and who should play the big stage 33:40 Titans rebuild, new coach, and does Will Levis really have it? 38:18 Pocket passers vs mobile QBs and what the guys want under center 39:40 Topic wheel spin: California track meet and trans athlete controversy 40:21 “Can't believe this is still a thing” and fairness for girls in sports 40:58 Parents, boycotts, and refusing to line up against male competitors 41:51 Riley Gaines' regret about competing and the mental toll 43:08 Zero tolerance stance vs waiting for laws and elections to catch up 44:02 New show “This Is Poly” and modern polyamorous families on TV 45:25 Jealousy, fights, and why some refuse to watch these reality shows 47:34 Kayla's comedy, being “yourself” on mic, and overthinking funny 49:04 Musicianship, performance anxiety, and freedom when you stop monitoring 50:34 Recording vocals without headphones and trusting feel 51:12 Delta THC drinks: 20 mg misfire and why 5 mg is smarter 52:02 Gummy war stories, Doritos, and not being natural stoners 53:04 On-stage looks vs reality: who seems like the “stoner” in the band 54:03 Dip Shitty of the Week: Cody Johnson's Alaskan bear hunt haters 54:31 Hunting culture vs online outrage and meat-eating hypocrisy 55:27 “Harvested” vs “killed” and calling hunting what it is 56:02 Liberal sensitivities, offense at everything, and language games 57:07 Public etiquette dipshit: people who just stop in the middle of walkways 58:30 Airport moving walkways: “it's not a ride, keep walking” 59:20 Backpack chaos on airplanes and basic travel courtesy 1:00:33 Listener callout: submit your Dip Shitty of the Week in the comments 1:01:02 Small-town funeral: honoring a firefighter, veteran, and community pillar 1:01:45 Fire trucks, sirens, last ride, American Legion, and folded flag moment 1:02:20 Food, casseroles, and how small towns show up for grieving families 1:03:22 Why small towns may be what keeps the country united 1:04:36 Going home to a 400-person town and Legion dinners after funerals 1:05:09 How that support gives the family peace and helps them move on 1:05:27 Peacemaker Coffee promo: TTIAST blends, sucker punch dark roast, travel mugs 1:05:58 CTAs: download, comment, send small-town stories and dipshidiots of the week ______________________________________________________________________________________________SPONSORS: The Try That in a Small Town Podcast is powered by e|spaces!Redefining Coworking - Exceptional Office Space for Every BusinessBook a tour today at espaces.comFrom the Patriot Mobile studios:Don't get fooled by other cellular providers pretending to share your values or have the same coverage. They don't and they can't!Go to PATRIOTMOBILE.COM/SMALLTOWN or call 972-PATRIOTRight now, get a FREE MONTH when you use the offer code SMALLTOWN.Original Brands - Our original sponsor since the beginning!!Original brands is starting a new era and American domestic premium beer, American made, American owned, Original glory.Join the movement at www.drinkoriginalbrands.comPeacemaker Coffee CompanyFounded by retired police officer/chief Chris Morris, Peacemaker delivers clean, low-acidity coffee while supporting police, firefighters, EMS, military, veterans, teachers, dispatchers, and medical personnel through donations and programs.https://www.peacemakercoffeecompany.com/________________________________________________________________________________________________Follow/Rate/Share at www.trythatinasmalltown.com -For advertising inquiries, email info@trythatinasmalltown.comProduced by Jim McCarthy and www.ItsYourShow.coSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailRicky Rebel was signed to Madonna's Maverick label, toured with Britney Spears and Destiny's Child, and was being shaped entirely by what the industry needed him to be. When the label dropped him and the industry contracted, he made a single decision: become completely self-sufficient. That choice - to stop waiting for a producer, a label, or a co-sign - is what built everything that came after.What You Will LearnHow to rebuild your personal brand after public failure without losing your identityWhy the obsession with relevance is what keeps most creatives stuckWhat vulnerability actually looks like in the careers of the biggest stars in the worldHow to develop emotional regulation as a professional skill, not just a personal oneWhy collaborating instead of competing is the move that unlocks the next levelTimestamps 00:00 — Touring with Britney Spears and performing for thousands: what the pressure really felt like 03:00 — Being shaped by the industry vs. becoming himself 08:35 — The band breaks up: label disputes, 9/11, and losing everything at once 12:00 — Teaching himself ProTools in a month and deciding to produce himself 13:18 — My Chemical Romance, Show Pony, and the moment confidence clicked 15:28 — The hidden costs of success nobody talks about 22:28 — What Ricky observed about Michael Jackson, Madonna, and Britney up close 25:11 — Vulnerability as a strategic professional tool 28:25 — This or That game and closingAbout the GuestRicky Rebel is a singer, songwriter, and producer who built his career from a boyband signed to Michael Jackson's MJ Records, touring with Britney Spears and Destiny's Child, to releasing music independently under Madonna's Maverick label. After the industry contracted post-9/11, he taught himself ProTools, picked up the guitar, and became a self-producing artist - later appearing in My Chemical Romance music videos and becoming one of the fourth most-Googled Latino artists globally. He currently holds a monthly residency in Las Vegas.Follow Ricky Rebel InstagramRicky Rebel FacebookRicky Rebel YoutubeRicky Rebel Website Connect with HinaHina's WebsiteHina's LinkedInHina's InstagramHina's Youtube Channel Hina's Email Production Credit: Produced by @the32collective_ 

Watch on YouTube In this episode, Carson Bruce introduces his newly released piano sample library featuring five sampled pianos with both regular and felt versions across 10 unique patches. He also begins a new series showing the full process of building a piano sample library from scratch. From recording setups and microphone choices to piano selection and room acoustics, Carson shares the essential tools and workflow behind professional sampling. The episode also takes viewers inside a real upright piano sampling session at Miller Piano Specialists in Franklin, Tennessee, where he captures a Ritmüller upright using multiple microphones and velocity layers. Future episodes will cover editing, cleanup, and bringing the final library to life.aerospaceaudioHear the full piano sample library on SpotifyGet the free Piano Sample library hereSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

Apple has not always been known as the bargain option, but the latest Apple Silicon Macs might be changing that conversation. In this episode, the team gets into the surprising value of the M4 Mac Mini, why even a base model can be serious overkill for many voice actors, and how smaller machines like the MacBook Air and MacBook "Neo" style systems compare for remote sessions, Source Connect, Pro Tools, and travel rigs. The conversation also wanders into classic Pro Audio Suite territory, including old Macs that refuse to die, running Linux or Windows on ageing Apple hardware, right to repair, weird manufacturer lockouts, obsolete cables, Shure MV88 bargain hunting, Pro Tools archiving disasters, and why keeping your sessions self contained still matters. There is also a very important chainsaw story. Obviously. Thanks to our sponsors, Austrian Audio, making passion heard for supporting the show. 00:00 Intro and sponsor mention 00:33 Talking Macs before the show 01:20 The M4 Mac Mini and Apple's surprising value 02:29 Apple Silicon price to performance 03:38 Why older M1 machines still hold up 04:02 Using a Mac Mini as a road computer 05:22 Is the Mac Mini overkill for VO work? 06:38 MacBook Air, external monitors, and display quirks 09:04 Apple cables, chips, and control 10:04 The end of Lightning and the move to USB C 12:09 Audio interfaces on iPhone and iPad 12:30 Shure MV88 bargains for older iPhones 14:43 Right to repair 16:11 Robbo's old chainsaw story 18:21 Repair restrictions and replacement culture 19:29 Mac longevity 20:18 Running Windows on an old iMac 22:03 Linux on old Apple hardware 25:29 Old drives, CDs, DVDs, and lost archives 26:12 Mezzo and old Pro Tools backups 27:13 Missing Pro Tools audio files 28:33 Pro Tools archiving tip, sort by file path 29:54 Wrap up and credits

Watch On YouTube Hear the full piano sample library on Spotify Download the MainStage template here Carson Bruce welcomes listeners to the Worship Keys podcast, thanks sponsor Aerospace Audio, and highlights their Atmosphere analog drone pedal (v3) with MIDI capabilities and the Aero Pads iOS app. He announces his newly released piano sample library featuring five sampled pianos and 10 patches, with both regular and felt versions, and begins a series on how to build your own sample library. He covers required equipment including a reliable computer and DAW (he tracks in Pro Tools at 96k, 32-bit float), an audio interface (Focusrite Scarlett 18i20 with eight preamps), microphones (his setups range from four to seven mics), headphones, cables, and stands. He emphasizes planning around instrument quality and room acoustics, then shows his upright piano sampling session at Miller Piano Specialists in Franklin, Tennessee on a Ritmüller upright, recording notes by fifths with multiple velocities, organizing playlists, managing CPU issues, and capturing both standard and felt samples, previewing a future episode on editing and cleanup.Aerospace AudioSupport the showThanks for listening! Subscribe here to the podcast, as well as on YouTube and other social media platforms. If you have any questions or suggestions for who you want as a featured guest in the future or a topic you want to hear, email carson@theworshipkeys.com. New episodes release every Wednesday!

3:30 minute organ and Pro Tools midi keyboard piece 6.41 MB

Tools Used: Garageband, Suno AI, Protools, Avid. Analog used: API, 2-Bus, Bax EQ, Burl A to D, D to A produced by Zeph E. Daniel Lyrics: Zeph E. Daniel Stupid Illusion I used to think everything spun at normal speed but spacetime became an illusion Is anything real anymore! You want something stupid You want something simple You want what someone else told you to want I used to think the stars were illusions Then I met one and it tried to send me into a black hole I'm so gullible I believed it and went to another spacetime far from home. They're not like us They have hair on their hands They're not like us They use the river instead of land They sneak up on you like snakes and in truth they are intelligent But deadly if you are innocently playing by the river. Go to bed, go to bed, go to sleep little ones You are new, you think that your life is the only thing possible It is not It is not It is not Much to do. Much to do. Much to do. Much to do.

3:16 minute piano and Pro Tools midi keyboard piece 5.99 MB

James Richmond and Julian Rodgers dive into the world of modular synthesis, explaining what it is and how it fits into both studio production and live performance. They explore the process of creating unique sounds from scratch, the challenges of patch recall and share practical advice for anyone looking to get started with modular gear.Chapters00:00 - Introduction00:52 - Modular Synth Definition01:50 - Semi-Modular02:59 - James' Modular Synthesis Work04:05 - Reaktor And Max07:32 - The Appeal Of Modular09:54 - Generating Your Own Sounds11:24 - Creating A System13:11 - Software Vs Hardware Systems14:02 - Creating Brand New Sounds16:16 - Stochastic Modulation21:31 - Handling Recall22:57 - Gigging With Modular26:42 - Preparing For Performance28:12 - East Coast Vs West Coast29:44 - Practical Performance Challenges31:34 - Careful Onstage Monitoring33:08 - Starting Out In Modular37:08 - Affordable Synthesis#NIreaktor #cycling74max #makenoisemaths #mutableinstrumentsrings #mutableinstrumentsclouds #doepfer #verbosJames Richmond BiogJames Richmond is a composer, producer and audio engineer working across electronic and guitar-based music. He is the guitarist and producer for Liam Vincent & The Odd Foxes, has released experimental electronic work under the name Euclidean Circuits and has a solo project called The Deathbird. He also develops bespoke audio tools through EventFieldAudio and writes about music production, studio systems and monitoring from his hybrid modular and analogue studio.https://www.jamesrichmond.com/https://www.facebook.com/jamesrichmondaudio/https://twitter.com/octatonichttps://www.instagram.com/jamesrichmondaudioJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Pablo, Gara y Mikel son Zero Azúcar que han presentado por toda la península su primer disco. Se trata de un proyecto postpandémico nacido desde las entrañas de un Korg Electribe. Bases electrónicas y sintetizadores que fueron formando canciones cada vez más orgánicas, cada vez más melódicas. Sus letras brotan desde un momento vital oscuro pero sincero y las han ido hilando con versos y líneas vocales. Después de notas de voz, demos, Logic, ProTools y sobre todo una banda de amigos con los que convertir las ideas en algo compartido, han formado una banda que llevase al aire lo sintético.Escuchar audio

In Episode 370 of the Mixing Music Podcast, Dee Kei and Lu continue their true-or-false format and dig into even more of the beliefs, myths, and gray areas that shape music production and audio careers. This round covers everything from whether you should mix and master your own music, to whether analog gear is really better, whether Pro Tools still matters, and whether networking outweighs skill.They also get into social media, working for free early in your career, standing out in a crowded industry, perfectionism, arrangement vs mix importance, and what actually makes a great mixer. One of the strongest themes in the episode is that audio is never just technical. Great mixing is also about psychology, emotion, decision-making, and understanding how to help artists feel confident in what they are making.This is a sharp, practical episode for engineers, producers, and artists who want more nuance than the usual black-and-white advice. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

He graduated at 16, jumped into the chaos of touring, and learned the music business the hard way, by selling CDs in parking lots, sleeping in cars, and betting on himself when nobody else would. We talk with hard rock artist and manager Jesse Barton about the real mechanics behind building a band from the ground up: booking shows through MySpace, getting onto bigger bills by promising ticket sales, and turning face-to-face fan connection into a lasting audience.Then we get into the stuff artists usually learn too late. Jesse breaks down record deal basics like advances, recoupment, and royalty splits, plus what happens when a label deal feels like a breakthrough but turns into a logistical and financial trap. He shares how those mistakes reshaped the way he reads contracts, runs merchandising, and protects long-term momentum, and why “more money, more problems” is not just a lyric when you finally see touring at a higher level.The conversation goes deeper into studio recording and modern production, from early sessions that exposed weak prep to building cleaner workflows in Pro Tools. Jesse also opens up about loss, how music became a lifeline after his dad died, and how construction skills helped him build a world-class recording studio in Spokane. We wrap on perspective, why success is relative, and how working as an artist manager lets him help others avoid the potholes he hit first.If you like honest music industry stories, touring lessons, and practical advice for independent musicians, hit subscribe, share this with a friend, and leave a review. What part of Jesse's journey hit you the hardest?Episode LinksAlive in Barcelona: https://www.aliveinbarcelona.com/Carl Tatz: https://jayfranze.com/episode24/Bob Bullock: https://jayfranze.com/episode28/Send us Fan Mail Support the showLinksJay Franze: https://jayfranze.com/JFS Country Countdown: https://jayfranze.com/countdown/ContactContact: https://jayfranze.com/contact/SocialsInstagram: https://www.instagram.com/jayfranzeTikTok: https://www.tiktok.com/@jayfranzeX: https://x.com/jayfranzeYouTube: https://youtube.com/@jayfranzeServicesServices: https://jayfranze.com/services/BooksBooks: https://jayfranze.com/books/MerchandiseMerchandise: https://jayfranze.com/merchandise/SupportSupport: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/

3:53 minute piano, Pro Tools, and midi keyboard piece 7.12 MB A few days ago I was looking up at a beautiful morning sky with both the sun and the moon in my field of vision. Then a crow flew right between the sun and the moon.

Professional producers Chevy One and Gareth Young talk to Julian Rodgers about the advantages of a hybrid hardware and digital studio setup and how combining the two can streamline workflow and speed up modern music production.Chapters00:00 - Introduction01:07 - Hardware In A Modern Hybrid Studio03:47 - What Does Hybrid Currently Mean07:31 - Benefits Of Having A Console08:43 - Using Control Surfaces14:54 - Matching Tools To Tasks23:24 - On The Way In And The Way Out31:46 - Recallable And Software-Integrated Hardware37:16 - Hardware Vs Software Workflow#LA2A #Console1 #Audient #SSLChevy One BiogAward-winning producer and composer Chevy has built a two-decade career across records, global brands and music technology. Operating a modern hybrid studio, he balances analogue commitment with digital flexibility. Recent work includes IKEA's latest National Swedish campaign and product leadership at All Our Minds.https://www.linkedin.com/in/joseluismontorohttps://audiocentralstudio.co.ukGareth Young BiogGareth is the owner of Cube recording studios a residential studio in Cornwall where he has worked with clients such as The XX, Tom Misch and Sam Ryder. Gareth has recently co-written and produced Tom Meighan's top twenty debut solo album, ‘The Reckoning ‘ and as a writer/producer he has co-written and produced hits for the Sugababes, Appleton, Dannii Minogue, Ronan Keating and All Saints to name a few.http://garethyoung.comhttps://www.facebook.com/cuberecordingcornwallhttps://x.com/cuberecordinghttps://www.instagram.com/cube_recordingJulian Rodgers BiogJulian Rodgers is a freelance writer and audio engineer with a background in live sound. After many years working in education introducing new users to Pro Tools, he now lives by the sea in West Cornwall, where he plays keyboards in a couple of bands. He also plays bass and guitar equally badly, and remains an enthusiastic collector of microphones and opinions about all things audio.https://www.linkedin.com/in/julian-rodgers-04621926Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

3:17 minute midi keyboard, Pro Tools, and organ piece 6.02 MB Grok wrote the opening 16-bar theme.

Ever wonder why certain songs follow you from ballparks to bar bands to late-night TV finales? We take a playful but pointed run at the “most overplayed song” ever with a live listener bracket that pits Free Bird, Don't Stop Believin', Sweet Caroline, Brown Eyed Girl, and more in a ruthless showdown. Along the way, we unpack what repetition really means, how stadium anthems, wedding playlists, and radio gold become rituals that comfort some of us and exhaust the rest. You'll leave with your hill to die on and a few hot takes from fellow fans to test your case.Before the sparks fly, we open with a rapid-fire look at Ella Langley, state champion dancer, voice-shifting surgery, a pellet gun for pests, bangs born from a bad haircut, and a one-pickle pre-show ritual that weirdly works. That personal color tees up a high-energy country news sweep: Lainey Wilson teams with Kevin Costner on The Grey House soundtrack beside titans like Willie Nelson and Shania Twain; Riley Green stretches into acting with a Yellowstone-adjacent series; Rascal Flatts hit RodeoHouston; Meghan Moroney and Ella Langley notch a chart milestone for women in country; Thomas Rhett welcomes baby number five; Luke Combs and Dierks Bentley map new tours; and LeAnn Rimes and Rodney Crowell drop fresh tracks. We also spotlight the Recording Academy's new Best Traditional Country Album category debuting in 2026—an overdue nod to classic songwriting and instrumentation.We round things out with a tight chart countdown spanning radio favorites and indie gems, a March 2016 flashback that tracks how we got here, and a lively mailbag: production vs. songwriting first impressions, dream guests (from Rick Beato to Mutt Lange and Kelly Clarkson), and the gear that changed everything as studios moved from tape to Pro Tools. It's a full-spectrum listen for country fans, music nerds, and anyone who has ever yelled “Free Bird!” at the wrong time.Episode LinksBob Bullock: https://jayfranze.com/episode28/Dave Jackson: https://jayfranze.com/episode53/Dalila Mya: https://jayfranze.com/episode102/Mark Badolato: https://jayfranze.com/episode140/Send a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Services: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Rock legends Vicki Peterson of The Bangles and John Cowsill of The Cowsills took some time to talk about a wide-ranging series of topics prior to their performance at Round Lake Farms in Brillion.The two talk about their collaborative album Long After the Fire — a heartfelt tribute to the songwriting of Barry and Bill Cowsill — and share the full story of how they met as teenagers at the Sweetwater Cafe in Redondo Beach, California back in 1978. From the early days of the Paisley Underground to sold-out Beach Boys tours, from recording in an 8x18-foot home studio with aging ProTools to working with legendary photographer Henry Diltz (and Pamela Springsteen!) on the album artwork.John opens up about the pressures of stepping into the spotlight as a front man after decades behind the drum kit, his years touring with the Beach Boys and his current work with The Smithereens, and what it's like being married to your bandmate. Vicki reflects on the Bangles' punk roots, the Paisley Underground scene, the surprise success of Walk Like an Egyptian, and why she'd fight the synthesizers all over again.They also dive into their beloved annual performance at Joey's Song — the epilepsy fundraiser in Madison — share memories of Johnny Cash, Minnie Pearl, Elton John, Bernie Taupin, Hugh Hefner's Playboy After Dark, and much more.Long After the Fire is available now wherever you stream or buy music.WCZR Code Zero Radio is an Independent streaming rock, live from Appleton, Wisconsin.

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hold On to your Pork Pie hats folks, cuz you'll be whistling down the wind with this fascinating 90 minute ride with Grammy Winning record Producer, Mixer, Engineer extraordinaire, Jacquire King. We're talkin Prairie Sun Recording and found sounds, Mexico City parking garage cassette loops and Indoneeeeesia. Tom Waits and Kathleen Brennan taught Jacquire a lot about making records when he got hired to bring his early Pro Tools mastery to one of Wait's greatest recordings - Mule Variations. Since then, Jacquire has gone on to work with Buddy Guy, Nora Jones, Kings of Leon and Zach Bryan to name a few. This is the episode all you die-hard Tom Waits fans have been waiting for, to get a sneak peak inside the carnival tent. Feel the love!!

Does your DAW actually matter, or are we all arguing over the wrong thing? In this episode of Inside the Recording Studio, Chris and Jody tackle one of the most heated debates in home recording: which digital audio workstation you should use. Logic, Pro Tools, Studio One, Reaper, every camp has strong opinions. But as Chris and Jody break it down, the truth has less to do with brand loyalty and more to do with how your workflow responds to the interface in front of you. This conversation goes beyond surface-level DAW comparisons. They dig into how different GUIs affect your recording setup, how platform preferences shape your daily use, and whether there's actually any sonic difference between DAWs. Yes, they go there. If you've ever wondered whether switching software will magically improve your mixes, this episode will ground that thinking in practical reality. One of the key takeaways? Your home studio gear only works as well as your comfort with it. If your digital audio workstation slows you down, confuses you, or makes simple tasks feel complicated, it's not the right tool for you, no matter how popular it is. Chris and Jody emphasize choosing a DAW that matches your goals, your habits, and your creative process, not your bandmate's opinion or a Reddit thread. There's also the usual blend of insight and dry humor. At one point, they call out the “DAW tribalism” that shows up online, reminding listeners that most modern recording software is incredibly powerful. The real difference often comes down to user experience, speed, and how naturally the system supports your recording workflow. If you're building a recording setup for the first time, or questioning your current one, this episode delivers clear, practical recording setup tips without drowning you in jargon. It's about removing confusion and helping you make a confident decision about your digital audio workstation. And as always, stick around for Friday Finds and gear tips to sharpen your home studio gear choices even further. If you're serious about improving your workflow and getting more done in your studio, hit subscribe and join us next week for another deep dive into the tools that shape your sound.   #DigitalAudioWorkstation #HomeStudioGear #RecordingSetupTips #DAWComparison #RecordingWorkflow #StudioSetup #MusicProductionTools #DAWDecision

Mint Professional Hair Tools is where high-octane electrical engineering meets the raw artistry of the salon floor. Founded by two industry visionaries with over 40 years of powerhouse experience, this brand was built to disrupt a market saturated with tools that simply couldn't keep up. They realized that stylists were being held back by mediocre equipment, so they set out to engineer a revolution: professional-grade tools designed to ignite creative passion and withstand the relentless pace of a high-volume career. This isn't just manufacturing; it's industrial artistry. Every Mint tool is forged in the fires of real-world performance, undergoing a grueling one-year gauntlet in the world's busiest salons before it ever earns the Mint name. By obsessively listening to the needs of stylists at every level, the founders have created a line that triggers an immediate "Wow!" the moment it's picked up. It is the definitive answer for the professional who has been searching for the "perfect" tool. With a deep-rooted background behind the chair and in the lab, Mint solves the industry's biggest frustrations through cutting-edge technology and elite ergonomics. These tools boast lightning-fast, edge-to-edge heat distribution, stain-resistant durability, and a feather-light feel that eliminates the fatigue of a 10-hour shift. From the luxurious finish to the precision engineering, Mint Professional Hair Tools invites every stylist to grab hold of the future and experience the sheer power of tools built without compromise. Web: https://www.mintprotools.com - Looking for that extra spark to level up your life? Say hello to Ash Brown—your go-to American powerhouse, motivational speaker, and the ultimate hype-woman for your personal and professional growth. Ash isn't just a voice in personal development; she's a trusted friend who brings real-talk wisdom and contagious energy to every conversation. Whether you're stuck in a rut or ready to scale your dreams, Ash is here to fuel your journey with a mix of heart and hustle.

3:18 minute midi keyboard, Pro Tools, and piano piece 6.04 MB

Van Halen officially announced Tokyo Dome Live in Concert on February 5, 2015, following months of fan speculation and a leak just days earlier. Released March 31, 2015, the album became the band's first live record with original frontman David Lee Roth and bassist Wolfgang Van Halen, capturing the group on their A Different Kind of Truth tour in front of a massive Tokyo Dome crowd. The setlist spans every Roth-era Van Halen album, from the 1978 debut through 2012's A Different Kind of Truth, mixing early classics like “Runnin' with the Devil,” “Unchained,” and “Panama” with newer tracks such as “Tattoo” and “She's the Woman.” While the release was celebrated as a major reunion-era document, it also drew criticism in some circles for Roth's live vocal performance. According to Eddie Van Halen, the band first considered remixing early pre-fame demos, but the original tapes couldn't be located. They then explored releasing vintage club recordings, only to find the sound quality unusable. Instead, the band recorded every show on the 2012–2013 tour via Pro Tools, and Roth ultimately chose the Tokyo Dome performance as the official live release. The album's cover art updates Cassandre's classic 1935 painting of the SS Normandie, tying a vintage visual style to a modern live document of the band. Tokyo Dome Live in Concert would also go on to be the final Van Halen album released during Eddie Van Halen's lifetime, making it a significant closing chapter in the band's discography. Featuring David Lee Roth, Eddie Van Halen, Wolfgang Van Halen, and Alex Van Halen, the album stands as a snapshot of Van Halen's late-era live sound and a full-career celebration of the Roth catalog. "Exclusively Van Halen" is your ultimate destination for all things Van Halen. From deep dives into the band's legendary history to giveaways and gear showcases, we celebrate one of the greatest rock bands of all time — every week.

Show NotesAt NAMM 2026, Sean Martin sits down with Chuck Tennin, the President and CEO of Big Fish Music and Big Fish Music Publishing Group, for a candid conversation about the role of AI in the music industry and why the human element remains irreplaceable. Known as "The Big Fish" and "The Alligator," Chuck has spent more than five decades working as an engineer, record producer, music publisher, and consultant, and he pulls no punches when it comes to the limits of technology in creative work.Chuck draws a sharp line between AI as a tool and AI as a replacement for human creativity. He points to organizations like ASCAP, BMI, and the Recording Academy as allies in the fight to protect the creative process, arguing that AI cannot replicate the feel, the instinct, and the emotional investment that go into producing a record. For Chuck, the difference between producing music and producing a record is everything: a record has to connect with an audience on a level that no algorithm can manufacture.The conversation takes listeners through Chuck's journey from two-track analog recording to the digital era of Pro Tools, exploring how each technological leap brought efficiency but never fully captured the warmth and authenticity of tape. He reflects on the critical distinction between an MP3 and a WAV file, between convenience and quality, and between what sounds good enough and what sounds like a record.Chuck also shares hard-earned wisdom about the business side of music: the perseverance required, the reality that 90% of aspiring artists fail, and the belief in oneself that separates survivors from those who walk away. Drawing on stories from legendary artists he has worked with over the decades, he reminds listeners that every big name started in the same place and climbed out of the same struggle.This is a conversation about what technology can assist with and what it can never touch: the soul of music and the humans who create it.HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/GuestChuck Tennin, President and CEO of Big Fish Music and Big Fish Music Publishing Group | On LinkedIn: https://www.linkedin.com/in/chuck-tennin-3468b6105/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center, Southern California — Follow our coverage: https://www.itspmagazine.com/the-namm-show-2026-namm-music-conference-music-technology-event-coverage-anaheim-californiaMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordschuck tennin, big fish music, sean martin, AI in music, analog vs digital recording, record producer, music publishing, Pro Tools, ASCAP, BMI, Recording Academy, NAMM 2026, music industry, human creativity, songwriting, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

3:40 minute midi keyboard, Pro Tools, and piano piece 6.73 MB

This episode focuses on the exciting custom clustering feature now available in Ancestry's Pro Tools. Diana introduces the tool, explaining how it allows for the strategic targeting of specific ancestral lines, offering more flexibility than the original clustering tool. She describes Ancestry's process, which looks for matches sharing 65 cM to 1,300 cM with the user, and then finds those matches that also share at least 20 cM with each other. Nicole discusses the key benefits of using custom clusters: they help you hone in on specific ancestral lines, quickly identify groups descending from common ancestors, and work more efficiently at distant generations. Before creating a cluster, Diana reviews critical points from Ancestry, noting that clusters expire after 30 days unless saved to a group and you are limited to 25 clusters in your history. Nicole shares Ancestry's recommended centimorgan ranges based on the generational distance of the ancestor you are researching. She then walks through the four steps for creating a cluster: choosing a target match, selecting four additional "sidekick" matches, setting the centimorgan range, and generating the cluster. Diana provides a real-world example from her Cline family research, detailing how she used a custom cluster with a 20-50 cM range to test a hypothesis about the parentage of John C. Cline. The results successfully separated her matches into distinct sub-clusters that provide additional evidence for her research. Listeners learn practical tips for success, including saving clusters strategically, trying different target and sidekick match combinations, and systematically tracking all experiments in a research log like Airtable. This powerful strategy helps you apply a new approach to breaking down your DNA research brick walls. This summary was generated by Google Gemini. Links How to Use Ancestry DNA Custom Clusters in Your Research – with Video - https://familylocket.com/how-to-use-ancestry-dna-custom-clusters-in-your-research-with-video/ Ancestry Support Article - Matches by Cluster https://support.ancestry.com/s/article/Matches-by-Cluster?language=en_US Ancestry Support Article - Custom Match Clusters https://support.ancestry.com/s/article/Custom-Match-Clusters?language=en_US  Sponsor – Newspapers.com For listeners of this podcast, Newspapers.com is offering new subscribers 20% off a Publisher Extra subscription so you can start exploring today. Just use the code "FamilyLocket" at checkout.  Research Like a Pro Resources Airtable Universe - Nicole's Airtable Templates - https://www.airtable.com/universe/creator/usrsBSDhwHyLNnP4O/nicole-dyer Airtable Research Logs Quick Reference - by Nicole Dyer - https://familylocket.com/product-tag/airtable/ Research Like a Pro: A Genealogist's Guide book by Diana Elder with Nicole Dyer on Amazon.com - https://amzn.to/2x0ku3d 14-Day Research Like a Pro Challenge Workbook - digital - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-digital-only/ and spiral bound - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-spiral-bound/ Research Like a Pro Webinar Series - monthly case study webinars including documentary evidence and many with DNA evidence - https://familylocket.com/product-category/webinars/ Research Like a Pro eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-e-course/ RLP Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-study-group/ Research Like a Pro Institute Courses - https://familylocket.com/product-category/institute-course/ Research Like a Pro with DNA Resources Research Like a Pro with DNA: A Genealogist's Guide to Finding and Confirming Ancestors with DNA Evidence book by Diana Elder, Nicole Dyer, and Robin Wirthlin - https://amzn.to/3gn0hKx Research Like a Pro with DNA eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-with-dna-ecourse/ RLP with DNA Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-with-dna-study-group/ Thank you Thanks for listening! We hope that you will share your thoughts about our podcast and help us out by doing the following: Write a review on iTunes or Apple Podcasts. If you leave a review, we will read it on the podcast and answer any questions that you bring up in your review. Thank you! Leave a comment in the comment or question in the comment section below. Share the episode on Twitter, Facebook, or Pinterest. Subscribe on iTunes or your favorite podcast app. Sign up for our newsletter to receive notifications of new episodes - https://familylocket.com/sign-up/ Check out this list of genealogy podcasts from Feedspot: Best Genealogy Podcasts - https://blog.feedspot.com/genealogy_podcasts/

What actually happens when you stop isolating everything and just let a band play together in the room? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Travis Harrison, founder of Serious Business Music, a Brooklyn-based studio known for capturing raw, honest performances from real bands. Travis joined me to talk about how his studio and workflow evolved over time - from early audio-only recordings to embracing video, hybrid setups, and modern tools - while still staying rooted in classic recording approaches. We talked about recording bands live in the room, why Travis embraces bleed instead of fighting it, and how capturing the energy of a performance often matters more than perfect isolation. He shared how he'll use simple setups like a single M 160 ribbon mic on drums, how preparation and adaptability become critical when recording larger bands, and why letting musicians interact naturally can shape the sound of a record in ways plugins never will. Travis also broke down his hybrid workflow, using tape as a tone-shaping tool rather than a rigid format - running tracks through a tape machine for color before moving into Pro Tools for editing and mixing. We discussed mic choices like using an SM57 on bass cabinets for midrange growl, routing and flexibility with a Soundcraft Ghost console, and how his Brooklyn studio has been shaped by real-world challenges like soundproofing, space limitations, and evolving technology. Throughout the conversation, we kept coming back to the balance between tradition and innovation - and why great records still come down to musicians, rooms, and decisions made in the moment.   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0RdFM4aImmogaEJBwV5pla?si=8b285a72dca7478a   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/543

3:01 minute midi keyboard, Pro Tools, and piano piece 5.52 MB This title is a phrase that Grok starting using in our converstations on X, and he wrote the opening 16-bar theme.

In Episode 358 of the Mixing Music Podcast, hosts Dee Kei and Lu do a loose “New Year, New Goals” conversation focused on real, practical upgrades for working engineers, both technical and career-related. They start with the career side: how easy it is to get comfortable when work is steady, and why that comfort can quietly turn into less outreach, fewer in-person hangs, and slower networking. The guys talk about rebuilding the habit of showing up, saying hi, staying visible, and keeping relationships warm, even when you do not feel desperate for the next client. On the technical side, Dee Kei shares a simple but powerful listening habit for 2026: mixing at lower monitor volume more intentionally. He describes how turning the monitors down can instantly reveal vocal level problems and balance issues, especially when comparing what a limiter is doing to your drums and mix shape. They also get into the challenge of mixing a live performance EP to sound as close to the studio record as possible, including the reality of trying to make live drums feel more like samples. From there, the conversation turns into “skill stacking” and education. They talk about learning tools you may not personally prefer, simply because certain environments demand them, like Pro Tools in many studio workflows or Digico consoles in a lot of festival and live sound situations. They discuss the idea of getting Digico certified, what high-end live consoles are built for (including redundancy features), and why expanding your toolset can help you scale into bigger gigs. They also explore an unexpectedly practical idea: taking community college courses for cheap, from Pro Tools and recording classes to music business, marketing, and even basic economics and personal finance. The point is not chasing a degree, it is staying sharp, learning from experienced teachers, and intentionally investing in growth without going into debt. They wrap the episode by encouraging listeners to choose a technical goal for the year and keep it front of mind, plus a few fun side tangents that are very on brand.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today's guest has quietly shaped the sound of a generation.He has written and produced some of the biggest songs of the last 15 years—from One Direction's "Story of My Life" to Niall Horan's "Slow Hands," Sabrina Carpenter's "Taste", Teddy Swims' "Lose Control," and Olivia Dean's "So Easy to Fall in Love."A true songwriter's songwriter, John Ryan doesn't just chase hits—he shapes careers, defines sounds, and knows exactly when inspiration is knocking.In this episode, John breaks down what it really takes to stay relevant across multiple eras, why authenticity always wins, and how he went from a Berklee kid living in his manager's parents' house to becoming one of the most trusted voices in pop music.We talk about:- The hardest years of his career- The real batting rate of the best songwriters- Meeting Sabrina Carpenter and Teddy Swims- Working with One Direction and losing Liam- Gems upon GEMS for up and coming musicians, songwriters, and producersand a special live performance of some of his biggest hits.A special thank you to our sponsors…Our lead Sponsor, NMPA— the National Music Publishing Association. Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:00:00 Intro: John Ryan02:30 How John Got Into the Music Industry06:30 Songs from Eighth Grade & Writing Early10:30 Writing Like a Kid Again (The Picasso Effect)13:00 Berklee, Pro Tools & Learning the Craft17:00 How Many Songs Actually Make It Out?19:30 Maroon 5's “Cold”21:30 Niall Horan: From One Direction to Solo Artist24:15 The Lowest Point of His Career26:00 The Realization That Saved Him28:00 Meeting Teddy Swims & Sabrina Carpenter31:00 Social Media, Virality & “I Don't Have That on My Phone”33:30 Writing “Heaven” with Niall Horan34:00 Sabrina Carpenter's “Feather”36:00 Stop Chasing Numbers. Start Betting on People38:00 Co-Writing with Amy Allen41:56 How John Ryan Produces Songs44:50 Country Music & Expanding Taste47:20 Liam Payne51:03 Olivia Dean – “So Easy to Fall in Love”56:45 John Ryan's Take on Collaboration58:50 Writing “Tears” with Sabrina Carpenter59:40 Managing Life, Energy & Relationships1:02:01 “Steal My Girl” & “Night Changes” Should've Been Bigger1:04:52 Choosing Great People Over “Sure Things”1:07:00 John Plays & Sings His Hits1:20:00 Why 10,000 Hours Isn't Enough1:21:06 GEM: Ruthlessly A/B Your Music to Get BetterHosted by Ross GolanProduced by Joe London and Jad SaadEdited by Jad SaadPost-Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

3:24 minute piano, midi keyboard, Pro Tools, and electric guitar piece 6.23 MB

3:03 minute piano and midi keyboard Pro Tools piece 5.60 MB

3:16 minute midi keyboard Pro Tools piece 5.98 MB

You step into the pressure cooker of elite live sound, where Robert Scovill shows you why chaos is often the best teacher. From mixing Rock and Roll Hall of Fame inductions with zero margin for error to handling full-band changeovers on the fly, you learn that perfection is worth chasing but dangerous to demand. You hear why live mixing beats the studio for him. It is about capturing ensemble moments, not polishing parts. Even when the doubt creeps in before showtime, the lights come up, the band hits, and the moment reminds you why you do this. This is the mindset of Always Be Performing. You also get practical, battle-tested tactics for surviving high-stakes gigs. Learn how to study a band fast, who sings, who solos, and when, using recordings and YouTube as prep tools. You hear what it takes to mix legendary harmony vocals, why artists like Def Leppard insist on singing live, and how those expectations shape your approach. Then it gets nerdy in the best way, with the evolution of De-Feedback, real-world use at the Rock Hall, and how tools like reverse impulse responses can clean up wedges, vocals, and even IEMs. The takeaway is clear. Preparation, adaptability, and relentless curiosity are what keep you in the game. 00:00:00 Gig Gab 515 – Monday, January 5th, 2026 January 12th: National Day of Dialogue Guest co-host: Robert Scovill 00:01:25 Mixing Rock and Roll Hall of Fame 10+ Acts… with full changeovers Trial by fire, with no time! 00:07:27 The enjoyment of the pressure of mixing live Perfection is a great thing to strive for, a terrible thing to achieve 00:09:00 Giving up on the studio in favor of live Way more interested in recording ensemble moments 00:10:10 Started in live sound in the 1970s Started with Shooting Star 00:12:04 Full circle moments at Rock Hall Mixing the Joe Cocker induction with Tedeschi Trucks Mixing Peter Frampton…a throwback moment 00:17:34 That thought creeps in: “I don't know if I can keep doing this” And then the show happens…with all of its moments! 00:22:34 Learning a band quickly Who's singing? When? Who plays the guitar solos (and when)? Give them a recording in advance Find them on YouTube 00:25:53 Dolly Parton and Rob Halford sing Jolene 00:28:23 Mixing Def Leppard harmony vocals Def Leppard is a great example: they wanted to sing live They worked hard to deliver what they expected (and what people expected) 00:34:50 Mixing Prince at Rock and Roll Hall of Fame 00:38:20 Always Be Recording…and here's why: Tom Petty and Stevie Nicks And a new ProTools feature was born: VENUE Link 00:43:04 Alpha Labs De-Feedback Started as an aside in Scovill's Back Lounge Neve 5045 Primary Source Expander Waves PSE Plugin De-Feedback does reverse impulse responses 00:48:42 De-Feedback started to “make churches sound better” 00:57:28 De-Feedback at Rock and Roll Hall of Fame Elton John (because of his loud monitor wedges) Cyndi Lauper 01:02:02 Comparing De-Feedback to a Neve 5045 Waves NS1 01:10:19 A live De-Feedback demo and some nerdy details! 01:26:24 Fixing IEMs with De-Feedback Think about eliminating drum bleed from vocal mics, for one. 01:28:47 Gig Gab 515 Outtro Follow Robert Scovill On Facebook On Instagram On LinkedIn RobertScovill.com (where you'll find The Back Lounge) Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Mixing Legends Live: Robert Scovill at the Rock and Roll Hall of Fame — Gig Gab 515 appeared first on Gig Gab.

3:16 minute midi keyboard, Pro Tools, and electric guitar piece 5.99 MB This title is a phrase that Grok starting using in our converstations on X, and he wrote the opening 4-bar motif.

In this edition Ashea is joined by Tony Perrey Director of Audio and co owner of Windmill Lane Recording Studios. Where they discuss the allure of Windmill Lane Studios and why so many legendary artists continue to pass through its teal doors.About Our Guest:Tony Perrey, Director of Audio and co owner of Windmill Lane Recording Studios.Tony has been in the studio business since 1992, setting up a small midi pre production studio. The studios and clients grew bigger until he and his partners Naomi Moore and Aidan Alcock acquired Windmill Lane Studios in 2009.Tony is also the head of Pulse College, whose audio faculty is also located within the iconic building.Tony was one of the original team to develop the Pro Tools world wide .

What do drum mics, bluegrass, and Pro Tools have in common? Find out as David Streit shares 35+ years of studio wisdom, from Quad Studios to acoustic sessions, and why trusting musicians might be your best mic technique yet. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Streit, a recording engineer, producer, mixer, and live sound engineer based in Portland, Oregon. With over 35 years of experience, he started mixing live shows in his hometown of Louisville, Kentucky, before refining his recording skills in Nashville. He later freelanced in Nashville and Santa Cruz before settling in the Pacific Northwest. David holds a recording degree from Middle Tennessee State University and interned at The Aspen Music Festival, learning classical mic'ing techniques. His career spans assisting at Quad Studios, teaching multi-track recording, and working in location sound. Thanks to MTSU for the introduction where we were both students! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0UvoaJkX14wYK2wAHAekAy?si=wRPeCAwNQzGOfe9EMG38yw If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/530

John is joined by Kae Tempest and Fraser T. Smith to discuss how they wrote and recorded the album “Self-Titled”. Kae Tempest is an English recording artist and author. He began his career performing at open mic nights around London, quickly gaining a reputation for his powerful lyrical performances blending rap and spoken word poetry. Between 2008 and 2012 he toured internationally with his band Sound of Rum, launching a solo career with debut album ‘Everybody Down' in 2014. It and second album ‘Let Them Eat Chaos', released in 2015, were both nominated for the Mercury Prize. Kae has since released three further solo albums, including BRIT Award-nominated ‘The Line Is A Curve'. Kae is widely recognised as one of the UK alternative scene's most essential voices, acclaimed for his exceptional lyricism and acute social commentary. Both are particularly evident on his fifth studio album, ‘Self Titled', released earlier this year. ‘Self-Titled' is Kae's first collaboration with multi-award winning UK producer, songwriter and musician Fraser T. Smith. The trio sit down at Fraser's studio, Utopia, where the album was written and recorded, to discuss developing creative harmony working together for the first time, the process of building a song using ProTools, the influence of drum textures and bass sounds on the record, how one creative choice can completely change the direction of a track and much more. Tracks discussed: Statue In The Square, Forever, Till Morning TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Self Titled' here - Self Titled by Kae Tempest LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Ableton Live Avid Pro Tools Soundtoys Phase Mistress Valhalla reverb XLN RC-20 Retro Colour Akai MPC4000 Akai MPC-X Steven Slate Trigger Oeksound Soothe 2 Soundtoys FilterFreak AMS RMX16 Roland SH-101 Boss RE-202 Space Echo Pedal Moog Voyager Soundtoys Decapitator Pultec EQP-1A Mellotron Shure SM7B Manley Gold microphone Tubetech CL 1B Undertone Audio Unfairchild Eventide H3000 Harmoniser Eventide MicroPitch Undertone Audio MPDI-4 Waves H-Delay OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  YouTube: Tape Notes Podcast Patreon: Tape Notes Discord: Tape Notes To let us know the artists you'd like to hear, slide into our DMs, message us on Patreon, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk

Did Chet Atkins invent fingerpicking just to keep other guitarists from catching up? In this episode, I talk with Don Cusic—author of Chet Atkins: Mr. Guitar—about Chet's legendary style, Nashville studio secrets, and how the music biz has changed (and stayed weird). Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Don Cusic, the Curb Professor of Music Industry History at Belmont University and the author of over 30 books on music, culture, and the music business. His latest is Chet Atkins: Mr. Guitar, a newly released biography that explores the life, legacy, and lasting influence of one of Nashville's most iconic musicians. Don has also produced albums for legends like Bobby Bare, Jeannie Seely, and Jim Ed Brown. He co-produced the Eddy Arnold Tribute album with Cheetah Chrome and collaborated with Mike Curb on an album of James Weldon Johnson songs performed by American Idol finalist Melinda Doolittle. Thank you to Pam Lewis and Associates for the introduction!   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6RLwWj9VRj9MaiUecrbvxR?si=3ad154b682a94b3d&pt_success=1&nd=1&dlsi=3991a6a2d4d846d8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/529

Join Rich and Jim as they as they dive deep into the world of Garth Justice's musical roots, Nashville scene insights, and career highlights. Key moments include:[0:11:16] - How Garth first picked up drumsticks at age two in his grandparents' house[0:12:29] - His first church performance at 7-8 years old when the drummer didn't show up[0:16:58] - Early musical experiences playing in college groups and seeking performance opportunities[0:18:33] - Influences from legendary drummers like Carl Palmer and Carlos Vega[0:19:24] - Learning from local Nashville drum heroes like Mark Hammond and John HammondHighlights include Garth's journey from Cleveland, Tennessee to becoming a sought-after drummer for artists like Reba McEntire, his Pro Tools engineering skills, and insights into the Nashville music scene. A must-listen for drummers and music enthusiasts!The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!We have MERCH! www.therichredmondshow.comFollow Rich:@richredmondwww.richredmond.comJim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.Follow Jim:  @jimmccarthywww.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Cowww.itsyourshow.co

What does it take to build a dream studio from the ground up? Nick Bullock of Freda Recording shares how he created a retreat for artists on a Nashville farm, blending music, acoustics, and visual storytelling to support independent musicians. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Nick Bullock, Co-Founder and CEO of Freda Recording, a boutique recording studio and Artist Services company located on a beautiful farm outside of Nashville, TN. Nick returns to the podcast after previous appearances on episodes RSR030 and RSR411 to share more insights from his journey as a producer, engineer, and artist advocate. With a focus on serving the song and honoring the artist's vision, Nick has built a career around making records that are intentional, meaningful, and emotionally impactful. He's worked with artists like Alexz Johnson, Katie Kuffell, National Park Radio, St Paul DeVence, The Aqua Ducks, Katie Basden, and many others. In 2024, Nick and his wife Meredith launched Freda Recording together—blending music production, visual storytelling, and hospitality to help artists realize their full creative potential and bring their dreams to life. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0c03TBvvxbGKhLyngWgco6?si=fxAeqINJTW2fkNcPwROKGw&pi=u-8bMXHbjCSoCN   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/528

What does it sound like to record reverb inside a giant dome? Dr. Chris Warren shares how Echo Thief captures real-world impulse responses, the power of Max programming, and why reverb is key to music, game audio, and immersive sound design. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dr. Chris Warren, a sound designer, digital composer, and creator of immersive sonic installations. His exhibits have been featured at the Museum of Making Music, the Fleet Science Center, and NAMM. Dr. Warren's extensive research in acoustic measurement has produced EchoThief, a library of beautiful reverberation from around North America. These sonic snapshots of distinctive spaces have been featured in video games (Sony's Days Gone, Bethesda's Wolfenstein II), museum exhibits, sonic software, and artistic work around the globe. Dr. Warren teaches digital music composition and sound design at San Diego State University. Thank you to Susan Clausen for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/artist/5vzarQ5NKsI5UShPA0OA7r If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/527  

Paul Riedl and Morris Kolontyrsky of Blood Incantation discuss the incredible 1st year of the album "Absolute Elsewhere", how it's transformed their lives and art, the creation of the record, the band's deep interest in vinyl collecting and lots more. Enter to win a signed vinyl copy of "Absolute Elsewhere" by becoming a sponsor at Patreon.com/VinylGuide Topics Include: Absolute Elsewhere transformed their lives: bigger venues, mainstream press, entirely new audiences. Album allows new stage production; band already writing faster than ever before. Now headlining shows in US; Europe tours were always headliners, just smaller. Forbes called it one of most important death metal records in history. Record serves as gateway, exposing listeners to extreme metal and progressive influences. Vinyl LP format is their artistic endpoint; last two albums are side-long tracks. Twenty-minute sides provide perfect breathing room for their narrative-driven compositions and riffs. Maxed out Pro Tools voices at Hansa Studios during Absolute Elsewhere recording sessions. First three records recorded live on analog tape; complete takes, minimal punch-ins. Absolute Elsewhere used hybrid approach: drums on tape, then built digitally with Arthur. Recording live on tape creates collective synergy and tension they want captured. Band uses Oblique Strategies cards; asks "what would Trey, Chuck, or Eno do?" Paul designs all layouts; collects test pressings and creates prototype covers himself. Searching for roughly 200 more records; has specific rare pressings in mind. Weakling's Dead as Dreams LP extremely rare; basement flood destroyed most copies. Double album versus double LP distinction: complementary discs versus interrupted single work. Songs start with riffs that suggest where to go; excitable band keeps moving. Timewave Zero was critical palate cleanser enabling more holistic collaborative approach forward. Tangerine Dream collaboration manifested unexpectedly; Thorsten used vintage Edgar Froese Mellotron samples. Future dreams include Brian Eno, Steve Roach; already have secret collaborations lined up. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

“It's pretty hard to f* it up in Muscle Shoals.” Jay Tooke found creative freedom and killer drum sounds after leaving Nashville for the slower pace of Muscle Shoals. We talk studio vibes, live tracking, subtlety in performance, and the magic of first takes. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jay Tooke, a Canadian-born, award-winning producer, drummer, multi-instrumentalist, songwriter, and mix engineer now based in Muscle Shoals. After a 14-year run in Nashville, Jay developed a reputation for his intuitive and organic approach to production—working with artists like Randy Houser, Cody Johnson, Lindi Ortega, James Otto, and many more. He's produced six #1 singles and multiple top 10s across Canada, Australia, and New Zealand, with credits ranging from mixing for Cody Jinks to drumming on albums by The Steel Woods. We had Jay on the show back on episode RSR311, where we talked about his transition from band life to the control room, mixing in Muscle Shoals, and embracing a less-is-more approach to production. Today, we're catching up on what he's been working on lately at Fame Studios and Noble Steed  and digging deeper into his creative process. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com Use code ROCK10 to get 10% off! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3v6l7ldK64dlpBATOv3PIy?si=da901ffdebb34951 If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/526

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

Can you really build your own recording studio gear and make it sound amazing? Mitch Rose from Audio Boys says yes—and shows you how. From hand-built microphones to creating reverb chambers in your home, we dive into the heart of DIY recording and why it's the most creative path to finding your signature sound.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mitch Rose, a recording and mixing engineer from Newcastle, Australia. Mitch is passionate about all things DIY—building his own mics, preamps, EQs, compressors, and even studio furniture and acoustic treatment for home studio spaces. He's been teaching music and audio production for over a decade at technical colleges across Australia, covering everything from recording and live sound to composing in Ableton. Mitch is also a multi-instrumentalist who plays drums, guitar, bass, and all kinds of percussion—especially the Cajon. These days, he spends most of his time recording and mixing other artists from his DIY home studio, and sharing what he learns online. He runs a popular YouTube channel called The DIY Recording Studio, where he teaches other producers and engineers how to start their own DIY studio journey—with hands-on build tutorials for companies like MicParts, DIYRE, CAPI, and Sound Skulptor. Mitch recently flew to the US for NAMM 2025 to work with Z&H Designs and connect with artists, producers, and creators from around the world where I got to shoot a couple of fun videos with him at the booth. Thank you to Nick at Panorama Mastering for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59vJxA8aupW03dSSZDfHyc?si=i77sfgsvTyaSLNvRiwqd-Q If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/524