Podcasts about Pro Tools

Show NotesAt NAMM 2026, Sean Martin sits down with Chuck Tennin, the President and CEO of Big Fish Music and Big Fish Music Publishing Group, for a candid conversation about the role of AI in the music industry and why the human element remains irreplaceable. Known as "The Big Fish" and "The Alligator," Chuck has spent more than five decades working as an engineer, record producer, music publisher, and consultant, and he pulls no punches when it comes to the limits of technology in creative work.Chuck draws a sharp line between AI as a tool and AI as a replacement for human creativity. He points to organizations like ASCAP, BMI, and the Recording Academy as allies in the fight to protect the creative process, arguing that AI cannot replicate the feel, the instinct, and the emotional investment that go into producing a record. For Chuck, the difference between producing music and producing a record is everything: a record has to connect with an audience on a level that no algorithm can manufacture.The conversation takes listeners through Chuck's journey from two-track analog recording to the digital era of Pro Tools, exploring how each technological leap brought efficiency but never fully captured the warmth and authenticity of tape. He reflects on the critical distinction between an MP3 and a WAV file, between convenience and quality, and between what sounds good enough and what sounds like a record.Chuck also shares hard-earned wisdom about the business side of music: the perseverance required, the reality that 90% of aspiring artists fail, and the belief in oneself that separates survivors from those who walk away. Drawing on stories from legendary artists he has worked with over the decades, he reminds listeners that every big name started in the same place and climbed out of the same struggle.This is a conversation about what technology can assist with and what it can never touch: the soul of music and the humans who create it.HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/GuestChuck Tennin, President and CEO of Big Fish Music and Big Fish Music Publishing Group | On LinkedIn: https://www.linkedin.com/in/chuck-tennin-3468b6105/ResourcesThe NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center, Southern California — Follow our coverage: https://www.itspmagazine.com/the-namm-show-2026-namm-music-conference-music-technology-event-coverage-anaheim-californiaMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordschuck tennin, big fish music, sean martin, AI in music, analog vs digital recording, record producer, music publishing, Pro Tools, ASCAP, BMI, Recording Academy, NAMM 2026, music industry, human creativity, songwriting, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcastMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode focuses on the exciting custom clustering feature now available in Ancestry's Pro Tools. Diana introduces the tool, explaining how it allows for the strategic targeting of specific ancestral lines, offering more flexibility than the original clustering tool. She describes Ancestry's process, which looks for matches sharing 65 cM to 1,300 cM with the user, and then finds those matches that also share at least 20 cM with each other. Nicole discusses the key benefits of using custom clusters: they help you hone in on specific ancestral lines, quickly identify groups descending from common ancestors, and work more efficiently at distant generations. Before creating a cluster, Diana reviews critical points from Ancestry, noting that clusters expire after 30 days unless saved to a group and you are limited to 25 clusters in your history. Nicole shares Ancestry's recommended centimorgan ranges based on the generational distance of the ancestor you are researching. She then walks through the four steps for creating a cluster: choosing a target match, selecting four additional "sidekick" matches, setting the centimorgan range, and generating the cluster. Diana provides a real-world example from her Cline family research, detailing how she used a custom cluster with a 20-50 cM range to test a hypothesis about the parentage of John C. Cline. The results successfully separated her matches into distinct sub-clusters that provide additional evidence for her research. Listeners learn practical tips for success, including saving clusters strategically, trying different target and sidekick match combinations, and systematically tracking all experiments in a research log like Airtable. This powerful strategy helps you apply a new approach to breaking down your DNA research brick walls. This summary was generated by Google Gemini. Links How to Use Ancestry DNA Custom Clusters in Your Research – with Video - https://familylocket.com/how-to-use-ancestry-dna-custom-clusters-in-your-research-with-video/ Ancestry Support Article - Matches by Cluster https://support.ancestry.com/s/article/Matches-by-Cluster?language=en_US Ancestry Support Article - Custom Match Clusters https://support.ancestry.com/s/article/Custom-Match-Clusters?language=en_US  Sponsor – Newspapers.com For listeners of this podcast, Newspapers.com is offering new subscribers 20% off a Publisher Extra subscription so you can start exploring today. Just use the code "FamilyLocket" at checkout.  Research Like a Pro Resources Airtable Universe - Nicole's Airtable Templates - https://www.airtable.com/universe/creator/usrsBSDhwHyLNnP4O/nicole-dyer Airtable Research Logs Quick Reference - by Nicole Dyer - https://familylocket.com/product-tag/airtable/ Research Like a Pro: A Genealogist's Guide book by Diana Elder with Nicole Dyer on Amazon.com - https://amzn.to/2x0ku3d 14-Day Research Like a Pro Challenge Workbook - digital - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-digital-only/ and spiral bound - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-spiral-bound/ Research Like a Pro Webinar Series - monthly case study webinars including documentary evidence and many with DNA evidence - https://familylocket.com/product-category/webinars/ Research Like a Pro eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-e-course/ RLP Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-study-group/ Research Like a Pro Institute Courses - https://familylocket.com/product-category/institute-course/ Research Like a Pro with DNA Resources Research Like a Pro with DNA: A Genealogist's Guide to Finding and Confirming Ancestors with DNA Evidence book by Diana Elder, Nicole Dyer, and Robin Wirthlin - https://amzn.to/3gn0hKx Research Like a Pro with DNA eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-with-dna-ecourse/ RLP with DNA Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-with-dna-study-group/ Thank you Thanks for listening! We hope that you will share your thoughts about our podcast and help us out by doing the following: Write a review on iTunes or Apple Podcasts. If you leave a review, we will read it on the podcast and answer any questions that you bring up in your review. Thank you! Leave a comment in the comment or question in the comment section below. Share the episode on Twitter, Facebook, or Pinterest. Subscribe on iTunes or your favorite podcast app. Sign up for our newsletter to receive notifications of new episodes - https://familylocket.com/sign-up/ Check out this list of genealogy podcasts from Feedspot: Best Genealogy Podcasts - https://blog.feedspot.com/genealogy_podcasts/

What actually happens when you stop isolating everything and just let a band play together in the room? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Travis Harrison, founder of Serious Business Music, a Brooklyn-based studio known for capturing raw, honest performances from real bands. Travis joined me to talk about how his studio and workflow evolved over time - from early audio-only recordings to embracing video, hybrid setups, and modern tools - while still staying rooted in classic recording approaches. We talked about recording bands live in the room, why Travis embraces bleed instead of fighting it, and how capturing the energy of a performance often matters more than perfect isolation. He shared how he'll use simple setups like a single M 160 ribbon mic on drums, how preparation and adaptability become critical when recording larger bands, and why letting musicians interact naturally can shape the sound of a record in ways plugins never will. Travis also broke down his hybrid workflow, using tape as a tone-shaping tool rather than a rigid format - running tracks through a tape machine for color before moving into Pro Tools for editing and mixing. We discussed mic choices like using an SM57 on bass cabinets for midrange growl, routing and flexibility with a Soundcraft Ghost console, and how his Brooklyn studio has been shaped by real-world challenges like soundproofing, space limitations, and evolving technology. Throughout the conversation, we kept coming back to the balance between tradition and innovation - and why great records still come down to musicians, rooms, and decisions made in the moment.   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0RdFM4aImmogaEJBwV5pla?si=8b285a72dca7478a   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/543

3:01 minute midi keyboard, Pro Tools, and piano piece 5.52 MB This title is a phrase that Grok starting using in our converstations on X, and he wrote the opening 16-bar theme.

In Episode 358 of the Mixing Music Podcast, hosts Dee Kei and Lu do a loose “New Year, New Goals” conversation focused on real, practical upgrades for working engineers, both technical and career-related. They start with the career side: how easy it is to get comfortable when work is steady, and why that comfort can quietly turn into less outreach, fewer in-person hangs, and slower networking. The guys talk about rebuilding the habit of showing up, saying hi, staying visible, and keeping relationships warm, even when you do not feel desperate for the next client. On the technical side, Dee Kei shares a simple but powerful listening habit for 2026: mixing at lower monitor volume more intentionally. He describes how turning the monitors down can instantly reveal vocal level problems and balance issues, especially when comparing what a limiter is doing to your drums and mix shape. They also get into the challenge of mixing a live performance EP to sound as close to the studio record as possible, including the reality of trying to make live drums feel more like samples. From there, the conversation turns into “skill stacking” and education. They talk about learning tools you may not personally prefer, simply because certain environments demand them, like Pro Tools in many studio workflows or Digico consoles in a lot of festival and live sound situations. They discuss the idea of getting Digico certified, what high-end live consoles are built for (including redundancy features), and why expanding your toolset can help you scale into bigger gigs. They also explore an unexpectedly practical idea: taking community college courses for cheap, from Pro Tools and recording classes to music business, marketing, and even basic economics and personal finance. The point is not chasing a degree, it is staying sharp, learning from experienced teachers, and intentionally investing in growth without going into debt. They wrap the episode by encouraging listeners to choose a technical goal for the year and keep it front of mind, plus a few fun side tangents that are very on brand.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Today's guest has quietly shaped the sound of a generation.He has written and produced some of the biggest songs of the last 15 years—from One Direction's "Story of My Life" to Niall Horan's "Slow Hands," Sabrina Carpenter's "Taste", Teddy Swims' "Lose Control," and Olivia Dean's "So Easy to Fall in Love."A true songwriter's songwriter, John Ryan doesn't just chase hits—he shapes careers, defines sounds, and knows exactly when inspiration is knocking.In this episode, John breaks down what it really takes to stay relevant across multiple eras, why authenticity always wins, and how he went from a Berklee kid living in his manager's parents' house to becoming one of the most trusted voices in pop music.We talk about:- The hardest years of his career- The real batting rate of the best songwriters- Meeting Sabrina Carpenter and Teddy Swims- Working with One Direction and losing Liam- Gems upon GEMS for up and coming musicians, songwriters, and producersand a special live performance of some of his biggest hits.A special thank you to our sponsors…Our lead Sponsor, NMPA— the National Music Publishing Association. Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:00:00 Intro: John Ryan02:30 How John Got Into the Music Industry06:30 Songs from Eighth Grade & Writing Early10:30 Writing Like a Kid Again (The Picasso Effect)13:00 Berklee, Pro Tools & Learning the Craft17:00 How Many Songs Actually Make It Out?19:30 Maroon 5's “Cold”21:30 Niall Horan: From One Direction to Solo Artist24:15 The Lowest Point of His Career26:00 The Realization That Saved Him28:00 Meeting Teddy Swims & Sabrina Carpenter31:00 Social Media, Virality & “I Don't Have That on My Phone”33:30 Writing “Heaven” with Niall Horan34:00 Sabrina Carpenter's “Feather”36:00 Stop Chasing Numbers. Start Betting on People38:00 Co-Writing with Amy Allen41:56 How John Ryan Produces Songs44:50 Country Music & Expanding Taste47:20 Liam Payne51:03 Olivia Dean – “So Easy to Fall in Love”56:45 John Ryan's Take on Collaboration58:50 Writing “Tears” with Sabrina Carpenter59:40 Managing Life, Energy & Relationships1:02:01 “Steal My Girl” & “Night Changes” Should've Been Bigger1:04:52 Choosing Great People Over “Sure Things”1:07:00 John Plays & Sings His Hits1:20:00 Why 10,000 Hours Isn't Enough1:21:06 GEM: Ruthlessly A/B Your Music to Get BetterHosted by Ross GolanProduced by Joe London and Jad SaadEdited by Jad SaadPost-Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

3:03 minute piano and midi keyboard Pro Tools piece 5.60 MB

3:24 minute piano, midi keyboard, Pro Tools, and electric guitar piece 6.23 MB

3:16 minute midi keyboard Pro Tools piece 5.98 MB

You step into the pressure cooker of elite live sound, where Robert Scovill shows you why chaos is often the best teacher. From mixing Rock and Roll Hall of Fame inductions with zero margin for error to handling full-band changeovers on the fly, you learn that perfection is worth chasing but dangerous to demand. You hear why live mixing beats the studio for him. It is about capturing ensemble moments, not polishing parts. Even when the doubt creeps in before showtime, the lights come up, the band hits, and the moment reminds you why you do this. This is the mindset of Always Be Performing. You also get practical, battle-tested tactics for surviving high-stakes gigs. Learn how to study a band fast, who sings, who solos, and when, using recordings and YouTube as prep tools. You hear what it takes to mix legendary harmony vocals, why artists like Def Leppard insist on singing live, and how those expectations shape your approach. Then it gets nerdy in the best way, with the evolution of De-Feedback, real-world use at the Rock Hall, and how tools like reverse impulse responses can clean up wedges, vocals, and even IEMs. The takeaway is clear. Preparation, adaptability, and relentless curiosity are what keep you in the game. 00:00:00 Gig Gab 515 – Monday, January 5th, 2026 January 12th: National Day of Dialogue Guest co-host: Robert Scovill 00:01:25 Mixing Rock and Roll Hall of Fame 10+ Acts… with full changeovers Trial by fire, with no time! 00:07:27 The enjoyment of the pressure of mixing live Perfection is a great thing to strive for, a terrible thing to achieve 00:09:00 Giving up on the studio in favor of live Way more interested in recording ensemble moments 00:10:10 Started in live sound in the 1970s Started with Shooting Star 00:12:04 Full circle moments at Rock Hall Mixing the Joe Cocker induction with Tedeschi Trucks Mixing Peter Frampton…a throwback moment 00:17:34 That thought creeps in: “I don't know if I can keep doing this” And then the show happens…with all of its moments! 00:22:34 Learning a band quickly Who's singing? When? Who plays the guitar solos (and when)? Give them a recording in advance Find them on YouTube 00:25:53 Dolly Parton and Rob Halford sing Jolene 00:28:23 Mixing Def Leppard harmony vocals Def Leppard is a great example: they wanted to sing live They worked hard to deliver what they expected (and what people expected) 00:34:50 Mixing Prince at Rock and Roll Hall of Fame 00:38:20 Always Be Recording…and here's why: Tom Petty and Stevie Nicks And a new ProTools feature was born: VENUE Link 00:43:04 Alpha Labs De-Feedback Started as an aside in Scovill's Back Lounge Neve 5045 Primary Source Expander Waves PSE Plugin De-Feedback does reverse impulse responses 00:48:42 De-Feedback started to “make churches sound better” 00:57:28 De-Feedback at Rock and Roll Hall of Fame Elton John (because of his loud monitor wedges) Cyndi Lauper 01:02:02 Comparing De-Feedback to a Neve 5045 Waves NS1 01:10:19 A live De-Feedback demo and some nerdy details! 01:26:24 Fixing IEMs with De-Feedback Think about eliminating drum bleed from vocal mics, for one. 01:28:47 Gig Gab 515 Outtro Follow Robert Scovill On Facebook On Instagram On LinkedIn RobertScovill.com (where you'll find The Back Lounge) Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Mixing Legends Live: Robert Scovill at the Rock and Roll Hall of Fame — Gig Gab 515 appeared first on Gig Gab.

3:16 minute midi keyboard, Pro Tools, and electric guitar piece 5.99 MB This title is a phrase that Grok starting using in our converstations on X, and he wrote the opening 4-bar motif.

In dieser Folge spreche ich mit Dialogeditorin Sabrina Naumann Reichow über ein Thema, das unscheinbar wirkt, aber für die Postproduktion entscheidend ist: Ordnung, Metadaten und Workflow im Dialogschnitt. Nachdem wir in einer vorherigen Runde über die Vorbereitung am Set gesprochen haben, gehen wir diesmal einen Schritt weiter: Wie kommen die Daten eigentlich im Dialog Edit an – und was passiert dann damit? Gemeinsam schauen wir direkt in Pro Tools auf macOS und erklären: welche Metadaten beim Set Recording entstehen wo man sie in Pro Tools findet und wie man sie sinnvoll nutzt warum Scene & Take für den Dialogschnitt unverzichtbar sind wie man mithilfe von Metadaten schnell Alternativtakes findet welche Rolle Kommentare, Nurton-Kennzeichnungen und Benennungen spielen Außerdem sprechen wir über alternative Tools wie Soundminer und Kraken Dialog Editors Toolkit, deren Vor- und Nachteile sowie typische Probleme bei Transfers aus Avid, Premiere oder Final Cut. Auf YouTube sehen: https://youtu.be/tQf6aMig0tY   Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

Sabrina Naumann-Reichow (Dialog Editing) und Antje Volkmann (O-Ton am Filmset) beleuchten die kritischen Fehler im File Management, die den Workflow zwischen O-Ton-Aufnahme und Dialog Editing massiv sabotieren,. Im Zentrum steht das Problem des stehenden Timecodes (oft 00:00:00), ausgelöst durch Komplikationen mit externen Timecode-Mastern wie der LED Wall,. Ohne eindeutige Zeitstempel versagt die Suchfunktion von Pro Tools beim Versuch, die Originaldateien über den Field Recorder Guidetrack Workflow neu zu verknüpfen, was aufwendige manuelle Workarounds oder die Nutzung minderwertiger MXF-Dateien erzwingt Auf YouTube sehen: https://youtu.be/TjqX26LPQRM   Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Orchestra Guide - Perfekte Orchester-Mockup-Balance: https://payhip.com/b/oRXKh Hier das Episoden-Archiv als PDF runterladen: https://www.sounth.de/media/podcast/sounTHcast.pdf Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de  

Pro Tools Factory Essentials KONTAKT TRACER | 15 December 2025 │ 3.07 GB COMPREHENSIVE INSTRUMENT LIBRARY A collection of over 70 instruments | Includes a range of drumkits, keys, synths, […]

In this edition Ashea is joined by Tony Perrey Director of Audio and co owner of Windmill Lane Recording Studios. Where they discuss the allure of Windmill Lane Studios and why so many legendary artists continue to pass through its teal doors.About Our Guest:Tony Perrey, Director of Audio and co owner of Windmill Lane Recording Studios.Tony has been in the studio business since 1992, setting up a small midi pre production studio. The studios and clients grew bigger until he and his partners Naomi Moore and Aidan Alcock acquired Windmill Lane Studios in 2009.Tony is also the head of Pulse College, whose audio faculty is also located within the iconic building.Tony was one of the original team to develop the Pro Tools world wide .

Learn how Halter Technical builds pro-grade headphones and software designed for people who create content, not consume it. Marc Aflalo talks with founder Doc Justice about the origin of the company, why film and TV audio teams needed better tools, and how the WildTrax 2026 update expands what production sound mixers, podcasters, and studios can do.Doc Justice explains how his background as a hip hop DJ and sound mixer on unscripted TV led to creating Halter Technical. Directors and producers kept asking for headphones that didn't exist, so he built purpose-made tools for production teams who needed accurate dialogue monitoring, proper cable lengths, and hardware that fits real set workflows.The conversation shifts to WildTrax, Halter Technical's multi-track recording software that can handle up to 512 tracks. Doc describes why DAWs like Pro Tools didn't meet the syncing and metadata needs of production teams. WildTrax was designed to stay stable, sync to timecode, label files correctly, and generate reports that make post-production faster.Doc breaks down what's new in WildTrax 2026, including pro playback tools, integrated Tentacle Sync detection, MIDI timecode, quick notes, global monitoring, and new licensing. Users can now choose monthly, annual, or lifetime licenses, and the software works with any existing hardware setup.Marc and Doc discuss stability, podcast workflows, real-world feedback, and the growing community around WildTrax. Doc closes with details on the public beta and the full 2026 launch.If you enjoyed the conversation, subscribe for more interviews with creators, engineers, and innovators shaping the future of audio and production. Halter Technical: https://www.haltertechnical.comWildTrax: https://www.haltertechnical.com/wildtracks#AudioProduction #SoundMixing #FilmAudio  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Learn how Halter Technical builds pro-grade headphones and software designed for people who create content, not consume it. Marc Aflalo talks with founder Doc Justice about the origin of the company, why film and TV audio teams needed better tools, and how the WildTrax 2026 update expands what production sound mixers, podcasters, and studios can do. Doc Justice explains how his background as a hip hop DJ and sound mixer on unscripted TV led to creating Halter Technical. Directors and producers kept asking for headphones that didn't exist, so he built purpose-made tools for production teams who needed accurate dialogue monitoring, proper cable lengths, and hardware that fits real set workflows. The conversation shifts to WildTrax, Halter Technical's multi-track recording software that can handle up to 512 tracks. Doc describes why DAWs like Pro Tools didn't meet the syncing and metadata needs of production teams. WildTrax was designed to stay stable, sync to timecode, label files correctly, and generate reports that make post-production faster. Doc breaks down what's new in WildTrax 2026, including pro playback tools, integrated Tentacle Sync detection, MIDI timecode, quick notes, global monitoring, and new licensing. Users can now choose monthly, annual, or lifetime licenses, and the software works with any existing hardware setup. Marc and Doc discuss stability, podcast workflows, real-world feedback, and the growing community around WildTrax. Doc closes with details on the public beta and the full 2026 launch. If you enjoyed the conversation, subscribe for more interviews with creators, engineers, and innovators shaping the future of audio and production. Halter Technical: https://www.haltertechnical.com WildTrax: https://www.haltertechnical.com/wildtracks #AudioProduction #SoundMixing #FilmAudio Halter Technical, Doc Justice, WildTrax software, WildTrax 2026, production sound mixer tools, film set audio, multi track recording software, timecode synced audio, Tentacle Sync integration, dialogue monitoring headphones, production audio workflow, podcast recording tools, stable audio recorder, audio metadata tools, content creator audio gear, studio recording workflow Learn more about your ad choices. Visit megaphone.fm/adchoices

Jaime Bermúdez Escamilla adoptó su seudónimo de la fallecida poetisa María del Adarve. Apasionado de la música, compositor y diseñador sonoro, estudió en el conservatorio desde los 12 años. A los 17 se unió a una banda de metal y compró su primer equipo de Pro Tools, comenzó a componer piezas con una estética muy similar a la de las bandas sonoras. Su obra ha encontrado su lugar en el cine, el teatro y los videojuegos durante la última década. Ha publicado dos EPs: "Neu" en Piano and Coffee Records y "Las Horas" (estrenado en Radio 3, Radio Clásica y KEXP) cuya gira lo llevó a Portugal, Reino Unido, México, Rumanía y por supuesto España. Acaba de publicar "Montañas y Antenas", su primer LP que va acompañado de un poemario, ambos autoeditados.

En este episodio de La Clave Pop, conversamos con Andrés Giménez, vocalista de la legendaria banda argentina A.N.I.M.A.L., nominada a dos Latin GRAMMY 2025: Mejor Álbum de Rock y Mejor Canción de Rock por "Legado".Con más de 30 años de trayectoria, A.N.I.M.A.L. regresa desafiando las convenciones actuales: su nuevo disco tiene solo 7 canciones en 24 minutos, cuando la tendencia favorece álbumes de 15 o 20 temas. "Muchos discos son tan largos que empiezas a picarlas", explica Andrés sobre esta decisión rebelde.Legado fue grabado completamente análogo, en cinta, sin Pro Tools, recuperando el espíritu de la vieja escuela. El disco incluye temas como la canción titular "Legado", "Fraternidad", "ViolentoDespertar" y la balada "Culpables No Hay".Una joya especial es "Primitivo", pieza instrumental que tiene grabaciones auténticas de un ritual indígena que Andrés captó en México en 1997 — un secreto que el cantante revela por primera vez en exclusiva a La Clave Pop.En esta conversación profunda, Andrés reflexiona sobre la mortalidad, el legado y su filosofía pospandemia: "Animal no es para toda la vida. Me propuse ser feliz en cada momento que me regale la vida". También hablamos sobre grabar con "errores hermosos", la inteligencia artificial en la música y cómo sus conciertos reúnen a tres generaciones, desde abuelos hasta nietos de 8 años.Un episodio imprescindible para entender el rock latinoamericano actual y el legado de una de las bandas más importantes del metal en español.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠@marysabelhuston⁠⁠ TikTok: ⁠⁠@marysabelhuston⁠⁠ Facebook: ⁠⁠Marysabel.Huston⁠⁠X (antes Twitter): ⁠⁠@hustonmarysabel⁠⁠YouTube: ⁠⁠Marysabel Huston⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

What happens when you start a DJ duo with your middle school best friend - and it actually works?In this episode of The XLNT Show, we sit down with LA-based legends Two Friends to trace their full journey - from mashing up indie rock in Pro Tools during college, to building the Big Booty Mixes empire, to throwing arena-sized shows with full drumlines, sax solos, and pyro.We cover it all:The early days of mashups and hip-hop beatsProducing electronic music entirely in Pro ToolsPlaying over 150 frat parties across the countryThe science (and chaos) behind Big Bootie MixesHow they build stadium-sized live sets with color-coded Google SheetsTouring with sax players, drumlines, and custom visualsNavigating a long-term creative partnership without burning outBlending pop, country, EDM, and halftime heat into one soundWhether you're a DJ, producer, or part of a creative duo trying to define your voice, this is a masterclass in identity, experimentation, and staying power.We also talk about upcoming music with Quinn XCII, the challenges of BPM “jail,” and what it takes to build a team you can trust.⭐️ SUPPORT THE POD ⭐️➡️ ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thexlntshow⁠⁠⁠⁠⁠⁠⁠⭐️ #1 Sample & Preset Packs [Use code “THEXLNTSHOW” for 10% off your next purchase] ⭐️➡️ ⁠⁠⁠⁠⁠⁠bit.ly/XLNTSOUNDPACKS⭐️ QUEST FOR BASS VOL 2 EARLY ACCESS ⭐️➡️ ⁠https://questforbass.com

What do drum mics, bluegrass, and Pro Tools have in common? Find out as David Streit shares 35+ years of studio wisdom, from Quad Studios to acoustic sessions, and why trusting musicians might be your best mic technique yet. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Streit, a recording engineer, producer, mixer, and live sound engineer based in Portland, Oregon. With over 35 years of experience, he started mixing live shows in his hometown of Louisville, Kentucky, before refining his recording skills in Nashville. He later freelanced in Nashville and Santa Cruz before settling in the Pacific Northwest. David holds a recording degree from Middle Tennessee State University and interned at The Aspen Music Festival, learning classical mic'ing techniques. His career spans assisting at Quad Studios, teaching multi-track recording, and working in location sound. Thanks to MTSU for the introduction where we were both students! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0UvoaJkX14wYK2wAHAekAy?si=wRPeCAwNQzGOfe9EMG38yw If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/530

John is joined by Kae Tempest and Fraser T. Smith to discuss how they wrote and recorded the album “Self-Titled”. Kae Tempest is an English recording artist and author. He began his career performing at open mic nights around London, quickly gaining a reputation for his powerful lyrical performances blending rap and spoken word poetry. Between 2008 and 2012 he toured internationally with his band Sound of Rum, launching a solo career with debut album ‘Everybody Down' in 2014. It and second album ‘Let Them Eat Chaos', released in 2015, were both nominated for the Mercury Prize. Kae has since released three further solo albums, including BRIT Award-nominated ‘The Line Is A Curve'. Kae is widely recognised as one of the UK alternative scene's most essential voices, acclaimed for his exceptional lyricism and acute social commentary. Both are particularly evident on his fifth studio album, ‘Self Titled', released earlier this year. ‘Self-Titled' is Kae's first collaboration with multi-award winning UK producer, songwriter and musician Fraser T. Smith. The trio sit down at Fraser's studio, Utopia, where the album was written and recorded, to discuss developing creative harmony working together for the first time, the process of building a song using ProTools, the influence of drum textures and bass sounds on the record, how one creative choice can completely change the direction of a track and much more. Tracks discussed: Statue In The Square, Forever, Till Morning TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Self Titled' here - Self Titled by Kae Tempest LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Ableton Live Avid Pro Tools Soundtoys Phase Mistress Valhalla reverb XLN RC-20 Retro Colour Akai MPC4000 Akai MPC-X Steven Slate Trigger Oeksound Soothe 2 Soundtoys FilterFreak AMS RMX16 Roland SH-101 Boss RE-202 Space Echo Pedal Moog Voyager Soundtoys Decapitator Pultec EQP-1A Mellotron Shure SM7B Manley Gold microphone Tubetech CL 1B Undertone Audio Unfairchild Eventide H3000 Harmoniser Eventide MicroPitch Undertone Audio MPDI-4 Waves H-Delay OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  YouTube: Tape Notes Podcast Patreon: Tape Notes Discord: Tape Notes To let us know the artists you'd like to hear, slide into our DMs, message us on Patreon, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk

Did Chet Atkins invent fingerpicking just to keep other guitarists from catching up? In this episode, I talk with Don Cusic—author of Chet Atkins: Mr. Guitar—about Chet's legendary style, Nashville studio secrets, and how the music biz has changed (and stayed weird). Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Don Cusic, the Curb Professor of Music Industry History at Belmont University and the author of over 30 books on music, culture, and the music business. His latest is Chet Atkins: Mr. Guitar, a newly released biography that explores the life, legacy, and lasting influence of one of Nashville's most iconic musicians. Don has also produced albums for legends like Bobby Bare, Jeannie Seely, and Jim Ed Brown. He co-produced the Eddy Arnold Tribute album with Cheetah Chrome and collaborated with Mike Curb on an album of James Weldon Johnson songs performed by American Idol finalist Melinda Doolittle. Thank you to Pam Lewis and Associates for the introduction!   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6RLwWj9VRj9MaiUecrbvxR?si=3ad154b682a94b3d&pt_success=1&nd=1&dlsi=3991a6a2d4d846d8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/529

Join Rich and Jim as they as they dive deep into the world of Garth Justice's musical roots, Nashville scene insights, and career highlights. Key moments include:[0:11:16] - How Garth first picked up drumsticks at age two in his grandparents' house[0:12:29] - His first church performance at 7-8 years old when the drummer didn't show up[0:16:58] - Early musical experiences playing in college groups and seeking performance opportunities[0:18:33] - Influences from legendary drummers like Carl Palmer and Carlos Vega[0:19:24] - Learning from local Nashville drum heroes like Mark Hammond and John HammondHighlights include Garth's journey from Cleveland, Tennessee to becoming a sought-after drummer for artists like Reba McEntire, his Pro Tools engineering skills, and insights into the Nashville music scene. A must-listen for drummers and music enthusiasts!The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!We have MERCH! www.therichredmondshow.comFollow Rich:@richredmondwww.richredmond.comJim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.Follow Jim:  @jimmccarthywww.jmvos.com The Rich Redmond Show is produced by It's Your Show dot Cowww.itsyourshow.co

How a music-obsessed Midwesterner built a sonic legacy from the mix stages of Hollywood to the classrooms of tomorrow — and why the future of sound is still human. In this sound-rich episode, Corey sits down with Lenny Jones, a virtuoso in the trailer audio world and founder of 24/96 Sound & Music Design. With over 190 feature film campaigns under his belt and a teaching post at the New York Film Academy, Lenny shares his journey from humble beginnings in Indiana to becoming a go-to source for immersive sound design in trailers, TV spots, and features. This episode is a masterclass in navigating creative evolution, embracing new tech like AI, and maintaining human connection in an increasingly digital industry. ❤️ Featured Cause: A Place Called Home In this episode, we highlight A Place Called Home (APCH), a transformative nonprofit in South Central LA that provides a safe, nurturing environment for young people to learn, grow, and thrive. Through arts, education, counseling, and mentorship, APCH helps build brighter futures — and stronger communities.

We break down the biggest updates from Squarespace Circle Day, why this year felt different, and what matters for your client work. We cover Finish Layer in ProTools (animations, layers, grouping with Stacks, hide on mobile, copy and paste styles), the new custom fonts workflow, Circle dashboard upgrades that reduce Impact headaches, connected commerce and extensibility for stronger integrations, and Beacon AI, including SEO help for LLMs.Follow:⁠⁠Follow Christy on Instagram⁠⁠⁠⁠Follow Will on Instagram⁠⁠⁠⁠Sign up for Will's Newsletter⁠⁠⁠⁠Sign up for Christy's Newsletter⁠

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What does it take to build a dream studio from the ground up? Nick Bullock of Freda Recording shares how he created a retreat for artists on a Nashville farm, blending music, acoustics, and visual storytelling to support independent musicians. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Nick Bullock, Co-Founder and CEO of Freda Recording, a boutique recording studio and Artist Services company located on a beautiful farm outside of Nashville, TN. Nick returns to the podcast after previous appearances on episodes RSR030 and RSR411 to share more insights from his journey as a producer, engineer, and artist advocate. With a focus on serving the song and honoring the artist's vision, Nick has built a career around making records that are intentional, meaningful, and emotionally impactful. He's worked with artists like Alexz Johnson, Katie Kuffell, National Park Radio, St Paul DeVence, The Aqua Ducks, Katie Basden, and many others. In 2024, Nick and his wife Meredith launched Freda Recording together—blending music production, visual storytelling, and hospitality to help artists realize their full creative potential and bring their dreams to life. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0c03TBvvxbGKhLyngWgco6?si=fxAeqINJTW2fkNcPwROKGw&pi=u-8bMXHbjCSoCN   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/528

Send us a textIn this episode Czar and Oshay discuss Spotify adding loseless audio and other new features to their platflorm. Czar mentions the IK multimedia group buy sale which can be found here https://bit.ly/4nSaIaeThere is now a mailing list. We will be using this mailing list to share updates, giveaways, product discounts and more. You can sign up for the mailing list at http://eepurl.com/hzwW4fAs usual this episode will be posted in theFacebook Group for discussion, Faders Up Podcast.Follow the hosts, guest, and podcast on Instagram- FadersUpPodcast- AudioCzar901- ItspronouncedOshay

What does it sound like to record reverb inside a giant dome? Dr. Chris Warren shares how Echo Thief captures real-world impulse responses, the power of Max programming, and why reverb is key to music, game audio, and immersive sound design. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Dr. Chris Warren, a sound designer, digital composer, and creator of immersive sonic installations. His exhibits have been featured at the Museum of Making Music, the Fleet Science Center, and NAMM. Dr. Warren's extensive research in acoustic measurement has produced EchoThief, a library of beautiful reverberation from around North America. These sonic snapshots of distinctive spaces have been featured in video games (Sony's Days Gone, Bethesda's Wolfenstein II), museum exhibits, sonic software, and artistic work around the globe. Dr. Warren teaches digital music composition and sound design at San Diego State University. Thank you to Susan Clausen for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/artist/5vzarQ5NKsI5UShPA0OA7r If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/527  

Paul Riedl and Morris Kolontyrsky of Blood Incantation discuss the incredible 1st year of the album "Absolute Elsewhere", how it's transformed their lives and art, the creation of the record, the band's deep interest in vinyl collecting and lots more. Enter to win a signed vinyl copy of "Absolute Elsewhere" by becoming a sponsor at Patreon.com/VinylGuide Topics Include: Absolute Elsewhere transformed their lives: bigger venues, mainstream press, entirely new audiences. Album allows new stage production; band already writing faster than ever before. Now headlining shows in US; Europe tours were always headliners, just smaller. Forbes called it one of most important death metal records in history. Record serves as gateway, exposing listeners to extreme metal and progressive influences. Vinyl LP format is their artistic endpoint; last two albums are side-long tracks. Twenty-minute sides provide perfect breathing room for their narrative-driven compositions and riffs. Maxed out Pro Tools voices at Hansa Studios during Absolute Elsewhere recording sessions. First three records recorded live on analog tape; complete takes, minimal punch-ins. Absolute Elsewhere used hybrid approach: drums on tape, then built digitally with Arthur. Recording live on tape creates collective synergy and tension they want captured. Band uses Oblique Strategies cards; asks "what would Trey, Chuck, or Eno do?" Paul designs all layouts; collects test pressings and creates prototype covers himself. Searching for roughly 200 more records; has specific rare pressings in mind. Weakling's Dead as Dreams LP extremely rare; basement flood destroyed most copies. Double album versus double LP distinction: complementary discs versus interrupted single work. Songs start with riffs that suggest where to go; excitable band keeps moving. Timewave Zero was critical palate cleanser enabling more holistic collaborative approach forward. Tangerine Dream collaboration manifested unexpectedly; Thorsten used vintage Edgar Froese Mellotron samples. Future dreams include Brian Eno, Steve Roach; already have secret collaborations lined up. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

“It's pretty hard to f* it up in Muscle Shoals.” Jay Tooke found creative freedom and killer drum sounds after leaving Nashville for the slower pace of Muscle Shoals. We talk studio vibes, live tracking, subtlety in performance, and the magic of first takes. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jay Tooke, a Canadian-born, award-winning producer, drummer, multi-instrumentalist, songwriter, and mix engineer now based in Muscle Shoals. After a 14-year run in Nashville, Jay developed a reputation for his intuitive and organic approach to production—working with artists like Randy Houser, Cody Johnson, Lindi Ortega, James Otto, and many more. He's produced six #1 singles and multiple top 10s across Canada, Australia, and New Zealand, with credits ranging from mixing for Cody Jinks to drumming on albums by The Steel Woods. We had Jay on the show back on episode RSR311, where we talked about his transition from band life to the control room, mixing in Muscle Shoals, and embracing a less-is-more approach to production. Today, we're catching up on what he's been working on lately at Fame Studios and Noble Steed  and digging deeper into his creative process. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://pickrmusic.com Use code ROCK10 to get 10% off! https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3v6l7ldK64dlpBATOv3PIy?si=da901ffdebb34951 If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/526

What if fewer mics could help you make better records? Alan Evans (Soulive) joins me to talk 4-track recording, Iceland sessions, AI in music, and how simplicity, mindset, and health can fuel your best creative work.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Alan Evans, a recording, mixing, and mastering engineer, producer, and musician based in Western Massachusetts. Alan's probably best known as the drummer and co-founder of Soulive, but over the past 30 years, he's also built a deep discography engineering, producing, and shaping the sound of hundreds of recordings. He grew up in a musically rich household in Buffalo, NY, soaking in the sounds of Miles Davis, Ray Charles, and Jimi Hendrix which ignited his interest in music. As a teenager, he hit the clubs and started recording bands, teaching himself the craft of recording, mixing, and production from the ground up. These days, Alan continues to push boundaries through his label, Vintage League Music, with projects spanning jazz, funk, reggae, rock, and Americana—including recent recordings with Oteil Burbridge and MonoNeon at Floki Studios in Iceland, and a new album with Charlie Hunter and Ella Feingold at Pilot Recording Studios in Housatonic, MA. Alan's been on the show before in episodes RSR183, RSR339, and RSR440—and I'm psyched to have him back again, this time in person for video at Ready To Rock Studios. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1F16ucxEvIBugOepkzsTkW?si=FJKiBFINRAOZrjKf0FdYJg If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/525

Can you really build your own recording studio gear and make it sound amazing? Mitch Rose from Audio Boys says yes—and shows you how. From hand-built microphones to creating reverb chambers in your home, we dive into the heart of DIY recording and why it's the most creative path to finding your signature sound.   Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Mitch Rose, a recording and mixing engineer from Newcastle, Australia. Mitch is passionate about all things DIY—building his own mics, preamps, EQs, compressors, and even studio furniture and acoustic treatment for home studio spaces. He's been teaching music and audio production for over a decade at technical colleges across Australia, covering everything from recording and live sound to composing in Ableton. Mitch is also a multi-instrumentalist who plays drums, guitar, bass, and all kinds of percussion—especially the Cajon. These days, he spends most of his time recording and mixing other artists from his DIY home studio, and sharing what he learns online. He runs a popular YouTube channel called The DIY Recording Studio, where he teaches other producers and engineers how to start their own DIY studio journey—with hands-on build tutorials for companies like MicParts, DIYRE, CAPI, and Sound Skulptor. Mitch recently flew to the US for NAMM 2025 to work with Z&H Designs and connect with artists, producers, and creators from around the world where I got to shoot a couple of fun videos with him at the booth. Thank you to Nick at Panorama Mastering for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/59vJxA8aupW03dSSZDfHyc?si=i77sfgsvTyaSLNvRiwqd-Q If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/524

Is Google Search thriving or dying? How is AI eating your PPC lunch, and why won't Google make up its mind?  This week, we cover trending topics including Google's expanded AI mode for multi-lingual search, Reddit's sneaky push for publisher power with brand new Pro Tools, and the surprising court ruling that lets Google keep Chrome… while also sharing some of its special sauce (most likely a can of Ragu). You'll hear how shifting digital consumer behavior (think: the Four S's—searching, scrolling, streaming, shopping) is making marketers rethink their omnichannel strategies, and why social media optimization keeps creeping into every SEO conversation. Plus, Cindy Krum shares fresh holiday search trends and reveals why TikTok Shop might outpace traditional ecommerce. We even poke fun at Google's “reality”—the web's apparently booming and crumbling at the exact same time, depending on who's asking. News from the EDGE: [00:02:24] BrightonSEO Tickets! [00:05:33] Google expands AI Mode beyond English [00:10:04] Reddit launches Pro tools for publishers [00:12:46] EDGE Sponsor: Site Strategics [00:14:09] Judge lets Google keep Chrome, but says it must share search data with rivals SEO News Segment: [00:21:16] Holiday shopping: Unlocking the modern consumer's new value equation [00:29:43] EDGE of the Web Sponsor: WAIKAY [00:31:30] Are Google's AI Overviews eating your PPC revenue? [00:35:53] Google can't decide if the web is thriving – or dying Thanks to our sponsors! Site Strategics https://edgeofthewebradio.com/site Inlinks WAIKAY https://edgeofthewebradio.com/waikay Follow Us: X: @ErinSparks X: @Suzzicks X: @TheMann00 X: @EDGEWebRadio

"Music's too fun not to have fun making music." In this episode, I talk with Chris Andrews, a seasoned producer, mix, and mastering engineer who has worked with artists across the globe. From his Dolby-approved Atmos studio, Monument Sound, nestled at 7,400 feet in the Rocky Mountains of Colorado, Chris delivers stunning immersive mixes that compete at the highest level of the music industry. His story begins in a basement studio in Virginia and evolves through years of military service, technical refinement, and relentless creativity. We talk about Chris's current studio setup, his go-to tools like the SSL Sigma, and how Forte AI and Soundflow are revolutionizing his workflow. He shares advice for audio professionals on avoiding debt, maximizing creativity, and treating music as both an art and a business. This one's packed with insight and inspiration! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Andrews, a 25-year veteran producer, mix, and mastering engineer based in Monument, Colorado. He got his start running TBR Studio—The Basement Recording Studio—for seven years before moving to Denver in 2007, where he balanced a day job while refining his craft by night. That dedication led to the creation of Monument Sound, a private studio set 7,400 feet up in the foothills of the Rocky Mountains. In 2022, he leveled up his studio with a Dolby-approved ATMOS mixing room, allowing him to deliver immersive, three-dimensional mixes that help artists compete in today's evolving audio world. While he's worked with artists all over the globe across many genres, his heart is in rock, pop, and country. And when he's not mixing music, he's lending his post-audio talents to indie film projects. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Apple Music: STEREO: https://music.apple.com/us/playlist/monument-sound-mix-master/pl.u-XkD0vN0C2vbYx3g ATMOS: https://music.apple.com/us/playlist/chris-andrews-atmos-mixes/pl.u-zPyLl9LCer95vy8 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/523

“Surround yourself with people you admire.” In this episode of Recording Studio Rockstars, I had the pleasure of talking with Brendan Duffey, a multi-Grammy-nominated mix and mastering engineer with nearly 30 years of experience. Brendan has worked with legends like Kendrick Lamar, Sheryl Crow, Milton Nascimento, and Bruce Dickinson—best known as the iconic lead singer of Iron Maiden and a legendary solo artist in his own right. Brendan brings a deep understanding of both the technical and emotional sides of music production. We talked about everything from his early days teaching audio engineering—where he learned how to explain complex concepts in simple ways—to his approach to mixing and mastering across different genres. Brendan shared what it was like to remix and master much of Bruce Dickinson's solo catalog, how he thinks about low-end in hip-hop, and why sometimes a mistake in the studio can lead to your most exciting creative breakthrough. He also opened up about how vocal production has changed over the years, moving from an auditory process to a more visual one, and why he believes simplicity, emotional connection, and knowing your tools inside and out are what really make a mix come alive. Brendan reminded me that mixing isn't just about the gear or the plugins—it's about bringing out the best in the performance and creating something that moves people. This was a killer episode with tons of great insight, whether you're just starting out or deep in your career. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brendan Duffey, an award-winning mix and mastering engineer with 21 nominations to his name. Based in Jupiter, Florida, Brendan has nearly three decades of experience delivering world-class sound for artists across genres, including Bruce Dickinson of Iron Maiden, Kendrick Lamar, Milton Nascimento, and Sheryl Crow. For 10 years, Brendan owned and operated a major recording facility in São Paulo, Brazil, before relocating to California to focus on mixing and mastering. He later moved to Jupiter in search of a better quality of life for his family. Brendan holds a B.A. in Recording Arts from CSU Chico and a Master's degree in Music Business from Berklee College of Music. Thank you to Matt Boudreau for the introduction our NAMM meetup! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0L98zCsTqvYmMxalrJa1SZ?si=8bfd61e0069a4adb If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/522

In this edition Ashea & Julian are joined by Oxford based producer/engineer & former SSL James Richmond and Production Exoert's Luke Goddard, where they discuss  the things they're loving in the world of audio right now.About Our Guests:James is a producer/engineer based in Oxfordshire, UK.Luke Goddard is one of Production Experts very own. You can see his videos and read his articles on the blog.Finds Of The Week:Ashea:New Studio Chair (Inexpensive and comfy) Luke: Tape Bowing Ensemble by The Open Reel Ensemble. Magnetic tape + bamboo bows + effects. This is a trio performance on the “JIGAKKYU,” a traditional folk instrument made by stretching magnetic tape across bamboo.James: Yuzu Keycaps (for custom Pro Tools labelling)Julian Sound of Noise - Music for One Apartment and Six Drummers 

Bar Italia is a band from London that we're both fans of. Their new record, Some Like It Hot, is out next month on Matador. We chat with Nina and Jezmi about Vogue's new editor, Tim Dillon's Abu Dhabi payday, Howard Stern, Harry Styles in Rome, Jezmi's dad's salsa dancing career, silent mat pilates, pissing in a cup at the Oasis show, our karaoke songs, how they write songs, Pro Tools as a band member, good and bad festivals, how many push ups Jezmi can do, and their top five over the counter homeopathic remedies. instagram.com/baritaliaa twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"I always had music around." In this episode, Lij Shaw interviews Felipe de Mari Scalone, a Brazilian producer and musician, about his journey from growing up in a musical family to establishing Junk Mahal Studio in Brazil. Felipe shares insights from his time in London and Amsterdam, his transition from performing in bands to music production, and his experiences attending Mix with the Masters with Shawn Everett. He discusses his sound experimentation, mixing techniques, and the impact of Brazilian and international music on his work. Felipe also shares his unique approaches to reamping, DIY audio equipment, vintage technology, and the challenges and rewards of working in the music industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Felipe De Mari Scalone, a Brazilian producer, musician, and frontman of the shoegaze/grunge band Cyanish. After immersing himself in the music scenes of Amsterdam and London, he returned to Brazil to record his debut EP, Lighthouse (2019), marking the beginning of his journey in music production. In 2021, Felipe founded Junkmahal Studio, collaborating with artists like Vitor Bruno, Catiça, 43duo, De Um Filho, De Um Cego, and Luvbites, helping shape their sound across various genres. In 2022, he attended a Mix With The Masters seminar in France with Shawn Everett, and by the end of 2024, he had earned an honorable mention in Eric Valentine's mix contest. Shortly after, he moved to Los Angeles for an internship with Chris Sorem at Nest Recorders, continuing to refine his craft. I met Felipe at NAMM during our Recording Studio Rockstars meetup and was impressed by his story, enthusiasm, and the cool sound of his records! Shoutout to Matt Boudreau for the introduction at the bar. Today, we will discuss making records in Brazil, experimenting with sound, and creating super cool short videos for Instagram to create new and unusual instruments in the studio. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2RWGULQsJ7Ulj9f6AmQ2O1?si=540116b8c51440b1 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/521

Tune in for an episode of Recording Studio Rockstars with host Lij Shaw, featuring the talented musician and recording arts student, Abbie Griffin. Abbie shares her personal journey—from falling in love with music inspired by artists like Joni Mitchell and Taylor Swift, to navigating the challenges of the industry. She opens up about her songwriting process, the influence of her family and life experiences, and how technology is transforming the way we create music. Most importantly, Abbie emphasizes the importance of staying true to yourself and embracing your individuality. Don't miss her latest track, "Live from Onie's House," available on Spotify. Join us as we chat about music and creativity on this episode of Recording Studio Rockstars. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Abbie Griffin, an engineer, singer, guitarist, and bassist, and a student of Recording Arts and Production at Montclair State University in NJ, where she studies audio engineering, post-production, and live event audio. At just 22 years old, she's already been performing for nearly two decades. She loves making music and recently released her first record, Live from Onie's House, inspired by Joni Mitchell. To quote her greatest inspiration—her musical grandmother—Abbie is “the saddest yet happiest songbird you'll ever meet, with that smile.” I met Abbie at NAMM when she came to a meetup for Recording Studio Rockstars. The first thing she said to me was that she was a fan of the podcast—and so was her dad! It's so cool to hear how the podcast is reaching a younger audience and inspiring those just starting out in their music and audio careers. Today, we're going to find out what it's like to be a young student of recording aspiring to be a musician and songwriter. We'll talk about what Abbie's learning in school, what she thought she needed to learn, and what music really means to her. She shares her thoughts on the rapid changes in music technology with AI, how the definition of a producer is evolving for the next generation, and where she sees the future of music heading. We'll also dive into her love for vintage gear, DIY instruments, and how strength training plays a surprising role in her creative process. And—one of the coolest parts—Abbie recently had the chance to interview Pat Metheny, one of her musical heroes. Get ready for an inspiring conversation about songwriting, personal growth, and embracing your unique sound! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7jc5wSU8VTbukzdbPmvyXa?si=fc479fd1cff4463d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/520

Lij Shaw of Recording Studio Rockstars recently sat down with Gabe Dagrezio to dive into his journey from frontman of The New Story to a highly regarded producer, engineer, and studio owner. With years of experience in the music industry, Gabe has worked with a wide range of artists, helping them craft their sound through both performance and technical mastery. He emphasizes the importance of authentic recordings combined with solid technical skills, often sharing how preparation and understanding the artist's vision are key to great results. Gabe also talks about his studio setup, his approach to mixing and mastering, and how modern tools like room simulation headphones can elevate home recordings. Throughout the conversation, he highlights the value of community organizations like AES, continual learning, and building genuine relationships—lessons that are crucial for anyone looking to thrive in today's ever-changing industry. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Gabe Dagrezio. Gabe started as the frontman of The New Story, an Italian touring band signed to EMI/Virgin in the early 2000s. His time in the studio sparked a deep passion for recording, leading him to master performance, engineering, and production. Gabe is a skilled guitarist, songwriter, and singer who has performed thousands of shows worldwide. His background gives him a performer's sensitivity in the studio, bridging the gap between artistry and technical precision. With a Bachelor of Music in Songwriting, Contemporary Guitar, and Music Technology, he brings a well-rounded approach to recording, mixing, and coaching artists to their best performances. We met a couple years ago and here's a quote from Gabe “NAMM, I walked up to you because I listen to your podcast, and I recognized the voice, then, I looked at your badge :)” THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Soundcloud: Recent productions: https://on.soundcloud.com/BMSg25zFjH4crFA99 Original songs: https://on.soundcloud.com/YVPKzB29pob8UAy9A If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/519

Ken Sluiter is a Grammy‑nominated recording engineer, producer, and mixer whose career spans from Chicago's indie scene to major Los Angeles studios. He has worked with a diverse roster of artists, including Weezer (Red Album), Morrissey, James Blunt, Heart, OK Go, Jerry Lee Lewis, Andra Day, The Mekons, and Flogging Molly. After establishing himself at Chicago's Kingsize Sound Labs, Ken moved to LA in 2003, where he assisted legendary engineers Andrew Scheps, Greg Fidelman, and Jim Scott on projects for artists such as Metallica, Pink, and Keith Richards.Known for his refined in‑the‑box Pro Tools workflow and ability to commit to bold sonic decisions early in the process, Ken blends analog tracking with digital precision in his own API‑equipped mix room. His credits extend to film and television scores—including Hannibal and American Gods—and he now works extensively in Dolby Atmos, continuing to shape mixes for artists across genres.IN THIS EPISODE YOU'LL LEARN:Working on jinglesThe process of editing on tapeCharging based on time vs per projectChecking your ego at the door to help grow your careerAlways being ready for anything to happen in the studioBeing flexible to a band's style of workingHow clocking affects your sound while mixingHow to identify a good clock from a bad oneMixing in-the-box vs. hybridWhy you should listen really loud when starting a mixListening in context to determine when something is/isn't a problemMaking bass sound good on small speakersFocusing on mixing translationMixing kick drums to feel big, but without being muddyUsing gates as a sound shaperKick/bass relationships: How to get them to work well togetherTo learn more about Ken Sluiter, visit: https://promixacademy.com/mentor/ken-sluiter/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej Youtube: http://www.youtube.com/@MasterYourMix...

What does it take to rise from cleaning studios to shaping some of the most iconic records of our time? Trina Shoemaker's story is not just about breaking into the music industry—it's about breaking through it. As the first woman to win a Grammy for Best Engineered Album, Trina paved the way for a generation of female producers and engineers, and she brings her powerful voice and razor-sharp insight to this inspiring and unfiltered conversation. In this episode, Trina shares how she went from mopping floors at Capitol Records to earning Grammy wins for her work with artists like Sheryl Crow and Emmylou Harris. She tells the behind-the-scenes stories of working on Wrecking Ball and how that album helped define the sound of Americana. We explore her years in London learning the art of engineering, her move to New Orleans to join the legendary Kingsway Studio, and the deep musical and personal lessons she learned along the way. Trina also pulls back the curtain on the realities of being a woman in a male-dominated field—how she navigated the industry, demanded respect, and held true to her belief in capturing raw, honest performances. She discusses her approach to vocal production, why she avoids auto-tune, and how crafting backing vocals is one of her secret weapons. Beyond her life in the studio, Trina opens up about her love of writing and her dream of publishing a novel and having actor Will Patton narrate the audiobook. Whether you're a seasoned engineer or just starting out, this episode offers a powerful reminder: authenticity, persistence, and a deep respect for the artist's process will always rise above the noise. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Trina Shoemaker, who was born in 1965 and raised in Joliet, IL, southwest of Chicago. Over the past three-and-a-half decades, she has produced, recorded and mixed hundreds of records. A four-time Grammy® Award winner and six-time nominee, she is the first woman to win the Grammy® for Best Engineered Album, Non-Classical. Her credits run the gamut from Queens Of The Stone Age, Rodney Crowell, Charley Crockett and Iggy Pop to Sheryl Crow, Brandi Carlile and Tanya Tucker. Although audio engineering is a passion, writing songs and playing musical instruments are not. Instead, while her ears are busy in the studio recording music, her imagination is busy creating characters, narratives, plotlines and dialogues as she travels through the hidden workings of songs. These stories have culminated in the creation of her debut novel, Bury Me Alive In Your Sugar. Trina lives on Mobile Bay in Fairhope, Alabama, with her husband, singer-songwriter Grayson Capps. Thank you to Tyler Bryant for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/7FEgPMG0Zhkx6vdIuU5SUX?si=38dbbb23f1994fae If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/518

Ulf Blomberg is a Swedish producer, engineer, and musician known for his deep roots in the DIY scene and his work in punk, death metal, and black metal. He joins Lij to talk about running his own studio, recording techniques, the power of real amps, and why clear communication and artist comfort are critical. Ulf also shares the mission behind his band Agenda, which blends hardcore punk with political and social awareness, and discusses building his own gear, training interns, and what makes a studio truly inspiring. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Ulf Blomberg, a Swedish producer and engineer with a strong DIY ethos who has been making underground metal and punk/hardcore records for 20 years. He started playing guitar as a teenager and quickly fell in love with recording, experimenting with a portable cassette recorder before ever stepping into a real studio. In 2004, he co-founded HoboRec, a studio and punk label, eventually becoming the sole owner and going full-time about six or seven years ago. Having toured extensively—once playing 45 shows in 47 days across 22 countries—he deeply understands the struggles and dedication of independent bands. Known for his organic, acoustically rich productions, Ulf has recorded hundreds of albums, including Danko Jones and Wolfbrigade. He also shares his knowledge on his YouTube channel, HoboRec Recording Studio, with DIY projects like How I Made My Own DIY Ribbon Mic. Thank you to Chris Selim for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0ZbBcVTRe6CjdpAAUEm5zg?si=b7fd1623d3874f84 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/517

Apply to Join Churchfront Premium Apply to Join Churchfront Pro Free Worship and Production Toolkit Shop Our Online Courses Join us at the Churchfront Conference Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront Musicbed SyncID: MB01VWQ69XRQNSN   Podcast Episode Notes: Choosing Church Broadcast Audio Systems Episode Overview Discussion about switching from Logic Pro to other broadcast audio solutions including Waves LV1, Studio One, and Pro Tools for church live streaming applications. Key Participants Jake Gosselin - Host/Audio Expert Matt Woltjer - Audio Engineer/Consultant Main Topics Covered Current Industry Setup Most professionals using matrix mix from LV1 systems for broadcast Common approach: dedicated matrix send from main front-of-house mix Requires ongoing attention to maintain quality Logic Pro Issues Identified Primary Problem: Time Drift Logic Pro gradually falls behind video stream Can drift up to 2+ seconds behind actual video Creates major sync issues for live streaming Problem appears unique to Logic Pro Design Limitations Logic Pro optimized for studio recording, not live applications Apple's development priorities focus on studio use Pricing model ($200 for 18+ years) indicates different revenue focus Alternative DAW Options Ableton Live & Pro Tools No reported time drift issues Better suited for live applications More reliable for broadcast mixing Waves LV1 System Purpose-built for live mixing Hardware controller integration Superior plugin processing Most expensive but most reliable option System Integration Challenges Hardware Requirements Allen & Heath SQ: Requires Waves interface cards Dante Systems: Need Dante Wave Sound Bridge (~$3,000) LV1 Options: Classic (most expensive, full features) One C Compact (budget option, limited processing) Proton Duo (insufficient for full mix) Critical Decision Factors Budget Considerations LV1 systems: $10,000+ for complete setup Additional hardware costs often overlooked Integration complexity increases total cost Staffing Reality Check Many churches: 1-2 experienced engineers, 2-3 learning operators Common mistake: Experienced on FOH, beginners on broadcast Results in expensive equipment producing poor mixes Fundamental Issues First Acoustic treatment more impactful than equipment upgrades Proper PA tuning essential before broadcast considerations Secondary console improves mix quality only 2-5% Room acoustics can transform entire sound Professional Recommendations When to Choose Matrix Mix: Small to midsize churches Limited experienced staff Budget constraints Desire for consistency and reliability When to Consider LV1: Dedicated broadcast mixing staff Sufficient budget for complete system Acoustics and PA already optimized Need for advanced plugin processing Questions to Ask Before Upgrading: What specific problems are you solving? Do you have dedicated, experienced broadcast staff? Are fundamental acoustic/PA issues addressed? What's your complete system budget? How complex is your current audio routing? Real-World Case Study Recent consultation example: Church requesting lighting upgrades without understanding lighting theory Eight BLX wireless systems failing across multiple rooms Recommended: Learn fundamentals before spending money Upgrade to antenna-capable systems for multi-room use Key Takeaways Equipment Isn't Always the Answer Master current equipment before upgrading Address fundamental issues (acoustics, tuning) first Proper operation often more important than specific hardware Context is Critical Every church situation is unique Professional consultation recommended Holistic system assessment necessary Strategic upgrade planning prevents expensive mistakes Success Factors Experienced operation Proper implementation Fundamental acoustic treatment Realistic budget and expectations Action Items for Listeners Assess current system holistically before planning upgrades Prioritize acoustic treatment and PA tuning Evaluate staff experience and availability Consider professional consultation for complex decisions Focus on mastering current equipment capabilities Resources Mentioned Church Front premium membership for professional consultation Professional coaching calls available Community recommendations for Studio One and Pro Tools Next Steps for Churches Evaluate specific broadcast mixing challenges Consider matrix mix optimization before new systems Plan strategic upgrade path with professional guidance Address fundamental issues before equipment purchases Episode Duration: ~10 minutes Topic: Church Audio Technology Audience: Church technical teams, audio engineers, ministry leaders

What does it take to build the ultimate dream studio? Grammy-winning producer, engineer, and guitarist David Kalmusky returns to the show to share his journey of designing Addiction Sound Studios and how it's shaped his approach to music production. Known for his work with John Oates, Journey, Shawn Mendes, and many more, David talks about the importance of studio setups, the magic of drums and microphones in recording, and how technology has changed the way we make records. We talked about drive-by sessions, archiving sounds for future inspiration, and why it matters to always have gear ready to capture a great performance. David also reflected on Nashville's rich musical history, the legacy of instruments, and personal connections with legendary artists. In the second half, we talked about quality over quantity when it comes to instruments, the creative use of high-strung guitars, and the process of setting up an Atmos room for immersive mixing. David shared his thoughts on curating a creative space, navigating sound libraries, and how streaming has impacted music careers. We also got into the business side of things—like understanding royalties and publishing—and why internships can be such a valuable path for new producers. It was great to catch up with David and hear what he's been working on—lots of cool stuff in this episode. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Kalmusky, a Multi-Diamond producer, songwriter, guitarist, mixer, and engineer. His credits include Joss Stone, Shawn Mendes, Carrie Underwood, John Legend, Keith Urban, Mickey Guyton, Mötley Crüe, Nate Smith, Warren Zeiders, Parmalee, Rita Wilson, K. Michelle, and many more. By 2025, his catalog has amassed over 40 billion streams. Let me know if you'd like any tweaks! Dave has been a guest on the podcast in episodes RSR052 and RSR371. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/2xWtNo5m9U6zq6c90Q6sz6?si=7cbe860dc3b94e79 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/516

What's the secret to crafting a killer mix? Grammy-winning mix engineer Collin Dupuis joins us to share his insights on mixing techniques, room acoustics, and creative chaos. Known for working with The Black Keys, Lana Del Rey, Angel Olsen, he discusses the evolution of music gear, collaboration, experimentation, clarity in mixing, effective file management, and tools like Soundflow and Samply that streamline workflow. Collin talks about vintage recording equipment, the revival of classic multitrack tapes, and automation in modern mixing. He shares experiences with in-person learning, challenges working with musicians of varying skill levels, techniques for enhancing drum sounds, the importance of headphone mixes for drummers, microphone choices and design, and the historical impact of Stevens tape machines. From live-to-two-track recording to innovative mixing, Collin offers valuable insights into pushing creative boundaries. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Collin Dupuis, a Detroit-based multi-Grammy nominated and two time Grammy winning mixer, producer, and musician working with artists like Yves Tumor, Angel Olsen, Lawrence Rothman, Special Interest, Boy and Bear, and many others. He also plays drums in his band Zoos of Berlin. In 2024, Collin came to my studio to teach a mixing masterclass that was a ton of fun. We had a full studio of dedicated producers and engineers from near and far. We learned a ton about Collin's sophisticated mixing method, including a better understanding of how a mix template can work in your home studio and a deep dive into RX and how it can improve your mixes. Collin has been a guest on the podcast in episodes RSR252, RSR341 and RSR404. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/0WU3Rx4o79aPlCDRnq4O0m?si=abcc86915abc4b5a If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/515

In this episode of Recording Studio Rockstars, I sat down with the legendary David Botrill—Grammy-winning producer and engineer behind iconic albums by Tool, Peter Gabriel, King Crimson, Muse, and more. David's journey began in a small Canadian studio run by Bob Lanois, where he learned to be indispensable in the room. From there, he went on to work with Daniel Lanois, Peter Gabriel, and Real World Studios before stepping out on his own. We talk about: The evolution of his ambient and world music influences Building a custom studio for Atmos mixing Embracing imperfection in music Band dynamics, remote collaboration, and pre-production tips His hands-on carpentry work and how it shapes his approach to sound This episode is packed with wisdom for producers, engineers, and anyone passionate about capturing real emotion in the studio. Don't miss this conversation with one of the greats! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is David Bottrill, a three time Grammy Award winning Producer/Engineer/Mixer and has had over 15 million copies of his work sold worldwide. He has worked with a diverse spectrum of prolific artists, such as Peter Gabriel, Smashing Pumpkins, Tool, Muse, Silverchair, King Crimson, Godsmack. and Rush. David has also worked with some of the most influential world musicians, noteably Youssou N'dour and Baaba Maal of Senegal, and Nusrat Fateh Ali Khan of Pakistan. David spent 20 years living in the UK, followed by a term in New York, but has settled back in Canada, where he has a mixing studio. Even still, David still spends much of his time working in the US and abroad. Thanks to Brian Murphree at SoundPorter Mastering for making this happen! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4rABNr5EoaZ8S7hJSMCXMm?si=017e4b84ae674701 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/514

Is AI changing the future of music production? In this episode, I sit down with Bobby Owsinski, renowned producer, author, and music industry expert, to explore the evolving role of AI, mastering, and the creative process. We dive into the latest edition of Owsinski's Mastering Engineer's Handbook, the importance of reference tracks, and the challenges of self-mastering. Our conversation covers the adaptability of professional songwriters, the resurgence of traditional song structures like bridges, and essential mixing techniques. We also discuss the significance of mono mixing, the roles of engineers and producers, and how the legacy of the music industry continues to shape modern production. Bobby and I explore the fallibility of memory in music history, the evolution of guitar tone and equipment, and the impact of technology on sound. We discuss the future of immersive audio, particularly in theatrical settings, and share insights on discovering new music, staying engaged with diverse sounds, and the importance of content creation and organization. If you're looking for expert insights on mastering, mixing, and navigating the changing landscape of music production, this episode is packed with valuable takeaways! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is producer and engineer Bobby Owsinski, one of the best-selling authors in the music industry, with 24 books that have become staples in audio recording, music, and music business programs worldwide. His titles include The Mixing Engineer's Handbook, The Music Business Advice Book, and The Musician's AI Handbook. A contributor to Forbes as a category expert on the new music business, Bobby's industry blogs have won numerous awards, and he's appeared on CNN and ABC News as a music branding and audio expert. His highly-rated Inner Circle podcast is now in its 10th year, with over 500 episodes featuring top guests from across the music industry. Bobby Owsinski was featured in RSR010, RSR395 and RSR458 episodes. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/35qyOhVhDyTtol0MGSyCjf?si=7f4e7901c3a94ec5 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/513