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One day you're comparing Roth IRA options. The next you're helping Mom navigate long-term care paperwork, fighting with a bank over a power of attorney document, and wondering how anyone manages all this without losing their sanity.Welcome to the world of financial caregiving.Today, certified financial planner and financial journalist Beth Pinsker joins us to share the lessons she learned while helping manage her mother's finances during a health crisis. From powers of attorney that don't always work when you need them to the surprising warning signs that an aging parent may need help, Beth offers practical advice every family should hear before an emergency arrives.Then in our headline segment, a blast from the financial past: unconventional mortgages are making a comeback. Are these products helping qualified borrowers who don't fit the traditional mold—or are we seeing early warning signs of the next lending problem?Plus, Doug celebrates the legacy of Ray Charles with today's trivia challenge.In Today's EpisodeWhy financial caregiving is far more complicated than most families expectThe paperwork Beth wishes she'd completed before her mother's medical emergencyHow power of attorney works—and why it may not work as smoothly as you thinkWarning signs that a parent may be struggling financially or cognitivelyThe surprising problems created by passwords, two-factor authentication, and modern banking systemsWhy trusted contacts, healthcare proxies, and emergency document folders matterCommon family conflicts that emerge during caregiving and estate settlementWhether today's unconventional mortgages should worry homebuyersThe important differences between today's lending environment and 2008Ray Charles trivia from DougOur GuestBeth PinskerBeth Pinsker is an award-winning financial journalist, Certified Financial Planner™, and author of My Mother's Money: A Guide to Financial Caregiving. Through both her professional expertise and personal experience, Beth helps families prepare for the financial realities of caring for aging loved ones.Mentioned In Today's ShowMy Mother's Money: A Guide to Financial Caregiving by Beth PinskerLong-term care insuranceFinancial power of attorneyHealthcare proxy documentsTrusted contactsEstate planning basicsNon-conforming mortgagesRay CharlesDoug's TriviaWhich Ray Charles hit became an official state song?Better Call Saul...Sehy & OGWhat financial caregiving preparations have you already completed—and which ones are still sitting on your to-do list?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
After a 2000 murder case went cold, Kentucky housewife Susan Galbreath did her own snooping. With the help of cooperative cops and a British journalist, she identified Quincy Cross as Jessica Currin's killer. Quincy got a life sentence and Susan became a local hero. But in a story already filled with inconsistencies and recantations, Susan never disclosed the original prime suspect was her friend's son. Now, Susan's own son is stepping forward with new evidence, saying her mother's tales should not be believed. From Message Heard and Sony Music Entertainment comes the podcast “My Mother's Lies.” Host Beth Karas explains how Galbreath and her enablers reshaped the investigation, diverting attention from one suspect to another. It asks whether money, recognition, and self-preservation drove a citizen sleuth to knowingly put the wrong man in prison. OUR SPOILER-FREE REVIEWS OF "MY MOTHER'S LIES" BEGIN IN THE FINAL 13 MINUTES OF THE EPISODE. In Crime of the Week: like shooting fish in a breakroom. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Road to Macstock takes a serious turn as Mike T. Rose previews his workshop on becoming a digital caretaker for family members and loved ones. Mike discusses scams targeting older adults, password sharing, remote support, Apple Passwords, financial preparedness, and the need to balance protection, respect, independence, and trust when helping others manage their digital lives. Today's edition of MacVoices is supported by MacVoices Live!, our weekly live panel discussion of what is going in the Apple space as well as the larger tech world, and how it is impacting you. Join us live at YouTube.com/MacVoicesTV at 8 PM Eastern 5 PM Pacific, or whatever time that is wherever you are and participate in the chat, or catch the edited and segmented versions of the show on the regular MacVoices channels and feeds. Show Notes: Chapters: 00:00 Introduction to Mike T. Rose on the Road to Macstock00:59 Remembering Mike stepping in during a past conference02:12 Mike reflects on filling in and returning to MacStock03:00 Speaker continuity and community expectations04:23 Staying healthy before the conference04:52 Mike introduces his workshop format05:12 Stepping into the role of a digital caretaker06:48 A Microsoft Office upgrade reveals a bigger issue08:39 A family member is caught by a Venmo scam09:19 Managing risks, passwords, and financial access10:11 Using built-in Apple tools instead of advanced services10:25 Safari, Chrome, verification codes, and Apple Passwords10:57 Setting up shared family password folders11:29 Defining digital caretaking12:39 The family “alpha nerd” becomes responsible14:11 Remote tech support challenges and FaceTime troubleshooting16:01 Asynchronous support, screenshots, and remote access tools17:57 Older adults as prime targets for scammers18:53 AARP, Craig Newmark, and scam-interruption resources19:51 Gift cards, retail workers, and scam warning signs20:35 Deepfakes, safe words, and trusted contacts21:40 Fake profiles and stolen valor scams22:48 Protecting family members from criminal targeting23:25 Romance scams, business scams, and phishing tactics25:02 Keeping loved ones safe without burning out26:09 The Beekeeper as a scam-awareness example27:07 Recommended resources and My Mother's Money28:18 Financial preparedness and how quickly gaps appear29:39 Using AI tools to find validated resources30:18 Why this workshop may matter to everyone31:02 The future reversal of helper and helped33:00 Balancing safety, respect, and autonomy34:00 Managing support while preserving dignity36:23 Mike's MacStock discount code37:01 Registering for MacStock and planning ahead38:14 Where to find Mike T. Rose and The Aftershow39:29 Mike's social channels and listener acknowledgments40:17 Remembering John Martellaro and Chuck La Tournous41:22 Final Macstock encouragement and wrap-up Guests: Mike Rose is a past Macstock speaker and multi-year attendee. He is an occasional podcaster with fellow Macstock speaker Kelly Guimont at aftershowpodcast.com, continuing their collaboration from the much-missed TUAW.com (The Unofficial Apple Weblog) in the 2000s and 2010s.Mike began his technology career at the dawn of the desktop publishing revolution, helping transform workflows and introduce the Mac at Entertainment Weekly and LIFE magazines in the 1990s. After his second career in the event production and sales training industry (working with clients such as Pfizer, Dell, AstraZeneca, Johnson & Johnson, and Deloitte), he pivoted to enterprise software in 2013 and is now a Senior Director of Solution Engineering at Salesforce.Outside of work, Mike is active in an NYC community choir, and supports his wife Heidi's congregation as a volunteer technology, AV and operations consultant. Mike & Heidi live in Brooklyn, NY with their two young adult daughters and one young adult cat. Catch him on The Aftershow with Kelly Guimont. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
223: Kiki on Location: Nemea, My Mother's Homeland Kiki Vale takes Kefi Life on location to Greece where it all began in Nemea. A stop at Nemea's oldest restaurant SOFOS is today topic. Today's Lexi: Αρχαία – Archaia – Ancient In Today's Episode: “Eu Zyn” is a greeting that was introduced to me last July by host and SOFOS restaurant owner, Eirini Koroka. While rebranding Kefi Life, this phrase carried a powerful meaning—one that is best understood through experience rather than simply reading the words on a page. Like many Greek expressions, its meaning goes beyond a direct translation. The first two letters, Eu (Εὖ), appear at the beginning of Eu Zyn and in many other Greek words, conveying the idea of goodness, wellness, and living well. These two simple letters set the tone for a life of purpose and positivity. With that spirit in mind, let us continue our journey to Nemea, in the region of Corinth, Greece—a land steeped in history and mythology. Known as one of the four great Panhellenic sanctuaries, Nemea is also celebrated for its exceptional wine and as the birthplace of my beloved Manoula (mother), Katina. Hear all about what makes the food of Nemea so delicious, and learn what is the key to preparing a memorable meal. Erini Koroka, owner and chef of SOFOS is full of delightful shares. Resources: SOFOS on Trip Advisor SOFOS on Greek Gastronomy About SOFOS: In Ancient Nemea, SOFOS is the longest-running local dining establishment. Established in the 1950s by Mrs. Athena, the tavern has been passed down through three generations of the family and remains renowned for traditional Greek home-cooking and local Agiorgitiko wines. Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Manos Koumparakis
Award-winning actor Kristin Scott Thomas talks to John Wilson about her career and cultural influences. After a breakthrough role in the Evelyn Waugh film adaptation of A Handful Of Dust, she became a global star with Four Weddings and a Funeral in 1994. Two years later, was Oscar nominated for The English Patient directed by Anthony Minghella. Her screen roles in the years since have included Gosford Park, The Horse Whisperer and more recently Rebecca and on television, Slow Horses. She has just made her debut as a director and screenwriter with My Mother's Wedding, inspired by her real life family story. Her extensive theatre credits include Chekhov's The Seagull, for which she won an Olivier Award, and she played The Queen in Peter Morgan's drama The Audience. Kristin Scott Thomas has also enjoyed a distinguished stage and film career in France, where she was awarded the Legion of Honour in 2005. In 2014 she was made a Dame for services to drama. Producer: Edwina Pitman
The Road to Macstock takes a serious turn as Mike T. Rose previews his workshop on becoming a digital caretaker for family members and loved ones. Mike discusses scams targeting older adults, password sharing, remote support, Apple Passwords, financial preparedness, and the need to balance protection, respect, independence, and trust when helping others manage their digital lives. Today's edition of MacVoices is supported by MacVoices Live!, our weekly live panel discussion of what is going in the Apple space as well as the larger tech world, and how it is impacting you. Join us live at YouTube.com/MacVoicesTV at 8 PM Eastern 5 PM Pacific, or whatever time that is wherever you are and participate in the chat, or catch the edited and segmented versions of the show on the regular MacVoices channels and feeds. Show Notes: Chapters: 00:00 Introduction to Mike T. Rose on the Road to Macstock 00:59 Remembering Mike stepping in during a past conference 02:12 Mike reflects on filling in and returning to MacStock 03:00 Speaker continuity and community expectations 04:23 Staying healthy before the conference 04:52 Mike introduces his workshop format 05:12 Stepping into the role of a digital caretaker 06:48 A Microsoft Office upgrade reveals a bigger issue 08:39 A family member is caught by a Venmo scam 09:19 Managing risks, passwords, and financial access 10:11 Using built-in Apple tools instead of advanced services 10:25 Safari, Chrome, verification codes, and Apple Passwords 10:57 Setting up shared family password folders 11:29 Defining digital caretaking 12:39 The family "alpha nerd" becomes responsible 14:11 Remote tech support challenges and FaceTime troubleshooting 16:01 Asynchronous support, screenshots, and remote access tools 17:57 Older adults as prime targets for scammers 18:53 AARP, Craig Newmark, and scam-interruption resources 19:51 Gift cards, retail workers, and scam warning signs 20:35 Deepfakes, safe words, and trusted contacts 21:40 Fake profiles and stolen valor scams 22:48 Protecting family members from criminal targeting 23:25 Romance scams, business scams, and phishing tactics 25:02 Keeping loved ones safe without burning out 26:09 The Beekeeper as a scam-awareness example 27:07 Recommended resources and My Mother's Money 28:18 Financial preparedness and how quickly gaps appear 29:39 Using AI tools to find validated resources 30:18 Why this workshop may matter to everyone 31:02 The future reversal of helper and helped 33:00 Balancing safety, respect, and autonomy 34:00 Managing support while preserving dignity 36:23 Mike's MacStock discount code 37:01 Registering for MacStock and planning ahead 38:14 Where to find Mike T. Rose and The Aftershow 39:29 Mike's social channels and listener acknowledgments 40:17 Remembering John Martellaro and Chuck La Tournous 41:22 Final Macstock encouragement and wrap-up Guests: Mike Rose is a past Macstock speaker and multi-year attendee. He is an occasional podcaster with fellow Macstock speaker Kelly Guimont at aftershowpodcast.com, continuing their collaboration from the much-missed TUAW.com (The Unofficial Apple Weblog) in the 2000s and 2010s. Mike began his technology career at the dawn of the desktop publishing revolution, helping transform workflows and introduce the Mac at Entertainment Weekly and LIFE magazines in the 1990s. After his second career in the event production and sales training industry (working with clients such as Pfizer, Dell, AstraZeneca, Johnson & Johnson, and Deloitte), he pivoted to enterprise software in 2013 and is now a Senior Director of Solution Engineering at Salesforce. Outside of work, Mike is active in an NYC community choir, and supports his wife Heidi's congregation as a volunteer technology, AV and operations consultant. Mike & Heidi live in Brooklyn, NY with their two young adult daughters and one young adult cat. Catch him on The Aftershow with Kelly Guimont. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
Working women, "big dogs" who want a soft life. Are UFOs real? Go and forgive your mother, and overcome fear.
Our latest guest is Kristin Scott Thomas, who joined Edith in front of an audience for our Soundtracking Film Club at Everyman Whiteley's to discuss her new film My Mother's Wedding - which she has co-written and directed, and also stars in. This is the first of our events in partnership with Range Rover, a brand synonymous with mastery in all its forms, championing those who push boundaries, define standards and create enduring impact. Both Soundtracking and Everyman align naturally with Range Rover's core principles relating to leadership, cultural authority and creative excellence, so we're absolutely thrilled they have chosen to support our podcast, which was recorded live in front of an audience following a screening of Kristin's film.
This week Julius and I celebrate episode 400 and 15 years of the 1 Player Podcast with a Popular Mechanics episode on food-themed games. Finding solo-friendly food games turned out to be harder than expected, but we managed to cook up a few good ones, especially master chef Julius. 05:25 Food Chain Island (BGG, Button Shy) 08:25 Wild Gardens (BGG, Rose Gauntlet) 11:15 Elevenses for One (BGG) 14:50 Kitchen Rush (BGG) 17:53 Conservas (BGG) 21:45 Maki Master (BGG) 27:50 Crumbs (BGG) 30:10 A Nice Cuppa' (BGG) 31:10 Waffles for Esther (RPGGeek) 31:35 My Mother's Kitchen (itch.io) 32:25: Recipe on Kmidysh Paper (itch.io)
Things get awkward on this week's Empire Podcast, folks. Not just because Chris Hewitt seems to be wearing a Skeletor mask for some of it, nor because he's so heat-addled that he forgets to introduce James Dyer properly. No, things get awkward because the team – Chris, James, Helen O'Hara, and Ben Travis – discuss whether it ever gets awkward for them when visiting film sets. Then, our intrepid quartet also discuss the week's movie news, including the shocking news of Paddington 4's potty-mouthed writers, and review Daniel Roher's Tuner, John Carney's Power Ballad, Kane Parsons' Backrooms, and Kristin Scott Thomas' directorial debut, My Mother's Wedding. Oh, and Chris sits down for a lovely chat with Leo Woodall, star of the excellent Tuner, and discovers that Woodall has some hidden talents. Enjoy!
In this episode of the Journey of My Mother's Son podcast, I talk with Kyle and Brent Pease. The Pease brothers are a world-renowned push-assist duo, disability advocates, and co-founders of The Kyle Pease Foundation, a nonprofit that champions inclusivity in sports and the workforce for individuals with disabilities. Their inspiring journey has captivated audiences worldwide, especially after they made history as the first brother team to complete the grueling IRONMAN World Championship in Kona, Hawaii, as a push-assist duo. Born with cerebral palsy, Kyle has defied expectations, completing over 150 races alongside Brent and empowering individuals with disabilities through his personal journey. As a tireless advocate, Kyle inspires others to pursue their dreams, regardless of the barriers they face. Kyle is actively involved with The Kyle Pease Foundation, focusing on initiatives like adaptive sports equipment, inclusive employment, and scholarship programs. A graduate of Kennesaw State University with a degree in Sports Management, he also works part-time as a greeter at Publix and at Atlanta Braves games, where he spreads his message of inclusion and resilience. As the Executive Director of The Kyle Pease Foundation, Brent brings both passion and expertise to the cause. A seasoned endurance coach and multi-sport athlete, Brent has completed over 125 races, including 6 IRONMAN events with Kyle. His journey in sports began in 2007 and has since evolved into a career advocating for greater inclusivity in sports and employment for individuals with disabilities. Brent's leadership has fueled the Foundation's mission to break down barriers and promote inclusive employment through programs like the Inclusive Employment Program. He is a Florida State University alumnus and resides in Atlanta with his wife and two children. Together, Brent and Kyle continue to pave the way for inclusion in both sports and society. Through The Kyle Pease Foundation, they have championed 100's of athletes and raised over $10 million, providing adaptive equipment and opportunities that empower individuals with disabilities to realize their full potential. For more information on Kyle, Brent, and The Kyle Pease Foundation, visit www.kylepeasefoundation.org.
Adam Ball & Van Connor are back with your ultimate guide to everything cinematic hitting screens for the next seven days - feat. a look at Tuner, My Mother's Wedding, Power Ballad and Backrooms. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fear of abandonment is not a personality, it is a childhood blueprint that is still picking your partners for you. Your nervous system is not scanning the room for who will be good to you, it is scanning for someone who matches the unfinished business of your childhood.If you keep falling for unavailable people, anxious-attached pursuers, or avoidant partners who run when you get close, this video maps the exact mechanism underneath, why butterflies are a red flag, why healthy partners feel boring, and why no amount of self-soothing has stopped the cycle.Kenny Weiss is a relationship, communication, and childhood trauma recovery specialist. He teaches the Worst Day Cycle™, the Authentic Self Cycle™, and the Emotional Authenticity Method™. He goes where the attachment-style world stops: the operating system underneath the symptoms. Anxiously attached is not a diagnosis to manage, it is a blueprint to rewrite.The nervous system searches for someone who replicates childhood so it can finally win the love it could not get the first time. This is the engine underneath every repeat relationship. The butterfly feeling everyone tells you to chase is not chemistry, it is the exact emotional chemical cocktail your body releases when it meets someone whose emotional signature matches the parent who could not show up for you. Your brain says, this person feels like home, and you mistake recognition for love.Trauma bonding is not a sign of deep connection, it is intermittent reinforcement training the nervous system to associate unpredictability with intimacy. The love addict and the love avoidant are not opposites attracting, they are two halves of the same broken blueprint clicking together like puzzle pieces. The Emotional Authenticity Method™ is the six-step process that traces the abandonment panic back to its earliest origin and rewires the blueprint underneath, ending with Feelization, where the body builds a new emotional addiction to safe, consistent connection that replaces the chase.Kenny Weiss has helped thousands of adults stop picking the same person with a different face and rebuild attraction from the Authentic Self instead of the survival persona. His work is a blueprint rewrite, not symptom management.TOPICS COVEREDfear of abandonment, trauma bonding, love addict, love avoidant, why I keep picking the wrong person, anxious attachment, why butterflies are a red flag, trauma chemistry, pursue withdraw cycle, why healthy feels boring, intermittent reinforcement, codependent dance, Worst Day Cycle, Authentic Self Cycle, Emotional Authenticity Method, Kenny WeissTIMESTAMPS0:00 — The Five-Minute Stomach Knew1:30 — Why You Didn't Fall In Love, Your Wound Did3:00 — Butterflies Are A Red Flag5:00 — My Mother's Seven-Day Walking Coma7:00 — Trauma Blueprint Selection9:30 — Why Trauma Bonding Feels Like Love11:30 — The Worst Day Cycle Of Abandonment14:00 — Where The Attachment-Style World Stops15:30 — The Authentic Self Cycle Rewrite17:30 — The Emotional Authenticity Method20:00 — Why Healthy Partners Feel Boring21:30 — The Sixty-Second Experiment
In this episode of the Empowered Investor Podcast, Marcelo Taboada sits down with financial journalist and CFP professional Beth Pinsker to discuss one of the most overlooked areas of financial planning: caregiving for aging parents.Beth shares the deeply personal story behind her book My Mother's Money and explains why financial caregiving is about far more than estate planning. The conversation explores the emotional, logistical, and financial realities families face when a parent becomes ill or incapacitated, from powers of attorney and healthcare directives to sibling dynamics, long-term care costs, and difficult end-of-life decisions.Marcelo and Beth also discuss the hidden burden caregiving places on families, why early conversations matter, and the practical steps listeners can take today to protect both their parents and their own future caregivers.Key takeaways• Financial caregiving is more than estate planning. (00:05:09)• Why most families avoid these conversations until it's too late. (00:06:48)• The importance of powers of attorney and healthcare directives. (00:12:00)• Why having passwords alone is no longer enough. (00:16:33)• How banks can reject outdated or incomplete legal documents. (00:22:40)• Why estate documents should be reviewed regularly after major life changes. (00:24:23)• How family meetings can reduce conflict and confusion later on. (00:25:59)• The emotional and financial burden often falls disproportionately on women. (00:27:46)• How sibling dynamics can complicate caregiving and estate decisions. (00:28:05)• Why communication and transparency are critical within families. (00:30:12)• What families tend to fight over most during estate settlements. (00:33:29)• The true cost of aging and long-term care planning. (00:34:10)• Why traditional retirement planning often ignores late-life care realities. (00:34:34)• How healthcare and caregiving costs can quickly escalate. (00:35:16)• The difficult balance between protecting parents and preserving inheritances. (00:39:06)• Why aging at home is emotionally appealing but not always practical. (00:41:17)• How early conversations with parents can improve financial planning outcomes. (00:42:54)• Why housing decisions become central later in retirement. (00:44:24)• The emotional difficulty of downsizing and leaving the family home. (00:45:05)• How caregiving changed Beth's perspective on retirement and life priorities. (00:49:22)• The importance of documenting family stories and personal history before it's too late. (00:48:00)• Why simplifying finances is one of the greatest gifts to future caregivers. (00:52:36)• The benefits of consolidating accounts and reducing financial complexity. (00:53:16)Mentioned in this episode:Beth PinskerBook: My Mother's MoneyBeth Pinsker: MarketWatchMarketWatchThanks for listening!Be sure to subscribe on Apple, Google, Spotify, or wherever you get your podcasts. Feel free to drop us a line at lawrence@tma-invest.com or 514-695-0096 ext.112.Follow Tulett,Matthews & Associates on social media: LinkedIn, Facebook, and more!Follow The Empowered Investor on Facebook, LinkedIn, and Instagram.
My Mother the Car, AI Slop, Nginx, Polyscope, Drupal, GitHub, Aaran Leyland, and More on the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-582
My Mother the Car, AI Slop, Nginx, Polyscope, Drupal, GitHub, Aaran Leyland, and More on the Security Weekly News. Show Notes: https://securityweekly.com/swn-582
My Mother the Car, AI Slop, Nginx, Polyscope, Drupal, GitHub, Aaran Leyland, and More on the Security Weekly News. Visit https://www.securityweekly.com/swn for all the latest episodes! Show Notes: https://securityweekly.com/swn-582
My Mother the Car, AI Slop, Nginx, Polyscope, Drupal, GitHub, Aaran Leyland, and More on the Security Weekly News. Show Notes: https://securityweekly.com/swn-582
When she was 16, journalist Tracy Clark-Flory found out that she had a long-lost sister. Her mother shared that as a teenager, she had given up a child for adoption, and the grief of that act had sent her to a mental institution. There was not much more that her mother shared, and Clark-Flory did not ask. But years after her mother's death, Clark-Flory set out to find her sister and learn more about why her mother could not keep her child. She tells that story in her new book, “My Mother's Daughter.” Guests: Tracy Clark-Flory, journalist and essayist; author, "My Mother's Daughter: Finding Myself in My Family's Fractured Past" and "Want Me: A Sex Writer's Journey into the Heart of Desire"; her newsletter can be found at tracyclarkflory.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Darkest Mysteries Online - The Strange and Unusual Podcast 2023
My Mother's Secret Remedies Saved People Until They Started Destroying Our Home to Get ThemBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online
The star witnesses from 2008 face a massive decision. Will Ray's efforts to expose his mom's fabrications get Quincy Cross a new trial? Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Tracy Clark-Flory is a journalist, essayist, and author of the new memoir My Mother's Daughter: Finding Myself in My Family's Fractured Past, which Kirkus calls “powerful,” “deeply researched,” “lyrically written,” and “moving.” New York Times bestselling author Peggy Orenstein says Clark-Flory “connects the dots between her own life, the reader's, and the larger culture, turning the family story of a pregnant girl caught by the social forces of her time—around gender, race, class—into the story of all women: who we are as daughters, how we carry the relationships to our mothers long after they are gone, and how we are shaped, generationally, by the limits on our personal, sexual, and reproductive freedom.”She's also the author of the previous book Want Me: A Sex Writer's Journey into the Heart of Desire, an NPR Best Book of the Year. She has written for Cosmopolitan, The Cut, Elle, Esquire, Marie Claire, Glamour, The Guardian, The Washington Post, WIRED, Women's Health, and many others. Previously, she was a senior staff writer at Jezebel and a staff writer at Salon. She writes a weekly newsletter and co-hosts Dire Straights, a feminist podcast critiquing hetero love, sex, politics and culture. You can find more at tracyclarkflory.com.Music by Corey Quinn
There's a narrative among some that when you become a mother, your ambition should get quieter, your goals should get smaller, and you move to the background of your own life. That was not my experience.Motherhood didn't replace my purpose. It expanded it. Becoming a mother in the middle of law school meant navigating two major transformations at once. What came out of that season was a sharper, more intentional, and more focused version of who I am and what I'm building.Motherhood made me more accountable to my own potential, not less.In this episode of Branding Room Only, Paula T. Edgar gets personal about what that actually looked like: becoming a mother during law school, navigating her son's childhood cancer diagnosis, and the moment she decided she was no longer willing to stay in spaces that did not support her.1:24 – The impact of balancing high-level education with early parenthood2:12 – The difference in Paula's brand before and after becoming a mother3:45 – A surprising piece of advice about prioritization as a parent4:35 – How motherhood expanded my purpose instead of replacing it5:24 – How her son's diagnosis forced an overhaul of Paula's boundaries6:58 – The root question Paula asks to ensure her actions align with the legacy she wants to leave7:37 – Motherhood as a catalyst for increased accountability toward your own potentialMentioned In How Motherhood Sharpened My Personal BrandThe Life & Legacy of Joan Donna Griffith: A Conversation with Peter Griffith (Part 1 and Part 2)Lessons from My Mother, Hopes for My Daughter: On Mothering and What We Carry Forward7 Powerful Branding Lessons I've Learned From My SonPersonal Branding Strategy SessionsSubscribe to The Branding Room Only on YouTubeCall to ActionFollow & Review: If you enjoyed this episode, leave a 5-star review on your favorite podcast platform! Want more ways to grow your personal brand? Make sure you're signed up for my upcoming webinars and workshops.Conferences are an investment—make sure you maximize yours. My Engage Your Hustle™ Conference Playbook gives you the strategies to prepare, stand out, and follow up with impact. Get your copy today.Sponsor for this episodeThis episode is brought to you by PGE Consulting Group LLC.PGE Consulting Group LLC empowers individuals and organizations to lead with purpose, presence, and impact. Specializing in leadership development and personal branding, we offer keynotes, custom programming, consulting, and strategic advising—all designed to elevate influence and performance at every level.Founded and led by Paula Edgar, our work centers on practical strategies that enhance professional development, strengthen workplace culture, and drive meaningful, measurable change.To learn more about Paula and her services, go to www.paulaedgar.com or contact her at info@paulaedgar.com, and follow Paula Edgar and the PGE Consulting Group LLC on LinkedIn.
Welcome to another episode of Women Petpreneurs Presents Book Club. Today, we're diving into our latest book club pick, "The House of My Mother. By Shari Franke." Join us as Denise Heroux , Mary Oquendo, and Sacheen Mobley unpack this deeply disturbing memoir told from the perspective of the eldest daughter of the infamous Franke family. The discussion explores the complex dynamics of family, faith, and psychological manipulation within the Mormon community, as well as the slow, often invisible progression of abuse. We'll examine the way the story is told and what's left unsaid, the courage to break free, and the nuances of forgiveness and survival in the face of unimaginable trauma. Whether you've read the book, watched the documentary, or are just curious about the real-life events behind the headlines, this conversation is sure to challenge your perceptions and ignite important questions about resilience and recovery. Grab your coffee and settle in for a thought-provoking discussion!
On episode 256, we welcome Gail Straub to discuss her work empowering women across the globe, being a civilian diplomat, not being taken seriously in Russia as an American Marxist, lessons about inner strength from traversing the Himalayan mountains, the complexity of political activism in China, diversity as a core component of peace, the elements of human nature uniting all of us, and what instills hope in Gail for our collective future. Gail Straub is the author of eight books, including the best-selling Empowerment, The Rhythm of Compassion, and her feminist memoir Returning to My Mother's House. She is the co-founder of the Empowerment Institute and IMAGINE, a global initiative that has helped empower women across Africa, India, and the Middle East, impacting millions of lives. Her work has appeared in publications like Huffington Post and Spirituality & Health, and she has been a leading voice in human development and women's empowerment for over four decades. Her newest book, available now, is called Home Inside the Globe: Embracing Our Human Family. | Gail Straub | ► Website | https://gailstraub.com ► Home Inside the Globe Book | https://amzn.to/4tRUXn8 Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMomentPodcast ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemomentpodcast ► TikTok | https://www.tiktok.com/@seizethemomentpodcast
Tracy Clark-Flory was 16 when she learned something that would change her world forever: She had a half sister she'd never met. Tracy's mother, Deborah, had gotten pregnant as a freshman in college. She'd given birth to a baby girl in secret and placed the baby for adoption. Tracy could tell that talking about this baby made her mom uncomfortable, so she didn't pry. But from that moment on, Tracy was full of questions. Where was this sister? What was her life like? Would she want to hear from Tracy if there was a way to get in touch? These days, Clark-Flory is a writer, and she is a mother herself. She has a new memoir coming out called “My Mother's Daughter: Finding Myself in My Family's Fractured Past.” In this episode of the “Modern Love” podcast, Clark-Flory tells Anna Martin how she finally got answers about her sister. She also shares what she found out about her mom: Turns out, there was so much more to her story, too. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Witnesses are held and interrogated in a seedy hotel by investigators. These Drury Inn confessions would prove controversial. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Nobody plans for the call—but sooner or later, it comes. In this episode of the Wicked Pissah Podcast, Chris Boyd sits down with award-winning financial journalist and author Beth Pinsker to talk about the moment everything shifts—when you go from "concerned family member" to full-on financial caregiver. Drawing from her book My Mother's Money, Beth shares the early warning signs families often overlook, why having the "right" documents doesn't always mean you're actually prepared, and how quickly the emotional and financial weight can hit. As Beth puts it: "Financial red flags come first… handling money is a complicated higher function." This is a real-world conversation about what advisors need to understand—and what families wish they knew sooner. If your clients have aging parents (and they do), this episode isn't optional—it's essential listening. Find out more- https://bethpinsker.com
Darkest Mysteries Online - The Strange and Unusual Podcast 2023
My Mother's Secret Remedies Saved People Until They Started Destroying Our Home to Get ThemBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online
Susan wears a wire on a high-risk sting operation - hoping to force a confession out of her prime suspect. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week we're joined by the wonderful Dame Kristin Scott Thomas for lunch! Kristin came by to talk about her beautiful new film My Mother's Wedding, and over lunch we covered everything from growing up in a family of five children and her mum's cooking, to leaving drama school and being sent to France as an au pair. We also chatted about acting in French, auditioning for the incomparable Prince's Under the Cherry Moon (and kissing Prince), and reuniting with the incredible Scarlett Johansson on the new film. Kristin was such a warm and fascinating guest, and we absolutely loved having her at the table! Kristin's directorial debut, My Mother's Wedding, will be in cinemas in the UK from 29th May!Listen & watch Table Manners here - https://tablemanners.komi.io/Follow Table Manners on:Instagram - https://www.instagram.com/tablemannerspodcast/TikTok - https://www.tiktok.com/@tablemannerspodcastFacebook - https://www.facebook.com/tablemannerspodcastYouTube - https://www.youtube.com/@TableMannersPodcast Hosted on Acast. See acast.com/privacy for more information.
Send us Fan MailWatch my acting debut film for free, Cape Cod Cthulhu!In Episode 241 we get our kicks back in 1966! We are diving into television, music, movies, and all things pop culture in 1966.Here they come, walkin' down the street. Television in 1966 was the crossroads between black and white and color, the same old same old and new and exciting, and crafting shows to appeal to the younger generation. The Monkees, Batman, and Star Trek were new hits. My Mother the Car? Not so much.It's all incense and peppermints as we look at all things Music in 1966. The sharp turn from safe and bland pop into psychedelics and counterculture. The Beatles, the Stones, Dylan, and the Beach Boys dominated while Hendrix, Cream, and Simon and Garfunkel staked their claim as next up.The Top 5 features weird and funny news stories from 1966. The Beatles as butchers? A tight pants strike? A nude sunbather controversy? They're all here and more.This Week In History and Time Capsule looks at the infamous Portage, Ohio UFO chase. Stay tuned for some classic 1966 commercials as well!You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 240 hereSupport the show
Susan and a British Journalist named Tom Mangold zero in on - a Black man who lives with his grandmother out of state. In just 10 days, Susan is convinced he's the real killer. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jessica Currin was murdered in a quiet Kentucky town in the summer of 2000. Local housewife Susan Galbreath became instrumental in solving the case, working alongside law enforcement to help convict Quincy Cross. Sentenced to life, he remains in prison today. For years, the story seemed settled. Justice had been served. But when Susan's son Ray inherits a box of his mother's files, everything begins to unravel. Inside are handwritten notes, letters, and photographs—fragments of an investigation that raise more questions than answers. Buried within his mother's work, Ray believes he's uncovered a chilling possibility: Did his mom help put an innocent man behind bars? The truth was hidden for decades. Now, it's finally coming to light. Listen to My Mother's Lies, the latest series from The Binge. Get the entire series now, ad-free, by clicking subscribe at the top of the page. Search for My Mother's Lies wherever you get your podcasts… and decide for yourself what really happened. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jessica Currin was murdered in a quiet Kentucky town in the summer of 2000. Local housewife Susan Galbreath became instrumental in solving the case, working alongside law enforcement to help convict Quincy Cross. Sentenced to life, he remains in prison today. For years, the story seemed settled. Justice had been served. But when Susan's son Ray inherits a box of his mother's files, everything begins to unravel. Inside are handwritten notes, letters, and photographs—fragments of an investigation that raise more questions than answers. Buried within his mother's work, Ray believes he's uncovered a chilling possibility: Did his mom help put an innocent man behind bars? The truth was hidden for decades. Now, it's finally coming to light. Listen to My Mother's Lies, the latest series from The Binge. Get the entire series now, ad-free, by clicking subscribe at the top of the page. Search for My Mother's Lies wherever you get your podcasts… and decide for yourself what really happened. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jessica Currin was murdered in a quiet Kentucky town in the summer of 2000. Local housewife Susan Galbreath became instrumental in solving the case, working alongside law enforcement to help convict Quincy Cross. Sentenced to life, he remains in prison today. For years, the story seemed settled. Justice had been served. But when Susan's son Ray inherits a box of his mother's files, everything begins to unravel. Inside are handwritten notes, letters, and photographs—fragments of an investigation that raise more questions than answers. Buried within his mother's work, Ray believes he's uncovered a chilling possibility: Did his mom help put an innocent man behind bars? The truth was hidden for decades. Now, it's finally coming to light. Listen to My Mother's Lies, the latest series from The Binge. Get the entire series now, ad-free, by clicking subscribe at the top of the page. Search for My Mother's Lies wherever you get your podcasts… and decide for yourself what really happened. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jessica Currin was murdered in a quiet Kentucky town in the summer of 2000. Local housewife Susan Galbreath became instrumental in solving the case, working alongside law enforcement to help convict Quincy Cross. Sentenced to life, he remains in prison today. For years, the story seemed settled. Justice had been served. But when Susan's son Ray inherits a box of his mother's files, everything begins to unravel. Inside are handwritten notes, letters, and photographs—fragments of an investigation that raise more questions than answers. Buried within his mother's work, Ray believes he's uncovered a chilling possibility: Did his mom help put an innocent man behind bars? The truth was hidden for decades. Now, it's finally coming to light. Listen to My Mother's Lies, the latest series from The Binge. Get the entire series now, ad-free, by clicking subscribe at the top of the page. Search for My Mother's Lies wherever you get your podcasts… and decide for yourself what really happened. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jessica Currin was murdered in a quiet Kentucky town in the summer of 2000. Local housewife Susan Galbreath became instrumental in solving the case, working alongside law enforcement to help convict Quincy Cross. Sentenced to life, he remains in prison today. For years, the story seemed settled. Justice had been served. But when Susan's son Ray inherits a box of his mother's files, everything begins to unravel. Inside are handwritten notes, letters, and photographs—fragments of an investigation that raise more questions than answers. Buried within his mother's work, Ray believes he's uncovered a chilling possibility: Did his mom help put an innocent man behind bars? The truth was hidden for decades. Now, it's finally coming to light. Listen to My Mother's Lies, the latest series from The Binge. Get the entire series now, ad-free, by clicking subscribe at the top of the page. Search for My Mother's Lies wherever you get your podcasts… and decide for yourself what really happened. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jamaica Kincaid is an Antiguan-American writer known for her vivid, poetic prose and exploration of themes like colonialism, family, identity, and the legacy of the Caribbean. Her deeply personal and reflective style has made her one of the most influential voices in contemporary literature. Born Elaine Potter Richardson on May 25, 1949, in St. John's, Antigua, she moved to the United States as a teenager and began her career writing for The New Yorker. Her acclaimed works include Annie John, Lucy, A Small Place, and The Autobiography of My Mother. Kincaid joins host Dean Nelson for a lively and funny conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 41204]
In the summer of 2000, Jessica Currin was found murdered in a small Kentucky town. Ray McCord’s mom Susan Galbreath had been integral in solving the crime, and even helped law enforcement put a man, Quincy Cross, in prison for life. After Ray inherited a box of files from his mom, his world is turned upside down. Among the hand-written notes, letters and photos, he finds what he believes is a sinister lie… As he sifted through his mother’s investigation, he realized things just weren’t adding up. Want the full story? Binge every episode of My Mother’s Lies ad-free now by subscribing to The Binge+. You’ll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. My Mother’s Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. The Binge — feed your true crime obsession.See omnystudio.com/listener for privacy information.
In the summer of 2000, Jessica Currin was found murdered in a small Kentucky town. Ray McCord’s mom Susan Galbreath had been integral in solving the crime, and even helped law enforcement put a man, Quincy Cross, in prison for life. After Ray inherited a box of files from his mom, his world is turned upside down. Among the hand-written notes, letters and photos, he finds what he believes is a sinister lie… As he sifted through his mother’s investigation, he realized things just weren’t adding up. Want the full story? Binge every episode of My Mother’s Lies ad-free now by subscribing to The Binge+. You’ll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. My Mother’s Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. The Binge — feed your true crime obsession.See omnystudio.com/listener for privacy information.
After her death, Susan's son Ray finds a web of lies in her old case notes, and it throws her memory into question. And sets him on a journey to set the record straight. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Do you ever feel lost in the thick, gray fog of dementia caregiving? Navigating this journey requires unique survival strategies to find hope. First, we explore the reality of the A-Zone and how it impacts your daily life. Because the exhaustion is real, you need practical survival strategies to protect your own mental health. We discuss how to identify pink cloud moments of joy amidst the heartbreak. Although the path is difficult, humor can be a powerful tool for resilience. Furthermore, we dive into managing complex family dynamics during a long-term illness. Consequently, you will learn how to shift your mindset when love feels like it is not enough. In addition, we highlight how to lean into the present moment rather than fighting the past. Since every day brings new challenges, these survival strategies offer a lifeline for the weary heart. Finally, we provide actionable advice to help you move from mere existence to meaningful connection. Listen now to discover how to thrive while caring for your loved one with dementia. Peggy Sweeney-McDonald Peggy Sweeney-McDonald is a Southern storyteller, author, actress, and podcast host whose work blends heart, humor, and hope. A native of Baton Rouge, Louisiana, Peggy spent 36 years building a career in Los Angeles as an actress and event producer before a family crisis called her home. In 2016, Peggy and her husband left California to return to Louisiana to walk beside her mother through a journey with Alzheimer's disease. This deeply personal experience became the inspiration for her popular podcast, Life in the A-Zone, which reached listeners in over 30 countries. Expanding on the stories shared in her podcast, Peggy authored the memoir Life in the A-Zone: How I Embraced the Journey with My Mother's Alzheimer's One Pink Cloud Moment at a Time. She is also the creator of the Pink Cloud Moments™ brand, which includes specialized journals designed to help caregivers find light, grace, and gratitude in life's most challenging seasons. In addition to her advocacy work, Peggy is a seasoned stage performer and the author of the coffee-table book Meanwhile, Back at Café Du Monde… Life Stories About Food. She continues to live in Baton Rouge, where she remains a passionate champion for the power of storytelling to heal and connect. Connect with Peggy: Website: PeggySweeneyMcDonald.com Podcast: Life in the A-Zone Instagram: @LifeInTheAZonePodcast
Citizen sleuth Susan Galbreath's reputation is called into question when a British production company gets a hold of her investigation into the murder of Jessica Currin. Want the full story? Binge every episode of My Mother's Lies ad-free now by subscribing to The Binge+. You'll unlock over 60 true crime series instantly, get early access to drops on the first of every month, and hear exclusive bonus episodes. Search for the channel on Apple Podcasts or head to GetTheBinge.com. For behind-the-scenes details, join our free newsletter at Patreon.com/TheBinge. My Mother's Lies is a production of Sony Music Entertainment and Message Heard. Follow @sonypodcasts and discover more at sonymusic.com/podcasts. Learn more about your ad choices at podcastchoices.com/adchoices. The Binge — feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to the Spring 2026 Book Preview with Catherine of Gilmore Guide to Books! Today, Catherine and Sarah share 12 of their most anticipated books releasing in April and May. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcements A preview of changes to this year's Summer Reading Guide — now a team effort, with more info to come in a separate episode coming in early May. One of the many benefits to supporting the podcast through either our Patreon Community or our Substack Community (both for just $7/mo) is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and Sarah share 4 bonus books (2 each) we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available and sign up here for Patreon and here for Substack! Highlights A lightning round of some big releases coming this spring that are not featured in our personal preview picks. Catherine's theme is spring, but Sarah's theme is summer. Looking for balance, Catherine chose books that are lighter and brighter, but not silly. Spring picks carry 4 debuts — 3 from Catherine and 1 from Sarah. Sarah's books cover 2 books about the world of comedy and 3 family dramas. Sarah has already read one of her picks — 4.5 stars! Plus, their #1 picks for spring. Big Spring Releases The Midnight Train (The Midnight World, 2) by Matt Haig (May 26) | Amazon | Bookshop.org [3:04] The Shippers by Katherine Center (May 19) | Amazon | Bookshop.org [3:06] London Falling by Patrick Radden Keefe (April 7) | Amazon | Bookshop.org [3:09] Last Night in Brooklyn by Xochitl Gonzalez (April 21) | Amazon | Bookshop.org [3:16] With a Vengeance by Riley Sager (June 10) | Amazon | Bookshop.org [3:22] Enormous Wings by Laurie Frankel (May 5) | Amazon | Bookshop.org [3:26] Seek the Traitor's Son (The Burning Empire, 1) by Veronica Roth (May 12) | Amazon | Bookshop.org [3:29] Other Books Mentioned State of Wonder by Ann Patchett (2011) [3:59] Spring 2026 Book Preview [4:38] April Sarah's Picks The Midnight Show by Lee Kelly and Jennifer Thorne (April 7) | Amazon | Bookshop.org [7:11] Into the Blue by Emma Brodie (April 7) | Amazon | Bookshop.org [15:49] Leave Your Mess At Home by Tolani Akinola (April 14) | Amazon | Bookshop.org [22:50] Catherine's Picks American Fantasy by Emma Straub (April 7) | Amazon | Bookshop.org [11:50] Yesteryear by Caro Claire Burke (April 7) | Amazon | Bookshop.org [19:10] Like This But Funnier by Hallie Cantor (April 7) | Amazon | Bookshop.org [25:19] Other Books Mentioned Daisy Jones and the Six by Taylor Jenkins Reid (2019) [8:26] Romantic Comedy by Curtis Sittenfeld (2023) [8:55] Diavola by Jennifer Thorne (2024) [11:08] All the World Can Hold by Jung Yun (2026) [14:39] Songs in Ursa Major by Emma Brodie (2021) [17:22] Me Before You by Jojo Moyes (2012) [17:38] Normal People by Sally Rooney (2018) [18:37] The Favorites by Layne Fargo (2025) [18:40] The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (2017) [18:46] The House of My Mother by Shari Franke (2025) [22:03] August Lane by Regina Black (2025) [22:56] Seven Days in June by Tia Williams (2021) [23:06] Blue Sisters by Coco Mellors (2024) [25:07] Ask Again, Yes by Mary Beth Keane (2019) [25:09] The Most Fun We Ever Had by Claire Lombardo (2019) [25:10] May Sarah's Picks The Mediator (Max Ringo, 1) by Robert Bailey (May 12) | Amazon | Bookshop.org [27:36] The Burning Side by Sarah Damoff (May 19) | Amazon | Bookshop.org [32:46] Returns and Exchanges by Kayla Rae Whitaker (May 19) | Amazon | Bookshop.org [37:30] Catherine's Picks The Liar's Playbook by Leslie Bradford-Scott (May 5) | Amazon | Bookshop.org [29:31] The Last Mandarin by Louise Penny and Mellissa Fung (May 12) | Amazon | Bookshop.org [35:11] The Tapestry of Fate (Amina al-Sirafi, 2) by Shannon Chakraborty (May 12) | Amazon | Bookshop.org [40:10] Other Books Mentioned The Boomerang by Robert Bailey (2025) [27:52] Nowhere Girl by Cheryl Diamond (2021) [31:20] Family of Spies by Christine Kuehn (2025) [31:22] The Bright Years by Sarah Damoff (2025) [32:57] State of Terror by Hillary Rodham Clinton and Louise Penny (2021) [36:07] The Animators by Kayla Rae Whitaker (2016) [38:02] Demon Copperhead by Barbara Kingsolver (2022) [39:01] The Adventures of Amina al-Sirafi (Amina al-Sirafi, 1) by Shannon Chakraborty (2023) [40:38]
Laura and David Challen, son of Sally Challen and author of The Unthinkable, unravel the insidious and lifelong harm coercive control causes a child. David speaks candidly about his lived experience, the realities of growing up with a coercively controlling father, and his horrifying experience at his mothers's trial where she was convicted of his fathers's murder. Listen and find out what David discovered when he went through all the trial transcripts. It angered him so much he started to campaign for his mother's appeal and eventual successful release. David also recently joined Laura for an exclusive live event and the recording is available now in the Squad for those who want to go deeper on this conversation. This conversation was compelling and eloquently gives language and insight into living with his abusive and coercively controlling father. You can listen to David's first interview on Crime Analyst here: Ep 261: The Unthinkable: A Story of Control, Violence and My Mother with David Challen #SallyChallen #CoerciveControl #DavidChallen #PowerAndControl #DomesticAbuse #CrimeAnalyst #TrueCrime #Podcast #WarningSigns #Manipulation #UnthinkableBook #DomesticViolence Clip https://youtu.be/fnfmFm-T5jA?si=MC-GNmXZVnzEFxyK Sources Buy David's Book The Unthinkable: https://www.amazon.com/Unthinkable-Story-Control-Violence-Mother/dp/1914240278 Ep 261: The Unthinkable: A Story of Control, Violence and My Mother with David Challen www.dashriskchecklist.com https://www.thelaurarichards.com/resources/coercivecontrol https://www.thelaurarichards.com/resources/books https://www.thelaurarichards.com/my-two-cents/serial-and-high-risk-stalkers-and-domestic-abusers For more insight and knowledge, advocacy and professional development join The Crime Analyst Squad. It's a growing and dynamic community offering expert insight, in-depth conversations, exclusive episodes and videos, and live events. More Training Info: www.dashriskchecklist.com www.thelaurarichards.com Crime Analyst YouTube, Socials and Website YouTube @crimeanalyst Facebook Crime Analyst Podcast Instagram @crimeanalyst @laurarichards999 Threads @crimeanalyst X @thecrimeanalyst @laurarichards999 TikTok @crimeanalystpod Website www.crime-analyst.com Leave a 5* Review https://www.crime-analyst.com/reviews/new/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Coming soon to the Binge Cases is My Mother's Lies. In the summer of 2000, Jessica Currin was found murdered in a small Kentucky town. Ray McCord's mom Susan Galbreath had been integral in solving the crime, and even helped law enforcement put a man, Quincy Cross, in prison for life. After Ray inherited a box of files from his mom, his world is turned upside down. Among the hand-written notes, letters and photos, he finds what he believes is a sinister lie… As he sifted through his mother's investigation, he realized things just weren't adding up. Visit The Binge Crimes on Apple Podcasts and hit ‘subscribe' or visit GetTheBinge.com to be notified when the first episode drops on April 1st. Subscribers to The Binge get all episodes, ad free on drop day! The Binge – feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode 90 Letter to My Mother by Suzannah V. Evans Suzannah V. Evans reads ‘Letter to My Mother' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/90_Letter_to_My_Mother_by_Suzannah_V_Evans.mp3 This poem is from: Under the Blue Available from: Under the Blue is available from: The publisher: Bloomsbury Poetry Amazon: UK | US Bookshop.org: UK Letter to My Mother by Suzannah V. Evans You, pedalling your armsabove your head in bed,that bad arm suddenlymobile and flexible.You, meeting me at school,feeling something stir, sprinting across the grass . . . the two of us laughing, Mr. Tarpin peeringquizzically from the gate.You, with your bright lipstick.You, with your hands like mine.You, with your floppy hat.You, with your easy laugh.You, with the ellipsesof your emails. Your strongfront crawl. Your assertivegestures as you motionthrough talk. Now, when I swim, the movement of my armsis for you. A high arc,fingertips cleaving bright.Shuddering kick of legs.The sea pool in Seixalis for you. Craggy rocksand my head dipped to blue.Grey crabs line the rocks:I think of the limpets that spot McClure's paintingwith the reading woman,sun hat, white paper sheaf.Memory of last summer,absorbed in Woolf outside.A sudden rush of windcaused the parasol to liftand your own hat to spin right up from your head – where it hovered longerthan seemed possible, black ribbon flapping. Porto Moniz Interview transcript Mark: Suzannah, where did this poem come from? Suzannah: So this poem emerged towards the end of my writing process for writing the poems in Under the Blue which is my first poetry collection. And the first two parts of the book… The book is a triptych of sequences, sort of playing with epistolary forms, so postcards and letters. The first two parts of the book are playing quite specifically with the form of the postcard, and the poems are quite private poems, in some ways. And I was interested in using the postcard form because it is a form which is both private and, in a sense, public in that, when you're writing a postcard, you're writing it to an individual. But a postie can turn that postcard over and read what's on the back. Anyone can read what's on the back. And with this third section in the book, I wanted to directly address some of the earlier figures who had appeared in the first two sections, and I suppose, to address them and to kind of write directly to people. So this poem is written to my mother, and it's in the form of a letter. And I'd say that the writing of this particular poem, this section of the book, was much more deliberate in some ways than the first two sections, which kind of emerged. And then, once I'd written those sections, I had sort of most of a manuscript, and these letters were really kind of, for me, kind of sealing and sending the manuscript off and kind of finishing it in that sense. Mark: Okay. It's really interesting to know that, the postcards come first in the book, and they're all prose poems, aren't they? Suzannah: Yeah. Mark: So they look like postcards on the page. And then, at the end, you've got the sequence of letters, which are kind of long and thin, maybe, to me, suggesting letters are longer than postcards. So, how did you start writing postcards, to begin with? And then we'll move on to the letters. Suzannah: That's a good question. So the postcards, I think I'm always looking for formal inspiration in the things around me. So I am a formal poet in the sense that I've written sonnets. I've written rondels, a lot of rondels. And I'm very interested in traditional form, but I'm also interested in the way that the world can provide forms for the poet. And I was on holiday, visiting my partner's father, when… So this is the first postcard in the book, although it's not sort of titled as a postcard. It's called ‘Under the Blue'. It's the title poem. And that sort of was drawn from a roughly real-life event, where sort of there was this incident with a kayak. My partner was swept off his feet, and it really just brought back to me an earlier experience of actually witnessing a seizure. And that was an experience which had really, really shocked me, and it had come completely out of the blue, really just out of nowhere. And I don't know why, but I had wanted to write about it. Maybe that's a kind of processing thing, or maybe it's just a way to kind of hold close different things that happen in your life. But I'd known for a while that I'd wanted to write about it, and this was years and years later. But seeing this figure being kind of knocked over and sort of just being sort of buffeted in that way really took me back to that night with the seizure. And I felt like these two events were kind of doubled, and I could kind of see both of them at the same time. So it started off with writing about that. And it was, because I was on holiday, a postcard seemed like an apt way to write about that. And so I suppose, kind of, it really started with that first poem. And it's quite subtle, I think, the moment with the seizure. It sort of comes towards the end of the poem. You can sort of read it almost without thinking about the seizure too much. But it does. I think, sort of, that event refracts across the collection. So even though there are moments sort of later in the book where the word seizures is used, someone seizes someone else's wrist in that sort of, a kind of reference back, there's a lot of falling over in the book, a lot of stumbling. And yeah, so I think the impetus for the postcards, kind of, it came from that first section. And actually, they were literal postcards, because I sent some of them. I kind of printed them off and sent them to friends in the post. Because I love…I'm a big letter writer. I send a lot of postcards. Like, postcards are really a big…it sounds weird to say that postcards are a big part of my life, but they kind of are. Like, I really love postcards. I like to collect them from galleries. And so it's partly a homage to my love of the postcard. And I think, also, with postcards, you have the art or the image on the postcard as well. And there's a few kind of ekphrastic moments in the book. So, kind of, all of that is woven in, I think. And the idea of what you can't say in a postcard, I think that's what the middle section of the book, for me, kind of turns the form on its head a little bit more to kind of write about things that maybe you actually wouldn't necessarily write in a postcard. So, to me, I kind of think of them as anti-postcards, almost. Yeah. Mark: So, the form is actually rooted in your life, that you do send postcards. It's not just a conceit for you. Suzannah: Oh, yeah, yeah, yeah. Mark: And of course, when a poem is framed as a postcard or a letter, there is a sense of it feels personal. You know, ‘I' and ‘you' are always… Quite often, there can be quite a lot of ambiguity about who the I is and who the you is. But if you signal it as a letter, like last month, I did Alexander Pope's Essay on Man, which was four verse epistles to Viscount Bolingbroke. And so that puts a different frame on it when you know that he's addressing, ‘My Lord,' and we're kind of overhearing that. Suzannah: Yeah. Mark: There's a sense that this is a personal communication, that maybe there's a real relationship underpinning. Suzannah: Yes. And I think that's something that the whole collection kind of plays with in a way. When I teach poetry, I'm always very adamant, or sort of something that I talk about with students is this idea that you never really can conflate the I of the poem with the poet. Even when there is autobiographical kind of crossover, I think there's something that happens. When you write a poem, it becomes an art object. It becomes something that is changed. I almost want to say it's not a photograph, but I think photographs are kind of complex as well in the way that they capture reality. So I think, for me, there is a real distinction between the first and second sections and the third section of the book. But something that I kind of have been thinking about as well is there's a poem that T.S. Eliot wrote to his wife, and he says something, like, ‘These are private words addressed to you in public.' And so I think this idea of what is private and what is public is really…it makes it quite hard for me to talk about the book sometimes, I think, but it's really at the crux of what it is, the sense of sort of letting the reader into some kind of quite private spaces and the importance of doing that as well, how the private is political. Just all of those things are kind of in there. But I think, in particular, the letters are really public declarations of love and trust, and they are very felt poems that are intended to honour particular people. And the collection ends with a letter to my father, who… The father figure is sort of less present in the earlier sections of the book, but it sort of attributes to my dad. That is an autobiographical kind of poem at the end of the book, which is in thanks really for everything that he does to hold up the people who are in earlier parts of the book and to kind of celebrate his role, to celebrate what he does as a carer, but also just to kind of… I think the letters are just…they're like praise poems really. They're just intended to celebrate these people. Mark: That's a nice idea, isn't it? The praise poem. That should maybe be more prominent, shouldn't it? Suzannah: Yeah. Mark: So with this one, specifically, what could you say about your intention in writing the letter to your mother? Suzannah: I think that this was one of the letters that I found more difficult to write, because the figure of the mother…and again, I won't say my mother because I think, for me, there's still this distinction between, even while the book draws on lived experience, it's not a direct reflection of that. But I think because of the earlier sections of the book, which are, at times, quite stark, I really wanted to write a poem that, I don't know, that sort of dwelled on movement and closeness and joy, I guess, just the delight, the sheer kind of delight of someone moving how they want to move. I think that I was kind of looking at this poem again before, thinking that we were going to talk about it. And that movement, to me, there's a shift after all the sort of you, you, you parts of the poem, which sort of have more kind of…the lines sort of go more to the end of the line. And then, when it starts talking about swimming, there are sort of full stops towards the middle of the lines. And I sort of wanted there to be almost like a kind of pull through those lines, as if someone is swimming through those lines, and you feel the arm going down, your strong front crawl, pause, your assertive gestures as you motion through talk. So kind of like having that pulling movement as swimming in the poem. And my mum, who is disabled, she was diagnosed with a neurological illness when I was 12. She used to be a really keen swimmer. And I remember as a child seeing her do front crawl and being, like, ‘Wow.' I actually only learned to do front crawl properly when I was in my late twenties. And I now love… I really love doing front crawl. I absolutely love it. And again, I swim in celebration of my mum. So if I swim front crawl, I'll always do a length for my mum and kind of dedicate that length to her. So all of those things, again, they're kind of these quite private things that are kind of in the poem, but not fully in the poem. But I think that if you have those kind of reverberations of these kind of memories or feelings, even if you don't write about them directly, they're kind of pulled into the poem through the energy of the language that you do decide to use. Mark: And interestingly, as you talk about the relationship between the real person and the person in the poem, I guess another effect, for me, at least, as a reader, is when I read this, it just makes me think, Oh yeah, people do have their different ways of moving and opening a book or eating a salad, or whatever it may be. That's their kind of signature style in life. Or the little quirks in the way they punctuate their emails. Suzannah: Yeah, yeah. Mark: And so there's the thing of it's very specific, but it's also very suggestive, I think, that we easily identify with a relationship like this, even if the circumstances are different. Suzannah: Yeah, yeah. Yeah. I mean, I like what you say about movement, though. And I feel like every person has their own kind of form, like, if we're thinking about form in poetry. It's what I think about when I watch people run a lot of the time. I'm thinking about, ‘Wow.' Really, really, really different form, really different ways of moving, even though that repetitive motion is very… There are only so many ways that you can run, and yet it is so different for everyone. And I think, with this poem as well, something that I was interested in doing was kind of going back to an earlier point, kind of. So, that ‘You, meeting me at school,' kind of thinking about earlier times as well. And again, the ‘sprinting across the grass' kind of goes back in a way to that opening epigraph to the book, which is from Virginia Woolf's novel, To the Lighthouse, Virginia Woolf being a modernist writer. And it's… Oh, not Virginia Woolf, sorry, what am I saying? It does go back to that, but I'm actually thinking of Charles Baudelaire, who talks about ‘the ecstasy and horror of life'. Mark: He's great, isn't he? Suzannah: Yeah, really. But this idea of the kind of sprinting across the grass, it was just such a joyful thing, such an incredibly out-of-the-blue, again, to go back to that phrase, sudden burst of energy and motion. And I think we were laughing, but also probably crying, so we probably looked pretty strange. And again, I think the book is really interested in those kind of doubled states where maybe there's sort of deep despair, but also real joy, or anger, but delight. So kind of there's a sense of these cyclical movements through those different states, different emotions, or even a kind of merging of those two things together at the same time. Mark: And can I pick up on the Virginia Woolf reference, because that…I mean, in your writing, there's a lot of summer seaside imagery, and you've got the epigraph from To the Lighthouse. So, I would bet that the person reading Woolf outside was reading To the Lighthouse in this poem. And of course, that's a novel with a mother very much at the centre of it. I mean, it's clearly artfully placed in the poem. So I was curious about, what was your decision to put that in? Suzannah: Yeah. I mean, I think it's a very sort of associative poem. It kind of goes from the reference to Daphne McClure, who is an artist, and she has this wonderful, kind of quite humorous painting of a woman reading. And then it kind of goes to actual reading. Mark: Yes. Suzannah: But then it kind of goes back to McClure as well, because in the painting, this woman is reading, she's got this big sheaf of papers or this big kind of white book paper that she's reading. And then the poem kind of has that in mind. And then, when the hat lifts at the end of the poem, sort of, you've got all of it there. So it's kind of going back to that visual image and making its own kind of different visual image at the end of the poem. And I really love, in Woolf's novel, there's this idea of, like, Lily, the painter, and she's thinking about sort of making her mark. And how do you make a mark? How do you begin? How do you create? How do you have a vision? So I suppose that's part of it. And then the epigraph to the book is really just my favourite sort of thing, and it's this idea that Woolf is writing about that if you're watching, if you're looking at waves from far off, kind of, they look very symmetrical, and they look very regular. But if your perspective changes and you're suddenly the swimmer in those waves, it's completely different. You're having this entirely other experience where, you know, how a painter might paint those waves from far off, these lovely, kind of, they're all the same size, they're kind of coming regularly. And then, to be that swimmer, who is having to kind of arch over each wave or sort of get over each wave, and relentlessly, just wave after wave, and each one is different, you know. So again, there's that kind of repetition idea in there, but also this idea of scale and perspective, and the idea that you might kind of look at something from far away, and it seems very orderly, and it seems very symmetrical, and it seems very easy to deal with, essentially. But if you are the swimmer, that's not the case. And each thing requires a lot of consideration. And that's really what the middle section of the book is interested in, sort of how to write about care and how to write about things, which are just very different, I think, when you're in the midst of them, and every particular thing is something that needs to be negotiated in that way. So the image of waves in the Woolf novel is very important, and also the idea of, in the novel, obviously, the lighthouse is this kind of ever-present, sort of, almost like a character. And I wanted the sea to have that role in this book. So a lot of my earlier writing has been about the sea. And this book is less directly about the sea, but the sea is always present, and I wanted it to be heard and felt, even when it's not kind of being described in detail. Mark: That's a very interesting point about different perspectives, because I think we experience that throughout the book. So some of the postcards are very much about the more difficult aspects of care, caring for a parent. So we read this one in the light of that, and vice versa, and so this is, if you like, the praise poem, the joy, the celebratory. Suzannah: Yes. And I think I'm very, very interested in the relationship between prose… I was going to say prose poetry and line-broken poetry, but also just poetry and prose. And a lot of my influences for writing are quite prose-y, often. I'm interested in prose writers, and I'm interested in where that line is between this idea of what makes a prose poem a poem. And I think if you give a reader a kind of extensive amount of prose, and that sets up a particular kind of rhythm, a particular kind of feel, but then, to follow that with very short-lined poems, line-broken poems, it's a different kind of… I think I wanted it to be almost like a kind of lift at the end of the book, where you've kind of had this kind of, I don't want to say denser, but definitely starker prose. And then there's kind of a much shorter section at the end of the letters, it's very short, but it's kind of just a movement into a different kind of writing. And I wanted that to be a noticeable kind of contrast. Mark: Yeah, definitely. I mean, even visually on the page, the prose looks denser, whereas these, I don't know, it feels like you pick your way a bit more nimbly through these. How did you arrive at that as the solution to how you represent a letter on a page? And was this one of the later ones? So in a sense, the form was predetermined, but it's like you're writing a sonnet sequence, and then you know that there's going to be another one like that. Suzannah: Yeah. So I really do like a sequence. A huge amount of my writing involves sequences, and I think there's something about, if you do something one time and you like it, I think it's worth doing it again. So my first pamphlet is a sequence of poems about the British surrealist artist Eileen Agar. And I often just keep going. If I'm writing something, kind of, I keep going with that. So yes, this was part of an earlier sequence in the sense that the first letter in the book is the first letter that I wrote, and I think, in that sense, the form was kind of set out. And then, in terms of it being kind of, like, a longer shorter-lined poem, I was thinking a little bit about how if you unfold a letter from an envelope, you would have to do that with this poem. Mark: Oh, yes, I remember that. Suzannah: Yeah. And it can be quite tricky, actually. I find it quite tricky to fold letters so they fit correctly in their envelope. But yeah, there's something about that. Whereas the postcard poems, they are, like, poems that you could almost kind of fit to the back of a postcard. But the ones that kind of escape from that or kind of defy that form, I think, are also…that's interesting to me as well, kind of, to flip that. So, for example, I think the most…the postcard that, to me, is the crux of the middle section is the postcard on Christmas night, which is one that I had thought that I would not ever really want to read out loud because it's quite an intense poem. But I did read that one at the London launch for my book at Burley Fisher Books because I was kind of surrounded by people that I knew, and it felt right. But that poem is a much longer postcard. And again, I like the idea of a postcard where you're defying the amount of space that you have to write in. And again, I think that prose poems also do that, because there's a similar kind of sense of overspill in a prose poem, because you're tipping over that line end, and that's quite defiant as well. So I think, if you then tip over the form of the postcard, it's kind of a doubly defiant, formally, kind of way of writing. Mark: Thank you, Suzannah, for sharing such a personal and beautiful poem today and a joyful one. And I would encourage listeners to go and check out the rest of the book and see how it fits into the sequence, because this is really one of those books where the parts really do make up something bigger than the whole. So let's have another lesson to ‘Letter to My Mother'. Suzannah: Thank you. Letter to My Mother by Suzannah V. Evans You, pedalling your armsabove your head in bed,that bad arm suddenlymobile and flexible.You, meeting me at school,feeling something stir, sprinting across the grass . . . the two of us laughing, Mr. Tarpin peeringquizzically from the gate.You, with your bright lipstick.You, with your hands like mine.You, with your floppy hat.You, with your easy laugh.You, with the ellipsesof your emails. Your strongfront crawl. Your assertivegestures as you motionthrough talk. Now, when I swim, the movement of my armsis for you. A high arc,fingertips cleaving bright.Shuddering kick of legs.The sea pool in Seixalis for you. Craggy rocksand my head dipped to blue.Grey crabs line the rocks:I think of the limpets that spot McClure's paintingwith the reading woman,sun hat, white paper sheaf.Memory of last summer,absorbed in Woolf outside.A sudden rush of windcaused the parasol to liftand your own hat to spin right up from your head – where it hovered longerthan seemed possible, black ribbon flapping. Porto Moniz Under the Blue ‘Letter to My Mother' is from Under the Blue, published by Bloomsbury Poetry. Available from: Under the Blue is available from: The publisher: Bloomsbury Poetry Amazon: UK | US Bookshop.org: UK Suzannah V. Evans Suzannah V. Evans is a poet, researcher, and educator. Her debut collection Under the Blue is shortlisted for the Dylan Thomas Prize, and her work has received the Ivan Juritz Prize and a Northern Writers' Award. Her poetry pamphlets are Brightwork and Marine Objects / Some Language. She teaches poetry in adult education and works with Poetry By Heart. suzannahvevans.com Photograph by Naomi Woddis A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Letter to My Mother by Suzannah V. Evans Episode 90 Letter to My Mother by Suzannah V. Evans Suzannah V. Evans reads ‘Letter to My Mother' and discusses the poem with Mark McGuinness.This poem is from: Under the BlueAvailable from: Under the Blue is available from: The publisher: Bloomsbury Poetry... From An Essay on Man by Alexander Pope Episode 89 From An Essay on Man by Alexander Pope Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope.Poet Alexander PopeReading and commentary by Mark McGuinnessFrom An Essay on Man Epistle II By Alexander Pope Know... Occupied by Tim Rich Episode 88 Occupied by Tim Rich Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK...
Coming soon to the Binge is My Mother's Lies. In the summer of 2000, Jessica Currin was found murdered in a small Kentucky town. Ray McCord's mom Susan Galbreath had been integral in solving the crime, and even helped law enforcement put a man, Quincy Cross, in prison for life. After Ray inherited a box of files from his mom, his world is turned upside down. Among the hand-written notes, letters and photos, he finds what he believes is a sinister lie… As he sifted through his mother's investigation, he realized things just weren't adding up. Binge all episodes of My Mother's Lies ad-free April 1st by subscribing to The Binge. Visit The Binge Crimes on Apple Podcasts and hit ‘subscribe' or visit GetTheBinge.com to get access. The Binge – feed your true crime obsession. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Anna Holmes joins Vanessa to talk about the unnerving overlap between having a parent with dementia and experiencing perimenopause brain fog, and the terrifying question that raises: is this just aging, or the beginning of something worse? It's a candid, darkly funny conversation about how to stay present, even when we're afraid. For more from Anna, you can read her New Yorker article, My Mother's Memory Loss, and Mine or order one of her amazing books. Also discussed: read about the new AI dementia glasses. To connect with the team and gain access to behind the scenes content, join our community at joincampside.com. You can also find us on Instagram, TikTok & Youtube. If you have questions you want Vanessa to try to answer, or just want to tell us what you think of the show, email us at parents@campsidemedia.com. Can't wait to hear from you! Our production team is Shoshi Shmuluvitz, managing producer and editor; Lily Houston Smith, senior producer; Ashley Warren, production manager; Yi-Wen Lai-Tremewan, studio recordist; and music by Mark McAdam and Amber Devereux. Learn more about your ad choices. Visit megaphone.fm/adchoices
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