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Cassandra Nelson, author of "A Theology of Fiction," joins me to discuss the importance of pursuing Godly truths in a secular culture, as well as the need to provide wisdom through literature. - - - Today's Sponsor: ExpressVPN - Get 4 months FREE of ExpressVPN: https://expressvpn.com/klavan
The Brutalist heißt in Deutschland der Brutalist - wie einfallsreich. Ähnlich einfallsreich fällt auch diese Folgenbeschreibung hier aus. Mir reicht es nämlich langsam. Alle zwei Wochen sitze ich hier und schreibe wahllos Blödsinn, den vermutlich eh kein Mensch liest, nur um irgendwelche Keywords unterzubringen. Das sind in diesem Fall dann eben so Wörter wie The Brutalist, der Brutalist, Adrien Brody, Guy Pearce, Felicity Jones… ihr habts verstanden, nehm ich an. Könnt ihr euch vorstellen unter was für einem Druck ich hier eigentlich stehe? An mich wird hier bei all dem ja überhaupt nicht gedacht. Manchmal habe ich das Gefühl, weder der Algorithmus noch sonst irgendjemand interessiert sich für mich und das, was ich schreibe. Und dennoch bin dazu verdammt genau das immer und immer wieder zu tun - eine traurige Erkenntnis. Ebenso traurig sind übrigens auch die Erkenntnisse unseres Protagonisten in The Brutalist, der übrigens von Brady Corbet inszeniert wurde und bei der Oscarverleihung 2025 unter anderem als bester Film nominiert ist. Aber das hört ihr dann ja gleich alles in der Folge. Ich möchte mich an dieser Stelle noch bei allen bedanken, die bis hierher gelesen haben, denn ohne euch wäre ich nichts oder so. Ähnlich ergeht es auch Adrien Brody zwischenzeitlich in The Brutalist, weil er ohne seine Frau… _______________________________________ (00:00) Cold Opener & Intro (11:19) The Brutalist (49:35) Der Bauch des Architekten (01:01:32) Columbus (01:24:32) Twilight Of The Warriors: Walled In (01:50:31) Ausblick auf die nächste Folge (01:56:37) SPOILERTALK zu The Brutalist _______________________________________ Hier kannst du uns überall finden: iTunes/Apple Podcasts: https://apple.co/2TgWvY3 Spotify: https://spoti.fi/34jfB68 YouTube: https://www.youtube.com/c/JahierFilmePodcast RSS-Feed: https://jahierfilme.podcaster.de/ Instagram: @jahierfilme Linktree: https://linktr.ee/jahierfilme ______________________________________ Alle unsere Filme im Überblick: https://letterboxd.com/jahierfilme/lists/
sources for exclusive distinction in dates of Purim of unwalled and wallet cities, debate if walled is defined from days of Yehoshua or Shushan with sources, inclusion in walled cities, establishment of "menatzpech" letter's at end of words, establishment of Targumim of Torah and Nevi'im
Energy efficient heat pumps are revolutionizing home heating. So we wanted to know, can we install an air-source heat pump in a cabin with energy inefficient 2x4 walls? This is part 1 of that story that starts with an energy audit. Energy efficient builders hold tight to the maxim "envelope first" which means focus on improving insulation and other measure that reduce your energy needs first before looking at your mechanical systems. But what if you are on a budget? What if its a seasonal cottage? What if you can't spend tens of thousands of dollars on those improvements? We set out to answer these questions and to determine the limits of air-source heat pumps that are taking the world by storm these days. Learn more in our blog and video story and watch for part 2. GreenEnergyFutures.ca CKUA.com Podcast
On this week's show Will, Ian and Nora take a recommendation from Aaron AKA Suds, to enter a walled in city, seemingly hopeless and yet, like a flower on a highway, hope grows for those within, the gangs, the innocents, the barbers. Together they'll watch the planes fly above and sun go down in- TWILIGHT OF THE WARRIORS: WALLED IN (2024) R 126 minutes Directed by: Soi Cheang. Starring: Louis Koo, Sammo Hung, Richie Jen, Raymond Lam, Chun-Him Lao, Philip Ng, Tony Tsz-Tung Wu, German Cheung, Chung-Chi Cheung, Cecilia Choi and Many Other Talented People! 01:30- Frist Thoughts 06:30- Whatcha Been Watchin'? (Ian- Mufasa, Isle of Dogs, Surf Ninjas, Severance. Will- Silo, Once Upon a Time in the West. Nora- Lee, Shrinking.) 17:00- TWILIGHT OF THE WARRIORS: WALLED IN 21:00- Tasty Morsels 26:00- Rating/Review 54:30- Totals 56:00- Next Week/Bye! Patreon: patreon.com/THELastActionCritics Instagram: @TheLastActionCritics email: Thelastactioncritics@gmail.com Next Week: The Dirty Dozen (1967)
In this episode of the Negotiation Podcast, Todd Embley interviews David Nottingham, the EU General Manager for IPinYou, a leading Chinese martech company. David shares his journey from Southeast Asia to the ad tech world, discussing the unique challenges and opportunities within the Chinese digital ecosystem. He explains the workings of IPinYou, its proprietary technology, and how it compares to Western ad tech platforms. The conversation delves into the paid media landscape in China, the importance of audience data, and the rise of platforms like Xiao Hongxu. David also highlights the competitive nature of advertising in China and the regulatory environment that shapes the industry.TakeawaysDavid Nottingham has been with IPNU for seven years, leveraging his background in Southeast Asia.IPNU is a leading Chinese ad tech company with proprietary technology for media buying.The Chinese digital ecosystem is closed, requiring tailored ad tech solutions.Western companies face challenges entering the Chinese market due to regulations.Audience targeting in China relies heavily on device IDs rather than cookies.Xiao Hongxu has gained popularity as a social commerce platform in China.The competitive landscape in Chinese advertising requires unique data strategies.Walled gardens in China limit cross-platform advertising opportunities.The Chinese government is regulating super apps to reduce their market power.Understanding the nuances of the Chinese market is crucial for successful advertising.
In which the Mister joins me in reviewing TWILIGHT OF THE WARRIORS: WALLED IN (2024), from scriptwriters Kin-Yee Au, Tai-Lee Chan, Li Jun and Kwan-Sin Shum, from a comic book by Yi Yu, the film is directed by Soi Cheang. Gangs collide in this martial arts extravaganza. Broken and alone, a young man finds a sense of purpose and community in Kowloon Walled City. But unbeknownst to him he is the target of a gang lord's vengeance that threatens to destroy his new home. This film clocks in at 2 h and 6 m, is rated R and is currently streaming on Prime Video but also to buy/rent on Prime Video. Please note there are SPOILERS in this review. #TwilightOfTheWarriorsWalledIn #YiYu #SoiCheang #KinYeeAu #TaiLeeChan #LiJun #KwanSinShum #LouisKoo #Cyclone #SammoKamBoHung #MrBig #RichieJen #DikChau #RaymondLam #ChanLokKwan #ChunHimLau #Shin #PhilipNg #King#TonyTszTungWu #TwelfthMaster #GermanCheung #AV @PrimeVideo #FridayFamilyFilmNight Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library
In this episode, our friend John Wright discusses his predictions for the gaming industry in 2025, covering a range of topics from the rise of anime games to the impact of AI on game development. He emphasizes the importance of direct-to-consumer models and alternative stores while also addressing the challenges of privacy and user acquisition. He highlights the evolving gaming landscape and the strategies developers will need to adopt to succeed in the coming years. This is no BS gaming podcast 2.5 gamers session. Sharing actionable insights, dropping knowledge from our day-to-day User Acquisition, Game Design, and Ad monetization jobs. We are definitely not discussing the latest industry news, but having so much fun! Let's not forget this is a 4 a.m. conference discussion vibe, so let's not take it too seriously. Panelist: John Wright Youtube: https://youtu.be/UHDcP1jdYIk Join our slack channel here: https://join.slack.com/t/two-and-half-gamers/shared_invite/zt-2um8eguhf-c~H9idcxM271mnPzdWbipg Chapters 00:00 Introduction to Gaming Trends and Predictions 02:44 The Rise of Anime Games 05:11 Big Publishers vs. Small Studios 08:59 The Evolution of Hybrid Casual Games 11:53 Transmedia and Intellectual Property in Gaming 16:08 The Impact of AI on Game Development 20:43 The Future of Walled Gardens in Gaming 23:25 Privacy Challenges in User Acquisition 25:51 Direct-to-Consumer and Web Stores 28:10 The Emergence of Alternative Stores 31:31 The Potential of HTML5 Games --------------------------------------- Matej Lancaric User Acquisition & Creatives Consultant https://lancaric.me Felix Braberg Ad monetization consultant https://www.felixbraberg.com Jakub Remiar Game design consultant https://www.linkedin.com/in/jakubremiar --------------------------------------- Takeaways Anime games are experiencing a cultural shift and growing popularity. Big publishers are likely to dominate the market, pushing small studios to adapt. Hybrid casual games are evolving towards a more casual model. Transmedia and IP integration are becoming crucial for game success. AI is set to revolutionize game development processes. Walled gardens in gaming are becoming more prevalent and successful. Privacy concerns will continue to impact user acquisition strategies. Direct-to-consumer models are essential for profitability in gaming. Alternative app stores are gaining traction and offering new opportunities. HTML5 games present a significant opportunity for developers to reach new audiences. --------------------------------------- Please share the podcast with your industry friends, dogs & cats. Especially cats! They love it! Hit the Subscribe button on YouTube, Spotify, and Apple! Please share feedback and comments - matej@lancaric.me --------------------------------------- If you are interested in getting UA tips every week on Monday, visit lancaric.substack.com & sign up for the Brutally Honest newsletter by Matej Lancaric Latest article - https://open.substack.com/pub/lancaric/p/match-3d-ua-playbook-real-data-inside?r=7qqaf&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true Do you have UA questions nobody can answer? Ask Matej AI - the First UA AI in the gaming industry! https://lancaric.me/matej-ai Felix Latest Article - https://www.felixbraberg.com/post/the-end-of-gam-and-admob-placement-refreshes
Welcome back to Not A Bomb podcast, the show where we tackle cinema's biggest box office failures and decide if they deserve a second chance. Troy and Brad roundhouse-kick their way into the dojo this week to honor the undisputed champions of 2024's action-packed film scene. The dynamic duo starts by throwing down their top five action movies of the year, filled with all the judo chops, flying kicks, and bone-crunching brawls that 2024 had to offer. Once the dust settles, they turn their fists of fury toward Twilight of the Warriors: Walled In—a Hong Kong martial arts masterpiece that delivers more punches than a Jackie Chan highlight reel. If you crave flying kicks, hard-hitting punches, and non-stop adrenaline, this episode is a must-listen. The Not A Bomb podcast is ready to sweep the leg of any action movie fan! Twilight of the Warriors: Walled In is directed by Soi Cheang and stars Louis Koo, Sammo Hung, Richie Jean, Raymond Lam, Terrance Lau, Kenny Wong, Philip Ng, and Tony Wu. Don't forget to check out our Not A Bomb Tee Public store for all your favorite podcast merch! As always, we love your feedback, so hit us up at NotABombPod@gmail.com or leave a review on Apple Podcasts or Spotify. Let's keep saving cinema's forgotten treasures together. Cast: Brad, Troy
En mand på flugt fra modbydelige gangstere søger tilflugt i Kowloon: The Walled City. Et slumkvarter, der bedste kan beskrives som en ekstrem version af Christiania, blandet med Chinatown. Her finder han et nyt liv, men fortidens synder lurer, og snart er den stakkels mand fanget midt i et blodigt gangsteropgør. https://www.ikassenshow.dk/2024/12/i-kassen-1116-twilight-of-warriors.html
Took a shot on a pre-order that turned out to be great! ~ Twilight Of The Warriors: Walled In (2024) - 4K UHD Review ROCKFILE Podcast 716 #twilightofthewarriors #moviereview #rockfile ~ You can subscribe to my podcasts on Podbean, Spotify, Apple Podcasts, iTunes, Amazon Music/Audible, Google Podcasts, YouTube, iHeart Radio, Pandora, TuneIn, Alexa, Player FM, Samsung, Podchaser, Stitcher, Boomplay, Overcast, Pocket Cast, Castro, Castbox, Podfriend and Goodpods with more on the way. ~ -Join my group: https://www.facebook.com/groups/rockfilesroom -My Website: https://therockfile.com/ -My YouTube: https://www.youtube.com/@rockfile -Interview Archive: https://rockfileradio.com/Interviews/ ~ Support the podcast: New Patreon: https://www.patreon.com/rockfilesprojects Merch: https://rockfileradio.com/Shop/ Merch: https://davesdailylist.com/Shop/ ~ Music: "Teshio" by Niall Kearney Filmstro | Create custom royalty-free music in minutes https://filmstro.com/ ~
AdTechGod interviews Catherine Perloff from Adweek, exploring her journey into advertising journalism, the intersection of advertising and culture, and the constant change in ad tech. They discuss trends such as consolidation, transparency, and the challenges of fraud in advertising, as well as the impact of walled gardens and regulation on the industry. The conversation also touches on the influence of AI on journalism and content creation, emphasizing the importance of quality in an increasingly crowded digital space.TakeawaysCatherine transitioned from financial journalism to advertising to explore the intersection of business and culture.The advertising industry is evolving with a greater emphasis on creativity and technology.Consolidation in ad tech is leading to fewer players and more focus on transparency.Fraud and invalid traffic remain significant challenges in the advertising space.Walled gardens are dominating ad spend, raising concerns for open web publications.Regulation is slowly impacting how tech companies operate in the advertising space.The lack of visibility in programmatic advertising is a persistent issue.AI is changing the content landscape, but quality journalism remains essential.Mediocre content generated by AI can dilute the quality of information available online.The future of advertising will depend on balancing innovation with maintaining quality.Chapters00:00 Introduction to Ad Tech and Journalism02:07 Catherine's Journey into Advertising Journalism04:01 The Intersection of Advertising, Culture, and Technology07:51 Trends in Ad Tech: Consolidation and Transparency12:02 Challenges of Fraud and Quality in Advertising16:12 The Role of Walled Gardens in Advertising20:04 Regulation and Its Impact on the Industry23:51 The Influence of AI on Journalism and Content CreationMentioned in this episode:Sweet Suites
On this segment of "Real Talk", the Ring Gang crew review Twilight of the Warriors: Walled In & The Shadow Strays
On this segment of "Real Talk", the Ring Gang crew review Twilight of the Warriors: Walled In & The Shadow Strays --- Support this podcast: https://podcasters.spotify.com/pod/show/rgradio/support
In this episode, we explore how to identify and end dysfunctional patterns in marriage that hinder intimacy. We introduce the relationship grid, which helps couples understand their behaviors and reactions when triggered. The discussion covers the importance of self-esteem and boundaries, leading to an exploration of four quadrants that represent different relationship dynamics. By recognizing where they fall within these quadrants, couples can work towards healing and improving their relationships.Take a look at how to identify Dysfunctional Patterns in Marriage here: https://drive.google.com/file/d/1Wkbm7jrptbSDR7rAnlz1Afm6VNxiEE2U/view?usp=drive_linkTakeawaysUnderstanding dysfunctional patterns is crucial for intimacy.The relationship grid helps map out behaviors in relationships.Self-esteem impacts how we relate to ourselves and others.Healthy boundaries are essential for maintaining relationships.There are four quadrants that represent relationship dynamics.Boundaryless individuals often seek validation from others.Walled off individuals may struggle with intimacy and connection.Recognizing your quadrant can lead to personal growth.It takes one person to start breaking dysfunctional patterns.Small, consistent actions can lead to significant relationship improvements.
Pham and Jonesy talk about Twilight Of The Warriors: Walled In (2024)
Episode 91, The Fifth CourtA slightly longer than usual edition of Ireland's favourite podcast as our hosts delve into the light and shade of Arthur Mathews new book, 'Walled In By Hate: Kevin O'Higgins, His Friends and Enemies'. Arthur is well known as co-creator of Father Ted so naturally the talk starts with a chat about the modern sitcom masterpiece, and everybody's favourite Fr. Ted moments.However, more sombrely, the talk then turns to the subject matter of Arthur's latest book, former Minister for Justice, Kevin O'Higgins, who on July 1927, at just thirty-five years old, was assassinated on his way to Mass in Booterstown, Co. Dublin. A reviled figure for anti-Treaty republicans, O'Higgins became the target of particular venom for his vocal support of the Free State government's execution policy during the Civil War, which saw seventy-seven IRA men executed, including the best man at his wedding, Rory O'Connor.If you like this episode please make sure to pass it on to others, and of course, leave a five star review. Hosted on Acast. See acast.com/privacy for more information.
Walls profoundly shape the spaces we live in and the places we move through, impinge on our everyday lives, and entangle power relations, identity, and hierarchies. Walled-In: Arctic Housing and a Sociology of Walls (Lexington Books, 2024) explores these effects in the context of Arviat, Nunavut. Lisa-Jo Van den Scott lays out the inherent social processes, arguing that walls, in addition to concealing colonial power relations, are boundary objects, cultural objects, and technological objects. Van den Scott's ethnography of Arviammiut's (people of Arviat's) contemporary lived experiences reveals the ways in which Arviammiut are living in a foreign space, how this impacts their experiences, and how they exercise agency in navigating and reinventing these spaces in resilient and heterogenous ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Walls profoundly shape the spaces we live in and the places we move through, impinge on our everyday lives, and entangle power relations, identity, and hierarchies. Walled-In: Arctic Housing and a Sociology of Walls (Lexington Books, 2024) explores these effects in the context of Arviat, Nunavut. Lisa-Jo Van den Scott lays out the inherent social processes, arguing that walls, in addition to concealing colonial power relations, are boundary objects, cultural objects, and technological objects. Van den Scott's ethnography of Arviammiut's (people of Arviat's) contemporary lived experiences reveals the ways in which Arviammiut are living in a foreign space, how this impacts their experiences, and how they exercise agency in navigating and reinventing these spaces in resilient and heterogenous ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Walls profoundly shape the spaces we live in and the places we move through, impinge on our everyday lives, and entangle power relations, identity, and hierarchies. Walled-In: Arctic Housing and a Sociology of Walls (Lexington Books, 2024) explores these effects in the context of Arviat, Nunavut. Lisa-Jo Van den Scott lays out the inherent social processes, arguing that walls, in addition to concealing colonial power relations, are boundary objects, cultural objects, and technological objects. Van den Scott's ethnography of Arviammiut's (people of Arviat's) contemporary lived experiences reveals the ways in which Arviammiut are living in a foreign space, how this impacts their experiences, and how they exercise agency in navigating and reinventing these spaces in resilient and heterogenous ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Walls profoundly shape the spaces we live in and the places we move through, impinge on our everyday lives, and entangle power relations, identity, and hierarchies. Walled-In: Arctic Housing and a Sociology of Walls (Lexington Books, 2024) explores these effects in the context of Arviat, Nunavut. Lisa-Jo Van den Scott lays out the inherent social processes, arguing that walls, in addition to concealing colonial power relations, are boundary objects, cultural objects, and technological objects. Van den Scott's ethnography of Arviammiut's (people of Arviat's) contemporary lived experiences reveals the ways in which Arviammiut are living in a foreign space, how this impacts their experiences, and how they exercise agency in navigating and reinventing these spaces in resilient and heterogenous ways. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on the negotiation of identity and place for residents at the neighborhood level. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Listen in awe as your two humble hosts discuss the important matters of the day: spooky action at a distance, long Scrabble words, WIzard Cities, and every man's dream of seeing their father as an animated skin suit. Enjoy!Season 5, episodes:E26 - Wizards Only, FoolsE28 - Be More
Bronco comes up with the idea of building a wall around his yard to keep the kids from bothering the Great Gildersleeve. But Gildy says no, please don't build a wall, I love the little darlings. That is till the darlings get into everything at Gildy's house and yard and make a mess. Build that wall is the cry Gildy now says. And it's the demand of our nation as we are still waiting for that beautiful wall to stop the massive invasion of illegals. Your Humble Host is ready for both the wall and Volume 176 of Sounds Like Radio. Joining in the demands for a wall are Jim Reeves, Joni James (that's her picture with our show), Dean Martin, Gogi Grant, Bing Crosby, Ella Fitzgerald & Phil Harris.
Today on the 5: I've been hearing and reading good things about Twilight Of The Warriors: Walled In for a while now, so I was thrilled to see it hit VOD. I rented it for an absurdly good price, watched it, and now I'm ready to add my review to the others already gushing about it!
We're in close quarters today, Screamers. The latest from Kit Zuahar is a delicious look at intimacy; 'Twilight of the Warrior' is a kick-ass Hong Kong action flic, and Gregg Araki's 'Kaboom' ranks higher for us than 'Smiley Face.' Hope you enjoy. Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_
Giles Godfrey from Keythorpe Hall in Leicestershire joins Geoff and Rory in the first part of a Harvest Special to discuss walled kitchen gardens. You can learn more about Keythorpe Hall at https://www.keythorpehall.co.uk/Remember to send questions for our Q&A episodes to admin@thecountryhousepodcast.com
In this special live episode, Jeff and Phil host a post-screening Q&A with Philip Ng, star of the hit Hong Kong action movie Twilight of the Warriors: Walled In. He talks about the film's epic throwback to old school action cinema, the fun of playing a wild card villain like King, working alongside legends like Sammo Hung, and who got injured during the filming of Walled In (and why it was kind of Philip's fault). Special thanks to IW Group and Well Go USA.
“But then we realized that the best way to show this wine and the best place to show this wine was really in front of a vineyard. And my father lived his life traveling all over the world, bringing Prosecco to people, but in Venice, there's people who take planes from all over the world to come to visit Venice.” We're in great company with Matteo Bisol of the famed Prosecco family, who have been leaders in this winemaking practice for 5 centuries, producing what is widely regarded as one of the most sought-after wines in the world through their “walled vineyard” in the heart of the Venetian Lagoon. After Matteo's father discovered and restored this estate, Matteo stepped up to the table, inviting guests from around the world to stay, dine, sip and savor the charm of the canals, the colors of Burano, and the peacefulness of the estate, as if it were their own. In this episode, Matteo graciously shares with us his family's secret garden, a place where travelers can sip one of the world's finest wines, indulge in avant-garde dishes, and experience the authenticity and history of Venice. Top Takeaways [2:00] Matteo takes us back to his tasteful childhood - enjoying Sunday family lunches in the vineyards talking about wine with his grandfather, traveling throughout Italy and France with his father meeting other grape growers and winemakers, sipping some of the world's finest wines since the early age of ten. [4:10] Since 1542, the Bisol family has been growing grapes and making wine in the UNESCO protected Prosecco Hills of Italy. They are the reason Prosecco is known around the world today as an easier to drink, more fruit forward alternative to Champagne. [7:40] How Gianluca stumbled across a dried up vineyard behind the garden walls of the oldest church in Venice, discovering centuries ago that wine was made in Venice with a grape variety, the Dorona, that can only be found in the Venetian Lagoon. [15:20] Sustainability has always been critical to life in the lagoon and today, Venissa offers a way for travelers to slow down, stay at, dine in, and learn from the practices that these farmers, fishermen, artisans and makers have been stewarding for centuries. [19:05] The Bisol's invite travelers to experience the island of Burano - a fisherman village known for its colorful houses that reflect on the waters of the canals - in a way that is free from crowds of tourists, gimmicky souvenirs, and fake Italian food. [23:40] Listen to Matteo's perspective on tourism in Venice…the good, the bad, and the ugly turned beautiful. [33:40] How the terroir of Venissa, “the walled vineyard that has withstood the salt and high flood waters for centuries” gives life to a wine with characteristics found nowhere else in the world. [40:35] Dine In Good Company at Ristorante Venissa, where a taste of ‘cucina ambientale' is awarded both a Michelin Star and Green Michelin Star, or Osteria Contemporanea, where the flavors of the Venetian lagoon meet the creative cuisine of Venissa. [44:00] As the next generation, Matteo's future brings him home to the Prosecco Hills where he is restoring an old winery to give travelers a taste of his innovative natural wine project MONBON. Notable Mentions Ristorante Venissa Chefs Chiara Pavan & Francesco Brutto Col Fondo Prosecco “Chi dorme non piglia pesci,” meaning “He who sleeps doesn't catch fish.” Visit For Yourself Venissa Website | @venissa_tenuta Casa Burano Website | @casaburano MONBON Website | @mon__ban @matte_intothewine Stay In Good Company Website
Insert Robert Pattinson jokes here. No we're above that. After all it's HK's second highest grossing movie. People pay good money to see Philip Ng destroy motorcycles with his foot. ---
Patches and Da7e are the two FITWR hosts back from August vacations so they get together to discuss a number of topics like: Dave's BirthdayPatches Has No TattoosDave's Twin Peaks TattooLilo And StitchDeadpool & WolverineMarvel PanicTrapWhat is M. Night Shamalayn doing?Twilight of the Warriors: Walled InBorderlandsWhy don't people like House of the Dragon?Rings of Power […]
Send us a Text Message.7:38 Borderlands23:07 Cuckoo36:07 Twilight of the Warriors: Walled In43:54 Good One53:17 Running on EmptyOn this week's 'Roger (Ebert) & Me,' an imitation 'Siskel & Ebert' movie review show that keeps 'At The Movies' alive, film critics Brett Arnold of The New Flesh & markreviewsmovies.com's Mark Dujsik take on five (5) new release movies out in theaters and streaming the week of Friday August 9th 2024 (08/09/2024).Check out markreviewsmovies.com for several more movies reviewed by Mark. Brett's a slacker!For more on CUCKOO, check out The New Flesh, Brett's other show, out on Monday. Thank you to Banshee Beat for the incredible original theme song. Alien Ant Farm's music video for 'Movies' closes the show. And thanks to Mary Houlihan for the killer hand-drawn artwork."Roger (Ebert) & Me" is a celebration of the late, great Roger Ebert, aiming to keep his unique spirit of film criticism alive by reviewing new movies in the easily digestible format that he pioneered. In other words, it's a movie review podcast. A podcast for regular moviegoers and people who like to keep up with new release movies.Every Friday, join Brett and veteran film critic Mark Dujsik as they review all the movies set for theatrical or streaming release that day and let you know if they're worth your time and money.
Walled cities
Udayan Bose is the Founder & CEO of NetElixir, has been driving success for retail businesses online for nearly 20 years. With a focus on the digital retail space, NetElixir uses proprietary technology, strategic growth models, and expert campaign management services to deliver exceptional results for their 600+ retail clients worldwide. Udayan's determination has earned NetElixir partnerships with industry leaders like UPS, Google, and Bing. Udayan is also a regular lecturer at top universities and has been featured in prestigious online journals such as The New York Times, Forbes, AdWeek, and more.In This Conversation We Discuss: [00:44] Intro[02:01] Recounting early success with first innovation[02:33] The power of the internet through experimentation[03:25] Helping retail Ecommerce brands grow predictably[04:58] Making search work with mathematical precision[06:33] Meeting key players in ecommerce success[07:45] Building strong client partnerships[08:23] Recalling Google's milestone with Google Shopping[09:35] Envisioning the future with generative AI[11:24] Strategizing amid changing data landscapes[12:33] Adapting to the new era of restricted data sharing[13:13] Strategizing with limited data access[14:25] Walled gardens for integrated social commerce[15:49] The era of retail media networks[17:14] Exploring AI's role in future data access[18:11] Preparing for diminished data availability[18:57] Mastering rapid adaptive experimentation[20:15] Leveraging AI for predictive customer insights[21:22] Democratizing SEO and SEM with free tools[23:06] Supporting SMBs with innovative solutions[24:50] Discovering who links to your site[25:35] Humbling moments: OpenAI's impact on tech giants[27:03] The impact of disruptive innovation[28:19] ChatGPT's impact on business strategies[29:49] Crafting effective prompts for ChatGPT[30:34] Leveraging AI skills for competitive advantage[31:31] Navigating the age of abundance with AIResources:Subscribe to Honest Ecommerce on YoutubeEcommerce digital marketing agency in Princeton, New Jersey netelixir.com/Follow Udayan Bose linkedin.com/in/netelixirudayanbose/If you're enjoying the show, we'd love it if you left Honest Ecommerce a review on Apple Podcasts. It makes a huge impact on the success of the podcast, and we love reading every one of your reviews!
In July 1927, Kevin O'Higgins, the Minister for Justice, was assassinated on his way to mass in Booterstown. Now, a new book explores this complex story. Joining Seán to discuss is Arthur Matthews, Author of ‘Walled in By Hate: Kevin O'Higgins, His Friends and Enemies'.
On this episode of Six Five On The Road, hosts Dave Nicholson and Lisa Martin are joined by Kalray's CEO, Eric Baissus, for a conversation on how Kalray, along with its collaboration with Dell, is revolutionizing AI performance and efficiency through high-density storage solutions. Our discussion covers: Kalray's strategic partnership with Dell and the value it brings to AI innovators The critical role of data acceleration in AI and the blend of hardware and software to achieve it Exciting announcements from Kalray at this year's Dell Tech World The debate on "Walled garden" vs. "Open" approaches in supporting AI solutions Kalray's collaboration with Solidigm and its impact on the Dell-Kalray offering Learn more at Kalray.
It was always as much as an intervention as it was a hotel. When Banksy opened the Walled Off Hotel in Bethlehem in Palestine in the West Bank in 2017, it was met by both amazement and a bit of shock. In what, in a way, like, "Wait, he opened an actual hotel in the West Bank? By the wall? How did he get that done?" And of course there was the simple: "I want to go. Can I go? Is it safe? I need to go." But there were also more vital questions and anwsers that the hotel offered: what is the history of this region? What is the West's role in this history? The year 2017 was important as it marked the 100 years since the "British took control of Palestine and helped kick start a century of confusion and conflict." And of course in true Banksy fashion, he noted, "At the time of writing there are no special events being planned to mark the occasion." This was a real hotel, with real world implications in a region occupied by Israel with wartime conditions dominating the consciousness of the people there. For Banksy and Walled Off Hotel manager, Wisam Salsaa, this was the opportunity to tell the story of a people, a region and a culture. After our Israel-Palestine episode at the end of 2023, Radio Juxtapoz wanted to return to the stories of the region but also highlight those who help give Palestinian artists a voice and platform. Wisam, for his years as a tour guide in Bethlehem and now the manager of the Walled Off Hotel (which, of course, is currently closed), helped make Banksy's vision for the hotel come to life and continued to operate it through the following years. In this episode, Jux editor Evan Pricco speaks to Wisam about the creation of the Walled Off, the artistic culture in the West Bank, how street art brought international attention to the region and how Banky changed the way many in the West began to think about its role in the history of Palestine. You can follow the Walled Off Hotel at @walledoffhotel The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 140 was recorded in May 2024. Follow us on @radiojuxtapoz
Vin Arfuso is a Palestinian-Italian producer and director of 'Walled Off,' a film documenting the Palestinian plight for freedom and equality, challenging the bias and propaganda in mainstream media. We chat about the film (duh), the history of zi*nism, and a bunch of other goofy shit. Enjoy psychos! Watch ‘Walled Off' https://tv.apple.com/us/movie/walled-off/umc.cmc.3yhvcb237wfr67m6a4f9w3oci https://www.walledoff.org/ https://www.instagram.com/vinarfuso https://www.instagram.com/noore https://www.instagram.com/arabamericanpsycho Listen to exclusive solo episodes of AAP https://www.patreon.com/arabamericanpsycho
147 Gina, a client who worked with me in Treasured, had been totally disconnected from her husband and lonely in her marriage for 20+ years. The connected intimacy we love as sensitive people? There wasn't any of it. She wasn't sure she could change things much after all those years, or how totally disconnected they were, but she was clear she didn't want her life to feel that way forever, and so she dove into the work.Low and behold, as you'll hear, nowadays she and her husband are really connected and even quite affectionate with each other (they started to be just several weeks into our work together). And as she led the way in reconnecting, her husband started joining her in building more and more intimacy between them, so now building and enjoying more and more connection is a totally mutual thing for both of them. How did she do it? Listen in and she will tell you!In our conversation, Gina opens up about what things were like with her husband for so long, why and how she completely – and quite quickly – changed things between them, and what the biggest keys were for her that made all of this possible. Listen in to get a dose of hope and inspiration, and hear some great marriage and emotional well-being wisdom from this highly sensitive connection maestro!SHOW NOTES:Learn about or enroll in Treasured, Hannah's marriage coaching program for highly sensitive women, here. ENJOYING THE SHOW?Get the Podcast Map , so you can quickly identify the episodes most helpful for your unique relationship, by supporting the podcast (for as little as $3) HERE. Don't miss an episode! Subscribe via Apple Podcasts, Spotify, or Stitcher. Leave a review in Apple Podcasts--we are SO grateful!
Egypt is constructing an eight-square-mile walled enclosure in the Sinai Desert to house up to 100,000 refugees fleeing the battle for the southern Gaza city of Rafah. 5) Egypt doesn't want Gazan refugees; 4) Special prosecutor investigating Hunter Biden charges FBI confidential source with lying about the Bidens; 3) Researcher finds puberty blockers has negative effect on IQ; 2) Drive to Net-Zero pulling plug on the future; 1) Researchers discover simple solution recovers 97% of cobalt from used electronics: Urine and vinegar. FOLLOW US! Twitter X: @SkyWatch_TV YouTube: @SkyWatchTVnow @SimplyHIS @FiveInTen Rumble: @SkyWatchTV Facebook: @SkyWatchTV @SimplyHIS @EdensEssentials Instagram: @SkyWatchTV @SimplyHisShow @EdensEssentialsUSA TikTok: @SkyWatchTV @SimplyHisShow @EdensEssentials SkyWatchTV.com | SkyWatchTVStore.com | EdensEssentials.com | WhisperingPoniesRanch.com
Straight walled cartridges have been around for over 150 years. So the technology isn't new, but it has evolved considerably in recent years. That evolution has lead to some state wildlife agencies opening up straight walled specific deer seasons or at least having them coincide with the usual black powder or shotgun seasons. On this [...]
Stone gets walled, Cole gets clipped, and Crosby shares his thoughts on Player Safety. Todd and Josh also tackle an illegal headshot from Pospisil on Perfetti, a legal high stick, listener email on 'game management', and a 25-game suspension in the WHL. Visit scoutingtherefs.com and follow @scoutingtherefs and @toddlewissports on Twitter/X, Instagram, and Threads. Email us your questions - heyref@scoutingtherefs.com Questions? Comments? Just looking to vent? Call the RefLine and leave us a message at 585-484-REFS! Learn more about your ad choices. Visit megaphone.fm/adchoices
Sermon Series: Why Church? Why Now?The Reverend Jamison Wayne Gal
Dr. Amrita Sethi, MD, MASGE, Professor of Medicine, Director of Interventional Endoscopy, and Program Director at the Advanced Endoscopy Fellowship Division of Digestive and Liver Diseases at Columbia University Medical Center, shares her insight into managing patients with pancreatic fluid collections and Walled Off Necrosis (WON). Dr. Sethi is a paid consultant of Boston Scientific.
A huge thanks to Seth White for the awesome music! Thanks to Palmtoptiger17 for the beautiful logo: https://www.instagram.com/palmtoptiger17/ Facebook Page: https://www.facebook.com/thewayfourth/?modal=admin_todo_tour YouTube: https://www.youtube.com/channel/UCTd3KlRte86eG9U40ncZ4XA?view_as=subscriber Instagram: https://www.instagram.com/theway4th/ Kingdom Outpost: https://kingdomoutpost.org/ My Reading List Goodreads: https://www.goodreads.com/author/show/21940220.J_G_Elliot Propaganda Season Outline: https://docs.google.com/spreadsheets/d/1xa4MhYMAg2Ohc5Nvya4g9MHxXWlxo6haT2Nj8Hlws8M/edit?usp=sharing Episode Outline/Transcript: https://docs.google.com/document/d/131_02boxbdq67ynpxH4qTo08lhpHWJKEdPsXRC0Z2xk/edit?usp=sharing Manipulating the Masses: https://www.goodreads.com/book/show/53232641-manipulating-the-masses?ac=1&from_search=true&qid=H9uIM5Aqi4&rank=1 C.D. Jackson: https://www.goodreads.com/book/show/18968778-c-d-jackson?ac=1&from_search=true&qid=4v8VJbnSUA&rank=4 The Brass Check: https://www.goodreads.com/book/show/54850.The_Brass_Check?ac=1&from_search=true&qid=31QD9Z05ST&rank=1 What to the Slave is the 4th of July: https://www.blackpast.org/african-american-history/speeches-african-american-history/1852-frederick-douglass-what-slave-fourth-july/ Dawn of Everything: https://www.goodreads.com/book/show/56269264-the-dawn-of-everything?ac=1&from_search=true&qid=f8V35Ghqol&rank=1 War is a Racket: https://www.goodreads.com/book/show/198259.War_is_a_Racket?ac=1&from_search=true&qid=hAmz9Yhokm&rank=1 Taking the Risk Out of Democracy: https://www.goodreads.com/book/show/1120159.Taking_the_Risk_Out_of_Democracy?ac=1&from_search=true&qid=dXT2Mj1LU2&rank=1 The Fine Print song: https://www.youtube.com/watch?v=vvANy49Kqhw The Technological Society: https://www.goodreads.com/book/show/274827.The_Technological_Society?ac=1&from_search=true&qid=rgzFLjmZo6&rank=2 Propaganda: https://www.goodreads.com/book/show/274826.Propaganda?ac=1&from_search=true&qid=MJ0Jt4z7sR&rank=1 Supreme Injustice chapter on Citizens United: https://www.goodreads.com/book/show/110285.Supreme_Injustice?ac=1&from_search=true&qid=HesBhL4UNC&rank=1 The Protestant Ethic and the Spirit of Capitalism: https://www.goodreads.com/book/show/74176.The_Protestant_Ethic_and_the_Spirit_of_Capitalism?ac=1&from_search=true&qid=FMaV9bgi7L&rank=2 Corruption is legal in America: https://www.youtube.com/watch?v=5tu32CCA_Ig&t=248s The Persuaders: https://www.youtube.com/watch?v=GRv8syM-zy8 HUME QUOTE: Nothing appears more surprizing to those, who consider human affairs with a philosophical eye, than the easiness with which the many are governed by the few; and the implicit submission, with which men resign their own sentiments and passions to those of their rulers. When we enquire by what means this wonder is effected, we shall find, that, as Force is always on the side of the governed, the governors have nothing to support them but opinion. It is therefore, on opinion only that government is founded; and this maxim extends to the most despotic and most military governments, as well as to the most free and most popular. The soldan of Egypt, or the emperor of Rome, might drive his harmless subjects, like brute beasts, against their sentiments and inclination: But he must, at least, have led his mamalukes, or prætorian bands, like men, by their opinion.DOUGLAS QUOTE: But a change has now come over the affairs of mankind. Walled cities and empires have become unfashionable. The arm of commerce has borne away the gates of the strong city. Intelligence is penetrating the darkest corners of the globe. It makes its pathway over and under the sea, as well as on the earth. Wind, steam, and lightning are its chartered agents. Oceans no longer divide, but link nations together. From Boston to London is now a holiday excursion. Space is comparatively annihilated. -- Thoughts expressed on one side of the Atlantic are distinctly heard on the other.The far off and almost fabulous Pacific rolls in grandeur at our feet. The Celestial Empire, the mystery of ages, is being solved. The fiat of the Almighty, "Let there be Light," has not yet spent its force. No abuse, no outrage whether in taste, sport or avarice, can now hide itself from the all-pervading light.SELECTED WIMBERLY QUOTES: - Most individuals are quick to note that they are no dupes and harbor many suspicious and critical thoughts about propaganda. But, in trying to evaluate the impact of propaganda, it has to be remembered that propagandists have almost no interest in the individual. Propagandists focused on mass subjectivities—human beings in their collective social relationships and actions. It is perfectly possible that an individual might feel as an individual that she is critical and little impacted by propaganda: after all, does not she know that it is all smoke and mirrors? However, what we are judging is not what the individual thinks but what the public does. An individual may think whatever she wants, but if in her collective actions (e.g., as an 18- to 34-year-old television watcher, an automobile consumer, or a corporate or university worker) she acts in the collective fashion the propagandists create (e.g., watches the television, buys a nice midsized SUV, or completes the university administration–mandated course assessment work), then what do the rebellious thoughts of the individual matter to the propagandist who is measuring TV viewership, automobile sales, or how well a university serves its core customer base? Put otherwise, the propagandist seeks to forge mass subjectivities, which it calls the publics, to carry out the conduct their clients want, not to focus on the beliefs of individuals: “Very frequently propaganda is described as a manipulation for the purpose of changing ideas or opinions… . This is completely wrong… . The aim of modern propagandist is no longer to modify ideas, but to provoke action.”If the terms of mass subjectivities, large groupings of psychologically bonded individuals, give no room for those individual rebellions to crystallize into collective social action but instead reliably lead to the conduct corporations want, then one can perfectly well feel as an individual untouched, critical, or even radicalized but nonetheless still remain massively governed. In fact, isn't it all the better that individuals believe themselves ungoverned, critical, and unaffected if that results in complacency and a lack of motivation for action? The point is that the thoughts of the individual and the conduct of the publics have to be distinguished: though one might feel critical as an individual, the question is how social and public relationships of subjects are constituted and conduct themselves. If a radical still buys the dress, movie ticket, or 12-piece dinner set, what does it matter that it is a radical who buys it when there is no room for that radicalism to manifest itself in the public? Propagandists would tell us that the appropriateness of the language of subjectification versus modification has to be judged at the level of the conduct of the public, not at the level of the thoughts of the individual.- Certainly, authors like Stanley (epistemological interpretation) and Marcuse (ideological interpretation) are both correct insofar as propaganda does lie and repress. However, I will argue that these functions are subsidiaries of a much more threatening function of propaganda: its ability to shape human beings' “body and soul and spirit” in the quest to produce the relationships that would sustain corporate growth.1The stakes in misinterpreting propaganda are high. If you take propaganda to present a problem of belief, then the solution is to replace false belief with true. If you take propaganda to be ideological, covering over true human desire with false and destructive desires, then the solution is to recover true desire and banish the chimera of the false. Both of these ways of interpreting propaganda place true belief or true desire as the untouched savoir of contemporary life; the true remains present and unaltered whatever the deceptions propagandists foment and it is the critic's job to recover them. But if the aim of propaganda is to produce new subjects who will cooperatively and spontaneously adopt the wanted relationships with corporations, then there is no going back: the subject is not deceived but transformed, and the task of combatting propaganda will not be best conceived as a project of enlightenment but of subjectivation. The future will have to be created by producing new subjects and not through recovering what has been supposedly hidden but is better described as lost. Without grasping the impact of propaganda, attempts to counter it are unlikely to be effective.- For instance, when Bernays wanted to get women to smoke Lucky Strikes, he had to change not only the image of cigarettes but also the self-image of the women who would smoke them. Bernays and psychoanalyst A. A. Brill determined that women would smoke if cigarettes if women viewed themselves as crusaders for liberation and the cigarette was positioned as a symbol of equality, freedom, and pleasure. To get women to smoke, Bernays guided women into thinking of smoking as an act of defiance and empowerment that would make them revolutionaries. Every woman could conceive of herself as contributing to women's liberation, just by smoking a Lucky Strike. Bernays kicked off this campaign on Easter Sunday in 1929, when he recruited women to break the law against public smoking by women in New York by smoking Lucky Strikes in the Easter Day Parade. He used this symbolic gesture to link smoking to the liberation of choice, pleasure, and voice and as an act of resistance against patriarchy. Feminist Ruth Hale encouraged women to join in, saying, “Women! Light another torch of freedom! Fight another sex taboo!”72 The aim was to get women to regard themselves and cigarettes differently such that women would form the relationship to cigarettes that Lucky Strike wanted (e.g. as avid and fierce consumers)...Bernays wanted to redirect drives—the true drives—to point at new ends; he did not falsify desires but rechanneled them from their source. He created objects of desire as true as any by working with their unconscious sources. Thanks to our monthly supporters Michael de Nijs ★ Support this podcast on Patreon ★
Subscribe to my YouTube channel: http://bit.ly/RonSpomerOutdoorsSubscribe Welcome to the Ron Spomer Outdoors Podcast! In this episode, I answer listener questions about straight-walled cartridges, the flattest shooting cartridges, and more! Links: Blog Post - https://www.ronspomeroutdoors.com/blog/flattest-shooting-rifle-cartridges-by-caliber Website: https://ronspomeroutdoors.com/ Facebook: https://www.facebook.com/ronspomeroutdoors Instagram: https://www.instagram.com/ronspomer/ Patreon: https://www.patreon.com/RonSpomerOutdoors Who is Ron Spomer For 44 years I've had the good fortune to photograph and write about my passion – the outdoor life. Wild creatures and wild places have always stirred me – from the first flushing pheasant that frightened me out of my socks in grandpa's cornfield to the last whitetail that dismissed me with a wag of its tail. In my attempts to connect with this natural wonder, to become an integral part of our ecosystem and capture a bit of its mystery, I've photographed, hiked, hunted, birded, and fished across much of this planet. I've seen the beauty that everyone should see, survived adventures that everyone should experience. I may not have climbed the highest mountains, canoed the wildest rivers, caught the largest fish or shot the biggest bucks, but I've tried. Perhaps you have, too. And that's the essential thing. Being out there, an active participant in our outdoor world. Produced by: Red 11 Media Disclaimer All loading, handloading, gunsmithing, shooting and associated activities and demonstrations depicted in our videos are conducted by trained, certified, professional gun handlers, instructors, and shooters for instructional and entertainment purposes only with emphasis on safety and responsible gun handling. Always check at least 3 industry handloading manuals for handloading data, 2 or 3 online ballistic calculators for ballistic data. Do not modify any cartridge or firearm beyond what the manufacturer recommends. Do not attempt to duplicate, mimic, or replicate anything you see in our videos. Firearms, ammunition, and constituent parts can be extremely dangerous if not used safely. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fr. Ryan preached this homily on January 29, 2023 at St Basil the Great Catholic Church in Brecksville, OH. The Sunday readings are from Zep 2:3; 3:12-13, Ps 146:6-7, 8-9, 9-10, 1 Cor 1:26-31 & Mt 5:1-12a.
When it comes to making purchases, we are often faced with a conflict between our emotional and logical sides. How we balance these two competing forces can determine our success or failure when it comes to spending. I had my wallet out, ready to spend almost $1500, and today I share how I identified my emotional and logical sides in the conflict and used logic to save my money for something better. My Video Progression I started with a Logitech C920 and upgraded to the Elgato Facecam. The Facecam had a better picture and NO MICROPHONE (so no accidental recordings using the camera microphone). I later I upgraded to the Sony VZ-1. Why? Because YouTube told me that this was THE best camera for the new YouTuber/Content creator. Also, it had a button that MADE THE BACKGROUND BLURRY. I'm not making that up. With the press of ONE button, the background would be BLURRY. OMG! So I had to get it even though it was $900. I bought it on a payment plan but avoided paying any interest. A little over a year the Sony ZV-10 came out, and not only did it have the one-button blurry mode, but you could also CHANGE LENSES. Again, YouTube erupted, letting me know that THIS, yes, THIS was THE camera. I was THIS CLOSE to buying this camera, and then I saw another video because as I could switch lenses, I had to figure out what was the best lens. The one lens that made the Youtube host just look dreamy cost $400. Wait, does that say $400? So $800 for the camera and $400 for the lens is $1200, but the other lens, and this and that. QUESTION 1: Do I NEED this, or do I WANT THIS? I thought about it. What happens if I didn't buy this camera? Were my videos on YouTube suffering? After all, I've been making videos for years without a blurry background and I have attracted 3000 subscribers. So apparently, you do not NEED a Blurry background. QUESTION 2: Who does this benefit and how? Does this benefit your or our audience, and if so, how? Well, as I already had the ability to blur my background, there only perc was the ability to switch lenses. Have I run into something where I wanted to change lenses and couldn't? No. Then why am I buying it? Is it easier to use? Slightly, but you will still need to unplug and replug in the cable, which frustrates me. So I'm going to spend $1400 to pay for a feature that I will not need. With that, I put my credit card back in my wallet. BE CAREFUL PAYING FOR FLEXIBLE FEATURES YOU CAN GROW INTO I once signed a year-long contract with Vidyard. Why? Because it had TONS of features that I MIGHT use. After all, I could see how far people watched my video. What was I trying to do? Make video messages I could email to my students and clients. It turned it this would do it, but I found their interface clunky, and when I found a way to really use it, they wanted me to upgrade. After my contract was over, I found LOOM, and it does exactly what I need it to do for a FRACTION of the cost. Don't spend money on features you will never use. OTHER ITEMS THAT HELPED I've never had someone tell me, "You have to watch this video; the background is BLURRY." HAVE YOU FALLEN INTO THE TRAP? Maybe instead of spending so much TIME concentrating on your background, MAYBE we should focus more on what you are saying in the microphone. WHY PEOPLE UPGRADE MICROPHONES AND VIDEO ITEMS I understand that sometimes we don't feel confident with our voice, but in many cases upgrading from one microphone to another doesn't make that much difference (especially once you get over $100). But I understand that if you would feel more confident behind the microphone if you like your voice, it may be worth the upgrade. Just realize this: Unless your microphone and sound is HORRIBLE, getting a new microphone won't grow your offense. Your content will. Now, if your content is noticeably better because you are more confident, then maybe it's worth the money. CONCLUSION AND BONUS QUESTIONS 1. Is this a WANT or a NEED? 2. Who benefits from this purchase? 3. (bonus) What happens if you don't make this purchase (this helps identify if you need this or want it). 4. Are the features of the product something you WILL put into practice? WHY I AM STILL NOT A FAN OR ANCHOR.FM In the past Anchor.fm would submit your show to Apple, Google, and Sticher "For you" and "Forgot" to mention that you would lose access to stats on those platforms (oops!). I could go on for hours, but why I wanted to bring this up is they don't do this anymore. Does this mean I now recommend them? No. Why? Well, here are some old and new reasons. 1. They are still free, and MANY free media hosts have gone out of business (some after burning through MILLIONS of dollars). So I don't want to build my show on something that is just using a bad business model. 2. If you upload an mp3 file and use their advertising tools, they change their file to an m4a. This makes no sense as Spotify only uses mp3 files from other hosts. 3. They sometimes leave out details when they announce things. Example: You can play money in your podcast (that they approve, and only in Spotify, and only in the app, and only to paid users). Example: VIdeos have come to Spotify (that you have to upload via Anchor, that only displays the video on Spotify, and only in the app). Example: According to the Co-creator of How to save the planet (a Gimlet show) said, "Spotify invested zero in building the show's audience, then forced us to go exclusive to Spotify, and then canceled it b/c it didn't build a big enough audience…” she tweeted on Saturday. source Example: Multiple people in an Anchor.fm user group have mentioned that even though Spotify mentions, as soon as you reach a level, you will have sponsors. These people have met the criteria and have no sponsors (one has 275,000 downloads and still has no sponsor). 4. You have to ASK for an RSS feed. This is like going to a restaurant and having to request food. Shouldn't you have that already? Spotify (who owns Anchor) wants you to stay in their "Walled garden." When you look at their marketing material or hear any of the presentations that paint themselves as ABSOLUTE NUMBER 1, and they are THE COOL KIDS. When they are #2 to Apple by a LARGE margin, here again, they prey on the uninformed. The co-founder of Anchor has said that RSS (the technology that Podcasts use and keep it open) is holding Podcasting back - while the actual spec of RSS is being updated AS YOU READ THIS. PODCASTING FOR FREE MAY BE UNREALISTIC I get that you want to podcast without breaking the bank. I understand that. When you try to do it without spending ANY money, your expectations may be in need of an adjustment. Ready To Start Your Podcast You may think nobody would listen to you, but I'm here to tell you they will. I have proven strategies to help you identify exactly what your audience wants. You will sound professional and won't have to spend a million dollars to sound great. Learn through our online tutorials, live group coaching and a private Facebook Group filled with brilliant podcasters. Join worry-free with a 30-day money-back guarantee. See schoolofpodcasting.com/listener QUESTION OF THE MONTH This month the question is one I often do in January. What are your top podcasting pet peeve? Those little things that drive you nuts. Leave Your Answer at www.schoolofpodcasting.com/question Deadline is 1/27/23 Where I Will Be? I look forward to seeing you all; please come up and say hi. To see my full itinerary, go to schoolofpodcasting.com/where FREE CLASSES Want to dip your toe into the podcasting pool? Check out the classes I have available for free at https://schoolofpodcasting.com/freeclasses MENTIONED IN THIS EPISODE New Media Show Gimlet Issues with Spotify Libsyn.com (get a free month using code sopfree) Red Circle Sony ZV-10 Sony VZ-1 Elgato Facecam Elgato Facecam Pro Logitech C920 Loom Video Tool *links may include affiliate links and I may receive compensation for purchasing through these links.
In this week's episode, cycling journalist and former CyclingTips Editor-in-Chief Caley Fretz joins Randall to discuss cycling's changing media landscape, the economic headwinds facing professional journalists, emerging models for supporting quality reporting and story-telling, and how the meaning of cycling changes as one pedals through life. Also: press-fit bottom brackets, hookless road rims, and too-stiff components and frames. Episode sponsors: Thesis Bike and Logos Components Support the Podcast Join The Ridership Links to Caley's work: The Road to Nairo's House: https://cyclingtips.com/2018/01/the-road-to-nairos-house/ The Teaching Toe Strap: https://www.velonews.com/news/road/the-toe-strap/ Tales From The Tour: The Rest Day Pose: https://cyclingtips.com/2018/07/tales-from-the-tour-the-rest-day-pose/ Automated Transcription, please excuse the typos: [00:00:00] Craig Dalton: Hello and welcome to the gravel ride podcast. I'm your host Craig Dalton. This week on the show, I'm handing the microphone off to my co-host Randall Jacobs. Who's got veteran cycling journalists, Kaylee frets on the pod. To discuss some of the challenges and opportunities facing cycling journalism. You may know Kaylee from his work as editor in chief, over at cycling tips. And prior to that over at Velo news, both publications have undergone some downsizing of late. The economic headwinds facing professional journalists. Our strong, particularly in the cycling world. If we want to have quality reporting and storytelling. A new model needs to emerge. I don't know where this is all gonna end up, but I was super excited that Kaylee agreed to join Randall on the podcast. To just get his perspective and to get into some good old fashioned by geekery. Before we jump in we need to thank this week sponsors from thesis and logos components As many of you know, I'm a long time it's thesis. OB one rider for a limited time thesis is offering $500 off a thesis, OB one with access custom wireless shifting, and your choice of high-end carbon wheels. It's a bike that I can personally attest, stands up to every other carbon bike out there on the market at a really great price. One of the things that I've always appreciated about thesis is that they allow. A unique level of customization. So if you want size appropriate cranks down to, I think 160 or 165 millimeters, you can do that. You can get your stem size, you can customize everything. Based on a free one-on-one consult. So go check out thesis.bike, or contact. Hello at thesis stoplight to get started. I also want to give a shout out to logos components. Logos just receive huge recognition from bike packing.com and was awarded the gear of the year award for the wheelset category in 2022. You might recall an episode. We did a while back on how to choose a gravel wheel set, where Randall went through detail by detail on the design considerations When constructing a carbon wheelset I encourage you to listen to that as it provided a lot of riders with reflection on what they were looking for and what all the different things were, all logos wheels are built on proven open standards with non-proprietary components and with a manufacturing precision. That rivals anybody in the industry, the wheels are backed by Logus is five-year warranty, lifetime at-cost incident protection. And a US-based warehouse and support team to keep you rolling for many years to come. So head on over to logos components.com and use the code community free shipping all one word to take advantage of a free shipping offer. With that business behind us I'm going to pass the microphone back over to randall and his conversation with kaylee frets [00:03:06] Randall R. Jacobs: It's been quite a bit. I think I last saw you at Sea Otter. How have you been? What's going on in your world? [00:03:11] Caley Fretz: Well, I'm unemployed as of November 15th. I mean, yeah, let's just, we can get that one right outta the way. Right. I was part of the layoffs at Outside Inc. To be somewhat differentiated from Outside Magazine for anybody out there. I mean, outside Inc. Does own outside magazine, but it also owns lots and lots of other things. Yeah, myself the editor-in-Chief of Venu as well and two of the CT staff, two really core CT staff. Matt, our managing editor, and Dave Rome, one of our tech editors and, and kinda a legend in space. We're all let go on the same day on November 15th. So I am currently super fun employed and I think after we chat today, I'm probably gonna go skiing cuz it's snowing up in the mountains right now. And so I'm, I'm somewhat enjoying myself. But, you know, fun employment brings with it some level of stress as well, . So that's, that's how I'm doing right now. Yeah. [00:03:59] Randall R. Jacobs: Well, and I appreciate you sharing. I think last we rode together. You were still living in Boulder and you've since moved to beautiful Durango. When was that move? [00:04:07] Caley Fretz: That was shortly after we had our, our first child. My wife grew up here and, and we have grandparents here to help with childcare and all the rest. And we just wanted to get off the front range. No offense to the front range. There's too many people and there's fewer people here. And I can go skiing 18 minutes from here, from my door, and I can't really complain about that. [00:04:27] Randall R. Jacobs: Housing costs are probably a little bit less bonkers out that way as well. I was in Denver and particularly Boulderer lately, and it is nuts. [00:04:34] Caley Fretz: it's a little bit better here, although not as, Not as good as it was four or five years ago. It, it, it's a zoom town, right? So in the last couple years it has, it's gone up like 28% or something ridiculous in, in 2021. We love it here. It's amazing. Durango, the bike community here is, is unbelievable. The mountain biking is unbelievable. And there's nobody that, you have not as many people to share all the trails with. So I, we like that bit of it as well. [00:04:59] Randall R. Jacobs: Very, very cool. And so let's just dive into, cuz, cuz I've been curious share a bit about your background. So I, I've only known you as, you know, in your role as, as a journalist and editor at Cycling Tips. But how do you end up on this path? [00:05:13] Caley Fretz: Oh I mean, how far back do you want to go? I, I, I started racing mountain bikes at 12 or 13 years old. My dad was a cyclist. My dad was, I think one of the founding members of the Penn State cycling team, collegiate cycling team back in the day. So I grew up around bikes and I grew up around bike racing and watching the tour and all these things. And yeah, started racing when my family moved to Burlington, Vermont back in the day at Catamount Family Centers. Anybody who, yep. Very, very northeast connection. That's where I, that was all my youth. Yeah. Any, any any new [00:05:45] Randall R. Jacobs: and, and your dad is still in Vermont, if I recall [00:05:48] Caley Fretz: Yeah, yeah. He he actually just retired, but he, he used to run a small like sort of children's museum aquarium thing called Echo on the, on the waterfront in Burlington. And yeah so, so grew up, grew up racing, grew up around bikes, and went to school out here in Colorado. Mostly to ride by bike to, to ma major in bike racing, pre primarily . Much to my parents chagrin, I would say. And let's see what it, what would've been like junior year, summer in between junior and senior year of, of college. Shout out to a friend of mine, Brian Holcomb, who's still in, in the bike world basically came to me and was like, Hey, you should, you should be an intern at Be News. And so I did that and I, and I, I became an intern at Bean News and worked the summer there. And Ben Delaney was the editor-in-chief at the time, and Ben was, Ben was kind enough to bring me on in a, in a kind of part-time capacity that fall. and then it kind of just went from there. So, so yeah, a couple folks who were still floating around the bike world, I, I owe a lot to at this point. Ben and, and Brian and Zach Vest, who was sort of one of my first mentors and has been a, a marketing manager at Niner and a other, a Scott and a couple other places recently. Math yeah, and just kinda worked from there. So I was a tech editor at sort of tech writer at Be News for a couple years, tech editor at Be News for a couple years. And then kinda worked my way into bigger and broader beats basically, and, and kind of stepped into the racing space a little bit more. Became, I think it was like think it was senior editor or whatever the title was at the end of my, my Bella News tenure which was 2017 which is when Wade Wallace got in touch from cycling tips and he was actually just looking for a person to fill a somewhat similar role, kind of like a features writer do a bit of everything kind of writer. And I loved the idea. I loved cycling tips. I loved the brand. I loved everything that stood for, I loved the fact that it was kinda an up and comer and I had been at Villa News long enough that I was just was looking for a change basically. And so I, I jumped ship from one to the other, from Helen News to ct. Remained really good friends with lots of folks at, at vn particularly guys like Andrew Hood who had done a bunch of Tour de France with and things like that. It's like no hard feelings in that, in that jump. Just wanted something new. And within about a year of that for a number of different reasons Wade had promoted me to editor-in-chief at ct. So that was around 20, mid middle of 2018. And it was an interesting time kind of from a business perspective cuz it was near the end of a period when, when CT was owned by bike Exchange in Australia and we were about to be purchased by Pink Bike. And with all of that happening and then in particular with the purchase from Pink Bike we got a bunch more resource and really could expand into what I think most people probably know, cycline tips as now or maybe we'll say six months ago what they knew it as up, up until quite recently. And yeah. I'm trying to think this, there's not my time. My my time as EIC of, of CIP is, is obviously I think what most listeners out there would probably know, if not of me, then you at least know CIP and you know what we were trying to do there. [00:08:52] Randall R. Jacobs: I know how much grief there is out there for, that core team having been broken up. A lot of people, myself included, who value the perspective that you bring to the industry. It's not simply you know, flipping press releases which, you know, there's a place for like, there's, you know, some people that's, they wanna see what the press releases are but doing really interesting journalism. One of your colleagues Ian tralo, he's done some interesting pieces on Central Asian despots in their role in cycling and on the Afghan women's cycling team. And the controversy with how the UCI was prioritizing getting certain members of that team and the organization out of Afghanistan when the US was backing out. Like, this is not your standard bike industry journalism. And that's an angle that I think is going to be very much missed in the vacuum that's created by your departure and the departure of others from that team. [00:09:42] Caley Fretz: Yeah. It's a sad thing. I think the overwhelming emotion for a lot of us is, is just sadness because we spend a lot of time building this thing and a lot of time and energy and effort and, and yeah. No blood, but probably some sweat and tears in there. And yeah, and it feels that's just sad. You know, I. I enjoyed my time there tremendously. I enjoyed working with people like Ian, with James Huang, with Dave, who got laid off alongside me. It was just a really, I can't say it was massively surprising giving a number of things that I can't actually talk about. But I I, oh, I am still very saddened by it. Yeah, I mean, it's not gonna be what it was because a bunch of the people are gone like that, that, that I can say . Yeah. [00:10:28] Randall R. Jacobs: Yeah. Now, remind me, when did James join the team? Because he, he's someone I've admired for years [00:10:33] Caley Fretz: yeah. He, he joined a, I think about 18 months before I did. So when, when bike exchange, when, when Wade first sold a, a large portion of cycling tips to bike exchange that was sort of the first. Let's say capital infusion that, that the company got. And a lot of that was used to pick up kind of high profile folks, particularly in the United States which is what's sort of their next, the next market that, that Wade wanted to go after. So that was, they picked up James and they picked up Neil Rogers in the us as well as some other folks like, like Shane Stokes in the uk or Ireland, I believe he is right now. Yeah, so, so that was all a little bit before I got there. And part of my, sort of what they asked me to do, what Wade asked me to do when, when I became editor in chief was to figure out exactly how to best use people like James, who do phenomenal work. I mean, I, I, I maintain to this day that the three-person team, the three-person tech team that, that we had at Zeman Tips over the last year which would be James and Dave Rome and Ronan McLaughlin in Ireland as well. Was the best anywhere in cycling media? There's no, there's no question in my mind about that. And so basically trying to figure out how to steer that talent was one of the big things that I was tasked with doing over the last three, four years. [00:11:44] Randall R. Jacobs: Well, and you know, when you read a review from any of those team members that you're, you're getting it straight you know, for better or for worse for the brands that are at the mercy of, of that team. But honestly, it keeps the industry honest. And I recall early in my career in the bike particularly James' writing be being something that I referenced constantly. And in fact, when I was at one of the big players, if I needed to make an argument, I would oftentimes grab an article from someone like him to bring to the argument like, no press fit is not acceptable. And we're gonna spend the extra money and add the weight, and we're gonna tell a story about how a two piece thread together is a better solution. And honestly, it's a solution to fix what was broken when you went, you know, but that's, that's a, that's a, a hobby horse that I think we've all been riding for some time. [00:12:29] Caley Fretz: love hearing that though. I, I genuinely love hearing that because I mean, oh, first of all, James would also love hearing that. He'd be very proud of that fact. I think and yeah, like we, we know that that was the case, right? I mean, we, we the three of us have been making a, a podcast called Nerd Alert for, for, for the last year and a half or two years or whatever. And I got a fair number of, of Less than pleased emails off the back of, of that podcast. Cause we were quite honest in our assessment of what we thought was happening in the industry. And in particular, like I haven't been a tech editor for. Eight, nine years. I'm just a cyclist at this point. But Dave and James are so deep inside it and think they spend so much of their lives thinking about that stuff that yeah. You, you can't ignore their opinions, right? You absolutely can't ignore their opinions. And I think that's, that's a testament to one, the fact that they do their research. And two the fact that they've been right a number of times. And like over the years, I would say that CT is, was known as the anti press fit media outlet, right? Which is like, there are worse things to be associated with, I think, than hating on creaky bottom brackets. Like, who, who wouldn't wanna hate 'em? Creaky bottom brackets. That makes perfect sense to me. [00:13:33] Randall R. Jacobs: Well, and it, and it's deeper than just a creaky bottom bracket. It's detracting from this experience that we are all so passionate about. And so, I think that having someone out there who has influence saying no, this is not the way it should be. Hear the arguments and, and, you know, let a case be made. Hey, you know, come on the podcast and talk about why you think press fit is, is the best way to go about it if you really wanna make that case. But yeah, it's an approach that I, you know, I, I'll take you up on it, but I, I'd probably be on the same side with you on more or less every issue with the exception of maybe a few nuances here and there. But yeah, actually let's have some fun with this. Other stuff other than press fit bottom brackets that would be your hill to die on. [00:14:15] Caley Fretz: well. So actually Dave Ro and I so reminder, Dave Ro and I were both just recently laid off. And so our free, we, we are free to do whatever we want. I don't have a non-compete or anything like that. Right. So, we've kicked, we've kicked off a little podcast and. [00:14:28] Randall R. Jacobs: What is it called? [00:14:29] Caley Fretz: It's called, [00:14:29] Randall R. Jacobs: do people find it? [00:14:30] Caley Fretz: well at the moment it's called the redundant placeholders because we have no idea what to call it. So if you search it, I think any of the, any of the podcast platforms, if you search redundant placeholders, able to find it, you can also find it on, on any of my social channels. I'm at K Fretz on everything cause I'm the only person on the planet with my name. So that's very handy. Anyway David and I were talking about like, okay, so if we were actually literally talking about this yesterday, which is why it's funny that you bring up bottom brackets. Like if, if the bottom bracket the anti press fit bandwagon was the one that we were leading before, what's our, what's our new thing that we get to hate on? And we've actually decided that one of the things that we're most interested in pushing, and if you listen to the episode from this week, you would, you would hear this is bikes that are too stiff and just stuff that's too stiff. So specifically Dave, this, this week brought up the topic of of handlebars that are just like, Way too stiff. Right? Just, just ridiculously stiff. We were talking about the, the 35 mill trend on in mountain bikes, which I hate. And like, I've got a, you know, I've got a giant, I've got a giant trail bike with 170 Mill fork, and then I wanna stick like a, just a two by four in my hands. I don't really understand why I want to do that. And I've ended up with like, like more sort of hand cramp and hand pain on this bike than I've ever had previously. And it's got more travel than any bike that I've, I've had previously. So that, those two things don't really line up in, in my head, right? And, and so Dave and I were basically talking about pushing, pushing back on this need for for stiffer and stiffer and stiffer and stiffer all the time. And the fact that a lot of us don't need that, or really don't want it either. Not only do we not need it, we really don't want it because it makes the broad experience worse. I told a little story about how one of the best bikes I've ever ridden was a not particularly expensive mazzi steel frame, steel fork, steel frame. Then I put a pair of zip 3 0 3 carbon wheels on, so nice, nice light stiff wheel set with a somewhat flexi bike, flexi fork, flexi flexi frame. But it rode like an absolute dream, you know, 27 2 post it might have even had, it might have even not had oversized bars. I can't remember. This is, this is like eight, nine years ago now. And I loved it. I absolutely loved this bike. It, it, it got up and went when I asked it to, and I think the wheel set made a huge difference in, in that. But then it, it cornered like an absolute dream and it was comfortable and it was, it was just beautiful. And it was a, a not particularly expensive steel mozzie, right? Like . So that's, that's, that's the that's the high horse upon which we find ourselves now. The fight for less stiff. Bicycles, I think is what we're gonna go after next. [00:17:06] Randall R. Jacobs: Well, and you can kind of take that a step further, talking about steel frames, for example. If you get a steel frame, even a, a pretty decent steel frame at say o e m cost is going to be quite a bit less than a monocot carbon frame. And you don't have all the tooling costs and everything else, and you can change the geometry if you need to without having to retool. And those bikes are gonna be inherently more affordable at the same time. And unless you're an elite racer who's having to sprint off the line or so on, you know, you either spend less money for an equivalent bike that suits your needs well and is comfortable, or you spend the same money and you put it into say, better wheels. You don't get the cheap out wheels with the three Paul hubs that fall apart and in a year and what have you. Yeah, that's one I'll join you on. [00:17:46] Caley Fretz: So that, so [00:17:47] Randall R. Jacobs: right. So I'm joining the battalion. What? [00:17:50] Caley Fretz: That's what we're pushing from [00:17:51] Randall R. Jacobs: I've got another one for you. And, and this, this one I don't think you'll disagree with cuz we talked about sea otter hooks, bead hooks. So bead bead hooks on any real wheels that are marketed for use with road tubeless. [00:18:05] Caley Fretz: I, yeah. I, I don't feel like I am, I, I like having this conversation with James or Dave around because they know the actual technical reasons. You, yourself probably in the same boat. You know, the actual tech technical reasons why this is, this is a, a terrible idea or a good idea, I guess if, if you're talking other direction. I just know that as a, essentially, like I am kind of just a consumer these days, right? Like I said, I, I, I have not been a tech editor. It has not been my job to follow. Bicycle technology for close to a decade now. So I'm basically just a, a, a heavily invested consumer who pays, you know, quite close attention, right? And as a heavily invested consumer, I cannot figure out if my wheels and tires are going to kill me at the moment. And I think that that is not really an acceptable way forward. I don't , I don't think that that should be allowed in the cycling space. And I, and I, every single time I say that, I get a bunch of hook list aficionados coming back at me saying that, oh, it's quite easy. This works with this and this. I'm like, yeah, but I, I, as a person who does not want to go through a bunch of like charts to figure out what tire to run, I don't want that. Just put hooks back on my rims. I don't care about the 40 grams or whatever. It's, I just don't care. [00:19:14] Randall R. Jacobs: Well, would you like some more ammo for those arguments when they come up? [00:19:17] Caley Fretz: give me more. Am. [00:19:18] Randall R. Jacobs: All right. So, so first off the, it used to be the case that it was a substantial, you know, a reasonable weight penalty and higher cost that is substantially mitigated by new forming techniques for the bead hooks and mini hooks that you can create that have the same impact resistance as hook list, add about five, maybe 10 grams per rim at the high end. And cost, yeah, the cost is a little bit higher, but, you know, insurance premiums aren't cheap either. And if you have a single incident, that's gonna be a problem. So, you know, it was an obvious investment when we made that choice for any wheel that we're marketing for use with anything, say smaller than a 34. Plus you get the compatibility with non tules as you well know. But the other part is you think about the fact that there are compatibility charts that exist, right? [00:20:05] Caley Fretz: I don't want [00:20:06] Randall R. Jacobs: that [00:20:06] Caley Fretz: in charts. [00:20:08] Randall R. Jacobs: yeah. It, it's like if that is the case, then maybe the tolerances are too tight and it, it's actually, I'll tell you from the inside, it, it's actually worse than that because any good company is going to check every single rim for its bead seat circumference, right? So those are pretty easy to get within spec. And then the tires, the tires are not all checked. To my knowledge. They're kind of randomly checked. So, okay, now you, now you could have a variation. You only need one. That's not to tolerance, but let's say both of those are in are intolerance. Well, now you have the. and if the tape is too thick or too thin, or someone puts two layers on, they replace the tape or whatever. Maybe it was intolerance initially, but, and then you change it and you know, you do two layers. Now the bead is too tight, it wants to drop into the channel and then pop over the edge of the, of the hook. And so it's just not good. It's just all sorts of not good [00:21:03] Caley Fretz: I hate it so much. It's just, yeah. Yeah. I mean, I, I, I always, I was cognizant when, back in, when we were making the Nerd Alert podcast that, you know, we didn't just want to complain about things. Right? Like, we didn't just want to tell the industry that it was, it was doing things wrong. Cuz most of the time this industry does great things and they build lots of amazing bikes that I love to ride. There's just a couple things like this that are like, what, what are we doing? Like, is, is this, is this the beam counters? Is it the gram counters? What counters are, are causing ? This particular, it must be the bean counters at this point. But I hate it either [00:21:42] Randall R. Jacobs: Bean counter. And then, then also the, the marketing hypers. Right? So there's a new thing. Hopeless is a new thing. Car, car wheels don't have hooks. Why do bicycle school wheels have hooks? Well, you know, because it's 110 p s i that people are sometimes putting in there. That's why [00:21:57] Caley Fretz: car wheels have 33 Psi . Yeah. It's like a mountain bike tire. Yes. Well, I, we agree on that point. And I, I think that that is one that we will continue to complain about. And I will just continue to be annoyed that I, that I can't feel confident in what I'm writing without doing a bunch of, of searching and Google searching, and I don't want to have to do that. [00:22:15] Randall R. Jacobs: Nor should your average rider need to rely on that in order to be safe like that. That's the part that I find kind of, kind of bonkers. [00:22:23] Caley Fretz: Average rider doesn't even know to do that. That's the problem. [00:22:26] Randall R. Jacobs: yeah. True. And the la the last part of that is why do the tire pressure recommendation charts kind of go to 70 proportional with the weight and then they just kind of taper off. You know, that that also kind of tells you something about the confidence in this you know, particular combination of tire and rim and, and pressure and so on. But all right. Should we, well, I guess we hop off this high horse then. That was good fun. I could do this all day. So you mentioned Ben Delaney, and he's an interesting person to bring up because he's a, a mutual acquaintance. Also somebody who's writing, I've been reading since my early days in the industry and also somebody who has been trying to figure out how to navigate the changing landscape in cycling media, which the business model for, for media in general has undergone a dramatic shift. And in his case, he's has his new YouTube channel and is doing freelance work for certain publications and is making a go of it that way. But how would you describe the industry dynamics as having changed during your time in the media side? [00:23:29] Caley Fretz: Oh, I mean, I would say I was relatively insulated from it personally for a long time. And until I kind of reached a, a, a level of management, so to speak, that it became my problem , I didn't spend a whole lot of time thinking about it. Yeah, Ben was unfortunately the, the, the, the victim of a, an outside layoff a, a while ago. So he's been making a solo go of it since I think May or June of, of, of last year. Or this year, 2022. And yeah, like his, his he's experimenting and, and it's, it's good to, I like watching him trying to figure this out, right, because I feel like he's kind of doing it for all of us at the moment and, and trying to figure out exactly, you know, various ways to, to make this thing work and. He is, got his, his YouTube channel's. Great. I mean, I watch it all the time. I'm actually gonna be on it sometime soon. I just, just recorded a thing with him picking our favorite products of the year. I think I went in a slight, I think I went in a slightly different direction than, than probably most of his guests. Cause my favorite product was bar Mitz for my cargo bike. So slightly different place than, than probably a lot of folks he's talking to. But the, the media as a whole, I mean, it's rough out there. It's rough out there, right? Like I have spent an inordinate amount of time thinking about this and trying to figure this out over the last couple years as has like weighed my former boss at C T E before he left over the summer. As is everybody, I mean, frankly, like as is Robin Thurston the CEO of outside, right? Like he is genuinely trying to make this thing work. And at the moment as layoffs kind of. It's hard, right? It's really, really hard to, to get people to pay for something that they haven't had to pay for historically, you're, you're trying to put the genie back in the bottle, right? That's what we are trying to do. And it's really, really, really difficult. And then, frankly, it's one of the things we were most proud of at Cycline Tips is that we did have this core, hyper engaged audience that was willing to pay us for, for what we did. And not only just pay us for like, the content that they had access to, but pay us for the whole community that we had built. Right. I mean there, there's a, there's a Velo Club, which is the, the sort of membership program. Atip, there's a Slack group for Velo Club which I, which I'm concerned about right now. But that group of people, couple thousand people not, it's not the entirety of the membership. It's, it's like sort of the most hardcore of the membership, I would say. And it's a couple thousand people. It's sort of like its own little private forum, right? And, and they support each other and they ask each other questions, and they ask us questions asked, past tense, asked us questions. You know, when, when, when they had a tech question, they, they, they ping James and they had a racing question. They, they would, they would ping me or they would ping Matt e or something like that. And they would also just answer each other's questions. And they've built this, this incredible community there. That for me, underpins any successful, particularly sort of niche media or, or, or, or vertical media business. Because those are the people that not only are they giving you money to, to keep lights on, but they're, they're your, they're your biggest advocates, right? They're your, your most important advocates in the space. They're the people that, that tell their friends. They're the people that get other people signed up. They are, they're more important than any marketing spend you could, you could ever possibly utilize. Right? So that, that was one of the things we were really proud of the last couple years. And I think that that is a model in some ways for, for, for going forward. So, you know, like I said, I'm, I don't have a non-compete. I can start anything I want right now and, and I, and to be, to be very blunt, like I fully plan to I think that, [00:26:54] Randall R. Jacobs: think you absolutely should at this. You clearly have an audience that that misses your voice and that values what you brought to the table. [00:27:00] Caley Fretz: Yeah. And, and I would say it like, honestly, it's, it's even, it's less my voice and it's more like Dave Rome and Matt and like the rest of the crew because I, I, I do like to put, you know, put the folks that that were writing day, day in, day out for ct, like, well ahead of anything that I was doing. But I, I did spend more time than they did thinking about how to, how to build a media business. And so, yeah, I, you know, we wanna, we wanna, we wanna do something here. That there's it's only been a couple weeks since we were, we were. Let go. So we're still figuring out what the details are. But like I said, you know, we've already kicked off a little podcast. We know that there's a lot of people out there that are kind of waiting for this. And we will, we will just try to give them what they want, I guess. I mean, my, in my mind, the, ideal sort of media entity of the future and I, I've used this term a couple times with, with Dave in, in talking about these things is, is essentially an aggregation of niches or niches if, depending on which pronunciation you prefer. So rather than try to go really broad and talk about a little bit of everything, which, which tends to be kind of the model across most of cycling media, I prefer a concept where you, you essentially allow editors to. To dive into their, their interests and their strengths. Right? You know, you take, you take Dave Rome and you say, Dave, you love tools. You're real weirdo about it. But we appreciate your weirdness and we, we, we embrace it and, and do it. Like, tell me everything you can possibly tell me about tools, because I'm pretty sure there's an audience there. And even if it's not that big, even if it's a couple thousand people, if they are hyper engaged with you, a couple thousand people in a recurring membership model, recurring revenue model is enough to pay Dave plus some, right? And then you sort of, you take that concept and you, and you expand it out. And yeah, it's, it's, it becomes the basis by which you can build a, a, a media entity. That I think is, is sustainable. Not none, nothing I'm saying here is wholly original, right? Like this is the broadly the direction that a lot of different media entities are going. Anybody sort of follows that world. There's, there's like, there's a new politics site called S four that is essentially the same rough concept, right? You, you dive headlong into, into particular beats. You provide a ton of depth in those beats. You hit the, the audience, people who, who really care about that particular topic, and you pull that group in and then you do the same thing over here and you pull that group in, you do the same thing over here, and you pull that group in. And there's for sure people that care about more than one obviously. But you really, like, you focus really deep on each one of these things. And that's the, that's the, if I could build something and, and I, you know, like I said, I, I intend to try, that's the concept. I think that that makes the most sense to me from a. from a business perspective, from an editorial perspective, from from every perspective I can, I can think of, basically. [00:29:59] Randall R. Jacobs: Yeah, so I've had folks like Russ Roca from PathLessPedaled. On the pod. He has a YouTube channel you may or may not be familiar with, but that's become his livelihood, right. And he has sustainers through Patreon. He doesn't do endorsements and things like that. I don't think he's doing any sort of sponsored episodes or anything of that sort. And he's been able to make a living. And there are obviously plenty of YouTuber influencer types who may have less scruples about promoting things and things of that sort. But who I'm curious, either within bike or, or outside a bike what projects do you see succeeding in the model that you could imagine emulating or building upon? Because I've seen a bunch of attempts at it and it's, it's a really tough nut to [00:30:43] Caley Fretz: it's a tough not to crack. I, I would say that the biggest and most obvious is the athletic, which was just purchased by the New York Times for something like, I think it was 425 million. Now, so the sort of caveat around that is that that's probably less than they were actually hoping for. This is a, a VC funded media entity that, that primarily covers ball sports. And their whole thing was you take, you, you, you essentially apply the beat reporter model of like a local newspaper. You know, you, you, the, the, the Denver Post for example, will have a Broncos beat reporter. Then all they do is talk about the Broncos, right? And, and they're even allowed to kind of be fans of the Broncos a little bit. They take that and they apply it to every single ball sport. So both types of football, you know, baseball, basketball, all the rest. And they apply a beat reporter to every major team. And sometimes more than one beat reporter to, to really big teams. You know, like if we're talking English, English Premier League you know, Manchester United has a couple different writers on it. Aston Villa has probably won, right? So, but, but, but even so, if you're a massive Aston Villa fan and you just want your Aston Villa News, you can go, you know that the athletics gonna have it cuz they have a person who is dedicated to your team and nothing else but your team. So you can also get like, okay, well I want some broader, I want World Cup news, I want, I want the Manchester United news. I want the Ronaldo news, but I really want my Aston Villa guy, right. That is essentially the same model that I'm talking about where like, I believe that people really want Dave Rome's tool. They probably also care about lots of other things that, that we will write about. But they really want Dave room's tool stuff. And that's probably the thing that's actually gonna get them across the line from a, from a membership perspective, right? Is that deep, deep, deep love of this one thing that a content creator they like is talking about. That's the kind of thing that, that, that moves the needle in. So yeah, the athletic is, is kind of the biggest, most obvious example of this kind of working. They made I think some strategic areas early on in the way that they pulled staff together that made it quite an expensive organization to run. And I think that's part, probably part of the reason why they didn't get quite as much cash for it as they thought. But still building a media a media entity from nothing in the last, I think it started five years ago or so. I remember sitting at a Tor de France press buffet with some of the. The British. So at the time it was, you know, sky Era. A lot of big name British sport writers, sports writers were coming over the tour, and a couple of those guys were talking about job offers from the athletic and actually like how insanely well paid they were going to be So I think [00:33:13] Randall R. Jacobs: And the, these are full, full-time positions. We're not [00:33:15] Caley Fretz: oh, yeah, yeah. [00:33:16] Randall R. Jacobs: Just shifting everything to freelance. Like so [00:33:18] Caley Fretz: No, no, no. These are, yeah, [00:33:20] Randall R. Jacobs: models Do. [00:33:21] Caley Fretz: no, I mean, I don't, I mean, perhaps they're contractors or something, but like, you know, the, the, these individuals are writing a, a story a day most of the time about the particular beat that they're talking about. A story every other day, depending on the, on the, on the writer probably. But anyway, yeah, about about five years ago. So you see, you know, you've got a media entity that's only about five years old and just sold to the New York Times for half a million or whatever it was, or sorry, half a billion. [00:33:43] Randall R. Jacobs: Yeah. [00:33:43] Caley Fretz: a pretty, that's a success story in my mind. And shows that the. The model can work, I think. There's no guarantees and that's a scale that I don't really have any need, want, or desire to come anywhere near. But I do think that the core essentially value proposition of membership that they, that they showed worked, can work elsewhere. It can work in cycling, can work across endurance media, I think. [00:34:12] Randall R. Jacobs: Well, and again, with my kind of very cursory understanding of the space, they were required by the New York Times, which itself went through its own economic model crisis and had to make the switch to a paywall. And the quality of the content was sufficient that they're, they're making such large acquisitions, so they must be doing something right. They're, they're not the failing New York Times. As some folks called them a few years ago. I think there's also something to be said for consolidating quality and having the interaction of the sort that you did at at cycling tips, not just through Velo Club but also just the comments section. It, it was a very unique space and your team was in there. Interacting and the, the nature of the communication that I saw, the way that your readers were engaging there, it didn't seem hierarchical at all. It was a conversation with, with you and your team and that that was very, very cool to see. And that was something quite special that I think is more a consequence of the people involved than of the particular platform as special as cycling tips was. And I was one of the early readers that was, those are my racing days when it was literally just the blog and it was pointers on how to train. It was the cool thing at the time. And. Actual cycling tips. Yeah. That name was, was a direct, directly correlated with the contents. But I don't know if I've shared this with you, but in addition to the podcast, which is founded by Craig Dalton we also started this Slack community called the Ridership, which also is bit over a couple thousand members, and also has these like healthy dynamics. We call it a, a community of Rogers Helping Riders. And that was directly inspired by what you guys do at Velo. like saw what you were doing over there was just something that wanted to emulate, found inspiring saw a place for. And I'd be curious one of the things that Craig and I have talked about, is some form of shared platform that's somehow democratically governed. Where content creators and those who are engaging with their content who wanna support them and so on, can all meet and having that be something centralized in the sense that it's all meeting in the same place, but decentralized in terms of the governance structure, and then maybe even set up as a non-profit. I'm curious if you've had any thoughts around that sort of thing. [00:36:35] Caley Fretz: Yeah, I've actually sort of played around with similar ideas. We, yeah. In this, well, and again, in the sort of couple weeks that I've been thinking about, really thinking about this now we thought through, so, so ironically, one of the things that. There's been a fair number of complaints around with outside was was essentially like web three and, and NFT stuff. However some of that technology would actually make something like what you're talking about potentially work quite a bit better. Again, I haven't spent, we, we didn't go too far down this, this, this rabbit hole cause we feel like getting something off the ground relatively quickly is, is, is a priority. But I agree that, that something platforms work, right? Like that's essentially, that, that's all YouTube is, is just a platform for other people to, to, to put content on. They monetize it over top. They give you a cut, they take most of it. That's a, it's a pretty good business actually. So like could you do that for endurance sports, perhaps? Probably. Are there enough? Are there enough really high quality individual content creators out there to make that work? Probably, maybe like, are, are there enough Ben Delaney's, who would love to probably work with a platform that, that increased their visibility? But, you know, in, in exchange for a cut of whatever he's making, probably. I mean, that's essentially the, the deal that he's made with YouTube, right? Like we were saying. I think there's something there. I don't, I think it'd, I think it'd be incredibly difficult to, to get off the ground and would almost have to be quite organic and you'd have to be kind of willing to, to sit on it and let it grow for quite some time or, or sit on a bunch of investment money and, and do it that way. Which I don't necessarily have the time for at this point in time, but I like the idea. I really, I like, I genuinely, you know, I've, I've had a lot of conversations with other people in, in bike media over the last couple weeks because for obvious reasons, people giving me a ring. They're saying a lot of 'em are saying basically like, Hey, I'm sorry just checking in on you. Stuff like that. And we, and we get to talking about this sort of thing. And one of the things that keeps coming up is this desire to stop competing so directly with each other as bike media, right? Like the space is too small. We all do our own thing. We talk to maybe the same audience in general, but we talk to them in very different ways. And you know, like I I I, I, I've been on the phone with editor in chiefs of, of, of a couple different major bike outlets in the last week and all have said something along those lines. And I think that some sort of collective would, would hit the same. Yeah, it would hit, it would hit the same. there, right? Of a, of a desire to provide a space for everybody to just create really good work that they actually get paid for. Cuz that's the hard thing again, you're still talking about putting the genie back in the bottle. You're still talking about trying to get people to pay for, for something that they historically haven't paid for, or you're running an advertising based model, which is incredibly difficult. And in part, and this particular moment is very, very difficult. I mean, you know, Robin, the CEO of outside mentioned that specifically in the letter that came along with with these layoffs is like the advertising world out there right now, particularly in endemic media, like cycling is bad. It is bad news. You know, they're, they're looking into 2023 and seeing and seeing steep drop-offs in the amount that that is being spent. So you've run up against kind of similar problems, I think with that model. But it is certainly something that is The incentives to me feel like they're lined up for creators in a, in a model like that, right? Because they, if done right, they would directly benefit from their, their work. Whereas, you know, something that's always kind of frustrated me in this space is like, the value of myself and, and, and editorial teams have increased the value of entities tremendously o over my career. And then they get sold and I see none of it And so like that, that the incentive, [00:40:24] Randall R. Jacobs: and [00:40:25] Caley Fretz: structure is not, is not great within most of bike media [00:40:29] Randall R. Jacobs: Yeah. It's bad enough in the tech space where there are stock options, but generally to the founder goes most of the spoils. Even though and I say this as a founder, I don't create most of the value, right? Nothing that, that I could do would get off the ground without all the other people who make it happen. And so, it's only right that there be a distribution of ownership and a sharing of the rewards if there's success, which in turn incentivizes success. In the case of cycling tips, in reading the comments it's very clear that the readership knows it. They're not there for cycling tips. Cycling tips is the bander under which all the people whose perspectives they valued. It's where those people are. And so, your standalone brand and that of your colleagues, has value and has value in particular, if it's brought in a single place where people can interact with you as, as they had in the past it's a terrible thing to lose. And you know, whatever the reasons for it, obviously there are economic headwinds. But it's, it's unfortunate. But there's a saying that I, I live by that seems to apply, which is change happens when the fear of change is less than the pain of staying the same. [00:41:36] Caley Fretz: Hmm. [00:41:37] Randall R. Jacobs: And there's nothing quite like a radically changing economic model or layoffs or things like that that make staying the same, really painful. And so whether the fear has changed or not, time to take the leap and people like yourself and Ben and others have been making that leap. I wonder you mentioned that some sort of platform would have to. Either be funded by a bunch of VC money, which honestly I don't, if you wanna end up with a small fortune, start with a big one. Throwing VC money at things is a really good way to end up with Juicero. I don't know if you recall that [00:42:10] Caley Fretz: Oh, yes. [00:42:11] Randall R. Jacobs: 130 or 160 million of Sandhill Road money lit on fire for a a glorified electric press for If anyone's curious, look this up. It is. It'll, it'll make you feel that yeah, it, it'll make you question the judgment of, of Silicon Valley in a way that I have learned too from the inside over the years. But the organic piece let's, let's unpack that cuz I, I have a couple of ideas that I'd like to bounce off of you. So platforms like YouTube, I suspect it's gonna be very hard for somebody who has an audience on YouTube or who wants to build an audience to leave YouTube. But having a platform that is essentially an a. So if you're a content creator, wherever your content is, this is the one place where you can find all of it along with, categorized content from other players. So you want to learn about tools you have, Dave Romes YouTube videos about tools. You have his podcast about tools. You have other content creators content there. And then it becomes kind of platform agnostic like you can be anywhere, but this is the place where you go to find it. And this is the place where you go to interact. Cuz the YouTube comments, that's not an interaction space that's largely a trolling space or, or it's a largely one directional sorts of conversation happening. Even, even the healthiest version of it is still not a conversation. But if you have a YouTube video embedded in a a community, [00:43:27] Caley Fretz: Mm-hmm. [00:43:28] Randall R. Jacobs: Now all of a sudden people are in digital community together and not just over say Dave and his tool-based content or his tool focused content. Not to say that's all he does, but using that as an example, but also Dave in community, in his local chapter, right. In his local riding community. And in the context of a place where people are also going for, James' bike reviews and you know, your Twitter de France coverage and, and things like this that's one model that I've wondered, like if there was such a platform. [00:43:59] Caley Fretz: how, how, how do you monetize it? Is it, is it pay? Walled, [00:44:03] Randall R. Jacobs: That's a big question, right? [00:44:04] Caley Fretz: Well, so, so, the reason I ask is because I, I, like, I would see a couple different options, right? And, and we're getting into real sort of media theory here, but , [00:44:11] Randall R. Jacobs: This, this was actually part of the conversation I wanted to have with you long before all these changes. And it's something we've discussed on the pod before as well with other content creators. [00:44:19] Caley Fretz: I, I think So I, I'll say that first and foremost that I'm, I'm not anti paywall. I know some of the, some others are in, in the media space, but I fundamentally believe that if done properly you're essentially only targeting. So, so, so I'm, I'm a big advocate of what, what we call meter paywall, which is basically you get a couple free stories in a given amount of time whatever the number is, 5, 6, 7, 8, 10, whatever you want. And then at some point you, you pay right? Now, the nice thing about that is that you know, if we, if we take a, let's take a hypothetical cycling media outlet with somewhere in, you know, we, we'll call it, we'll call it 2 million unique users a month, right? You've got 2 million people showing up at a website every month. The number of people who are actually gonna get to the paywall that are gonna go to enough stories to get to that paywall is probably something in the neighborhood of like, Less than 5% of those people. It's a tiny, tiny, tiny number because a huge number of those people are coming in from Google. They're, they're, they're seo, they're coming into SEO stories, they're coming into, you know, how to bet in my disc brakes. And they're, they're in and they find out how to do that and they're out. Right? And that's the only interaction you have with them. And they're useful from a page view perspective if you're monetizing that. But they're not particularly useful from a membership perspective cuz who's gonna pay to get one story, right. That, that's, that doesn't make any sense. So you're really only trying to monetize your super users. So your super users are that 5%, the people that actually end up hitting paywall. And part of the reason why I'm not anti paywall is because those people that, that, that small group of people that is coming back day after day after day after day, they value you. And if they truly value you, they should pay for you. , like, I don't have any problem with, you know, we put a ton of time and energy and effort into this and it is our jobs. And we need to get paid. And if people, if people appreciate what we're doing enough to come back every single day and they're not willing to pay for that, then as far as I'm concerned, they need to look at themselves and, and, and ask why. Right? Like, all I'm asking for is, is, you know, eight bucks a month or whatever to continue doing so that, so that you can do something that you do every single day that you enjoy, that you, that you gain information and entertainment from inspiration from even. I think that that's a pretty reasonable trade off. I don't really have any problem asking the super user to do that. I think that there are other paywall versions of a paywall that, that I, that I don't agree with, sort of philosophically, I don't agree with paywall in a hundred percent of content. I also think that that just ruins your discoverability and it, it, it doesn't allow anybody [00:46:49] Randall R. Jacobs: was, I was gonna say, is [00:46:50] Caley Fretz: Yeah. Then nobody, [00:46:53] Randall R. Jacobs: thing or is it more just practically like, you're, you're gonna cut off all the channels for discovery? [00:46:58] Caley Fretz: Both. Yeah. I, I, it, it realistically, yeah. Like I said, your discoverability goes to zero. People can't tell that you make good content. I have kind of a similar issue with the, the like premium content model. So you, you know, you give away your, your crappy stuff for free and the really good stuff you gotta pay for, like, I don't like that either. Cause why then anybody's strolling around your website, it's gonna be like, well, it's the only thing is I can read are crap. So why would I pay for the, i, I don't know that [00:47:23] Randall R. Jacobs: poor, it's a poor pitch. [00:47:24] Caley Fretz: It's a bad pitch. So, so I have issues with that. I also just like philosophically, you know, the, the sort of fully hard pay wall that you can't read anything without paying beyond the discovery of discoverability problems. I just kinda have issues with that because like if we do write a, how to bet in your disc brake so they don't make noise story. Like, I want people to be able to access that, right? Like, then I don't have to listen up. people's loud disc breaks. You know, like people, I, I have no problem sort of providing that much content to somebody for free. And I think that the fully pay well in that is, is, is isn't great. But again, I I'm not against paywalls in general. Meter paywalls I think work quite well. They yeah, we know that they're effective. They can be incredibly effective, particularly if you have this sort of requisite essentially story volume to make them work and, and sort of audience size to make them work. So given that like the, the sort of concept that you are talking about, paywall seems like a, like a, a, a good way forward because again, you're sort of avoiding the avoiding the need to, to chase advertising dollars constantly. And this is, this is gonna be somewhat a reflection of what I'm thinking for, for. For myself going forward, obviously you're avoiding, you're, you're avoiding chasing advertising dollars incessantly, which, you know, I'm not against advertising either. I think the right advertising partners can be, can be crucial, right? They provide lots of actually value to an audience at some point, right. You know, the fact that you get bikes to test the fact that you have a good relationship there. Those, those are all valuable things. So not, not anti advertising either. I'm just more anti, constantly chasing every single cent you can possibly get out of advertising. And the, and the sort of the, the, the extra resource that, that very concept requires. And so yeah, some sort of like membership driven thing lines up with the sort of ethos of what you're talking about, which is very community driven. We know communities are willing to invest in their own space where they can be a community. And so that would make sense as well. And if you start to do things like add too much advertising to something like that, then you do the incentives start to shift. Cuz you start working for the advertisers instead of working for the community. And that I think goes against the whole ethos that you're talking about of the sort of communal thing. So that would be my, that would be my 2 cents on, on, on how to build something like that. Like I said, it is a concept that, that we played around with and I've played around with in my head for, for some time actually. I personally, again, it's more of a, more of a time issue for me than anything. Not that I don't think it could be cool and don't think it could work. I just think that the, to build that community would take quite a bit of time. And also figuring out the precise method of paying. So the other roadblock that I, that I came across when I was thinking through this was the precise method of paying content creators in that scenario, it's quite complicated. Cause are you paying them? Are you paying them by page view? Are you paying them? Is there a tip jar? Is there some sort of, of, you know, rank voting system when people sign up, like, I like these three creators and I don't like these three, and so the top three get, get my money. And the, and the other three don't. That starts to create some perverse incentives toward bad content as well, right? And, and essentially that's the, that is the YouTube problem. The YouTube problem is that YouTube is incentivized for clickbait. It's incentivized for garbage content, , because that's, that's the stuff that gets picked up. And think about, think about your average, like YouTube headline or YouTube sort of, title card. Versus what you would find on a, a site like cycling tips these days. Right. It's a dramatic difference. Like we, we would have to change headlines depending on whether it was going on YouTube or going on on the site back in the day. Cuz YouTube is incentivized to be like all caps and exclamation points and somebody crashing in the title card and all these things that we kind of hate because that's what you end [00:51:25] Randall R. Jacobs: Kaylee, Fritz destroys X, Y, [00:51:27] Caley Fretz: Exactly. So after the monetization question, how do you actually split up that money with the content creators? It's a, it's a, again, I like, I love the, the idea, I love the concept, but the sort of those particular decisions. Be crucial to success and crucial to it actually working for the people that, that you, that you know, that you want, want, would want it to work for. And it'd be hard. It'd be really hard. I I don't have the solution to those questions, which is why I, again, thought through a lot of this and, and thought through a similar concept, not, not identical but a similar concept and, and basically came to the conclusion that in the near term, a a slightly more traditional model is not the worst thing in the world, right? Like, build really good content, pay people for it make people pay for it. , that's essentially the, that's the, the, the three part business plan of most membership driven media entities these days. Does that all make sense? I feel like I went in a bit of rant there. [00:52:31] Randall R. Jacobs: Not at all. Not at all. And in fact, it's a conversation I'd like to continue cuz I have a few ideas that probably we, we don't want to dedicate a whole episode to just this conversation. But certainly appreciate you pulling back a curtain on the sorts of questions that you as an editor in the space and an editor for one of the most respected publications in the space and for good reason, providing that perspective in the sorts of things that you are thinking about from this new Vantage point is very much appreciative. So thank you for that. I wanna go in a completely different direction. What are the pieces that you've written that you most enjoyed or found most challenging, or that were most meaningful for you as a writer? [00:53:08] Caley Fretz: Hmm. Internally at cycling tips. We called them riddles. It was a, it was a coin, a term that I intro coined for his little, the little essays. Right. There's a couple of those that I, that I really enjoyed writing and, and liked writing. It's just sort of the pure act of, of, of sort of language, basically like playing with language. Which is still fundamentally like why I started doing this to begin with is cause I really enjoyed doing that. And the last couple years have stepped away from writing almost entirely. Not entirely, but almost entirely. And, and so when I did get a chance to write, it was always, it was always meaningful and I, and I liked it. That tended to be at things like the Tor de Frances where, you know, I would essentially send to myself cuz I, I wanted to go cover the to Frances again. I had plenty, plenty, plenty of, plenty of talented, talented writers that, that reporters that could have gone instead of me. But at some point you pull the boss card and I'm like, I'm gonna the tour So, so yeah, there's a couple pieces on that front. Actually one of the first pieces I ever wrote for segment tips it's, it was called The Road to Niro's House. And it was about a trip that my wife and I and two friends took to Columbia. And it, it, like half the photos are broken on it now. It's, it's, it's from like 2017 like 6,500 words of a trip around Columbia and all the sort of things that, that riding in Columbia. Particularly in 2017 meant sort of keeping in mind that that, you know, a relatively large and disastrous war there only kind of wrapped up around the 2010 mark depending on who you ask . So I, I, I really enjoyed that piece. And then, yeah, like these, these little riddles, you know, there's a couple that I've written over my career that I that you tend to write them in 20 minutes, right? Because something just hits you in the head and, and you just, I mean, you just get it out, but it, because of that, it's, they're very pure. I think. I wrote one about the toe strap that my dad would use to attach a sock full of Tube tire, co2, you know, flat fixing implements underneath his saddle. Right? And he would, he would strap this thing underneath his saddle with a, with a strap, like a tube sock underneath his saddle with a, with a, with a tow strap, like a leather tow strap. And, and I, and I wrote this story about how, like, you know, I just remember when I was 12, 13 years old. And you know, my dad is obviously a much stronger cycl cyclist than me at that point. And just like, you know, trying to stay on his wheel with this like, toe strap dangling in front of me as like the, you know, I'm just, I'm just, I just need to stay on the tow strap. Wrote a piece about that at some point that I, that I ended up, I, I really liked. And it was meaningful to me because of my, my relationship with my dad is like very tied into my relationship with cycling because we grew up doing it together and, and still ride together when we can and things like that. There was one about eating Castle and Carcassone during a rest day, Tor de France that I liked. Again, these, you know, [00:55:59] Randall R. Jacobs: Castle in Per, [00:56:01] Caley Fretz: Castle is is like a, [00:56:03] Randall R. Jacobs: I'm, I'm, I'm not so [00:56:04] Caley Fretz: is like, is like a meat, like a meaty stew thing you know, white beans and, and, and some, some meat. And Carcassone is a town in southern France with a big kind of world heritage site castle over top of it. And it's always hot as hell there. They often have restage there at the torque. It's always hot as hell. And I have yet to find a hotel or an Airbnb there that has air conditioning. So you're always just like baking, you know, second rest day of the Tor De France. You know, I, I think I was sitting in a cafe. And I had a couple roses like you do and, and eating a castle, which is also hot. So I'm like, I'm hot eating a hot castle and just watching the world kind of go by like the sort of Tor de France rest day world go going by and, you know, like Greg Van Ama coming up and, and stopping at a red light. I'm this, I've wrote the story a while ago and I'm trying to remember what I even talked about. You kn
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