Podcasts about grace the joshua elegies

We're telling stories.  Raw honest unapologetic episode about life after the death of this writer's son. She holds nothing back. Alexis Rhone Fancher is an award winning poet and photographer. She has been published in Best American Poetry 2016, Rattle, Hobart, Verse Daily, Plume, Tinderbox, Cleaver, and elsewhere. Her books include: How I Lost My Virginity to Michael Cohen…, State of Grace: The Joshua Elegies, Enter Here, and Junkie Wife.  The Dead Kid Poems, the follow up to State of Grace, is available now on Amazon.  Alexis’s photographs are published worldwide, including the covers of Witness, Heyday, and Pit-head Chapel, and a spread in River Styx. Since 2013, she has been nominated more than 20 times for the Pushcart Prize. Alexis is poetry editor of Cultural Weekly. The poems in this episode are:  Cruel Choices -winner of the Pangolin Prize, nominated for The Pushcart Prize (pub in ASKEW, and in Amarylis, UK) Keeping Things Cold (pub in Diode) Snow Globe (pub in The MacGuffin) You can find Alexis Rhone Fancher here - Facebook: https://www.facebook.com/alexis.fancher  Website: www.alexisrhonefancher.com Links to her books: The Dead Kid Poems Junkie Wife - Moontide Junkie Wife  Enter Here State of Grace How I lost my Virginity to Michael Cohen and Other Heart Stab Poems If it's not 1 Thing, explores the topic of 'mother' from every angle imaginable and some you have not thought of. Each week, hosts Katie Mitchell and Lupe Padilla Mitchell share a new story and have great conversations with the writers, many of whom are in fact not writers by trade. We have excerpts from best selling novels, memoirs, poetry award winners, songwriters, stay at home moms, insurance brokers, teachers, actors, college students and beyond. Some famous. Some not at all. But they all have incredible tales to tell.Story is in our DNA. It's how we make sense of the world around us. We have so much to teach each other. We welcome you to rate and review us. Find out more about us at www.ifitsnot1thingitsyourmother.com      

We're telling stories.  Raw honest unapologetic episode about life after the death of this writer's son. She holds nothing back. Alexis Rhone Fancher is an award winning poet and photographer. She has been published in Best American Poetry 2016, Rattle, Hobart, Verse Daily, Plume, Tinderbox, Cleaver, and elsewhere. Her books include: How I Lost My Virginity to Michael Cohen…, State of Grace: The Joshua Elegies, Enter Here, and Junkie Wife.  Next up? The Dead Kid Poems, the follow up to State of Grace, which will be published in early 2019.  Alexis’s photographs are published worldwide, including the covers of Witness, Heyday, and Pit-head Chapel, and a spread in River Styx. Since 2013, she has been nominated 22 times for the Pushcart Prize. Alexis is poetry editor of Cultural Weekly. The poems in this episode are:  Cruel Choices -winner of the Pangolin Prize, nominated for The Pushcart Prize (pub in ASKEW, and in Amarylis, UK) Keeping Things Cold (pub in Diode) Snow Globe (pub in The MacGuffin) You can find Alexis Rhone Fancher here - Facebook: https://www.facebook.com/alexis.fancher  Website: www.alexisrhonefancher.com Links to her books: Junkie Wife - Moontide Junkie Wife  Enter Here State of Grace How I lost my Virginity to Michael Cohen and Other Heart Stab Poems If it's not 1 Thing, explores the topic of 'mother' from every angle imaginable and some you have not thought of. Each week, hosts Katie Mitchell and Lupe Padilla Mitchell share a new story and have great conversations with the writers, many of whom are in fact not writers by trade. We have excerpts from best selling novels, memoirs, poetry award winners, songwriters, stay at home moms, insurance brokers, teachers, actors, college students and beyond. Some famous. Some not at all. But they all have incredible tales to tell.Story is in our DNA. It's how we make sense of the world around us. We have so much to teach each other. We welcome you to rate and review us. Find out more about us at www.ifitsnot1thingitsyourmother.com      

  A very special ALL Moon Tide Press edition of  Writers’ Block Live with Eric Morago, Daniel McGinn, Alexis Rhone Fancher, and Peggy Dobreer. Friend of YourPopFilter and two-time Writers’ Block guest Eric Morago is the publisher at Moon Tide Press, and in the spring of 2018 the press published three amazing books of poetry: Daniel McGinn’s The Moon, My Lover, My Mother, & The Dog, Alexis Rhone Fancher’s Junkie Wife, and Peggy Dobreer’s Drop and Dazzle. Daniel, Alexis, and Peggy read from their respective collections and discussed the power of pop songs, the allure of erotica, why movement matters, and so much more! Daniel McGinn is the author of The Moon, My Lover, My Mother & The Dog (Moon Tide Press, 2018) and 1000 Black Umbrellas (Write Bloody, 2011) He’s a native of Southern California who’s led workshops at Half Off Books, The Orange County Rescue Mission, charter schools and poetry venues. Daniel received his MFA in writing from Vermont College of Fine Arts and has been married to the poet and painter, Lori McGinn, for 41 years. Alexis Rhone Fancher is a compulsive writer of erotica, an irreverent photographer, and a lover of all things “bent.” She is the author of How I Lost My Virginity To Michael Cohen and other heart stab poems, (2014), State of Grace: The Joshua Elegies, (2015), Enter Here (2017) and Junkie Wife (2018), the story of her first, disastrous marriage, published by Moon Tide Press. Alexis is published journals all over the place, and  since 2013 she has been nominated for 15 Pushcart Prizes, 1 Best Short Fiction Award, and 4 Best of the Net awards. Alexis is also poetry editor of Cultural Weekly. Peggy Dobreer is the 2017 winner of the Downey Symphony Orchestra Poetry Matters Prize. Her poems have appeared in numerous journals and anthologies and she is author of In the Lake of Your Bones and Drop and Dazzle . A former dancer and movement artist, Peggy teaches E=Mc2Bodied Poetry Workshops in a variety of retreat and literary settings. She was a program director at AROHO2015 A Room of Her Own Foundation, and continues to curate poetry arts events throughout Los Angeles. Learn more about Moon Tide Press, and pre-order the horror anthology Dark Ink here! Writers’ Block Live! is recorded at the 1888 Center in Orange, California.     1888 Center programs are recorded and archived as a free educational resource on our website or with your favorite podcast app including Apple and Spotify. Each interdisciplinary episode is designed to provide a unique platform for industry innovators to share stories about art, literature, music, history, science, or technology. Produced in partnership with Brew Sessions. Producer and Host: Mike Gravagno Producers: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Guests: Eric Morago, Daniel McGinn, Alexis Rhone Fancher, and Peggy Dobreer Audio: Brew Sessions Live

Alexis creates art full of beauty, light, darkness, life, death, sex, and personal power. Alexis is the author of How I Lost My Virginity To Michael Cohen and other heart stab poems, (2014), State of Grace: The Joshua Elegies, (2015), and the brand new, erotic, LA-centric collection, Enter Here (2017). She is published in The Best American Poetry 2016, Rattle, Slipstream, Plume, Nashville Review, Diode, Glass, and elsewhere. Her photos are published worldwide. Since 2013 Alexis has been nominated for 11 Pushcart Prizes, 1 Best Small Fiction, and 4 Best of the Net awards. She is Poetry Editor of Cultural Weekly and lives in Los Angeles. Find Alexis Rhone Fancher’s art & event schedules at www.facebook.com/alexis.fancher & www.AlexisRhoneFancher.com

The Walled Wife (Red Hen Press) A woman is buried so a church will rise. Nicelle Davis’ The Walled Wife unearths from the long-standing text “The Ballad of the Walled-up Wife,” a host of issues that continue to plague women in the contemporary world: the woman’s body as sacrifice; the woman’s body as tender or currency; the woman’s body as disposable; the woman’s body as property; the woman’s body as aesthetic object; the woman’s body unsafe in the world she must inhabit, and in the hands of the people she loves. By unearthing “this fucked-up story,” found in a centuries-old folktale (The Ballad of the Walled-Up Wife) Nicelle Davis’ poems remind us that narratives, like the individuals and cultures that produce them, are imperfect structures. However, through her intelligent and effective use of craft and voice, and the heartbreaking vulnerability with which she engages the perspectives within and without the story, Davis avoids simple replication; she does not “rebuild a corrupt structure.” Rather, she exhibits in The Walled Wife the powerful and expansive possibilities of narrative. This collection makes space (in the narrative, and thus in the reader, and thus in the culture) for so much—for remorse from the builder, for sorrow from the husband, but mostly for this sacrificed woman to be angry, to feel betrayed, to be avenged, to tend to her inner life in the hours of her death, to speak her truth, and insist on her humanity. These poems allow the wife to mourn her stolen life, and as we mourn with her, they enrich our possibilities for empowerment and empathy in the narratives of our lives.  A poetry reading for ugly bridesmaid dresses. Poetry readings, refreshments, photo ops, and an ugly bridesmaid contest competition. Moderated by Juicee Courture.  Nicelle Davis is a California poet, collaborator, and performance artist who walks the desert with her son J.J. in search of owl pellets and rattlesnake skins. She is the author of four poetry collections including her most recent, The Walled Wife, from Red Hen Press. In the Circus of You is available from Rose Metal Press, Becoming Judas, is available from Red Hen Press and her first book, Circe, is available from Lowbrow Press. Her poetry film collaborations with Cheryl Gross have been shown across the world. She is currently working on the manuscript/play, On the Island of Caliban which was recently workshopped by The Industrial Players. She has taught poetry at Youth for Positive Change, an organization that promotes success for youth in secondary schools, MHA, Volunteers of America in their Homeless Youth Center, and with Red Hen’s WITS program. She currently teaches at Paraclete High School.  photo by Sascha Vaughn, Dress by Pavlina Janssen Jackie Bang’s work has appeared in ZYZZYVA and The Alaska Quarterly Review and most recently their piece, "Rent Easy" in The Los Angeles Poetry Circus Chapbook. They are currently at work on Dinner Bait, a book length end-of-love story set in a New Orleans of adjunct teaching and sex work ten years after Katrina. They are working also on a related psych, folk, blues erotica record with their partner in poetry performance Caspar Sonnet. Both works engages the possibility for species transformation in the human response to climate change through high stakes eroticism as metaphor. Jackie Bang lives and teaches in the IE. Alexis Rhone Fancher’s poem, “when I turned fourteen, my mother’s sister took me to lunch and said:” was chosen by Edward Hirsch for inclusion in The Best American Poetry of 2016. She is the author of How I Lost My Virginity To Michael Cohen and other heart stab poems, (Sybaritic Press, 2014), and State of Grace: The Joshua Elegies, (KYSO Flash Press, 2015). Alexis is published in Rattle, The MacGuffin, Menacing Hedge, Blotterature, Slipstream, Wide Awake: Poets of Los Angeles, Chiron Review, Hobart, and elsewhere. She is poetry editor of Cultural Weekly.   Photo by Baz Here Ashley Inguanta is a writer and photographer who is driven by landscape, place. She is the author of three collections:The Way Home (Dancing Girl Press), For The Woman Alone (Ampersand Books), and Bomb (forthcoming with Ampersand Books in 2016). Her work has appeared in PANK, The Rumpus, The Good Men Project, Bartleby Snopes, Adrienne: A Poetry Journal of Queer Women, OCHO, Corium Magazine, the Rough Magick anthology, and other literary spaces. Ashley is also the Art Director of SmokeLong Quarterly. Currently she is working with musician Sarah Morrison, creating a series of projects and performances that combine music, visual art, and language. Jennifer Bradpiece was born and raised in the multifaceted muse, Los Angeles, where she still resides. She has her Bachelors in Creative Writing from Antioch University. When not rescuing Pit Bulls, she tries to remain active in the Los Angeles writing and art scene: she has interned at Beyond Baroque, and often collaborates with multi-media artists on projects. Her poetry has been published in various journals, anthologies, and online zines, including 491 Magazine, The Mas Tequila Review, and Redactions. She has poetry forthcoming in Rip Rap Journal and The Whiskey Fish Review among others. 

Alexis Rhone Fancher‘s State of Grace: The Joshua Elegies (KYSO Flash Press, 2015) is not an “easy” collection. This is not a group of poems that you can take on the train for mere entertainment or to pass the time. These pieces demand the reader to be present, open, and willing to inhabit the suffering of another human being. But in this presence of mind, connections are made. Since the death of her son in 2007, Fancher has written fourteen elegies that create a road map of her grief spanning eight years. These poems can be difficult to absorb, I often found myself needing to retreat from their content, literally step away from the page. I think of “poems as process,” meaning the need to express is greater than the need to retreat. I think of “poems as companions,” meaning that these pieces reach out to others deep in grief. I think of appreciation– this poet has contributed to poetry in a significant way. This poet is brave. I liked the pain, the dig of remembering, the way, if I moved the dagger just so, I could see his face, jiggle the hilt and hear his voice clearly, a kind of music played on my bones… She offers this sentiment to her readers, “All life has tragedy, the best we can do is learn from tragedy. And maybe have some sort of shared joy in overcoming it.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexis Rhone Fancher‘s State of Grace: The Joshua Elegies (KYSO Flash Press, 2015) is not an “easy” collection. This is not a group of poems that you can take on the train for mere entertainment or to pass the time. These pieces demand the reader to be present, open, and willing to inhabit the suffering of another human being. But in this presence of mind, connections are made. Since the death of her son in 2007, Fancher has written fourteen elegies that create a road map of her grief spanning eight years. These poems can be difficult to absorb, I often found myself needing to retreat from their content, literally step away from the page. I think of “poems as process,” meaning the need to express is greater than the need to retreat. I think of “poems as companions,” meaning that these pieces reach out to others deep in grief. I think of appreciation– this poet has contributed to poetry in a significant way. This poet is brave. I liked the pain, the dig of remembering, the way, if I moved the dagger just so, I could see his face, jiggle the hilt and hear his voice clearly, a kind of music played on my bones… She offers this sentiment to her readers, “All life has tragedy, the best we can do is learn from tragedy. And maybe have some sort of shared joy in overcoming it.” Learn more about your ad choices. Visit megaphone.fm/adchoices