Podcasts about Berlin Wall

Constitutional Conventions: Theories, Practices and Dynamics (Routledge, 2025) is an excellent edited volume exploring the various ways in which governments and constitutional structures operate in the spaces that are not necessarily articulated in law, edict, or formal documents. This is not a text about the folks who gathered together in 1787 in Philadelphia, or even those who wrote new constitutional structures after the fall of the Berlin Wall. Conventions means the rules that govern the interactions between political actors and the governments they inhabit. In many ways, this refers to the kinds of norms that have grown up around different parts of the systems of government. The strength and endurance of those rules or norms can change over time and in response to crises or dynamic changes. Constitutional Conventions: Theories, Practices, and Dynamics explores these thick and thin dimensions of the governing structures from a comparative perspective, taking up Anglo and American systems in the United States, the United Kingdom, and Australia. The book also examines the cases of Hungary and Czechia (the Czech Republic), two post-Cold War systems; and finally, also, China. In considering these constitutional conventions, we can think of them as structures or engagement that is not enforced by the courts, since these are not, per se, written constitutional laws. In long standing liberal democracies, there is an inclination towards adhering to conventions. But when these conventions are under strain, how they work, or maintain “regular order” becomes a critical test within the established governmental systems. Constitutional Conventions provides another dimension of significant interest in the discussion of how China works within these kinds of conventions within the process in which political individuals come up through the governmental and party systems and move into leadership roles. The comparative case study of Hungary and Czechia indicates that even in somewhat similar structures, the conventions and norms are not always the same. Constitutional Conventions: Theories, Practices, and Dynamics is an important analysis of the ways in which governmental structures work beyond what is written or built as the official system. The discussions cover theoretical, practical, and comparative dimensions of our understandings of the processes and functions of governments. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or send her missives at Bluesky @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Constitutional Conventions: Theories, Practices and Dynamics (Routledge, 2025) is an excellent edited volume exploring the various ways in which governments and constitutional structures operate in the spaces that are not necessarily articulated in law, edict, or formal documents. This is not a text about the folks who gathered together in 1787 in Philadelphia, or even those who wrote new constitutional structures after the fall of the Berlin Wall. Conventions means the rules that govern the interactions between political actors and the governments they inhabit. In many ways, this refers to the kinds of norms that have grown up around different parts of the systems of government. The strength and endurance of those rules or norms can change over time and in response to crises or dynamic changes. Constitutional Conventions: Theories, Practices, and Dynamics explores these thick and thin dimensions of the governing structures from a comparative perspective, taking up Anglo and American systems in the United States, the United Kingdom, and Australia. The book also examines the cases of Hungary and Czechia (the Czech Republic), two post-Cold War systems; and finally, also, China. In considering these constitutional conventions, we can think of them as structures or engagement that is not enforced by the courts, since these are not, per se, written constitutional laws. In long standing liberal democracies, there is an inclination towards adhering to conventions. But when these conventions are under strain, how they work, or maintain “regular order” becomes a critical test within the established governmental systems. Constitutional Conventions provides another dimension of significant interest in the discussion of how China works within these kinds of conventions within the process in which political individuals come up through the governmental and party systems and move into leadership roles. The comparative case study of Hungary and Czechia indicates that even in somewhat similar structures, the conventions and norms are not always the same. Constitutional Conventions: Theories, Practices, and Dynamics is an important analysis of the ways in which governmental structures work beyond what is written or built as the official system. The discussions cover theoretical, practical, and comparative dimensions of our understandings of the processes and functions of governments. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or send her missives at Bluesky @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

CLOSE OF THE COLD WAR:     1/4: The Picnic:A Dream of Freedom and the Collapse of the Iron Curtain by  Matthew Longo  (Author) https://www.amazon.com/Picnic-Dream-Freedom-Collapse-Curtain/dp/0393540774/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In August 1989, a group of Hungarian activists organized a picnic on the border of Hungary and Austria. But this was not an ordinary picnic―it was located on the dangerous militarized frontier known as the Iron Curtain. Tacit permission from the highest state authorities could be revoked at any moment. On wisps of rumor, thousands of East German “vacationers” packed Hungarian campgrounds, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The Pan-European Picnic set the stage for the greatest border breach in Cold War history: hundreds crossed from the Communist East to the longed-for freedom of the West. Drawing on dozens of original interviews―including Hungarian activists and border guards, East German refugees, Stasi secret police, and the last Communist prime minister of Hungary―Matthew Longo tells a gripping and revelatory tale of the unraveling of the Iron Curtain and the birth of a new world order. Just a few months after the Picnic, the Berlin Wall fell, and the freedom for which the activists and refugees had abandoned their homes, risked imprisonment, sacrificed jobs, family, and friends, was suddenly available to everyone. But were they really free? And why, three decades since the Iron Curtain was torn down, have so many sought once again to build walls? Cinematically told, The Picnic recovers a time when it seemed possible for the world to change. With insight and panache, Longo explores the opportunities taken―and the opportunities we failed to take―in that pivotal moment. 1956 BUDAPEST

CLOSE OF THE COLD WAR:     2/4: The Picnic:A Dream of Freedom and the Collapse of the Iron Curtain by  Matthew Longo  (Author) https://www.amazon.com/Picnic-Dream-Freedom-Collapse-Curtain/dp/0393540774/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In August 1989, a group of Hungarian activists organized a picnic on the border of Hungary and Austria. But this was not an ordinary picnic―it was located on the dangerous militarized frontier known as the Iron Curtain. Tacit permission from the highest state authorities could be revoked at any moment. On wisps of rumor, thousands of East German “vacationers” packed Hungarian campgrounds, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The Pan-European Picnic set the stage for the greatest border breach in Cold War history: hundreds crossed from the Communist East to the longed-for freedom of the West. Drawing on dozens of original interviews―including Hungarian activists and border guards, East German refugees, Stasi secret police, and the last Communist prime minister of Hungary―Matthew Longo tells a gripping and revelatory tale of the unraveling of the Iron Curtain and the birth of a new world order. Just a few months after the Picnic, the Berlin Wall fell, and the freedom for which the activists and refugees had abandoned their homes, risked imprisonment, sacrificed jobs, family, and friends, was suddenly available to everyone. But were they really free? And why, three decades since the Iron Curtain was torn down, have so many sought once again to build walls? Cinematically told, The Picnic recovers a time when it seemed possible for the world to change. With insight and panache, Longo explores the opportunities taken―and the opportunities we failed to take―in that pivotal moment. 1837 BUCHAREST

CLOSE OF THE COLD WAR:     3/4: The Picnic:A Dream of Freedom and the Collapse of the Iron Curtain by  Matthew Longo  (Author) https://www.amazon.com/Picnic-Dream-Freedom-Collapse-Curtain/dp/0393540774/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In August 1989, a group of Hungarian activists organized a picnic on the border of Hungary and Austria. But this was not an ordinary picnic―it was located on the dangerous militarized frontier known as the Iron Curtain. Tacit permission from the highest state authorities could be revoked at any moment. On wisps of rumor, thousands of East German “vacationers” packed Hungarian campgrounds, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The Pan-European Picnic set the stage for the greatest border breach in Cold War history: hundreds crossed from the Communist East to the longed-for freedom of the West. Drawing on dozens of original interviews―including Hungarian activists and border guards, East German refugees, Stasi secret police, and the last Communist prime minister of Hungary―Matthew Longo tells a gripping and revelatory tale of the unraveling of the Iron Curtain and the birth of a new world order. Just a few months after the Picnic, the Berlin Wall fell, and the freedom for which the activists and refugees had abandoned their homes, risked imprisonment, sacrificed jobs, family, and friends, was suddenly available to everyone. But were they really free? And why, three decades since the Iron Curtain was torn down, have so many sought once again to build walls? Cinematically told, The Picnic recovers a time when it seemed possible for the world to change. With insight and panache, Longo explores the opportunities taken―and the opportunities we failed to take―in that pivotal moment. 1994 ROMANIA

CLOSE OF THE COLD WAR:     4/4: The Picnic:A Dream of Freedom and the Collapse of the Iron Curtain by  Matthew Longo  (Author) https://www.amazon.com/Picnic-Dream-Freedom-Collapse-Curtain/dp/0393540774/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In August 1989, a group of Hungarian activists organized a picnic on the border of Hungary and Austria. But this was not an ordinary picnic―it was located on the dangerous militarized frontier known as the Iron Curtain. Tacit permission from the highest state authorities could be revoked at any moment. On wisps of rumor, thousands of East German “vacationers” packed Hungarian campgrounds, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The Pan-European Picnic set the stage for the greatest border breach in Cold War history: hundreds crossed from the Communist East to the longed-for freedom of the West. Drawing on dozens of original interviews―including Hungarian activists and border guards, East German refugees, Stasi secret police, and the last Communist prime minister of Hungary―Matthew Longo tells a gripping and revelatory tale of the unraveling of the Iron Curtain and the birth of a new world order. Just a few months after the Picnic, the Berlin Wall fell, and the freedom for which the activists and refugees had abandoned their homes, risked imprisonment, sacrificed jobs, family, and friends, was suddenly available to everyone. But were they really free? And why, three decades since the Iron Curtain was torn down, have so many sought once again to build walls? Cinematically told, The Picnic recovers a time when it seemed possible for the world to change. With insight and panache, Longo explores the opportunities taken―and the opportunities we failed to take―in that pivotal moment. 1967 BERLIN

Join Shawn, Travis, Todd, and Lee as they tackle the Berlin Wall, not with hammers, but with compelling cinema. This episode kicks off with a deep dive into the iconic 'Wings of Desire,' before our hosts reveal their personal, must-see movie picks that illuminate this historic barrier. Discover new films and fresh perspectives on one of history's most compelling symbols.

Join us for an inspiring sermon titled "Us Vs. Them," based on Galatians 3:26-29. In this message, we explore the profound truth that in Christ, the old distinctions that once divided us no longer matter. We are all sons of God and heirs to the promise, united in Jesus. Key Points: Discover how the divisions of race, class, and gender are overcome in Christ. Reflect on personal experiences of feeling different and how Jesus calls us to unity. Understand the significance of baptism and its connection to salvation. Learn about the historical and cultural barriers that have divided people and how they are dismantled in Christ. Be inspired by the story of the Berlin Wall and how it symbolizes the breaking down of barriers. Let us embrace the unity that Jesus offers and reject the "us vs. them" mentality. Together, we can live out this unity by loving our neighbors and seeing each person as a fellow heir in Christ. Don't miss this powerful message of love and reconciliation!

Jennifer Daiches, daughter of the Scottish critic and biographer David Daiches, was born in Chicago, educated in the US and in England, before moving to Scotland in 1971.From 1978 to 2001 she worked at the National Museums of Scotland in various capacities, including Head of Publications and script co-ordinator for exhibitions. She is a freelance writer and lecturer, writing on literary and historical subjects as Jenni Calder (having been married to the poet Angus Calder until 1982) and fiction and poetry as Jenni Daiches. An area of special interest has been Scottish emigration, particularly to North America, and questions of identity. Other key interests include Scottish literature and women writers.Jenni is also a biographer, writing book on Walter Scott, Robert Louis Stevenson, George Orwell and Naomi Mitchison. See her full bibliography here. Somewhere Else has been longlisted for this year's Women's Prize for Fiction. Miriam Margolyes is among its fans, saying “I wept and laughed and wished I had written it.” Get the book here or at your local bookshop. Rosa Roshkin is five years old when her family are murdered in a pogrom and she is forced to leave behind everything she knows with only a suitcase of clothes and her father's violin.An epic generational novel about womanhood and Judaeo-Scottish experience across two World Wars, the creation of Israel and the fall of the Berlin Wall. Jenni Daiches's  Somewhere Else explores today's most difficult and urgent questions, not least of which: how to find identity in displacement.

It's Tuesday, May 13th, A.D. 2025. This is The Worldview in 5 Minutes heard on 125 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Kevin Swanson Four Christian families evicted in Laos Four Christian families have lost their homes, after being evicted from their village in north-western Laos a week ago.  They were forced to leave their possessions behind, and leave their home in the Luang Namtha province in northern Laos, near the border of Thailand.   BarnabasAid.org has provided funds to cover the believers' immediate needs for rice, cooking oil, hygiene products, and other essentials. United Kingdom's disturbing euthanasia bill The United Kingdom House of Commons is considering a euthanasia bill.   A rather macabre government appraisal has estimated a cost savings of 59.6 million pounds for the killing of 1,000 and 4,500 people per year. The government report also noted other cost savings from the “social care sector and in social security payments.” The bill would allow the killing of a person whom doctors prophesy to only have six months or less to live. Deuteronomy 27:25 speaks to this when the leaders of Israel said, “Cursed is the one who takes a bribe to slay an innocent person. And all the people shall say, ‘Amen!'” Christian clerk, who refused to certify homosexual “marriage,” goes before Supremes Liberty Counsel, a Christian legal advocacy group, will be appealing to the U.S. Supreme Court for Kentucky Clerk Kim Davis of Rowan County. She is arguing that the U.S. Constitution's First Amendment protects her from liability and damages for refusing to issue a “same-sex marriage” license against her religious beliefs. Liberty Counsel Founder and Chairman Mat Staver said that the case “underscores why the U.S. Supreme Court should overturn Obergefell v. Hodges because that decision threatens the religious liberty of many Americans who believe that marriage is a sacred institution between one man and one woman.” Closer to nuclear war today The Bulletin of Atomic Scientists has moved the Doomsday Clock to 89 seconds before midnight. The clock, which estimates the risks of nuclear war, has been in operation for 70 years.   During the Cuban Missile Crisis, the clock moved to 7 minutes to midnight. After the fall of the Berlin Wall, the clock moved to 17 minutes. The clock moved to 2 minutes in 2018, and now 89 seconds to midnight in 2025. The organization attributes “profound global instability and geopolitical tension” to the moving of the needle. “King of Kings” animated film makes $65 million The Mormon-owned Angel Studios has succeeded again — with the film “King of Kings,” an animated story of a little boy who takes a journey through events in the life of Jesus. (audio clip of trailer) FATHER: “Our story begins 2,000 years ago, when baby Jesus came into the world.” SON: “Wait, wait, stop. If it's not about a king, then I'm not interested!” FATHER: “This story is about the King of kings.” SON: “Wow!” FATHER: “It has angels and wicked kings and miracles.” SON: “Look at all the fish.” FATHER: “Oh, so you want to hear the story now?” SON: “Uh-huh!” So far, the film has collected $65 million at the box office. That exceeds the Angel Studios' previous box office total of $14 million for the film, “His Only Son” on Abraham's trek to Mount Moriah. Last year's film, “Cabrini,” produced by Angel Studios, was a treatment of the Roman Catholic saint by the name of Maria Francesca Cabrini who established 67 schools and orphanages in New York City in the late 1800s for poor, Italian immigrants. This production earned $21 million at the box office. The Mormon-owned studio's top box office hit was “The Sound of Freedom,” earning $251 million in 2023 — a film on the subject of sex trafficking. The Chief Executive Officer of Angel Studios is Neal Harmon, a Mormon. Tentative trade agreement between China and America U.S. President Donald Trump announced Monday a temporary China-US trade agreement, which would cut U.S. tariffs on Chinese imports from 145% to 30%. China would cut their tariffs on U.S. imports from 125% to 10%. TRUMP: “Yesterday, we achieved a total reset with China. After productive talks in Geneva, both sides now agree to reduce the tariffs imposed after April 2nd to 10% for 90 days as negotiators continue in the largest structural issues. “That doesn't include the tariffs that are already on, that are our tariffs, and it doesn't include tariffs on cars, steel, aluminum, or tariffs that may be imposed on pharmaceuticals because we want to bring the pharmaceutical businesses back to the United States. They're already starting to come back now, based on tariffs, because they don't want to pay 25%, 50%, or 100% tariffs. So, they're moving them back to the United States. “The talks in Geneva were very friendly. The relationship is very good. We're not looking to hurt China. China was being hurt very badly. They were closing up factories. They were having a lot of unrest, and they were very happy to be able to do something with us. The relationship is very, very good. I'll speak to President Xi maybe at the end of the week.” The deal will operate during a trial period of 90 days. U.S. government debt spirals higher The U.S. government is still on a big spending spree. The U.S. Treasury records a $1.049 trillion budget deficit for the first seven months of fiscal 2025. That's up 23% over a year earlier. Social Security spending is up 9% year-over-year. Outlays reached a record number of $4.159 trillion for the year to date. Gutsy GOP Congresswoman wants to defund Planned Parenthood And finally, Breitbart News reports that Republican Congresswoman Mary Miller of Illinois is behind a move to defund Planned Parenthood's abortion funding through the budget reconciliation process. Miller noted that “abortions made up 97.1% of Planned Parenthood's pregnancy services from 2021-2022, performing nearly 400,000 abortions.” The House Committee on Energy and Commerce released a portion of the proposed bill on Monday, with the provision to strip abortion providers of funding.   Mary Miller is a homeschooling mom of seven and grandmother of 20, hailing from the state of Illinois. Proverbs 24:11-12 reminds us, “Deliver those who are drawn toward death, and hold back those stumbling to the slaughter. If you say, ‘Surely we did not know this,' does not He who weighs the hearts consider it? He who keeps your soul, does He not know it? And will He not render to each man according to his deeds?” Close And that's The Worldview on this Tuesday, May 13th, in the year of our Lord 2025. Subscribe for free by Spotify, Amazon Music or by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

This week I'm in South Africa on a book and speaking tour and am chatting at the Franschoek Literary Festival, so we are all South Africa today. A country of contradictions, rich in resources, vibrant in culture, yet S.A. is held back by inequality, corruption, and the long shadow of apartheid. In this episode, we explore its uneasy present and remarkable past: from Mandela's legacy to Elon Musk's childhood, from empire and race to why Donald Trump has fixated on white Afrikaners. We travel through Cape Town and Johannesburg, unpacking it all with FT journalist Simon Kuper, and along the way, we encounter pencil tests, Springboks, slabs of the Berlin Wall, and the political ghosts of the Cold War. Is South Africa being used, once again, as a pawn in someone else's game? Join the gang! https://plus.acast.com/s/the-david-mcwilliams-podcast. Hosted on Acast. See acast.com/privacy for more information.

The college football freakout.   To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/TheJeffWardShow

The centre of the world. It's a funny concept, really, because on a planet with 8 billion people, the world's attention never settles on any one event or thing for much more than a moment. Most of the time you would probably argue that the world's attention is divided and scattered. It takes an historic moment, something really big, truly significant, to hone those 8 billion sets of eyes to one point. And to be there in person, to actually experience it for yourself is to be an eyewitness to history. I met a guy who was on his OE in Europe in 1989 when he woke up one morning and heard maybe something was stirring. He hustled to a train and ended up with his photograph in the New York Times, tearing down the Berlin Wall. Truthfully, I can't compete with that. But by the nature of my job, I guess I've been fortunate to witness some reasonably significant events, first hand. I sat there as Pope Francis addressed the General Assembly of the United Nations. I've seen Presidential inaugurations, Obama speaking on the mall. I was there in the room in 2016 when Donald Trump strode into a Philadelphia arena and formally accepted the Republican nomination for President of the United States. Something tells me that despite our geographic isolation, New Zealanders are good at sniffing out big historic moments. It could be a regal one – a royal wedding of a funeral? It can be a tragic event like witnessing the 9/11 attacks. Sport can be a good one. I saw Leo Messi score for Argentina at the opening game of the 2014 Football World Cup. That was special. And I was sitting on the finish line when Usain Bolt won the 100m at the Rio Olympic Games. Sometimes it takes luck. Sometimes it takes money. And sometimes it takes an exclusive kind of privilege that almost none of us will ever have. Take a papal conclave. There might be 1.4 billion Catholics on the planet, but only those cardinals who were in the room will ever truly know what it was like to be a part of that conclave. Just being outside in St Peters Square would be an incredible experience; the moment everyone saw the white smoke. But just imagine being inside. If you were to divide the number of followers worldwide by every man in that room, there are more than ten million Catholics for each individual cardinal. But only those cardinals will know what it's like to be there in person, to see the votes tallied, to hear the new Pope choose a name. The world's attention might have been focused on the Vatican, waiting for the smoke, but for this moment, only a tiny few were there. 133 eyewitnesses to a moment in history. See omnystudio.com/listener for privacy information.

The Russia-Ukraine War & The Power Dynamics In this episode of 'Ideas Have Consequences,' Larry Alex Taunton delves into the dynamics and history leading up to the Russia-Ukraine War. He begins with a commentary on the viral video of football coach Bill Belichick and his girlfriend, offering a biblical perspective on the power dynamics between men and women. Larry transitions to discussing the collapse of the Berlin Wall, the fall of the Soviet Union, and the euphoria of the early post-Cold War era. He examines the West's naive optimism about Russia's transition to democracy and how it led to disillusionment and the rise of Vladimir Putin. By understanding the Russian perspective and historical context, Larry lays the groundwork for future discussions on the complexities of the ongoing conflict between Russia and Ukraine.

On this episode of Old Newscast, we look at what led to, and what happened on the day of, the fall of the Berlin wall.Adam is joined by world affairs editor John Simpson, as well as historian and author of Beyond the Wall, Katja Hoyer.You can now listen to Newscast on a smart speaker. If you want to listen, just say "Ask BBC Sounds to play Newscast”. It works on most smart speakers.You can join our Newscast online community here: https://discord.gg/m3YPUGv9New episodes released every day. If you're in the UK, for more News and Current Affairs podcasts from the BBC, listen on BBC Sounds: https://bit.ly/3ENLcS1Newscast brings you daily analysis of the latest political news stories from the BBC. It was presented by Adam Fleming. It was made by Chris Flynn with Jack Maclaren, Alix Pickles, and Kris Jalowiecki. The technical producer was Michael Regaard. The assistant editor is Chris Gray. The editor is Sam Bonham.

On this episode of Old Newscast, we look at the consequences for the world of the fall of the Berlin Wall.Adam is joined by world affairs editor John Simpson, as well as historian and author of Beyond the Wall, Katja Hoyer.You can now listen to Newscast on a smart speaker. If you want to listen, just say "Ask BBC Sounds to play Newscast”. It works on most smart speakers.You can join our Newscast online community here: https://discord.gg/m3YPUGv9New episodes released every day. If you're in the UK, for more News and Current Affairs podcasts from the BBC, listen on BBC Sounds: https://bit.ly/3ENLcS1Newscast brings you daily analysis of the latest political news stories from the BBC. It was presented by Adam Fleming. It was made by Chris Flynn with Jack Maclaren, Alix Pickles, and Kris Jalowiecki. The technical producer was Michael Regaard. The assistant editor is Chris Gray. The editor is Sam Bonham.

This week on Cattitude, Michelle Fern welcomes Brad Beyer, author of the touching new memoir SILOPI: A TRUE STORY OF LOVE AND RESILIENCE. Brad shares the remarkable journey of how, in the aftermath of the first Gulf War, he rescued a tiny black and white kitten he discovered curled up in his Army hat in a chow tent in Silopi, Turkey. In this heartfelt episode, Brad recounts his military service — from the fall of the Berlin Wall to the deserts of Turkey — and the deep, life-changing bond that formed between a young infantryman and an unlikely feline companion. With warmth, humor, and emotion, he tells the story of sneaking the kitten back through Berlin and all the way home to Philadelphia. More than a tale of survival, SILOPI is a moving tribute to love, family, and the unexpected ways animals can shape our lives. EPISODE NOTES: One Kitten, One Soldier, One Extraordinary Journey: Silopi - A True Story of Love and Resilience

Germany is now one nation, but for years the citizens of East and West Germany were separated from each other by the Berlin Wall. For centuries, a wall of religious and social division separated the Jewish people from the Gentiles. How has God broken down the barrier between Jew and Gentiel and made them into one people in Christ? To support this ministry financially, visit: https://www.oneplace.com/donate/581/29

Germany is now one nation, but for years the citizens of East and West Germany were separated from each other by the Berlin Wall. For centuries, a wall of religious and social division separated the Jewish people from the Gentiles. How has God broken down the barrier between Jew and Gentile and made them into one people in Christ? To support this ministry financially, visit: https://www.oneplace.com/donate/791/29

#221: Pulitzer Prize-winning filmmaker Anthony Suau returns to share the impact of his documentary Organic Rising and the growing urgency behind its message. After more than a decade documenting the chemical takeover of food, Suau reflects on how toxic agriculture has reshaped our soil, our health, and our trust in the food system. In this conversation, he and Dave Chapman explore what's at stake—from unregulated pesticide use to the collapse of soil biology—and why telling the truth about farming has never been more important.https://realorganicproject.org/anthony-suau-filming-the-chemical-takeover-of-food-221Anthony Suau is a filmmaker and photojournalist whose work has appeared in National Geographic, New York Times Magazine, and Life. He has published five books, including photo essays documenting the fall of the Berlin Wall and war imagery in Iraq. Originally  from Peoria, Illinois, his lifelong relationships to conventional (chemical) farmers allowed him the access and ability to showcase  various differences between organic and chemical agricultural practices. His film Organic Rising was released on October 1, 2023:https://www.organicrisingfilm.com/The Real Organic Podcast is hosted by Dave Chapman and Linley Dixon, engineered by Brandon StCyr, and edited and produced by Jenny Prince.The Real Organic Project is a farmer-led movement working towards certifying 1,000 farms across the United States this year. Our add-on food label distinguishes soil-grown fruits and vegetables from hydroponically-raised produce, and pasture-raised meat, milk, and eggs from products harvested from animals in horrific confinement (CAFOs - confined animal feeding operations).To find a Real Organic farm near you, please visit:https://www.realorganicproject.org/farmsWe believe that the organic standards, with their focus on soil health, biodiversity, and animal welfare were written as they should be, but that the current lack of enforcement of those standards is jeopardizing the ability for small farms who adhere to the law to stay in business. The lack of enforcement is also jeopardizing the overall health of the customers who support the organic movement; customers who are not getting what they pay for at market but still paying a premium price. And the lack of enforcement is jeopardizing the very cycles (water, air, nutrients) that Earth relies upon to provide us all with a place to live, by pushing extractive, chemical agriculture to the forefront.If you like what you hear and are feeling inspired, we would love for you to join our movement by becoming one of our 1,000  Real Fans!https://www.realorganicproject.org/1000-real-fans/To read our weekly newsletter (which might just be the most forwarded newsletter on the internet!) and get firsthand news about what's happening with organic food, farming and policy, please subscribe here:https://www.realorganicproject.org/email/

Military Veteran Ranger Bob Kvederas provides a fascinating account of his 30+ years of service to America.  Along the way we discuss – Becoming a Soldier (1:00), Commando Walk (5:30), End of the Brown Shoe Army (11:00), MG Edward Walker (14:00), Building the Berlin Wall (21:00), Vietnam (37:00), Delta Force (45:00), and Life after the Army (50:00).    This podcast is teamed with LukeLeaders1248, a nonprofit that provides scholarships for the children of military Veterans. Help us reach our 3-scholarship goal for 2025. Send a donation, large or small, through our website @ www.lukeleaders1248.com, PayPal, or Venmo @LukeLeaders1248.  Music intro and outro from the creative brilliance of Kenny Kilgore. Lowriders and Beautiful Rainy Day.     

In April of 1975, Communists succeeded in overwhelming their enemies to take over Vietnam. The last major city to fall was Saigon. That event is one of those historic times many remember who lived through it as well as those of us who only experienced it through Television and newspapers. Our guest today, Miki Nguyen, was six and a half years old when he and his family escaped from Saigon on a Chinook Helicopter piloted by his father.   Miki willingly tells us his story and that of his family who all escaped and came to America. Miki tells us of his growing up in a new land and how he eventually was given the opportunity to bring his father's story to life. Miki's dad wanted to write a book about what happened in 1975 as well as describing his life. He passed ten years ago and was unable to publish his book. Last year, Miki found his father's writings and undertook to bring his father's story to life. The book is entitled “The Last Flight Out”.   As Miki tells us the story of his family's flight from Saigon he also provides pictorial representations of what happened. If you watch this episode on YouTube you will get to see those pictures.   Personally, I can relate to Miki's story as in so many ways it parallels my own experiences on September 11, 2001. I hope you like and learn much from this week's episode. Let me know your thoughts please.       About the Guest:   Miki Nguyen is a storyteller dedicated to preserving the legacy of his father, Lieutenant Colonel Ba Van Nguyen, a heroic figure whose daring escape from Saigon during the Fall of Vietnam in 1975 was immortalized in the 2015 Oscar-nominated documentary Last Days in Vietnam. As the son of a South Vietnamese Air Force officer, Miki's life has been shaped by his family's extraordinary journey from the chaos of war to rebuilding their lives in America. Today, he shares stories of courage, sacrifice, and resilience in his late father's memoir "The Last Flight Out" to commemorate 50 years since the Fall of Saigon. Born into a world of upheaval, Miki witnessed firsthand the harrowing final days of the Vietnam War as a child, fleeing Saigon with his family in a dramatic helicopter evacuation to the USS Kirk. His father's bravery under fire and unwavering commitment to saving loved ones left an indelible mark on Miki, inspiring him to compile and share his father's stories decades later. Through The Last Flight Out, Miki bridges the past and present, offering readers an intimate glimpse into the sacrifices of war, the challenges of resettlement, and the quiet strength of his mother, Nho Nguyen, who anchored the family through unimaginable adversity. As a speaker, Miki captivates audiences with a narrative that transcends history, weaving universal themes of resilience, cultural identity, and leadership into his talks. Whether addressing corporate teams, educational institutions, on Podcasts, or cultural organizations, he draws parallels between his family's journey and modern-day challenges, emphasizing the power of hope and community in overcoming obstacles. His presentations, enriched with archival photos and personal anecdotes, resonate deeply with veterans, immigrants, and anyone seeking inspiration to navigate life's uncertainties. Miki is committed to amplifying his father's legacy and honoring the courageous individuals who shaped his family's journey—from Captain Paul Jacobs and the USS Kirk crew, whose heroism ensured their evacuation during Saigon's fall, to the Lutheran church members in Seattle who provided sanctuary and support as they rebuilt their lives in America. Through the memoir, speaking engagements, and other partnerships, Miki invites audiences to reflect on these unsung stories of courage and resilience while embracing a future defined by empathy and unity. Ways to connect Miki:   Email: mdn425@gmail.com / miki@nguyenvanba.com Website: https://nguyenvanba.com/miki/ Instagram: instagram.com/last.flight.out.nvb/ Youtube: https://www.youtube.com/@mikinguyen44   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello everyone. Once again. Wherever you happen to be, I am your host, Mike Hingson, and you are listening to Unstoppable Mindset, mindset where inclusion, diversity and the unexpected meet, and as we've defined unexpected here on the podcast, it's anything that has to do with anything other than inclusion and diversity. A few weeks ago, I got an email from a friend of mine and someone I work with at yesterday usa.net it's a radio station that plays old radio shows all day, and anyway, Walden Hughes, who we really need to get on this podcast as well. Told me about Miki when, because Miki expressed, or Walden has expressed an interest in having Miki on yesterday USA, and Miki had an interesting story, and has an interesting story to tell, and I thought that it would be fun to bring him on to unstoppable mindset, because his father and family were basically, if you will, as you will hear on the last flight out of Saigon in Vietnam when that war ended in 1975 so that's 50 years ago. Anyway, Miki generously agreed to come on. And so here we are. So Miki, I want to welcome you to unstoppable mindset. We're glad you're here. Really appreciate it and looking forward to having a chance to chat.   Miki Ngyuen ** 02:47 Yeah, thank you, Michael, just really honored and appreciate the opportunity to be on your platform and to share with you in your audience, my father and my family story. The this is a story that has been told around the dinner table for many, many years. And as we are here now in early 2025 this marks, this will mark at the end of April here, coming up the 50 year remembrance, as you noted, the the fall of Saigon and so yeah, again, just really happy to be here. Well,   Michael Hingson ** 03:27 let's start as I love to do, and I know it kind of is part of the story, but tell us a little about kind of the early Miki growing up and and things that you might want to talk about from childhood and so on.   Miki Ngyuen ** 03:38 Yeah, I we in at the end of April, 1975 I was six and a half years old, and so, to answer your question, I grew up on a military base, basically my dad towards the end there, Lieutenant Colonel was a pilot for the south of Vietnamese Air Force, and he flew various Chinooks. The the one that we're referencing here is the the Chinook helicopter, CH 47 and so this is young childhood for me, growing up on the barracks, the oldest of three, three kids, brother Mecca and baby sister Mina. And this was a childhood where very curious about things the world around me, on the barracks, there were a lot of heavy artillery. And one story, my mom would sure it's a kid dragging home a box of of ammunition, just to say, you know, Hey, Mom, look what I found laying around. So this was a. In early childhood, growing up during a a war torn country back in those days,   Michael Hingson ** 05:07 yeah, certainly couldn't have been easy to do. So, what schooling did you have while you were still in Vietnam?   Miki Ngyuen ** 05:14 Oh, this is six, six and a half, just kind regarding kindergarten. Yeah, pretty, pretty much. So the Vietnamese that I was able to learn, you know, was just talking with parents, mom and dad, early kindergarten schooling. But otherwise, my Vietnamese now as an adult is not as strong as I would like it to be, but you know the reality of coming to America at six and a half seven. Grew up post war all American high school, so yeah,   Michael Hingson ** 05:53 now were your parents from Vietnam originally? Yes, yes. Okay, so it it had to be tough for you, and it had to really be tough for them, and I'm sure that they were worried about you and your brother and sister a lot and and dealing with all the things that you all had to deal with, that had to really be a challenge. Did they as as you were growing up in America and so on. Did they talk about, or want to talk much about, what your what your life was like, your heritage and so on, from Vietnam?   Miki Ngyuen ** 06:31 No, absolutely. It was my my father, my mom's philosophy, to always continue to keep our culture and our heritage and the things that you know was good about our culture, the Vietnamese culture, and to continue it forward while living, trying to assimilate and live here in in the United States. So growing up, it was straddling of both cultures, both Western and the Vietnamese Eastern culture as well, during our upbringing. And so it continues to be strong today, where for my own kids, you know, we continue to celebrate and our Vietnamese heritage and culture. Although American Vietnamese, I hold a US passport. My blood still runs with a lot of the Vietnamese culture that was raised on. It's   Michael Hingson ** 07:32 an interesting paradox, or paradox is probably the wrong word to use, but you have an interesting dichotomy you have to deal with. You're from Vietnam, you embrace the Vietnamese culture, but you live in America, and unfortunately, in our society today, we have a government that has been pushing so much on anything that isn't really American, isn't really American. And how do you how do you deal with that? What do you think about that, that whole concept, and that, ultimately, there are those who would say, well, you're you're not American because you didn't come from here, and that's a frustrating thing. But I'd be curious to get your thought, well, it's   Miki Ngyuen ** 08:17 to say it's a it's the same conversation as you know, the Ellis Island story, right? The only, the only folks that I would say that can claim that they're here with Native Americans, everybody else migrated either east or west, from Europe or from Asia or from the Middle East or Africa to get here. Yeah.   Michael Hingson ** 08:36 Yeah, it is. And from, from my thoughts and perspective, it's, it's a joy that you, you have two cultures to be able to celebrate and and work with, which gives you a broader perspective on the world as a whole. I grew up in America. I didn't really do a great job of learning foreign languages, although I took High School German and I learned some Spanish, and I actually took a year of Japanese in college. But still, my whole grounding is is in America, but I do love to go to other countries and see and get to experience other cultures, even though I know I don't live there, but I, and I do come back here, but I, but I think that what you bring is a great perspective for people to understand a whole part of the world that's different than what they're used To, which is a good thing.   Miki Ngyuen ** 09:41 Well, that's why they, they call America the great melting pot, right? We bring, we want to, we want to bring our best. We, you know, there can be conversations around refugees and immigration stories here and there, but. I think for the most part, you know, diverse cultures, different folks coming from other parts of the you know, we contributed to America, whether it be through bringing, you know, food or arts or ideologies, and that's what makes America, you know, strong, is just people bringing their best here. And sure, there's going to be negatives here and there. But you know, if we're come from a place of goodness, a place of positivity and working with each other. I think the spirit of America and the spirit of the great melting pot here can can continue to flourish and be strong from that standpoint. And   Michael Hingson ** 10:52 I and I think it absolutely is exactly what you said. It's the melting pot, it's the spirit, and that's what we need to remember, because that is what has always made this country so great, and will continue to, no matter what some may say. And I'm glad that we we have the the depth of overall culture, which really is made up of so many other cultures. When you got to America, what was it like then going to school here and finishing your growing up period here?   Miki Ngyuen ** 11:30 It was a, I don't want to use the word struggle. My parents struggled more. But for myself coming to the US here it was quickly to assimilate, you know, that's the word that just simply out of survival, simply out of just making friends and keeping the friends that, you know, I had growing up in first grade and second grade and so on. And growing up in the mid 70s here looking different than the rest of the white kids, you know, in elementary school, I got called all sorts of racial names, and so I know on your, you know, with your your message of disability, and   Miki Ngyuen ** 12:25 functioning in, you know, I had my own struggles as well in terms of just being different, you know, then, then the next kid in elementary school. So, but we learned to adapt, we learned to maneuver, and we learned to communicate and develop social skills to blend in, and again, that word assimilate, just to survive. So   Michael Hingson ** 12:51 where did you Where did you all settle once you got to the US? Where did you go to school? Oh,   Miki Ngyuen ** 12:58 so we're located here on the outskirts of Seattle, suburbs of Seattle area, yeah,   Michael Hingson ** 13:06 I remember when so many people were coming over and from Vietnam, and they had some refugee encampments for A while. I was contacted by a church group, because at a local area near where I was attending college at the University of California at Irvine, there was such a place, and there was a blind person there, and they wanted to get this person, that was a young man, to meet blind people. So I went out. We even brought him a transistor radio. He didn't speak great English, but we were able to communicate. And that was probably the closest I came to dealing with, in a sense, all the things that all of you dealt with. So I but I do understand we as a collective society, sometimes don't really deal with difference as well as we ought to we we don't recognize that the very fact that we have some things that are difference is what makes us stronger when we embrace the fact that everyone has their own set of gifts and challenge and challenges to deal with, right? Exactly,   Miki Ngyuen ** 14:22 yeah, exactly. The just to provide more context, yeah, the there was a church across the crest, Lutheran Church here in Bellevue, out about 30 minutes from Seattle, that sponsored our family and yeah, that's how that's how we we ended up here in the story of my father and my my family was no the only thing different, because during the. April, end of April timeframe in 1975 the communists finally took over, as many of your audience know, you know, Saigon and the rest of Vietnam, and we had to, we had to get the heck out of there, because if my dad would have gotten captured by the communists, he would have been set in jail for a long time. And so our, our or worse, yes, exactly or worse, our, our family story is no different than anybody else's refugee boat people story coming out of Vietnam. The only difference was what my dad did as a pilot, what he did to to rescue our family and his crew's family and the maneuver that he executed at sea with a large Chinook helicopter, so much that it was was honored 10 years ago to share the same story with in an Oscar nominated film last year in Vietnam, written and produced by Rory Kennedy, and so there are so many, there's so many other Vietnamese refugee stories, but this one was, was our particular family story, and it's the story of my father's bravery, courage, our family's resiliency, among other various leadership kinds of themes. So that's, that's the premise of things.   Michael Hingson ** 16:27 Yeah, I understand. Well, what, what did you say you went to college? Where'd you go   Miki Ngyuen ** 16:35 to? Studied engineering at the University of Washington here in the Seattle area,   Michael Hingson ** 16:42 didn't, didn't try to help the basketball team, huh? Just, just checking, no, it's   16:50 too short for basketball, yeah, yeah.   Michael Hingson ** 16:52 Well, you know. And of course, in in the March, April, time frame of every year, we have March Madness, which is really crazy. I was disappointed to see Gonzaga get out of it so quickly. But oh well, of course, most people don't even know where Gonzaga is. I actually had the the lovely opportunity to speak there once, so it was kind of fun. So I've been there so anyway, well, so you went off and studied in engineering, and that's what you did after college.   Miki Ngyuen ** 17:23 No, I after college, I was an engineer for a couple years, and then pivoted over into the marketing side of things and focused in in technology. I mean, from your background, you also, you know, did sales, especially with your story 20 plus years ago, worked in technology sales, and your involvement with a tech company today accessible. So yeah, that's, that's, yeah, that's my. My background is tech marketing,   Michael Hingson ** 17:55 well, and I started out doing tech stuff, helping to work in the development of the original reading machine for the blind that Ray Kurzweil developed, but that ended up going into sales for a variety of reasons. So I appreciate where you're coming from and and feel a lot for the kinds of experiences that you've had. Well, why don't you tell us a little bit about what happened with your father, and the whole, the whole story of the escape, the last flight out, flying out with the Chinook and all that that happened. Oh   Miki Ngyuen ** 18:32 yes, so let's, let's get into let me go ahead and share the some pictures here. And I, as I told you, for you know, pictures worth 1000 words and but I'll narrate it in such a way that all audiences can can get into the the whole story. So this was, this was a moment again. This is a family story that was shared around the dinner table for many, many years post 1975 and I'm sharing the story through the lens of a six and a half year old boy experiencing what I saw and what I what I went through, and the picture that we're showing here on the First slide here is just images of my father, Bob van win, who, in the early, early 60s, got an opportunity after college to test and train to and finally got admitted into the the Air Force. And in the mid 60s, got an opportunity to come to Fort Rucker and study and fly helicopters, and came to America again in 69 to for additional training. And so my father grew up, family, grandmother, education was of utmost important. Importance, as well as family and community. And so towards the towards and the next slide I'm showing here is towards April 29 1975 we see iconic images in time, Life magazine, in the media here in the US, images of the Communists the North tanks rolling into Saigon and overtaking the city. And in the film, the documentary, again last season Vietnam, we see images. We see video clips of folks trying to get into the US Embassy to get access to a helicopter to get out of there, because folks, people that were serving working with American or the American personnel, anybody that was involved in the south fighting against communism would, have, you know, been in jail or put into, you know, a tough situation post war, if they gotten captured. And so we see a mass chaos, mass exodus trying to get out of of the city there. And so it was my my dad's knew that had he stayed and not figured things out, he would have been either killed or put in jail for a long time, and so he, at this point, waited out for orders from his commanding officers and his leadership at all of the top brass took off with their family trying to figure out how to get out themselves. And my dad, with the Chinook, went and picked up our family in at this moment in time of mom, myself, brother and sister, we were at my grandma's house. Uh, we've been there for about a couple weeks to get out of the the military base that we were on, and at Grandma's house. I remember the night before, my dad coming to get us a bombing and machine guns rattling around the neighborhood and around the city there. So it was pretty tense for our family at that time, my dad with the helicopter, Chinook helicopter in I'm sure you and your in the audience, you driving down the road or over, flying over your house, you hear a Chinook. Is very thunderous of and so it's a big equipment, big, big aircraft. And what he did was land at the Chinook in front of my grandma's house play a play field, and blew, you know, a lot of the roofs and commotion, and folks around the neighborhood were just surprised. You know of this helicopter landing in the middle of the middle, middle of sea.   Michael Hingson ** 23:22 Did you know that he was coming? Yes,   Miki Ngyuen ** 23:25 my dad had told my mom the days earlier that I'll be coming to get you. We'll figure this out, because at this moment in time, there's probably no way that we're going to survive the the Communists were coming and get ready. Get, you know, pack the bags, get get things ready and but we didn't know that he would come in in such a way. We figured maybe he would come in a vehicle, the military vehicle, to come in and get us. But he actually came with a with the with the Chinook, and landed right in front of the right in front of the house.   Michael Hingson ** 23:58 How many people was the Chinook hold. Well, at this time, in front   Miki Ngyuen ** 24:02 of my grandson, just our immediate family and but it would hold a lot of folks, a lot of folks. And towards the towards later on, we'll get to that point. But towards it we had like about 1715, 1617, people, crew member, their their girlfriends and family in in the in the helicopter. Yeah, that was what I was wondering,   Michael Hingson ** 24:28 because you said it was big. So I was just trying to get a perspective on what big really meant. And that's why I asked how many people it would hold. Oh,   Miki Ngyuen ** 24:36 yeah, understood, yeah. So the Chinook is probably, it is probably the largest helicopter in the, you know, the fleet of helicopters Arsenal so but he landed hatch opens up on the back, and the Chinook as a is a double, double, uh. Uh, a rotor, double prop helicopter. And family ran to the back of the the helicopter. They closed the hatch up, and my my father, accelerated, you know, the the engines and lifted up and out of, out of the area there. And the thinking was to rendezvous up with a few other of his squadron crew members and to head further south of the hot zone, Saigon, and to load up on the food and ration and gas so that we would continue further south and maybe perhaps lay low, find an island to just figure out what to do next, from that standpoint, and that's that's where We actually did was, along with our family, he had co pilot, and he had his gunner and the mechanic in their, you know, their their family members or girlfriends in the in the Chinook, once we loaded up On, on all of the, the food and everything fuel lifted up and out. And at the same time, he heard my father continued to monitor the the the radio communication. And he heard that there were US Navy, US ships out in the Pacific, now out east in the Pacific. And so he figured, we'll take a risk and head in in that direction, towards the the ocean there, and he didn't know exactly, you know, the exact GPS location, or the exact whereabouts of it, particularly, just headed out there blind and trying to find whatever option he could find. And out in the distant there, he sees a ship. And he goes, Well, this is my first chance. I'm going to go approach it and see if I'm able to land on it or figure out what to do next from there. And so heads in that direction. And we see, he sees a a uh, what we know now today is the frigate, and it wasn't, it was too small. It wasn't big enough to, you know, it wasn't like a an aircraft carrier, where you can actually land on it. And so the the next slide that I'm showing here, basically, as he approaches this, this ship, the crewman below, the US Navy crewman below was waving him like, you know, waving him away. Don't, don't, don't come here. You're simply you're too big. There's no way that you can land on on this ship. And so he kept circling the ship eventually found out the name of the ship was named the USS Kirk, and the captain was Captain Paul Jacobs. And my father continued to circle and figure out some way to, you know, ask for help. And we see in the one of the images here, that on the port side, the left side of the of the Chinook, my my mom holding up eight month old baby onto the the window part to let the crew in below know that, hey, we're not, you know, we're, we're we got kids, we got family on here. We need, we need help. And so eventually, what my dad was able to speak with the captain below, and both the captain and my father were able to coordinate the next step here, and which was to allow my father to hover right next to right behind the ship the stern to allow folks to to exit the helicopter. But prior to that, the slide that I'm showing here shows many other Vietnamese pilots and their families with smaller, smaller helicopters, the Huey helicopters landing, able to land on on the deck. And after they land, they would push the smaller helicopters over to into the ocean. And the continuing to do that as more families came on on, you know, was able to land. Uh, the next slide I'm showing here is the actual Captain Paul Jacobs throughout, throughout this whole narrative, my father is, is, is the person that my father's my hero. But there are other heroes throughout this whole story as well, and one of those I want to acknowledge is Captain Paul Jacobs, where we see in this image here, he was on the deck. He he wasn't in the command tower, directing, telling his, you know, crew, what to do. He was actually on the deck helping with his crew members, pushing and telling folks, as well as himself, jumping in and pushing smaller helicopters over the the side, making room for to clear, clear the the ship's deck. And so he's an outstanding individual, a hero in my book as well. And so once the deck was clear enough so that my dad was able to hover, what he did was basically fly the Chinook horizontal backwards to maintain the same steady high height, as well as a safe distance away from from the USS Kirk. And we found out later on that the this particular ship of frigate was a submarine destroyer. So it had all of the high tech equipment back, sonars, radars, all of the antenna and so it's very my father's had to be very careful in terms of how close he could have gotten, how close he could get to keeping the the distance as well as allowing folks to to jump down. And that's that's what we did. He kept it steady. And he was hovering about 1315, feet above the deck, and tells the co pilot to open up the starboard door and so that we would have access to jump. The picture that I'm showing you here is an illustration by Adam colts showing myself my mom, family members crews jumping from this Chinook down onto many of the crew members below, catching us as we as we exited. We also have an illustration from that I clipped out from the New York Times doing an illustration of my mom dropping a baby sister onto the crew, the crewmen below, and many years later, many years later on, at a reunion with the crew member and the captain of the USS Kirk, one of the men below, Kent Chipman, introduced himself to us as one of the sailors below catching us. It was like you described as, like catching a a basketball coming out of the the helicopter. And so once everybody exited out, he my father told the co pilot to make sure that everybody safely gotten out, make sure that everybody had cleared the the rear of the helicopter, and then he finally told the the co pilot to go ahead and and jump himself now onto the deck. And so I remember, it's the last thing I remember as a six and a half year old boy who was being ushered inside, inside the the ship. They didn't want any kids running around on the deck. Yeah. And the last thing that we see, you know, is seeing my father hovering away from the ship. Now is just him by himself at this point in this large helicopter.   Miki Ngyuen ** 34:04 So it wasn't, it wasn't until, it wasn't until maybe, like half hour later that we we see my father again. But from from, from the point where he had to hover. After everybody jumped off the helicopter. He hovered away from the the ship. And at this point there was, you know, the only option here was to get a remove himself from from the helicopter. He wasn't going to go back to land or go back to the city. His family was on the ship now, and he need to be with his family. And so what he did was take the Chinook about 100 yards away from the ship, and hovered above the water, and at that point, kept the helicopter steady, and while at the same time taking off his.   Miki Ngyuen ** 45:00 Did the heavy lifting 100% they in so many ways, in terms of when we talk about a challenge or an obstacle, they had my mom had to learn a completely new, different language, had to start all over again, not knowing exactly what their future was going to be, but at the same time, you know the freedom, the freedom in America and what America represented was just an opportunity that they knew that even though it was a struggle as a challenge to re readapt, to assimilate, learn a new language, find a new career, it was still a lot better than the other option, yeah. And then to answer your question, as for me, as a six, six and a half year old boy, or six, yeah, seven year old boy, you're right. It was, it was more of an adventure than it was anything in terms of fear, because, again, as I said, my mom and dad took the burden of all of that paved the way for myself, brother and sister, but throughout my life, up to that point, it was just an adventure to jump off from the helicopter was, to me, like jumping, you know, playing around a tree, jumping off a tree. But for my mom, who had to take the courage to drop a baby, her baby from from an airplane, and the fear of change, the anxiety of of in the struggle of war and everything else at a different at a different level that my hat's off to both my parents from that time.   Michael Hingson ** 46:57 I'm sure that, in a sense, while things were happening, your mom didn't analyze it. And think about the time of war, she did what she had to do, and your father did what they had to do. And then after the fact, they obviously thought back about it and and probably had times of going, Wow, what? What did we do? And not in a regretful way, but at the time something is happening, you do what you have to do, and then you think about it later. And I guess for you, when did all of this really become real and a story? Well, not a story worth telling, but when did it really emotionally all sink into you, what really happened? Because that had to happen, obviously, later than that night   Miki Ngyuen ** 47:48 it it became super, super real for me. 2009 window discovered, again from mister Jan Herman, finding my father's story and sharing with us the pictures from the US Navy. Yeah, because, because, up to that point, from 1975 up to 2009 this was a story that I grew up throughout my life and experienced a bit of it jumping, but the the things that my father shared in terms of doing the ditch maneuver and growing up as a boy, listening to him talk with his buddies around the dinner table. Or when they would have reunions, they would my, you know, I would be, you know, seen and not heard, type of a family situation, just, you know, listening into my father's conversation with his his buddies, hearing, hearing about it, and then finally, seeing pictures from the US Navy in 2009 that was when it really, really kicked in. Because as a kid growing up, I would share these stories. Friends would ask me, how'd you come you know, where are you from, and how did you get here? And I would share, you know, how we got to America and escape from escape from Vietnam. But it didn't really hit until 2009 once we actually saw the images that my dad was, he was, he did what he said, and we got pictures to prove it. So, yeah, yeah. And I want to touch upon the thing they mentioned a few minutes ago, in terms of my mom and dad and I know that you're, you're an Eagle Scout. I I never went that far in terms of Scott. I went to second class, so outstanding for you, going all the way as an ego scout. But the one thing that I learned from Scott is that word always be prepared. Always, always be prepared. I teach my kids that as well. And so in terms of my my mom and dad, they you can be prepared, you know, for the worst case scenario. And that's what actually happened in the end. The South Vietnam lost to commun to the communists, and at that. Point, and I'm going to weave in the story that you've shared as well in your on your platform, in terms of that day 911 where you had to, you had to do what you had to do with with your dog and and with everybody else trying to figure out how to get out of that, try to exit that building for safety and things like that. And so it was one of those things where you just had to, you can only prepare so much. And in the moment of crisis, or in that moment of of things crumbling literally around you, whether it be your country or a building crumbling around you, you have to figure out you have to, you know, cleverness, communication, working with others around you, teamwork, all of that had to come into play for survival. And so both, I mean, you know, both of our, my, your story, my my family, my father and my mother's story, myself as just a kid tagging along was, was that trying to figure out some way to exit yourself from a moment of dire, a moment of chaos, and so I can, I can under, I can resonate, I can, I can appreciate that   Michael Hingson ** 51:15 well. And the thing is that the thing you have to mostly prepare for is, is your mind, and prepare is your mind. It's and it's how you prepare to deal with things that may happen you you can't, as I tell people, there's no way to train someone to deal, as such, with a falling building, or, as you say, losing a country, but you can prepare your mind to be able to say, I can do this, and I don't need to allow the fear of what's going on to stop me. I can use that as a powerful tool to help that preparation is the most important thing we can do for anything that happens in our lives, and that's what we really have to focus on. Because I've been asked many times questions like, well, you know, how do you teach your dog how to escape from a tough, falling building or a tall building like you did in the World Trade Center? Yeah, that's not what you that's not what you teach the dog to deal with. You teach the dog to focus. You teach yourself to focus, and you teach both of you where you are, the leader, you teach yourself how to deal with whatever situation comes along and worry only about the things that you have control over, because the rest isn't going to going to help you to worry about because you don't have control over it.   Miki Ngyuen ** 52:48 Right, right, right. Yeah, go ahead. No, I just letting that sink in. I yeah, there's ever a time to be very present, very calm, very cool and collected. Because once, once you start, once you start, you know lack of a better term, freaking out or losing it mentally, things could fall apart even, even worse. And so staying calm under pressure is critical,   Michael Hingson ** 53:21 which doesn't mean that you're not afraid, but you use the fear in a different way than you would if you allowed yourself to, if you will freak out, which is really the whole point. Well, so you you clearly have written this book. Why did you write it? No, I expect to help. What do you expect to help? To get from it   Miki Ngyuen ** 53:42 Sure. I again, I did not write this book. It was my father. Why   Michael Hingson ** 53:46 did you? Why did you decide to bring it forward? Oh,   Miki Ngyuen ** 53:52 number one, to honor, to honor my father's wishes. Number one, it, and number two, along with that, is to pass down to his great grandkids, and you know, their their kids, his story, our family story of how we came to America. This was the for the Vietnamese community. This was our Ellis Island story. And number one, to archive and to honor my my my father. Number two, the third one really is, this is a story that it doesn't matter what background, what obstacle, what struggle you are in. These are stories of courage, compassion, heroism, stories of suspense, love stories that my dad wrote as well. And there's stories of lessons learned about communism, stories of betrayal. And so it's a story that is a. Uh, relatable to all audience types, but outside of that, for myself and my my mom and for my family, this is our family story, and one that my kids, my great grandkids, what how they knew my father in his courage, in his resiliency, in terms of just coming to a new world and having to start over again.   Michael Hingson ** 55:27 What do you want people to take away from the story   Miki Ngyuen ** 55:32 history? Number one, in terms of the history of because there's a you know, if you don't, if you don't learn from history, you're going to make the same sort of mistakes again. And so, from history, what can we learn out of it, the lessons that we can learn out of it, the lessons of just how to overcome obstacles, dealing with, as you said, with fear, courage, lessons around being curious about the things around you, learning Education and as well as the lasting years, just lessons around teamwork and working with others, working with your community. So those are the kinds of things that we want to get across in this book.   Michael Hingson ** 56:36 What kind of lessons do you think your your father's memoir and yours, because you compiled it. What lessons do you think we all should take away from that, that we should use today? What, what should we be learning from this story?   Miki Ngyuen ** 56:56 Uh, lessons in terms of, uh, leadership, lessons in terms of how to handle yourself in crisis situation, lessons around working with others to overcome a particular obstacle or a challenge working, you know, with teammates. Wait may it be in a corporate environment, or maybe in a community or a setting, or many of those themes that in terms of just everyday life lessons and resiliency, yeah, yeah, many of those themes and lessons that I think is told through my father's experience and our family's experience, from that standpoint,   Michael Hingson ** 58:08 a question that comes to mind, really off the wall, is so it's now been 50 years. What is Vietnam like today? Do you know a   Miki Ngyuen ** 58:16 lot better than it was 50 years ago? I I've visited, not only visited, but lived there in 2016 2017 and life today a lot more prosperous than than in years past. And he continues to to be prosperous. And, you know   Michael Hingson ** 58:43 better from that standpoint, is it a communist country? It's still,   Miki Ngyuen ** 58:47 it's still a communist country today, one of the things that I did learn from the book and my dad was sharing is that in this ties in with the the the the Berlin Wall in the unraveling of communism the Soviet government back then, When the leadership in Vietnam saw that they loosened up many of their their their policies around that. So it is still communism today, but prosperous in a lot of ways, economically, and, you know, trading with with other countries. So, yeah, that's, that's, you know, that's how life is today in Vietnam, yeah,   Michael Hingson ** 59:49 what final words and suggestions do you want to make? We've been doing this now for almost an hour, and it's, it's been as compelling as I think you thought it would. Be, and I imagined it would be, what kind of final remarks or thoughts do you want to leave for people to think about   Miki Ngyuen ** 1:00:09 that, whatever situation, whatever obstacles that you're going through at this moment, that there's always there's always choices and options, and the the the things that we talked about, you and I, Michael here, is just staying cool, staying level headed, staying calm through through challenges, and looking, you know, looking to work with others, looking for help, searching for help, and where you can help others as well. If it wasn't for Captain Paul Jacobs, compassion and humanity, our family wouldn't be here telling the story. And so these are the things that have helped us and our family in return. Look back over your shoulder to see if somebody else behind you would need help as well and offer that. So that's yeah, that's the some of the things that I want to at least share.   Michael Hingson ** 1:01:23 There's there's a lot to be said for paying it forward as well as gratitude, and I think that you've exhibited all of that very well. And Miki, I want to thank you again for being here. This has been absolutely wonderful and enthralling, and I hope that everyone has enjoyed it. And I appreciate you being able to be here and tell the story, because it has to be still a challenge, even 50 years later, because you lived through it, but but you've learned how to live through it. And I think that's the issue. It's like with the World Trade Center, you learn how to deal with with it, and we both have learned to tell our stories, and I think that's so important. So I want to thank you for being here, and I want to thank all of you for listening today. This has been wonderful. I hope you agree. Love to hear your thoughts. Please feel free to email me at Michael, H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, I b, e.com, and also wherever you're listening or watching, please give us a five star review. We value your reviews very highly, and we we love the good ones. So please give us a five star review, and as Walden did and Miki for you and everyone listening and watching, if you know of anyone else who ought to be a guest on our podcast, and you think anyone else who has a story to tell, love to hear it, love to meet them, love to get them on the podcast. So we really appreciate you reaching out again. You can email me at Michael h i@accessibe.com or go to our podcast web page, which is www dot Michael hingson.com/podcast, Michael Hingson is m, I, C, H, A, E, L, H, I N, G, s, o, n.com/podcast, you can reach us through that page as well. Hope that you'll listen to more episodes and that you'll come back if you're listening to us for the first time, and whatever you do, be well and be grateful for all that we have. That's the way it ought to be, and we can all be unstoppable if we choose to. So again, thank you for being here and Miki, thank you again for being here and being with us. Yeah,   Miki Ngyuen ** 1:03:32 thank you again, Michael, for the opportunity to share the story with you from your audience.   Michael Hingson ** 1:03:41 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Wir springen in dieser Folge ins 19. Jahrhundert. Schauplatz ist Kalifornien, wo nicht nur der Goldrausch die Nachfrage nach widerstandsfähiger Bekleidung in die Höhe schnellen lässt. Wir sprechen darüber, wie ein eigentlich nach europäischen Städten benanntes Material in den USA zu jenem Stoff wurde, der nicht nur die Arbeiterschaft einkleidete, sondern bald zum Symbol für Freiheit, Unangepasstheit und Individualität wurde. // Erwähnte Folgen - GAG475: Eine kleine Geschichte des Anzugs – https://gadg.fm/475 - GAG455: Das Unternehmen Pastorius – https://gadg.fm/455 - GAG228: Berliner Blau – die Erfindung einer Farbe – https://gadg.fm/228 - GAG437: Die holprige Karriere des Reißverschlusses – https://gadg.fm/437 - GAG420: Harry Anslinger und der erste "War on Drugs" – https://gadg.fm/420 // Literatur - Daniel Miller und Sophie Woodward. Blue Jeans: The Art of the Ordinary. University of California Press, 2012. - Downey, Lynn. Levi Strauss: The Man Who Gave Blue Jeans to the World. Illustrated Edition. University of Massachusetts Press, 2017. - Gerd Horten. Don't Need No Thought Control: Western Culture in East Germany and the Fall of the Berlin Wall. Berghahn Books, 2020. - Improvement in fastening pocket-openings. United States US139121A, issued 20. Mai 1873. https://patents.google.com/patent/US139121A/en. - Katherine Pence und Paul Betts. Socialist Modern: East German Everyday Culture and Politics. University of Michigan Press, 2008. - Menzel, Rebecca. „Jeans und Pop in der DDR“, 2006. https://zeitgeschichte-online.de/themen/jeans-und-pop-der-ddr - Plenzdorf, Ulrich. Die Neuen Leiden Des Jungen W. Suhrkamp Verlag, 2015. - Sullivan, James. Jeans: A Cultural History of an American Icon. New York, NY: Gotham Books, 2007. Das Episodenbild zeigt einen Ausschnitt der Patentzeichnung für die mit Nieten versehenen Taschen. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Order my newest book Make Money Easy! https://lewishowes.com/moneyyouCheck out the full episode: greatness.lnk.to/1762In a world increasingly dominated by broadcast culture rather than genuine listening, Simon Sinek brings refreshing clarity on what truly matters in leadership and life. With characteristic insight, Simon reveals his deep aversion to bullies and his commitment to fairness—traits that have shaped his approach to business and human connection. Through personal anecdotes, he explores the challenge many face: the disconnect between our gut instincts and our ability to articulate what we feel. This fascinating conversation illuminates how our limbic brain controls our feelings and behavior, yet struggles with language, explaining why we often resort to metaphors or quotes to express our deepest emotions.Simon offers a profound perspective on America's current trajectory, describing it as "a ship without a rudder" that has been adrift since the fall of the Berlin Wall. Drawing on economic principles, he presents a counterintuitive truth: just as monopolies stifle growth in business, America needs worthy competitors on the global stage to truly excel. His insights challenge listeners to reconsider conflict resolution, values-based decision making, and the importance of understanding what we stand for—especially in times of uncertainty. Simon's practical wisdom provides actionable guidance for reconnecting with our inner compass when external benchmarks seem to disappear.Sign up for the Greatness newsletter: http://www.greatness.com/newsletter

Ever sent a text to the wrong person? Well, it's definitely not just you!  Today Layla K and MJ take a fast-paced dive into the hilarious, heartwarming, and sometimes downright embarrassing stories of mistaken messages. From texts that sparked lifelong traditions, to cringe-worthy blunders with bosses, and even mix-ups that changed history - yep, we're looking at you, Berlin Wall - this ep has it all. Well, all that you can fit in 11 minutes. Here's a message that definitely isn't a mistake: follow on Apple Podcasts, Spotify, etc.  to never miss an episode. Have an idea for an upcoming episode? Drop us a comment here or let us know on on Instagram, Twitter, or Facebook. And remember - it may not be just you. But it COULD be! Show notes: 45 Hilariously Chaotic “Wrong Number” Texts (bored panda) Grandma and man she accidentally texted for Thanksgiving reunite for 7th year (ABC News) People Are Sharing the Most Embarrassing Texts They Accidentally Sent To The Wrong Person (Blossom) 10 Tiny Miscommunications With Massive Consequences (ListVerse) 20 Epic Fails in Global Branding (Inc.)   Music Credit: The Builder by Kevin MacLeod | https://incompetech.com/ Music promoted by https://www.chosic.com/free-music/all/ Creative Commons CC BY 3.0 https://creativecommons.org/licenses/by/3.0/

Dead John Hughes pops in from Hell to answer some questions then the boys discuss this hit from the late great Canadian  comedian, John Candy. That's right, the star of today's film was from America's new axis of evil, Canada. Oh, how the world has changed since 1989.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Berlin Wall https://www.newspapers.com/article/chicago-tribune/168019542/  

Chris Gueffroy, was the last person to be shot dead at the Berlin Wall and a new short film called “Whispers of Freedom” portrays his story. I speak with the film's director Brandon Ashplant who shares the challenges of accurately portraying real individuals with deep personal histories. Actors Cameron Ashplant (Chris) and Wendy Makkena (Karin) reflect on research they undertook to authentically represent life in East Germany. The discussion also touches on the emotional impact of visiting key locations including Chris's grave and the site of his death, and the delicate process of obtaining consent from his family to tell this story. Episode extras https://coldwarconversations.com/episode399/ Where can I see the film? There's been various updates since we recorded. The trailer has been released and is available on the Golden Goat Films Facebook and Instagram pages (@goldengoatfilms). The World Premier is at the Sunderland Shorts Film Festival at 18:00 on Friday 16th May at the Omniplex, Sunderland. Cast and crew in attendance. So if you are in the area, do join them. The  Canadian premiere is in September at Toronto International Nollywood Film Festival (TINFF) - which makes the film Canadian Screen Award Qualifying, opening up its route to the Academy Awards (if we're lucky enough!) The Guernsey premier is on September 12th and the Berlin premiere is on October 2nd at the DDR Museum. The film will thereafter live at the museum, available for international tourists to watch on an ongoing basis. The fight to preserve Cold War history continues and via a simple monthly donation, you will give me the ammunition to continue to preserve Cold War history. You'll become part of our community, get ad-free episodes, and get a sought-after CWC coaster as a thank you and you'll bask in the warm glow of knowing you are helping to preserve Cold War history. Just go to https://coldwarconversations.com/donate/ If a monthly contribution is not your cup of tea, we welcome one-off donations via the same link. Find the ideal gift for the Cold War enthusiast in your life! Just go to https://coldwarconversations.com/store/ Follow us on BlueSky https://bsky.app/profile/coldwarpod.bsky.social Follow us on Threads https://www.threads.net/@coldwarconversations Follow us on Twitter https://twitter.com/ColdWarPod Facebook https://www.facebook.com/groups/coldwarpod/ Instagram https://www.instagram.com/coldwarconversations/ Youtube https://youtube.com/@ColdWarConversations Love history? Join Intohistory https://intohistory.com/coldwarpod Learn more about your ad choices. Visit podcastchoices.com/adchoices

The boundary between imagination and technology blurs in Lila Tirando a Violeta's mesmerizing sonic experiments. From her early DIY noise experiments in Uruguay to her current position as one of electronic music's most distinctive emerging voices, Lila's creativity has flourished despite—or perhaps because of—the challenges of living with a chronic condition.When health issues confined her to hospitals and home at age 23, Lila found herself transitioning from improvisational performance to structured composition. The internet became both her music school and lifeline, leading to collaborations with artists like Loraine James and Amnesia Scanner—relationships that began digitally before materializing in the physical world. This digital-first approach mirrors the themes in her work, particularly her fascination with David Cronenberg's Videodrome, which she references in her new album "Dream of Snakes."What makes Lila's creative process so compelling is her transformation of limitation into innovation. She samples her own pulsating tinnitus, captures field recordings from hospital rooms, and builds intricate sonic collages without formal training. Though her aesthetic suggests urban futurism, she's found her creative sanctuary in the quiet Irish countryside, where nature and technology intertwine in unexpected ways.Most striking is Lila's openness about navigating the music industry—from including special lighting requests in her rider to dealing with international promoters who expect her to play reggaeton simply because of her South American heritage.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Lila Tirando a Violeta on Instagram Listen/Buy Dream Of Snakes hereFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Bartees Strange makes music that doesn't sit still. One moment it's soaring indie rock, the next it's touched by soul, punk energy, or the weight of hip-hop—yet it all holds together in a way that feels completely his own. We sat down in a quiet Berlin hotel room to talk about the creative process behind his new album Horror, produced by Jack Antonoff and released on the iconic 4AD label.Bartees doesn't approach songwriting as a straight path. It's more like piecing together different fragments until something unexpected clicks. “I might write five or six sections and not know they're in the same song until I start plugging them into each other,” he said. That instinctive method pulls influence from across the board—Fleetwood Mac, Parliament, Burial, Neil Young—and filters it through a sound that's urgent, intimate, and ever-shifting.What stood out most in our conversation was his view on genre itself. For Bartees, it's not just about music—it's about identity, and how people are often encouraged to box themselves in. “Music is representative of people,” he told me. “And people separate themselves from each other because of all these things that don't make sense. Through music, I can show people that all those things you thought were unique to you are also unique to them.” His work holds a quiet defiance, a kind of gentle political energy that moves through emotion rather than statement.Before committing to music full-time, Bartees worked as deputy press secretary at the FCC under Obama. That experience brings a clear-eyed perspective to his writing—but it was never about strategy. “I tried not to do it. I got a job, I worked… but after a while, I was like I'd rather just not survive than not do what I want to do.” That sense of risk and necessity lives in every note.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Bartees Strange on Instagram Listen/Buy Horror by Bartees Strange hereFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

[EP 25-149] Every few weeks, Leftists get electrocuted by the same fence—and like moths to a bug zapper, they just can't stay away.Case in point: the BBC's weekend gem of a headline, “Trump era leaves US tourists in Paris ashamed.” Really? Ashamed? For what—being from the country with the lowest unemployment, the strongest economy, and the most effective global negotiator since Reagan took down the Berlin Wall with a wink and a speech? Or are they ashamed because while Iran was begging to sit at the table with Trump over nukes and their collapsing economy, the American media still played make-believe that the world was "abandoning" us? If anyone should be ashamed, it's the reporters pushing this nonsense.Trump didn't just say he'd fix America—he did it. He pulled the U.S. out of global gaslighting sessions, looked other nations in the eye, and said, “No more free lunch. We brought the casserole last ten times.” And for that, the media claims Americans are embarrassed? That's not journalism—it's group therapy for globalist crybabies.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kevin-jackson-show--2896352/support.

David Longstreth on Dirty Projectors, Orchestral Experimentation, and the Radical Psychedelia of FatherhoodDavid Longstreth stands at a fascinating creative crossroads. For twenty years, he's been the driving force behind Dirty Projectors, crafting music that defies easy categorization while earning collaborations with icons like Björk, Rihanna, and Paul McCartney. Now, with his ambitious new orchestral song cycle "Song of the Earth," Longstreth explores our shifting relationship with nature while processing what he calls "the radical psychedelia of fatherhood."Speaking from his California home studio (formerly a kitchen, before that a garage that "bloomed with mold"), Longstreth reveals how this project emerged from conversations with his longtime friend Andre de Ritter, conductor of the Berlin-based ensemble Stargaze. Drawing inspiration from Gustav Mahler's "Das Lied von der Erde," Longstreth initially set out to write nature poems, only to discover his feelings about the natural world had "gotten weird" – reflecting our collective anxiety about climate change.The beauty of Longstreth's approach lies in his embrace of uncertainty. Throughout our conversation, he repeatedly describes putting himself in musical situations "beyond what I'm capable of," allowing the learning curve itself to become part of the creative process. This has been his method since recreating Black Flag's "Damaged" album from memory for Dirty Projectors‘ 2007 "Rise Above" (deliberately avoiding revisiting the original) through to this orchestral collaboration that marries environmental themes with deeply personal transformation.Perhaps most captivating is Longstreth's description of how parenthood has fundamentally altered his perception. Watching his three-year-old daughter experience the world for the first time has made him question everything he knows, creating a profound sense of renewal that directly influences the emotional landscape of "Song of the Earth." Twenty years into his career, Longstreth has found a way to make music that feels simultaneously ambitious and intimate, political and personal – a rare achievement worth celebrating.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Dirty Projectors on Instagram Dirty Projectors Official StoreFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

United States President John F Kennedy gave a speech in Berlin at the height of the Cold War on 26 June 1963. It galvanised the world in support of West Berliners who had been isolated by the construction of the Berlin Wall. In 2023, Tom Wills spoke to Gisela Morel-Tiemann, who attended the speech as a student. A Whistledown production. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: John F Kennedy making his speech in Berlin. Credit: Lehnartz/ullstein bild via Getty Images)

Seamus Rawles Malliagh, better known as Iglooghost, is an artist who doesn't just make electronic music—he builds entire worlds. His sound is hyper-detailed, bursting with surreal textures, and deeply tied to the mythologies he creates around it.In this episode, we dive into how growing up in rural Dorset shaped his imagination, from childhood experiments with ley lines to the eerie, folklore-like atmosphere of empty landscapes. We also explore the making of his most recent album, Tidal Memory Exo, crafted during a five-year stint living near Thanet's brutalist seafront. Immersed in what he calls “aesthetic ugliness”—concrete towers, decay, a nearby sewage plant—he channeled these surroundings into an intricate fictional narrative, where a storm isolates Thanet from the mainland, birthing underground music subcultures.Iglooghost shares how discomfort and constraint fuel his creativity and how mythology plays a key role in his artistic process. Whether you're deep into his sonic universe or discovering him for the first time, we get into one about how environment, storytelling, and electronic music collide.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Iglooghost on InstagramIglooghost on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Send me a Text Message!MARCH 2025Hey everyone—checking in from Albania! This month's been a bit of a whirlwind. I finally moved into my new place in Porto (which felt amazing), but then had to leave Portugal until my visa is approved. Cue the Great Travel Shuffle: Porto > Madrid > Tirana > Frankfurt > US > Frankfurt > Porto. So. Many. Flights.But you know what? Tirana—and especially the Blloku neighborhood—continues to surprise me. It's my third time here and there's always more history to discover. From strong espressos and people-watching to powerful pieces of history tucked around every corner, it's been a unique little chapter.In this episode, I'm talking about the highs, the hectic moments, the history, and what it's like living out of a suitcase while craving a little stillness. If you've ever felt that mix of wanderlust and wanting to just hang your clothes up for once—you'll get it.Website  I  Instagram  I  Twitter  I  LinkedIn  I  YouTubeEmail: actorbobtapper@gmail.comIn this episode:Moving into my Porto Apartment (for a quick minute)Pack, Unpack, Repack and back to TiranaEnver Hoxha's Home: 40 years of communist rulePostbllok MemorialLooking forward to my return to PortoAirBnbBook your stay!Former Residence of Enver HoxhaRight in the heart of Tirana is a quiet villa that once belonged to Enver Hoxha, Albania's longtime communist leader. For decades, the entire area around it—now known as Blloku—was completely off-limits, guarded by police and secret agents. It was basically a wall-less fortress for the regime's elite, hidden in plain sight. Today, it's one of the city's liveliest neighborhoods, but that history still lingers.Postbllok MemorialOne of the most powerful spots in Tirana is the Postbllok Memorial—a small but impactful installation created by former political prisoner Fatos Lubonja and artist Ardian Isufi. It features concrete beams from Spaç Prison, part of a military bunker, and a piece of the Berlin Wall gifted by the city of Berlin. Each element tells a story of Albania's past under dictatorship and its long road to freedom. Support the show

Fritz Häber, The Complete Diary: 16 Months in an American POW Camp by Bernd Häber Amazon.com Worldstrings.com 16monthsaspow.com Examining history through family archives frequently complicates our understanding of the past. This complexity is heightened when descendants encounter diverse forms of testimonial evidence from a bygone era—whether it be a photograph, an object, postcards, official documents, or a diary—and undertake the challenging endeavor of deciphering the meaning of these personal remnants within the broader context of historical events. This diary stands apart from the typical World War II narratives found in documentaries, textbooks, and retellings, often providing only the highlights and a broad overview. For readers seeking a genuinely fresh and intimate perspective on the physical war and psychological war that unfolds beneath the surface, this real-life account offers an insightful and comprehensive experience. This is the story of Fritz Häber, a young German father who grappled with the dual responsibilities to his family and country. His reflections provide personal insights that extend beyond him to encompass broader global perspectives. Forced to serve in a Nazi anti-aircraft unit near Munich during WW2, he later endured 16 months imprisoned in an American POW camp. Fritz Häber begins his diary with this dedication: “I dedicate these pages to my wife and my children of whom I hope are still alive and whom to find well when I return from captivity… May these lines serve my wife in the future as a compensation for the long time during which she knew nothing about my well-being, and for the children to serve as an example of how human destinies can get easily mixed up.” Stories such as his prompt an exploration of our family histories and their untold narratives. They illuminate themes of resilience and survival, morality and choice. Even when these tales harbor discomfort or controversy, they possess the power to enlighten us and offer valuable guidance for our present actions. His steadfast and unyielding belief in his survival gave him the faith that he would be reunited with his family one day. Having endured physical and emotional challenges, his story is a timeless, powerful source of inspiration 75 years later and will resonate with future generations. From the author: n this book, which is both a diary and a memoir, you will meet my grandfather, Fritz Häber. As a child, he was just my grandpa, a jovial, vigorous, warmhearted man, whom I would visit during the occasional holiday vacation. It was only later when contentious, life altering, family events were revealed to me that I realized Fritz had served in Hitler's Wehrmacht during WWII, one of the most tumultuous and violent time periods of world history. I had so many questions. Although his part in this global drama can be considered minor, he extensively documented his experiences and shared his astute reflections on everything from human psychology to political philosophy. Like many history buffs, I have spent countless hours reading about high level diplomacy and watching documentaries that detail the technical and military aspects of war, but it was not until reading Fritz's diary that I could fully imagine both the momentous decisions he made and the drudgery of being a reluctant soldier. Fritz, an antifascist, not only warns “human destinies can get easily mixed up” during war, but also reminds us to pay attention to forces that might interfere with our lives in unexpected ways. I am excited to now share his story with you. About the author Bernd, grandson of Fritz, was born in East Berlin - after the Berlin Wall was erected. He grew up in the German Democratic Republic under a Communist ruling government. Bernd attended the Technische Universität in Chemnitz in Saxony/Germany and graduated with a Master's Degree in Mechanical Engineering, Manufacturing Process Design and Computer Aided Manufacturing.

On Sunday, June 1st, 1980, Ted Turner pressed a button—and CNN went live, beaming 24/7 news into homes across America and changing the media landscape forever, while shrinking time and space forever. In this episode, we sent Julia Thompson to track down and interview people who were at CNN's Atlanta headquarters on day one. What follows is the story of a visionary who dared to build a 24-hour news network on a tight budget—in a world dominated by 30-minute broadcasts and networks spending over $100 million a year on their news. With his own money and a vow to stay on the air “until the world ends,” Ted Turner took on the giants. It's a modern-day David and Goliath tale—driven by technology, entertainment, risk, and pure tenacity. This is how CNN was born. This episode features interviews with: Richard Roth (CNN original. Covered Gulf War, Berlin Wall fall, Tiananmen Square protests, and more) John Huey (former Time Inc. Editor-in-Chief, Fortune Editor. WSJ journalist covering CNN's launch) Jack Lechner (TV/Film Producer. Professor. Multiple-Time Jeopardy! Winner) Steven Livingston (Author, The CNN Effect. Professor) Web Barr Listen to Hi Barr's newest podcast, Media Moguls with Web Barr on your favorite podcast app now. CREDITS 'You Had To Be There' is a Hi Barr production. Created by Hi Barr. 'CNN Launches the 24/7 News Cycle' was written and hosted by Julia Thompson. Produced by Julia Thompson and Web Barr. Edited by Julia Thompson. Edit, Sound Mix, and engineering by Vishal Nayak. Original score by Teeny Lieberson.   Artwork created by Dylan Lathrop. Special thanks to our parents, friends and chosen family. And most importantly, thank you to the artists who've inspired us because they had to do it. MORE FROM HI BARR Sign up to receive our newsletter. Follow us on Instagram and YouTube. For business inquiries, please email: contact@hibarrmedia.com. Were you at one of the events covered on the show? If so, we'd love to talk! Please get in touch via email and/or social media channels like Instagram or X. Learn more about your ad choices. Visit megaphone.fm/adchoices

Étienne de Crécy is one of the architects of the French Touch movement—those lush, filter-heavy grooves that shaped house music in the ‘90s, right alongside acts like Daft Punk, Air, and Alex Gopher. But his journey didn't start in the clubs. Before electronic music, he was a punk bassist, navigating Parisian record shops that looked down on house music before the scene exploded worldwide.In this conversation, Étienne reflects on three decades of pushing electronic music forward, from his groundbreaking Super Discount series to his latest album, Warm Up. This new record marks a shift—more organic, more vocal-driven, and carrying a double meaning: a reference to its sound, but also a nod to the global moment we're in. “We are just at the warm-up… for the climate, for politics.”We talk about his creative process, his mathematical approach to composition, and why he avoids the easy route of plugins in favor of crate-digging for samples. Plus, the story of how he unearthed a long-lost collaboration with Damon Albarn, recorded twenty years ago and now perfectly fitting Warm Up's aesthetic.As electronic music culture shifts—where younger generations lean into harder, faster sounds—Étienne remains committed to a philosophy: “What I'm learning is to stay simple and to be amazed by simple things.”If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Étienne de Crécy on InstagramWarm Up Listen/BuyFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Join us in this episode with the legendary Colin Griffith, who shares his groundbreaking work, insights on meditative provings, and the fascinating remedies he has developed over the years. Colin discusses his experiences with the Berlin Wall remedy and the profound impact it has had on his practice, as well as the importance of understanding chakras in relation to homeopathy. He also reflects on his journey of teaching and learning through the Master Practitioner course and the incredible community he has built with his proving group. Whether you're a seasoned homeopath or just starting your journey, this episode is packed with valuable insights, stories, and practical advice that will inspire you to deepen your understanding of homeopathy. Don't forget to check out Colin's books, including the New Materia Medica series and the Repertory, which are essential resources for any homeopath.   Episode Highlights: 04:23 - How Colin's proving group was formed and Janice Micallef's role in it 05:43 - Janice's Unique Approach 10:10 - Ayahuasca: From ‘Really?' to ‘Must-Have 11:47 - The Power of Berlin Wall 18:23 - No Need to Store Remedies Apart 20:41 - The Concept of Meditative Provings 26:26 - Repertory's Hidden Gems 31:45 - Homeopathy Beyond the Books 34:10 - Don't Overload, Listen to the Patient 37:10 - The Case That Changed My Perspective 39:13 - Janice's Surprising Remedy Experience 42:57 - Skeptical About Chakras? Keep Going 45:23 - Challenges Make the Job Worth It 50:55 - The Process Behind Crystal-Infused Essences 54:25 - The Importance of Supporting Remedy Creators 01:03:02 - A Family of Healing Paths 01:09:30 - Sensing the Energy Beyond Words 01:10:54 - The Fig Remedy: Fighting False Info   About my Guest: Colin Griffith is a highly respected homeopath and potter with over 30 years of experience. After studying Homeopathy in London in 1989, he began practicing in East Sussex and Kent in 1991, where he built a thriving practice while also teaching and lecturing on the subject. Colin's expertise has led him to lecture internationally in the USA, Japan, and Europe, and he has authored best-selling books on homeopathy. In 2001, he founded the Griffith Practice, where he collaborates with osteopaths and other homeopaths. Prior to his career in homeopathy, Colin was a classical music composer, but his passion for creativity led him to pottery in 2010. He now designs and throws his own ceramic pieces, showcasing his work in local exhibitions.   Find out more about Colin Website: https://www.griffithpractice.co.uk/   If you would like to support the Homeopathy Hangout Podcast, please consider making a donation by visiting www.EugenieKruger.com and click the DONATE button at the top of the site. Every donation about $10 will receive a shout-out on a future episode.   Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies   Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/   Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s   Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

EP 236: In this deeply moving episode of Revival Town Podcast, we sit down with Gary Wilkerson—pastor, author, and president of World Challenge—to discuss revival among the poor and the church's call to care for orphans and widows. Gary shares an unforgettable story about rescuing orphans after the fall of the Berlin Wall and unpacks the biblical mandate of pure religion as described in James 1:27. His passion for reaching the most vulnerable and his wisdom on how the global church can unite to bring lasting change make this an episode you won't want to miss.Prepare to be inspired by one of the most humble and compassionate ministers of the Gospel we've ever met. This conversation is sure to be a favorite!

EP 236: In this deeply moving episode of Revival Town Podcast, we sit down with Gary Wilkerson—pastor, author, and president of World Challenge—to discuss revival among the poor and the church's call to care for orphans and widows. Gary shares an unforgettable story about rescuing orphans after the fall of the Berlin Wall and unpacks the biblical mandate of pure religion as described in James 1:27. His passion for reaching the most vulnerable and his wisdom on how the global church can unite to bring lasting change make this an episode you won't want to miss.Prepare to be inspired by one of the most humble and compassionate ministers of the Gospel we've ever met. This conversation is sure to be a favorite!

Check more of Kate work at: Colourful Conversations Podcast:   https://spoti.fi/42eByBA  Buy the best seller Colourful Boardrooms: https://amzn.to/4gjDe0i If people want to check out the summit then the best place is: https://focsummit.comAnd to give them a taste of our work share this: https://bit.ly/3WWQEIS (it's a 9 part series and then they can subscribe to our youtube channel.They can find us on the socials here: Linkedin, InstagramandFacebook Check out retreat info at: https://bit.ly/4gJiFv2Check out this 9 part series at the youtube channel : https://bit.ly/3WWQEIS Find Kate at: Linkedin, Instagram and FacebookThe Foundation of Colours is an organization that explores the profound impact of colour on human consciousness, health, and well-being.We do this by utilising cutting-edge research, consultancy, and by providing experiential learning both on and offline to inform and transform individuals, teams and businesses.We aim to elevate consciousness to shape a more connected, conscious society. Our vision is to create systemic change by harnessing the power of colour to influence emotional, spiritual, and social intelligence in individuals, teams, and organizations.Find out more by checking out their free 3 day online summit at https://focsummit.comTime Stamps:—-------------------------------------------Show notes timestamps 

By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

In this engaging episode of the HODGEPOD Rob Fredette sits down with Dr. Ken Peters, a distinguished author and biotechnology expert. Join them as they delve into Dr. Peters' fascinating career, which spans across continents and industries. Discover how his experiences in economics, biotechnology, and international business have influenced his captivating thriller novels. Dr. Peters shares anecdotes from his extensive travels, recalling pivotal moments such as the fall of the Berlin Wall and his encounter with political figures like Nelson Mandela. With a unique blend of memoir and fiction, he brings to life the intricate worlds of his books, including his latest work, "The Seed Sanctuary." Tune in for an intriguing mix of history, espionage, and literary inspiration. HODGEPOD can heard on APPLE, SPOTIFY, IHEART, AUDACY AND THE PODBEAN APP. RECORDED MARCH 6, 2025 Email hodgepodallin@yahoo.com Please give a listen, follow and share. Thank you for listening.

Just thirty years ago, socialism seemed utterly discredited. An economic, moral, and political failure, socialism had rightly been thrown on the ash heap of history after the fall of the Berlin Wall. Unfortunately, bad ideas never truly go away—and socialism has come back with a vengeance. Join us to hear a powerful warning from Iain Murray on the resurgence of socialism that could rob us of our freedom and prosperity.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

This is Part 2! For Part 1, check the feed!This week we're not building walls or tearing them down, in fact, we're simply talking about them. But what a collection of walls we have: the Great Wall of China, Hadrian's Wall and the Berlin Wall.And elsewhere, isn't schooling far more complicated these days?! No one being educated in a Victorian Workhouse ever had to worry about an outfit for world book day - so did that make it easier? (Possibly not). But if you have anything unusual about the area you grew up in then please email: hello@ohwhatatime.comIf you fancy a bunch of OWAT content you've never heard before, why not treat yourself and become an Oh What A Time: FULL TIMER?Up for grabs is:- two bonus episodes every month!- ad-free listening- episodes a week ahead of everyone else- And much moreSubscriptions are available via AnotherSlice and Wondery +. For all the links head to: ohwhatatime.comYou can also follow us on: X (formerly Twitter) at @ohwhatatimepodAnd Instagram at @ohwhatatimepodAaannnd if you like it, why not drop us a review in your podcast app of choice?Thank you to Dan Evans for the artwork (idrawforfood.co.uk).Chris, Elis and Tom xSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The most important moment for Europe since the Berlin Wall came down Become a member at https://plus.acast.com/s/the-other-hand-with-jim.power-and-chris.johns. Hosted on Acast. See acast.com/privacy for more information.

This week we're not building walls or tearing them down, in fact, we're simply talking about them. But what a collection of walls we have: the Great Wall of China, Hadrian's Wall and the Berlin Wall.And elsewhere, isn't schooling far more complicated these days?! No one being educated in a Victorian Workhouse ever had to worry about an outfit for world book day - so did that make it easier? (Possibly not). But if you have anything unusual about the area you grew up in then please email: hello@ohwhatatime.comIf you fancy a bunch of OWAT content you've never heard before, why not treat yourself and become an Oh What A Time: FULL TIMER?Up for grabs is:- two bonus episodes every month!- ad-free listening- episodes a week ahead of everyone else- And much moreSubscriptions are available via AnotherSlice and Wondery +. For all the links head to: ohwhatatime.comYou can also follow us on: X (formerly Twitter) at @ohwhatatimepodAnd Instagram at @ohwhatatimepodAaannnd if you like it, why not drop us a review in your podcast app of choice?Thank you to Dan Evans for the artwork (idrawforfood.co.uk).Chris, Elis and Tom xSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Messengers Part 5, Pastor Robey Barnes dives into Acts 10, revealing how God's plan for the gospel breaks down walls of division. Just as the fall of the Berlin Wall united families, Peter's vision challenged deeply held traditions, inviting believers to embrace inclusion and reconciliation. Discover how God's love knows no boundaries and how we are called to tear down walls in our lives and communities. Don't miss this powerful message on unity and the power of the gospel!

British photographer Mike Abrahams has worked as a freelance photographer for over 40 years having become renowned for his sensitive eye in documenting the lives of ordinary people often in extraordinary situations.In 1981 he was a cofounder of Network Photographers the Internationally renowned picture agency and his work has taken him around the world. His photographs have been published in all the major international news media. In 2024, Mike's much anticipated book This Was Then, was published by Bluecoat Press and has been described as a lyrical portrait of humanity in adverse circumstances. It features photographs taken from 1973 to 2001 in cities from Liverpool to Glasgow. Blackburn to Bradford, Northern Ireland to the coalfields of Kent and London.Mike's work on Faith - A Journey with Those Who Believe, published in 2000, was the culmination of five years work, documenting the extremes and passion of Christian devotion throughout fourteen countries. Awards for this work included the World Press Photo Award in 2000, and the book Faith designed by Browns, was a finalist in the Design Week - Editorial Design: Books. It has been widely exhibited throughout the UK and Europe.Colin Jacobson, picture editor of The Independent Magazine, described Mike's body of work from the conflict in Northern Ireland and published in the book Still War, in 1989 as "Documentary photography at its best - imaginative, comprehensive, confident and concerned". His coverage of the troubles in Northern Ireland was the subjects of a Television documentary Moving Stills.Other important assignments have included coverage of the division of Cyprus, Migrant labour in Southern Africa, the Intifada in the Occupied Territories, the Berlin Wall, the collapse of Communism in Eastern Europe, the rise in the influence of the religious in Israeli politics, the Cult of Assad in Syria, Northern Ireland and documenting Another Britain. In episode 251, Mike discusses, among other things:Discovering the darkroom at 12Growing up in post-war LiverpoolThe infamous Toxteth Riots of the early 80sNetwork Photographers agencyThe story of the IRA bombingHis interest in religious ceremonyGoing back to his archive of British work for the new book, This Was ThenThe impetus behind itThe sustainability of of a long-term careerPersonal work that he is still doingReferenced:Eugene SmithDavid Douglas DuncanLarry BurrowsTim PageNetwork PhotographersJohn SturrockMike GoldwaterJudah PassowChris DaviesLaurie SparhamSteve BenbowMartin SlavinBarry LewisRed SaundersSid SheltonRoger HutchinsChris KillipDaniel MeadowsPeter MarlowPeter Van AgtmaelWebsite | Instagram“You can go here, there and everywhere, and I have travelled a lot and it's been interesting and fascinating, but you're always the outsider coming in. You don't really know the story. It's glamorous, it's exotic, it's fascinating, but I think it's much harder to photograph your home turf. You come to it with quite an honest perspective. It's the land you're living in, you're conscious of the differences in the country between the north, south, east and west, the regions… it's kind of embedded in you, the differences.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

On 29 March 1974, Czesław Kukuczka stormed into the Polish embassy in East Berlin, threatening to detonate a bomb unless he was allowed to escape to the West. Shot at point-blank range while trying to cross the Berlin Wall, the identity of Kukuczka's killer remained a mystery for decades - until archive documents led investigators to former Stasi officer Martin Naumann. Naumann's historic trial made him one of the first former Stasi officers to be convicted of murder.Dan Hardoon speaks to Dr Filip Gańczak, the historian whose work helped bring Kukuczka's killer to justice.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: The Berlin Wall. Credit: Owen Franken/Corbis via Getty Images)