Podcasts about Bang

For more coverage on the issues that matter to you, download the WMAL app, visit WMAL.com or tune in live on WMAL-FM 105.9 from 9:00am-12:00pm Monday-Friday  To join the conversation, check us out on X @WMAL and @ChrisPlanteShow Learn more about your ad choices. Visit podcastchoices.com/adchoices

A call to action for our Chattanooga P1's Open Phones brings us Anonymous, who's Ronnie the swinger's girlfriend, and she's got some things to clear up about Ronnie's call last week

BANG! @southernvangard radio Ep445! Get ya screw face on this week with us this week, Vangardians! The best new joints on the planet are found here week after week - and we often times get the opportunity to present WORLD EXCLUSIVES like we did this week, thanks to our good friends DJ BROWN 14 and RAHIEM SUPREME. They have a new album dropping at the top of September and we have TWO, count em TWO WORLD EXCLUSIVES in the mix this week, one of which features RLX & VIC SPENCER. Doe also managed to drop a VINLY ONLY TWITCH ONLY SET - which you can only get the replay of on PATREON.COM/SOUTHERNVANGARD. Last but not least, remember to take care of your star player at ALL costs ‘cause it's that #SMITHSONIANGRADE #YOUWAAAAALCOME // southernvangard.com // @southernvangard on all platforms #hiphop #rap #undergroundhiphop #boombap ---------- Recorded live August 10, 2025 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ---------- Pre-Game Beats - Brainorchestra Talk Break Inst. - “Giant Stepped” - Black Milk “Southern Vangard Theme” - Bobby Homack & The Southern Vangard All-Stars “Ironclad” - Nowaah The Flood & The Mali Empire “Break The Glass” - Halfcut & Cole The God ft. Guilty Simpson & Joey Knuckles “Noyd's Theme” - Rasheed Chappell & Mickey Blue “Different” - SoulChef ft. Bumpy Knuckles “Culture” - Eccentrak ft. Termanology & DJ React “Back To The Essence” - Cymarshall Law & Slimline Mutha ft. Wordsworth & DJ Phillip Lee “No Comply” - Fashawn & Marc Spano ft. Blu Talk Break Inst. - “Have A New” - Black Milk “Silhouettes” - Citero (prod. Dub Helix) “What's The Answer” - Blame One & Aloe Blacc prod. by Chill-Ill “Don't Stop" - Mecca:83 ft. Phat Kat & Guilty Simpson (Pitch 92 Remix) “Bet Your Life (Remix)” - maticulous ft. Masta Ace, Blu & Justo The MC “They Like When We Rhyme Together” - The Fifth Degree ft. Terror Van Poo X Bernadette Price (prod. CNR JAXX, cutsTone Spliff) “Cocaine & Vodka” - Halfcut & Cole The God "All Night” - Minister Hyde & Mondo Slade prod. King R.E.M Talk Break Inst. - “OG” - Black Milk “FAFO” - Ras Kass “Triple Beat Team” - 9th Uno ft. Detales and LeZeppo “Black Scrolls” - Dios Negasi ft. RJ Payne “More Doe” - XP the Marxman & Orlando “Collateral Damage” - Jalen Frazier & godBLESSbeatz ft. J-Classic “Community” - JID ft. Clipse & Marco Plus “Drop A Dime” - Rahiem Supreme x DJ Brown13 ** WORLD EXCLUSIVE ** “Knowledge 2 Knowledge” - Rahiem Supreme x DJ Brown13 ft. RLX & Vic Spencer ** WORLD EXCLUSIVE ** Talk Break Inst. - “All I Ever” - Black Milk ** TWITCH ONLY SET ** 808 VINYL BOOM TICKY TOCKYS ** ** PATREON.COM/SOUTHERNVANGARD ** ----------

Join your triple threat of the APDC as they review “The Greatest Evil, Part 2” from the 1991 classic DIC animated series, G.I. Joe! Don't impugn our courage, jarhead!!! The DiC continues!! I haven't seen it so that means it's dumb!! A soreghum subject!! Dead Mall!! This is Yuengling territory!!! This distribution house is indestructible!! Jelly bazooka!!! Falcon and Cindy are captive!! Automated weapons!!! Shockwave and CG1 go all Diehard!! Metalhead go BANG!!! No way you piece of slime!!! You're a real peanut-buster parfait!!! In the Real World! Script Deviations!! Iconic Moments!!! Everything we do, we do it for YOU!!!5:10 - SHOUT OUTS6:30 - COCKTAIL15:40 - DUELING LAST EPISODE RECAPS17:45 - REVIEW1:20:40 - REAL WORLD1:47:00 - SCRIPT DEVIATIONS1:47:15 - RATE THE SCHEME1:49:10 - ICONIC JOEMENT1:50:45 - NEXT TIME!

Good morning!~ We're keeping the Summer of Nintendo rolling with Billy Hatcher and the Giant Egg, but this episode's a special one. Seth is joined by a very special guest - his friend JB - to chat about the game's incredibly unique soundtrack, the upsides to "jank", the natural enemies of chickens, Shibuya-kei, chicken gods and more!(00:00) Intro(17:03) Housekeeping(18:50) What Would King Dedede Order?(40:26) Billy Hatcher and the Giant Egg(2:02:54) YouTube Comment Oversharing Corner(2:08:17) Voicemails(2:29:29) Haikus & outro✉️ Send email to bitharmonypod@gmail.com

Elke zondag checken Vincent en Daniël in bij B&B De Podcast om de perikelen in B&B Vol Liefde te bespreken. ☀️In deze aflevering:Na Karin moet ook Sharon alweer wieberen | Rob laat Marianne spartelen | Komt Sylwia echt voor Illya óf voor zijn kasteel? | Daniël moet oppassen voor Renske.Abonneer je op B&B De Podcast in jouw favoriete podcast-app en mis geen enkele aflevering! Volg ons ook op Facebook, Instagram en TikTok!Onze audiovormgeving is gemaakt door Klinker Media. 

* On the Stand: This week Fred Williams and Doug McBurney welcome Donny Budinsky and Matt Nailor of Standing for Truth Ministries to discuss the Bible, science, history and the gospel! * Starting with the Bible: Hear Donny Budinsky and Matt Nailor answer Aron Ra's phylogeny challenge out of the Bible, (which happens to be confirmed by empirical science).   * Eden , Eve, the Tree, the Ark and more... Starting with the Bible, (with references to extra-biblical sources), we discuss how history, literature and science help confirm the facts of Genesis.   * Genetics Agree with the Bible: Hear how the scientific literature in the field of genetics, particularly regarding mutation rates lead honest researchers right back to the Bible!

Good morning! It's time to Get Up with a NOT SO AVERAGE JOE! BURROW and the Bengals start the preseason with a BANG. Find out why the star Quarterback is STILL NOT HAPPY Meanwhile... with jobs ON THE LINE, the Colts are off and Running... BUT Did ONE PLAY Seal the Deal on who should be Q-B 1 in September? We have the ANSWER... PLUS Shedeur Sanders to start the Browns' preseason opener. We'll tell you what he NEEDS to do to take the job for good… As we GET UP WITH YOU Live From New York City!!! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Flash, Bang, Wallop it's time for another podcast. This time we're discussing the 1967 film version of the musical ‘Half A Sixpence' based on the HG Wells novel. Played by Tommy Steele, the protagonist Arthur Kipps goes from rags to riches and discovers that the transition isn't plain sailing. Tune in and stick it in the family album!

This week's Bonus Bang is the fifth in our "I Love Lily" series. Originally titled "So New York" this episode features the first appearance of Tony Sony. Actor and filmmaker Jake Johnson joins Scott to talk about his new film "Self Reliance" on Hulu, his podcast "We're Here to Help", and "Spider-Man: Across the Spider-Verse". Then, singer-songwriter Alimony Tony returns to talk about his most recent divorce over the holidays. Plus, writer Bridget Jones returns to share brand new entries from her diary. (Originally released as episode #845 on 1/14/2024) Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb

Happy 3rd podcast birthday to us!! I can't believe it's been three years since starting our passion project, and we feel so lucky to be here. That being said, we decided to make this episode the ~season 3 finale ~ To take a few months off, recoup, and come back sexier, smarter, & better than EVER! I haven't taken a break in THREE FREAKING YEARS, and with all the transitions going on in my personal life, it felt like the right time. We're ending this szn with a BANG; a big sister advice episode, chatting about all the things y'all asked me about. Singleness, solitude, manifestation, when are you “too old” to do things, having kids vs. not, dating, long distance relationship advice, friendship breakups, forming meaningful friendships in adulthood, bridesmaiding 101, and so much more. Honest, raw, intentional words of wisdom from me, myself, and I from my bedroom! So enjoy this episode, and remember it's not a goodbye, just a see ya in a few months! Love you, mean it and tell us your favorite takeaways!!!!! xxShop Raw & Rebellious: https://www.rawrebellious.com/Raw & Rebellious Instagram: https://www.instagram.com/raw_rebellious/Raw & Rebellious TikTok: https://www.tiktok.com/@raw_rebellious?lang=enRaw Intentions Podcast Instagram: https://www.instagram.com/rawintentionspodcast/

Abe Gordon and John Nelson are back for a rare "victory edition" recap of Atlanta United's dominant 4-1 win over Atlas in their final match of Leagues Cup Play and the return of former Atlanta United Coach, Gonzalo Pineda.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

NWSL returned with a BANG coming out of the long international break. It was preceded by Ally Sentnor's blockbuster trade to KC. The games delivered on their own as Mia Fishel made her debut, and Trinity Rodman stole the show at Row-di. 11:00 Nick Cushing Named 1st Denver Summit FC Head Coach22:30 Ally Sentnor Blockbuster Trade To KC35:45 Sites & Sounds From Rowdi & Trinity Rodman's Return48:00 Rivalry Weekend Preview

VDVV-1837_1874 -Cach Doc Va Nghe Kinh A Di Da -Lam Cach Nao Doc Kinh A Di Da Bang Điển.mp3PodCast ChannelsVô Vi Podcast - Vấn Đạo  Vô Vi Podcast - Băn GiảngVô Vi Podcast - Nhạc Thiền 

Tựa Đề: Sự Mù Lòa Của Vị Vua Ngoại Bang; Kinh Thánh: 2 Các Vua 6:8-14; Tác Giả: VPNS; Loạt Bài: Sống Với Thánh Kinh, Bài Học Kinh Thánh Hằng Ngày, Tĩnh Nguyện Hằng Ngày, Sống Với Thánh Kinh

“I don't know where I'm going from here, but I promise it won't be boring.” Those words were spoken at one time by David Bowie, and thus are gospel to us here on The Art of Longevity podcast. Fortunately, some bands still live by that same philosophy. For evidence, we revisit the world of Suede. Suede has refused to become boring. Somehow, this band of 40 years have gone the other way - more exciting and visceral than ever. Suede are not hanging about to become their own echo! Albums like Autofiction and now, its immediate follow-up Antidepressants are not just the proverbial ‘return to form' type records. They are nothing short of a reinvention. Mat Osman, co-founder member with Brett Anderson and bass player, shares his views on the new Suede record:“It feels like Autofiction on steroids. If Autofication was a TV show, Antidepressants is the film version. We took everything more widescreen with this record”. However, for Osman - you can forget about that old cliche of a band making music for themselves and hoping the world will agree (that's what Rick Rubin has been telling us with The Creative Act: A Way of Being and to be fair, more than a few artists have told me it works for them. It's not for Suede. Instead, the band's creative mission has been guided by their fans - their reactions at live shows, to the band directly, but also the band's own interpretation of what a Suede audience really wants. “A band without an audience isn't a band. It's a hobby,” Osman declares. That emotional connection is Mat's affirmation - fan tattoos of favourite songs, tears at gigs, and stories about Suede songs at weddings. This fan connection is Suede's compass in the band's 4th career phase. And so we return to a key central theme of longevity; usefulness to people. “As I get older, those moments where someone says, ‘That song helped me,' mean everything,” he reflects. “That's what I'm proud of. There's a community feel [between the band and the fans] that becomes more and more important. It's evident from this ‘Revisited' episode, that Mat Osman and Brett Anderson have a fair degree of telepathy on many things - a shared vision that no doubt has added focus to Suede's current run of creative form. They even agree on the most ironic thing about where Suede has arrived; that they were the least likely band to survive in the first place. “Longevity is not something we strived for, it just happened as a side effect of our bloody mindedness and passion for making music”.They still have it. Season 12 of The Art of Longevity is Powered by Bang & Olufsen. Long copy can be found on www.songsommelier.com.Support the showGet more related content at: https://www.songsommelier.com/

Op 6 augustus 1945 gooiden de Verenigde Staten een atoombom op de Japanse stad Hiroshima. Drie dagen later was ook Nagasaki aan de beurt. Sindsdien durfde geen enkel land de atoombom nog te gebruiken. Vandaag, exact 80 jaar later, lijken de herdenkingen urgenter dan ooit. Want volgens de symbolische doemdagklok stonden we nooit eerder zo dicht bij het einde. Waarom dreigen sommige wereldleiders er zo lichtzinnig mee om weer kernwapens in te zetten als het moet? En waarom zit het trauma van Hiroshima zelfs niet meer in het collectieve geheugen van jonge Japanners? ­ Journalist Steven De Foer | Presentatie en redactie Yves Delepeleire | Eindredactie Fien Dillen, Lise Bonduelle, Yves Delepeleire | Audioproductie en muziek Brecht Plasschaert | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

Tựa Đề: Sự Mù Lòa Của Vị Vua Ngoại Bang; Kinh Thánh: 2 Các Vua 6:8-14; Tác Giả: VPNS; Loạt Bài: Sống Với Thánh Kinh, Bài Học Kinh Thánh Hằng Ngày, Tĩnh Nguyện Hằng Ngày, Sống Với Thánh Kinh

Blake & Marcos talk about the good, the bad and...is there any ugly? Standouts and who needs to step up all on the #RBRPodcast

Thủ tướng Anthony Albanese vừa công bố tân Ủy viên Cảnh sát Liên bang Úc châu, một vị trí "quan trọng" đối với an ninh quốc gia. Đó là bà Krissy Barrett, người sẽ nhậm chức nhiệm kỳ kéo dài 5 năm vào tháng 10.

Lars Larson highlights violence in downtown Portland and Seattle, calling out leadership failures, defunded police, and the economic decline of key properties and businesses. https://www.clarkcountytoday.com/opinion/opinion-leaders-doing-a-bang-up-job-of-making-downtowns-safe/ #LarsLarson #PortlandCrime #SeattleViolence #NorthwestNonsense #UrbanDecay #Opinion #PoliceDefunding #RetailClosures #PublicSafety

Blake & Marcos talk about the good, the bad and...is there any ugly? Standouts and who needs to step up all on the #RBRPodcast

BANG! @southernvangard radio Ep444! The Summer '25 tequila sessions continue - Doe and Meeks are on full tilt, the new music is never ending and there's no stopping the best darn mix show on the planet. The homies JR SWIFTZ and JAMIL HONESTY blessed us with a WORLD EXCLUSIVE off their upcoming LP, and man is it a treat. Don't forget you can hit PATREON.COM/SOUTHERNVANGARD to catch full video to see how we make the donuts ever Sunday night on TWITCH.TV/SOUTHERNVANGARD. Go ‘head now - hit play, ‘cause GARD IS THE GREATEST and it's that #SMITHSONIANGRADE #YOUWAAAAALCOME // southernvangard.com // @southernvangard on all platforms #hiphop #rap #undergroundhiphop #boombap ----------- Recorded live August 3, 2025 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks ----------- Pre-Game Beats - Cookin Soul “Southern Vangard Theme” - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst. - “Sunday School” - Daringer “One Gear” - Silent Funk (Rhinoceros Funk, Silent Someone & DJ JS-1) “Culture Cypher” - UFO Fev & Big Ghost Ltd ft. DJ Perly “Wolf Ticket” - Sankofa ft. Defcee “Big Mufti” - Osbe Chill “Lord Of The Flies” - Jay Royale ft. Raf Almighty (prod. Pete Twist) “Spraygounds” - NapsNdreds “Streets Alone” - OT The Real & 38 Spesh Talk Break Inst. - “Dough & Damani Pt. 2” - Daringer "Keep On” - The Hue “Gifted” - Fee the Evolutionist ft. REKS & DJ Myth “F.A.M.I.L.Y." - Murs “Ebony Fashion Fair '88" - J Scienide & Bes Kept “What You Leave Behind” - Blueprint Warlock - OT The Real & 38 Spesh “4eva Nyce” - JR Swiftz x Jamil Honesty ** WORLD EXCLUSIVE ** Talk Break Inst. - “Gods Don't Bleed” - Daringer “Tricky” - Rome Streetz "Holy Oil” - Nowaah The Flood & The Custodian Of Records ft. DNTE “Se7enteen5ive” - Conway (prod. Conductor Williams) “The Revolution Will Be Monetized” - Chris Crack (prod. DJ Koost) “Salmon” - Doza The Drum Dealer x BhramaBull “I Love this Shit” - Jay Exodus “Why Was Kelis Warming Up Her Milkshakes” - Chris Crack (prod. Byron The Aquarius) “Break A Leg” - Lord Juco & The Standouts Talk Break Inst. - “Gold Pots” - Daringer ---------- ** TWITCH ONLY SET ** “Raf Simons” - Ru$h & Tha God Fahim "Different Phases” - Evidence “Head First” - CERTAIN.ONES “High Technology” - Estee Nack x V Don ft. Al.Divino, BoriRock & Shaykh Hanif “Grease” - OT The Real & 38 Spesh ft. Dave East "I Got It Made” - Special Ed (prod. Hitman Howie Tee) “I'm The Magnificent” - Special Ed (prod. Hitman Howie Tee) “I'm The Magnificent (The Magnificent Remix)” - Special Ed (prod. Hitman Howie Tee)

On today's show, Jase gets a message from Mike Minogue and Pugs has been cooking up some absolute heat from studio B. TIMELY REMINDER:(00:00) Intro: Off with a BANG!(02:11) R.I.P The New Name(03:11) No more Bachelor Hoytey J(10:28) NOTHIN' BUT 90S(14:20) What's On Telly(21:10) Intro: We're not envious...(22:49) Mogey needs your help!(26:51) The Return of SBATJ(30:31) A Special Big Show Memory(35:06) V.I.B!(39:42) Intro: The New RE Burger store!(40:46) The Brewery of the Day! (42:45) Keyzie's epic stag do!(48:17) Farewell! Follow The Big Show on Instagram: https://www.instagram.com/haurakibigshow Subscribe to the podcast now on iHeartRadio, YouTube, or wherever you get your podcasts! Featuring Jason Hoyte, Mike Minogue, and Keyzie, "The Big Show" drive you home weekdays from 4pm on Radio Hauraki. Providing a hilarious escape from reality for those ‘backbone’ New Zealanders with plenty of laughs and out-the-gate yarns. Download the full podcast here: iHeartRadio: www.iheart.com/podcast/1049-the-hauraki-big-show-71532051/?follow=true Apple: https://podcasts.apple.com/us/podcast/the-hauraki-big-show/id1531952388 Spotify: https://open.spotify.com/show/20OF8YadmJmvzWa7TGRnDI See omnystudio.com/listener for privacy information.

Trinity Rodman is BACK! After missing multiple months with a back injury, the Washington Spirit star returned in dramatic fashion—scoring the game-winning goal in the 94th minute to lift the Spirit over Portland. Craig was in attendance and recaps the electric atmosphere and what the moment meant for Rodman in her first game back.

Puntata 574 con Anna e Marco ai microfoni. Anna ci racconta di come le zanzare abbiano diversi sistemi per trovare la loro preda e selezionare quella per loro migliore. In esterna,   Leonardo intervista Vincenzo Mancuso, Professore  associato all'università di Palermo e ricercatore dell'istituto IMDEA. Vincenzo ci parla di come funziona il continuo edge-cloud nelle reti 5G.  Dopo la barza, Marco ci parla di transizioni di fase nlla fisica e di come i quark possano ghiacciare.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/scientificast-la-scienza-come-non-l-hai-mai-sentita--1762253/support.

#iconic #actor #PeterWeller chats about #literature, #jazz and his new film #Bang and why he took on the role.Weller is known for his roles in #Robocop, #robocop2 and #BuckarooBanzai. He is also a literature professor at #syracuseuniversity

BANG! @southernvangard radio Ep442! BACK FROM SUMMER! BACK TO BACK! Vangardians, we are back in business after an extended summer break, and boy do we have quite the episode for you. WORLD EXCLUSIVES from ILLUSTRATE, SENOR KAOS, EDDIE MEEKS, VON PEA, SUPASTITION MRK SX, 4IZE GODBLESSBEATZ DOE BOY PHILLY JALEN FRAZIER, K-PREZ….aaaaaand BREATHE….Meeks brought the tequila through! Goodness gracious sakes alive it's that #SMITHSONIANGRADE #YOUWAAAAALCOME // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap Recorded live July 27, 2025 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Pre-Game Beats - Al Rock “Southern Vangard Theme” - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst. - “TNT (Tobacco & Trees)” - KanKick “Off Broadway” - Senor Kaos x Illastrate ft. Von Pea & Eddie Meeks ** WORLD EXCLUSIVE ** “Bear Hill" - Raekwon “Wonderful” - The Fifth Degree ft. Terror Van Poo X Tons (prod. CNR_JAXX) “The Eliminator” - Senor Kaos x Illastrate ** WORLD EXCLUSIVE ** "Wild Corsicans” - Raekwon, Conway the Machine, Benny the Butcher & Westside Gunn “Rari Keys” - Minister Hyde & Mondo Slade “Book Of Eli” - Joe D. Talk Break Inst. - “Revolution With Tosh Leading” - KanKick “Check In” - MRK SX x Illastrate ** WORLD EXCLUSIVE ** “Writings On The Wall” - Senor Kaos x Illastrate ft. Supastition & 4 Ize ** WORLD EXCLUSIVE ** “Mad Scientist” - Yah Sin ft.. Method Man “Primavera” - M-Dot & Confidence ft. Big Shug & Royal Flush “The Omerta” - Raekwon & Nas “Frida Kahlo” - K-Prez (prod. godBLESSbeatz) ** WORLD EXCLUSIVE ** “Work Hard, Play Harder” - UFO Fev & Big Ghost Ltd ft. Jose Santiago “18 Ballgames” - OT The Real x 38 Spesh “Cheddar Biscuits” - Doe Boy Philly (prod. godBLESSbeatz) ** WORLD EXCLUSIVE ** Talk Break Inst. - “Cosmic Propane” - KanKick “Cold Blooded” - Spit Gemz x D-Styles “Checkmate” - Reek Osama & Perutheproducer “Play Ya Position” - Al Rock ft. Chrisfader & Eddie Meeks “Trust Me” - Al Rock ft. J Scienide “Art Piece” - El Gant ft. Ras Kass “Fried Rices” - Jalen Frazier (prod. godBLESSbeatz) ** WORLD EXCLUSIVE ** “Better” - Lord Juco & The Standouts “Jasmine's" - Benny The Butcher ft. Westside Gunn (prod. Daringer) “Smithsonian” - Machacha ft. Jamil Honesty & André DeSaint “X-Rays” - Lord Juco & The Standouts Talk Break Inst. - “EVALC Clone” - KanKick

BANG! @southernvangard radio Ep442! BACK FROM SUMMER! BACK TO BACK! This episode was the last episode before summer break that never posted for whatever reason ( Jon Doe got lazy and was enjoying being in the woods is the reason). So take a trip down memory lane to June 11 2025and after that hit Episode 443 which is the return from summer break and the return of that #SMITHSONIANGRADE you've been missing! #YOUWAAAAALCOME // southernvangard.com // @southernvangard on all platforms #hiphop #undergroundhiphop #boombap Recorded live June 11, 2025 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on all platforms #SmithsonianGrade #WeAreTheGard twitter/IG: @southernvangard @jondoeatl @cappuccinomeeks Pre-Game Beats - Eloquent / Tuamie “Southern Vangard Theme” - Bobby Homack & The Southern Vangard All-Stars Talk Break Inst. - “Grand Opening" - Wino Willy (co-prod. Moo Latte) “Solid" - Dax Mpire & Doza The Drum Delaer “Ordells Kangol” - T.F & Khrysis “Funny Farm (We're On The Ship)” - J Scienide & Bes Kept “Two Man Crew” - The High & Mighty “Tech Support” - Sean Links “Ride & Die” - Money Mogly x Machacha “Greatness” - Sh4mel Talk Break Inst. - “25 Bonnie” - Wino Willy “Queens Get Da Money” - Red Inf & Element Bolo ft. Nutso “What It Is (TGB)" - T.F & Khrysis ft. SiR "Rocket Science (MiLKCRATE Remix)” - Rob-O x Lex (de Kalhex) “Legendary Biopic” - D-Styles / Bernadette Price / Terror Van Poo “Arabic Dial” - Al.Divino “Jumpin Janet” - Let The Dirt Say Amen “Pathfinder” - WhoisBravy Talk Break Inst. - “Strange” - Wino Willy “On A Mission” - Jalen Frazier & GodBlessBeatz “Super Sound" - The High & Mighty ft. Breeze Brewin “Gamble” - Illien Rosewell ft. Blu “Breastmilk” - Mark 4ord (prod. Homage) “Foot Chase” - HWY 308 & DJ Jug E ft. Lord Juco “Grand Opening” - Reek Osama & Wino Willy (co-prod. Moo Latte) “Agneau De Lait (Remix) - Clovis Ochin & DJ Low Cut ft. Conway The Machine & Sonnyjim Talk Break Inst. - “Rear View” - Reek Osama & Wino Willy

* Of Pangolins and Protection: Fred and Ryan review the latest Creation Magazine, starting with the pangolin! Its an armored, anteater-like creature with keratin scales and unique defensive design. Evolutionists once linked it to armadillos, but genetic studies disproved the connection, forcing an appeal to convergent evolution—a recurring "rescue device" for failing Darwinian models. * Shark Skin and Airplanes: From ocean to air, shark skin's ridged structure reduces drag. Engineers have reverse-engineered this feature for airplane coatings and banned swimsuits. Like past guest Dr. Michael Egnor noted, reverse engineering proves intentional design. * A Forest from a Warmer Past: Global warming headlines falter as ancient warm-climate forests are discovered under melting snow in Wyoming.  * Dawkins vs. Dawkins: Irony strikes as atheist icon Richard Dawkins clashes with the Freedom From Religion Foundation over gender ideology. Dawkins is now censored for insisting humans can't change biological sex. As Romans 1 says, suppressing truth leads to folly. *  Life on Bennu? Not So Fast: NASA's return samples from asteroid Bennu contain racemic amino acids—both left and right-handed—suggesting death, not life. Fred and Ryan highlight the missed opportunity by CMI to support the Hydroplate Theory, which better explains why Earth-like materials (like serpentinite) are found in space. * Dire Wolves and DNA: A biotech firm claims to have "de-extincted" the Ice Age dire wolf using CRISPR and gray wolf DNA. But critics argue it's just a genetically engineered look-alike. The ethics—and science fiction parallels—raise valid concerns about modern tinkering with life. * Ant Eyes and Imaging Breakthroughs: Desert ants' compound eyes detect polarized light to navigate featureless landscapes. Chinese scientists copied this tech to enhance imaging—enabling detection of cancer cells without staining. Once again, man learns from the Master Engineer.

Full interview: Infrastructure Commission Te Waihanga chief executive Geoff Cooper joins Jack Tame to talk about the country's infrastructure pipeline, and why the spending New Zealand puts toward infrastructure doesn't necessarily result in the most effective outcomes — especially when it comes to renewing existing infrastructure.

We're back for one more week of the MONTH OF ACTION! What better way to send it off than by bringing back a couple of familiar faces and hanging out at one of the most famous prisons in the world. It's time to venture to THE ROCK! Sean Connery, Nicholas Cage, Ed Harris and director Michael Bay give us a high explosive ride filled with a stellar supporting cast, a wild plot and some really questionable, highly dangerous green balls. It's time to end this month with a BANG!, this week on the Dissect That Film Podcast: Episode 214.   Intro Music by DARKRAIZARD Intro/Outro created by Mickey Joe Smith Help support the show and join us on PATREON: https://patreon.com/dissectthatfilm  GO TO OUR LINKTREE FOR ALL OF OUR LINKS https://linktr.ee/dissectthatfilm Check out Dan's MTG podcast Manawurm on Spotify.   Time Stamps: Intro/Trivia - 0:00:00-0:22:44 Movie Breakdown - 0:22:44-1:29:25 Final Thoughts - 1:29:25-1:39:43 Social Media Comments - 1:39:43-1:44:39 End of Show: 1:44:39-1:52:59

Talk about being hands-on at Goodness Village! Molly Bang, GV's resident volunteer masseuse, chats with Jackie Ayo about what it's like to provide a healing touch for our neighbors.

This week's Bonus Bang is the fourth in our "I Love Lily" series titled "Love, Bridge". Award nominated actor Jack Quaid joins Scott to talk about his animated character from Star Trek: Lower Decks being live action in the new season of Star Trek: Strange New Worlds, how a Facebook video he made at 15 appeared in a Scream movie, and the Transformers universe. Then, author Bridget Jones returns to read new entries from her diary. Later, TV host The Crypt Keeper stops by to talk about his audition for Tales from the Crypt. Plus, the ghost of musician Dr. John returns in search of a lawyer for a big case. (Originally released as episode #816 on 6/11/2023) Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb

Songs of Impact in honor of Chantel

SWAMP regular Erin, cousin of Dara, joins us to end Spielberg month with a Last Crusade. Tumblr Post MentionedHenry's Letterboxd I shouted out a chocolate chip cookie recipe in this episode that I now realize is behind a paywall (boo) so I am pasting it below:IngredientsYield: 10 cookies2cups/256 grams all-purpose flour½teaspoon baking soda¾teaspoon salt½pound/227 grams unsalted butter (2 sticks), room temperature1½cups/302 grams granulated sugar¼cup/55 grams packed light or dark brown sugar1egg1½teaspoons pure vanilla extract6ounces/170 grams bittersweet chocolate (about 60 percent cacao solids), chopped into coarse pieces, bits and shardsPreparationStep 1Adjust an oven rack to the middle position. Line 2 baking sheets with aluminum foil, parchment paper or nonstick baking mats.Step 2In a small bowl, whisk the flour, baking soda and salt.Step 3In the bowl of a stand mixer fitted with a paddle, beat the butter on medium until creamy. Add the granulated and brown sugars and beat on medium until light and fluffy, 2 to 3 minutes. Add the egg, vanilla and 2 tablespoons water, and mix on low to combine. Add the flour mixture, and mix on low until combined. Add the chocolate and mix on low into the batter. (At this point, the dough can be refrigerated for several hours or overnight.)Step 4Heat the oven to 350 degrees. Form the dough into 3½-ounce (100-gram) balls (a heaping ⅓ cup each). Place 4 balls an equal distance apart on a prepared pan, and transfer to the freezer for 15 minutes before baking. After you put the first baking sheet in the oven, put the second one in the freezer.Step 5Place the chilled baking sheet in the oven and bake 10 minutes, until the cookies are puffed slightly in the center. Lift the baking sheet and let it drop down against the oven rack, so the edges of the cookies set and the inside falls back down. (This will feel wrong, but trust me.) Bang it down, if necessary, to make the center fall.Step 6After the cookies puff up again, 2 to 3 minutes later, repeat lifting and dropping the pan, every 3 minutes, to create ridges around the edge of the cookie. Bake 16 to 18 minutes total, until the cookies have spread out, and the edges are golden brown, but the centers are much lighter and not fully cooked.Step 7Transfer the baking sheet to a wire rack; let cool before removing the cookies from the pan.Step 8Repeat with remaining cookies, using the first sheet pan for the third batch of cookies.Send us a textSWAMP stuff:PatreonSocials:TikTok: @theswamppodcastInstagram: @theswamppodBluesky: @theswamppodcast.bsky.socialYouTubeDara's Letterboxd Emily's Letterboxd Our website: https://www.the-swamp-podcast.com/Email: theswamppod@gmail.com

It's a massive day on Sorare and we're breaking it all down LIVE! The Premier League returns with brand new cards, Loyalty Boxes are finally open, Hot Streaks are boosted, and the Sorare Wheel has arrived!Join me as we analyze the auctions, react to rewards, and talk strategy for the weeks ahead. Whether you're here for collection bonuses, SO5/7 dominance, or just the chaos of early access — you won't want to miss this one!

Bang voor wat hij zou aantreffen in het land dat hij twaalf jaar geleden ontvluchtte — zo omschrijft journalist Somer Al-Abdallah zijn reis terug naar Syrië. Hij vluchtte destijds voor de burgeroorlog en voor bedreigingen aan zijn adres. Nu is hij teruggekeerd om met eigen ogen te zien wat er van zijn geboorteland is geworden. Belangrijker dan wat ook: hij heeft zijn vader en moeder opnieuw kunnen ontmoeten. Somer schreef, voor zover dat in Syrië mogelijk was, verhalen. ‘Schrijven is een deel van mijn identiteit,’ zegt hij. Ook in Nederland werkt hij als journalist. Zijn verslag van de terugkeer toont hoe de hoop bij veel Syriërs is verdwenen. Het nieuwe regime maakt zijn beloften niet waar; de situatie oogt hopelozer dan ooit. Somer vertelt over zijn ervaringen in Syrië én over het leven als journalist en nieuwkomer in Nederland. Productie: Tycho Nicolaï en Kees van den Bosch.See omnystudio.com/listener for privacy information.

This show is brought to you by Brownells! Double Tap Episode 420 This episode of Double Tap is brought to you by: Swampfox Optics, Night Fision, Medical Gear Outfitters, XTech Tactical, Rost Martin, Mitchell Defense, and Bowers Group   Welcome to Double Tap, episode 420! Your hosts tonight are Jeremy Pozderac, Aaron Krieger, Nick Lynch, […] The post Double Tap 420 – Bang Fast appeared first on Firearms Radio Network.

After we spent last week in the muck and mire, this episode takes us up where skies are blue.   Just watch for the mushroom clouds.   The guest is Scott Carson, pseudonym of thriller writer, Michael Koryta, and author of The Chill (2020), Where They Wait (2021), and last year's phenomenal Lost Man's Lane. His new novel, Departure 37 is something totally different – it has Cold-War conspiracy, AI anxiety, tech-terror and nuclear brinkmanship.   Y'know, it's like the news … but fun!   Scott and I discuss all of that, as well as the aviation mysteries that fascinate us both, and I give a much-deserved nod to the 90s brilliance of Michael Crichton.   Enjoy!   Other books mentioned: Where They Wait (2021), by Scott Carson Lost Man's Lane (2024), by Scott Carson The Chill (2020), by Scott Carson Sole Survivor (1997), by Dean Koontz The Shining (1977), by Stephen King Nuclear War: A Scenario (2024), by Annie Jacobsen Six Days of the Condor (1974), by James Grady The Auctioneer (1975), by Joan Samson King Sorrow (2025), by Joe Hill Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Bluesky @talkscaredpod.bsky.social on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Double Tap Episode 420 This episode of Double Tap is brought to you by: Swampfox Optics, Night Fision, Medical Gear Outfitters, XTech Tactical, Rost Martin, Mitchell Defense, and Bowers Group   Welcome to Double Tap, episode 420! Your hosts tonight are Jeremy Pozderac, Aaron Krieger, Nick Lynch, and me Shawn Herrin, welcome to the show! GOALS   August 9th and 10th in Knoxville, Tennessee. Knoxville Convention Center Free to GOA members https://events.goa.org/goals/   Free exclusive shirt if you attended both GunCon and GOALS AND Send pics with the cast from each event to automated@welikeshooting.com - Dear WLS Sean M - I've got a PTR91 setup as somewhat of a DMR with a Magpul PRS stock and a Swampfox Arrowhead 1-10. I'm thinking of dumping the 2nd focal plane lpvo, what suggestions would you have for a different optic for that concept? Otherwise, what would you guys do for a "modern battle rifle" setup? Optics, furniture, etc? Cheers, Sean M No notes And 171 for life Nick D - I have a Mitchell shorty DOC with the mloc guard. I want to get a Midwest suppressor hand guard and a dead air can for it so I can have more rail space. Would this be a good set up? Any other suggestions? I have a heat wrap on the rail now and it takes up almost the entire rail. Help Alex S - I recently picked up an older Rem700 in 7mm Rem Mag. Been shooting my .308 out to distance (~550yds) but wanted to go further so i picked this up on a deal. I posted on DangFree about my new scope(Strike Eagle 5-25 FFP) and got a lot of great help there. My question for you today is about the barrel. It is the standard thinner profile barrel and heats up quick after my first few rounds. Is it worth swapping the barrel out to a bull? Should i leave this rifle as-is and invest in a new platform? Any other suggestions? Thanks for your abuse in advance! Wls4life Ragequit from Twitch - Hola everybody, looking into some defensive pistol/ar training and I'm having a hard time trying to figure out what is worth the time and money. I have seen everything from basic pistol courses where it appears they are indoors at a range to courses that are defensive/competition style classes. And when looking into defensive ar courses it runs the gamut from just getting into ar's to having “professional” training for wet work. What do I look for when trying to decipher the description of classes? I am located near the PA/MD/VA area so for the most part that is not a bad drive for most training if there is a recommendation for classes. What should I look for and what “descriptions “ should I steer away from. I appreciate any help, one of the watchers from twitch Ryan W - I have a registered SBR and recently moved to a new city. (It's an actual SBR with a stock, not a braced pistol, I am not one of those guys.) I read on the ATF website that a change of address form could be submitted after a move, as long as I am not crossing state lines. However, I have also read that the ATF is no longer requiring a change of address form at all, as long as the new address is in the same state. Do you know if this is true? Also, how long do you have after a move to notify the ATF? Thank you for the help...hopefully Mike H - Throwing an update since I already decided on my optic I was asking about earlier, found a great deal on a Sig Sierra3BDX 4.5-14x44 scope and picked up a rangefinder to go with, the scope was only $300 Nick F - odd question but have any of the cast looked into the "no new cemetery " conspiracy? I've found that some cemeteries practice the 50/100 year rule. apparently you don't own your plot forever..... Daniel A - What would you choose to defend yourself FN HP 9mm older model or a DB9 gen4? And is the older FN HP better than the new ones?   The winner of this week's swag pack is Mike H! To win your own, go to welikeshooting.

Get My Book On Amazon: https://a.co/d/avbaV48Download The Peptide Cheat Sheet: https://peptidecheatsheet.carrd.co/Download The Bioregulator Cheat Sheet: https://bioregulatorcheatsheet.carrd.co/

DJ Boogie Bang Live Set @ Sounds Of Sullie | 7.26.25 @ Blind Tiger | Indianapolis, Indiana by DJ Boogie Bang

IndieSeen returns with a BANG! BOOM! POW! of an episode as we look at the new documentary, The Last Days of Joseph Koch Comics Warehouse!The movie follows the closing weeks of a massive Brooklyn pop culture warehouse/store run by Joseph Koch since 1988. Now, facing retirement, Koch must liquidate everything and plan for a future in which he plans to catch up on the myriad four-color adventures he's spent decades selling but not reading.Sujewa put the film together in the midst of his 53 Spaceships project, and the results frustrated his co-host to no end. In this candid conversation, they dig into the how's, why's, and WTF's of a movie that Ian can't quite recommend to fellow comics enthusiasts.The guys also welcome documentary participant Amanda Haynes for the first few minutes, as she extolls the virtues of biographical comics and explains her very personal connection to Neil Gaiman's Sandman comics.Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch The Last Days of Joseph Koch Comics Warehouse for free on YouTube!There's still a bit of time to get some great deals from the man himself! Check out Joe's website (or visit the warehouse if you're in Brooklyn!) through the end of July 2025.Support Sujewa's new film project, 53 Spaceships, the latest adventure of Cosmic Disco Detective Rene!Check out Sujewa's latest podcast venture, This Arthouse Life! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

* "Pseudoscience" and Reverse Engineering: This week Fred Williams and Doug McBurney welcome Dr. Michael Egnor: author of "The Immortal Mind", a medical doctor, professor of neurosurgery at Stony Brook University, and a senior fellow at the Discovery Institute who's been a leading voice addressing intelligent design, the mind-brain relationship, and the limits of materialist explanations in science. * The Heart of the Matter: Listen in as Dr. Egnor explains how the assumption that the heart is a pump, (a design inference) is essential to analysis of the "Windkessel effect" and how the design of the circulatory system of the brain protects delicate microcirculation infrastructure from the powerful pumping force of the heart. * Hemispheres: Get the back story on a surgical procedure called the "hemispherectomy", and it's implications for the mind/body interface, including fascinating descriptions of how Penfield's study of seizures implies that reason, abstract thought and the will arise not in the brain, but elsewhere. * Flesh Versus Mind: Dr. Egnor reviews the thoughts of Aquinas, Plato, Ryle, Descartes, Aristotle and others regarding the mind and the body, and the compatibility of those thoughts with the best understanding of modern neuroscience. * The Savant: Hear Dr. Egnor comment on Bob Enyart's theory regarding the often amazing capabilities displayed by savants. * Soul, Spirit & Body: Listen to Fred, Doug & Dr. Egnor explore the nature of the body, soul, spirit relationship, and how Francis Crick proved that being smart does not necessarily make one wise, (check out quote number three)!

Season 7 of Welcome to Plathville is off with a BANG! Kim moved off her house boat, Beep Boop Bop Barry is still jacked, Isaac has a new girlfriend, Ethan has a beard, Moriah is still a Forgiven Rebel, Lydia is in love with a dork, and Veronica is a mean girl. Whew! We have so much to say this week, so get ready! Join us on Patreon for our exclusive after-show and so much more as we dive back into one of our favorite and stinkiest of dumpsters! Get tons more cringey content on our Patreon! https://patreon.com/realitytvcringeFollow us on IG https://instagram.com/realitytvcringeSubscribe to see our raccoon faces on YouTube! https://www.youtube.com/channel/UC_2CgqXLWjIEKV9PCtH3Kjw?sub_confirmation=1Leave a message for us on SpeakPipe: https://speakpipe.com/realitytvcringeSupport the pod by leaving a 5-star review on your favorite podcast platform! Thank you so much!

This week's Bonus Bang is the third in our "I Love Lily" series titled “Oi Noi, BB Bridgers”. Bicky from the Gym joins Scott once again to talk about her new career as a famous Australian actress/model. Then, Hip-Hop superstar MC Sugar Butt returns to sell some of his Herbalife products. Plus, Pastor Pasta is back to push more pasta. (Originally released as episode #739 on 1/9/2022) Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb

Paul F. Tompkins (Mr. Show, Comedy Bang! Bang!) joins David to talk about tall buildings, the creation of the universe, and more. Catch all new episodes every Thursday. Watch video episodes here.Guest: Paul F. TompkinsSubscribe and Rate Senses Working Overtime on Apple Podcasts and Spotify and leave us a review to read on a future episode!Follow David on Instagram and Twitter.Follow the show:Instagram: @sensesworkingovertimepodTikTok: @swopodEditor: Kati SkeltonEngineers: Anya Kanevskaya and Casey DonahueExecutive Producer: Emma FoleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's Bonus Bang is the second installment in our "I Love Lily" series and was originally titled "Better Call Bed Bath & Beyond" and features Lily Sullivan as Francesca Bolognese! Professional actor Bob Odenkirk joins Scott once again to talk about how Better Call Saul will end, his exercise regimen for the action movie Nobody, and his upcoming book “Comedy Comedy Comedy Drama.” Then, social media expert Francesca Bolognese returns to talk about her new position. Plus, disruptor Skints McGlinty returns to make a major cryptocurrency announcement. (Originally released as episode #705 on 5/9/2025) Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb