Podcasts about Island

At long last, Kelly Mason hops on the pod to talk about top 5 art experiences of the past year.  Intro song: "Noite Cartunesca" by Guerrinha.  Outro song: "U.R.A. Fever" by The Kills.Support the show

Hosts Jim DeRogatis and Greg Kot revisit a Sound Opinions classic— Songs About Giving Thanks. The hosts will share some of their favorite songs in celebration of the Thanksgiving holiday, and they'll hear selections from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Natalie Merchant, "Kind and Generous," Ophelia, Elektra, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Big Star, "Thank You Friends," Third, PVC, 1977Sister Sledge, "We Are Family," We Are Family, Atlantic, 1979Earth, Wind & Fire, "Gratitude," Gratitude, Columbia, 1975Tyler, The Creator, "GONE, GONE / THANK YOU," IGOR, Columbia, 2019Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Lucinda Williams, "Stowaway in Your Heart," Down Where the Spirit Meets the Bone, Highway 20, 2014Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969Fall Out Boy, "Thnks Fr Th Mmrs," Infinity On High, Island, 2007Chance The Rapper, "Blessing (feat. Jamila Woods)," Coloring Book, Self-Released, 2016 Andrew Gold, "Thank You For Being A Friend," All This and Heaven Too, Asylum, 1978The Kinks, "Days," Days (Single), Pye 7N 17573, 1968Dido, "Thank You," No Angel, Cheeky, 1999Descendants, "Thank You," Everything Sucks, Epitaph, 1996Third Eye Blind, "Thanks a Lot," Third Eye Blind, Elektra, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, Reprise, 1998The Flaming Lips, "Do You Realize??," Yoshimi Battles the Pink Robots, Warner, 2002The Intruders, "Be Thankful For What You Got," Energy of Love, TSOP, Philadelphia International, 1974Yes, "Going for the One," Going for the One, Atlantic, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Branch 101 arrive at the base of Anger's Island.

LIVE JUGGLING FROM ISLAND VIBES LIVE @ DRINK LOUNGE IN BROOKLYN REGGAEBOYZ SOUND HAS THE #1 PODCAST FOR REGGAE & DANCEHALL IN THE WORLD!!!

In this powerful episode, Dr. Howland talks with Meagan Skidmore, a fellow author and costar on Writer's Island. Meagan shares her story of being the mother of transgender child and how that has made her a better parent. This is an episode about the power of love and acceptance despite our differences.

In Melissa and Clay's live recorded interview at ʻImiloa Center in Hilo, they talk with Cheyenne Hiapo Perry of the Mauna Kea Watershed Alliance and former state Forestry and Wildlife Administrator Lisa Hadway Spain about their respective leadership experiences in conservation. Each speaks to their early fascination with the marine world, while coming to the professional world of land conservation in very different ways–for Lisa, it was studying entomology at University of Hawai'i (UH) at Mānoa, while for Cheyenne he came to UH Hilo's Tropical Conservation Biology and Environmental Studies after a military career abroad. Both Lisa and Cheyenne speak to the managerial challenges of dealing with difficult people, handling politics and marshalling stewardship resources during difficult financial downturns–and ultimately how it takes grit and determination to see things through.

Step into the shadows of early Hollywood horror as Chris and Gerry explore The Island of Lost Souls (1932) - the chilling pre-Code adaptation of H.G. Well' The Island of Dr. Moreau. In this video, Chris and Gerry break down the film's unsettling atmosphere, unforgettable performances (including Charles Laughton as Dr. Moreau), and the bold themes that pushed boundaries before the Hays Code began restricting Hollywood. 

In this week's show: The UK and Channel Islands regional operator Blue Islands ceases trading and cancels flights; Jet2 is to offer flights from Gatwick for the first time; and a maintenance error led to the overrun of an American 737 at Dallas/Fort Worth last year.    In the military segment: The U.S. Air Force Chief of Staff confirms the F-47 next-generation fighter jet will take its first flight in 2028.    We'll also give you some more details about our 600th show which is going to take place in May 2026. Spaces are running out quickly so be sure to let us know if you plan on coming. Nev will give us an update later.    We are extending the competition for another week with a fantastic prize to give away – Nik will tell you all about that later in the show.    And we have another cracking Retro Airline Ad Of The Week segment which will take us all back down memory lane.   You can get in touch with us all at : WhatsApp +447446975214 Email podcast@planetalkinguk.com or comment in our chatroom on YouTube.

AP correspondent Charles de Ledesma reports a arrested Russian hacker in Thailand could face extradition to the U.S.

Do you believe in angels? Prepare for an emotional journey on this episode of Angels Unaware. Kellie Brooks shares stories of angelic presence, navigates the pain of family loss, and finds strength to reignite her podcast. This is a story of hope, healing, and the unseen forces that guide us. https://www.kingdomrock.org/missiontabernacleoutreach missiontabernacle20@gmail.com Mission Tabernacle Outreach

Indonesia is home to more than 17,000 islands, but its smallest are highly vulnerable to the impacts of climate change. The tiny community of Pari Island is facing multiple climate-induced threats, including to its entire existence.Four people on the island are now trying to launch a landmark legal case against a European cement giant over its historic carbon emissions. - Крошечное сообщество на острове Пари сталкивается с целым рядом климатических угроз. Четверо местных жителей пытаются инициировать знаковое судебное дело против европейского цементного гиганта из-за уровня выбросов углерода.

The competitors time on the first island draws to a close. The Battle Royale begins! Will the team survive?   We hope you enjoy episode two of our new series of Deathmatch Island by Tim Denee of Old Dog Games and Evil Hat Productions.   ----more---- Join the DMs After Dark Discord channel!   In case you haven't heard, our Redbubble has incredible RuneQuest art by Katrin Dirim available as shirts, stickers, pillows, and more, so check out all our new DMs After Dark merch!!   If you enjoy our streams, podcasts (plural! have you checked out the Rene Plays Games podcast?), or just our general nerdiness, please consider giving us a 5-star rating on your podcast app of choice! Like, follow, and subscribe to our Facebook, Twitter, and Instagram so you can comment & chat with us about all things RPGs.   And, as always, come hang out and catch our live streams on our Twitch or catch up on our YouTube.   Music in the Episode (in order of appearance): DMs After Dark Theme written & produced by Dan Pomfret | @danfrombothbands

Plus UNT has a real shot at the college football playoffs. We meet their QB

Do you believe in angels? Prepare for an emotional journey on this episode of Angels Unaware. Kellie Brooks shares stories of angelic presence, navigates the pain of family loss, and finds strength to reignite her podcast. This is a story of hope, healing, and the unseen forces that guide us. https://www.kingdomrock.org/missiontabernacleoutreach missiontabernacle20@gmail.com Mission Tabernacle Outreach

Miracles on the beach, baby jellyfish, and gratitude. Life on Alaska's Emerald Isle, Kodiak!

Why do 35,000 Puerto Rican service members fight for a democracy they can't fully participate in? In this powerful episode of the Mano a Mano podcast, host George Laws Garcia sits down with Brigadier General Victor Perez —a 36-year military veteran who rose from enlisted soldier to general in the Puerto Rico National Guard—to discuss the contradiction of military service without voting rights.General Perez shares his decades of experience advocating in Congress for Puerto Rican veterans and statehood, explaining why 250,000 Puerto Ricans have served throughout U.S. history—earning 9 Medals of Honor and the Congressional Gold Medal for the 65th Infantry Regiment—yet still cannot vote for their Commander-in-Chief or Congressional representatives when living on the island.This conversation takes on new urgency as the U.S. deploys significant military forces to Puerto Rico and the Caribbean in response to drug trafficking, Venezuelan instability, and growing Chinese and Russian influence in the region. General Perez provides firsthand insight into why Puerto Rico's strategic location makes it indispensable to U.S. national security—and why statehood would benefit both Puerto Rico's 3.2 million citizens and America's geopolitical interests.In this episode:Why 35,000 Puerto Rican service members serve without voting representationPuerto Rico's military contributions: 9 Medal of Honor recipients & 250,000+ veteransThe current U.S. military buildup in Puerto Rico and the CaribbeanChinese and Russian influence in Latin America and why it mattersHow Puerto Rico's strategic location factors into U.S. defense strategyWhy the territorial status creates inequality for veterans and their familiesHow statehood would secure democracy and economic opportunity for future generationsWhat Puerto Ricans on the island think about increased military presencePersonal stories of veteran advocates who've lobbied Congress for decadesTimestamps:00:00 Introduction & Veterans Day Tribute 03:45 Puerto Rico's Military Service Record: 250,000+ Veterans 06:15 Serving Without Representation: The Democratic Deficit 12:35 Veteran Advocates: Stories of Sacrifice and Persistence 18:25 What Statehood Would Mean for Future Generations 23:30 Economic Inequality: Territory vs. State Status 29:10 The Fiscal Oversight Board and Colonial Control 33:20 Current Caribbean Military Deployment Explained 40:15 Chinese & Russian Influence in Latin America 45:50 Venezuela Crisis and U.S. Strategic Response 51:40 Why Puerto Rico is Key to Western Hemisphere Security 56:25 How Puerto Ricans View Military Presence on the Island 01:02:10 Advice for Statehood Advocates: Never Quit 01:08:45 Conclusion & Call to Action

In today's podcast I talk about: Visiting St Mary's Island with Hyderabadi friends. Beach and more beaches. Meeting NEB team at Manthan Resort. Ice cream and more ice cream.

I detta avsnitt berättar jag för Jossan om glädjen att ha fått tillbaka mitt körkort och firandet som följde, samt utmaningarna med att vara utan bil i samband med körförbud. Jag delar med mig av mina erfarenheter av plastikkirurgi under ögonen och PRP-behandling i hårbotten, samt konkreta tips kring vitaminer som biotin för hårväxt. Vi tar upp problemen med internationella tävlingar som hålls nattetid och hur det påverkar fitnessatleterna negativt. Vi ger även råd om att ta pauser från träning vid sjukdom, vikthantering under off-season, samt vikten av att ta kostbeslut som passar ens livsstil. Vi avhandlar också flera lyssnarfrågor om ryggträning hemma, kosthållning i mörkret, var man förvarar sina pokaler och våra bästa tävlingsminnen. Resan till Island är ett klart favoritminne. Om podden Fitnessprofilerna Carina Isaksson och Josefin Pettersson samtalar om allt som hör begreppet "fitness" till. Oftast om träning, om kost, om tävling såklart, men även om livet utanför fitnessbubblan. Du som lyssnar på vår podcast får gärna betygsätta den på den plattform du lyssnar på. Då blir podden mer synlig för andra plus att vi värdar blir glada.

Join the Alabama Saltwater Fishing Report for an action-packed episode loaded with the latest Gulf Coast fishing insights and expert tips. Host Butch Thierry and co-host Angelo DePaola deliver hot reports on inshore and offshore fishing across Alabama's coastal waters, including strategies for targeting speckled trout, redfish, wahoo, and yellowfin tuna. Captain Bobby Crawley of Making Plans Charters recaps an epic barrier island wade fishing adventure, breaking down tackle setups and must-have gear for trophy catches. Captain King Marchand of the Lady Anne shares offshore tuna and bottom fishing tactics, bait strategies, and observations on changing water and weather. Tom Hilton from Hilton's Real Time Navigator brings a deep dive into reading satellite data for optimal offshore success, while William Strickland of Mobile Baykeeper provides critical updates on conservation efforts and water quality in Mobile Bay. Plus, don't miss Angelo's expert analysis on Alabama's coastal real estate market trends and advice for buyers and sellers in today's unique market. Whether you're after the latest Mobile Bay fishing reports, looking to master Gulf of Mexico fishing, or want to stay up to speed on coastal property and conservation news, this episode has you covered!   SPONSORS The Coastal Connection Sea Tow Test Calibration Dixie Supply and Baker Metal Works  Foster Contracting  Pure Flats KillerDock BOW Blue Water Marine Service Black Buffalo Stayput Anchor AFTCO SlipSki Solutions Saltwater Marketing

As the Cop30 climate talks continue in Brazil, Madeleine Finlay hears about a landscape at the opposite end of the planet facing the direct impacts of the climate crisis. The Guardian reporter Leyland Cecco recounts a recent trip to Qikiqtaruk (also known as Herschel Island) off the coast of Canada's Yukon territory, where he saw first hand how indigenous groups and scientists are reckoning with an ecosystem collapsing into the sea. He tells Madeleine about efforts to preserve the history of the island and how scientists are racing to understand what it means for the fate of other arctic communities.. Help support our independent journalism at theguardian.com/sciencepod

Jen gets a swift and thoroughly unexpected trip through US political rumours this week, as Hannah looks at the latest from across the Atlantic. Plus there's skorts, sports and women-only carriages. What more do you need? Saturday Night Live on edited Trump speech: https://www.youtube.com/watch?v=SesRWE02PIU Learn more about your ad choices. Visit megaphone.fm/adchoices

LIVE JUGGLING FROM ISLAND VIBES LIVE @ DRINK LOUNGE IN BROOKLYN REGGAEBOYZ SOUND HAS THE #1 PODCAST FOR REGGAE & DANCEHALL IN THE WORLD!!!

Our sponsor, FLESHLIGHT, can help you reach new heights with your self-pleasure. FLESHLIGHT is the #1 selling male sex toy in the world.Looking for your next pocket pal? Save 10% on your next fleshlight with Promo Code: 10EROTIC at fleshlight.com fleshlight.comfleshlight.comPlease support our show and get discounts on our favorite brands by using our sponsors' links here!EroticStoriesPodcast.comAdvertising/Collabs/Stories: sensualroleplayasmr@gmail.comIf you enjoy this podcast, remember to leave a review on your favourite listening platform.See you next week.Mia xErotic Stories: Where you can Immerse yourself in sensual storytelling, intimate roleplay, and immersive soundscapes. From whispers to wild fantasies, each episode is designed to ignite your imagination and heighten your senses. #Erotica #EroticStories #SexyStories #AdultStories #AudioErotica #EroticPodcast #EroticFiction #SpicyStories #SensualStories #NSFW #Podcasts #Storytelling #RomancePodcast #SexyAudio #SpicyAudio #EroticASMR #ASMRRoleplay #RoleplayPodcast #AudioRoleplay #WhisperAudio #ASMRCommunity #SoundFX #AudioDrama #ImmersiveAudio #FantasyAudio #SexyWhispers #EroticRoleplay #IntimateAudio

Photos showing Jean-Luc Brunel and Ghislaine Maxwell together on Jeffrey Epstein's private island, Little Saint James, function as damning visual evidence of their direct presence inside the epicenter of Epstein's operation. These images don't show distant acquaintances or innocent vacationers — they show two of Epstein's closest and most active enablers relaxing comfortably in the middle of the Caribbean paradise that survivors have described as a hub of industrial-scale sexual exploitation. Maxwell appears seated poolside, casual and at ease, while Brunel stands nearby, smiling, moving freely around the property as if he belonged there. These are not images of people merely passing through; they depict the inner circle, enjoying the spoils of a predator's empire, positioned exactly where countless victims say the abuse occurred.Taken together, the photos strip away decades of denial and PR spin designed to portray Epstein's network as a loose association of wealthy socialites. Maxwell — the convicted trafficker — and Brunel — the modeling agent long tied to supplying girls through his agency connections — stand shoulder-to-shoulder on the very ground where survivors say horrors unfolded behind closed doors. Their presence on Little Saint James confirms what so many already understood: Epstein's island was not a rumor or a conspiracy theory, but a fully operational center of power, protected by money, influence, and silence. The images lock Maxwell and Brunel permanently into the geography of Epstein's crimes, proving that their roles were not distant or theoretical — they were right there, in the sun, enjoying the view.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

Uncover the explosive Miami Fisher Island condo feud over a $180M lot, shaping the future of luxury living and regional economic stability.See full article: https://www.unitedstatesrealestateinvestor.com/miami-fisher-island-condo-feud-over-180m-lot/—Ready to kill the rat race?Listen, if you're sick of watching other people get rich while you keep grinding for scraps, this is your wake-up call.Right now, everyday people, not Wall Street, not billionaires, not trust-fund babies, are buying property, collecting rent, and stacking cash while you're stuck refreshing your bank app.You can keep working for money, or you can make money work for you.This free ⁠"Beginner's Guide to Real Estate Investing in 2025" will show you exactly how to start, even if you're broke, busy, or scared to death of losing a dime.It's short. It's simple. It's real.Go grab your copy right now before you talk yourself out of it. Start learning how real Americans are building wealth while everyone else keeps punching the clock.Download now: https://www.unitedstatesrealestateinvestor.com/freeguide/—Helping you learn how to achieve financial freedom through real estate investing. https://www.unitedstatesrealestateinvestor.com/

Gregg Rosenthal is joined by Jourdan Rodrigue, Colleen Wolfe and Steve Wyche for the latest installment of Quarterback Island! Find out which ten quarterbacks are defining the position in the NFL in 2025. Will Patrick Mahomes (07:28), Brock Purdy (14:30), Jalen Hurts (16:10), Baker Mayfield (21:10), Jared Goff (27:20), Justin Herbert (31:00), Caleb Williams (34:50), Bo Nix (37:30), Daniel Jones (41:30), or Jordan Love (47:00) get a spot on the Island? Listen to find out! Note: time codes approximate.NFL Daily YouTube: https://www.youtube.com/nflpodcastsSee omnystudio.com/listener for privacy information.

Watch The X22 Report On Video No videos found (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:17532056201798502,size:[0, 0],id:"ld-9437-3289"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");pt> Click On Picture To See Larger PictureThe people of the UK now see that the generosity of welfare makes it that people do not support themselves. The Fed is right on schedule, they are using the shutdown and lack of data to create the narrative of no rate cut in Dec. GDP is now off the charts. Trump says the Fed does nothing, translation we do not need it. The economy is about to shift. Trump played the D's, they tried to set him up using the Epstein files, the tried to divide the movement, it backfired. Trump needed the D's to push the files narrative, optics are important so he could start the real investigation, most likely the document will implicate the D's on some level but not what people expect. The D's are now planning the color revolution, they are telling the military to disobey the Commander in Chief, remember your oath. Trump has the leverage, this leads to panic.   Economy https://twitter.com/unusual_whales/status/1991138641087955359?s=20 https://twitter.com/Geiger_Capital/status/1991200888480797001?s=20   (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:18510697282300316,size:[0, 0],id:"ld-8599-9832"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); Stephen Miller Reveals Shocking Statistic- 40% of Rent-Controlled Housing in NYC Occupied is By Foreign Born Population (Video) White House Deputy Chief of Staff for Policy and Homeland Security Advisor Stephen Miller   shared a shocking statistic regarding rent-controlled housing in New York City. Miller shared, “40% of the population of rent-controlled housing in New York City are foreign-born.” “Think about that.” “In one of the largest Metropolitan areas in the world, 40% of rent-controlled properties are being lived in by people who weren't even born in the country. What kind of system is this?” “We bring in people from foreign countries, and then we pay to lower the cost of their housing while people who were born have to pay higher prices?” “So President Trump is reducing net migration, that is what's going to ultimately, along with all these other steps, deregulation, historic tax cuts, is going to bring down the cost of housing.” Watch: Source: thegatewaypundit.com https://twitter.com/KobeissiLetter/status/1991166902354268474?s=20  advanced chips for AI here in the US. All of this started with President Trump wanting to re-industrialize the US. His tariffs were a pressing agent in making this possible." 3. “We are manufacturing in America because of President Trump.” Nvidia reports earnings in less than 6 hours. https://twitter.com/EricLDaugh/status/1991141379838255220?s=20 https://twitter.com/Geiger_Capital/status/1991168211942019257?s=20 https://twitter.com/RealEJAntoni/status/1991163760195567968?s=20 https://twitter.com/DeItaone/status/1991195608615367120?s=20 TAKE A LISTEN https://twitter.com/SecScottBessent/status/1991179870907379944?s=20 returning to the United States in record amounts. Political/Rights https://twitter.com/joma_gc/status/1990866006714266065?s=20  always move the goalpost by making up unsubstantiated nonsense. Protecting their grift is their top priority. Plaskett Delivers Jaw-Dropping Explanation of Why She Texted Jeffrey Epstein During Congressional Hearing Democrat Del. Stacey Plaskett (VI-At Large) continued her whirlwind public tour in which she's tried to convince anyone who will listen that texting sex predator Jeffrey Epstein during a congressional hearing is totally normal. https://twitter.com/RNCResearch/status/1990901876276027581?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1990901876276027581%7Ctwgr%5Eac2f6a2c78cd6d4359fa04dfc99c2d4a4b998c16%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2025%2F11%2F19%2Fplaskett-delivers-jaw-dropping-explanation-of-why-she-texted-jeffrey-epstein-during-congressional-hearing-n2196340 First, it's not exactly common for members of Congress to wantonly text with constituents mid-hearing. Second, referring to Epstein as little more than a "constituent" is like referring to Bill Cosby as just a "Pudding Pop salesman" while neglecting his other obvious history. https://twitter.com/tomselliott/status/1991175194908782619?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1991175194908782619%7Ctwgr%5Eac2f6a2c78cd6d4359fa04dfc99c2d4a4b998c16%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2025%2F11%2F19%2Fplaskett-delivers-jaw-dropping-explanation-of-why-she-texted-jeffrey-epstein-during-congressional-hearing-n2196340 https://twitter.com/RapidResponse47/status/1991167379791917155?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1991167379791917155%7Ctwgr%5Eac2f6a2c78cd6d4359fa04dfc99c2d4a4b998c16%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2025%2F11%2F19%2Fplaskett-delivers-jaw-dropping-explanation-of-why-she-texted-jeffrey-epstein-during-congressional-hearing-n2196340 Source: redstate.com https://twitter.com/RealSLokhova/status/1990992088872190189?s=20   of impeaching the President. Vote to Censure Democrat Stacey Plaskett over Epstein Relationship Fails The vote to censure Virgin Islands delegate Stacey Plaskett (D) for her relationship with sex criminal Jeffrey Epstein failed in the House on Tuesday night, with three Republicans siding with Democrats.   https://twitter.com/RepLuna/status/1991138953211097540?s=20   Source: breitbart.com Rep. Jasmine Crockett's Effort to Smear Republicans Over Epstein Donations Blows Up in Her Face When Conservative Journalist Unearths the Damning Truth (VIDEO) Crockett took to the House floor and accused the GOP of a double standard by asserting without evidence that the likes of Mitt Romney, Lee Zeldin, John McCain, and George W. Bush had once taken money from Epstein. https://twitter.com/Acyn/status/1990889556774903965?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1990889556774903965%7Ctwgr%5Efa2c16edf43fdb59f07185608efa8c11f7864c0d%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F11%2Frep-jasmine-crocketts-effort-smear-republicans-epstein-donations%2F   https://twitter.com/LeeMZeldin/status/1990993148244312175?s=20 https://twitter.com/ChuckRossDC/status/1990996259721588838?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1990996259721588838%7Ctwgr%5Efa2c16edf43fdb59f07185608efa8c11f7864c0d%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fwww.thegatewaypundit.com%2F2025%2F11%2Frep-jasmine-crocketts-effort-smear-republicans-epstein-donations%2F   Here's a better look:   Jeffrey Epsteins middle initial is E for Edward Source: thegatewaypundit.com https://twitter.com/RapidResponse47/status/1991142109324185937?s=20 https://twitter.com/CollinRugg/status/1991183118502686819?s=20   Epstein coached Summers on a romance in 2018. Summers was married at the time. The men exchanged a trove of messages between 2013 and 2019, according to the emails. "The university is conducting a review of information concerning individuals at Harvard included in the newly released Jeffrey Epstein documents to evaluate what actions may be warranted," Harvard said in a statement. Video: nalgene_queen / tt. SHOCKER: Numerous Members of Bill Clinton's Administration Were Visitors at Epstein's Island Bill Clinton's Administration was infested with creeps who reportedly visited Epstein Island. President Trump is right.  It is time to investigate the Clintons and the entire Democrat Party for their connections to Jeffrey Epstein.    We reported in 2019 that investigative reporter Conchita Sarnoff, the author of “Trafficking” on the Jeffrey Epstein case, joined Shannon Bream and said Bill Clinton flew on Epstein's plane 27 times and ALMOST EVERY TIME that Clinton was on the plane there were underage girls on the plane. Sarnoff also said Bill Clinton was lying about his flights with Jeffrey Epstein. The Clintons were also regular visitors at Epstein's ranch in New Mexico. Al Gore We also learned in 2019 after a release of files from the first Epstein case that one woman claimed Al Gore was at Epstein's Island. A woman who claims she was a sex slave for billionaire pedophile Jeffrey Epstein says she met former vice president Al Gore, according to documents unsealed on Friday. The documents were made public Friday after a U.S. Court of Appeals upheld a lower court decision to make public more than 2,000 pages of court filings in a since-settled 2015 defamation case brought by Virginia Roberts against Epstein confidant and aide Ghislaine Maxwell. Larry Summers We uncovered in 2019 that Larry Summers, the creepy former President of Harvard and President Clinton's Secretary of Treasury, flew numerous times on Jeffrey Epstein's jet and even flew to Epstein's so called ‘Orgy Island'.   Source: joehoft.com https://twitter.com/DonaldJTrumpJr/status/1990869778764910819?s=20 https://twitter.com/RealSLokhova/status/1991114085724033393?s=20  squeaky clean. Bill Clinton, Reid Hoffman and co visited the island, plus possible financial ties to Epstein. So they devised an op to make it look like Pres Trump is compromised when he is not. Now Dems are going down. Senate Passes Epstein “Shiny Thing” Bill,

Shout out to all our members who make this content possible, sign up for only $5 a month https://www.youtube.com/channel/UCNNTZgxNQuBrhbO0VrG8woA/join Check out e420 app for deals Apple: https://spn.so/g6gbid5j Google: https://spn.so/104g2yp6 use code NOJUMPER for $$ off New episode of the No Jumper Show! Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22bro on Snapchat ----- Get the latest news & videos http://nojumper.com CHECK OUT OUR ONLINE STORE!!! https://shop.nojumper.com/ NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5tesvmDS8h50LkjnSAWMOs?si=j6sJD6DkR4mk5NZZWnlK7g Follow us on SNAPCHAT https://www.snapchat.com/discover/No_Jumper/4874336901 Follow us on SPOTIFY: https://open.spotify.com/show/4z4yCTjwXa4an6sBGIe7m5 iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: https://www.snapchat.com/discover/No_Jumper/4874336901 http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/nojumper http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: https://www.tiktok.com/@adam22 http://www.twitter.com/adam22 http://www.instagram.com/adam22 adam22bro on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices

VR14 - Part 2 of the Epstein files We continue our first look at some highlights from last week's massive release of more than 20,000 pages of material from the estate of Jeffrey Epstein released by the House Oversight Committee, including Steve Bannon and ASU professor Lawrence Krauss among others. We  also consider Megyn Kelly's appalling response before leaving the last word where it belongs: with the women who have come forward to tell their stories on behalf of themselves and those who will never be able to. Epstein survivors press conference held outside the US Capitol (9/3/25) Check out the OA Linktree for all the places to go and things to do!

Free PDF Guide - "Oahu vs. Maui"What if you won't know whether you picked the right island until your flights are booked and your money's spent?Choosing between Oahu and Maui isn't just about beaches and resorts. It's about matching your vacation style to the island that'll actually deliver what you're after.

First it was ignored, then it was acknowledged, then it was blamed on everyone, then people demanded the evidence, then it was all a hoax, and now it is back. That is the story of the Epstein file möbius strip. HR 4405 was just approved by Congress and sent to the President's desk, a bill touted as the nail in the Epstein coffin. Finally, the truth will come out. However, just eleven lines into the six page document it explicitly states that the only information to be made publicly available is that which is “unclassified,” i.e., stuff the public already has access too. The bill goes on to say that certain information can be restricted from public access, including “child sexual abuse materials” and articles that “depict or contain images of death, physical abuse, or injury,” i.e., we can infer people were being tortured and killed while kids were being sexually abused. 427-1 was the final vote, an almost unanimous bipartisan agreement that sounds suspiciously like anything relevant was agreeably scrubbed so as not to cause any waves. In fact, Epstein's brother suggested that there is an entire operation in Virginia doing just that. The whole thing makes serious people think that the facts must be so terrible that their release would probably cause the collapse of several countries and probably both anarchy in the streets and mass suicides. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITEBuyMe-CoffeePaypal: rdgable1991@gmail.comCashApp: $rdgable EMAIL: rdgable@yahoo.com /TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

This week's Roz & Mocha Deep Dive: Listeners bring the heat with big questions and hilarious scenarios! From what you'd do first after being stranded on an island for 10 years, to the great debate over TVs in the bedroom, plus awkward apologies after arguments, and even the mystery behind Shem's mom's viral “Oh my God, yes” moment. We also tackle screenshots, farting in front your partner, and more unfiltered relationship talk you won't want to miss.

Charles and Dom look at a recent BBC clickbait article analysing Hitler's DNA - how they got it, why they got it and what it reveals about the potentially tiny penised dictator.Order the 2025 CHASER ANNUAL: https://chasershop.com/products/the-chaser-and-the-shovel-annual-2025-preorderListen AD FREE: https://thechaserreport.supercast.com/ Follow us on Instagram: @chaserwarSpam Dom's socials: @dom_knightSend Charles voicemails: @charlesfirthEmail us: podcast@chaser.com.auChaser CEO's Super-yacht upgrade Fund: https://chaser.com.au/support/ Send complaints to: mediawatch@abc.net.au Hosted on Acast. See acast.com/privacy for more information.

Headlines from the week of November 19, 2025    - Soccer continues its journey to state    - Food co-op transitions to co-management as longtime GM Learner Limbach moves on    - Island residents face difficult choices as insurance costs soar     - Lopez Island Education Foundation bridges the gap for school district    - plus excerpts from the Sheriff's Log  

Indonesia is home to more than 17,000 islands, but its smallest are highly vulnerable to the impacts of climate change. The tiny community of Pari Island is facing multiple climate-induced threats, including to its entire existence.Four people on the island are now trying to launch a landmark legal case against a European cement giant over its historic carbon emissions.

Beau Martonik is with Derek Testerman, recording from their glassing/calling spot on a small island while moose hunting in Canada. Derek is a photographer and head brewer at Big Truck Farms. This unique podcast captures their first experience recording during the hunt, blending humor and camaraderie. They discuss their moose hunting strategies during the first few days of the hunt, navigating the dense woods, the cabin setup, and more.  Topics: 00:00:00 — Intro & Welcome: Derek Testerman 00:04:10 — Introduction to Wetfoot Island 00:05:27 — From Fanboying to Friends 00:11:12 — The Moose Hunt Strategy 00:16:00 — Encountering Wildlife 00:19:18 — Podcasting in the Wild 00:29:54 — The Cabin Setup 00:33:22 — Wrapping Up the Adventure Resources: Follow Derek - @derek.testerman ⁠⁠⁠⁠⁠⁠⁠ Instagram:   ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@eastmeetswesthunt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@beau.martonik⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook:   ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠East Meets West Outdoors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Hunting Gear and Apparel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.eastmeetswesthunt.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: Beau Martonik - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCQJon93sYfu9HUMKpCMps3w⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Partner Discounts and Affiliate Links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.eastmeetswesthunt.com/partners⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amazon Influencer Page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/shop/beau.martonik⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Lonely Island and Seth Meyers Podcast the guys are discussing Boombox from Season 35 Episode 17. But first some clarification on a few things from last week including The Spider League and the Tufted Titmouse, which is not a funny name at all. In addition to a great short, they also talk about the much missed Mondo Butts sketch with Jude Law that never aired. Have fun! Boombox (ft. Julian Casablancas) | https://youtu.be/8yvEYKRF5IA?si=YkZvCp3Na9CtoROS Tufted Titmouse | https://en.wikipedia.org/wiki/Tufted_titmouse The Spider League | https://thespiderleague.com/ Not all the clips we mention are available online; some never even aired. Send us an email: thelonelyislandpod@gmail.com Send us a voice note: https://www.speakpipe.com/thelonelyisland Send us stuff: P.O. Box 4024 New York, NY 10185 Photos and everything else can be found by following us on Instagram @lonelymeyerspod Support our sponsors: Wild Alaskan Get $35 off your first box of wild-caught, sustainable seafood—delivered right to your door. Go to: https://www.wildalaskan.com/ISLAND Wonderful Pistachios Grab a bag today. www.wonderfulpistachios.com AG1 Head to DRINKAG1.com/ISLAND to get a FREE Welcome Kit with an AG1 Flavor Sampler and a bottle of Vitamin D3 plus K2, when you first subscribe! Aura For a limited time, visit AuraFrames.com and get $45 off Aura's best-selling Carver Mat frames - named #1 by Wirecutter - by using promo code ISLAND at checkout. Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Summers is a prominent American economist who has held significant roles, including U.S. Treasury Secretary under President Bill Clinton, director of the National Economic Council under President Barack Obama, and President of Harvard University from 2001 to 2006. He is currently the Charles W. Eliot University Professor and President Emeritus at Harvard, where he continues to teach. Known for his influential, though often controversial, economic policy views, Summers has remained an active public voice until recently, serving on various boards including OpenAI, and as a paid columnist for Bloomberg NewsThe newest controversy stems from a trove of emails and text messages released by the U.S. House Oversight Committee, which revealed the depth of his continued communications with convicted sex offender Jeffrey Epstein from 2017 until just one day before Epstein's July 2019 arrest. The messages show Summers confided in Epstein, seeking his advice on pursuing a romantic relationship with a woman he described as a "mentee" and sharing sexist remarks and jokes with Epstein, who described himself in one message as Summers' "wing man" in the pursuit. In response to the backlash, Summers stated he is "deeply ashamed" of his "misguided decision to continue communicating with Mr. Epstein" and is "stepping back from public commitments". He has ended his fellowship at the Center for American Progress (CAP) and stepped down from the Yale Budget Lab advisory board but will continue his teaching duties at Harvard.to contact me:bobbycapucci@protonmail.com

Andrew is joined by Newsday reporter Ben Dickson to discuss Isles rookie Matthew Schaefer, plus more from the team's road trip.

Returning guest, Chicago film critic, and regular contributor to the Movie Madness podcast is back for a long overdue third appearance. His most memorable one being well over a decade ago when he took the pro-side on the infamous Brian De Palma episode. None other than the talented and hilarious Peter Sobczynski volunteered to discuss the (mostly) underrated works of satirist Michael Ritchie (no relation to Guy) who had a career with high highs and low lows.We talk mainly about three of his most under-appreciated films and skim through the majority of his filmography (despite the return to the old format change). Thank you so much Peter for coming back and stay tuned next month for another episode of B-Side Me and another returning Chicago film critic and podcaster as well to discuss another legendary comedy director!00:00 - 13:06 - Introduction with Peter (awards season is coming!)13:07 - 45:49 - Prime Cut + Early Ritchie45:50 - 01:16:50 - The Island 01:16:51 - 01:47:21 - Other Ritchie Titles01:47:22 - 01:58:02 - The Positively True Adventures…01:58:03 - 02:09:54 - Top 3 Ritchie Films / Outro Get full access to Director's Club at directorsclub.substack.com/subscribe

Patricia Wright, a pioneering primatologist who established the Centre ValBio research station in Madagascar, began her work there in 1986. As the person who first described the golden bamboo lemur (Hapalemur aureus) to Western science, her contributions led to the creation of Ranomafana National Park, now a UNESCO World Heritage Site. She joins the Mongabay Newscast to discuss her conservation breakthroughs and the challenges the island faces during political instability and widespread poverty. Wright has participated in the making of numerous documentaries over the years, including Island of Lemurs: Madagascar, narrated by Morgan Freeman, and recently Ivohiboro: The Lost Forest and Surviving Alone: The Tale of Simone. In this conversation, she describes key findings from the latter two films, including how Ivohiboro, a montane tropical forest surrounded by desert, was unknown to Western science until Wright set foot there in 2016. Films like these are a crucial part of marketing conservation, wildlife and places such as Madagascar, Wright says. "It plays a pivotal role in the public understanding what the real issues are. I think the films [are] very important to get across the idea that there is a biodiversity crisis." Take a minute to let us know what you think of our audio reporting, which you can do here. The Mongabay Newscast is available on major podcast platforms, including Apple and Spotify. All previous episodes are accessible on the Mongabay website. Image Credit: Diademed Sifaka (Propithecus diadema). Image by Rhett A. Butler/Mongabay. ------- Timecodes (00:00) Madagascar's biodiversity crisis (03:49) Establishing Ranomafana National Park (08:23) Surviving Alone: The Tale of Simone (17:22) Exploring the Ivohiboro rainforest (30:41) Challenges and solutions in Madagascar conservation (45:52) The importance of research stations

The PGA Tour season wraps up this week at the RSM Classic at Sea Island. Patrick comes off a solid week in Bermuda and goes in to the RSM just outside the top 100. He needs a high finish to keep full status on the Tour for 2026. Rob breaks it all down for us. Sponsored by Goldenwest Credit Union. 

Die Namen der ersten Siedler auf Island sind im Landnahmebuch erfasst. Aber wer überwinterte eigentlich als Erster auf der Insel? Und war das wirklich im Jahr 870? Von Wolfgang Meyer.

Larry Summers is a prominent American economist who has held significant roles, including U.S. Treasury Secretary under President Bill Clinton, director of the National Economic Council under President Barack Obama, and President of Harvard University from 2001 to 2006. He is currently the Charles W. Eliot University Professor and President Emeritus at Harvard, where he continues to teach. Known for his influential, though often controversial, economic policy views, Summers has remained an active public voice until recently, serving on various boards including OpenAI, and as a paid columnist for Bloomberg NewsThe newest controversy stems from a trove of emails and text messages released by the U.S. House Oversight Committee, which revealed the depth of his continued communications with convicted sex offender Jeffrey Epstein from 2017 until just one day before Epstein's July 2019 arrest. The messages show Summers confided in Epstein, seeking his advice on pursuing a romantic relationship with a woman he described as a "mentee" and sharing sexist remarks and jokes with Epstein, who described himself in one message as Summers' "wing man" in the pursuit. In response to the backlash, Summers stated he is "deeply ashamed" of his "misguided decision to continue communicating with Mr. Epstein" and is "stepping back from public commitments". He has ended his fellowship at the Center for American Progress (CAP) and stepped down from the Yale Budget Lab advisory board but will continue his teaching duties at Harvard.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

But there are many who did, why aren't we talking about them? The President seems agitated by the whole thing, but, he's putting it aside to meet with the Saudi Crown Prince.

Visiting the Statue of Liberty is often at the top of NYC visitors' lists of things to do, and with good reason. The Statue of Liberty and Ellis Island are two deeply important historical monuments that encapsulate a significant portion of New York City's history.But is it worth visiting the actual Statue of Liberty when you come to NYC?We're gonna answer that question and so much more in this article.Here's what we'll cover:Brief History of the Statue of LibertyVisiting the Statue of Liberty – Island Access vs Pedestal vs CrownEllis Island Overview + Hard Hat Tour ReviewCommon Statue of Liberty ScamsCheapest Ways to See the Statue of LibertyLet's look at them all below.

In 1962, Dunedin farmer Alan MacLeod said to his wife Joan and six kids, 'how about going for a drive'?' Little did they know the 'harebrained scheme' Alan had cooked up would see them travelling the world in a homemade house truck a year later. Alan's wanted to reconnect the family with their MacLeod ancestry on the Island of Skye in Scotland, and visit friends he had made fighting in the Italian campaign in World War II. With a few boat crossings, they did it all in their house truck 'Holdfast' built from a Ford tractor engine, a city bus cab and the chassis of an armoured scout car. The extraordinary story is told by Hannah MacLeod whose mother Marilyn was one of the six kids on board. Hannah interviewed her aunts and uncles, and trawled through diaries and old newspaper clippings to recreate the story in her recently published book Overland to the Island.

11-17 Murph & Markus Hour 1: The guys recap a 49ers blowout win vs the Cardinals as well as the Warriors beating the Pelicans while Markus brings you the weekends Hums during Hums and Bums LIVE from the Mana Kai hotel on the big Island of HawaiiSee omnystudio.com/listener for privacy information.

Jerry and Tracy discuss the infamous Sallie House in Kansas and talk about the creepy Island of Dolls in Mexico. We also have a touching interview with Nick Hall.