Podcasts about Sennheiser

Entérate de lo que está cambiando el podcasting y el marketing digital:-Informe revela las claves detrás del crecimiento explosivo de los videocasts.-Analizan el presente y futuro del audio digital.-YouTube lanza lista semanal de los mejores pódcast.-Los pódcast ganan terreno frente a la radio en EE. UU.-Sennheiser lanza su micrófono más versátil para creadores en solitario.Patrocinios ¿Estás pensando en anunciar tu negocio, producto o pódcast en México? En RSS.com y RSS.media tenemos la solución. Contamos con un amplio catálogo de pódcast para conectar tu mensaje con millones de oyentes en México y LATAM. Escríbenos a ventas@rss.com y haz crecer tu idea con nosotros.Entérate, en solo cinco minutos, sobre las noticias, herramientas, tips y recursos que te ayudarán a crear un pódcast genial y exitoso. Subscríbete a la “newsletter“ de Via Podcast.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Recorded May 01, 2025 In this episode of Perspectives, we're back at NWMET 2025, connecting with Jack Ewer from Sennheiser to discuss the innovative TCC M ceiling microphone. Jack explains how this latest model differs from the TCC2, featuring a smaller coverage area and advanced beamforming technology that targets audio capture in conference rooms, boardrooms, and learning environments. The conversation dives into the microphone's unique features, including its single Dante input and the ability to daisy chain multiple units, allowing for easy integration into larger spaces. Jack shares insights on the automatic setup process, emphasizing the microphone's focus on excluding unwanted noise, making it a perfect solution for various applications. We also explore Sennheiser's new sound bars, which incorporate Dante connectivity and advanced audio technology. Join us for an informative session filled with practical insights and expert perspectives on the latest advancements in audio technology. If you find value in this episode, please share it with your colleagues and consider supporting the AV SuperFriends!    We stream live every Friday at about 300p Eastern/1200p Pacific and you can listen to everything we record over at AVSuperFriends.com    ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: https://www.avsuperfriends.com ► Twitter: https://twitter.com/avsuperfriends ► LinkedIn: https://www.linkedin.com/company/avsuperfriends ► YouTube: https://www.youtube.com/@avsuperfriends ► Bluesky: https://bsky.app/profile/avsuperfriends.bsky.social ► Email: mailbag@avsuperfriends.com ► RSS: https://avsuperfriends.libsyn.com/rss   Donate to AVSF: https://www.avsuperfriends.com/support

Das Bundeskartellamt hat Bußgelder gegen die Hersteller von Audioprodukten Sennheiser und Sonova verhängt. Wegen illegaler Preisabsprachen müssen sie insgesamt knapp sechs Millionen Euro zahlen.

Dr. Ben reviews the Sennheiser All Day Clear OTC hearing aids, powered by Sonova's advanced technology. He compares the standard and slim models, covering comfort, sound quality, and Bluetooth features. Find out who these hearing aids are best for—and whether they're worth the investment.Get started with Treble Health:Schedule a complimentary telehealth consultation: treble.health/free-telehealth-consultation Take the tinnitus quiz: https://treble.health/tinnitus-quiz-1Download the Ultimate Tinnitus Guide: 2024 Edition: https://treble.health/tinnitus-guide-2024

Die aktuellen Automobilkurznachrichten mit Michael Weyland   Thema heute:  Mit dem CUPRA Born durch El Born - Pulsierendes Viertel gibt Modell seinen Namen und seine DNA      Der eine oder andere weiß, dass der Seat-Konzern, zu dem auch Cupra gehört, seine Autos gerne nach Orten benennt. So wurde der Cupra Formentor nach dem Cap Formentor auf Mallorca benannt, der Namensgeber des Cupra Tavascan ist ein Ort in den Pyrenäen. Um den Namen für den Born zu finden, mussten die Kreativen nur um die Ecke schauen. In das historische Stadtviertel El Born in Barcelona. Im Mittelalter handelten dort Kaufleute miteinander – heute reihen sich Restaurants, Bars und kleine Geschäfte aneinander. Vor allem junge Kreative fühlen sich hier zu Hause – Einheimische wie Gäste. Sie essen, trinken, feiern. Gemeinsam inmitten des historischen Stadtviertels El Born in Barcelona. Für den Fall, dass SIE sich dort mal umschauen möchten – hier sind ein paar Insidertipps. Elektrisierende Atmosphäre Am Samstagabend ist das Barleben in El Born ist in vollem Gange. Etwa im Tapas-Restaurant El Set. Wer Glück hat, ergattert noch einen der heiß begehrten Tische an der Carrer de l'Esparteria. Oder in der Mariposa Negra Bar am Plaza de les Olles. Man kann sich auch einfach treiben und das Viertel auf sich wirken lassen. Die Atmosphäre fühlt sich auffallend anders und elektrisierend an.    Top Tipps zu Barcelonas Szeneviertel El Born In den engen Gassen von El Born kommen dem E-Modell Curpa Born vor allem seine Wendigkeit und die Fahrassistenzsysteme zugute. So ermöglicht es der neue Remote Park Assist beispielsweise, das Einparkmanöver mit dem Smartphone zu beenden – und über den Trained Parking Assist kann der CUPRA Born VZ lernen, an festgelegten Parkplätzen, wie vor dem einen Lieblingsrestaurant in El Born, einzuparken. Kunst und Konzerte Doch El Born bietet noch mehr. Das Viertel ist geprägt von etlichen inhabergeführten Shops und jungen Talenten, die ihrer künstlerischen Leidenschaft hier freien Lauf lassen können. Fast an jeder Ecke gibt es etwas zu entdecken – von Gemälden über Schmuck bis hin zu Straßenkonzerten. Und auch im Inneren des Born kann man Sound genießen. Für den richtigen Soundtrack für die laue Sommernacht in El Born sorgt das optionale High-Fidelity-Audiosystem mit zehn Lautsprechern, das in Zusammenarbeit mit Sennheiser entwickelt wurde. Und wer jetzt Lust hat, die Umgebung der katalanischen Hauptstadt zu erkunden, der kann – nach einen kurzen Ladestopp unweit des bekannten Parc de la Ciutadella, auf die Piste gehen. Voll geladen kommt der Born bis zu 599 Kilometer weit. Das kann somit eine sehr ausgedehnte   Rundfahrt werden. Und die kann natürlich auch wieder in El Born enden!   Alle Fotos: SEAT Deutschland GmbH   Diesen Beitrag können Sie nachhören oder downloaden unter:

Poznajcie historię kawiarni Tociekawa w Krakowie. Zaczynali na 13 m². Dziś mają trzy piętra, najsłynniejsze serniki w mieście i apetyt na wiele więcej.Linki:- Strona domowa- Instagram | X/Twitter- Kawiarnia Tociekawa w Krakowie- Restauracja NOLIO- #372 – Z miłości do drewna i technologii – podcast „Bo czemu nie?”- #010 – Lubię karmić ludzi: Jakub TepperPartnerzy tego odcinka podcastu:- Palarnia kawy HAYB (w odcinku kod -10% na kawy i herbaty!)- SennheiserProwadzący: Krzysztof KołaczMam prośbę: Oceń ten podcast w Apple Podcasts oraz na Spotify. Zostaw tyle gwiazdek, ile uznasz. Twoja opinia ma znaczenie!Zainteresowany współpracą? Pogadajmy! kawa@boczemunie.plSłuchaj, gdzie chcesz: Apple Podcasts | Spotify i przez RSS.Rozdziały:(00:00:11) INTRO(00:00:42) Wstępniak(00:01:34) Tociekawa, czyli z 13 m² do trzech pięter!(00:47:19) Co dalej? To ciekawe!

Home Theater News Review Podcast Season 3, Episode 3 links and notes:Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community!00:01 Intro01:34 Time Machine Segment05:56  Start News Lightning Round with Nvidia06:32 Netflix Integration with Apple TV?  07:04 Premium Audio Company dropped by ProSource07:53 Warfendale Aston Heritage08:27 Sennheiser introduces HD 505 Headphone08:58 Apple TV expands to Android 09:27 Burmester 232 Integrated Amplifier09:58 TAD introduces the ME1TX10:40 TEAC AP-507 stereo power amplifier11:47 McIntosh DS200 Streaming DAC12:41 Bang & Olufsen Beosound 2 Gradient Collection13:29 ISE 2025 Recap15:54 News Feature: Panasonic TV to be sold?19:54 News Feature: Flordia International Audio Show22:49 Check in with Michael Scott Disc Reviews23:52 New to Disc this Week25:34 Kaleidescape Content Update26:34 Disc Sales Numbers28:56 Disc Charts30:16 Movie/TV Stream Charts32:04 Disc and Gear Deals*DISC DEALS on AMAZON* -Wicked 4K: https://amzn.to/41mKsfB-Fury 4K: https://amzn.to/3QrNCIW-Atomic Blonde 4K: https://amzn.to/4b9wyAE*Gear Deal of the Week*-Polk MagniFi Mini AX Sound Bar: https://amzn.to/41nT1XNEpisode Round-UpOn this week's edition of the Home Theater News Review Podcast, we're loaded up with industry stories. We have a dozen or so quick-hit headline stories in our lightning news section, touching base on stories out of Apple, Netflix, McIntosh, Bang and Olufsen, TEAC, and Warfendale, just to name a few.  And then we talk a bit more in-depth about news out of Panasonic's TV division and the upcoming Florida International Audio expo.Of course, we have our time machine segment, disc news, buying tips, and more. Thanks for listening!*Forum Links*-For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/-For the latest news, including stories covered in this episode:https://www.avnirvana.com/forums/av-industry-news.6/

V prvním textu o covidu jsem v lednu 2020 napsal, že nejspíš zasáhne Asii a že v Evropě a Severní Americe to bude jen pár případů. Nebo že to bude celosvětová katastrofa, vzpomíná biochemik Jan KonvalinkaNadcházející živá vystoupení:25.2.2025 - 19:00 - Jiráskovo gymnázium Náchod  ➡️ https://tinyurl.com/3mune7n725.3.2025 - 19:00 - České Budějovice, Biograf Kotva ➡️ https://tinyurl.com/32kc67t7Jsme také na síti X a InstagramuPřijďte v neděli 23.2.2025 v 15:00 na Staroměstské nám. v Praze na shromáždění Společně za UkrajinuDěkujeme za podporu https://pantershop.cz, výhradnímu dovozci profesionální a zvukové techniky Sennheiser a Neumann pro Českou republiku a Slovensko.

Co se přesně děje u našich východních sousedů a jak to může dopadnout? Odpovídá společná česko-slovenská podcastová sestava Dobrovský&Šídlo a Bárdy&Káčer. Poslechněte si záznam živého vystoupení z Rock Café v Praze ze soboty 2.1.2025Nadcházející živá vystoupení:25.2.2025 - 19:00 - Jiráskovo gymnázium Náchod  ➡️ https://tinyurl.com/3mune7n725.3.2025 - 19:00 - České Budějovice, Biograf Kotva ➡️ https://tinyurl.com/32kc67t7Podcast Bárdy & Káčer najdete ve všech podcastových aplikacích a také na Aktuality.skJsme také na na síti X a InstagramuPřijďte v neděli 23.2.2025 v 15:00 na Staroměstské nám. v Praze na shromáždění Společně za UkrajinuDěkujeme za podporu https://pantershop.cz, výhradnímu dovozci profesionální a zvukové techniky Sennheiser a Neumann pro Českou republiku a Slovensko.

Petra Pavla čeká třetí rok ve funkci. Zcela jistě to bude ten nejtěžšíPoslechněte si záznam živého vystoupení podcastu Dobrovský&Šídlo z La Fabriky v Praze ze středy 29.1.2024Nadcházející živá vystoupení:1.2.2024 - 18:00 - Rock Café Praha - Bárdy & Káčer & Dobrovský & Šídlo - vyprodáno25.2.2024 - 19:00 - Jiráskovo gymnázium Náchod  ➡️ https://tinyurl.com/3mune7n7MerchDobrovský & Šídlo triko - e-shop Paměti národaMůžu to doříct…? - kniha - e-shop Paměti národaJsme také na na síti X a Instagramu23.2.2025 - 15:00 - Staroměstské nám. v Praze - Společně za UkrajinuDěkujeme za podporu PANTERSHOP, výhradnímu dovozci profesionální a zvukové techniky Sennheiser a Neumann pro Českou republiku a Slovensko.

In this video, we dive into the Sennheiser EWD (Evolution Wireless Digital) microphone system. From unboxing to setup and testing, I cover its features, ease of use, and performance. Whether you're upgrading your audio gear or curious about wireless solutions for live events or recording, this review highlights why the EWD might be the perfect fit for your needs. Let me know your thoughts in the comments!

S šéfredaktorem Erikem Taberym o 35 letech časopisu, který některé z nás vychovávalNadcházející živá vystoupení:29.1.2024 - 19:00 - La Fabrika Praha - vyprodáno1.2.2024 - 18:00 - Rock Café Praha - Bárdy & Káčer & Dobrovský & Šídlo - vyprodáno25.2.2024 - 19:00 - Jiráskovo gymnázium Náchod  ➡️ https://tinyurl.com/3mune7n7MerchDobrovský & Šídlo triko - e-shop Paměti národaMůžu to doříct…? - kniha - e-shop Paměti národaJsme také na na síti X a Instagramu23.2.2025 - 15:00 - Staroměstské nám. v Praze - Společně za UkrajinuDěkujeme za podporu PANTERSHOP, výhradnímu dovozci profesionální a zvukové techniky Sennheiser a Neumann pro Českou republiku a Slovensko.

Entérate de lo que está cambiando el podcasting y el marketing digital:-La opacidad de la IA en el periodismo: un riesgo para la credibilidad.-Sennheiser presenta Profile Wireless, el sistema de micrófono inalámbrico de 2.4 GHz perfecto para creadores de contenido.-LG expande el entretenimiento en sus televisores con LG Radio+.-La ficción sonora aragonesa clama por mayor apoyo institucional.-Trump planea incluir podcasters e influencers en su sala de prensa.‘Favoritos del mes'‘Greal: El secreto de las ocho llaves' es un pódcast de ficción sonora que narra la historia de un periodista con aspiraciones literarias que, tras un misterioso encuentro, recibe un enigmático cofre. Con la ayuda de una experta en historia del arte, ambos emprenden una búsqueda por Cataluña siguiendo pistas sobre el Santo Grial y superando desafíos con la guía de un escritor reconocido. El pódcast está disponible al completo en todas las plataformas de podcasting.Patrocinios ¿Estás en la CDMX y quieres grabar tu pódcast? RSS.media by RSS.com es tu “ONE STOP SHOP”. Graba, edita, aloja, promueve y monetiza con nosotros. Visítanos en www.rss.media y haz tu idea realidad.Entérate, en solo cinco minutos, sobre las noticias, herramientas, tips y recursos que te ayudarán a crear un pódcast genial y exitoso. Subscríbete a la “newsletter“ de Via Podcast.

De Canadese marktwaakhond klaagt Google aan om machtsmisbruik in de online adverstentiemarkt. De techgigant zou twee advertentie-tools met elkaar gekoppeld hebben, waardoor het advertentieveilingen naar zijn hand kan zetten. En daarmee wordt concurrentie buiten spel gezet, stelt de waakhond. De marktwaakhond is een rechtszaak gestart en eist dat Google de twee advertentietools van de hand doet. Daarnaast zou Google een boete moeten betalen van maximaal 3% van de wereldwijde omzet. Binnen 45 dagen moet Google met een reactie komen op de juridische aanklacht. Google zegt in een statement dat de waakhond geen aandacht heeft voor de concurrentie die juist op de markt speelt. In de VS ligt Google ook onder vuur, daar zou het bedrijf de webbrowser Chrome mogelijk moeten verkopen. Die beslissing zou ook grote gevolgen hebben voor de rol van Google op de advertentiemarkt. Verder in deze Tech Update: Sociale media reageren op Australisch verbod voor kinderen onder de zestien CBS: 8 op de 10 Nederlanders koopt spullen (en diensten) online Zometeen in De Schaal van Hebben: drie paar oortjes van JBL, Sennheiser en GoogleSee omnystudio.com/listener for privacy information.

Welk paar oortjes moet je hebben? In deze Schaal van Hebben bespreekt techredacteur Stijn Goossens draadloze oordroppen van drie verschillende merken: JBL, Sennheiser en Google. Met één duidelijke winnaar, en een verliezer. De Sennheiser Momentum True Wireless 4 gaan all-in op audiokwaliteit. Ze leveren klasse geluid en ondersteunen lossles audio, maar laten steekjes vallen op andere punten. Het doosje wordt snel vies, de ruisonderdrukking is medium en het comfort valt wat teken door de grote oortjes. Prijs: ca. 200 euro De Google Pixel Buds Pro 2 voelen premium aan, zijn klein en licht in je oren en hebben een goede lange accuduur. De audiokwaliteit en ruisonderdrukking zijn prima, maar niet opvallend goed. Het nadeel is dat ze enkel een app op Android hebben, op iPhone zijn de besturingsmogelijkheden dus wat minder uitgebreid. Prijs: ca. 200 euro De JBL Tour Pro 3 zijn het meest opvallend, want het doosje heeft een schermpje. Dat schermpje maakt het mogelijk om diverse instellingen aan te passen. Bovendien kan het doosje een bluetoothsignaal maken voor apparaten die dat niet ondersteunen. Handig in het vliegtuig. Verder zijn de audiokwaliteit en ruisonderdrukking erg goed, en biedt de app veel extra's voor de gleuidsbeleving. Prijs: 300 euro Luister de hele podcast voor het eindoordeel en meer informatie!See omnystudio.com/listener for privacy information.

In this episode, I had the chance to sit down with the incredibly talented Johnny McGuire, who's had quite the journey in country music. Originally from Dallas, Johnny moved to Nashville in 2012 with the dream of becoming a songwriter. Little did he know, his path would take some unexpected turns, from forming the duo “Walker McGuire” with Jordan Walker to carving out a successful solo career. We dive into his early days in Nashville and how everything changed when he found himself sitting next to Jordan Walker at the Commodore Grille—just a few days after arriving in town. We also talk about Johnny's creative process, his experience writing for other artists, and his collaboration with Billy Ray Cyrus on “Chevys and Fords.” Plus, Johnny shares the story behind his latest hit, "Already Had It," which was featured in the 2024 movie “Twisters,” and what it was like to hear it on the big screen for the first time. We even dive into his thoughts on country music's evolution, advice for aspiring artists, and how he's been staying true to himself while navigating the industry. Our conversation is packed with insights, laughs, and, of course, some great tunes. Johnny also plays a couple of his own songs and opens up about his creative journey and what keeps him inspired. If you're looking for some real, honest advice from someone who's been through it all, Johnny's got plenty to share.  SHOW NOTES: Other songs from Johnny mentioned in this episode -  Catch a Break, They Call Me Doc, Shop Radio CreatiVets - HERE Operation Song - HERE Keep up with Johnny McGuire - HERE Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   *A special shoutout to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Chris Ruediger joined me on today's episode of Stories Behind the Songs to share his incredible journey from growing up in Massachusetts to making his mark in Nashville's thriving music scene. After moving to Music City in 2017 with a passion for being part of the creative process, Chris quickly found himself immersed in the energy of Nashville's songwriting and artist community.  In this episode, we dive into Chris's story, including his first time at The Listening Room where he witnessed Hardy's raw, unreleased music. We also talk about his venture into creating 615 House, a collaborative space for songwriters and musicians, born out of the challenges of the COVID pandemic. Chris shares his insights on the importance of branding, navigating the ever-changing world of social media, and how consistency and authenticity in content creation are key to making it in today's music landscape. From the excitement of seeing artists hit milestones to the hustle of building a career during a global health crisis, Chris offers a candid look at what it takes to succeed. He also talks about the importance of collaboration, creative freedom, and finding your unique voice and brand as a creative. This episode is packed with valuable advice for anyone looking to break into the music industry or understand what it really takes to build a lasting career. Chris's passion for music, marketing, community, and the process will inspire anyone chasing their own creative dreams. Like this  episode? Don't forget to share it with friends and give us a follow. Because of you,we can continue bringing you the Stories Behind the Songs from the people who are shaping the industry. SHOW NOTES: Keep up with Chris Ruediger - HERE Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow -  HERE  SBTSongs TikTok - @SBTSongs  SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com  / The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

In this week's episode of Stories Behind the Songs, I'm joined by Russell Sutton!   Russell talks about how he made the move from Texas to Nashville and carved a name for himself in the music industry. He's the writer behind some of your favorite hits, including “My Boy” by Elvie Shane – a song that was Russell's first #1 and landed him his first publishing deal. We dive into the journey that led to that breakthrough, and how his next chart-topping hit, “Whiskey on You” by Nate Smith, took things to the next level.   In this episode, you'll hear all about Russell's early days and how he became the writer he is today. He shares the story of how “My Boy” came to life, the excitement of seeing his songs hit the radio, and the surreal experience of seeing his song performed live on “The Tonight Show.” Russel also opens up about the challenges he's faced in the industry and offers some invaluable advice for aspiring songwriters. Plus, he talks about the new music he's working on and gives us a glimpse into what's next.   With wisdom from years of writing and building his career, Russell Sutton is a perfect example of how persistence, passion, friendships, and great songwriting can open doors in the industry. This episode is packed with insight, inspiration, and of course, some incredible performances of his biggest hits!   If you enjoyed this episode, be sure to share it with friends and follow along for more Stories Behind the Songs. Your support is what keeps this podcast going, and we're excited to bring you more stories from the people who write the songs you love! SHOW NOTES: Keep up with Russell Sutton - HERE Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs  SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Send us a textSimon seeks some advice from Lee about keeping things in confidence, and then they talk about what our work colleagues really think of us. Things covered: A messed up beginning riddled with technological issues and two different audio streams, Sennheiser headphones, Sony headphones, photoshopping floor plans (apartment update), Lee's Dad flipping houses, renovations from another country, Ian Dury and the Blockheads (Hit Me With Your Rhythm Stick), the rhythm method, a drummer in the room as a form of contraception, a conversation in confidence, burning bridges with everybody, overestimating one's capacity to intervene productively, Simon's nickname Clunk, a hilarious way for Lee to be an arsehole, Jefrey (the dog) trying to eat a croissant from a 2 year old, Lee being an excellent Agony Uncle, Lee singing musical tunes, staff away days (that aren't away), saying things we like about colleagues, emerging themes about what Simon's colleagues think of them, Simon's capacity to organise, baked goods at work, cupboard love, lightness of touch at work, being funny at work, hypothetically what Lee's colleagues would say about him, people pleasing, 360 reviews.  Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

Joining us on this week's episode of Stories Behind the Songs is Keio Stroud, a drummer whose journey through the music world is deeply rooted in family and faith—and whose career reads like a who's-who of country music icons. In this episode, Keio talks about how his Nashville journey began with a last-minute gig that led him to the city and eventually put him on the stage with some of the biggest names in country music like Big & Rich and Wade Hayes. From learning to play by ear alongside country radio classics like Brooks & Dunn to the early "music mafia" days in Nashville's legendary Fiddle and Steel Guitar Bar, Keio talks about the community that helped him thrive as a young musician. Keio shares stories like the time he met Guy Clark in his underwear, or the hours spent honing his skills on the road. He also offers invaluable advice on listening as an instrument in and of itself. For any aspiring musicians tuning in, Keio's wisdom and passion are sure to inspire. Let's dive into his story! SHOW NOTES: Keep up with Keio Stroud - HERE Listen/Subscribe/Follow - HERE  SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Send a message to the show!What if navigating the maze of tech and content creation could be as enjoyable as a lively chat with friends? This episode of the Couple's Table brings you just that as Tom and Heather share their rollercoaster journey of setting up a dual gameplay streaming session for Final Fantasy 14. Join us as Tom, now a Rode Creator of the Year Awards nominee, and Heather dissect the intricacies of streaming setups. We're talking multiple camera feeds, seamless audio channels, and the gear that makes it all possible.And who knew tech talk could pair so well with hockey and Halloween candy chatter? We wrap up with a discussion on the latest in video and audio interfaces—think Blackmagic and Elgato—while reminiscing about our journey from following the Firebirds to becoming Seattle Kraken fans. Whether it's choosing the right microphone or marveling at the customization of Sennheiser mics, we blend the technical with the personal, creating an episode that's as engaging as it is informative. So grab a seat at the Couple's Table; this one's packed with colorful stories and practical advice.

And a show gets Kickstarter funding to launch. Sponsored by SoundStack. Power to your podcaster portfolio in '25. Helping them earn more programmatic revenue is simple with SoundStack. Learn how. https://podnews.net/cc/2643 Visit https://podnews.net/update/sennheiser-profile-wireless for the story links in full, and to get our daily newsletter.

Lauren Hungate joins us on today's episode of Stories Behind the Songs. Lauren has been writing for some exciting newer artists like MacKenzie Porter, Carter Faith, and Lauren Watkins, as well as household names like Anne Wilson, Carly Pearce, and most recently, Bailey Zimmerman. In this episode, we explore her story, from starting out as an intern with Capitol Christian, navigating Nashville writers' rounds, and earning her first publishing deal right before the world shut down in 2020. She shares what it was like to perform alongside Carter Faith at the Opry, join Carly Pearce on stage at Bridgestone, and have her songs cut by rising stars like Anne Wilson and MacKenzie Porter. Her song “Holy Smokes” released by Bailey Zimmerman just went platinum and she recounts the inspiration behind it—a memory with her husband parked by a church, blending the sacred with the everyday. Tune in as she reflects on balancing faith with ambition, the mentors who helped her succeed, and advice for other young songwriters on how to navigate Nashville and make the most of every writing room. With standout songs like “Greener Pastures” and her latest single, “Coming Home to You (Bigger Houses),” this episode will inspire and entertain anyone passionate about music.If you liked this episode, make sure to share it with your friends and give us a follow. It is our mission to bring you the Stories Behind the Songs from the songwriters themselves and it's because of YOU that we get to keep going. SHOW NOTES: Keep up with Lauren ⁠⁠- https://www.instagram.com/lauren_hungate/profilecard/?igsh=MTBtdjFzMnFsZ2R5eA== Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow - ⁠⁠https://linktr.ee/sbtsongs SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - https://www.chrisblair.com/ The Listening Room's Website - https://www.listeningroomcafe.com/ TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @TheListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Our guest on Stories Behind the Songs this week is Will Bundy! From a small town near Bristol, TN, Will has such a cool story that was so much fun to get into. We dive deep into his journey from mowing lawns and farming to producing demos that landed him in writing rooms with some of Nashville's biggest names right now like Riley Green, Thomas Rhett, and Ella Langley, as well as hit songwriters like Brett James, Forest Whitehead, and Ashley Gorley.  In this episode, you'll hear about how he hustled to learn demo production when he couldn't afford to hire anyone, carving out his niche in the industry as a “track guy”, his bold decision to rent out a studio on Music Row while living in Antioch, and writing his recent cut with Brad Paisley, “Truck Still Works”. He also shares stories about going on the road with Thomas Rhett and Rhett Akins and how that led to one of his career-defining songs, “Half of Me”.  With recent cuts for both Luke Bryan and Brad Paisley, PLUS producing the viral hit “you look like you love me” by Ella Langley, Will Bundy is a great example of how hard work, strong relationships, and sticking with it truly pays off. Make sure to watch to the full episode for some invaluable advice to young songwriters, and a performance of his hit with Thomas Rhett and Riley Green, "Half of Me”. If you liked this episode, make sure to share it with your friends and give us a follow. It is our mission to bring you the Stories Behind the Songs from the songwriters themselves and it's because of YOU that we get to keep going. SHOW NOTES: Keep up with Will Bundy ⁠⁠- https://www.instagram.com/willbundy32?igsh=cjk5Zm91Y3pnMmp4 Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow - ⁠⁠https://linktr.ee/sbtsongs SBTSongs TikTok - @SBTSongs   https://www.tiktok.com/@sbtsongs SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - https://www.chrisblair.com/ The Listening Room's Website - https://www.listeningroomcafe.com/ TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @TheListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

In this episode of the Churchfront Show, the team delves into the latest advancements in wireless technology and AV innovations crucial for church production and tech enthusiasts. Key topics include groundbreaking wireless systems from Sennheiser, innovative microphones from Shure, high-end audio gear from and intelligent EQ systems from Waves, and versatile new devices enhancing both live and studio environments from Elgato. The hosts also discuss the benefits of networked control devices and new AI tools in church tech apps.   Check out the blog and related links here: https://churchfront.com/2024/10/18/this-new-wireless-system-is-insane-spectera-sek/ Apply to Join Worship Ministry School: https://churchfront.me/apply Free Worship and Production Toolkit: https://churchfront.me/toolkit Shop Our Online Courses: https://churchfront.me/courses Join us at the Churchfront Live Conference: https://churchfront.me/conference Beginner Church Sound Course: https://churchfront.me/church-sound Follow Churchfront on Instagram or TikTok: @churchfront Follow on Twitter: @realchurchfront Gear we use to make videos at Churchfront: https://kit.co/churchfront/youtube-setup • • • • • Musicbed SyncID: MB01VWQ69XRQNSN  

Jordan Rager joins us this week on Stories Behind the Songs! Jordan landed his very first number one on the charts with a song called “All Out of Beer” by none other than Jason Aldean for his 2016 LP, They Don't Know. We take a look at the stories behind a couple of his songs and get to hear a couple of them. In this episode, Jordan and I also talk about Whiskey Jam and the many nights he “snuck in” to meet people in the music industry, growing up with two loves–sports and music, spending 10 years in Nashville, and the process of making his upcoming EP. If you liked this episode, make sure to share it with your friends and give us a follow. It is our mission to bring you the Stories Behind the Songs from the songwriters themselves and it's because of YOU that we get to keep going. SHOW NOTES: Keep up with Jordan Rager ⁠⁠- https://www.instagram.com/jordanrager... Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow - ⁠⁠https://linktr.ee/sbtsongs SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - https://www.chrisblair.com/ The Listening Room's Website - https://www.listeningroomcafe.com/ TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @TheListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Victoria Banks joins us for this week's new episode of Stories Behind the Songs! Victoria is what some people in the music industry would call a “unicorn” - she writes her best stuff completely 100% (meaning all by herself), and she has several accolades to her name including the Canadian Artist and Songwriter of the Year.  Some of Victoria's cuts include “Saints and Angels” by Sara Evans, “What Are You Gonna Tell Her?” by Mickey Guyton, and the one-and-only Reba McEntire's most recent single, “I Can't”, and she shares the story behind each one of these songs.  In this episode, we also talk about how her song, “Saints and Angels” was edited and used as a post-9/11 anthem, “daring to suck” in co-writes, building a decade-long collaborative relationship with Mickey Guyton, teaching at Belmont where she can “be there for the beginning” of a student's songwriting career, and getting that Reba cut with “I Can't” 18 years after it was put on hold and seeing it debuted on The Voice. Victoria plays a verse and chorus of “Saints and Angels”, “I Can't”, and an emotional rendition of “What Are You Gonna Tell Her?” There's so much good advice for aspiring songwriters in this one.. Thanks so much to Victoria for sharing some of her wisdom. Let's get into it! SHOW NOTES: Keep up with Victoria Banks ⁠⁠- https://www.instagram.com/victoriabanksmusic?igsh=MXRrbHQwcGliMW5yOQ== Stay up to date with fresh podcast episodes and Listening Room show dates: Listen/Subscribe/Follow - ⁠⁠https://linktr.ee/sbtsongs SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - https://www.chrisblair.com/ The Listening Room's Website - https://www.listeningroomcafe.com/ TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @TheListeningRoomCafe   *A special shout out to our sponsors* Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

There's nothing like wearing noise cancelling headphones while on a noisy flight. But what technology lets you listen to your sweet tunes while eliminating the loud hum of an aircraft?  See omnystudio.com/listener for privacy information.

Massive video walls, mind-blowing sound, and a TikTok takedown? Get ready for an AVWeek episode that'll have you glued to your seat! From racetracks to concert stages, and even churches, AV tech is leveling up in ways you won't believe.Host Tim Albright and industry experts dive into the Oracle Red Bull Racing dvLED wall, and Sennheiser's audio solutions and about giving shared customer support. Plus, they break down the U.S. government's showdown with TikTok, discussing government overreach, consumer protections, and the risk of stifling innovation. They also explore the Experience Economy and how AV is transforming creative communication and experiences.Links to sources:The Verge – Tiktok's Fate in USAV Magazine – Red Bull Racing LED WallAV Magazine - Adele Concert LED WallAVNation – Sennheiser & Q-SYS IntegrationSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Co-hosts Andy and Sean celebrate their first anniversary together on the podcast in Episode 268 with a look back on highlights from the past nearly 50 episodes as well as look forward to what the next year of the podcast has in store. They also discuss a momentous week in live sound news — the discontinuation of the ubiquitous Yamaha CL and QL console families and the reveal of Sennheiser's exciting new Spectera wireless WMAS system.Episode Links:Sennheiser Unveils Spectera Wideband Bi-directional Digital Wireless EcosystemNotice Of Discontinuation Of Yamaha CL & QL ConsolesEpisode 268 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voice mail there 

Rebecca Lynn Howard is today's guest on Stories Behind the Songs! Rebecca is an artist and songwriter who has cuts with artists like Martina McBride, Trisha Yearwood, and John Michael Montgomery. Her 2002 single, Forgive, is a crowd-favorite here at The Listening Room, so we dive into the story behind that song – including how Faith Hill almost cut it until Rebecca played it for her own A&R guy and knew it was meant for her.  In this episode, we also discuss her clever 2024 single, "Hoedown” written with Nathan and Stephanie Chapman, her longtime friendship and collaborative relationship with Lee Brice, being influenced by all-time great vocalist, Trisha Yearwood, and playing bass in her band, The Loving Mary Band, which was featured on Steven Tyler's 2016 country album, We're All Somebody From Somewhere. Rebecca also performs a killer verse/chorus of “Forgive” and “Hoedown”.  With an album coming out in the next year and continuing to tour on-and-off with Lee Brice, make sure to stay tuned with all that Rebecca has going on! Podcast Show Notes: Rebecca's Instagram: @RebeccaLynnHoward Rebecca Lynn Howard on Spotify: HERE The Loving Mary Band's Instagram: @LovingMaryBand The Loving Mary Band on Spotify: HERE And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow: HERE SBTSongs TikTok: @SBTSongs SBTSongs Instagram: @SBTSongs SBTSongs YouTube: @SBTSongs Chris Blair's Instagram: @ChrisBlairMusic Chris Blair's website: ChrisBlair.com TLR's Instagram: @ListeningRoomCafe TLR's TikTok: @ListeningRoomCafe TLR's website: ListeningRoomCafe.com #SBTSongs And thanks, as always, to our sponsors! We appreciate the support from Sennheiser, Imperfect Aesthetician & Alclair In-Ear Monitors Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

一期无主题，但是有主角的闲聊。如果你喜欢「声波飞行员」，请在「爱发电」平台为我们打赏，增加它继续飞行下去的动力，谢谢。时间轴： [00:00:03] 庆祝Oasis 乐队debut 专辑Definitely Maybe 发行30周年，以及Gallagher 兄弟复合巡演，让我们重听「声波飞行员」最早的开场音乐； [00:00:29] BGM#1. Oasis - Married with Children [00:02:20] 节目开始；拖更甩锅；关于飞科的电动理发器使用经验； [00:05:35] Beyerdynamic 的「百年纪念TWS」Verio 200 体验；孟获购买的达音科Vivaldi； [00:12:39] Grado GH3 真假辨析帖，引发的关于Grado 假货的讨论； [00:23:25] 关于「论坛中介」这种交易模式； [00:30:54] 闲鱼平台新的手续费政策； [00:38:10] 全世界只有中文发烧友期待的Grado 新品HP100，以及包雪龙的「两千刀」预测； [00:47:11] 即将到来的苹果发布会和下一代AirPods； [00:58:10] BGM#2. Oasis - Live Forever [00:59:53] 本期主菜：声音记忆 Sonic Memory G50 头戴式动圈耳机； [01:18:16] 孟获狂喜欢的 SM1 lite 竟然藏了个坑；百元耳塞的驱动力困境； [01:25:42] lox 和他的「拜亚动力扩散场复活计划」；老耳机声音复现的手法、途径和意义的探讨； [01:58:02] 一次维修Sennheiser hd25-13 的经历；耳机的「忒修斯之船」问题； [02:01:57] BGM#3. Oasis - Stop Crying Your Heart Out [02:03:45] 结束语；请各位继续享受《黑神话·悟空》参与录音： 嘉宾：lox 飞行员：包雪龙 / 孟获

Faren Rachels joins us for this week's new episode of Stories Behind the Songs! Faren has been a longtime friend and co-writer of Lainey Wilson and has several cuts with her including “Weak-End” and “This One's Gonna Cost Me” off of her 2022 breakout album, Bell Bottom Country.  In this week's episode, Faren also talks about some of the songs that she's released herself like her powerful 2023 single, “The Rug” written with Austin Goodloe and Lydia Vaughan. She shares about not wanting to be a part of the “artist rat race”, getting a FaceTime call from Lainey right after winning a Grammy while sitting on the sofa in a facemask, going on tour with Luke Combs where she played with Brantley Gilbert and Willie Nelson, playing arena shows in a writers' round format, and developing her very own Nashville songwriters' girls club.  Don't miss Faren's upcoming September shows at The Listening Room Cafe in Nashville, TN to hear her amazing songs like “The Rug” and the stories behind them. Podcast Show Notes: Faren's TikTok - @FarenRachels Faren's Intagram - @FarenRachels Faren's YouTube - @FarenRachels Faren's music on Spotify - here And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   #SBTSongs And thanks, as always, to our sponsors! We appreciate the support from Sennheiser, Imperfect Aesthetician & Alclair In-Ear Monitors --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Justin Colletti reviews the top pro level headphones for mixing, focusing on open back models for $400 and under from brands like Audeze, Avantone, Hifiman, Beyerdynamic, Sennheiser, Sony, Steven Slate, Shure, AKG, Neumann, Focal, Audio Technica and more. Article Version: https://sonicscoop.com/best-headphones-for-mixing-400-under-2024/ Headphone Links: Audeze MM-100: https://www.bhphotovideo.com/c/search?N=0&InitialSearch=yes&Ntt=Audeze%20mm%20100&BI=20084&KBID=13882&SID=DFF Avantone Planar the II: https://sweetwater.sjv.io/c/3177824/794166/11319?u=https://www.sweetwater.com/store/search.php?s=Avantone%20Planar%20II Hifiman Edition XS: https://www.amazon.com/gp/search?ie=UTF8&tag=sonicscoop08-20&linkCode=index=mi&keywords=Hifiman%20Edition%20XS Sennheiser HD 490 Pro: https://sweetwater.sjv.io/c/3177824/794166/11319?u=https://www.sweetwater.com/store/search.php?s=sennheiser%20HD%20490%20pro Slate VSX: https://sweetwater.sjv.io/c/3177824/794166/11319?u=https://www.sweetwater.com/store/search.php?s=Slate%20VSX Sony MDR MV1: https://sweetwater.sjv.io/c/3177824/794166/11319?u=https://www.sweetwater.com/store/search.php?s=Sony%20MDR%20MV1 Austrian Audio Hi-X: https://www.sweetwater.com/store/search?s=Austrian+Audio+Hi-X&irclickid=UiKUjiwdAxyNRaZ0i2WejQ8cUkF1q83EN2%3AHS40&irgwc=1&utm+medium=SonicScoop&utm+source=Impact Beyerdynamic DT Series: https://www.sweetwater.com/store/search?s=Beyerdynamic+DT&irclickid=UiKUjiwdAxyNRaZ0i2WejQ8cUkF1qaSIN2%3AHS40&irgwc=1&utm+medium=SonicScoop&utm+source=Impact ►Mixing Breakthroughs: https://mixingbreakthroughs.com ►Compression Breakthroughs: https://compressionbreakthroughs.com ►Mastering Demystified: https://MasteringDemystified.com ►Become a Member! Join this channel for access to perks: https://www.youtube.com/channel/UCqEKv3KIZoZrjv2LymD3iMg/join

So I have a new toy (or two) - a nice new set of RODE Wireless Pro 32-bit floating point recording units.  Nice.  But I honestly wasn't sure if the recording had worked (there must be a lesson or two in UX design here, but I'll let that go.) Anyway, the recording DID work, or I wouldn't be publishing this podcast.  No editing.  No effects.  No tricks. Just straight out of the recording unit - 32-bit floating point is good like that, you don't even need to set any levels! The topic is mostly about what we've been up to and the things going on. Which is to say, lots! Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript [00:00:00] What is it? No matter which way you put the keys in, it's always the wrong one. Oh, squeaky windscreen wipers. [00:00:18] The sound of a Land Rover's windscreen wipers, as you can, as you can probably tell from the scraping sound, it's drizzling outside, which means you have to have the wipers on intermittent, and a Land Rover's, Windscreen wipers are not subtle. They're kind of, they're just noisy. They kind of scrape water, um, off the windscreen. [00:00:43] If, and if you're wondering, maybe they should just be replaced. These are new ones and they always sound like that. Anyway, as you can hear, I'm in the Land Rover. I am just leaving a shoot with the Hearing, Dogs. I'm acutely aware that it's been a while since I've, uh, recorded a podcast, and so here I am. [00:01:02] Once more sitting in the driving seat of some really wonderful British engineering, even if it is clunky, making scraping sounds in the drizzle, which is so poetic, I suppose. I'm Paul and this is the Mastering Portrait Photography Podcast. Now, dear listener, if you're listening to this, then it's been a success. [00:01:39] If you're not listening to this, well, you won't know it hasn't been because it simply won't come out. I'm recording this on a new set of Microphones, or at least a new set of transmitters. So, uh, we were recording a workshop video the other day and it became apparent that I needed to bite the bullet and upgrade our transmitter system. [00:02:01] It's been a while. I've had the old RØDE system now probably ten years, I think. And it felt like it was the moment to buy into some new technology. So here I am. Quite excitedly, if I'm honest, because I've never recorded myself in 32 bit floating point before. Now, if you're just a stills guy, that means nothing. [00:02:24] Uh, 32 bit, I mean, our images are in 16 bit or 8 bit, so you obviously are, you know, aware of the difference in quality, but 32 bit floating point essentially means you never need to set the levels. Now, that's the bold claim by anybody. RØDE, Zoom, Sennheiser. who make 32 bit recording, 32 bit floating point recording gear. [00:02:48] Apparently you never need to set the levels, you can plug in and record, it'll sound amazing, and how easy could that be? Where could it possibly go wrong? Well, I will know where it goes wrong at the end, when I drag the audio off this unit. Uh, and see if I can make a podcast out of it. Uh, so, as I said, apologies. [00:03:11] I seem to spend my life doing this thing. I'm really sorry there haven't been many episodes of the podcast. But it's not because I'm lazy. It's not because I don't want to do it. It's simply that, just for a minute, we are swamped. There is so much, uh, going on. And we've gone quiet on quite a lot of channels. [00:03:30] To the point where, even yesterday, I had a couple of WhatsApps. Are you alive? Uh, anybody there? Almost knocking on the glass to see if, uh, we're alright. We are fine. We're just incredibly, uh, busy. And that's not to say we haven't found a few gaps in the diary to go do some nice things. We've been watching the cricket, the 100, which is the UK's franchise cricket. [00:03:54] And obviously the test matches have started again. Now, Sarah and I, we really weren't cricket fans until Jake started working with the English Cricket Board. Now, obviously, Superfans. So we went to the final of the hundred, uh, at Lords the other day. Wonderful day out with the kids. It was a beautiful, I mean beautiful, hot, sunny day. [00:04:16] You wouldn't know that this is Thursday I'm recording it, and on Sunday it was hot and sunny and nearly 30 degrees. Today it's 16 degrees and drizzling and windy. Uh, you wouldn't know it's in the same week, let alone the same season. Or the same season, let alone the same week. Uh, but there we are. So we have found time to do a few bits and pieces, uh, like that to spend a little bit of time with the family, but essentially that's it. [00:04:42] Everything that isn't core to what we're trying to do just at the moment has fallen by the wayside, including my love affair with a Peloton exercise bike. I'm paying for it dearly. I'm gonna have to get back on that thing when all is done. What are we doing? Well, we're re engineering still, but properly. [00:05:02] Finishing off the re engineering of the Mastering Portrait Photography, not just the website but the whole offering. So ranging from the way we do our workshops, the teaching side of it, through to the assets that you can download, uh, as well as the articles, the videos, the membership side of the site, all of it is being overhauled with a view to getting it out there at the beginning of September. [00:05:28] That's our current date which of, as of right now, we've is about a week away. It's a lot closer than I would like it to be, but that's what we're trying to achieve is to get version one, um, everything sorted and out there. So, uh, last night, um, basically I spent the entire night building, uh, an animation of our garden. [00:05:49] I've built the garden that we shoot in, in 3d, in software. So that I can, uh, run any angle of, on the garden and show exactly how the lighting would look and why we use it the way we do it. And that's an exercise that's been going on, uh, for a few weeks as well. So there's all of that. We're also been working on how we do workshops and trying to figure out what I want the workshops to be. [00:06:14] And essentially, I want them to be why. I want them to answer the why. That's what I'm trying to figure out.. How to use language, how to use pictures, how to use, um, the various, um, things we do. The what and the how, yeah, they're kind of interesting. They're the sort of things you get from YouTube videos, typically, or from trainers, typically. [00:06:38] You know, do it like this, do it like that, this is what you should do, this is how you should do it. Um, but, I get really bored really quickly. I have a boredom threshold that's more or less on the floor. Um, And so, I'm really only curious when somebody's explaining why. Why do we do things? Why do things work the way they do? [00:07:00] And so that's become, um, our focus, or my focus on, uh, that side of it, is explaining why it's important that we do what we do. rather than just the what. So that's the reason why the podcast has gone quiet and we've had, I mean, a myriad of clients. A brilliant, brilliant magician, David Schwartz, flew over from New York. [00:07:26] He's a native New Yorker. I first photographed him on a cruise ship heading towards the Arctic Circle in Russia. Nine years ago, it turns out we were discussing it. Um, anyway, he was in Europe. So he flew over from where he was in Germany, came over to London and, uh, I photographed him again, just the nicest guy and the nicest pictures. [00:07:47] Um, and also he did me the honor of recording an interview on the podcast, which I will cut, um, and release in the near future. Um, it was, this was intended to be an introduction to that. Particular podcast, but it takes me longer to cut those podcasts. This podcast, you're getting this straight off the microphone , so if I screw it up, you're getting it anyway. [00:08:12] Uh, because there isn't time to do a craft edit. uh, on this. The other thing we've done is we've now got someone inside, talking of craft edit, someone in the business, uh, Katie, who some of you will know is one of our, uh, she was originally a client, went to film school, went to university to study film, um, and then sarah and I were at Jake's graduation. Jake graduated, he got an upper 2. 1 from Loughborough University in Sport Technology. He's now back working with English Cricket Board, but we went to his graduation and while we were sitting having breakfast, the three or four of us were sitting having breakfast, I got a text from Katie. [00:08:53] I'll have to paraphrase it because obviously I can't read my phone when I'm driving, but it said broadly speaking, I You're my favorite people to work with. Is there any chance of a more permanent role? Because Katie had been and helped us record a few bits. She's obviously modeled quite a lot for us these days. [00:09:07] Um, and so I looked at this text and thought, you know what? This is, I mean, this must be six, eight weeks ago. Um, and so, well, we're at this kind of interesting junction in the business's career. And, uh, We need, we know we need video capability. We are building videos and have been building videos, but what we don't have is the natural capability in house. [00:09:29] Now I can do it, I can learn it, so can Sarah, so can Michelle, but it's a little bit of a struggle. It's a bit of an uphill battle to learn all the software, to learn all the edits, even things, you know, like the recording gear I'm working on right now. And, and so it'd be really useful if we had someone in house who could help us shape the videos, help us script them out, maybe storyboard them, and then edit them. [00:09:55] And Katie, of course, being a graduate from film school, uh, fitted all of those bills. And on top of that, she is super lovely, um, and has slotted in to the team almost seamlessly. And so we're sitting looking at this text and it's, you know, as you all know if you're running a business, how can you You can't simply find the money. [00:10:16] There's got to be an argument as to how we're going to do it, how we're going to monetize that, what's going to come out of the budget. Uh, so a few things like me getting a faster computer for a minute, that's stalled, that's for certain. Uh, not least of which because obviously the Land Rover blew up at the beginning of the year and we're still just paying that six and a half thousand pound bill off. [00:10:34] But nonetheless, nonetheless, we sat and looked at this text and thought, well, it feels like the stars are aligning. We wanted to get the website up and on its feet. There are some things next year in the diary that mean it would be very useful, uh, if the website was, uh, up, the Mastering Portrait Photography website was up and working, uh, almost autonomously. [00:10:56] We need to be able to create videos, we need to have a backlog of videos ready to roll for some of the chunks of next year, early in the year. More on that will come out in future podcasts. And so, um, with a little bit of trepidation, we committed to the first ten days or so. With Katie and it's been an absolute blast. [00:11:15] We're all still learning how this is going to work, how we're going to do edits and things, but uh, DaVinci, which is the editing suite we've chosen to go with is incredibly intuitive. Now I'm, I've used Premiere Pro since I can remember, probably 20 years um, or something like that. So uh, I thought we'd go down that road, but it turns out that DaVinci is a much better collaborative tool. [00:11:39] It's also I think it's a better editing suite. Certainly if you love sound, uh, the Fairlight sound engine in it, um, that allows you to do the mixing is absolutely wonderful. And I love, I absolutely love a bit of sound. Uh, so Katie has joined the team and that's sort of another distraction away from me just releasing podcasts. [00:11:59] But today I've just been down to Hearing Dogs. But before I left the studio this morning, I don't know if this is the point of this particular podcast, but it's certainly a little bit of a reminisce. So now we're teaching. Now we're really growing the academy side of our business. Um, coincidentally this morning, I got posted, you know how Facebook sends you notifications? And there was this thing about some of our favourite teachers from the high school, for our American friends, uh, secondary school for my British friends, uh, I went to, which is the Alun School in Mold in North Wales. [00:12:33] Um, and it was really nice to see some of the teacher's names knocking around and it got me to thinking about my English teacher. Now I've emailed the school to see if I can get a hold of him, uh, in a nice way just to say thank you. Now, Mr. Betley was probably. The strictest teacher I have ever met. Um, and back in the 80s the teachers were fairly strict. [00:12:56] I have had boar dusters bounce off my head, bits of chalk thrown at me. I've been, one teacher who shall remain nameless held me up against a wall by my throat, which these days would instigate legal proceedings, but back then seemed to just be the norm. However, Mr. Betley, strict as he was, somehow dragged English out of me. [00:13:21] He dragged the written word, or the love of the written word, out of me. Now, he was also the guy that broke my own ruler, hitting me over the knuckles with it. Because I'd been messing around. I was a dick. I mean, let's be honest, I was an absolute idiot. Probably still am. Um, I wouldn't say I was unruly, or particularly I wasn't naughty as such, but I certainly never focused. [00:13:45] I found it impossible to focus, um, particularly in academic, um, subjects. Was good with things like woodwork and metalwork and art, music, of course. Uh, but when it came to sitting and concentrating on a page of writing, I was not gifted in the slightest. And so, one particular lesson, he asked me to get my ruler and come up to the front, to which he whacked me over the knuckles with it, splintered it into a thousand pieces, and gave me f I don't know what it was, 40p or something to go and buy a new one. [00:14:14] Um, that was the life back then. I remember one day, um, I had been asked to do an errand for another teacher midway through the class, so I pottled off across the school campus to do this errand, whatever it was, can't remember, and on the way back, our lesson, whatever lesson it was, was on the top floor of one of the blocks. [00:14:35] And so I thought I'd use the lift, um, elevator. And so, uh, without really thinking too much about it, I was on the ground floor. I hit door, you know, up, climbed in, went to the top floor. And as the doors opened, I knew I was in trouble. Cause you're not allowed to use the elevator. Gradually, ever so slowly, the doors opened and I can see a figure, a shadowy figure standing in the corridor outside, and there he is. [00:15:02] Mr. Betley, just stood there, arms folded, who'd clearly clocked that I'd walked in on the bottom floor and knew, somehow, that that's what I was going to do. So the doors opened. There's Mr. Betley, stood there, just quietly watching me. Wilkinson, he said, Wilkinson, come to my room at lunchtime and you're going to write four sides of A3 on the life and times of a ping pong ball. [00:15:30] He leant in. He hit ground floor button, stepped back out of the elevator and let it take me all the way back down to the bottom floor. Come lunchtime, I had to sit and write four sides of A3 on the life and times of a ping pong ball. Now I don't know quite how he got that idea, where that subject came from, but I remember it clearly. [00:15:52] I remember thinking up all of these arguments and all of these stories about dented ping pong balls and ping pong balls that have lost their air. And ping pong balls that have been spun out of control by these incredible Welsh ping pong players, uh, I was in school in Wales. Uh, and how, how sometimes when they hit the net it's a relief just to get a bit of respite. [00:16:12] Um, you know, it's just one of those, uh, things. And then the ultimate demise of every ping pong ball is that crack. The final, untimely, ignominious crack. And the ping pong ball is useless for nothing more than going into somebody's craft box. www. Where it'll be reincarnate as, I don't know, the eyes on a monster or something, I'm sure that's what I wrote about. [00:16:35] Anyway, Mr. Betley gave me a love of the English language, the written version of the English language, not the way I speak, I know I don't speak particularly, um, eloquently. But he gave me a love of writing stories and that has carried on now and I write for Professional Photo Magazine and NPhoto Magazine and Digital Photographer Magazine. [00:16:55] www. professionalphotographer. com And I absolutely love the written word. And so I'm trying to get hold of him, and it's all a bit of a coincidence, but it's, I suppose what it's done in my head, is just trigger some thoughts about what makes, what makes, I don't know, there are teachers I loved, but didn't impart an awful lot, and there are teachers like Mr. [00:17:16] Betley, who I, I guess, I don't think I feared him, but I certainly respected him, and he drew out stuff from me, and how he knew that I had, the ability in me to write when all I really did was mess around. Um, then I don't know. Uh, so we're trying to figure that out. And the reason I tell you the story is that's what's been going on behind the scenes is it's me trying to figure out and putting the materials together for better workshops, for better content on the mastering portrait photography website for finding ways to be useful to add insight, to answer the inevitable why. I love the question why. Why do we light things the way we do? Why, why do I bang on about the catchlights in the eyes when I'm doing portraiture? Why is that my anchor point? Why do we use fast shutter speeds for some things and slow for others? Why do we pick the lenses we do? [00:18:20] Why, oh why, oh why, all of those. wise. So that's what's been going on. So apologies for there being no podcasts for a while. I will try to make up for it. If this little bit of kit works and I've got no idea, there's absolutely nothing that tells me this is recording apart from one little red light, um, on the transmitter, which has gone orange, which is a little bit freaky. [00:18:41] I don't know whether it's still working. Everything seems to be good. It doesn't even have, because it's 32 bit floating point, it doesn't even have level dials. It just kind of says, yep, recording. So in about 10 minutes, I will know whether this was a fool's errand or whether you're actually going to hear this podcast completely uncut. [00:18:59] It's going to come out the way it is. I'm just driving back through the village to the studio, um, over the speed bumps. There you go, speed bump, and still my squeaky windscreen wipers in the background. They'll be in the background, by the way, but I can't drive without them. Uh, that's just, uh, one of those things. [00:19:17] Anyway, anyway, I hope the podcast, I hope, I hope a little bit of me hopes you've missed the podcast. If you haven't missed it, if you're, this is the first episode you're listening to, please listen to one of the other episodes that have been recorded, uh, and edited. Craft edited, I like to think. Um, if you like your podcasts raw and from the cab of a Defender Land Rover, then I'm your guy, here it is. [00:19:39] Uh, anyway, I hope your world is good. I hope the summer. Or as we head into the late summer and the beginnings of the autumn, I hope you're having a wonderful one. I hope you've had a wonderful one. Um, I hope that life finds you well. To all of the students out there today who've just got their GCSE results in the UK, I hope it's gone well for you. [00:20:01] Uh, I know a couple of my clients, uh, Jess in particular, one of our dancers who's I've worked with. Uh, I hope you've got the results that you've, uh, deserve having worked so hard and as I pull up in front of our studio in the drizzly mizzle, uh, whatever you're doing, whatever you're doing, be kind to yourself, take care.

We've got Sammy Arriaga on this week's brand new episode of Stories Behind the Songs! I've known Sammy for over 10 years, and it was such a good time to catch up with him today.  Sammy and I talk about his 2021 album release, Boots x Beats, which features songs like “COUNTRY SIDE” and “take my phone.” Sammy goes into how the Miami music scene he was raised in with heavy R&B and EDM influences meshed with the storytelling of country music to create the unique sound he has today.  We dive into his recent single, “The Boat”, which he shares the story behind and plays a verse/ chorus of. Sammy plays several other songs including “COUNTRY SIDE,” one of his popular Spanish covers, and a fan-favorite unreleased track.  In this week's episode, we also discuss 615 House, his recent tour of the U.K. with fellow rising country artist, Gareth, how to maintain artistic integrity while also writing for sound bites and short attention spans (using the example of Ella Langley and Riley Green's smash hit, “you look like you love me”), how the title of his 2016 EP, Banjos ‘n' Bongos, doubles as his motto as an artist, and the amazing advice he would give to his younger self - to lead with humanity over ambition as a songwriter. If you enjoyed this week's episode, make sure to share it with your friends and give us a follow. It's our passion to share the Stories Behind the Songs, and it's because of listeners like you that we are able to continue doing it. It was great sitting down with Sammy - enjoy! Podcast Show Notes: Sammy's TikTok - @SammyArriaga Sammy's Instagram - @SammyArriaga Sammy's YouTube - @SammyArriaga Sammy's Website - SammyArriaga.com And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   ⁠ SBTSongs Instagram - @SBTSongs   ⁠ SBTSongs YouTube - @SBTSongs   ⁠ Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ⁠ChrisBlair.com⁠   ⁠ The Listening Room's Website - ⁠ListeningRoomCafe.com⁠   TLR's Instagram - @ListeningRoomCafe   ⁠ TLR's TikTok - @ListeningRoomCafe   ⁠ And thanks to our sponsors! Sennheiser - ⁠https://www.sennheiser.com/en-us⁠ Imperfect Aesthetician - ⁠https://www.instagram.com/imperfectaesthetician/⁠ Alclair In-Ear Monitors - ⁠https://alclair.com/⁠ #SBTSongs --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Today marks exactly 1-1/2 years since we re-launched the Stories Behind the Songs Podcast. So, we thought we'd take you back to our very first episode with the amazing and beautiful Carly Pearce! Carly has been a very good friend for many years and when I originally had this idea to do this podcast, Carly was my very first guest and she had just put her first single out to radio. This was February of 2017! It's funny to see how far we have come with video quality since then and I had a lot less gray hair (haha) but since we have been doing this for 78 weeks in a row now, I thought I would dive into the archives and share this beautiful story from Carly. She talks about how she got started from being listed in Rolling Stone as a top 10 artist to watch, her first single with the Josh Abbot Band “wasn't that drunk” and when we recorded this episode it was a week after her debut single Every Little Thing. Since then she has obviously come so far and I feel like I'm constantly sending her texts about how proud I am of her. I hope you enjoy this special throwback episode, hearing more of Carly's story from the beginning, hearing her talk about Busbee who was her producer and just an industry icon that unfortunately passed away back in September 2019, and the story behind every little thing and more. Carly, I'm so proud of you and you're absolutely crushing it. I hope everyone out there loves this and continues to support us here on the podcast, share it with all of your friends and make sure to go see Carly in concert and support her incredible career! And maybe we will get her in here again soon to talk about everything going on now and how the last 7 years has been. Here is my dear friend on this special throwback episode, Carly Pearce. Podcast Show Notes: Carly's website - CarlyPearce.com Carly's Instagram - @CarlyPearce Carly's TikTok - @CarlyPearce Carly's YouTube - @CarlyPearce And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   And thanks to our amazing sponsors! Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Summary In this episode of Blind Level Tech, the hosts discuss microphones for podcasting and voiceover recording. They start by talking about the mics they are currently using, including the Audio-Technica AT2020 condenser microphone and the CAD GXL2200. They explain the difference between condenser and dynamic microphones and the best use cases for each. They also discuss built-in microphones in devices like laptops and phones, noting that while they can be convenient, they often lack in audio quality. The hosts then explore different types of microphones in various price ranges, including USB mics, XLR mics, and headset mics. They provide recommendations for affordable microphones and caution against using headset mics for professional audio work. They also mention the Blue Yeti microphone as a versatile option with multiple polar patterns. They cover popular options like the Blue Yeti and the Shure MV7, as well as higher-end models like the AKG C414. They also mention the importance of considering the sound profile, polar patterns, and durability when choosing a microphone. The conversation concludes with a discussion about their favorite sandwiches. Takeaways Condenser microphones are good for picking up audio from the room, while dynamic microphones are better for dialogue and close-up recording. Built-in microphones in devices like laptops and phones often lack in audio quality and are not recommended for professional audio work. Affordable microphones in the $20 to $60 price range can significantly upgrade audio quality, with options like Logitech, Zeal Sound, and CAD microphones. Headset mics are convenient but may pick up vibrations from the head and produce unpleasant audio quality. They are not recommended for voiceovers. The Blue Yeti microphone is a versatile option with multiple polar patterns and a built-in sound card for monitoring and adjusting audio levels. Proper microphone placement and technique are important for achieving good audio quality. There are many microphones available for podcasting and voiceover work in the $100 to $250 price range. The Shure MV7 is a popular choice among podcasters and offers both XLR and USB options. Other options in this price range include the Blue Yeti, Audio-Technica, and Sennheiser microphones. Higher-end microphones like the Lewitt Ray and AKG C414 offer advanced features and exceptional sound quality. Consider factors like sound profile, polar patterns, and durability when choosing a microphone. Rode microphones are also worth considering for their range of podcasting options. Don't forget to toast your burger buns for extra deliciousness! Chapters 00:00 Choosing the Right Microphone 10:14 Understanding Microphone Types 13:00 Built-in Microphones in Devices 18:32 Affordable Microphones 20:09 Headset Mics for Voiceovers 23:10 Middle of the Road Mics 25:07 Microphone Placement and Technique 25:37 Introduction to Microphones for Podcasting 26:10 The Shure MV7: A Popular Choice 27:07 Exploring Other Microphone Options 28:30 Considerations for Choosing a Microphone 31:07 The Shure MV7 Plus and Other Options 32:24 Advanced Features: Lewitt Ray and AKG C414 35:38 Rode Microphones for Podcasting 38:21 Sandwich of the Week: Pulled Pork Sliders and Burgers 39:05 Sandwich of the Week: Sonic Double Cheeseburger 39:45 Sandwich of the Week: Elk Burger 40:26 Announcement: Shine Music Fest 41:38 Conclusion and Farewell Thank you for listening to this episode of Blind Level Tech. If you have any questions for Evan or Kelvin please visit us at feedback@aftersight.org or give us a call at 720-712-8856..

Rachel Thibodeau is this week's guest on Stories Behind the Songs! Rachel has not only written for some of the biggest names in country music but is also working with some of the most exciting up-and-coming talent in Nashville. You may know her from her long-time collaborative relationship with Luke Bryan with whom she wrote Billy Currington's massive hit, “Good Directions” on his 2005 album, Doin' Somethin' Right. She also has several cuts with Martina McBride and is working to develop the incredible new artist, Styles Haury. Rachel plays a verse/chorus of “Good Directions” and a sneak peak of Styles' unreleased next single. In this episode, we also talk about the one-on-one co-writing process with Luke Bryan, starting a publishing company with John and Martina McBride (just because she had the guts to ask!), recording at the legendary Blackbird Studios, mentoring young, female writers, and seeing her first #1 sign on Music Row for “Good Directions”. If you enjoyed this week's episode, make sure to share it with your friends and give us a follow. It's because of listeners like you that we are able to continue sharing the Stories Behind the Songs. We hope you enjoy this episode and follow Rachel Thibodeau! Podcast Show Notes: Rachel's Instagram - @RachelThibodeauMusic Rachel's Website - Here Rachel's LinkTree - Here And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   And thanks to our sponsors! Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

We have 90's country star, Bryan White, with us on this week's episode of Stories Behind the Songs! I've known Bryan for years - even before I met him, I was learning to play his songs on guitar to impress the girls in my college dorm. In this episode, we discuss some of his biggest songs including “Someone Else's Star” and “Rebecca Lynn” as well as the songs he's written for other big artists like Diamond Rio.  We also talk about the challenge of writing uptempo when you're used to writing sad songs, crafting unlikely chord progressions and key changes, having a hit outside of the U.S., and duetting with the legend herself, Shania Twain.  Bryan performs a snippet of his song, “Sittin' on Go” as well his personal favorite, “Dustbowl Dreams” which he wrote with Alan Shamblin, and he shares how this one reconnected him with his Oklahoma roots. If you enjoyed this episode of Stories Behind the Songs, make sure to share it with your friends and give us a follow. We are passionate about uplifting songwriters and their stories, and it's because of listeners like YOU that we are able to continue doing it. And, as always, a big shoutout to our sponsors! Thanks to Sennheiser microphones, Alclair in-ear monitors, and Imperfect Aesthetician for all the love! And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - https://www.chrisblair.com/⁠ The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   Sponsors: Sennheiser Imperfect Aesthetician Alclair In-Ear Monitors --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Matt McKinney is our guest on this week's new Stories Behind the Songs! Matt got his start here at The Listening Room - not on our stage but as a server. Since then, he has landed cuts with some of the biggest names in country music right now like “Part Of It” by Jordan Davis, and he has a HANDFUL of songs on Elle King's 2023 album Come Get Your Wife. He also has an unreleased song called “Weatherman” that has been a big fan favorite here at The Listening Room for a while now, and Matt shares that this is probably his favorite song that he's written. In this episode, we also talk about his song going viral on TikTok, having a writing camp here in Nashville that looks out for each other, landing a deal at Sony with Rusty Gaston, and closely collaborating with Elle King on songs like “Tulsa” and “Lucky.” As always, we also get to hear Matt play some of “Part of It” and “Weatherman.” If you enjoyed this episode, make sure to share it with your friends and give us a follow. It's always our mission to share the Stories Behind all your favorite Songs and to highlight the songwriters who wrote them, and it's thanks to listeners like you that we are able to keep going. So good to have Matt here with us - let's get into it! Podcast Show Notes: Matt's Instagram - @MattMcKinneyWrites And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   And thanks to our sponsors, Sennheiser, Imperfect Aesthetician and Alclair In-Ear Monitors, we appreciate you! #SBTSongs --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

Adam Hambrick joins us this week on the Stories Behind the Songs podcast! Adam has several huge artist cuts along with a successful artist career of his own. Some of my favorite cuts of his that we'll talk more about in this week's episode are “How Not To” released by Dan + Shay (which was actually almost cut by Rascal Flatts) and “Somebody Else Will” by Justin Moore (which was ALSO almost cut by Rascal Flatts). He also recently put out his debut full-length solo album, “Free Country” back in 2023 and has racked up several million streams on his 2018 single “Rockin' All Night Long.” Make sure to stay in the loop with what Adam's got going on - he has an unreleased song, “Oxford” that will be coming out soon that has been a HUGE hit and fan favorite on The Listening Room stage when he's played it here. In this episode, Adam also talks about being asked to get up on stage with Justin Moore to sing “Small Town USA,” learning to discern between a hit and just another song, the realities of record and publishing deals in Nashville, the story behind his song - “Oxford” as well as an awesome full-performance of the song, and going hard at Tin Roof after getting a song cut. If you enjoyed this episode, make sure to share it with your friends and give us a follow. Sharing all the Stories Behind the Songs is our #1 priority, and it's because of listeners like YOU that we are able to continue doing it. I had such a good time catching up with Adam and hope you enjoy the episode as much as we did! Podcast Show Notes: Adam's Website - AdamHambrick.com Adam's Instagram - @AdamHambrick Adam's TikTok - @AdamHambrick Adam's YouTube - @AdamHambrick And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   And as always, a huge thank you to our sponsors: Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

I'm so excited to have my good buddy Brian White on this week's episode of the Stories Behind the Songs podcast! Brian White's career in music has spanned over many decades and many genres - he got his start in Christian and gospel music and toured for about 15 years doing that. He eventually fell in love with the storytelling of country music and has become a true legend here in Music City. Brian not only has plenty of hits to his name, but he's written more than a few country classics as well. Some of my personal favorite cuts of his that we cover in this episode are “Watching You” released by Rodney Atkins, “Blame It On You” by Jason Aldean and “Roll On Mississippi” by Charley Pride. He also has cuts with Rascal Flatts, Trace Adkins, and Gary Allan and Christian cuts like “Holding Out Hope To You” released by Michael English and “The Promise” by The Martins. In this episode, Brian and I also talk about the difference between CCM and country songwriting, starting out as a youth pastor following God's calling for his life, and, as usual, the stories behind the songs! I've wanted to have Brian on the podcast for a longtime - in a lot of ways, he is a big reason that The Listening Room is where it is today. He was the one who organized the fundraiser in the early days when we were struggling that was a turning point for us and in turn also played a role in inspiring our "Sound Good. Do Good." program that gives back to non-profits every month. If you enjoyed this episode, make sure to share it with your friends and give us a follow. It's our mission to share the Stories Behind the Songs and highlight the songwriters behind the stories, and it's because of listeners like YOU that we are able to do it. Alright, here's my good friend, Brian White! Podcast Show Notes: Brian's Website - HERE Brian's NSAI page - HERE Brian's Instagram - @BWTunes And follow us, Stories Behind the Songs, here: Listen/Subscribe/Follow - HERE   SBTSongs TikTok - @SBTSongs   SBTSongs Instagram - @SBTSongs   SBTSongs YouTube - @SBTSongs   Chris Blair's Instagram - @ChrisBlairMusic   Chris Blair's Website - ChrisBlair.com   The Listening Room's Website - ListeningRoomCafe.com   TLR's Instagram - @ListeningRoomCafe   TLR's TikTok - @ListeningRoomCafe   And thanks to our sponsors! Sennheiser - https://www.sennheiser.com/en-us Imperfect Aesthetician - https://www.instagram.com/imperfectaesthetician/ Alclair In-Ear Monitors - https://alclair.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/sbtsongs/support

In this episode of The Pro Audio Suite, we dive into the results of our recent Facebook group poll on favourite microphones. From the Shure SM7B to the Sennheiser MKH 8060, we discuss the mics you love and why. Robbo, George, AP, and Robert share their insights on the top picks, including some surprising mentions like the Austrian Audio OC18 and the affordable Audio-Technica AT875R. We also touch on some great customer service stories from Sennheiser and explore the nuances of various microphone features and performance. Join us for a passionate discussion about the tools that shape our sound! Episode Highlights: Introduction and shout-outs to our sponsors: Tribooth and Austrian Audio. Overview of the Facebook group microphone poll. Detailed discussion of popular microphones including the Shure SM7B, Rode NT1A, Neumann TLM103, Audio-Technica AT2020, and the Sennheiser MKH 416. Insights into user preferences and experiences with these microphones. Special mention of the Austrian Audio OC18 and its popularity among listeners. George's recommendation of the Audio-Technica AT875R as an affordable shotgun mic alternative. Stories of exceptional customer service from Sennheiser. Discussion on the Sennheiser MKH 800 Twin and its advanced features. Encouragement for listeners to join the Facebook group and participate in the ongoing conversation. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #ProAudioSuite #Microphones #AudioEngineering #Podcasting #Voiceover #SoundDesign #AudioProduction #MicReview #ProAudioTips #RecordingGear Y'all ready to be history? Get started. (0:02) Welcome. Hi.   Hi. Hi. Hello, everyone.   (0:05) To the pro audio suite. These guys are professional, they're motivated. (0:09) Thanks to Triboose, the best vocal booths for home or on the road voice recording.   (0:14) And Austrian Audio, making passion heard. (0:17) Introducing Robert Marshall from Source Elements and someone audio post Chicago. (0:22) Darren Robert Robertson from Voodoo Radio Imaging, Sydney.   (0:25) Next to the VO stars, George the Tech Whittem from LA. (0:28) And me, Andrew Pinkers, voiceover talent and home studio guy. (0:32) Line up, man.   Here we go. (0:36) And welcome to another pro audio suite. Thanks to Triboose.   (0:39) Don't forget that code, T-R-I-P-A-P 200 to get $200 off your booth. (0:45) And Austrian Audio, making passion heard. (0:48) We've had a bit of a passionate response to our new Facebook group, (0:52) which is the pro audio suite podcast group.   (0:56) And Rubbo threw up a survey about microphones, (1:00) which one people would like to use and do use and don't use. (1:04) Yeah, I just, I kind of figured a robust discussion about microphones is always well received. (1:10) So I figured I'd start one and it's only a small sample because we've only just started the group.   (1:15) But some of the results sort of had me thinking a bit. (1:18) So basically what I did was I did a poll. (1:20) And I didn't go with my favorites.   (1:23) I just went with the microphones that as a freelance audio engineer, (1:27) when I'm walking into other studios, I come across a lot. (1:30) And I stuck them up there with an option for people to put their own up there as well. (1:34) So the ones I put up were the SM7B, the NT1A, the TLM103, AT2020, 416, of course.   (1:43) And that was about it. (1:44) And then left it open for people to sort of put their own up. (1:48) And the question was, which one's your best mate? (1:51) So what's the microphone that you choose in your studio? (1:55) Now, I've got to be honest, I kind of did figure that the 416 would feature fairly heavily and it has.   (2:02) I mean, the 7B sort of comes in fairly close and the TLM103 are exactly the same in terms of response. (2:11) But then some of the ones in the comments were sort of interesting as well. (2:15) Well, the one I thought was interesting was someone jumped on to Bill.   (2:21) Now I've got to try and get his name right. (2:25) Bill Answa. Is that right? (2:26) Answa.   (2:27) Yeah, I think it's Bill Answa. (2:28) Anyway, sorry, Bill, if I got your name wrong. (2:31) He is using the Austrian audio OC18 into an SSL2.   (2:36) Well, someone's been listening to our podcast. (2:38) And is he using the 4K button? (2:40) He says. (2:41) Yes, he does.   (2:42) Yeah, he goes, yes, indeed. (2:44) Thanks for teaching me that. (2:44) Yeah, and Phil writes on the Lewitt, which doesn't feature fairly.   (2:49) Yeah, we mentioned it on the show, but I don't see it a lot. (2:55) What else was the other one? (2:56) What's the 875R? What's that, a shotgun? (3:00) It's an excellent, excellent bargain shotgun mic. (3:05) Is it? (3:05) Right.   (3:05) It's the one that you recommend, George, isn't it? (3:07) It's so good. (3:08) Like, it's only Achilles heel is that it's not the quietest mic. (3:12) Self-noise is, you know, not as good as a 416.   (3:15) But it's a damn good substitute. (3:18) You know, it sounds similar. (3:20) I have one.   (3:21) So one of these days we'll pull it out and we'll compare it. (3:23) Yeah, I'd love to hear it. (3:25) But it sounds similar.   (3:26) It's not quite as large. (3:28) It's sort of like a short shotgun. (3:30) Is the polar pattern as tight as a 416? (3:32) I would say no.   (3:33) I would definitely say it's not as tight at all. (3:37) It's a more, nowhere near sophisticated mic. (3:40) It doesn't have that very complex line tube interference design.   (3:45) Yeah. (3:45) So anyway, it's a very simple mic, but it just sounds good. (3:49) And they're always under 200 US, 175 maybe.   (3:53) So that one's a... (3:54) 169 B? (3:55) That one's a great value. (3:56) And we've been recommending it a lot to folks who want a stunt mic. (4:00) Well, this is an interesting one from Jeff Berlin.   (4:03) Obviously the obligatory 416. (4:06) But he also has a Bosch or Soundalux U195. (4:10) I don't know that microphone.   (4:12) What do you say? (4:12) I have a Soundalux U99. (4:15) And it is basically a clone of a U67 using an actual EF86 tube. (4:22) And the Soundalux mics became Bach.   (4:25) Yeah, that's right. (4:27) Yeah. (4:28) And they are pretty high-end mics.   (4:30) They got bought by Universal Audio. (4:32) Yeah, that's correct. (4:33) Oh, really? (4:33) Yeah.   (4:33) Wow, that's too bad? (4:35) Is that too bad? (4:36) I don't know. (4:36) I don't know. (4:37) I mean... (4:38) It's kind of weird.   (4:38) I thought they bought Sphere microphones. (4:40) They had to buy all of them microphone companies. (4:42) So I threw all the mics that were in the comments, I think, into the survey.   (4:46) So it's easier to see. (4:49) And it's going to make it easier for people to continue voting. (4:51) But did you see anything that surprised you here? (4:55) Not me.   (4:55) Nothing really. (4:56) I mean, there's certainly plenty of ones that you don't see regularly in professional studios, (5:01) not that that means jack shit. (5:02) Because in a professional studio, you're looking for a workhorse that will do a whole bunch (5:07) of things, I guess, especially in post-production houses, as opposed to music studios.   (5:13) There's just no representation of a PZM mic here. (5:16) Come on. (5:17) There's no crown PZMs? (5:19) Oh, man.   (5:21) Like, turn my wall into the microphone. (5:22) Yeah, that's right. (5:24) The MK4, the Sennheiser, what's an MK4? (5:27) It's like a lower end shotgun.   (5:29) No, actually, no. (5:30) It's their entry-level side address LCD. (5:34) Large diaphragm.   (5:35) Oh, okay. (5:36) Large diaphragm. (5:37) It's like, I mean, I think in character, it's somewhere very similar to a TLM102 or (5:43) 103.   (5:44) It's in that range. (5:45) Is it kind of like the AKG perception? (5:48) Kind of. (5:48) It's like that zone.   (5:50) But I mean, it's not that cheap. (5:51) It's still a $400 mic. (5:54) I think it's more like a two.   (5:56) Oh, it's used. (5:57) Maybe it's used $200. (5:59) Yeah, maybe.   (6:00) I mean, Guitar Center's got them, but maybe those are used. (6:02) But Sweetwater's trying to sell it for $400. (6:05) How much is an AKG perception? (6:07) LDC.   (6:08) I don't know. (6:08) They're quite a bit cheaper, like 200 range. (6:13) So, yeah, the Sennheiser MK4 is not bad at all.   (6:15) There's quite a few people who have those. (6:17) Well, speaking of Sennheiser, just as an aside, Chris McCallum, who we've (6:22) had on the show, he's probably one of Australia's best known location (6:25) recordists, put up a post about his Sennheiser. (6:30) He says, I have an interesting occurrence with a 10 year old Sennheiser (6:35) MKH8060 shotgun mic.   (6:36) One day it stopped working without warning and only issued a static (6:40) frequency. (6:41) I've taken it to Sennheiser's service and they've discovered that they are (6:44) unable to open the mic as the special screws holding the electronics (6:47) inside the barrel are completely seized. (6:49) They say they can see no sign of corrosion, but are unable to open (6:52) the mic, sort of shoring it open.   (6:54) What has surprised me is they have offered to take possession of this (6:57) mic and offer me a brand new one for an exchange of $700. (7:01) These mics now retail for well over $2,300. (7:04) So, I'm very happy with the outcome.   (7:07) So, this is now the second new exchange I've had since the (7:10) original purchase, as there was a recall in the very early serial (7:13) numbers. (7:13) So, it was replaced then as well. (7:15) I can't really fault their response and commitment to their brand.   (7:18) So, hey, that's... (7:18) Did you see my response on that? (7:21) No. (7:22) What's yours? (7:22) What did you say on that? (7:23) But they're charging him... (7:24) I was the original recording of the screws falling out. (7:30) They're basically saying they'll do the repair for $700.   (7:33) So, they're basically giving him a brand new mic for $700, yeah. (7:36) As the repair? (7:37) As the repair, I guess, yeah. (7:39) I'd say yes if it came with a one year warranty.   (7:41) Right. (7:42) At least. (7:42) Or whatever the new warranty is, I guess.   (7:45) It's a bit of a bummer though. (7:47) But yeah. (7:48) I had a similar thing.   (7:49) I actually had a similar thing happen with my 416. (7:52) It was an old one and it was playing up, (7:55) I sent it into Sennheiser and they kind of said, (7:57) look, we can fix it, but it's probably going to cost, (8:00) you know, almost the same price as a... (8:02) Probably about half the cost of a new one. (8:05) And then they... (8:06) Yeah.   (8:07) But then they sort of said, look, you can fix it, (8:09) but we can't guarantee it because it is old (8:11) and there's components could let go. (8:13) Then did me a cracking deal on a new 416. (8:17) Nice.   (8:17) As long as the mic wasn't cracking, that's a good deal. (8:19) Yeah, exactly. (8:20) Well, the first one was, the second one wasn't.   (8:23) Are you making fun of this London accent? (8:25) So, that's 8060 is a step up from the 416 in terms of... (8:28) Yeah, it looks like it. (8:29) Yeah, yeah. (8:30) Better signal response, maybe.   (8:32) Yeah. (8:33) The 8000 series is sort of their... (8:35) That's their new flagship line. (8:38) You know, small diaphragm mics in the head.   (8:40) Did Chris mention it in the episode when we had him on? (8:42) I feel like he did. (8:44) I feel like he's sort of go to mine. (8:46) Yeah, yeah.   (8:46) But see, Chris doesn't have a microphone locker. (8:49) He has a microphone walk-in wardrobe. (8:52) Yes, exactly.   (8:53) That's right. (8:55) Yeah. (8:56) He's the Imelda Marcos of microphones.   (8:59) I think Sennheiser makes a sight address version in that 8000 series. (9:03) It's multi-pattern and it's like $4000, (9:06) but it's supposed to be really excellent. (9:08) You know what I'm talking about? (9:09) 800.   (9:10) Is it the 800? (9:11) Is that what it is? (9:11) It's a really odd little mic. (9:13) It's very small. (9:16) And let's see if I can share.   (9:18) No, it's a multi-pattern. (9:19) It's not the little small tiny ones. (9:21) I know, but it's really small.   (9:23) I mean, I saw it at NAB. (9:25) I was like, oh my God, that thing's tiny. (9:28) I think I saw your video.   (9:29) I'm looking at the MKH 800 Twin. (9:34) This is a new model of microphone they just launched. (9:36) This is a different animal completely from what you're describing.   (9:40) This one's 3200. (9:43) And it is their variable pattern mic where you just simply... (9:48) What's that? (9:49) MKH 800 Twin? (9:51) Yeah, this is it right here. (9:52) I have it on screen, I think.   (9:54) Maybe. (9:54) There it goes. (9:56) There it is.   (9:57) Look at that sexy baby. (9:58) Quite spendy. (9:59) This picture doesn't show... (10:01) Well, you see how small it is by... (10:02) Because you can see the XLR barrel.   (10:05) The tail, it's small. (10:06) It almost looks like a mic port pro, the original one. (10:09) It is like the old KM86.   (10:13) The Neumann KM86, which is a side address, multi-pattern, small diaphragm mic that people go kind of gaga over. (10:21) Well, that's quite a spendy mic, 3200. (10:24) Which is two symmetrical push-pull... (10:28) It's a dual diaphragm.   (10:31) Is it dual output too? (10:33) Like, could we use it with our... (10:34) Yeah, so the way it works is you simply pot up and down the other capsule, and that's how you go. (10:40) So it's like... (10:41) But do you have a separate output of the other capsule so we can run it into our new software that you and I have purchased? (10:47) Right. (10:49) Yeah, it is quite a spendy mic.   (10:53) You know, it's so funny. (10:54) I have video of me interviewing the Sennheiser rep at NAB on YouTube, and someone's like, (10:59) Hey, isn't that Julian Kraus standing right behind him? (11:05) It was Julian Kraus standing behind you. (11:08) It was, it was like I missed an opportunity to chat with him.   (11:11) Oh, I saw it when I saw your video. (11:13) I saw him in the background. (11:14) He was having a look at the mics as well.   (11:15) Is that Julian Kraus? (11:17) I'm like, son of a gun, it is. (11:19) There are so many YouTubers at NAB, of course, you know. (11:22) I saw a couple, they were always like in transit, you know, but I would love to send hello to Julian (11:28) and thank him for his unbelievable commitment to very, very consistent and dry videos about audio interfaces.   (11:38) He's like the equivalent of the Sahara desert for YouTubers. (11:42) It is so freaking dry. (11:43) Yeah, but it's useful.   (11:46) And big. (11:46) You know, we're the polar opposite, really, aren't we? (11:50) Exactly. (11:51) And in fact, on that note, if you do want to vote for one of these microphones or tell us what you have, (11:56) go to your Facebook and or the Facebook, as I saw people call it, and look for the Pro Audio Suite podcast group (12:05) and you'll find the thread down there somewhere.   (12:07) Not the page, the group. (12:08) Yeah, the group. (12:09) We can even pin that, I think.   (12:11) Maybe it might be a way to pin it. (12:12) Well, I will. (12:13) I'll pin it to the top of our Facebook page.   (12:14) Oh, I can do it right now. (12:15) Oh, you can do that. (12:16) There you go.   (12:17) Pin the feature. (12:18) There you go. (12:18) So yes.   (12:19) Done. (12:20) Out. (12:21) Pinned.   (12:24) Pinned. (12:25) So that was fun. (12:27) Is it over? (12:29) The Pro Audio Suite.   (12:30) Thanks to drivers and Austrian Audio, recorded using Sauce Connect, edited by Andrew Peters and mixed by Blue Doo Radio Imaging. (12:41) Don't forget to subscribe to the show and join in the conversation on our Facebook group or leave a comment, suggest a topic or just say kiddo. (12:48) Drop us a note at our website

www.patreon.com/banjopodcast   In this demonstration episode, Keith runs down the list of all the major effects food groups and gives a live demonstration of what they all sound like with acoustic banjo! 03:01 - Intro, overview of episode 15:17 - Dry Banjo Sound (EMG ACB Barrel pickup through Grace Design Felix Preamp) 16:57 - Octave effect (TC Electronics Sub n Up) 21:38 - Envelope Filter (Smokin Amp Co.) 24:58 - Phaser (Whirlwind Rochester; clone of MXR Script Logo Phase 90) 32:25 - Chorus (Boss CE-2W; recreation of Boss CE-2 and CE1) 35:08 - Flanger (Hartman Flanger; clone of Electro Harmonix Electric Mistress [non-deluxe]) 37:27 - Delay (Boss DD-20 Gigadelay) 52:08 - Reverb (TC Electronics Hall of Fame) 58:19 - Compressor (Analogman Bi-Comprossor; 2-channel clone of Ross Compressor and Orange Squeezer) 1:00:49 - Overdrive (Barber Direct Drive) 1:02:31 - Uni Vibe (Pink Floyd demo) 1:06:42 - mic vs pickup and blending (Sennheiser e904)   Sponsored by Peghead Nation, Elderly Instruments, Paige Capo, and Sullivan Banjos   Questions? Contact the show at pickyfingersbanjopodcast@gmail.com

Hosts: Darren "Robbo" Robertson Robert Marshall George "The Tech" Whittam Andrew Peters Special Guest: Matt Calrick (https://www.mattcowlrick.com/) Sponsors: Tribooth: The best vocal booths for home or on-the-road voice recording (Code: TRIPAP200 for $200 off). Austrian Audio: Making passion heard. Main Topic: Setting Up a Home Studio Introduction: The episode kicks off with the hosts introducing themselves and their sponsors. The main discussion revolves around recommendations for setting up a first home studio for voice-over work. Key Points: Building a Booth: Robbo shares how he built a recording booth for his wife in their walk-in wardrobe, using clothing for sound treatment. Microphone Recommendations: Sennheiser 416 NTG5, NTG1, NT1, OC16 Audio Technica AT875R Interface Recommendations: AI1, SSL2, Micport Pro, Steinberg UR series (IXO12, IXO22) Headphones: Closed-back models like Audio Technica ATH series and Austrian Audio Hi-X 15 DAWs and Software: Twisted Wave recommended for its simplicity and cross-platform capabilities. Additional Insights: Importance of a good recording space. Flexibility and longevity of audio gear. Importance of connectivity for remote sessions (Zoom, Source Connect). Conclusion: Investing in quality gear that can be used both at home and on the road. Recommendations for a balanced setup: Tribooth, Sennheiser 416, and SSL2. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #ProAudioSuite #HomeStudio #VoiceOver #AudioGear #Podcasting #Microphone #AudioInterface #RecordingBooth #AudioProduction #StudioSetup

Wondering how to convert your cluttered space into a voiceover success story? Let Anne Ganguzza and the ever-resourceful Tom Dheere, be your personal guides in the transformative journey of setting up a home studio that screams professionalism but whispers in costs. Starting with the bare bones of our make-do booths fashioned from closets and basements, we'll share how to shield your sound from the noisy world outside, using everyday materials to master the art of sound absorption. Our candid conversation is a treasure trove of relatable anecdotes and practical wisdom, perfect for any voice actor eager to refine their recording environment and captivate their audience with crystal-clear audio. 00:01 - Intro (Host) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO BOSS. Now let's welcome your host, Anne Ganguzza.  00:20 - Anne Ganguzza (Host) Hey everyone, welcome to the V-O Boss podcast in the Real Bosses series. I'm your host, Anne Ganguzza, and I am so excited to be back again with Real Boss guest co-host Tom Dheere. Hey, tom.  00:33 - Tom Dheere (Host) Hey Anne, I'm feeling very bossy today, but not in a mean to tell people what to do today. I'm just feeling bossy, but in a good way.  00:38 - Anne Ganguzza (Host) You got good boss colors on.  00:40 - Tom Dheere (Host) Yeah, and I got some good boss vibes going today too. Yeah, and you sound good, Tom. I do sound good today. It's funny, so do you, as always Well thank you.  00:49 - Anne Ganguzza (Host) I'm going to be speaking next week at a conference to podcasters who are interested in becoming voice of artists. Part of my conversation is going to include the equipment they need, the skills they need and, of course, what's so important to us as voice actors our environment, our studios.  01:08 And you know it's so funny because we are on opposite coasts and I feel like we also have opposite type studios, but yet they both work amazingly well for our businesses. So I wanted to talk to you about your studio and our differences so that this could be a good reference for those bosses. Just starting out that you don't necessarily need a $20,000 recording studio, because when I first started I certainly didn't have one, and I know that Tom has the same story. As a matter of fact, when I first started, I was in my basement in New Jersey, because basements are a good place where you don't have to deal with, let's say, external noises as much because you're half underground.  01:50 It was a closet for me that I started off with, and, tom, I mean talk to me about when you first started. What was your first studio like?  01:58 - Tom Dheere (Host) Okay, my first studio was also in New Jersey, parcipany, new Jersey. I'm sorry, where were you in New Jersey?  02:04 - Anne Ganguzza (Host) I don't remember Northern Jersey. I was in North Haldon, oh, right, by Wayne. Okay, I know exactly where that is.  02:10 - Tom Dheere (Host) I was in the 20, 25 minute drive west of North Haldon, so I lived in a garden apartment. For those of you who don't know New Jersey, garden apartments are these sets of apartment buildings.  02:21 They're almost always red brick, they could be white or other colors, and there's usually there's anywhere from like three to 50 of them. And I lived on a second floor and my first home recording studio was the front closet which was over the steps that would lean to the door that would let you go outside. So what I did was I went to Home Depot and I got carpet remnants on the cheap. I had a quilt that I think my mother-in-laws aunt made. It's a lovely quilt but like oh, this is a good use for it, I wove it into, you know, like the bar that you'd hang your coats on. Sure.  02:56 I would weave it through there.  02:57 - Anne Ganguzza (Host) So it's like a little tent.  02:59 - Tom Dheere (Host) Yeah, actually it was even better than a tent, because the shelf that was above the bar rested on wooden blocks in this apartment so you could lift it up. So I actually threaded it through, threaded it back and folded it under so it completely encapsulated the shelf that was above the bar and that was that. So the quilt was around there. The carpet remnants from Home Depot were on the ground and in front of me and behind me and I made a point to, since the closet was a square box instead of having be an angle, I wouldn't push the corner of the carpet remnant all the way into it, so it would be curved.  03:32 - Anne Ganguzza (Host) So all of the corners, so it would be like square, sharp corners Right.  03:36 - Tom Dheere (Host) So I would put it in with penny nails. And then I had, you know, those football blankets, the kind that you roll up to take a football game. I had one of those and I nailed that into the closet door and that was it. And then I had a little snack tray with a desktop mic stand and my mic was there. And then I got a monitor which I drilled into the well, no, that back then I didn't drill it into the wall, it was on a stand which was on the snack tray. And then I got a splitter, so the monitor that I would sit at at my desk would show the same exact stuff that it would show inside the booth. And then I would bring my air mouse into the booth and sit down and I would just, and then it's.  04:14 - Anne Ganguzza (Host) Well, you were actually advanced because you had a monitor in your booth and you had an air mouse.  04:20 So, for me. I'm gonna tell you, my first experience was when I moved from one place in New Jersey to the next and I had my second studio in the basement. Was really cool, because you don't know what you don't know. And so for those bosses just starting out and I've done multiple audio episodes, just a real quick recap you need to really have a good environment before, I think, you even make a decision on your microphone and within that environment you have to make sure that you're not having any kind of echo or noise. So there's internal noise of your studio and there's external noise that might be trying to come into the studio and you certainly don't want any of the noise that you're making, right as you're voicing, to be echoing off of walls or hard surfaces. So it's important to kind of have yourself surrounded with some sort of material that can absorb that sound rather than have it be reflected back into the microphone. So when Tom talks about having his blankets and his carpet remnants up above him, to the left, to the right, keep in mind you wanna have some form of absorbing material that's in front of you, to the left, to the right, behind and above you and that will help curb any type of reflective sounds that might come back into the microphone. And then, of course, there's always sounds that come in from outside of the studio that we can't always control. I mean, studios have a recording sign for a reason. So even in a real studio, right where this is what they do for a living, you can't run down the hall screaming at the top of your lungs while people are recording, because not everything is completely soundproof.  05:53 However, getting yourself in an environment where you're not gonna get that much reflective sound and sound that might come in is best, and so one thing that that proves, tom, is that for both of us, when we started, we didn't really have to invest a lot of money into our studios to get good quality sound.  06:12 You just have to be a little bit educated about where you're gonna place those materials, and I think it takes a lot of experimentation. I do know when I first started, I didn't know what kind of sound I was supposed to have, and so really helpful to me was getting an engineer on the line and kind of assessing my sound and assessing my studio. However, in the beginning I didn't know anybody, and so I basically it was trial and error, trial and error, and sometimes you can place a blanket and it doesn't do any good. And sometimes you can put another blanket and it still doesn't do any good, and at that point it's helpful to maybe have somebody come and assess your studio sound. And with that I've got multiple places that I recommend. I know, george, the Tech is one of the best.  06:57 That's the first one came to my mind and I think both of us recommend him and bosses will put that link in the show notes for you. But it really can help to have a trained ear, assess what your studio sounds like but also know that you don't have to spend thousands and thousands of dollars. Now I remember back when I moved right from New Jersey to California. Then I had a town home and I was up on the second floor and then I had an office. Well, I had a second bedroom which was right outside of the kitchen and I had a closet and I said, oh great, I've got a closet, I'll make a studio out of that.  07:31 Well, that closet had no clothing in it, right? And that became a whole different set of circumstances where I thought, oh, it'll be easy, I'll just hang carpet, or I've got some old carpet, I'll hang some blankets. Well, it was actually more difficult to create a good sound with an empty closet than it was to actually build. My father actually built me a structure, so it was a little four by four by eight foot room in a room which actually works better than my closet which had nothing in it, like no clothes. So I feel like a clothing closet with clothes in it is really something that can help and can be better in a lot of cases than a clean closet.  08:10 - Tom Dheere (Host) Right, I think I don't remember who was it said it, but sound functions like water and you have to understand where the sound flows and it always has to go somewhere. It's gonna go down, it's gonna go towards you or behind you, it's gonna get bounced around and moved around. So, under a standing, how and where the sound goes will help you figure it out Whether that involves getting bass traps or whether you gotta get Aurelix.  08:35 - Anne Ganguzza (Host) Now people are going what? Or some people buy pool noodles. What are bass traps?  08:39 - Tom Dheere (Host) Aurelix is a form of acoustic foam. I don't even know if I can properly define bass traps are. They're usually in the corners of the room, corners of the room, padding the corners there.  08:47 - Anne Ganguzza (Host) I think what you're trying to do is not have any. The other thing, if you can, because of reflection, right, Sound bouncing If you have walls that are perpendicular to one another or parallel.  08:59 - Tom Dheere (Host) Right, you don't want angles, you want curves.  09:01 - Anne Ganguzza (Host) Curves or angles, or if you do and I'm gonna get to our studios in just a moment if you do, you wanna make sure that you've got adequate coverage for sound absorption in there.  09:11 - Tom Dheere (Host) Right, but at the same time you don't want a dead space either. Too much acoustical treatment can be a bad thing, because your space has to have some kind of texture too. Not like a signature texture that is like oh, I could tell I listened to that commercial. I know Ann did it in her booth. It's not like that, but just something that doesn't sound like you're talking in a safe. You know what I mean.  09:29 - Anne Ganguzza (Host) Absolutely, absolutely so. Ultimately, tom, it wasn't until I moved and this is after 14 years of actually being a full time doing voiceover and making money and so I had to have a booth that created good audio that people didn't reject. And, trust me, I did have a time when people rejected my audio, and that was when I didn't have an ear for what I needed to know, and that was very distressing.  09:53 By the way, all I can say is that once you figure out how to get your sound where it needs to be, it is a big load off your shoulders. But once I decided to move, I actually was able to kind of plan and really think because, okay, I'm 13, 14 years into my full time business, I wanna actually have a space that is created just for recording. And so I was fortunate and I researched, I researched a lot of different things. I thought, well, I can't bring the booth. My father had constructed a booth for me at my town home in Irvine and I couldn't really deconstruct it and reconstruct it again to have the same properties and everybody. I love that booth, by the way, and it was really wonderful and I had had that assessed and blessed by George the Tech, by the way, at the time. But now that I had an opportunity to actually have some time to sit down and think about it, I decided and I looked into researching, I looked into buying a Studio Bricks and it was gonna be really expensive at the time and at the time they were shipping it from Spain, I believe. There was no timeframe as to when I would get it and I thought, oh God, I can't move to a new home and not have a place to record, and so I said, well, let me look into something different. I spoke to George the Tech, who said you know, you might consider having this built for you a custom booth built for you and I started looking into that and fortunately I was able to find someone and, of course, everybody that's ever followed me or I definitely have a podcast on this with Tim Tippetts who designed and built my booth a custom built booth for me and I'm going to tell you that it was a luxury, but it was also something that it was great, because everything was custom tailored just for me and I'm sitting in it now. So if you're watching this podcast on YouTube, you can see my studio.  11:36 I've got sound panels in here. I actually have something that's not quite 90 degrees to one another, but you wouldn't know it by looking at it. It's just very slightly angled, but I do have ceiling acoustic tiles. I have acoustic tiles on my left, to my right, behind me, and I've got a double door, and so that cost me some dollars. I'm gonna say my first studios were a few hundred. Once I upgraded the studio that my father built for me, I would say that cost me about $1,000 with all the treatment and improvements to that, and this one was in the thousands of dollars.  12:09 But it's kind of set it and forget it and done, and so, comparatively, I live in a very quiet area to you, tom, and we'll make that comparison Cause, right, I'm West Coast. I live in a home, I'm in a studio that is dedicated and built custom for me, with double walls, green glue, acoustic panels. I live in it over 55 retirement community, on a cul-de-sac. There's not people racing around here. Well, if there are, that's some other issue. And so I have all the blessings of being able to sit in here and very rarely have to stop recording because there's something noisy happening outside. But, tom, tell me about yours because, again, mine cost thousands of dollars and I'm not saying it was super expensive, because I think for a custom built booth I got a really great deal. But, tom, talk about your studio because, again, you have an amazing studio that you've been working out of for years and just producing broadcast quality like beautiful stuff, one after the other.  13:05 - Tom Dheere (Host) Well, it's funny because I lived in that apartment in New Jersey for 12 years, so I was recording from that space for 12 years and it was regularly a pain in the butt because there was landscaping going on, there was a lot of cars driving by, there was Snow shoveling, there was kids going to school, coming home from school because the high school was right across the street, so there were a lot of problems with that one. Now I live in Midtown Manhattan. For those of you who don't know, there are certain cross streets in New York City 9th Street, 14th Street, 23rd Street, 34th Street and then higher. I live on 34th Street, which means it's one of the two-way streets. Also the Lincoln Tunnel entrances just stones throw away. So I am literally living in the second floor of an apartment building over one of the most heavily trafficked Streets in Manhattan, if not the country.  14:01 - Anne Ganguzza (Host) Wow, not the world.  14:02 - Tom Dheere (Host) Wow. So what's crazy is that when I moved in here about five and a half years ago, there was a front closet, just like I had in New Jersey, and I'm like, well, let's not try to reinvent the wheel, let's just do what I did there and do it here and see what happens. It turns out that it's even better. The sound is even better than the one in New Jersey, and here's why is that. I'm sitting here at my desk and the front door to my apartment is like literally right here. I can't quite touch it, but it's pretty close and then there's a closet front closets right here, so I sit in it. When I'm sitting, my back is to the hallway and behind me this wall separating the hallway from the apartment is concrete, so that's yeah, concrete is always good.  14:45 And I using my Sennheiser 416, which is facing the concrete now.  14:50 - Anne Ganguzza (Host) Why is that important that it's a 416?  14:53 - Tom Dheere (Host) the 416 is great because it has a very, very tight field. It doesn't pick up a lot outside of here, which is why, if you get a Sennheiser 416, your angle to the microphone makes a very, very big difference. So you need to find that sweet spot where you're sitting, how it's angled up like this and where it is like this, and where you are seated In relation to it to kind of get into that very tight Right and that's what makes that an ideal microphone for, let's say, a less than ideal Space right and it's also one of the reasons why I use it for travel as well, because of the pickup pattern, is very Concentrated and you don't have to worry so much about.  15:32 - Anne Ganguzza (Host) Like I also have a TLM 103, which is a beautiful microphone. However, it picks up when you breathe because the pickup pattern is much broader than a 416. So yes, I think in terms of studio spaces, if you have less than idea, 416 or a shotgun type of mic that has a smaller pickup is much more ideal for that right.  15:51 - Tom Dheere (Host) The other thing is that the windows this is a 60-something year old apartment building here in New York City, but the windows are very new. They're very, very tightly sealed.  16:02 - Anne Ganguzza (Host) Are they double-pained?  16:03 - Tom Dheere (Host) They are double-pained.  16:04 - Anne Ganguzza (Host) I think most apartment buildings that are in in cities are double-pained anyways, right, A lot of them are double-pained yeah and I used the same exact carpet remnants and and Bessie's quilt.  16:14 - Tom Dheere (Host) From there I said everything I love it.  16:16 - Anne Ganguzza (Host) You got Aunt Bessie with you, see I ban out Bessie's quilt. She's with us, ann always she supports it.  16:22 - Tom Dheere (Host) Yes, and the monitor. Actually my wife, who's actually more mechanically inclined than I, and she actually drilled the monitor into the wall, so we set up all the acoustical treatment. She drilled it right in there and then it's still. It's a new set of monitors since the ones I had in New Jersey, but they're also networked the same way, with a splitter I bring the earmouse into the booth and so I just scroll, scroll, scroll. So I haven't printed a script in years, in years. And the quality it's even better than it was in New Jersey and I attribute it to a more solid floor and the concrete wall and better treated windows, so I actually didn't spend anything on the new booth actually.  16:58 - Anne Ganguzza (Host) Right. And the other thing, too, is you probably have to be concerned A lot of times, like an inside wall or a wall that has concrete on the other side of, or a wall that isn't near plumbing is very helpful, and so if you're too close to a window, sometimes you don't have the protection I mean because that's yet another medium that can allow sound in or out or be reflective. I, literally right outside of this door, probably five feet away, is my front windows, and so I've got double windows there. But because I've got double doors here, if the waste removal trucks come right, actually I don't hear it through this, which is really fantastic, but if I've wanted the doors open, or if I have both these doors open, or if I'm sitting outside, yes, obviously I won't be able to record.  17:42 - Tom Dheere (Host) I've had jackhammers outside.  17:44 - Anne Ganguzza (Host) Wow, that's fantastic.  17:46 - Tom Dheere (Host) The only thing that really really gets through is if my upstairs neighbor is vacuuming. That's the only thing that makes it impossible to record.  17:53 - Anne Ganguzza (Host) So you're talking about the closet, then your actual studio is the closet behind you.  17:57 - Tom Dheere (Host) Right now that I'm seeing right, there's a front closet right here and then these other doors actually leading to the kitchen.  18:02 - Anne Ganguzza (Host) And how big is that closet?  18:03 - Tom Dheere (Host) Three, by three maybe.  18:05 - Anne Ganguzza (Host) Okay, and do you have anything else in it besides your recording equipment and or absorption material?  18:10 - Tom Dheere (Host) Not really. I mean, there's two shelves above it which we use for storage of various things. This time of year I've got two winter coats in there, but the rest of the year they're not in there.  18:20 - Anne Ganguzza (Host) So actually, the two winter coats actually make it even a little more insulated, absolutely Especially if they're puffer jackets, right, I mean you can-.  18:26 - Tom Dheere (Host) One's puffy and then one's like a really nice one, like when we go out out. Actually, the only thing I did buy was the cable. I needed to make sure that the cable can run. So I'm sitting here and it runs and it runs across the floor right all the door and then I've got a rug that covers that and just snakes into the booth. I think that was the only additional investment and I live it by B&H, so it was like 20 bucks. I just went across the street, got it. Whatever, this is a 15-20 foot cable. I think that was the only additional expense to moving here from the old department and that was it. I also want to say this, ann, is that I was ashamed of my studio setup for a very, very long time. I thought that I wouldn't be regarded as a true professional, much less the VO strategist, if I didn't have a $5,000 booth. I am proud of my space.  19:07 - Anne Ganguzza (Host) You should be.  19:07 - Tom Dheere (Host) I am proud of the work that I do in it and the work that me, and with the a lot of help from my wife, did to get it to where it is. No, it doesn't cost a lot. No, it isn't pretty, but your job, bosses, is to be effective as voice actors on a performance level, on a logistical level, on a financial level and on a technical level.  19:25 - Anne Ganguzza (Host) So I don't care if it ain't pretty Well again, nobody's necessarily looking, and even if they are looking at you and your studio, really what comes out of that studio is what's important, right? It's not what the studio looks like, and I know a lot of bosses out there. I think it becomes complicated to them and sometimes a pre-built studio solution or a studio solution like Studio Bricks or Vocal to Go or LA Boos or whichever is out there, it becomes a solution that's simple to them. Well, you don't necessarily need to spend that kind of money. If you have it, of course I think that's great, but I think if you're just starting out in the industry and you're just trying to see if this is something that is going to be good for you, and if you're going to really make a go at it and have a successful voiceover business, I don't think you need to invest a lot in a studio right away.  20:15 I mean, gosh, I always talk about when we are traveling and on the road. Tom, we certainly don't have optimal recording situations in a hotel room, because a lot of times you've got the ventilation system, you've got fans running, you've got people out in the hallway in your hotel room, you've got windows and what's happening outside of windows to deal with. And so for us again, what's important is that we protect ourselves to the front, to the left, to the right, behind and above. And so a lot of times when we are away and traveling, I do the old pillow fort, the non-glamorous pillow fort, and that is literally put the pillows in front of you, to the left, to the right, above you. I take the actual luggage rack and put it on top of the desk.  21:01 And then I take the extra comforter and I make a tent out of it and then I take my 416 and that's what we do. Now I also have a tri-booth, which is great. A tri-booth, love the tri-booth, and I've got a review of the tri-booth on my blog for any of you that are interested in it. That is a PVC kind of put together constructed booth with moving blankets and a stack that has been created by George the Tech so that you can recreate your home studio on the go, and so I absolutely love my tri-booth. If I decide that I want to take that, I can check that right on the plane. It comes in its own suitcase and it's super, super easy to assemble, and so you can do that.  21:42 It's not always necessary, though. I say Create a studio, try to get yourself acclimated to what sound it is that you're looking for, great sound. If you are somewhat into audio today, if you're a podcaster, make sure that that studio really does have your acoustics properly set up and oriented, because sometimes a podcast I mean I know that when I first started podcasting I would listen to other podcasts and go why are they not concerned about their room, their sound? Because I would hear echo, sometimes the sound quality just wasn't there. But if you are coming in from another segment of the industry or another part of the industry, understand that your environment is important so that you can create good quality audio Does not have to cost a lot of money.  22:29 And, tom, I love our conversation because you are proof that you can have an amazing sounding studio and not have to invest a lot of money. You can be in a crazy city with tons of traffic, not a lot of space, and create an environment that you can do work and excel at over and over again and you don't have to invest lots of money. So thank you so much for talking to me today about your studio. Any other tips that you have for, let's say, bosses, maybe just starting out, or investigating what kind of studio to get or things to do to create a great studio.  23:07 - Tom Dheere (Host) Well, I do at vostratagescom. I also have blogs and videos that talks about gear, and I also have a gear section on my site.  23:13 - Anne Ganguzza (Host) I believe you do too right, I do Absolutely Studio gear.  23:16 - Tom Dheere (Host) Check out both, because I guarantee there are some gear recommendations I have on my site that Ann doesn't, and then she has some on her site that I don't. So definitely check them out. There's different price points and I've talked about this stuff for many, many years, just like Ann is. But do your research. Harlan Hogan's Guide to Home Recording Studios is a great book. Sound Advice by Dan Friedman is another great book those who can be a very, very big help. And you can always book a free consult. I believe George the Tech has free consults, or at least you can contact him through the George the Tech website, because he's got an army of great engineers and that between all of them they know every microphone, they know all the hardware, they know all the software, they know all the acoustical treatment secrets.  23:57 - Anne Ganguzza (Host) I have an affiliate page with him too, so do I VO Boss can get you a discount as well, so there you go, whether you come to Tom or VO Boss, absolutely you can get a discount ona consult with George I don't promote that because I am an affiliate with him, but literally George has been with me from the beginning. I mean, he is the one who and I have blog articles written on that who literally took my father and my homemade booth and when we were like, okay, what else can we do? There's something missing, he was the missing key. He was the one that was able to take what we had done and make it sound.  24:31 And I used to get complimented all the time by audio engineers saying what is your studio?  24:36 It's amazing and in reality it's hysterical, because if you saw what my studio looked like, it certainly wasn't glamorous or elegant, but it really did the job and just like Tom's. I mean absolutely. And I think you can be proud and it's important for you to feel proud and feel good in the space that you're in, because it is our personal voice and it is our performance that needs to excel in a booth or in a space that we feel good in, and so you want to make sure you create that space. And so if Ant and I'm sorry, your Ant's name again, bessie, so if Ant Bessie is fully supporting you in your booth. I mean, I cannot tell you the affection and how good I felt being in a studio that was designed and built by my father and my father, by the way, had a lot to do with this studio as well and it does help. I sit in the studio and I feel good, and when you feel good, you can produce good audio, and I think that that's super important. And what a fun conversation today.  25:29 Tom, thank you so much for sharing your space and talking about studios with me today. Bosses, I want to invite you to imagine a world full of passionate and empowered, diverse individuals giving collectively and intentionally to create a world that you want to see. You can make a difference. Visit 100voiceshukerorg to learn more and, of course, our sponsor, ipdtl. I love IPDTL and use it on a day-to-day basis. I just love it. Use it for all my coaching students. Find out more at IPDTLcom. You guys have an amazing week and we'll see you next week. Thanks, guys, bye.  26:10 - Intro (Host) Join us next week for another edition of VO Boss with your host, Ann Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast-to-coast connectivity via IPDTL.   

The guys are joined by Robb Blumenreder, who handles Customer and Market Insights for Sennheiser. Robb shares about his start in the industry and the journey from then to now. He gives us great insight into the world of wireless mics and IEM's, and has good advice on maintaining a stable RF environment in today's crowded frequency space.